BIMM Course Specification Full title of the course & final award BA (Hons) in Songwriting Mode of attendance Full-time Length of course This course is taught as a three-year course at levels four, five and six. Start date Initial validation of three-year course in 2014: first cohort 201415. Awarding institution University of Sussex Teaching institution BIMM Brighton and Manchester UCAS code 3C46 Language of study English Final award and exit awards Certificate of Higher Education (exit award only at level 4) Diploma of Higher Education (exit award only at level 5) Bachelors Degree with Honours UK Framework for Higher Education Qualifications (FHEQ) level 120 credits at level four 120 credits at level five 120 credits at level six External reference points Quality Assurance Agency (QAA) Subject Benchmark in Music (2008) QAA UK Quality Code (2013) University of Sussex Partnership Procedures (2012-13) Minimum period of registration For the three-year course at levels four, five, and six: three years Maximum period of registration Six years (three year Course) Admissions criteria 80 UCAS tariff points (two A Levels at Grade E) and five GCSE’s at grade C or above including English. An equivalent qualification or experiential learning is acceptable via our Accreditation of Prior and Experiential Learning (AP(E)L) processes. Date of Course Specification: Revisions: September 2013. May 2014. 1 BIMM Course Specification Educational Aims The course aims to provide graduates with the knowledge and skills appropriate to a range of careers in the music and creative industries and are referenced to part A of the UK Quality Code. Students are encouraged to develop their individual creative ability and support this with the development of a high level of technical skill. In particular, the course aims to enable students to develop: A range of physical, creative, technical and performance skills relevant to employment in professional musicianship and the creative industries A comprehensive knowledge of contemporary practice for careers in the music business A clear understanding of where their creative strengths lie and how these can be utilised in the creative industries and potential career opportunities Initiative, personal responsibility and experience of collaborative working methods The ability to be responsive and adaptable to changing needs and technologies An understanding of key critical, social, cultural, historical and business concepts, issues and debates relevant to the area of modern music, and an ability to organise and sustain an argument The ability to describe, comment upon, analyse and discuss particular aspects of current research or equivalent advanced scholarship at the forefront of contemporary popular music and the creative industries Transferable skills in research, analysis, problem solving and critical reflection and visual, written and verbal communication skills An appreciation and recognition of the uncertainty, ambiguity and limits of knowledge within music and the creative industries The ability to manage and organise their own learning, and to make use of scholarly reviews and primary sources, such as research articles and/or original materials appropriate to professional musicianship. 2 BIMM Course Specification BA year one, level four: Course Learning Outcomes Knowledge and Understanding Able to: A1. Demonstrate awareness of key current issues in their area(s) of study A2. Identify practices and structures within professional music industry contexts A3. Learn and apply new concepts and ideas within a variety of subject-specific contexts A4. Identify and reproduce symbols representing music and apply aural skills Intellectual (thinking) skills Able to: B1. B2. B3. B4. Communicate ideas clearly via visual, verbal and written modes of expression Analyse and summarise a variety of information and concepts from the field of study Evaluate a range of appropriate reading material and discuss the findings Acknowledge quotations from other’s work Subject practical skills Able to: C1. Demonstrate appropriate technical skills in relation to instrumental or vocal performance or in composition C2. Implement appropriate forms of musical expression, demonstrating an awareness of dynamics and structural development C3. Articulate key aspects of musical styles and genres C4. Apply skills necessary to performing music C5. Demonstrate awareness of professional protocols and practices relevant to the field of music Key/Transferable skills Able to: D1. Employ information and communication technology (word processing, email, online sources and other electronic information services) appropriately D2. Undergo disciplined professional development including practicing, learning new repertoires, obtaining new skills and identifying career options and access routes to employment D3. Present work to an audience as appropriate to professional contexts D4. Utilise interpersonal skills to communicate ideas clearly and unambiguously within collaborative contexts D5. Evaluate own work to inform further professional development 3 BIMM Course Specification BA year two, level five: Course Learning Outcomes: Knowledge and Understanding Able to: A1. Demonstrate familiarity with the key issues in the area(s) of study, and an appreciation of why these are important A2. Digest pertinent academic literature and relate it to music practice A3. Apply concepts from field of study to a related area of practice A4. Make connections between the historical, cultural and socio-economic aspects of musical evolution Intellectual (thinking) skills Able to: B1. Collect, combine and appraise information, using quotations from appropriate texts B2. Analyse information to create and evaluate relevant arguments and ideas B3. Acknowledge quotations and ideas from others’ work and question their hypotheses and assumptions B4. Conceptualise and apply pertinent musical and academic theories and concepts in relation to own work Subject practical skills Able to: C1. Demonstrate technical proficiency and sustained application of skills in relation to instrumental or vocal performance or in composition C2. Implement appropriate forms of expression in order to perform music convincingly C3. Aurally identify a range of musical features C4. Make informed decisions about the choice and operation of appropriate musical equipment in different contexts Key/Transferable skills Able to: D1. Apply information and communication technology for the purposes of research D2. Present work as appropriate to audience expectations D3. Acknowledge and implement recognised professional procedures D4. Instigate continued professional development, including further practice and repertoire acquisition, exploring freelance opportunities, and initiating career moves D5. Apply time management skills to demonstrate reliability and consistency 4 BIMM Course Specification BA year three, level six: Course Learning Outcomes: Knowledge and understanding Able to: A1. Demonstrate comprehension of key aspects in their field of study based on the latest advances in their discipline A2. Evaluate theoretical and aesthetic concepts, relating them to practice A3. Draw upon a varied repertoire in the creation of new works A4. Discover and assimilate new musical concepts and repertoires Intellectual (thinking) skills Able to: B1. Appraise issues in current research and scholarship B2. Acknowledge the imperfections and limits of understanding within the discipline B3. Combine inputs (materials, knowledge, intuition, convention) to generate informed and original output in written, aural, and practical work B4. Propose, prepare, execute and appraise original work Subject practical skills Able to: C1. Compose repertoire that demonstrates stylistic versatility and personal strengths C2. Employ original ideas in an imaginative way in the creation of new works C3. Draw upon contextual knowledge, musical analysis, personal development and listening skills to creatively interpret repertoire C4. Execute work effectively and engagingly, acknowledging appropriate professional protocols Key/Transferable skills Able to: D1. Direct their own learning, drawing on scholarly material such as research articles and/or original materials D2. Synthesise original concepts from others, and present the results effectively D3. Employ self-guided learning and work routines to create one’s own timetables, ensuring sufficient preparation time and meeting deadlines D4. Apply problem-solving skills to cope with new situations, translate information and ideas, manage difficult situations, and work effectively under pressure D5. Use reflective practice and critical thinking to undertake informed personal, academic and professional development. 5 BIMM Course Specification BA (Hons) Songwriting Core Structure Diagram FHEQ Level Year 1 Mandatory Modules: BIMM03A 1 4 BIMM04 1 4 BIMM31 1 4 BIMM32A 1 4 BIMM35 1 4 BIMM36A 1 4 Code Year Year 2 Mandatory Modules: BIMM05 2 5 BIMM07 2 5 BIMM25A 2 5 BIMM27 2 5 BIMM74 2 5 Optional Modules (Choose 1): BIMM08 2 5 BIMM10 2 5 BIMM12 2 5 BIMM23A 2 5 Year 3 Mandatory Modules: BIMM17A 3 6 BIMM20 3 6 BIMM21 3 6 BIMM26 3 6 Optional Modules (Choose 1): BIMM16 3 6 BIMM19 3 6 BIMM72 3 6 BIMM73 3 6 Title Credits Music Business Artist Development and Entrepreneurship Songwriting Techniques Songwriting Styles and Genres Live Performance Workshop (SW) Music Theory in Practice 20 20 20 20 20 20 (120) Research Methods Cultural Perspectives Writing for Digital Media Music Publishing Creative Processes 20 20 20 20 20 Performance in Context Studio Musicianship Studio Recording Applied Music Theory and Critical Listening 20 20 20 20 (240) Professional Development Professional Project Analytical Perspectives Commercial Songwriting 20 40 20 20 Music Teaching Practice Ensemble Performance Music Theory and Analysis Online Music 20 20 20 20 (360) Rationale The contemporary growth and interest in songwriting has also engendered a new model of production, whereby writers often compose, produce and market their own music using digital production equipment (e.g. recording and sequencing software, links to online platforms etc.), and a wide range of transferable and specialist skills sets are required. This new BA in songwriting aims to provide students with a high level of understanding of the compositional techniques as well as the commercial and technological aspects of producing and distributing music. The course therefore focuses on the creative aspects of composition allied to a practical exploration of the new ways in which music is distributed and consumed, thereby providing students with a rigorous critical and theoretical examination of their subject. 6 BIMM Course Specification We feel that this course sits on the cutting edge of provision in this area and is uniquely placed to provide pathways for a previously under-represented field of popular music education. As a team we have many well qualified staff members with a wealth of high-level experience from the professional world who are excited and passionate about our subject and who are convinced that encouraging and developing new talent is at the heart of this creative and inspiring cultural industry. Teaching and Learning Strategy BIMM commits to providing high quality teaching and support for its learners. The Institute aims to address the differentiated needs of individual learners and ensure that all students have equal and fair access to learning resources. All Teaching and Learning Strategies adopted by BIMM will be flexible, student centered, diverse and appropriate to the skills and needs of individual learners. All teaching and learning strategies will incorporate appropriate learning technologies. Regular formative and summative assessment will be used to inform day-to-day teaching and learning and future staff development. The BIMM Curriculum Team is responsible for: Ensuring that tutors teach to a defined curriculum and relate lecture material clearly to assessment and module learning outcomes Ensuring that the course and assessment requirements are clear to the students Ensuring that teaching staff are assisted and supported with appropriate training to maximise the potential of their teaching Helping the tutors maintain a professional disciplined and relaxed environment conducive to musicians reaching their full learning potential Assessment The ethos behind BIMM is a college that is deeply connected to the wider music industry and the design of the curriculum and the assessment of learning outcomes is guided by this principle. Assessment strategy and design aims to echo ‘real world’ commercial briefs and scenarios alongside the academic skills of research, analysis and critique required for a qualification at this level. We are also very committed to the development of reflective and entrepreneurial practitioners in music; and the emphasis on project management and professional development is also reflected in the diet of assessment. Detailed assessment briefs can be found in the course handbook. Accreditation of Prior Learning – APL & APEL Where an applicant wishes to transfer onto the course from another course, with or without advanced standing, the admissions team will undertake a review of their attainment in order to confirm that they are suitably prepared to enter the course, and that the credit they have achieved elsewhere can contribute to their qualification. The APL policy of the University of Sussex will be followed in each case. Where an applicant has worked for some time and gained relevant experience it is also possible to gain entry as a mature student according to APEL. More information on APEL can be provided by the Recruitment and Admissions team at BIMM. Further Information Assessment regulations will be made available in Course Manual and Student Quality Handbook alongside detailed curriculum content. If you require information on student support policy or provision please see the student support page on the BIMM website: http://www.bimm.co.uk/brighton/about-bimm#quality-and-student-support 7 BIMM Course Specification We constantly seek to evaluate and improve our provision through a rigorous review process – details can also be found in the Student Quality Handbook. Please note, this specification provides a concise summary of the main features of the programme and the learning outcomes that a typical student might reasonably be expected to achieve and demonstrate if he/she takes full advantage of the learning opportunities that are provided. More detailed information on the learning outcomes, content and teaching, learning and assessment methods of each unit can be found in the Course Handbook, Quality Handbook, Module Descriptors and Project Briefs. The accuracy of the information contained in this document is reviewed by the College and may be checked by the Quality Assurance Agency for Higher Education. 8