Our student PoPo’s story was published in this book. PoPo’s published story Extremely Important! When posting your homework in the forum, please also copy and paste the original homework instruction. Be sure to put your grade number in the writing title! Every week, each student should only post one writing (the revised or the new assignment) to guarantee writing quality. Editing priority goes to the original writings. Revised writing should be posted in the original writing thread. To make our students more comfortable, our class goes from 9:10 pm to 10:50 pm starting Nov. 14, 2015. Thank you! To make our classes better, we have started to use ZOOM online meeting platform from Nov. 14, 2015. The Class Link (long-term) for Grades 7 and 8 is: https://zoom.us/j/877787985 DrJoeWriting.Com Forum ID Registration All enrolled students who have not registered for a forum account yet need to email the following information as soon as possible to DrJoeWriting@gmail.com 1. The student's class name (which should not be changed and will be used as your forum username) 2. The student's grade level 3. Your email used to receive class PowerPoint slides and recording Once we get the above information of yours, we will email you a temporary password. Please immediately log in to our new forum http://drjoewriting.com/forum1/?q=forum with your username and temporary password. After you log in, you can find a link called "My account" on top of the page. Click the "My account" link and you will get to your account info page. On your account info page, click the "Edit" tab so you can change your password. Then you can start posting your homework assignments or free writings on our new forum. When you post your homework in the forum, please also copy and paste the original homework instruction (which includes title, word limit, due date, etc.). This will make the editing and commenting easier. Dr. Joe’s Writing-Reading Classes I Write, I Read, I Love. Jan. 9, 2016 Great News! Our student PoPo has won the Top Group in the PolarExpressions National Short Story Writing Contest, and her winning story "When Robbie Moved In" has been published in a book titled "The Chance" in December 2015. Congratulations, PoPo! We are proud of you! Please don’t share class recordings and slides with other people. Please don’t change your class nickname. This can cause confusion and waste class time. I tell you what to do and how to do; you do the DO part! Review and exercise, review and exercise! No big deal, but also terribly big deal! Please start posting your writings on our new forum NOW! The new forum web address is: http://drjoewriting.com/forum1/?q =forum The old web site http://englishwritingschool.com and its forum will remain as the backup. Please post your homework assignments, questions and comments on the forum. Email me only about issues that are not proper for forum discussion. When you post your writing on the forum, make your title like this: “Grade Number Writing Title.” For example, you are in grade 8 and the title is “I Like Books.” Then you type “Grade 8 – I Like Books” in the title area. To enhance class efficiency and class dynamics, we will have more in-class askand-answer exercises other than student reading. The students will all be put on the mic line, but the answering and discussing sequence will be random. This will make the students stay alert during the class time and thus improve the class efficiency and effectiveness. So don’t play games or websurf before the break—you might get caught off guard! I. Quiz Time Rules: After each question, the answer will be disclosed, so please record your rights and wrongs for final result. Every multiple-choice question has only one correct answer. Each blank in a fill-in-blank question needs to be filled with one word, more than one word, or part of a word . Question 1: If I Ever Get Out of Here was by Eric ________. Question 1: If I Ever Get Out of Here was by Eric Gansworth. Question 2: “Samuel sells salted shells by the seaside” is _______. Question 2: “Samuel sells salted shells by the seaside” is alliteration. Question 3: A verb normally taking a direct object is considered a _______ verb. Question 3: A verb normally taking a direct object is considered a transitive verb. Question 4: “me” is a _____ object here: He introduced me to his uncle. Question 4: “me” is a direct object here: He introduced me to his uncle. Question 5: chew the fat To ___ idly or generally waste time _______ Question 5: chew the fat To chat idly or generally waste time talking II. Recommended Author and Book Laurence Michael Yep (born June 14, 1948) is a prolific Chinese-American writer, best known for children's books. In 2005, he received the biennial Laura Ingalls Wilder Medal for his career contribution to American children's literature. Today’s Book Dragonwings: Golden Mountain Chronicles: 1903 by Laurence Yep Publisher: HarperCollins Publication date: 25th edition (Jan. 23 2001) Age Range: 10-14 Overview of Dragonwings In this Newbery Honor Book, Moon Shadow is eight years old when he sails from China to join his father, Windrider, in America. Windrider lives in San Francisco and makes his living doing laundry. Father and son have never met. But Moon Shadow grows to love and respect his father and to believe in his wonderful dream. And Windrider, with Moon Shadow's help, is willing to endure the mockery of the other Chinese, the poverty, the separation from his wife and country, even the great earthquake, to make his dream come true. Inspired by the account of a Chinese immigrant who made a flying machine in 1909, Laurence Yep's historical novel beautifully portrays the rich traditions of the Chinese community as it made its way in a hostile new world. III. Student Writing Analysis PAUSE Jan 9 2016 What? I wrote this? I can’t believe my eyes! ---- The Student Yes, you did it. Do you have the courage to read it again? But you have to because you have no choice! ---- Dr. Joe “write leap-of-faith story no word limit due dec.12 -----------------------------------------I don't understand how to write this...” – a student ************************************ Dear Student, Natasha is a quiet and peaceful elementary student in the year of 209,000. She never knows anything about war and fighting. However, an external universe Purple Cave from eight trillion light-years away is attacking human kind, and the biological species is facing life-or-death choice. The only person who can save mankind is the physiologically weak Natasha, according to the oracular guidance of a super brain. The little girl faces the no-choice choice: To shoulder the fate of zillions of individual humans. Natasha makes the leap of faith and leads the time-blowing ultimate war in creature history—against Purple Cave! Bianca, do you want to tell the saga of that heroic girl? I trust you do! And I trust you know how to write it now. Just do it! Dr. Joe The student writing analysis is based on a real class assignment, but some adjustments may have been made for better teaching result. Assignment can of worms A troublesome situation; an issue whose resolution is difficult or contentious, but not necessarily complex. can't get enough To greatly enjoy; to like a lot Write a short science research review meant for the general public including the above idioms. It should be easy to understand and engaging for the laymen. 500 words or less. • The Original Student Writing • The Editing and Comments Note: We only edit the student writings for best presentational results. Dr. Joe and his team don’t necessarily endorse any of the personal views posted by the students. IV. Diction (continued) diction / dɪkʃ ə n / noun 1 the way in which someone pronounces words 2 the choice and use of words and phrases to express meaning, especially in literature Note: This section is about the second meaning. Figures of Speech Jan. 2, 2016 A climax is a figure of speech in which words, phrases, or clauses are arranged in order of increasing importance. For instance: It's a well-hit ball... it's a long drive... it might be... it could be... it IS... a home run! Look! Up in the sky! It's a bird... it's a plane... it's Superman! Write an example of climax. V. Rules and Theories of Language and Writing PAUSE Jan 9 2016 Kinds of Verbs Verbs are classified according to the way they function in sentences. A verb normally taking a direct object is considered a transitive verb. A transitive verb makes a transition, conveys a movement, from its subject to its object: She has good taste. He introduced me to his uncle. Greg never neglects his homework. She expresses her ideas eloquently. He stuffed himself with pizza. Where did you put that book? A direct object answers the question consisting of the verb and what or whom: Introduced whom? Me. Never neglects what? Homework. Expresses what? Ideas. Stuffed whom? Himself. Put what where? Book. VI. Idiom and Proverb Exercise Dr. Joe and his team edit writings only to improve their artistry and quality. We don’t change the writers’ opinions. Allison [D] The actor would often chew the fat, wasting time instead of practicing. But when it came to performing, he would always chew the scenery. Josh[D] Herman, the actor of a very popular TV show, was the new main character. Although he chewed the fat, he worked while talking. But when acting, he chewed the scenery and had too much emotion for his role, a CIA agent. This made his popularity decrease. Omega [D] Jimbo Chi, a famous actor, once was walking on the street and immediately met with one of his biggest fans. They started to have a long chat until one of his other fans also saw him. He wanted to ask for attention, but couldn't get it. He told the other fan to not chew the fat. The other fan began to chew the scenery in exaggerated shock. Hua [D] In the famous year of 3984721, there lived an actor named Fatty. She, unlike any other actors of her time, chewed the scenery, and some of these other actors, disliked her way of acting, so they chewed the fat, talking all of the time just to get out of the range of her acting. The end. Start from next slide Jan 9 2016 chew the fat To chat idly or generally waste time talking. chew the scenery To display excessive emotion or to act in an exaggerated manner while performing Write a paragraph about an actor including the above idioms. 100 words or so. The wording can be changed slightly when necessary. Class discussion will be made. Steph [D] When it came to meeting new people, the actor always chews the facts, since he likes to talk. When is was time to act, he chews the scenery. Nicole [D] Walking into the movie set, Casey had little time to waste, yet she sat down and chewed the fat with her co-star. But when acting, she chewed the scenery as the spoiled little girl, which displeased the director. Bianca [U] On the set of Teen Wolf, Dylan O'Brien ran over to Tyler Posey who was quietly sitting on a bench just chilling. "Hey Tyler!!!" Dylan said as he tried to chew the fat by having a long chat with him instead of doing some work from high school. Tyler ended up chewing the scenery and gave an excuse to leaeve the conversation, ending up making Dylan going to do his homework Daniel [U] Walking down the sidewalk by the park, Tom decided to bore Jacob by chewing the fat, talking about the new games that he has, which anoided Jake. Since Jake's parents forbid such games, Jake, being Jake, started to chew the scenery, being too dramatic about his lake of games. Acewrite [U] Steve Jobs is quite the actor. Although he is charismatic, flattering, and likeable, he can be cold, distant, and cruel at times. His attention was like an intense beam of sun; while you had it, you basked in the warmth and glory, but when it left you, the world was a cold and desolate place. He coud be charming when he wanted, but sometimes he woud just chew the fat and act like he didn't care about anything. Other times, he would chew the scenery with violent outbursts of raw emotion. Some thought he had bipolar disorder. Megan [U] The new actor, Hannah, was acting out a scene. She was chewing the scenery. She was NOT very good at displaying her emotions. However, She also chewed the fat. She talked way too much, so, gradually, people began to disliked her. Alisonaz [U] "Is she always like this?" I asked to no one in particular. "Yea, Melinda always chews the fat but she says it helps her chew the scenery better, so Ms. Path lets her talk. She will let anyone do anything they want if she believes it gives them inspiration. Start from next slide Jan 16 2016 come thick and fast repeatedly. To appear come through To survive. Write a paragraph about a disease including the above idioms. 100 words or so. The wording can be changed slightly when necessary. Class discussion will be made. A A Start from next slide Jan 9 2016 VII. Vocabulary and Word Collocation [combination/connection] err / ɜːr / verb [ intransitive ] 1 err on the side of caution to be more careful or safe than is necessary, in order to make sure that nothing bad happens : It’s always best to err on the side of caution . 2 old use to make a mistake: “To err is human, to forgive, divine.” ― Alexander Pope Write an example sentence of err (either meaning). er‧rat‧ic / ɪˈrætɪk / adjective something that is erratic does not follow any pattern or plan but happens in a way that is not regular : His breathing was becoming erratic. his erratic behaviour — erratically / -kli / adverb : He always drives erratically. Write an example sentence of erratic or erratically. THESAURUS e‧rode AC / ɪˈrəʊd $ ɪˈroʊd / verb ( also erode away ) [ intransitive and transitive ] 1 if the weather erodes rock or soil, or if rock or soil erodes, its surface is gradually destroyed : The cliffs are being constantly eroded by heavy seas. The rocks have gradually eroded away. 2 to gradually reduce something such as someone’s power or confidence : Our personal freedom is being gradually eroded away. Repeated exam failure had eroded her confidence. Start from next slide Jan 9 2016 VIII. Dr. Joe’s Reflection The (Academy Award) ceremonies are a two-hour meat parade, a public display with contrived suspense for economic reasons. ---- George C. Scott George Campbell Scott (October 18, 1927 – September 22, 1999) was an American stage and film actor, director, and producer. He was best known for his stage work, as well as his portrayal of General George S. Patton in the film Patton, as General Buck Turgidson in Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, and as Ebenezer Scrooge in Clive Donner's 1984 film A Christmas Carol. He was the first actor to refuse the Academy Award for Best Actor (for Patton in 1970), having warned the Academy beforehand that he would refuse it on philosophical grounds. The (Academy Award) ceremonies are a two-hour meat parade, a public display with contrived suspense for economic reasons. ---- George C. Scott Dr. Joe’s Reflection Some fame is not an enjoyment for someone. Write a short paragraph about movie quoting the above statement. 100 words maximum. The students post their writings based on the quote in the chatting area on Jan 16 2016. A A A A A A A A A A A Start from next slide Jan 9 2016 IX. Reading, Writing, Critique Michael Shaara (June 23, 1928 – May 5, 1988) was an American author of science fiction, sports fiction, and historical fiction. He was born to Italian immigrant parents (the family name was originally spelled Sciarra, which in Italian is pronounced in a similar way) in Jersey City, New Jersey, graduated during 1951 from Rutgers University, where he joined Theta Chi, and served as a sergeant in the 82nd Airborne Division prior to the Korean War. The Orphans of the Void by Michael Shaara The planet of the lonely robots: When Steffens comes to a new planet, he discovers a race of robots waiting for their masters to return. Programmed always to serve, the robots now wait for a dead creator and must be given a new purpose. Originally published in Galaxy magazine, June 1952. The Orphans of the Void by Michael Shaara An Excerpt Start from Jan. 16, 2016 Finding a cause worth dying for is no great trick—the Universe is full of them. Finding one worth living for is the genuine problem! In the region of the Coal Sack Nebula [nebula: a cloud of interstellar gas and dust], on the dead fourth planet of a star called Tyban, Captain Steffens of the Mapping Command stood counting buildings. Eleven. No, twelve. He wondered if there was any significance in the number. He had no idea. "What do you make of it?" he asked. Lieutenant Ball, the executive officer of the ship, almost tried to scratch his head before he remembered that he was wearing a spacesuit. "Looks like a temporary camp," Ball said. "Very few buildings, and all built out of native materials, the only stuff available. Castaways [castaway: anything cast adrift or thrown away], maybe?" Steffens was silent as he walked up onto the rise. The flat weathered stone jutted out of the sand before him. [rise: a spot higher than surrounding ground; weather: to expose to the open environment; jut: to stick out] "No inscriptions," he pointed out. [inscription: words that are written on or cut into a surface] "They would have been worn away. See the wind grooves? Anyway, there's not another building on the whole damn planet. You wouldn't call it much of a civilization.” [groove: a long, narrow cut or low area in a surface] "You don't think these are native?" Ball said he didn't. Steffens nodded. Standing there and gazing at the stone, Steffens felt the awe of great age. He had a hunch, deep and intuitive, that this was old—too old. He reached out a gloved hand, ran it gently over the smooth stone ridges of the wall. Although the atmosphere was very thin, he noticed that the buildings had no airlocks. [awe: a strong feeling of fear or respect and also wonder; hunch: a belief or idea about something that is not based on facts or evidence; airlock: a small room that has two doors which can be sealed tightly so that no air enters or leaves and that is used for moving between two spaces with different air pressures in a submarine, spaceship, etc.] Ball's voice sounded in his helmet: "Want to set up shop, Skipper?" [set up shop: to establish a business or an organization; skipper: a person who has command of a vessel] Steffens paused. "All right, if you think it will do any good." "You never can tell. Excavation probably won't be much use. These things are on a raised rock foundation, swept clean by the wind. And you can see that the rock itself is native—" he indicated the ledge beneath their feet—"and was cut out a long while back." [ledge: a more or less flat shelf of rock protruding from a cliff or slope] "How long?" Ball toed the sand uncomfortably. "I wouldn't like to say off-hand." [toe: to touch, kick, or reach with the toe; off-hand: at once] "Make a rough estimate.“ Ball looked at the captain, knowing what was in his mind. He smiled wryly and said: "Five thousand years? Ten thousand? I don't know." [wry: humorous in a clever and often ironic way] Steffens whistled. Ball pointed again at the wall. "Look at the striations. You can tell from that alone. It would take even a brisk Earth wind at least several thousand years to cut that deep, and the wind here has only a fraction of that force." [striation: any of a number of scratches or parallel grooves on the surface of a rock, resulting from the action of moving ice, as of a glacier; brisk: quick and active] The two men stood for a long moment in silence. Man had been in interstellar space for three hundred years and this was the first uncovered evidence of an advanced, space-crossing, alien race. It was an historic moment, but neither of them was thinking about history. [interstellar: situated or occurring between the stars] Man had been in space for only three hundred years. Whatever had built these had been in space for thousands of years. Which ought to give them, thought Steffens uncomfortably, one hell of a good head-start. [one hell of a: used to emphasize the extent of a thing, also "a hell of a", "one heck of a", “a heck of a“, "hell of a", or "heck of a"; head-start: an advantage given or acquired in any competition, endeavor, etc., as allowing one or more competitors in a race to start before the others] [stop Jan 9] ************************************************* While the excav crew worked steadily, turning up nothing, Steffens remained alone among the buildings. Ball came out to him, looked dryly at the walls. "Well," he said, "whoever they were, we haven't heard from them since." "No? How can you be sure?" Steffens grunted. "A spaceborne race was roaming this part of the Galaxy while men were still pitching spears at each other, that long ago. And this planet is only a parsec from Varius II, a civilization as old as Earth's. Did whoever built these get to Varius? Or did they get to Earth? How can you know?" He kicked at the sand distractedly. "And most important, where are they now? A race with several thousand years...." "Fifteen thousand," Ball said. When Steffens looked up, he added: "That's what the geology boys say. Fifteen thousand, at the least." Steffens turned to stare unhappily at the buildings. When he realized now how really old they were, a sudden thought struck him. "But why buildings? Why did they have to build in stone, to last? There's something wrong with that. They shouldn't have had a need to build, unless they were castaways. And castaways would have left something behind. The only reason they would need a camp would be—" "If the ship left and some of them stayed.“ Steffens nodded. "But then the ship must have come back. Where did it go?" He ceased kicking at the sand and looked up into the blue-black midday sky. "We'll never know." "How about the other planets?" Ball asked. "The report was negative. Inner too hot, outer too heavy and cold. The third planet is the only one with a decent temperature range, but it has a CO2 atmosphere." "How about moons?" Steffens shrugged. "We could try them and find out.” *************************************************** The third planet was a blank, gleaming ball until they were in close, and then the blankness resolved into folds and piling clouds and dimly, in places, the surface showed through. The ship went down through the clouds, falling the last few miles on her brakers. They came into the misty gas below, leveled off and moved along the edge of the twilight zone. The moons of this solar system had yielded nothing. The third planet, a hot, heavy world which had no free oxygen and from which the monitors had detected nothing, was all that was left. Steffens expected nothing, but he had to try. At a height of several miles, the ship moved up the zone, scanning, moving in the familiar slow spiral of the Mapping Command. Faint dark outlines of bare rocks and hills moved by below. Steffens turned the screen to full magnification and watched silently. After a while he saw a city. The main screen being on, the whole crew saw it. Someone shouted and they stopped to stare, and Steffens was about to call for altitude when he saw that the city was dead. He looked down on splintered walls that were like cloudy glass pieces rising above a plain, rising in a shattered circle. Near the center of the city, there was a huge, charred hole at least three miles in diameter and very deep. In all the piled rubble, nothing moved. Steffens went down low to make sure, then brought the ship around and headed out across the main continent into the bright area of the sun. The rocks rolled by below, there was no vegetation at all, and then there were more cities—all with the black depression, the circular stamp that blotted away and fused the buildings into nothing. No one on the ship had anything to say. None had ever seen a war, for there had not been war on Earth or near it for more than three hundred years. The ship circled around to the dark side of the planet. When they were down below a mile, the radiation counters began to react. It became apparent, from the dials, that there could be nothing alive. After a while Ball said: "Well, which do you figure? Did our friends from the fourth planet do this, or were they the same people as these?" Steffens did not take his eyes from the screen. They were coming around to the daylight side. "We'll go down and look for the answer," he said. "Break out the radiation suits." He paused, thinking. If the ones on the fourth planet were alien to this world, they were from outer space, could not have come from one of the other planets here. They had starships and were warlike. Then, thousands of years ago. He began to realize how important it really was that Ball's question be answered. When the ship had gone very low, looking for a landing site, Steffens was still by the screen. It was Steffens, then, who saw the thing move. Down far below, it had been a still black shadow, and then it moved. Steffens froze. And he knew, even at that distance, that it was a robot. Tiny and black, a mass of hanging arms and legs, the thing went gliding down the slope of a hill. Steffens saw it clearly for a full second, saw the dull ball of its head tilt upward as the ship came over, and then the hill was past. [end of excerpt] Homework Review the teaching materials. Be ready for the quiz. Write a full essay about writing based on the Steve Martin quote exercise. 300 words or so. Due Jan. 10, 2016 on the forum. Extend the section VI writing to a full story. No word limit. Due Jan. 17, 2016 on the forum. Review the discussed excerpt of A Separate Peace and write a recollection of a treasured part of your life. You can borrow the ideas, style, words, expressions or anything relevant from the excerpt. 400 words also. Due Jan. 24, 2016 on the forum.