Y3/4: Summer Term Whole class teaching Wk 1 Fiction Plan 5B: Stories about times past Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson Monday Tuesday Wednesday Thursday Friday Show a map (plan resource). Explain that the stories we are going to be looking at during this unit come from the Persian Gulf (UAE in particular). Discuss what chn know about this region today. Has anyone visited or lived in one of the countries? Show The Pearl Diver by Julia Johnson. The story tells of a way of life that had died out by the 1960s, but had existed for 100s of years in the Gulf prior to that. The economy of many Gulf states relied on the pearl-trade before the oil era. Pearl diving declined from the late 1930s, partly through falling demand for pearls, partly because of the discovery in Japan of a method for culturing pearls artificially. References in the story are specific to the religion of Islam, e.g. p19 ‘they said their prayers (before sunrise)’. Read up to page 46 and ask chn to discuss with a partner what will happen next (predict). Spoken language 1/ Comprehension 1 Remind chn they predicted (see f/c) yesterday what they thought was going to happen next in The Pearl Diver. All stories have a beginning, a build-up to a problem, the crisis itself, then a resolution. The story finished yesterday at the end of the build-up (a cliff-hanger): Abdullah was tired at the end of a day’s work, but he wanted to collect the tabreh he had seen… Explain to chn that they will work in groups of 5-6 to improvise next scene(s). Give chn 5 minutes to discuss their ideas and decide who will play which role, e.g. Saeed, Abdullah, Nakhuda, Ahmed, Abdullah’s hauler, and other divers /haulers. Tell chn they will need to discuss and agree their predictions/what happens next. Spoken language 2 Write shuddered, lurked, perished and befell on f/c. What type of words are these? Powerful verbs (all from p14). This is one technique that writers use to make a narrative text more interesting. Can chn think of other features that might be used (plan resources)? Vivid adjectives, adverbs, similes (comparisons) metaphors, repetition, different sentence lengths, etc. Briefly rehearse what each of these terms means. They all help a reader to visualise events in the story. Wonderful illustrations also add to this. Some words used in the story are included in a glossary at the end of the book. Show this and discuss how glossaries are usually found in information books. Comprehension 2/ Word reading/ Transcription 1 Look again at excerpt from Pearl Diver (see resources). Using highlighters on an enlarged copy or on IWB identify dialogue, i.e. direct speech, shown by speech marks. Point out that the author has used reported speech at other points on the page, e.g. ‘It was said that Abdullah was one of the best divers’. Other examples: p33 ‘His father had asked a Bedouin to bring the camels for their journey’, p35 – ‘The men quickly accepted him as part of the crew, and told his father that he was a good worker for such a small boy’. Ensure that chn understand the difference between direct and reported speech. Rehearse use of speech marks and the need for associated punctuation in direct speech/ dialogue. Point out that language used in dialogue often includes dialect, slang and contractions – the same as when someone is talking. Grammar 1 Before JJ wrote The Pearl Diver, she found out about pearl diving in the Persian Gulf. She spoke to men who had been divers and found letters (plan resources) written by British diplomats describing some aspects of pearl diving. She used ‘pearling maps’ (plan resources). Each red circle = a pearl bank. But an experienced boat captain, Nakhuda, needed no map. Ask chn what equipment divers use today. Show diving equipment: fins (often incorrectly called flippers), snorkel, a mask. Compare a wet suit (image in plan resources) with the thin cotton suits pearl divers used to wear. Watch short video clip of the grandson of a pearl diver showing how his grandfather taught him to dive. Then show photos of artefacts that JJ collected. Which are mentioned in the story? Chn imagine they are going to create a museum about pearl diving using these artefacts. Composition 1 Spoken language Objectives g. use spoken language to hypothesise and imagine f. participate in conversations Pupils should be taught to: i. participate in improvisation k. attend to and build on the contributions of others g. use spoken language to explore ideas Dimension 1. Monday (in the main teaching): Predict what will happen next in The Pearl Diver Read The Pearl Diver to p46 and ask chn to discuss with a partner what they think might happen next, i.e. to predict what will happen next. Plenary: See Comprehension 1 2. Tuesday: Improvise suggested endings for the story using freeze frames Leave time to finish the story in the plenary. Put chn into groups of 5 to 6 and give them 5 minutes to discuss and plan their improvisation. Ensure chn understand what ‘improvise’ means – they do not have to learn a script but say what they feel their character would do and act accordingly too (empathise with the character). Give each group the opportunity to perform. The audience interprets the frozen moments. Afterwards each group chooses 3 key moments to turn into freeze frames. Clap your hands, the group holds the 1st image; clap again and they move into the second image; on the last clap they create the final image. The other groups interpret what is being shown in each frozen moment. Plenary: Read rest of The Pearl Diver. Were chn’s predictions correct? The story ends with the resolution of the problem. © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Resources The Pearl Diver by Julia Johnson (see resources) Drama: What happened next by Julia Johnson (see resources) The Pearl Diver by Julia Johnson Y3/4 Sum F Plan 5B Comprehension Y3/4: Summer Term Fiction Plan 5B: Stories about times past Develop positive attitudes to reading by: a. listening to a wide range of fiction g. discussing words and phrases that capture the reader’s interest and imagination Understand what they read by: a. explaining the meaning of words in context d. predicting what might happen f. identifying how language and structure contribute to meaning Develop positive attitudes to reading by: g. discussing words and phrases that capture the reader’s interest and imagination Understand what they read by: f. identifying how language and structure contribute to meaning Participate in discussion about books that are read to them Develop positive attitudes to reading by: a. listening to and discussing a wide range of fiction Participate in discussion about books that are read to them Word reading Transcription Apply their growing knowledge of words, both to read aloud and to understand the meaning of new words they meet Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson 1. Monday: Identify and understand language indicating a bygone age All children: Hand out pictures of oysters and divers (plan resources). Remind chn that language can create the feel of a bygone age (plan resources). The vocabulary used and the way in which a sentence is constructed can give the impression it was written a long time ago. Hand out the examples of sentences taken from the first part of the story and ask chn in pairs to think how they might write those sentences today (point out that there is more than one way of doing so). Share their ideas. Medium/Hard: Extend these chn by handing out the sheet entitled ‘Atmosphere’ and challenging them to find phrases and sentences which add atmosphere. Plenary: Share chn’s versions of some of the sentences in the first resource. Discuss how there will be several correct answers to each one. The Pearl Diver by Julia Johnson Atmosphere: Language by Julia Johnson (see resources) List of phrases/sentences (see resources) Pictures of oysters & divers (see resources) 2. Wednesday: Identify features of a text used to enhance imagery You will need either copies of the book or photocopies of different pages. Place these in the centre of the table for each group. Provide the sheet on Atmosphere and Visualisation – ask chn to think of parts of the story where they can visualise what happened. Provide some copies of different pages so they can look through them. Now provide the excerpt from The Pearl Diver and also the Toolkit of Features, one copy of each per pair. Chn then work as a group with an adult (less able) or in pairs to identify and highlight features in the excerpt, which make the text more interesting. What impact do these features have on the reader? They help paint a picture in your mind, add detail about setting or characters, help the reader hear associated sounds in their head, etc. More able chn should use the correct vocabulary to name these features, e.g. metaphor, simile. Plenary: Go through the excerpt together discussing the features chn found. Point out that the illustrations also help to build the atmosphere. Show chn some of the illustrations. What do they add to the story? They show the setting, weather, characters, etc. in more detail. 3. Friday: Research background to the story Tell chn how Julia Johnson carried out research in 2001 for her book by interviewing an old man who had been a diver – The Pearl Diver is dedicated to his memory (show chn). She also visited exhibitions and talked to a librarian. Julia wrote the book because she could not find any chn’s books about pearl diving. Where would chn look for information about pearl diving today? Now you can look online as there is lots of information available about pearl diving in the Gulf & you can read The Pearl Diver! Plenary: See Composition 1. 1. Wednesday (in main teaching): Understand the reasons for a glossary in a fiction book Look at some of the unusual words used in the book: nakhuda, shamal, fathom, etc., which are listed in the glossary at the end of the story (show chn the page). In which types of books are glossaries usually found? Information books. Why is one included here? Is it important? Some of the words used are from a different culture – some are Arabic in origin, some are specific to the subject of the story. The glossary helps the reader understand the subject matter. See Comprehension 2. Atmosphere: Visualisation by Julia Johnson (see resources) Copies of pages from the book. Excerpt from The Pearl Diver (see resources) Toolkit of features (see resources) © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Finding things out by Julia Johnson (see resources) Pearl banks map (see resources) The Pearl Diver by Julia Johnson Y3/4 Sum F Plan 5B Composition Grammar Y3/4: Summer Term Fiction Plan 5B: Stories about times past Indicate grammatical and other features by: c. using and punctuating direct speech Draft and write by: a. composing and rehearsing sentences orally, progressively building a varied and rich vocabulary and an increasing range of sentence structures d. in non-narrative material, using simple organisational devices Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson 1. Thursday: Punctuation used in dialogue; compare direct and reported speech Work with chn to change the reported speech in the excerpt from The Pearl Diver into direct speech. Similarly change some of the direct speech on p11 into reported speech. What changes need to be made to the sentence as well as to the punctuation? Use sentences from The Pearl Diver to illustrate the ‘rules’ for dialogue punctuation (plan resources). Give other sentences from the book to chn to convert (plan resources) – less able can work in pairs. Plenary: Go through the sentences together, pointing out that there are many ways to change the sentences to or from direct speech. Check the punctuation used too. Discuss how dialogue can be used to convey character and to advance the action. The opening of a story can be a piece of dialogue – it introduces some of the characters & can describe the setting or the action. Other ways of opening a story are a description or some action. Look at the opening of The Pearl Diver – which sort is it? Description. 1. Friday: Write labels for museum exhibits You will need computers for chn to work with as they need to word process their labels. Provide copies of (i) the Preface to the story, (ii) Diving for Pearls resource sheet and (iii) the photographs of the artefacts. Chn will need to write labels with explanations that describe each artefact – what it is, how it was used, who used it, what it is made of, etc. Chn can word process these labels as it makes it much easier to edit and redraft. It also looks professional, and they are short texts for slower typists, etc. Show chn how to create a border around the paragraph to improve presentation. Plenary: Display the labels alongside the photographs. Discuss what else you might like to include in your museum, e.g. photographs, real pearls, oysters (or clams) for visitors to handle. © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Excerpt from The Pearl Diver (see resources) Dialogue punctuation check list (see resources) The Pearl Diver by Julia Johnson Sentences to change (see differentiated resources) Copies of the Preface Photographs of artefacts by Julia Johnson (see resources) Diving for pearls by Julia Johnson (see resources) Wet suit photo (see resources) Access to word processors Y3/4 Sum F Plan 5B Y3/4: Summer Term Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson Tuesday Wednesday Thursday Friday Look at the most exciting part of the story starting on p47. List the events on the f/c. i. Abdullah fills his lungs with air and dives deeper than he has been before. ii. He finds the great clutch of oysters and prises it away. iii. The rope goes slack… Continue – listing the main events until Abdullah is safe. Explain to chn that today they will write this part of the story from a different point of view. This means we empathise with our character. How will the story change if it is written by one of the characters? 1. It will be written in the first person (pronouns: I, we). 2. Different things will seem important and so our version may dwell on those and ignore other things. Discuss what each character might concentrate on. Remind chn of the list of features that make the text more interesting for readers. Comprehension 4/ Composition 2 Read A Gift of the Sands, also by Julia Johnson. This book is for slightly younger readers than The Pearl Diver. How do we know that? It has a lot of repetition (wriggled and jiggled); it is a simpler story, with a repetitive structure; and it is fantasy – pearls are not alive and can’t think or speak. What type of story opening is used? Description and dialogue. Note that there are lots of problems, which are each resolved before the next problem arises; and also that different fonts are used for the repetition. Which story do chn prefer? Why? Note that this book also has a glossary. Write some examples of possessive apostrophes based on the story on f/c, e.g. the red snapper’s stomach and the cat’s supper, the camels’ alfalfa, the men’s voices. Ask chn to name the punctuation mark used, i.e. an apostrophe. It shows possession. Then write some sentences from the book, e.g. “No! No! Stop!” cried the pearl. “Don’t you know who I am?”; “Now there’s a pretty thing!” squawked the mynah bird. Point out that the apostrophe has been used again, but this time it shows that a letter has been missed out in a contraction. Discuss the use of apostrophes particularly when used with plural nouns, using plan resource. Comprehension 5/ Grammar 2 /Transcription 1 and 2 Explain that chn are going to write their own stories in the style of A Gift of the Sands. Discuss how they can create the same structure – plan a series of places where a pearl could go and what could happen to it, if the story happened today. Chn talk to a partner, then feedback suggestions to class. Write ideas on f/c, e.g. rock pool, child’s bucket, supermarket, school, vehicle, launderette. How might it be travel? e.g. caught in a tyre, child’s fishing net/bucket, taxi, shopping basket, school satchel. Why might people travel to the beach (for example) and therefore find the pearl in the sand? e.g. to have a BBQ, to go snorkelling; or why might they travel to a desert? To toboggan down sand dunes, to have a BBQ, to drive up & down the sand dunes in a 4x4 vehicle, to camp under the stars, etc. Some ideas could be similar, e.g. a bird picking up the pearl and dropping it somewhere. Composition 3 Give chn plenty of time to write their repetitive story. Remind chn of the grammar they have studied during this unit – challenge them to use direct and indirect speech, to use apostrophes (both for possession and in contractions) in their story. Can they use a possessive apostrophe with a plural word? When they have written their story, chn proof read for spelling and punctuation errors. They then work with a response partner to give positive feedback and then edit their story as appropriate. Composition 4 Whole class teaching Monday Re-read The Pearl Diver. From whose point of view is the story told? The Narrator. How do we know this? It is told in the third person, except for the dialogue. Third person pronouns are used – he, they. Read the opening paragraph with chn. Ask questions such as: How is Saeed feeling? What are the clues? Point out that Saeed is only 6! Ask chn what they did when they were 6 and what they think about Saeed going to sea for 4 months as a deckhand. How would Saeed’s mother have felt? What about his father? Hot seat a child as mother. Give chn time to ask open-ended questions, e.g. How will you feel if something bad happens to your son? (plan resources). Now hot seat a different child as Abdullah. Question him. Spoken language 3 & 4 Objectives Dimension Resources Spoken language Wk 2 Fiction Plan 5B: Stories about times past a. listen/respond appropriately to peers b. ask relevant questions to extend their understanding e. give well-structured narratives for different purposes, including for expressing feelings g. use spoken language to imagine and explore ideas i. participate in role play 3. Monday: Rotate chn through this activity and the game. Drama – role play different characters Help chn understand how to empathise with characters by asking them to work in threes to act out the discussion between Saeed, his mother and his father (see plan resources). Suggest that both mother and father ask each other questions. How will you feel if…? How can you be sure that…? Do you want to keep him….? Encourage chn to think about how Saeed’s parents might be feeling (pride, anxiety, helplessness) before Saeed went on his first trip. Then chn can hot seat each other as Saeed and ask him about his feelings before his first dive. Encourage chn to ‘step into the shoes’ of the character and imagine how Saeed would feel, think, react, etc. Explain that actors need to do this to take on a role, but also writers need to empathise with their characters to bring them alive for the reader. Plenary: See Spoken language 4. Empathising with characters (see resources) © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Y3/4 Sum F Plan 5B Y3/4: Summer Term Fiction Plan 5B: Stories about times past Grammar Word reading Transcription Comprehension Pupils should be taught to: a. listen and respond appropriately i. participate in discussions Develop positive attitudes to reading by: b. reading books that are structured in different ways e. identifying conventions in books Understand what they read by: drawing inferences such as inferring characters’ feelings and motives Develop positive attitudes to reading by: b. reading books that are structured in different ways Understand the books they read by: f. identifying how language and structure contribute to meaning Participate in discussions about books Spelling Pupils should be taught to: d. place the possessive apostrophe in words with regular and irregular plurals Spelling Pupils should be taught to: c. spell words that are often misspelt f. write from memory simple sentences, dictated by the teacher, that include words taught so far e. use the first two or three letters of a word to check its spelling in a dictionary Indicate grammatical and other features by: b. indicating possession by using the possessive apostrophe with plural nouns Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson 4. Monday: Rotate chn through this activity and the drama. Play a game together The Race game board, Give chn the opportunity to play the game called The Race which follows the pearling boats through the rules & counters (see season (plan resources). Who will be the first to get back to port with a good haul of pearls? Chn could be resources) challenged to write some extra red or blue cards using their knowledge of pearl diving. Red & blue cards + Plenary: Ask some questions to help chn review the game. Did playing the game help the chn empathise with blanks (see resources) the divers – the uncertainty/the ups and downs of the job? 4. Tuesday (in main teaching): Study how a story is told from a particular point of view The Pearl Diver Establish that the story of The Pearl Diver has been written from the point of view of a narrator, where we see what by Julia Johnson happens mainly through Saeed’s eyes. Discuss the changes that would be made if the story was told by one of the Toolkit of other characters, e.g. Abdullah or the Nakhuda or Ahmed. We will need to use first person pronouns, instead of third features (see person; some events in the story will be more significant than others for a particular character. Rehearse the features last week’s that make narrative texts more interesting for the reader. Discuss what each main character (Abdullah, the Nakhuda resources) or Ahmed) might consider important. Plenary: See Composition 2 5. Wednesday (in main teaching): Discuss story structure A Gift of the Read A Gift of the Sands by Julia Johnson to chn. Discuss that this was written for slightly younger chn and how we Sands by Julia can tell this, e.g. repetitive language and structure; simpler story line; fantasy, though the historical descriptions of Johnson daily life are accurate. Look at the repetition of ‘wriggling and jiggling’ and ‘it was right/wrong’. Empathising with the main ‘character’ is rather different in this story, as it is an object – the pearl. The structure of the story still shows a beginning, a middle and an end, but the middle has a series of short problems & resolutions, instead of a slow build up to one main problem or crisis as in The Pearl Diver. 2. Wednesday: Place apostrophes accurately in words with regular and irregular plurals See Grammar 2 Use of Use the plan resource to discuss the use of apostrophes for both possession and in contractions as in Grammar 2. apostrophes Plenary: See Transcription 2 (see resources) 3. Wednesday – Plenary: Read and spell words with endings sounding like /ʒə/ or /tʃə/ List of words with endings Plenary: Write ‘treasure’ on f/c. Tell chn that pearls are considered to be treasure, as they cost a lot of sounding like /ʒə/ or /tʃə/ money to buy. The sound at the end of the word, /ʒə/, is always spelt -sure. Ask chn if they know any (see resources) other words spelt like this? e.g. measure, pleasure. The ending sounding like /tʃə/ is often spelt –ture, Differentiated spelling lists e.g. creature. Ask chn for other suggestions, e.g. furniture, picture. (see resources) If appropriate, point out that chn should be careful that the word is not a root word ending in -(t)ch with Dictionaries an -er ending, e.g. teacher, catcher. Show chn a list of words with endings sounding like /ʒə/ or /tʃə/ Themes in the story by Julia (plan resources). Give chn differentiated spelling list to learn for homework. Johnson (see resources) 2. Wednesday: Know when to use apostrophes used for possession and contractions See Transcription 1 Use of Use the plan resources to discuss the use of apostrophes to show possession and in contractions. apostrophes Easy: Give chn the simple contractions sheet. Encourage them to write some elaborated sentences. If time they can (see four go on to look at the Tricky it’s or its sheet. sheets of Medium: Chn work through the simple Contractions sheet and then the Possessions sheet. If time they move onto differentiated look at the Tricky it’s or its sheet. resources) Hard: Chn can work through all four sheets, first Contractions and Possession and then the Tricky sheets. Plenary: See Transcription 2 © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Y3/4 Sum F Plan 5B Y3/4: Summer Term Fiction Plan 5B: Stories about times past Composition Plan their writing by: a. discussing writing similar to that which they are planning to write Draft and write by: a. progressively building a varied and rich vocabulary b. organising paragraphs around a theme Plan their writing by: a. discussing writing similar to that which they are planning to write in order to understand and learn from its structure, vocabulary and grammar b. discussing and recording ideas Draft and write by: a. composing sentences orally, progressively building vocabulary and an increasing range of sentence structures b. organising paragraphs around a theme c. in narratives, creating settings, characters and a plot Evaluate and edit by: a. assessing the effectiveness of writing Proof read for spelling and punctuation errors Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson 2. Tuesday: Retell the story in writing from a different point of view using first person pronouns Easy: Chn start to retell in writing the story of Abdullah’s dangerous dive and narrow escape from the point of view of Abdullah himself. Highlight how this is different to the version they have read. They will need to write in the 1 st person (I filled my lungs with as much air as I could, etc. They can use the numbered list of events on the board to write their story. Medium: As Easy but retell this part of the story from the point of view of the hauler, Ahmed. They should think how Ahmed – who knows Abdullah better than anyone, even his son, might imagine what is happening to him. Hard: As Easy but retell this part of the story from the point of view of the Nakhuda (boat captain). Chn should use their imagination as to what the Nakhuda might have done and said when he wasn’t mentioned in the story. Plenary: Volunteers read out their story. Other chn give positive feedback. 3. Thursday: Plan own repetitive story about a pearl Chn work in pairs to discuss ideas for writing a story similar to A Gift of the Sands but based on today’s daily life in the Gulf States. Bring the class back together and write suggestions (possible ideas given above) on f/c. Explain that each child will write their own story with the pearl having 3 ‘adventures’ before being found by someone who makes it feel special. To whom could the pearl be given as a gift? Mother, sister, friend, grandmother, aunt, teacher!!, etc. Chn write an outline plan for their story, listing the character who ‘finds’ or moves the pearl accidently for each ‘adventure’, where the pearl goes, how the pearl gets moved to the next place and how it is eventually found by someone to make it feel special. Plenary: Ask volunteers to share their ideas. Has anyone thought of a repetitive phrase to use like ‘wriggled and jiggled’/ ‘but it was wrong’, or will they use those? 4. Friday: Write their repetitive story Give chn plenty of time today to write their stories. Everyone should try to create 3 adventures for their pearl based on yesterday’s planning. There should be an opening paragraph, a paragraph for each ‘adventure’ and a paragraph to describe what happens to the pearl in the end. Encourage chn to use some of the grammar they have learnt this week (as well as ‘adventure’ - one of the words for spelling): apostrophes in contractions and for possession; dialogue using correct punctuation. Chn should proofread their writing and then work with a response partner to read each other’s story and give positive feedback. Plenary: Share stories – what was the strangest thing tat happened to the pearl? © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. The Pearl Diver by Julia Johnson None Chn’s planning Y3/4 Sum F Plan 5B Y3/4: Summer Term Fiction Plan 5B: Stories about times past Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson Books: The Pearl Diver by Julia Johnson, Stacey International, ISBN: 97819009885282. This book is available from Medina Publishing, info@medinapublishing.com. A Gift of the Sands by Julia Johnson, Stacey International, ISBN: 9781900988919 Websites: http://www.juliajohnson.ae/ Julia Johnson’s website which includes a biography http://www.juliajohnson.ae/audio.html An audio version of part of The Pearl Diver read by Julia Johnson http://shop.mirajaudio.com/album/a-gift-of-the-sands An audio version of part of The Gift of the Sands (whole recording is available to buy if required) The links to the websites and the contents of the web pages associated with such links specified on this list (hereafter collectively referred to as the ‘Links’) have been checked by Hamilton Trust (being the operating name of the registered charity, William Rowan Hamilton Trust) and to the best of Hamilton Trust’s knowledge, are correct and accurate at the time of publication. Notwithstanding the foregoing or any other terms and conditions on the Hamilton Trust website, you acknowledge that Hamilton Trust has no control over such Links and indeed, the owners of such Links may have removed such Links, changed such Links and/or contents associated with such Links. Therefore, it is your sole responsibility to verify any of the Links which you wish you use. Hamilton Trust excludes all responsibility and liability for any loss or damage arising from the use of any Links. Scroll down for Outcomes © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Y3/4 Sum F Plan 5B Y3/4: Summer Term Fiction Plan 5B: Stories about times past Main texts: The Pearl Diver/ A Gift of the Sands by Julia Johnson Outcomes Monday Tuesday Wednesday Thursday Friday 1. Locate the Persian Gulf. 2. Listen to The Pearl Diver by Julia Johnson (up to p46). 3. Appreciate the background to the story. 4. Discuss the old-fashioned language used. 5. Predict what will happen next. 1. In groups use role play to visualise prediction. 2. Improvise. 3. Listen to rest of story. 4. Discuss the structure of the story – opening, build-up, problem, resolution & ending. 5. Use freeze frames to identify key moments in the story. 1. Recognise powerful verbs used in the story. 2. Identify other features used by the author for imagery. 3. Discuss the use of a glossary in a fiction book. 1. Discuss the layout and punctuation used in dialogue. 2. Compare direct speech with indirect or reported speech. 3. Convert direct speech to reported speech and vice versa. 1. Appreciate how writers research their stories. 2. Study the equipment used by pearl divers. 3. Write labels for museum exhibits of pearl diving artefacts. 4. Use word processing to draft, edit and redraft their writing. 1. Discuss empathising with characters. 2. Take part in questioning of hotseated main characters from the story. 3. Play a game to empathise with pearl diving crew. 1. Listen to part of The Pearl Diver again and consider from whose point of view the story is told. 2. Identify features of stories told by narrator. 3. List key points in this part of the story. 4. Retell part of The Pearl Diver from the point of view of a different character. 5. Use first person not third person pronouns. 1. Listen to A Gift of the Sands by Julia Johnson. 2. Discuss the structure of the story. 3. Understand that apostrophes can be used to indicate missing letters and to show possession. 4. Use possessive apostrophes with plural nouns. 5. Learn spelling of words with endings sounding like /ʒə/ or /tʃə/. 1. Discuss possible settings and characters in a story based on A Gift of the Sands. 2. Plan a story in the style of A Gift of the Sands. 1. Write a story in the style of A Gift of the Sands. 2. Write in paragraphs. 3. Include dialogue and apostrophes in their writing. 4. Proof read their own writing. 5. Give positive feedback to a response partner about their writing. © Original plan copyright Hamilton Trust, who give permission for it to be adapted as wished by individual users. Y3/4 Sum F Plan 5B