ONSIDE: STRATEGY FOR FAIR AND FUN SOCCER By Patrick E.H. Greenidge Chanzo Osei Greenidge BRAVO MOVEMENT 1 BRYCE TERRACE, ST. AUGUSTINE 2 Abstract ONSIDE BY BRAVO MOVEMENT Authors: Mr. Patrick Greenidge Dr. Chanzo Osei Greenidge This manual presents a means of using the body and mind to achieve excellence in the sport of association football. It is the product of almost fifteen years of exchanges between myself and my late father, and derives from our combined experience of over five decades in sport and martial dance. The ONSIDE manual addresses: 1) 2) 3) 4) 5) 6) Physical Preparation for Soccer Capoeira and Cross-Training for Soccer Technical Preparation for Soccer Mental Preparation for Soccer Key Issues in Soccer and Society Método Soluna- A New Framework for Soccer Strategy The purpose of the manual is not to provide an extensive catalogue of drills for teams and positional training. It does however outline the basic orientations that would allow players and coaches to design their own drills and exercises to augment their own training programme. The final chapter offers a checklist for players and coaches to assess their progress in the pursuit of excellence in sport. Keywords: Soccer, Capoeira, Cross-Training, Coaching, Youth Development, Strategy. 3 List of Tables Number Page Table 1: Acknowledgements The authors wish to thank Mrs. Ernesta Greenidge for her invaluable sacrifice, assistance, critiques and generosity. Glossary INTRODUCTION “Muito sacrifício, muito trabalho” Ronaldo (2006) 4 Genius has its own logic. But good football usually runs in families. Training for Attacking Position THEORETICAL FRAMEWORK Structure of Case Studies: Theorising Global Flows NOTES AND DELIMITATIONS I: Physical Preparation for Football INTRODUCTION Deep Breathing for Anaerobic Efficiency Breathing the Game Start working on this at home with your watch in hand. 5 Take a deep breath in. (For athletes using this manual, especially those in cold climates, breathe in with the nose and and exhale with the mouth to avoid moisture loss). Hold at the top of your inhalation. Don’t look at your watch, visualise a game situation, especially a long run or continuous short sprints. Upon exhalation check the time you were able to hold for. You don’t have to do any activity except possibly walking. When you let out after a long hold, take several short breaths in and out to free your lungs before attempting another hold. Start at twelve (12) per session, once or twice a day, depending on the extent of your training regimen. Increase as necessary to a maximum of thirty (30). Deep Breathing for Anaerobic Efficiency Defining the Abdominals for Action Abdominal exercises are a dime a dozen. You will probably know many of your own in this regard. Lie on your back, raise feet and legs perpendicular to your body then lower slowly until about 2 inches or so above the bed or floor. Hold there. 6 After four rounds, combine this exercise with a deep breath and hold. Do not visualize the game. In fact, try distracting yourself with some other pleasant image. It is best to go to failure, relax and try again for a maximum of ten (10) repetitions. Deep Breathing for Anaerobic Efficiency Weight Training for Intelligent People Footballers come in all sizes, shapes and body types. There is not an ideal body type for the game, although a lack of height may be a handicap for goalkeepers. Weight training for intelligent players is not about getting a larger shape or giving each other challenges about who can lift more weight. The purpose of weight training for any footballer is to increase strength throughout the range of motion of a muscle and to improve the body or muscle’s rate of recovery. This means slower movements with incrementally greater weight burden over a larger number of repetitions. This use of lower weights allows the body to grow stronger, faster by allowing you to reach failure without risking injury. The principle of weight training must be supplemented by extensive use of your own bodyweight to build strength. 7 Warm up Football is Running with Purpose Warm up - Normal strides and pace Longer strides and faster pace Jogging Normal pace into faster pace into running- 1 ½ laps Walking again for a ½ lap- picking grass and doing stretching exercises Jog and Run for 1 lap including backwards running Walking and stretching for ½ lap Running normal and sprinting for 1 ½ laps Footballers are not joggers or purebred sprinters. Like all good long distance athletes, they must know how to change pace strategically and must practice along the full range of human motion. 8 Warm up Football is Sprinting with Purpose Use five markers to start 10 yards apart and add one marker per week up to 8. Run sprints for ten minutes. The important element is to learn how to recover from one position to another, and how to change direction and sprint. Use two markers and one ball. The markers can be gradually pulled apart and should have ample space on one end for the player to slow down safely. The ball is placed between the two markers. The player starts walking from marker A. When they pass the ball, they dip, touch the ball or ground and start into a jog…when they get to marker B, they touch the ground and sprint back to the ball. They must then pick up the ball and execute a jump when they get back to Marker A. They then slow…turn and do a recover walk to the middle with the ball. They leave the ball and begin to jog again to marker Bcg. Mock Squats Defining the Quadriceps for Action Up down stop Up stop Male players should seek out a very good supporter. If those supporters are going loose, get rid of them. 9 Don’t be afraid to consult a nutritionist or a nurse to understand how you can improve your diet. Skip a day from soccer every 4th or 5th day. Skip a day from all sports every 8-10 days. Do something completely different: go to a museum, science centre, movie, play, church, something else. See the sights. This reduces the risk of burnout and keep your coming back with greater desire. II: Capoeira & Cross-Training for Soccer INTRODUCTION 10 BALANCE This is a word is the key to our approach to playing football. You’ll note sometimes I use Soccer, and sometimes Football. For me, when you say football, you mean playing the game and 11 playing it well. Soccer is the sport itself- Association Football. Anyone can play soccer. Not everyone can play football. To play football requires playing in tight spaces. Playing in tight spaces requires superior balance. That means that you will have to absorb knocks and pushes and still stay in control. You may not like it, but to play football you have to learn to deal with it somehow. One way is with accurate deft touches and an ability to predict tackles and change speed and direction. One way you should not try is drifting out of the thick of the game…stay in the action and stay on your toes. Capoeira is one of the best ways to develop your sense of inner balance. Many people use their eyes too much to balance. This means that if they are forced to make quick actions or are distracted in some way, their balance suffers. 12 Capoeira Angola: Communication/Spatial Awareness/Concentration and Presence/Working in Space/Strength as Balance/Deciphering Physical Language/Emotional Transmission/Isolation/Trust and Team building/Respect for the Environment Instituto Palmeiras Principles: Have Fun Help your partner do well Respect instructors and the music Safety Use your imagination 13 LESSON 0: BASIC MOVEMENTS WARM UP (See video) Part 1: Physical Warmup and Stretches All fours walking in and out with hands All fours reaching out with one hand (in a circle) All fours reaching out with one hand and one leg (in a circle) All fours jumping from left foot forward to right foot forward (in a circle) Push ups (down- side to side- up- wide stance) Demonstration/Repetition of basic movements Nzinga Escorpiao Chapa de frente Chapa de costas Esquiva Negativa Four Basic Corridos: Breathing for singing Slow movements stretching up and down Use order of stretches recommended in article Practice with singing and movements WARM DOWN: See video LESSON 1: ASSERTIVENESS/COMMUNICATION/MOVEMENT Ye Capoeira WARM UP Demonstrations/Repetition: Meia Lua de frente Meia Lua de costas Cocorinha Corta Capim Parafuso Bananeira Capoeira Patintero Split the group into two teams. One person stands in middle of the room. Their role is to block the passage of the person advancing on all fours. After this, two advancers are introduced with two blockers. Careful Chase Players choose partners and stand facing their partner. Pairs should be parallel to each other. One person 14 on all fours facing forward, another in queda de quarto position. All fours advances watching for rasteira or chapa from person in queda de quarto position… once the person kicks, they must change positions. This should be done in a straight line back and forth for 10 switches. Emphasise that the chaser must calculate how far the other person can reach and be ready to stay just out of range. The chase should be regulated by the music. Tips to facilitators: Practice without music at least 10-15 minutes each class Allow participants to develop their own rhythms by clapping for each other WARMDOWN Ye Capoeira LESSON 2: AWARENESS OF SPACE Ye Capoeira WARMUP ACTIVITIES Clapping Game Standing in circle- you have to clap and look at the person who should clap next (they have to then clap with you) and look for the next person in the circle. - Eye contact Concentration Awareness and co-ordination Movement Study (See Video) - Role - Cobrinha - Aú - Escalamento Chair Movements (See Video: Travel right around them) - Low rasteiras - Mid ponteiras - High Meia Luas - Escalamento - Au tres apoios (fechado) - Cobrinha - Role - Begin again Tips to facilitators: Be aware of imitation vs incorporation of movements. 15 Emphasise that the transition from one movement to another must be balanced and smooth. Players should keep their eyes on the chair at all times during the movements. WARMDOWN Ye Capoeira LESSON 3: PLAYING TOGETHER Ye Capoeira WARMUP Balancing each others weight Rolling around each other back (then a race with a ball that they must give each other by rolling around and giving it to the other person hand) ACTIVITIES Trabalho Cego Players choose partners and then stand next to their partner to form a circle. One instructor can do music, another instructor can be the capoeira in the middle. One player with eyes closed or blindfolded, a partner with eyes open. The partner inside is blindfolded and must listen for commands from his partner. At first, they start on the ground, on all fours. The players blindfolded must not bump into the instructor who is moving slowly in capoeira around him/her. The role of the guide is to tell the person in the middle what movement to do and in which direction. (The use of movement commands should be limited to movements without handstands at first.) Careful Chase (Inverted) Players choose partners and stand facing their partner. Pairs should be parallel to each other. One person on all fours facing forward, another also facing forward behind them. All fours advances watching for chapa de costas or rabo de arraia from person in front… once the person kicks, they must change positions. This should be done in a straight line back and forth for 10 switches. Emphasise that the chaser must calculate how far the other person can reach and be ready to stay just out of range. Emphasise that the runner must look backwards through their legs to see where the chaser is all the time. Tell players to kick slowly to avoid injury. The chase should be regulated by the music. Basic Combinations (starting with nzinga) 1) Au into Rasteira (in the opposite direction) into Rabo de Arraia (the partner must find a way to avoid the rasteira and rabo de arraia given what they have learned so far i.e. negativa, esquiva, aú, escalamento)- 10 minutes 16 2) Cabecada into Negativa into Meia Lua (partner avoids cabecada and meia lua)- 10 minutes Careful Chase (Lizard and the Fly) In this game, the lizard is made to dance. The dance involves making six quick steps in any direction, followed by a long count of two. The fly has no safe space and must get to a space marked by two cones behind the lizard to get out of the window. What this should do is teach players in a fun way how to position themselves as defenders and attackers in a limited space. The attacker learns how to exploit the body position of the defender and be aware of their mistakes as well as how to develop the patience to lure a defender out of position through movement and strategy. Also key is the change of pace (within the count of two) to exploit an opening. The defender should learn, by trial and error, how to defend a position behind them while still keeping in motion and accounting for the movements of an opponent. Hopefully the Capoeira movements and the small games will start to gel as players have to practice greater economy to cover space and manoeuvre their bodies into tight space/change direction efficiently. LESSON 4: REVIEW LESSON Pick elements from the last three lessons and run through them. Players have to sing and clap along as other do movements and demonstrations. BREAK 1) Cocorinha into Nzinga Baixo into Rabo de arraia (partner gives chapa de frente/bencao and then avoids Rabo de arraia)- Ten minutes 2) Escalamento into Rasteira into Meia Lua (partner gives bencao and avoids rasteira and meia lua)Ten minutes Tips to facilitators: Pay attention to the position of their hands and feet as they go from one movement to another; Encourage them to smile and show different types of emotions as they do the movements. 17 LESSON 6: Ye Capoeira WARMUP Demonstration/Repetition of basic movements Nzinga Escorpiao Chapa de frente Chapa de costas Esquiva Negativa Meia Lua de frente Meia Lua de costas Cocorinha Corta Capim Parafuso Bananeira Breathing Slow movements stretching up and down/Use order of stretches recommended in article Practice with singing and movements Four Basic Corridos: Go over the corridos learned so far with instructors playing instruments. Presentation of Drawings: Leave time towards the end of the class for kids to play and experiment WARM DOWN Ye Capoeira LESSON 7: INTRODUCTION TO THE BATERIA WARMUP Trabalho Cego Players choose partners and then stand next to their partner to form a circle. One partner can do music, another partner can be the capoeira in the middle. One player with eyes closed or blindfolded, a partner playing music with eyes open. The partner inside is blindfolded and must listen for commands from his partner. At first, they start on the ground, on all fours. The players blindfolded must not bump into the instructor who is moving slowly in capoeira around him/her. The role of the guide is to tell the person in the middle what direction to go. (The idea is that the teammate’s voice is like a joystick that guides the player in the middle). 18 WARM DOWN Ye Capoeira LESSON 8: Ye Capoeira WARM UP ACTIVITIES Clapping Game: Standing in circle- you have to clap and look at the person who should clap next (they have to then clap with you) and look for the next person in the circle. - Eye contact - Concentration - Awareness and co-ordination Chair Movements (This time to be done with a partner; Travel right around them) - Low rasteiras - Mid ponteiras - High Meia Luas - Escalamento - Au tres apoios (fechado) - Cobrinha - Role - The other partner goes (3 repititions) Introducing the Chamada (demonstrate each movement twice, and then partners try to do them) - Saudacao - Cruz de Frente - Cruz de Costas - Arpao de Cabeca - Sapinho - Muzenza - Volta ao Mundo Tips to facilitators: Be aware of imitation vs incorporation of movements. Emphasise that the transition from one movement to another must be balanced and smooth. Players should keep their eyes on their partner’s body at all times during the movements. Rodinha - Learning to return to the pe do berimbau - Learning how to include a chamada while playing Entering and Exiting the Roda: Ladainha; Chula; Corridos 19 LESSON 9: CAPOEIRA AND CALINDA (invite other Capoeira schools to visit) WARM UP with review of movements Learning about Calinda and other local/regional martial arts Presentation and Display of Drawings WARM DOWN Ye Capoeira Basketball: The coordination for basketball and soccer are very different. Don’t play basketball if you have to play a competitive game within the next two days. Table Tennis and Soccer Try to play some table tennis (1hr once per week). Stay loose. This sport helps your hand, eye and feet coordination. It also teaches you about moving balls with spin across a restricted space and automatically gives you a better sense of analysing spin on a round object. Volleyball and Soccer Core Use and Control Position of feet Lateral Movement Recovery from dig/sprawl Use of weight on hands/legs Ready positions 20 First steps Stretches Push Ups: Start @10 per session Increase by 1. Push-ups are to be done in five formats Traditional Wide stance Narrow or diamond stance Drunken – going up and down moving from one side to another Wheelbarrow- legs and feet held higher than the rest of the body On-the-spot (a) Normal Running (b) Accelerated Running (c) High knee raises (d) Pulling feet to touch the thighs (e) Shaking out the legs from side to side Jumping Start without the ball to get timing and rhythm. Check which foot/leg gives you the better lift. When the jumping starts to get smooth, add heading to the jumps. Sides back and flicks to both sides. Jumping indoors as in the gym or outdoors near a well of how you are doing. Practice falling CONCLUSION For the South, 21 III: Technical Preparation for Soccer “Live for accuracy” Patrick Greenidge Croatia in Canada I spent a short time playing semi-professional football in Canada. On one occasion, my team, a combined Caribbean-Italian-South American outfit was playing against a Croatian-Canadian team. It was fairly scrappy. One wayward shot skied over the bar and seemed destined to hit an elderly gentleman supporter walking behind the goal. Happily, the gentleman spotted the ball on its way. And in a split second, he quickly swivelled and unleashed a perfect volley into the V of the goal. The game stopped for a second as people struggled to process what they had just seen. Some of the Croatian team laughed quietly. I later found out that the elderly gentleman was a former Croatian national striker. For many reasons, it’s one of the most interesting memories I have of the game. INTRODUCTION The content of this chapter sets the stage for the tactical and strategic chapters to follow later. Based on our research, I have identified the types of skills most necessarily to implement the types of strategies outlined in ONSIDE. The aim here is thus not to differentiate among positions, but to focus on the major skills that are necessary for managing the game and understanding the strengths and techniques of other players within 30 seconds of a normal game. 22 Body Control, Ball Control and Travel Body Control and Tackling Passing and Crossing Shooting and Volleying Heading and Running Technical Preparation for Soccer Body Control, Ball Control and Travel A major aspect of body control in football is the ability to avoid tackles in stride. The first step to doing this is running backwards and sideways for ten minutes at the end of every practice. While running, keep looking over both shoulders to help develop a foil to blind-siding. Of course you will do your skills work etc as you go Now work on carrying the ball to a partner. Let them slide tackle…what you are practicing is knowing when the tackle is coming and jumping over the tackle. Dribbling in Circles: Start in circle about the circumference of your room. Work the inside and outside of each foot. Reduce the size of the circle. Dribbling backwards: 23 Technical Preparation for Soccer Body Control and Tackling Make tackles with the inside of the foot. Avoid tackling with the outside of the foot- injuries usually result. Snap off your toe pokes- don’t leave your feet prone. Know where your weight is. Work on your body position in tackles, start with the basic – equal distance from the ball- correct position of the non-contact foot- half of the body over the ball…timing of contact Match your opponents feet, even when they are far away. Also practice faking a tackle to make the opponent enter a dribble or move into a weaker position. The key to tackling is that you don’t ever watch games. Even the ones on TV. To become a footballer, you stop watching and you begin reading. If you have that superior instinct you will know that any three good passes can split a defence. Start reading, start counting, start calculating- and the passes and tackles will become easier. Technical Preparation for Soccer Passing and Crossing Passing is about advantage zones. Passing a ball directly to a teammate 24 may sometimes be the worst thing you could choose to do. In some ways, once you mastered the art of putting the player between the opponent and the ball they are about to receive, you must now start to think ahead of the play to see which areas would be most advantageous in terms of the next play, the positions of other opponents or teammates, available shooting options. Live for accuracy. Playing a long Ball All long balls have a similar trait: the non-kicking foot does not get up alongside the ball. Instead, it lands with the toes just behind the back of the ball. This allows the kicking foot to swing up and under the ball. The body is then tilted slightly backward. Distance direction etc can be adjusted by more or less power into the strike, or by adjusting where on the foot the ball is struck. To start, try starting with the side of the foot. Work at changing your impact point slightly to involve a little more instep. Using the full instep for a long pass is a faster way of getting the ball to its target, but directionwise it is riskier. Your ideal technique involves contact partly with the instep and partly with the side of the foot. Start with short distance passing (one side of the penalty area across to the next) and then increase. It is important to be able to pick up the ball in traffic, make one move to a clearer area and in one deft long pass put the ball to a team-mate outside of the crowded zone. If you need extra practice, try returning balls to a player or to a specific spot during shooting or corner-kick practice with your friends or at your club. Technical Preparation for Soccer Shooting and Volleying Shooting Master the basics- non-kicking foot alongside, instep impacting and adjusting the ‘hydraulic’ of the nonkicking leg i.e. knee bend and thigh alignment. 25 After this, start running up, carrying the foot through to impact, making mental notes and adjusting your head and torso position. Arch your upper body over the ball all the time when shooting. Practice with both feet, giving 50% more practice to your weaker foot to improve it until you can use it without thinking. Snap off your shots. This keeps your limbs from tiring, injuries from hampering your play and late tackles from catching you in a prone position. Target practice Don’t practice shooting at visual targets when alone. This usually means that you will look up to see if you placed the shot properly, which is not what you want. Find a marked field and a goal post (or mark it yourself). Pick a spot in line with the penalty spot about 4 steps to each site. From there work at hitting the inside of the posts using both feet. Start by working out your (short) run up, especially the positioning of your non-kicking foot and thigh, your follow through (or snap), your upper body position, your head position. Now start taking actual shots. Don’t look…listen for the sound of the ball hitting the post. What you want is to be able to visualise where the ball is going when you finally put your head down to shoot. When shooting starts go softly at first for direction and then adjust as you gain confidence. Work with your stronger foot to start, but do most of the work on your weaker foot. Start with shooting with your instep, then progress to shooting with the inside and then the outside of the foot. Becoming a proficient shooter takes a lot of time. As you get better, starting moving back from the penalty spot on each side. You are now shooting for the post directly in front of you, and for the far post (diagonal shots) Rhythm of the Game All shooters must know how to sense danger. There are two elements to a shot. The first/last step and the shot itself. Work at dribbling directly into a shot. This means draw the ball square of your body and shoot on both sides. This requires learning how much weight to put on “cutting” the ball to the kicking foot to give you the exact width needed. You should be able to hold your accuracy up to 25-30 yards. In your practice, you will combine these shots 26 and cuts with diagonal runs and diagonal travel across the penalty area. No matter what your position, this will make you a very dangerous proposition in front of goal, which makes the game easier for all your teammates when in possession. Good luck. Volley Practice The key to volleying is keeping on your toes. By on your toes, we mean on the balls of your feet with your toes lightly placed on the floor. 1) As you begin, remember to keep your non-kicking foot ready to adapt. Drop a ball of any size from any level straight down in front of you and volley with your instep. Alternate feet until your stance, including the position of the kicking and non-kicking foot, and your timing of the ball is smooth. No, this is not just for goalkeepers. If in a pair, drive the ball gently to each other. This can also be done against a wall. Don’t use gadgets…you need to understand the relationship between your choice to drop the ball, gravity and your body dynamics. 2) Now move to throwing the ball up and volleying. You can let the ball bounce to start but make sure to hit it on the volley as opposed to a half-volley. Use the basic instep stroke to re-inforce your poise and control. 3) Then try to get someone to throw balls for you at varying heights. Always execute an instep volley, no matter how bad the thrower is. To add a challenge, get two players to contest the thrown ball. Now you’re almost to the point of scoring (and controlling) crossed passes in traffic. Volley practice is standard and should be done for 4-6 half-hour sessions. Above all, don’t go for power. Power comes from the technique and timing you get from these exercises. If you need power, kick a tree. Flow, timing and flexibility are most crucial. Your leg swing multiplied by the velocity of the ball will give you all the power you need. 27 Technical Preparation for Soccer Heading and Running Heading- The entire process In trying to improve your heading technique, start by working on jumps without the ball. Jump to create a rhythm…rhythm is the foundation of heading the ball. Go for height straight up 10-12 times per session. Go up to 25 and at least twice per week. The second step is 10-20 jumps heading (still with no ball) Head only forward to begin Then start heading left and right. This is done by twisting the upper body. Then move to left and right flicks of the head. Finally backward flicks…do this with a lower jump until full balance and confidence is achieved. Try to do all in the same session once per week at least. Work on heading in every practice session you do. Head juggling is a good confidence builder, but like all forms of juggling it doesn’t always help your technique for a game. The most important element of juggling, as my Dad (or George Best) would say, is to be honest. Better to do 5 keep-ups under control than 10 where you’re scrambling all over the place. Unless you juggling in a group (and even then), if you’ve lost control of the ball, let it fall. Start again. Control, not numbers, leads to more control and more confidence. Try to improve your hang time every time you jump. A fraction of a second more up there allows you to see the situation and make good decisions. Heading from a prone position Lying flat or sitting with legs out. Use a light ball. Have someone lob or throw slowly to you. If froma lying position, come up, head the ball back and finish in a sitting position… 28 Do not head to the side from this position. Return balls straight ahead. Running You would notice that I separated Ball Travel from Running. For me, running is running off the ball. Many believe that running in football has a specific technique or range of motion. I disagree. No one has to teach you how to run as a footballer. Run so that you can control, shoot, tackle and change direction in your own rhythm. Your objective is not to be faster. Your objective is to move freely and be able to observe what is happening in the game as you enter and exit a running phase. However you run, you should ensure that you can run for up to 120 minutes at a time. Do not use running to compensate for a lack of spatial or tactical awareness. Develop an appreciation for and an understanding of angles and use them to your fullest advantage. Going forward or backwards with diagonal runs gives you more angles. The better player must read the play and understand when to go forward, sideways and backwards depending on which angles can be exploited. The goal is to score goals, but you must be in possession of the ball to be able to score (except own goals by the other team). So possession is the first order of business (not defence). Defence is the art of securing possession of the ball. Possession is the balancing of sharing the ball and taking the initiative to try at the goal. Running is central to each of these phases of the game. Onside running is about good thinking and observant play. “Risk ventures”, playing at the margins may be at best 25% but you can try them anyway even to keep the opponents unsettled and at bay. Never create a negative approach to attack. Technical Preparation for Soccer CONCLUSION 29 IV: Mental and Positional Preparation for Soccer Work with your coaches Physical Preparation for Soccer “Above all try to work with your coaches. If their philosophy conflicts with that which you learned before, don’t worry too much. Do what you are asked to do and do it well. That is the finest expression of professionalism, as long as that which is asked is not to your personal detriment” Patrick Greenidge INTRODUCTION Mental Preparation Mental Checklist for Players Coming back after a break Training for attacking positions Training for midfield positions Training for defensive positions Training for power positions Training for wing positions Training for central positions Building the team Once on the field of play, players cannot be coached, so much as reminded of their coaching. If you’ve failed to prepare, prepare to fail. A talented player will win a game, and should be allowed to do so. However, talent will not likely win a championship or even a tournament. MENTAL PREPARATION 30 Mental and Positional Preparation for Soccer Mental Preparation Rest is part of your training. Schedule your meals carefully. Don’t worry. Just produce. Recovery: Be proactive, not reactive. When the play breaks down and the ball is behind you, start moving back. Don’t run, don’t walk. Look at the play as you begin to move back to the ball and make a decision how fast you should recover. Stay alert at all times. Force opponents to your strength. Develop concentration in trafficOne of the keys to football is spatial awareness. Knowing where you are at all times. Many times this is pure instinct, but you must learn how to develop and how to trust those instincts. Be aware of all in the immediate area. Many time players dribble into traffic. You must learn to dribble into less and less traffic. To do this, know where your teammates are, and know where your opponents are, then train your instincts to know where they are going to be. It’s not 100% sure but it can be very effective even when you don’t manage to get a look. Train yourself to fell where people are. To Develop: In non-Contact practice situations, close your eyes for a few seconds and see if you can feel people moving around you. Choose your situation carefully! The loss of eye sight should give more focus to the other senses. If this works, you should find yourself with that added sense of people’s presence. 31 Mental and Positional Preparation for Soccer Mental Checklist for Players Mental and Positional Preparation for Soccer Coming Back after a break POSITIONAL PREPARATION Mental and Positional Preparation for Soccer Training for Attacking Positions As an attacking player, diagonal running is vital. When running with the ball, shield the ball from opponents with your body so that the ball should be carried on the foot furthest away from the goal. Opponents should have to come across your body to take away the ball. Whenever you get to the top of the penalty area, travel across rather than forward to improve your options. Work hard at wall-passing on the grass in limited spaces. This forces you to make footstep adjustments to get an effective return. These adjustments allow you to work well in the small spaces inside the penalty box. I call the imaginary circle drawn by the upper D of the penalty box the Ring of Fire as one of my coaches once asked us to imagine that the penalty box is on fire. You move quickly, decisively and gently. Splitsecond adjustments make the difference between getting a shot off and no shot; No injury and injury. Extreme mental flexibility is important. A good attacker takes whatever the defender is giving but will not be pushed into a trap. You take what is given and then use it to your own advantage, as opposed to doing exactly what the opponent wishes. In shooting, always work for timing and direction first. Power can be added once the other two are in place. 32 First touch must be top quality. First touch does not really mean stopping the ball dead on contact. It actually means that the first touch places the ball into your rhythm and into a position where you want to be. With your first touch, the ball must be made available to pass or shoot. Wherever the ball impacts your body, that body part must become an instrument of control in the shortest space of time. Quick control is about giving you more time, and giving defenders or opponents less time to pressure or strategise. Do not practice those nice techniques for controlling the ball from your chest or head to your thigh to your instep. ONE movement for control. And under control does not mean that the ball is on the ground. If you can go from contact on your head, thigh, shoulder or chest to a pass, shot, flick or even dribble, you will be given respect by a good defender. Receiving ball on pivot is part of maintenance of possession. Don’t get excited by location (closeness to the goal). When with your back to goal or controlling in the air- feel changes in the position of the defender Control away from the strong side of the defender Control means for yourself or for your teammate. Preparation Work on sprinting with a high knee action to add explosiveness. From a start position go quickly into a high knee lift for 20 yard bursts. After a month, go up to 30 yards, and for one session only per week do a 40 yard burst for endurance. Be prepared to twist and turn. Start by running cuts or sharp turns without the ball. Take three to four steps, and go left. Three to four steps, and go right. Now three to four steps and turn 180 degrees and go in the opposite direction. Start slowly at first to get the feel and to get your knees accustomed to the stress of the sharp turns. Do this exercise for 5 minute spells, increasing by 1 minute weekly up to 10 minutes. Mental and Positional Preparation for Soccer Training for Midfield Positions A key to midfield play is off balance or deceptive passing. Work at passing the ball in a way that does not telegraph the pass, as you are responsible for the energy of the game. Going left you must be able to pass 33 right. You must be able to lean one way, go the other and pass in yet another direction. Accuracy of passes. Passing is the heart of football. Everything flows or breaks down on the quality of passes. Work hard at putting the ball where you wish with precision (this means speed, spin and timing). Mental and Positional Preparation for Soccer Training for Defensive Positions As a player in a defensive position, it is important to understand your role. Defenders are in my view the most misunderstood players on the field. Your role is not to win the ball. Teams win balls or regain possession. The role of a player in a defensive position is to weaken or disrupt the attack of the opposing team. This means that your position is a strategic one, one that requires you to see the plays developing and make decisions on how best to buy time for your teammates to recover, dislodge the ball from opposing players’ control and prevent the ball from reaching key players or players in strong positions on the opposing team. The player is a defensive position is also a communicator, giving information about positions and emerging tactics on both sides of the ball to other players who may not have the time or be in the position to see or feel what is happening around them. Players in central or attacking positions should not be afraid to listen to their defensive counterparts when in attack, primarily because ‘good defenders know opposing defenders’ strengths and weaknesses. Defenders need not win the ball cleanly, just get it away with a toe poke or redirection of a pass. The key here is to buy time. Understand that you cannot deny the opposition depth when you are defending, so conserve energy and let them come to you. With particularly good opponents, you must choose what type of depth you will allow (see Chapter VI). Mental and Positional Preparation for Soccer Training for Power Positions Powers need to develop the ability to shoot and even pass without full control- half-volleys, ‘one-time shots’, redirection of shots. However the ball comes to you, get a well directed contact. Power will come after, especially for shooting. As a power, you avoid and set offside traps by working off the deepest defender besides the goalkeeper (or CD in our method). Be prepared to run parallel to the goal line until a pass is made. 34 Powers must be capable of sharp turns followed by explosive bursts toward the goal or the ball. For attacking powers, the ability to follow with a precise snap shot on the run will finish off many a game. Power positions are meant to make decisive touches on the ball, whether in defence or attack. Your mindset as a power should be to get in a decisive but controlled contact on the ball each time it is under control or in your area of control. It will not happen every time, but you must have the approach that you will not surrender the ball meekly and that you will always be ready to counter-attack or win back a lost ball. Power players always try to force their opponents into errors. Errors of thought, vision or strategy. Mental and Positional Preparation for Soccer Training for Wing Positions The wing player has the advantage and disadvantage of playing and covering in the edges of the field. On either wing you see exactly what the linesperson sees, so you have no excuse for going offside. Mental and Positional Preparation for Soccer Training for Central Positions Your team depends on you. Faking injury or exposing rough tackles in necessary for all central positions as you have to absorb quite a bit of abuse on and off the ball. However, don’t just take a dive at first contact. Play it by ear, as there is also a fine line between riding challenges and risking further injury just to prove that you are tough. Rethinking Size Mental and Positional Preparation for Soccer Building the Team Team possession is the first rule. Once the team keeps the ball opportunities to score will continue to come up. Don’t be afraid to sacrifice penetration or going to goal in favour of maintaining possession. 35 Your team ethic is to control all balls quickly. This means passing as well as ball control. Stay faithful to the basics of trapping- creating a cushion effect moving foot or trapping area towards the ball and pulling back as the ball contacts the body. Using a wall you can work on your soft control over all parts of your body. Of course, it helps if you’re on your toes. The idea is that you and your teammates have a control reaction. It’s not always possible for a teammate to deliver a measured ball.Rethinking Size CONCLUSION 36 V: Key Issues in Soccer and Society INTRODUCTION Football in Jamaica Watching an World Cup Qualifier between Jamaica and Trinidad and Tobago, the two poles of the Anglophone Caribbean, I was lucky enough to be in the stands with teammates from the UWI St. Augustine sports contingent. It was 2001. The atmosphere was dry, packed and the stadium bellowed with every movement. The Jamaicans eventually won 1-0, and as the game was winding to a close, a Jamaican supporter looked towards us in Trinidadian red and white and said “Don’t worry Trini, one love”. It took me a while to grasp the wry expression on his face. “One love”…( I hope you’ve gotten the joke. If not, maybe it’ll hit you some other time, like it did me One of the grand paradoxes of empire, association football (Soccer), a sport introduced to modern industrial life by Europe’s imperial-colonial elites, has become one of the major social currencies of workers, migrants, and Diasporas throughout the world. Today, excellence as a footballer represents for many a rare means of accessing citizenship, education, employment, leisure and social mobility, especially in Europe. Indeed, the beauty, history and immense popularity of the sport have often overshadowed the industry’s current involvement in the gendering and globalisation of poverty and inequality. This article discusses the confluence of gender, migration, race and international relations, identity discourse and capitalism in the cultural industry of Soccer and addresses the argument that World Soccer, as a Eurocentric economic and cultural exercise, replicates and legitimates the dynamics of the Global Plantation. Project Identification and Institutional Development The Dreaming Fields 37 Football, Life and Labour in an Orwellian Global Economy Chanzo GREENIDGE Despite the scant attention paid to the role of sport in global cultural and economic processes, scholars such as Hobsbawn credit Soccer or (Association) Football as the only competitor to American popular culture as a universalising agent in the 20th century (see Maguire, 1999). This article will introduce the intricate and multi-levelled drama of global football as an alternative means of investigating the cultural, political and social dynamics of globalization and the World System. Global Football: Race, Class, Sport and Freedom The dream of success in football, in my view, is based on a deeper human obsession with ‘level playing fields’. Besides the extraordinary commercial success of media spectacles such as the FIFA1 World Cup series, the attraction of global football as contemporary popular culture lies not only in the relative low cost of participation and its multiple billion-dollar industries, but in its image as a meritocracy- a space where status is determined by individual and collective creativity, integrity and skill. “The dream of a just society…seems to haunt the human imagination ineradicably and in all ages….” George ORWELL Beyond the field of play, however, the dream clashes violently to Earth. In surveying the surrounding political and economic realities of global association football, it rapidly becomes clear that ‘while all fields are level, some are more level than others’. Despite the façade of democracy at the level of global football’s governing body, FIFA, there remains a pronounced difference between the quality of pitches, equipment, media coverage and training facilities available in the Western (European and North American 2) game and the rest of the World, especially in Latin America, Africa and the Caribbean. The success of ‘developing countries’ such as Brazil and Argentina in international competition suggests an enduring capacity for the reversal of global roles on the field of play. However, in practice, world football’s 1 2 FIFA- Féderation Internationale de Football Association (International Association Football Federation); UEFAUnion Européenne de Football Association/ Union of European Football Associations. See Sherwyn Besson’s Rationed Freedoms (2003, 1st Books) 38 uneven geography establishes an almost permanent state of brain/human capital drain from the periphery to the centre. The situation threatens to worsen as celebrated UEFA-based academies such as Ajax Amsterdam, Udinese and Olympique Lyonnais now recruit talented players as young as 12 from the global South, making offers that even prominent clubs in the global South can seldom refuse. Is professional participation an escape from poverty, or a contribution to the entrenchment of dependence and unequal distribution of resources among clubs, nations, and regions. Or both? "Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence. In other words: it is war minus the shooting. " George ORWELL Global Media, Gender and Nationalism: The Impossible Challenge? As a sublimated martial art, football competition at the inter-national and even the inter-club level has been the focus and expression of nationalist aspirations and international conflict. The game has also been a factor in reducing internal tensions and promoting national/regional unity. Contemporary footballers’ style and quality of play create international goodwill and highlight (both positive and negative) elements of their country’s culture and history. While C.L.R. James’ temperament and epic approach in Beyond a Boundary3 may not have permitted him to explore questions of ‘dollars and cents’ (or ‘pounds and pennies’), the flipside to the realisation of nationalist ideals was no doubt economic development and the management of wealth. What are the implications of a league and a team that pools the resources of CARICOM member states for effective participation in the Game of Billions? Is success in the footballing arena of any real value to an underdeveloped Caribbean? Indeed, the returns in terms of travel, media exposure and sustainable tourism may well prove superior to those realised from the massive investments made in preparations for hosting the International Cricket Council (ICC) 2007 Cricket World Cup. The deepening commercialisation and inequality of football competition has led some to cynically but quite accurately brand Pelé’s jogo bonito (the beautiful game) “The Winning Game”. This attitude, however, begs 3 C.L.R. James’ Beyond a Boundary testifies to a dream of West Indian nationhood and international recognition realised through arguably the most ‘British’ of sports, cricket. 39 the question: has global football ever enjoyed the innocence that many of its followers remember so fondly? Mangan (1989: 17) traces the development of professional football and commercial public competition to the Industrial Revolution’s reorganisation of labour around the urban factory. As industrialists recognised the value of emotional release among their working masses, the social technology of Saturday football competitions emerged as the perfect diversion. Engaged to entertain employers and fellow workers, the professional sport labourer was subject to severe limitations on mobility and earning power. Indeed, many professional footballers, like the gladiators of ancient Rome, were “virtually bonded men.”(Mangan, 16). The idea of unionisation came much later and much slower to fruition in the football industry, with the first, the Association Football Players’ Union, attracting only 7% of the almost eight thousand professionals operating in 1910. Today, while excellence as a footballer represents for many a rare means of accessing citizenship, education, employment, leisure and social mobility, the football labourer continues to operate in a market quite different from that of other occupations. The spectacular fees which footballers, especially elite professionals, now command were partially4 the result of the 1995 ruling by the European Court of Justice, commonly known as the Bosman Ruling, to finally allow players to move more freely among professional clubs, a right taken for granted in most other professions. (see Lowry et al, 2002) Despite these belated developments, a lamentable lack of transparency remains in the international club transfer market 5. In addition, while the economic viability of sport as industry merits close attention, other significant questions of the relationship between sport, media and identity present themselves. As Scraton and Flintoff (2002) note in Gender and Sport: A Reader, ethnic and cultural identities are constructed and reproduced through physical activity. The filtering and interpretation of this activity by global media is also a key element in (re)constructing contemporary identities. Even to the detached observer, there is much in the image of football that would mark it as a ‘male preserve’. The power of the media to produce and globalise footballing icons has serious implications for race, gender and labour. For example, as the media-led blossoming of the market for branded equipment, replica jerseys and other athletic paraphernalia continues, few have noticed the ironic return of the football industry to its ‘roots’ in the cramped urban factories of the industrial world. Stories of Asian women and children stitching soccer balls for poverty wages leads one to question whether 4 5 Other factors include the rapid growth of the television licensing market, itself due to the explosion of Pay-perView television services. (The Economist, 2003) Young players in particular are often prone to unscrupulous club officials and players agents who siphon money by several means, including the failure to declare transfer fees. 40 the industry represents a real and sustainable escape from poverty or a continuation of gendered and racialised hierarchy. Several scholars have dared to investigate other elements of the global media-sport-gender nexus. Laura Robinson’s Black Tights: Women, Sport and Sexuality, for example, delves into the issues of the sexual objectification of women in and around sport. Gill Lines’ study of the 1996 Olympic Games and European Soccer Championships also notes the connection of masculinity, especially Black masculinity, to sporting prowess. In her view, this phenomenon not only marginalises women, but entrenches racial specification and delimits the bounds of African male endeavour6. Nowhere is this phenomenon more starkly evident than in Brazil. Though much has changed since 1923 for Afro-Brazilian footballers7, much has remained the same. Now in the grips of debate over the introduction of ‘affirmative action’ legislation to favour the entry of black Brazilians into institutions of higher learning, similar obstacles to entry are to be found in the higher levels of the local footballing industry. As Brazil’s second chance at hosting the FIFA World Cup approaches, Brazil has begun to take note of the limited participation of Afro-Brazilians in club ownership as well as technical and administrative positions at both the club and national level (Awi et al., 2005). While participation in sport by women, especially those in the global South, may be emancipatory (see Bolly, 2003), it is perhaps a more important and more difficult challenge to change the gender and racial identities and/or interests of those who manage and shape the image of the sports we play and witness. The beauty, lore and immense popularity of the sport have often overshadowed the football’s current and historical involvement in the gendering and globalisation of poverty and inequality. However, the implications of arguing that World Soccer replicates and legitimates the gender-, language- and colour- codes of a ‘global plantation’ are far-reaching and fairly dangerous. In an Orwellian paradox of empire, football, introduced to the global South by Europe’s imperial-colonial elites, has become one of the major social currencies of workers and migrants in developing countries and their Diasporas. The dream of freedom and social mobility through sport is jealously held by many in the playing fields of the global South (as well as by those who would sell them that dream). Meanwhile, many in academia may scoff at the value of global sport as a microcosm of the confluence of key issues such as gender, race, migration, international relations and global 6 7 A thesis developed by John Hoberman in several works, including his controversial Darwin’s Athletes (1997). In that year, Vasco de Gama, a Rio-based club founded by Portuguese diasporans, defied regulation and accepted practice by presenting a squad composed of black, pardo (brown-skinned) and mulatto workers that went on to win the Rio de Janeiro State Championship. 41 media capitalism. As Galeano noted so eloquently in his classic work Fútbol A Sol y Sombra (2003), football has at least two things in common with God: the love and reverence of the masses, and the fear and distrust of intellectuals. CONCLUSION 42 VI: METODO SOLUNA- A New Framework for Soccer Strategy in Theory and Practice INTRODUCTION This book has focused on incorporating elements of Capoeira Angola into the the physical and tactical preparation process for playing football. We also presented exercises, activities based on our experience in the game. This chapter completes the process by offering the outline of a strategy approach based on research on the juvenile, amateur, professional and international game. Work on Método Soluna began in 1999 while preparing as a player for trials and university tournaments. I was lucky enough to live very close to Stade Gerland in Lyon, and to be in France just after their 1998 World Cup victory. I was able to pick up on Jacquet’s approach of subdividing the field into more than the However I must give special thanks to my father for introducing me to new ways of looking at the field. He divided the field into quarters into thirds, and started me along the path. Various other coaches through their various approaches to team dynamics, positional play and on-field organisation have helped me develop my own ideas. Thanks to them all. 43 Método Soluna: Implications for Individual and Team Play Positions in the Método Soluna speak to the difference in approach…. 44 Positions and Roles: In the context of Método Soluna, the positions of players on the field are reconfigured slightly. The available positions are the following: Centre positions: these are coordination and creative positions that are essential for positioning the team in relation to the ball and the goals. Wing Positions: these are positions meant to support, defend and release pressure from the centre positions. The Wings are essential for shifting the angle of attack of the team. Power Positions: the power positions are responsible for driving the offensive features of the team. They are also key for establishing prominence of the team in the key strategic areas of the field, called the heights. These positions are: 1) Centre: a. Centre Forward b. Centre Midfield c. Centre Defence 2) Power: a. Power Forward b. Power Forward c. Power Defence d. Power Defence 3) Wing: a. Midfield Winger b. Midfield Winger c. Defensive Winger d. Defensive Winger Under special circumstances, the midfield winger can be converted into a Power Winger, with more licence to initiate shooting offence and to attack the goal line than a MW. On the field, the essential positions for Método Soluna are the seven (7) Centre and Power Positions. Ejections will therefore usually result in sacrifice of a Wing Position. Offensive Strategy: DM’s aim is to penetrate the heights through movement and passes. Passes from the DM should go to the CM or PF. 45 Power Defenders advance ball to CM or link with PFs and CF. Centre positions can receive and distribute balls (in possession/under control) from any other position on the field. Defensive Strategy: Centre Forward (CF) defends the ring of fire and the goal line within the 18 yard box. The Power Forward (PF) supports the CF and defends the heights along Y1 and Y2 and helps the MW to trap the ball before it passes the 2nd quarter line. The MWs protect the CM and defend the touch line and the second quarter line. DWs support the MW (intense communication) and defend the CM by patrolling the 3rd quarter line. PDs defend heights along X1 amd X2 and help DW and PF in trapping ball. Notes on Coaching Tactics GOALKICKS Control of the ‘heights’, especially in the defensive quarters of the field, means exposure to risk. As the CD seeks to find options up-field on a goal-kick, the CF can collapse to a position below and diagonal to the CM and MWs in order to increase options in the midfield. When the ball is played from a goal-kick to one side of the heights, especially in the defensive quarters, the PD/DW on the opposite side of the field should arc to provide backward options within the heights. OVERLAPPING PLAYS If entrance into the ‘valleys’ is necessary, it should be primarily for one pass in and one out of the area, to prevent losing position in the ‘heights’. In an overlapping attack, the objective of the overlapping player is to get from one part of the heights to another as quickly as possible. That player should not receive the ball (to feet) until they are in the heights, and a ball into space should also be played into the heights. 46 Invariably, playing football in the valleys leads to predictability, lost possession and wasted energy. The latter is perhaps the most important, as this division of the field allows players to avoid exhaustion without results, and is key to getting an advantage on an opposing team. Substitutions: Choices and Suggestions There is something called an emergency substitution. They happen and must be prepared for. However, a tactical change should be kept to a minimum in soccer. Players need to be allowed to play through mistakes and mishaps, even poor choices. What is preferable is a strategic change, one which players on the bench and on the field are ready to accept and take advantage of. This means establishing set times for substitutions, based on pre-set criteria and game study. Many may criticise this as imposing predictability. However, it is the type of predictability that can build a team’s morale in the medium term and give players a sense of their role as starting and substitute players, which will be expressed in better training and practice game play. Sending players on to the field to waste time at the end of a game is a bad habit and below amateur. This late substitution (88+ minutes) should only be done to introduce players who have not played at a certain level, or in an extreme case, to reward players who have made a special contribution in the game. MONITORING AND EVALUATION (Dashboard) - PLAYERS AND COACHES DASHBOARD - Goals scored vs Goals conceded - Percentage of time on the ball the other team spends in the low regions. - Percentage of time on the ball our team spends in the low regions. 47 - Number of corners - COACHES DASHBOARD High Risk Ratio: Possession ratio in the heights Possession Ratio Strategic Possession Ratio: Possession % in sections of the match (9 sections +) Number of successful tackles vs number of tackles attempted Low Risk Ratio: Number of throw ins in attacking third vs Number of throw ins in defensive third Ball height Ratio: Number of air vs bouncing vs ground passes CM time on ball Communication within Power Circle Communication within Wing Circle Ratio of defensive situations in which DW retrieves the ball for distribution - - POSITIONAL/TECHNICAL DASHBOARD Completed passes within circle DW only: entry passes completed to CM vs defensive passes to PD MW only: successful completed passes to CF and PF from heights WORKING FROM CRICKET STATISTICS METHODS Team records Shooting records Passing Records Defensive positioning Dribbling Defensive coverage and dispossessions Trapping Partnership records Individual records 48 REFERENCES BIBLIOGRAPHY Awi, Fellipe, Rogério Daflon and Tadeu de Aguiar. 2005. Sem voz na boca do túnel. Jornal O Globo[online]. 24 April 2005 http://oglobo.globo.com/jornal/esportes/167763226.asp Besson, Sherwyn. 2003. Rationed Freedoms Bloomington, IN: 1st Books. Bolly, Moussa. 2003. Awa Coulibaly “Mamah”, joueuse de football: “Le football contribue à l’émancipation feminine.” Amina, June 2003, 62. The Economist. 2003. Beckonomics. The Economist, June 14th 2003, 53. Galeano, Eduardo. 2003. El fútbol a sol y sombra. 2nd ed. Madrid: Siglo XXI. Hoberman, John. 1997. Darwin’s Athletes: How Sport Has Damaged Black America and Preserved The Myth of Race. Boston, Mariner Books. Lines, Gill. The sports star in the media: The gendered construction and youthful consumption of sports personalities. In Power Games: A Critical Sociology of Sport edited by John Sugden and Alan Tomlinson. London: Routledge, 2002. 49 Lowrey, James, Sam Neatrour and John Williams. 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