1 WGSS 1110: Gender, Sex & Power Recitation Caldwell Lab 0135 MWF, 10:20 am – 11:15 am Instructor: Ellie Flohn email: flohn.1@buckeyemail.osu.edu Office: Dulles 0030 Office Hours: Fri. 11:30-12:30 or by appointment Students with Disabilities Students with a university-documented disability certified by the Office of Disability Services should discuss with me any special accommodations needed for the course. Please make me aware of your needs as soon as possible. The Office for Disability Services, located in 150 Pomerene Hall, offers services for students with documented disabilities. Contact the ODS at 2-3307, 292-3307, TDD 292-0901; http://www.ods.ohio-state.edu/. Course Description: Gender, Sex, and Power is an introductory course into the interdisciplinary fields of Women’s, Gender, and Sexuality studies. This course is designed to be accessible to students from diverse academic backgrounds and disciplines, as it will present an overview of the central contestations in contemporary women’s, gender, and sexuality scholarship. We will explore the ways in which gender shapes, constructs, constricts, and defines our daily lives. Though our primary lens of analysis for the course will be through gender we will also spend a considerable amount of time examining the ways in which race, class, sexuality, ethnicity, age, and ability impact our lived realities, as well as shape (and are shaped by) institutions, policies, and culture. This course is a pre-requisite for the major and minor in Women’s’, Gender, and Sexuality Studies. The course fulfills three GE requirements: Cultures and Ideas, Social Science Individuals and Groups and Social Diversity in the United States. Women’s Studies 1110 fulfills the Cultures and Ideas GE by engaging students in critical listening, reading, seeing, thinking, writing and experiencing the arts and reflecting on that experience. It fulfills the Social Science GE requirement by helping students understand human behavior. The course focuses specifically on how gender structures human societies, cultures and institutions. In addition, this course fulfills the Social Diversity GE requirement by fostering an understanding of the varied ways gender, race, class, sexuality, physical ability, and age impact the nature of institutions, society and culture in the United States. Course Learning Objectives: 1. To understand the histories, legacies, and aims of various feminist movements as well as the current discipline of WGSS. 2. To learn to understand gender and other “identity markers” as categories that have been socially constructed and are wholly employable in analyses of the surrounding world— both material and theoretical—and work in complex systems of power relations. 3. To understand how gender is both produced by and produces systems of oppression, privilege, and difference. 4. To learn how we can analyze institutions, society and culture through understandings of gender and critical analytical categories. 2 5. To recognize the importance of gender in the context (and history) of public policy, theories, and social thought. 6. To understand the ways in which our daily lives and identities are complex and can be politicized for mobilization and organization for change. 7. To begin to cultivate an intersectional and/or critical consciousness that helps us to reconceptualize the world around us in terms of oppression, privilege, and difference Classroom/Discussion Decorum: Attendance: Please arrive and be ready to participate in the classroom by 10:20. Also be prepared to work through the entire class period and avoid packing your things until class ends, I will record Respect: We will routinely discuss topics that many people consider taboo, controversial, upsetting, deeply personal, or simply unfamiliar. To ensure a safe, constructive environment, we will establish “ground rules” for class discussion. Participation: The importance of participation in WGSS classes cannot be overemphasized. It is very important that you come to the class having read the assigned reading material. To receive credit, students must participate in recitation discussions through a combination of speaking, active listening, eye contact, and general good attention. We will all benefit from a more in-depth and active discussion, as well as exchanging ideas and perspectives. Electronics: Cell phones/laptops/tablets should NOT be seen, heard, or used by anyone during the 55-minute recitation. Please bring you readings/questions/notes in paper format. Required Texts: Reading Women’s Lives Pearson Custom Publishing. (Makes sure to purchase Spring 2014, Ellie Flohn as other instructors will be using different versions) *Supplemental Readings will be provided in PDF form on Carmen per the reading schedule Course Requirements & Grading: Midterm Exam Final Exam Writing Assignments* Participation & Attendance 1/4 1/4 1/4 1/4 Your Grade *Includes three (3) writing assignments + attendance/participation grade at 25 pts each. You will complete four (4) writing assignments and drop your lowest grade. I will provide further and more detailed explanations of the assignments as they draw near. The due dates for all writing assignments have been specified in this syllabus. Due dates are final and no extensions will be provided unless prior arrangements have been made. You are permitted two (2) recitation absences without penalty. Each additional absence will subtract two points from your attendance/participation grade. To earn full attendance credit for each class, you must participate in discussion. Late Work: In order for students to get full credit for work it needs to be submitted in hard copy in class on time (on the date specified on the syllabus). Late assignments can only be counted for full credit with prior permission from the instructor. If there is no permission I will deduct 1/3 of a letter grade for each day that the assignment is late. 3 Email Etiquette & Responses: I will be checking and replying to student email from 9:00 am-9:00 pm, so if you email me after 9:00 pm expect a response the next morning. I will also do my best to reply within 24 hours. However, professional email conduct is very important and will only continue to be more important as you progress in life. And thusly, I will NOT respond to emails that do no follow these formatting standards: 1. Subject line: WGSS 1110 2. Begins with a proper greeting: Dear/Hello Ellie, 3. Ends with a closing statement, i.e. “Sincerely,” “Best,” etc. 4. Uses clear and proper grammar and spelling. Academic Integrity/Plagiarism: All your work is expected to be original, and thus please familiarize yourselves with our departmental statement on academic integrity: As defined by University Rule 3335-31-02, plagiarism is “the representation of another’s works or ideas as one’s own; it includes the unacknowledged word for word use and/or paraphrasing of another person’s work, and/or the inappropriate unacknowledged use of another person’s ideas.” Plagiarism is one of the most serious offenses that can be committed in an academic community; as such, it is the obligation of this department and its instructors to report all cases of suspected plagiarism to the Committee on Academic Misconduct. After the report is filed, a hearing takes place and if the student is found guilty, the possible punishment ranges from failing the class to suspension or expulsion from the university. Although the existence of the Internet makes it relatively easy to plagiarize, it also makes it even easier for instructors to find evidence of plagiarism. It is obvious to most teachers when a student turns in works that is not his or her own and plagiarism search engines make documenting the offense very simple. You should always cite your sources (I can help you with this if you are unfamiliar with proper styles of documentation). Always ask questions before you turn in an assignment if you are uncertain about what constitutes plagiarism. Always see your TA or professor if you are having difficulty with an assignment. To preserve the integrity of OSU as an institution of higher learning, to maintain your own integrity, and to avoid jeopardizing your future, DO NOT PLAGIARIZE! Disclaimer: Students should consider the material presented on the syllabus as a set schedule, however I reserve the right to alter the schedule (of readings or assignments) throughout the course. If this is the case a revised syllabus will be posted to Carmen or distributed in class. Class Schedule Conceptualizing Feminism and Women’s, Gender, and Sexuality Studies Mon. 1/6 Introduction Introduction to the Course, Review the Syllabus Wed. 1/8 Patriarchy and the “F” Word Read: I'm Not a Feminist, But...'' Popular Myths about Feminism Penny A. Weiss Fear of Feminism: Why Young Women Get the Willies, Lisa Maria Hogeland What is the Feminist Movement? Jane Mansbridge Class: Discuss and screen “Why we Still need Feminism” http://jezebel.com/5948126/an-awesomevideo-primer-on-why-we-still-need-feminism Fri. 1/10 Academic Feminism and the Establishment of Women’s Studies Read: Theories and Theorizing: Integrative Frameworks for Understanding Women’s Lives (Carmen) Talking Back, bell hooks Initially Complicating Categories: Sex, Gender, and Race 4 Mon. 1/13 Untying Gender and Sex Read: The Five Sexes Revisited Anne Fausto-Sterling (Carmen) Class: Genderbread person Wed. 1/15 Gender and Social Construction: An Introduction Read: Night to his Day: The Social Construction of Gender, Judith Lorber, X: A Fabulous Child Story Lois Gould Class: Discussion and screenings of “Target Women” Fri. 1/17 Complicating Identity Categories Read: Introduction to Franz Fanon’s Black Skin, White Masks (Carmen) La conciencia de la Mestiza: Towards a New Consciousness Gloria Anzaldúa Historicizing the Many (U.S.) Women’s Movements Mon. 1/20 NO CLASS Wed. 1/22 Beginnings: Eager for Equality Read: Declaration of Sentiments and Resolutions (1848) The Seneca Falls Women's Rights Convention of 1848 Ain't I a Woman? (1851) Sojourner Truth Class: Discuss and Screen clip from Iron Jawed Angels Fri. 1/24 Radical Developments Read: Nothing Distant About It: Women's Liberation and Sixties Radicalism Alice Echols Redstockings Manifesto Redstockings The SCUM Manifesto Valerie Solinas (Carmen) Mon. 1/27 Continuations of the Movements Read: A Black Feminist Statement Combahee River Collective The Class Roots of Feminism Karen Sacks In Pursuit of Latina Liberation Elizabeth Martínez Unpacking Oppression, Difference, and Privilege (Part 1) Wed. 1/29 Looking at Oppression & Patriarchy Read: Patriarchy, the System Allan G. Johnson (Carmen) Oppression Marilyn Frye Class: Screen film Dream Worlds 3 Fri. 1/31 Cont’d. Class: Finish Screening Dream Worlds 3 Mon. 2/3 Understanding Difference, Intersectionality Read: Feminist Class Struggles bell hooks Age, Race, Class, and Sex: Women Redefining Difference Audre Lorde Homophobia: A Weapon of Sexism Suzanne Pharr Class: Identities Activity **REFLECTION PAPER #1 DUE IN CLASS** Unpacking Oppression, Difference, and Privilege (Part 2) Wed. 2/5 Working Through Privilege Read: White Privilege: Unpacking the Invisible Knapsack Peggy McIntosh A Question of Class Dorothy Allison (Carmen) Fri. 2/7 Complicating the Complicated Read: Reverse Racism, or How the Pot Got to Call the Kettle Black Stanley Fish (Carmen) The Other Body: Reflections on Difference, Disability, and Identity Politics Ynestra King 5 Intersections in the Media and Popular Culture Mon. 2/10 Popular Images of Women Read: Excerpt from The Beauty Myth Naomi Wolf (Carmen) Class: Screen Miss Representation Wed. 2/12 Is this feminist?: Readings of Contemporary Popular Culture Class: Finish Screening Miss Representation and Discuss Fri. 2/14 Masculinities in Pop Culture Read: Male Body Building: The Social Construction of a Masculine Identity Yvonne Wiegers (Carmen) Masculinity and Homophobia Michael Kimmel (Carmen) Exploring the Erotic: Sexuality, Sex, and Love Mon. 2/17 Sexuality and Sex **REFLECTION PAPER #2 DUE IN CLASS** Read: Excerpts from The Guide to Getting it On (Carmen) Class: Guest Speaker, Jon Branfman Wed. 2/19 Erotics, Power Read: Uses of the Erotic: The Erotic of Power Audra Lorde The All-American Queer Pakistani Girl Surina A. Khan (Carmen) Fri. 2/21 Radical Sexualities Read: Desire for Future: Radical Hope in Passion and Pleasure Amber Hollinbaugh The Body/The Political Body/Bodypolitics Mon. 2/24 (Re)Understanding the Gendered Body Read: We Are What We Watch Susan J. Douglas “Good Enough” Excerpt from Fight Like a Girl Megan Seely (Carmen) Wed. 2/26 The Body as Political Battle Ground/Body(as)politics Read: The Body: Power and Politics Valerie Lee The Body Politic Abra Fortune Chernik Class: Discussion and Midterm Review, screen clip of Judith Butler Clip from Examined Life Fri. 2/28 MIDTERM EXAM—IN CLASS Feminism and the Family Mon. 3/3 Relationships and Feminism Read: I Want a Wife Judy (Syfers) Brady When Dreams Differ: Male-Female Relations on Campuses Barbara Kerr Wed. 3/5 On Mothering Read: The Mommy Wars: How the Media Turned Motherhood Into a Catfight Susan Douglas and Meredith Michaels Bad Mother Ayelet Waldman Fri. 3/7 Queering the Family and Representation Read: Coming Out as a Modern Family Maria Bello (Carmen) Popular Culture and Queer Representation Diane Raymond (Carmen) 3/10-3/14 WEEK 10:SPRING BREAK—NO CLASS Women, Work, and Political Economy Mon. 3/17 Gendered Jobs Read: When Spending Time is Spending Money, Gloria Albrecht The Mommy Tax, Ann Crittenden (Carmen) Wed. 3/19 Gender and the Recession 6 Read: The End of Men Hannah Rosen (Carmen) Women Waiting Tables (Carmen) Fri. 3/21 Cultural Capitalism: Why is it a feminist issue? Read: Rethinking the Nature of Work bell hooks Practicing Oprah: or the Prescriptive Compulsion of Spiritual Capitalism Kathryn Lofton Class: Screen Slavoj Zizek’s RSA animate clip “First as Tragedy, than as Farce” http://www.youtube.com/results?search_query=zizek+first+as+tragedy+then+as+farce&oq=zizek+first &gs_l=youtube.3.0.0.6814.9946.0.11278.11.10.0.1.1.0.149.993.7j3.10.0...0.0...1ac.1.6i55dfcSZrU Making Connections: Systems, Hierarchy, Hegemony Mon. 3/24 Systemic Phenomena Read: Excerpt from The Origin of the Family, Private Property and the State Friedrich Engels Work, Poverty, and Economic Policy Mary Margaret Fonow Wed. 3/26 Actual Architecture of Oppression: Theories in Reality a Case Study of Hip-Hop Class: Screen film Hip-Hop Beyond Beats and Rhymes Fri. 3/28 Cont’d. Class: finish screening film, group discussion http://www.health-genderviolence.org/training-programme-for-health-care-providers/facts-ongbv/defining-gender-based-violence/21 Violence and Political Action Mon. 3/31 Gender-based Violence Read: Myths and Realities Regarding Battered Women Albert Roberts “Defining Gender Based Violence”, http://www.health-genderviolence.org/training-programme-forhealth-care-providers/facts-on-gbv/defining-gender-based-violence/21 ** REFLECTION PAPER #3 DUE** Wed. 4/2 Grassroots and Feminist Organization TBA Fri. 4/4 Transnational Activism and Human Rights TBA Feminism and Globalization Mon. 4/7 Global Feminisms Read: Global Politics and Transnational Feminisms Jan Jindy Pettman International Perspectives Ara Wilson and Adriane Livingston Wed. 4/9 Feminists Problematize Globalization Read: Globalization, Poverty and Women’s Health: Mapping the Connections Suzanne R. Sicchia and Heather Mac Remotely Sensed: ATopography of the Global Sex Trade Ursual Biemann (Carmen) Fri. 4/11 Discipline, Power, and the Global Read: A Conversation on Gender, Globalization, and Punishment Angela Davis and Gina Dent (Carmen) Topics in WGSS Mon. 4/14 Power of Feminist Art Read: Why Have there been no Great Women Artists? Linda Nochlin The History of Women’s Art: Sins of the Omissions and Revisions Theresa Schwartz Wed. 4/16 Historicizing Feminist Revolutionaries Read: Excerpt from The Methodology of the Oppressed, The Theory and Methodology of Oppositional Consciousness in the Postmodern World Chela Sandoval (Carmen) Class: Assata Chakur, Angela Davis 7 Fri. 4/18 ***Topic TBA We will decide as a class*** ** REFLECTION #4 PAPER DUE IN CLASS** Mon. 4/21 LAST DAY OF CLASS No Assignments, course wrap up and review for final exam FINAL EXAM: THURSDAY APRIL 24 10:00-11:45 A.M. 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