Moore 1 Jonathan Moore Professor Colvin English 205 26 October 2015 Understanding Perpetual Inequality In 2014 when Reverend Al Sharpton said, “Though racism may be less blatant now in many cases, its existence is undeniable,” he brought attention to one of the most controversial issues in modern America. It should be evident that racial equality is not a reality in our society today as evidenced by both the progressive steps many black communities have made to improve their quality of life in economically disadvantaged spaces, as well as horrifying hate crimes that continue to saturate the media with racially charged headlines. Individuals like Natasha Trethewey, who grew up a biracial woman in the Deep South during the Civil Rights Movement, have turned to literature as an outlet for racial tension. Trethewey hit the nail on the head with her publishing of Native Guard, a collection of poems that juxtaposes her deeply personal experiences growing up as the child of an illegal interracial marriage, with the experience of an African-American Union troop in the Civil War charged with guarding white Confederate captives. Multiple poems are written on death and one of the most recurring themes in each piece is the value of memory given that it is one of the most treasured modes of remembrance after someone passes on. Trethewey specifically ties both experiences together in the poem Elegy for the Native Guards, where she expounds upon the harsh reality that valiant African-American soldiers who died were left without any commemoration of their service, while confederate troops were given plaques of valor on their graves. Decades have passed since America abolished slavery but this long-standing precedent of discrimination is still evident in the present. Moore 2 Although police brutality and the marginalization of African Americans still abound in modern, American society, resolute demands for racial equality are gradually uprooting the fundamental structures of injustice in our country. As Natasha arrives at the dated civil war army fort, the reader experiences his/her first encounter with racial inequality. Trethewey states, “What we see first is the fort, its roof of grass, a lee / half reminder of the men who served there / a weathered monument to some of the dead” (Line 4-7). The reader can sense an interaction occurring between the disparity of respect for African American troops and the injustices that Natasha experiences in her own life journey. The purposeful usage of the words some and half highlights the racial inequality that existed between those who died. In the case of Natasha’s own life, this injustice hits home for her because one half of her ethnicity is forgotten, as if it were not worthy of remembrance. Although it was somewhat known that slaves fought in prior wars, The Civil War evolved into a proving ground for African-Americans in the United States military. For the duration of the war, the military obliged freed slaves to man the prisons housing captured confederate prisoners of war; this was the group known as The Second Regiment of The Native Guard (Hollandsworth). Being biracial and growing up in a social climate that openly downgrades Natasha’s black heritage while praising her whiteness, shows a historical pattern of denigrating black lives in America. It is one thing to be segregated while you’re living, but it is another altogether after having given the ultimate sacrifice for one’s country. The Native Guard is still a symbol of segregation because the only memories of them have either died with the passing of time or are whispered in comparison to the outspoken, prevailing monuments of fallen, white confederate soldiers. The denial of a formal memorial for the service of The Native Guards laid the foundation for a cycle of historical oppression in African-American society that is manifested today in Moore 3 police brutality. The Elegy goes on to state, “Each confederate soldier’s name raised hard in bronze, no names carved for the Native Guard” (15-16). Even after the war has been over for centuries and racism and slavery had been outlawed in America, many fallen lives still went without recognition while white lives received more attention and concern. Right now, Black Men are twenty-one times more likely to be killed by policemen than white men (Starr). While the past year has brought forth increased outcry for deaths and injury due to police brutality, this is only the first step in rectifying centuries of injustice. The black community has considered it a serious affront that while the deaths of police officers who have severely hurt their communities are mourned nationally, the wrongful deaths of Black youths fall on deaf ears. Somehow, however, in a recent pole, 52% of white Americans believe that police are treating black people fairly (Starr). How can these numbers allow both claims to be true? The structural issue of police brutality is difficult to alter because protecting bad cops is built into the fabric of police culture; similar to how white soldiers of the confederacy looked out for their own. All of the recent cases of police brutality that have resulted in loss of life have been met with no structural reform. There is no justice being brought to the families that were destroyed. Similarly there has been no significant outreach offered by the police or judicial system to the families who have lost someone whom they loved. Instead there is only hollow disappointment when we hear how the media speaks disparagingly about these victims. Disappointment when the jury allows a murderer to go free. Disappointment when we hear this happening over and over again without Moore 4 change or progress. As a result of systemic violence and a militarization of an at times prejudiced police force, Black culture has embraced outlets like faith in the hopes that it might yield some higher meaning. In The Elegy the author shares how, “Only the fort remains, near forty feet high, round, unfinished, half open to the sky, the elements / wind, rain / God's deliberate eye” (23-24). The wording Natasha utilizes in the last line is deliberate and cannot be over looked. In the early 19th century, it was uncommon that on a plantation if any of the slaves were able to read. But while attending church, slaves were able to recite and remember scriptures that they kept dear in their hearts (Hollandsworth). One of the most commonly recited scriptures of the time was Proverbs 18:10 stating, “The name of the LORD is a strong tower; the righteous run to it and are safe” (KJV). Although hope for a better tomorrow varied radically in form amongst slaves, there was a somewhat universal belief that having faith in God would leave you a space in heaven; essentially the only hopeful part of a slave’s existence that he or she could look forward to. This devotion and strong belief in a higher power has permeated black culture today. Surveys claim that 87% of African-Americans believe in some form of religion (Starr). This also shows why hate crimes, like the shooting in Charleston, South Carolina at the Emanuel African Methodist Episcopal Church, have the ability to rock the black community to its foundation. God has historically served as a voice and a hope for those whose, “monuments are water-loss” (20). Although we are far from achieving equality, continuing to speak out against injustice can serve as monument to those who have been lost in the pursuit of justice and can simultaneously serve as an inspiration for the next generation. In The Elegy the reader goes through a process of learning about inequality and the sadness that comes with it but Trethewey also educates the reader, informing him or her about The Native Guard and the historical Moore 5 oppression that they faced with courage and grace. As the great Langston Hughes said, “I tire so of people saying let things take their course. Tomorrow is another day. I do not need my freedom when I’m dead” (Hughes). This quotation demonstrates the necessity of being proactive in the pursuit of justice and racial equality. Right now, at least thirteen states are reviewing bills that will require police officers to wear body cameras and thousands of protestors around the nation drawing ever more attention to the pernicious crisis of police abuse (Starr). While this is just one form of inequality that black communities have felt for decades, it is progress nonetheless. In the early 19th century, The Native Guards who fought for the union army were left without any monument to their legacy. Although America has progressed substantially since that time in terms of racial equality, racism is still alive and well in modern day society. It is now commonly manifested in the form of police brutality and the systemic marginalization of black lives and communities to the peripheries of society. However, the fight for equality lives on through myriad outlets such as speaking up in local communities, through protest, and eventually bringing the fight for racial equality to the forefront of national and global attention. Moore 6 Works Cited Hollandsworth, James G. "Louisiana Native Guard in the Civil War." National Parks Service. U.S. Department of the Interior, 7 June 2001. Web. 20 Oct. 2015. Starr, Terrell Jermaine. "Why Police Brutality Is So Hard to End-And What It Will Take to Stop It." Alternet. N.p., 01 May 2015. Web. 20 Oct. 2015. Trethewey, Natasha D. "Elegy For The Native Guards." Native Guard. Boston: Houghton Mifflin, 2006. N. pag. Print.