Baroque Art

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Baroque Art

The Ornate Age

Baroque = “oddly shaped pear”

Focus Question

How did the Protestant Reformation and religious wars spark the style of

Baroque painting & architecture?

Baroque

Baroque art lasted from 16 th century to 18 th century

Baroque = overdone, dramatic, even gawdy

Baroque art expanded the role of art into everyday life

Like explorers did, artists also built upon past discoveries

The most common element: a sensitivity to and absolute

mastery of light to achieve maximum emotional impact

Chiaroscuro = use of light & shading

Baroque

Flow of Baroque: Rome (1600: Cathedrals to display family triumphs to attract new worshipers to Catholicism)  France

(divine-right monarchs spending like pharaohs on palaces— think my palace at Versailles)

Paintings tended to be still lifes, portraits, landscapes, and scenes from daily life

Religious art flourished in Catholic countries

Religious art was forbidden in Protestant lands like England and Holland

Protestant Church vs. Catholic Church

Italian Baroque

Artists could

 represent the human body from any angle

 portray the most complex perspective

Realistically reproduce almost any appearance

The change from the Renaissance to Baroque was through the emphasis on emotion and dynamism rather than rationality and stasis

Three significant artists: Caravaggio, Bernini, and Borromini

Caravaggio

He took realism to new lengths

He secularized religious art, making saints and miracles seem like ordinary people and everyday events

Many said he was the first artist intentionally seeking to shock and offend…and if he tried to, he certainly succeeded

Caravaggio was also a rebel, arrested multiple times and hung around the dregs of society…

…and he once stabbed a man in the groin over a tennis wager. Ouch.

Caravaggio: “The Calling of St. Michael”

Caravaggio

“The Calling of St. Michael” is a vision of Matthew, the apostle-to-be, sitting in a dark pub counting money, when Christ orders him “Follow me.”

Caravaggio: “The Conversion of St. Paul”

Caravaggio

“The Conversion of St. Paul” demonstrates

Caravaggio’s ability to see a traditional subject in a unique, unusual way through hard focus and blinding spotlight and the use of St. Paul being flat on his back with a horse over him

Usually St. Paul’s story of conversion is seen through

Saul being converted by a voice from heaven with

Christ on the heavenly throne surrounded by throngs of angels

Bernini (1598-1680)

Gianlorenzo Bernini was an architect, painter, playwright, composer, and theater designer and most famour sculptor of his era…

Bernini created his version of “David” at age 25

“David” by Bernini

“David” by Bernini

Bernini captured the moment of maximum torque, as he wound up to hurl the stone

David bit his lips from the strain, conveying the power about to be unleashed, causing observers in front of the sculpture to almost want to duck

This is an example of Baroque art involving the viewer in its motion and emotion by threatening to burst its physical confines

“The Ecstasy of St. Theresa” by Bernini

“The Ecstasy of St. Theresa” by Bernini

This was Bernini’s masterpiece and the culmination of the Baroque style Bernini’s goal was to relive Christ’s passion through the sculpture to give worshippers an intense religious experience

The saint and angel appear to be floating on swirling clouds, which golden rays of light pour down from a vault of heaven painted on the ceiling

The feathery wings and frothy clouds are equally convincing

FYI

Chapter 13 study guide out Friday (The ch 13 quiz will be an ID one  )

DBQs – I’m taking a lot of time on them, hope to have them in your hands by tomorrow

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