SYFY CHANNEL: NEVERLAND – NIGHT ONE
Syfy Channel
Neverland
Night One
As Broadcast
1
SYFY CHANNEL: NEVERLAND – NIGHT ONE
NEVERLAND – NIGHT ONE
TITLE CARD:
SYFY PRESENTS
EXT. SPACE
(SHOTS OF THE COSMOS.)
TITLE CARD:
RHYS IFANS
TITLE CARD:
ANNA FRIEL
TITLE CARD:
CHARLES DANCE
(TWO COMETS RACE SIDE BY SIDE THROUGH SPACE.)
TITLE CARD:
Q’ORIANKA KILCHER
TITLE CARD:
RAOUL TRUJILLO
TITLE CARD:
AND
BOB HOSKINS
(WE COME CLOSER TO A PLANET.)
TITLE CARD:
A PLANET, SECOND TO THE RIGHT AND
STRAIGHT ON TILL MORNING
EXT. FOREST – CONTINUOUS
(LOOKING UP THROUGH THE TREES.)
TITLE CARD:
WITH
CHARLIE ROWE
AS PETER
TITLE CARD:
KEIRA KNIGHTLEY
AS
THE VOICE OF TINKER BELL
(FLYING CREATURES GLIDE THROUGH THE FOREST AND COME TO A STOP TO
LOOK AT A MOUNTAIN. A HOODED MAN STANDS HOLDING AN ORB.)
Tinker Bell:
(vo) What’s he doing?
(THE TWO COMETS SHOOT DOWN TOWARDS THE MAN WITH THE ORBS.)
Tinker Bell:
(cont) (vo) (gasps) No!
(TINKER BELL FLIES TOWARDS HIM AS THE COMETS COME TO HIM.)
Tinker Bell:
(cont) (vo) Stop!
Hooded Man:
No!
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SYFY CHANNEL: NEVERLAND – NIGHT ONE
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EXT. THE JOLLY ROGER – DAY
(BONNY STANDS ON THE DECK HOLDING UP A HOOK.)
TITLE CARD:
NEVERLAND
Bonny:
Fire!
Pirates:
(cheering)
(CANONS BEGIN FIRING FROM THE SHIP DESTROYING A NEARBY SHIP.)
TITLE CARD:
THE SPANISH MAIN, 1726
Bonny:
Fire!
(MORE FIRING AS PIRATES GET MORE CANNONS INTO POSITION.)
TITLE CARD:
CASTING BY
AMY HUBBARD CSA
TITLE CARD:
MUSIC COMPOSED BY
RONAN HARDIMAN
Starkey:
She’s a-sinking already!
Bonny:
Board!
her!
Before she takes her booty with
(THE PIRATES SCATTER ABOUT THE DECK.)
TITLE CARD:
COSTUME DESIGNER
EIMER NI MHAOLDOMHNAIGH
(MR. SMEE WATCHES THE BOAT SINK.)
Mr. Smee:
(laughs)
(THE BOAT GOES UNDER.)
TITLE CARD:
VISUAL EFFECTS SUPERVISOR
LEE WILSON
(A BOAT FULL OF SAILORS LOOKS PAST WHERE THEIR BOAT HAS SUNK TO
THE JOLLY ROGER.)
TITLE CARD:
EDITOR
ALLAN LEE
INT. THE JOLLY ROGER – MOMENTS LATER
(BONNY SITS AS STARKEY AND ANOTHER MATE BRING OVER A LARGE CHEST
ALONG WITH SMEE.)
Mr. Smee:
It’s a heavy one, Captain.
Starkey:
(grunts) Deus de Dio.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
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(THEY PUT DOWN THE CHEST.)
Starkey:
(cont) (groans) It’s a war chest, I
imagine, filled with Spanish doubloons.
(SHE NODS AND HE STARTS TO OPEN IT.)
Starkey:
(cont) (grunts)
(THEY OPEN IT REVEALING A LARGE ORB.)
Starkey:
(cont) Eh?
Bonny:
What the hell is it?!
Mr. Smee:
It’s the Holy Grail.
Starkey:
Don’t be ridiculous, Smee.
There’s no such thing.
Mr. Smee:
Well, it’s Aladdin’s lamp then.
Idiot.
(BONNY LOOKS CLOSER AT IT AS IT STARTS TO GLOW.)
Bonny:
There’s something inside it.
(AN IMAGE OF TINKER BELL APPEARS.)
Bonny:
(cont) (screams)
Starkey:
What’s the matter?
(BONNY HAS HER GUN OUT.)
Bonny:
It’s possessed. The damn thing’s got a
ghost inside it.
Mr. Smee:
Or a genie! Maybe it’ll grant us a
wish or two.
Bonny:
It’s not of this world.
(SHE SHOOTS IT AND THE ENTIRE BOAT DISAPPEARS INTO THE FLOATING
ORB. MEN ON A LIFEBOAT NEARBY SEE IT AND POINT.)
Man On Boat:
(speaking in Spanish)
SUBTITLE:
Look the magic orb.
EXT. LONDON STREET – DAY
TITLE CARD:
LONDON, ENGLAND 1906
(SOME WELL-DRESSED MEN COME OUT OF A BUILDING AS A PHOTOGRAPHER
READIES HIS CAMERA.)
TITLE CARD:
PRODUCTION DESIGNER
AMANDA McARTHUR
SYFY CHANNEL: NEVERLAND – NIGHT ONE
TITLE CARD:
4
DIRECTOR OF PHOTOGRAPHY
SEAMUS DEASY
EXT. NEARBY STREET – CONTINUOUS
(TOOTLES RUNS FROM CURLY AND NIBS.)
Tootles:
Help!
Curly:
Let me at him!
Nibs:
I’m gonna kill him!
Curly:
Come on you little runt!
EXT. LONDON STREET – SECONDS LATER
(PETER WATCHES FROM A ROOFTOP AS THE BOYS CHASE TOOTLES.)
TITLE CARD:
PRODUCED BY
REDMOND MORRIS
Tootles:
(screaming) Help!
Curly:
Come on you runt!
Tootles:
(screams)
(TOOTLES RUNS RIGHT INTO THE GROUP OF WELL-DRESSED MEN.)
Well-Dressed Men:
(muttering)
(PETER BEGINS PLAYING A FLUTE UP ABOVE.
BEHIND A PILLAR.)
Slightly:
SLIGHTLY MOVES FROM
That’s us.
(SLIGHTLY AND ANOTHER BOY JOIN IN THE SCUFFLE.
PLAYING.)
TITLE CARD:
EXECUTIVE PRODUCERS
ALAN MOLONEY AND MARK GRENSIDE
(TOOTLES ESCAPES THE GROUP AND NIBS FOLLOWS.
OF THE MEN’S WALLETS.)
Man:
SLIGHTLY GRABS ONE
Oi! Boy’s got my wallet!
thieves!
(THEY HAVE SLIGHTLY AS THE OTHERS GET AWAY.
OTHER SIDE OF THE ROOFTOP HE’S ON.)
Man:
PETER KEEPS
Their
PETER RUNS TO THE
(cont) Thieves!
(BELOW ON THE OTHER SIDE OF THE BUILDING, TOOTLES WALKS WITH
NIBS AND CURLY.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Nibs:
5
A gold watch?
an artist.
Blimey, Tootles. You’re
(PETER PLAYS HIS PIPE.)
Curly:
(sighs) What now?
EXT. ROOFTOP – CONTINOUS
(PETER RUNS AS HE PLAYS.)
TITLE CARD:
EXECUTIVE PRODUCERS
ROBERT HALMI, SR. AND ROBERT HALMI, JR.
EXT. STREET – CONTINUOUS
(THE BOYS POP OUT FROM AROUND A CORNER.)
Tootles:
What’s up Twins?
The Twins:
Slightly’s gone and got himself nicked.
(THEY WATCH AS THE MEN HOLD ON TO SLIGHTLY.)
Curly:
And instructions from Peter?
The Twins:
No.
He’s, he’s gone quiet.
(PETER PLAYS ANOTHER SONG.)
Curly:
That’s Beer Barrel Bertie.
Nibs:
We don’t have no plans for Beer Barrel
Bertie. Do we?
(A CART GOES BY WITH BEER BARRELS.)
Tootles:
Hey, look over there.
(TWO COPPERS WALKS SLIGHTLY ALONG AND FOX STOPS THEM, HOLDING
A STICK OUT.)
Fox:
Excuse me, officer.
dropped this.
Copper #1:
What? Impossible.
loose.
You, uh, you
Must have a buckle
(FOX PULLS OUT A WHISTLE.)
Fox:
And, uh, you dropped this.
Copper #2:
That’s my whistle.
Fox:
It was down there with your keys.
Well, how did you…
(THE COPPER SEES HIS KEYS ON THE GROUND AND FOX PULLS A KEY FROM
BEHIND HIS BACK. THE COPPER BENDS DOWN TO GET IT.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Copper #2:
6
My keys!
(FOX UNLOCKS SLIGHTLY’S CUFFS.)
Fox:
(THEY RUN OFF.
Copper #1:
Go.
THE COPPERS FOLLOW.)
He’s got the blighter loose!
(THEY CHASE THEM THROUGH THE WELL-DRESSED MEN AND TOWARDS THE
CART OF BARRELS.)
Coppers:
You there!
Come here!
(PETER BEGINS TO PLAY THE WHISTLE. THE HORSE’S EARS PERK UP AND
IT REARS BACK. THE BARRELS ROLL OFF OF THE CART AND KNOCK DOWN
THE COPPERS.)
Coppers:
Whoa!
(SLIGHTLY AND FOX RUN AWAY.)
Peter:
(quietly) Yes.
TITLE CARD:
WRITTEN AND DIRECTED BY
NICK WILLING
INT. WHITECHAPEL FENCING ACADEMY – DAY
(A GROUP OF FENCERS FIGHT IN PAIRS.
Jimmy:
JIMMY ADDRESSES THEM.)
Don’t watch his sword Stevens, watch
his eyes. Remember a man’s intent is
in his eyes.
(JIMMY WALKS THROUGH THEM AS THEY CONTINUE TO FIGHT. HE STOPS
BETWEEN A PAIR AND HOLDS A SWORD UP TO ONE OF THEM. THEY BEGIN
TO FIGHT AND JIMMY STRIKE HIM.)
Fencer:
(yelps)
(THEY GO AGAIN AND JIMMY DISARMS HIM AND RETURNS HIS SWORD.)
Jimmy:
Sometimes smaller is smarter.
(SLIGHTLY, CURLY, FOX, NIBS, AND THE TWINS ENTER AND HEAD INTO
ANOTHER ROOM. JIMMY FOLLOWS.)
INT. THE BOYS’ ROOM – CONTINUOUS
(THE GROUP BEGINS TO UNLOAD THEIR LOOT AS PETER ENTERS THROUGH A
WINDOW.)
Curly:
Jimmy’s gonna love this.
Fox:
Well done, Peter.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
(TOOTLES BEGINS TO COOK.
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JIMMY COMES IN.)
Jimmy:
I’ve got a nice job for you boys.
Curly:
How nice?
Jimmy:
Harbottle’s Antiques.
Curly:
Are you mad?
Jimmy:
You’re ready.
Nibs:
That place is tighter than the Tower.
Curly:
We’ll get nicked for sure.
Jimmy. Too dangerous.
Peter:
I think it’s a brilliant idea.
Harbottle’s has two doors as I
remember. One in the front and one at
the back leading to an alley. There is
a night guard, of course. And the
windows are sealed shut. But, there
are other ways in if you’re small and
cunning.
Curly:
If we get nicked it won’t be the
orphanage they throw us in. It’ll be
the clink. We wouldn’t last a week.
Peter:
Weren’t you at the bottom of Hackney
Canal when Jimmy found you? Tied in a
sack with stones around your wrists and
ankles. Jimmy’s rescued every one of
you. He’s pulled you from the
workhouses and asylums. He’s given you
a home. Food in your belly and shoes
on your feet. Isn’t it time we paid
him back? Harbottle’s Antiques.
Sorry
(HE RAISES HIS HAND.)
Peter:
All who’s with me raise your right
hand.
(THEY ALL GRADUALLY RAISE THEIR HANDS.)
Jimmy:
A word in your ear, Peter.
(HE GOES UP THE STAIRS.)
INT. WHITECHAPEL FENCING ACADEMY – MOMENTS LATER
(JIMMY SITS TO TALK TO PETER.)
Jimmy:
(cont) Curly’s right.
dangerous.
This one’s too
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Peter:
But it’s worth it.
Jimmy:
How do you know?
Peter:
You wouldn’t risk it otherwise.
Jimmy:
You’re growing up quickly Peter but you
still have a lot to learn.
Peter:
Do you want to do this job or not!?!
Jimmy:
Oh, I want to do it all right. It’s
what I’ve been waiting for. It might
get me back where I belong. But I’ve
changed my mind. I’m going it alone on
this one.
(HE GETS UP.)
Peter:
You don’t trust me.
Jimmy:
I don’t want you to get nicked.
Peter:
I’ll get us in and out safe.
Jimmy:
No. This one’s mine. Things will be
different when you’re older.
(HE WALKS OFF.)
EXT. ROOFTOP – NIGHT
(PETER LOOKS OUT AT LONDON.
Fox:
FOX JOINS HIM.)
Licorice? (small chuckle)
(PETER SHAKES HIS HEAD NO.)
Fox:
(cont) What do you think of accounting?
Peter:
What?
Fox:
Bookkeeping. I had an uncle in Pinner
who made bucket-loads from just adding
things up. (laughs)
Peter:
Sounds a bit dull, Fox.
Fox:
He had a good life. Married a draper’s
daughter from Bexley Heath. (sighs)
Brenda Fitzwilliam. Nice smile.
Peter:
Fox, what are you talking about?
Fox:
The future. Something to look forward
to. What about you Peter? You ever
think of the future.
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SYFY CHANNEL: NEVERLAND – NIGHT ONE
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Peter:
I’m stickin’ with Jimmy.
Fox:
(scoffs) If you’re not careful you’ll
grow up to be just like him.
Peter:
What’s wrong with that?
Fox:
It’s a dangerous life.
Peter:
Adventurous you mean.
Fox:
(scoffs)
Peter:
(overlapping) You wanna spend the rest
of your days in a shoe box? Fine. But
I want more. Now, Jimmy’s going places
and so am I. One day we’ll be
partners. Believe me. That day
can’t…can’t come soon enough. Come on,
we’ve got a job to do.
(PETER GETS UP.)
Fox:
What?
Job?
Peter:
Yeah, Harbottles Antiques.
Fox:
Tonight? Whoa, Jimmy didn’t say
anything about doing it tonight.
Peter:
Jimmy doesn’t have to know.
surprise him.
Remember?
We’ll
INT. JIMMY’S OFFICE – NIGHT
(JIMMY POURS A DRINK AS JEFFRIES SITS TALKING WITH HIM.)
Jeffries:
Make it look like an ordinary break-in.
Take whatever else you want.
Jimmy:
Of course.
Jeffries:
And, should you be lucky enough to find
the artifact there handle it with the
utmost care.
Jimmy:
Have you considered my terms?
Jeffries:
Money’s not a problem but the other
business is more difficult.
(JIMMY GIVES HIM THE GLASS.)
Jimmy:
I’m afraid it’s not negotiable.
Jeffries:
My client is using what influence he
has but…
SYFY CHANNEL: NEVERLAND – NIGHT ONE
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Jimmy:
But what?
Jeffries:
Re-establishing your position in London
society is proving more troublesome
than he thought. The Granville Club
won’t take you back. And most of the
new businessmen he spoke to want
concrete references. Introduction’s no
longer enough.
Jimmy:
Well, if anyone can do it, Fludd can.
Jeffries:
As I said, he’s doing his best.
INT. FENCING ACADEMY EXIT – MOMENTS LATER
(JIMMY LETS JEFFRIES OUT. )
Jeffries:
(cont) If there’s a slip-up I don’t
know you. Understand?
Jimmy:
Perfectly.
(JEFFRIES LEAVES AND JIMMY CLOSES THE DOOR.)
INT. THE BOYS’ ROOM – MOMENTS LATER
(JIMMY COMES DOWNSTAIRS AND TURNS OFF A LIGHT. HE STARTS BACK
UP BUT TURNS BACK AND DESCENDS THE STAIRS. HE FINDS THE BEDS
EMPTY.)
EXT. HARBOTTLES – NIGHT
(ESTABLISHING SHOT.)
INT. HARBOTTLES – CONTINUOUS
(THE NIGHT GUARD WORKS AT A DESK AND HEARS A RING. HE GOES TO
THE DOOR AND LOOKS OUT TO SEE SLIGHTLY AND TOOTLES.)
Slightly:
Penny for the Guy, mister.
Night Guard:
It’s September!
(A FIRECRACKER IS THROWN BEHIND THEM.)
Night Guard:
(cont) Get lost!
Ruddy pests!
(THE FIRECRACKERS GO OFF AND THE TWINS DANCES IN.)
The Twins:
Penny for the Guy!
Penny for the Guy!
(A SACK COMES DOWN A CHUTE.)
The Twins:
(cont) Penny for the Guy! Penny for
the Guy! Penny for the Guy! Penny for
the Guy!
SYFY CHANNEL: NEVERLAND – NIGHT ONE
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(THE NIGHT GUARD TURNS BACK IN AND SEES A MOUSE.)
Night Guard:
Where’d you spring from?
(HE GRABS A PAIL AND GOES AFTER IT.)
Night Guard:
(cont) Come her. (kissing sounds) Come
on, now.
(HE PUTS THE PAIL DOWN.)
Night Guard:
(cont) Got ya!
INT. HARBOTTLES – BACK HALL – MOMENTS LATER
(THE NIGHT GUARD WALKS THE PAIL TO A BACK DOOR, OPENS IT, THROWS
THE MOUSE OUT AND HE HIS HIT ON HIS HEAD. HE FALLS. PETER
SWINGS IN.)
Peter:
(sighs)
(FOX ENTERS.)
Peter:
(cont) See?
Fox:
(small laugh)
Couldn’t be easier.
(THEY TURN ON THE LIGHT AND LOOK AROUND.
ENTERS.)
Fox:
(cont) Not bad.
Curly:
Whoa!
THE WHOLE GANG
(THEY BEGIN LOOKING LOOKING AT ITEMS AND SCOOPING THEM UP.)
Slightly:
(sharp inhale)
Peter:
(small laugh)
(JIMMY ENTERS UNNOTICED.
PETER FINALLY LOOKS UP.)
Jimmy:
What the hell do you think you’re
doing?
Peter:
Isn’t this what you wanted?
Jimmy:
You know it isn’t. I changed my mind.
I told you I was doing this one alone.
Peter:
Yeah, but look.
Curly:
Why didn’t you tell us Peter?
Peter:
‘Cause you wouldn’t have done it.
Curly:
Oh, so, you lied to us.
We’re in!
SYFY CHANNEL: NEVERLAND – NIGHT ONE
12
Peter:
I wanted to show Jimmy what we were
made of. He thought we were too young!
Tootles:
I am too young.
Jimmy:
Fill your bags and wait by the door.
Curly, keep an eye out the back. Nibs,
watch the front.
INT. HARBOTTLES – FRONT OFFICE – MOMENTS LATER
(JIMMY GRABS KEYS FROM THE GUARD’S DESK.)
INT. HARBOTTLES – HALL – MOMENTS LATER
(JIMMY TRIES TO OPEN A LOCKED DOOR AS PETER APPROACHES.)
Peter:
Sorry, Jimmy. I just wanted to show
you that I could do it.
Jimmy:
If you’re going to be my partner one
day you must never go behind my back.
Peter:
One day?
Jimmy:
Believe me, you’ve got a lot of growing
up to do first.
But, I’m ready now.
(JIMMY UNLOCKS THE DOOR.)
Peter:
(small laugh)
INT. HARBOTTLES – STORE ROOM – CONTINUOUS
(THEY ENTER AND JIMMY BEGINS LOOKING AROUND.)
Peter:
(cont) You looking for something in
particular, Jimmy?
(JIMMY LOOKS UP TO SEE A CHEST.
ENTERS.)
Peter:
(PETER EXITS.
HE CLIMBS TO IT AS CURLY
(cont) I’ll go find something to force
it open.
THE OTHER KIDS ENTER.)
INT. HARBOTTLES – MAIN STORE – SECONDS LATER
(PETER LOOKS AROUND.)
INT. HARBOTTLES – STORE ROOM – SAME
(JIMMY UNLOCKS THE CHEST AND OPENS IT.
ON IT. IT BEGINS TO GLOW.)
INT. HARBOTTLES – MAIN STORE – SAME
HE SEES AN ORB AND TAPS
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13
(PETER FINDS A SMALL DAGGER.)
INT. HARBOTTLES – STORE ROOM – SAME
(THE GLOWING IS MORE INTENSE.)
Kids:
Whoa. Whoa.
Fox:
Wha-, what is it?
Curly:
Wow.
INT. HARBOTTLES – MAIN STORE – SAME
(PETER WORKS WITH THE DAGGER.)
Peter:
(laughs)
INT. HARBOTTLES – STORE ROOM – SAME
(JIMMY LIFTS THE ORB.)
INT. HARBOTTLES – MAIN STORE – SAME
(PETER SHEATHES THE DAGGER.)
Peter:
(cont) Not bad.
INT. HARBOTTLES – STORE ROOM – SAME
(JIMMY HOLDS THE ORB AND THERE IS A LOUD SNAP.
OFF OF THE SHELF.)
Jimmy:
HE FALLS BACK
Ah!
(THE ORB CRASHES AND THERE IS A BRIGHT LIGHT.)
INT. HARBOTTLES – MAIN STORE – SAME
(A FLASH AND PETER SEES THE ORB HAS APPEARED, STILL GLOWING.)
INT. THE BOYS’ ROOM – NIGHT
(PETER STANDS TALKING TO HIMSELF.)
Peter:
It’s all your fault Peter. If you’d
done as Jimmy said and just, just left
it alone.
(HE LOOKS AT THE ORB SITTING IN A BAG.)
Peter:
(cont) Then they’d still be here.
(HE CROSSES TO IT.)
Peter:
(cont) You were looking for this,
weren’t you Jimmy? Who were you
SYFY CHANNEL: NEVERLAND – NIGHT ONE
14
working for?
(A KNOCK AT THE DOOR.
IT TO SEE JEFFRIES.)
PETER GOES TO IT AND LOOKS OUT.
Jeffries:
Where’s Jimmy?
Peter:
He’s out.
Jeffries:
When will he be back?
Peter:
What you want him for?
with Jimmy?
HE OPENS
What you want
(JEFFRIES WALKS AWAY.)
Peter:
(cont) Oi, come back!
(PETER CLOSES THE DOOR.)
EXT. STREET – MOMENTS LATER
(JEFFRIES WALKS AND PETER QUIETLY FOLLOWS HIM.
A MANSION. THE SOUND OF MEN SINGING.)
Men:
JEFFRIES ENTERS
(singing in Latin)
(PETER OPENS A MANHOLE COVER ON THE STREET AND GOES DOWN.)
INT. MANSION – CELLAR – CONTINUOUS
(PETER COMES DOWN THROUGH THE CELLAR AND WALKS.)
INT. MANSION – HALL – MOMENTS LATER
(PETER COMES TOWARDS A ROOM WITH HOODED MEN IN IT.)
Men:
(cont) (singing in Latin)
(JEFFRIES GRABS PETER FROM BEHIND.)
INT. MANSION – STUDY – LATER
(JEFFRIES STANDS BEHIND PETER AS FLUDD ADDRESSES HIM.)
Fludd:
Why’d you follow Jeffries, boy?
didn’t send you, did he?
Peter:
What do you want with Jimmy?
Fludd:
That’s my business.
Peter:
Just gone.
Fludd:
What do you mean “gone?”
Peter:
A bomb in Harbottles.
Jimmy
Where is he?
SYFY CHANNEL: NEVERLAND – NIGHT ONE
15
Fludd:
He found the orb, didn’t he?
Peter:
You know what that thing is?
Fludd:
So, it was in Harbottles after all.
Peter:
Jimmy was working for you?
Fludd:
Where is it now?
Peter:
It blew him up and all my crew.
Fludd:
Let him go Jeffries.
blown up.
Peter:
Where are they then?
Fludd:
Another world more beautiful than you
can imagine. But I can get them back
if you tell me where the orb is.
Peter:
How?
Fludd:
It’s a portal. A kind of door. And
the slightest knock will activate it.
But we must hurry. Heavens, Jeffries,
if I’d have known it was at Harbottles
for sure I’d have engaged someone more
diligent…
Tell me!
They weren’t
(PETER RUNS.)
Jeffries:
Hey!
Fludd:
After him!
(THEY RUN AFTER HIM.)
EXT. MANSION – CONTINUOUS
(PETER RUNS OFF AND THEY COME TO THE DOOR TO SEE HIM GO.
JEFFRIES RUSHES BACK IN.)
Fludd:
Hurry Jeffries!
INT. THE BOYS’ ROOM – LATER
(PETER LOOKS AT THE ORB.)
Peter:
A door to another world.
(HE PULLS OUT HIS DAGGER.)
Peter:
(cont) The slightest knock, hey?
(HE TAPS IT WITH THE DAGGER AND THE ORB BEGINS TO GLOW.)
Peter:
(cont)_ (breathless) What a weird
SYFY CHANNEL: NEVERLAND – NIGHT ONE
16
looking place. But you’re in there
somewhere, ain’t ya Jimmy?
(A KNOCK AT THE DOOR.)
Fludd:
(os) Open up, Peter!
We can help you.
Peter:
Help me!? When has a toff ever helped
the likes of me?
(HE TURNS BACK TO THE ORB BUT THERE IS A GUNSHOT AT THE DOOR.)
Peter:
(cont) I got him into this…
get him out.
I’m gonna
(HE STRIKES HARD AT THE ORB WITH THE DAGGER AND IT FLASHES AND
HE DISAPPEARS. JUST THEN FLUDD ENTERS.)
EXT. NEVERLAND FOREST – DAY
(PETER LOOKS AROUND.)
Peter:
(breathing heavy)
(HE TRIPS AND GETS BACK UP.)
Peter:
(cont) Hello!?
Where am I?
(HE HEARS SOMETHING AND LOOKS UP.)
Peter:
(cont) (gasps)
EXT. NEVERLAND FOREST – TREE TOP – MOMENTS LATER
(PETER CLIMBS ACROSS A HIGH BRANCH AND LOOKS DOWN AT A 10-LEGGED
CROCODILE BELOW.)
Peter:
(cont) Come on.
Where are you?
(HE LOOKS AROUND AND SEES SMOKE IN THE DISTANCE.)
EXT. NEVERLAND FOREST – SAME
(TOOTLES AND THE TWINS SIT BY THE SMOKE.)
Tootles:
(sighs) Lots of smoke.
No flames.
(HE GRABS AT THE WOODEN MODEL OF THE EIFFEL TOWER THE TWINS
IS HOLDING.)
Tootles:
(cont) Gimme that.
The Twins:
No!
Slightly:
We’ve landed in hell I tell you. Soon
Lucifer’s demons will rise up to record
our sins and throw us down there into
the everlasting fire of damnation where
SYFY CHANNEL: NEVERLAND – NIGHT ONE
17
we’ll burn in agony for all eternity.
EXT. NEVERLAND FOREST – FURTHER AWAY - SAME
(PETER RUNS TOWARDS THE GROUP.)
Peter:
Jimmy!
Fox!
EXT. NEVERLAND FOREST – SAME
The Twins:
Hear that?
(CURLY LOOKS OUT.)
Curly:
They’re headed this way.
Jimmy:
(grunts, inaudible)
(HE GRABS A BAT.)
Jimmy:
(cont) Hide quickly!
(THE BOYS ALL SCATTER AND HIDE.)
EXT. NEVERLAND FOREST – FURTHER AWAY - SAME
(PETER RUSHES TOWARDS THEM.)
Peter:
(breathing heavily)
EXT. NEVERLAND FOREST – SAME
(JIMMY HIDES WITH THE BAT BEHIND A TREE. A GUN PRESSES INTO HIS
NECK AND STARKEY AND ANOTHER PIRATE APPEAR.)
Starkey:
Bon journo, amigo.
(laughs)
Curly:
Leave us alone!
Boys:
(os) Let me go!
Got any goodies?
Just get off!
(A GROUP OF PIRATES HAS GRABBED THE BOYS.)
Pirate #1:
(laughing) Found another five…
Tootles:
Get off of me!
Pirate #1:
…little ones. (laughs)
Boys:
(struggling)
(THE PIRATES DRAG THEM OFF.)
EXT. NEVERLAND FOREST – MOMENTS LATER
(PETER RUSHES UP TO FIND EVERYONE GONE.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Peter:
18
(panting) Jimmy!?
(HE LIFTS UP A SOCK AND SMELLS IT.)
Peter:
(cont) Tootles.
(A GUNSHOT.)
EXT. NEVERLAND BEACH – MOMENTS LATER
(PETER RUNS UP TO SEE THE PIRATES BOATING THE OTHERS ACROSS
THE WATER TOWARDS THE JOLLY ROGER.)
Peter:
(cont) Pirates?
Pirate Voice:
(os) We’re coming along!
(PETER RUNS OFF.)
EXT. NEVERLAND FOREST – LATER
(PETER COMES BACK TO WHERE HE WAS AND HEARS A SOUND.)
Peter:
(cont) (breathing heavily)
(HE PULLS OUT HIS DAGGER AND WALKS FORWARD TO WHERE FOX IS
LYING.)
Peter:
(cont) Ah!
Fox:
(yelps) (sighing)
Peter:
(laughing) Fox!
(FOX JUMPS UP TO HIM.)
Fox:
Where did you spring from?
Peter:
You have no idea how glad I am to see
you.
Fox:
Where the hell have we landed?
Peter:
I have no idea. All I know is we’re
not in Shorditch anymore.
Fox:
It was that thing in Harbottles, wasn’t
it?
Peter:
I’m sorry Fox. It’s all my fault. We
should’ve never broke into Harbottles
in the first place.
Fox:
If Curly was here he’d string you up.
Peter:
I’ll make good. I’ll get them off that
ship and home safe.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Fox:
Ship?
Peter:
A pirate ship.
Fox:
(laughs) It’s a bloody nightmare.
Weird crocks, spooky woods, now
pirates. What’s next? Swarms of flying
beasties?
(THEY HEAR A SOUND COMING AND TURN TOWARDS A BUZZING SOUND.)
Peter:
What’s that?
Fox:
Oh, what now?
(A FLOCK OF FLYING CREATURES COME TOWARDS THEM.)
Peter:
Run!
(THEY START RUNNING AWAY.)
Peter/Fox:
(panting)
(THE CREATURES KNOCK FOX DOWN AND SWARM HIM.)
Fox:
(shrieking)
(PETER RUNS BACK AND HELPS HIM UP.)
Peter:
On your feet!
(FOX RUNS AND PETER FOLLOWS.)
Fox:
(panting)
Peter:
We gotta stay ahead of the swarm
otherwise we’re dead!
Fox:
(moaning)
(THEY GRAB AT PETER.
A HILLTOP.)
HE RUNS ALONG WITH FOX AND THEY COME TO
Native Americans:
(chanting)
(THEY SEE THE NATIVE AMERICAN TRIBE JUST AS THE CREATURES ARIVE
AND ALSO COME TO A STOP.)
Holy Man:
(screams)
(THE CREATURES FLY AWAY.)
Peter:
Indians?
EXT. JOLLY ROGER – DAY
(JIMMY AND THE BOYS STAND BEFORE BONNY.)
19
SYFY CHANNEL: NEVERLAND – NIGHT ONE
20
Bonny:
What year’d you come from?
Jimmy:
Nineteen hundred and six.
Mr. Smee:
Oh, that’ll make me 163 next October.
Pirates:
(laugh)
Starkey:
263 you mean.
Mr. Smee:
Oh, maybe I’ll start thinking about
settling down.
Pirates:
(laughing)
Starkey:
(overlapping) Hm?
Mr. Smee:
A nice cottage on Venus. (laughs)
Jimmy:
From the 1700’s?
Mr. Smee:
Cod liver oil, stewed prunes and
regular trips up the rigging.
Pirates:
(laughing)
How is that possible?
(BONNY APPROACHES JIMMY.)
Bonny:
And what are you good for I wonder.
(SHE GRABS HIS WATCH.)
Bonny:
(cont) (whispering) It still works.
Tick-tock. Tick-tock. Tick-tock.
(louder) Tick-tock. Tick-tock…
(SHE BEGINS SWINGING THE WATCH AT THE PIRATES.)
Bonny:
(cont) Tick-tock!
Tick-tock!
Starkey:
(overlapping) Hey, hey, hey.
Pirates:
(overlapping) (groaning)
Bonny:
(overlapping) Tick-tock!
(SHE TURNS BACK TO JIMMY.)
Bonny:
(cont) Did you bring anything else with
ya? Did ya? Ah, sugared almonds
perhaps?
Jimmy:
Just what you see.
Bonny:
Pity!
(SHE LOOKS AT THE INSIDE WATCH COVER AT THE PICTURE OF A WOMAN.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
21
Bonny:
(cont) How sweet.
of his true love.
He carries a picture
Jimmy:
What is this place?
Bonny:
Can’t you tell? It’s Heaven or Hell!
(laughs) Depending on your point of
view! (laughs)
Pirates:
(overlapping) (laughing)
(THE BOYS STAND TOGETHER.)
Slightly:
See, Lucifer’s demons.
Starkey:
What shall we do with them, hmm?
Mr. Smee:
Well, I want, I want the English lads.
Starkey:
What for?
Mr. Smee:
They look so tender. Bet they taste
good in a stew. (laughs)
Jimmy:
My boys stay with me.
Starkey:
He’s a bold one, no?
Bonny:
And he’s not a bad looking wag.
Starkey:
Eh?
Bonny:
Ooh. Maybe I could find a use for him
in my cabin.
Starkey:
Good idea.
Bonny:
Just playing with ya Starkey. I’m just
playing with you. Throw him to the
crocs!
Pirates:
(cheering)
Bonny:
Smee, you can keep the boys.
Mr. Smee:
Oh, thank you, ma’am. You won’t be
sorry. I’ve got some coriander seeds
and some ginger saved.
Bonny:
(shrieks)
Maybe I need a rest, eh?
(THE BOYS FLINCH.)
Mr. Smee:
(chuckles) Right. Now you better come
with me. You’re not gonna like this
next bit.
Curly:
Jimmy.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Mr. Smee:
22
Come on.
(HE LEADS THE BOYS OFF AS TWO OTHER PIRATES TAKE JIMMY TO THE
SIDE OF THE SHIP.)
Pirates:
(muttering)
(JIMMY LOOKS DOWN AT A CROC SWIMMING BY AND FIGHTS OFF BOTH
PIRATES, GETTING ONE OF THEIR SWORDS.)
Pirate #2:
Oh!
(HE KNOCKS THEM BOTH OVERBOARD.)
Two Pirates:
(screams)
Jimmy:
My boys stay with me.
(BONNY MOTIONS TO ANOTHER PIRATE AND HE BEGINS TO SWORD FIGHT
WITH JIMMY. STARKEY STARTS TO HOLD UP HIS PISTOL.)
Bonny:
Wait.
I want to watch.
(JIMMY FIGHTS HIM TO THE EDGE OF THE BOAT, STABS HIM AND HE
FALLS IN. THE CROCS DEVOUR HIM.)
Jimmy:
You asked what I was good for. Well,
as you can see I’m handy with a blade.
Bonny:
Who are ya?
Jimmy:
My friends call me Jimmy.
Bonny:
Jimmy.
Jimmy:
But the name’s Hook.
James Hook.
EXT. WOODS – DAY
(THE NATIVES LEAD PETER AND FOX TO A STOP AND REMOVE THEIR BLIND
FOLDS.)
Holy Man:
I’m sorry for this but entrance to your
village is secret.
(PETER LOOKS AT THE INDIAN VILLAGE.)
Native Americans:
(muttering)
Peter:
What are you gonna do with us?
Holy Man:
Dinner.
Fox:
You’re gonna eat us?
Holy Man:
Why? Do you taste good?
must be hungry.
Come.
You
SYFY CHANNEL: NEVERLAND – NIGHT ONE
23
(HE LEADS THEM INTO THE VILLAGE.)
Tribe:
(chattering/laughing)
EXT. VILLAGE – LATER
(PETER AND FOX SIT WITH THE TRIBE EATING.)
Peter:
What’s this meat?
Holy Man:
Xaw.
(HE POINTS AT A LARGE CROC SKULL.)
Fox:
Are we in America?
Holy Man:
Not anymore.
Peter:
But you’re Indians.
Holy Man:
We are Kaw, people of the raven.
become part of this world now.
Peter:
Do you know the way back to London?
We’ve
(THE CHIEF WALKS OUT.)
Tribe:
(chanting)
Holy Man:
(overlapping) The Chief.
Chief:
(calling out in Indian language)
(laughs)
(HE WALKS UP TO THE HOLY MAN AND THE BOYS.)
Chief:
(cont) (speaks in native language)
SUBTITLE:
Are these the newcomers, Shaka?
Holy Man:
(speaks in native language)
SUBTITLE:
They’re very hungry.
Chief:
(speaks in native language)
Holy Man:
Chasing Tree Spirits is hungry work.
Chief:
(laughs)
Tribe:
(laughs)
Chief:
(speaking in native language)
Holy Man:
He asks if you want to join our tribe?
Peter:
Thank you, but, um, once we finish
SYFY CHANNEL: NEVERLAND – NIGHT ONE
24
dinner we’ll be on our way.
Holy Man:
(speaking in native language)
Chief:
(speaking in native language)
SUBTITLE:
Wild men!
Tribe:
(overlapping) (laughing)
Holy Man:
We saved you before. We may not be
there to save you again.
Peter:
We’re very grateful. But we have to
rescue our friends from pirates.
Holy Man:
(speaking in native language)
Chief:
(speaking in native language)
SUBTITLE:
Today I will eat with my guests.
(laughs)
(HE SITS.)
Fox:
Where are we?
Holy Man:
We call this geih gwaay.
Peter:
Why?
Holy Man:
Because we never age here. You might
not believe this but I am 130 years
old. Innu’s son is 81.
Neverland.
(THEY LOOK AT A BABY.)
Chief:
(shouts in native language)
SUBTITLE:
Daughter!
(AAYA COMES OUT WITH FOOD.)
Holy Man:
The Chief’s daughter. She is called
Aaya K’aang. Tiger Lily in you
language. She is named this because
she is as wild as she is beautiful.
Chief:
(speaking in native language)
Holy Man:
Don’t get any ideas because she is
almost one-hundred years old.
(chuckles)
Chief:
(speaking in native language)
SUBTITLE:
For some reason it never seems to put
them off.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
25
Chief:
(cont) (laughs)
Holy Man:
(overlapping) (laughs)
EXT. JOLLY ROGER – NIGHT
(ESTABLISHING SHOT.)
Bonny:
(vo) You’ve left me with a bit of a…
INT. JOLLY ROGER – BONNY’S CABIN – SAME
(BONNY ADDRESSES HOOK WHO IS TIED TO A CHAIR.)
Bonny:
(cont) …problem. Three of my best men
dead. One was my personal body guard.
Hook:
It was self-defense.
Bonny:
That’s not the point.
replacements here.
Hook:
No?
Bonny:
You’re not in London now, Hook. Did
you notice anything unusual out there?
Hook:
I don’t follow.
Bonny:
Orion, Polaris.
the Pole Star.
Hook:
Astronomy’s not my best suit.
Bonny:
Well, if it was you’d notice that there
isn’t a Pole Star. And Orion is over
there. In the wrong place!
Hook:
How’s that possible?
Bonny:
The planet Earth is in a different
galaxy far, far away. There’s no way
back.
Hook:
Are you sure?
Bonny:
I’ve had almost two-hundred years to
work it out.
I can’t get
Maybe you can point to
INT. JOLLY ROGER – THE HOLD – SAME
(THE BOYS SIT EATING AS SMEE WATCHES.)
Mr. Smee:
(sighs) We’re gonna fatten you up, no
mistake.
Tootles:
Any bread and jam?
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Mr. Smee:
26
Hm. I’ve got cream cakes, sweet meats,
pickled herring and crystalized dates.
But, sadly no bread and jam your
highness. (chuckles)
INT. JOLLY ROGER’S – BONNY’S CABIN – SAME
(BONNY STILL TALKS TO HOOK.)
Bonny:
We’re stuck here but it needn’t be all
bad.
(SHE OPENS A SMALL BOX THAT BEGINS TO GLOW.)
Bonny:
(cont) This planet has something
special to offer.
(SHE PULLS OUT A VIAL.)
Bonny:
(cont) It’s mined by creatures of this
world. The Indians call them Tree
Spirits. This is the stuff that makes
them fly.
Hook:
Indians?
Bonny:
We’re not the only ones from our world
Hook. See, a year ago I captured one
of them. He was carrying this mineral.
And under torture he told me of it’s
power. It’ll make you feel more alive.
(SHE POURS SOME OF IT OUT ON A TABLE.)
Bonny:
(cont) More complete than you’ve ever
felt. It’ll light you up from inside.
Literally turn you into a god.
(THE PAPER SHE POURED IT ON BEGINS TO FLOAT.)
Bonny:
(cont) And give you the power to fly.
Hook:
Incredible.
(THE PAPER BURSTS INTO FLAMES.)
Bonny:
(SHE SITS IN HIS LAP.)
(shutters) As you can see it’s
unstable. But that’s only because I
don’t know how to use it yet. Besides,
I only have enough for this magic
trick. We need more. Lots more. The
only problem is we can’t get near the
Tree Spirits. They’re protected by the
Kaw Mountains on one side and the
savages on the other. Join me Hook.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
27
Bonny:
(cont) I badly need fresh blood and you
bring knowledge from a modern world.
You help me defeat the savages and
together we can rule Neverland like
gods. And turn this endless purgatory
into an eternal paradise.
Hook:
Gods.
(SHE CUTS HIS BONDS.)
Hook:
(cont) (grunts)
Bonny:
(overlapping) Yes, gods.
Hook:
(grunts)
(THEY KISS.)
EXT. JOLLY ROGER – DECK – NIGHT
(SMEE NOTICES STARKEY.)
Mr. Smee:
What are you doing up here, Starkey?
(STARKEY DOESN’T RESPOND.)
Mr. Smee:
(cont) (laughs) Don’t the captain need
you tonight?
Starkey:
Leave me alone!
Mr. Smee:
(laughs) Oh, dear. (laughs)
EXT. FOREST – NIGHT - DREAM
(TINKER BELL FLIES THROUGH THE FOREST AND COMES TO PETER WHO IS
FLYING IN THE AIR. SHE PASSES HIM AND GOES TOWARDS THE MOUNTAIN
WHERE TWO COMETS ARE COMING DOWN. AS BEFORE, EVERYTHING BLASTS
TO WHITE AS SHE REACHES THE HOODED MAN AND THE COMETS REACH THEM
BOTH.)
INT. FOREST – MORNING
(PETER WAKES IN THE INDIAN VILLAGE.)
EXT. CLIFFS – LATER
(PETER STANDS AT THE EDGE LOOKING OUT.)
Peter:
There must be a way down.
(AAYA WALKS UP.)
Aaya:
We will build you and your friend a
hut.
Peter:
Thank you.
Why live up here?
SYFY CHANNEL: NEVERLAND – NIGHT ONE
28
Aaya:
To be near the Tree Spirits. That is
their city. We protect them from the
pirates.
Peter:
How do you get down to the sea from
here?
Aaya:
The same way you were brought in.
Through a secret passage. Through
those mountains.
Peter:
Will you show me?
Aaya:
If you try to rescue your friends the
pirates will capture and torture you
until you show them the mountain
passage.
Peter:
But I can’t just sit on my hands. I’m
the one that got them into this mess.
I’ve got to find a way to get them home
safe.
Aaya:
There is no way home.
Peter:
What? No.
must be.
There is a way back.
There
(HE RUNS OFF.)
EXT. VILLAGE – DAY
(A GIRL SHOWS FOX HOW TO WEAVE.)
Fox:
(small laugh)
(PETER RUNS UP.)
Peter:
Fox!
(HE GIVES HIM A LOOK AT HE FOLLOWS PETER OFF TO THE SIDE.)
Peter:
(cont) (quietly) Fox, I have a plan.
Fox:
For what?
Peter:
To get us out of here and on to that
ship. Come on.
(THE CROSS TO A TREE AND WATCH SOME NATIVES CARRYING A NET.)
Peter:
(cont) See what they’re carrying?
Fishing nets.
Fox:
So?
Peter:
We seen any fishing waters around here?
SYFY CHANNEL: NEVERLAND – NIGHT ONE
29
Fox:
No.
Peter:
Exactly.
Fox:
I don’t understand.
Peter:
That’s how we’re gonna find the secret
passage through the mountains. Come
on.
(THEY WALK OUT TOWARDS THE INDIANS WITH THE NETS AND CANOES.
PETER SNEAKS UNDER A BOAT AND FOX FOLLOWS. THEY CLIMB UP INTO
IT.)
EXT. MOUNTAIN PASSAGE – ENTRANCE – DAY
(THE NATIVES CARRY THE BOATS INTO THE SECRET PASSAGE.)
EXT. MOUNTAIN PASSAGE – THE OTHER SIDE – LATER
(THE NATIVES EMERGE AND PETER AND FOX SECRETLY ROLL OUT FROM THE
BOAT.)
EXT. BEACH – LATER
(PETER AND FOX SNEAK AWAY WITH A BOAT.)
EXT. WATER – NIGHT
(PETER AND FOX ROW TOWARDS THE JOLLY ROGER.)
Fox:
My God.
Look at the size of her!
EXT. JOLLY ROGER – MOMENTS LATER
(PETER AND FOX HAVE ARRIVED TO THE BOAT.)
Fox:
(cont) Grab on to that.
on to it.
Peter:
(shushes) Quiet.
Quick.
(PETER FASTENS THE BOAT AND THEN BEGINS CLIMBING UP.
AT A WINDOW LOOKING INTO THE HOLD.)
Grab
THEY STOP
Peter:
(cont) Do you see Jimmy?
Fox:
No. How are we gonna get ‘em out,
Peter? They’re surrounded by pirates.
Peter:
Yeah. But, sleeping pirates.
sleeping pirates.
Drunk,
INT. JOLLY ROGER – THE HOLD – MOMENTS LATER
(PETER AND FOX SNEAK THROUGH ALL OF THE SLEEPING PIRATES.
WAKE UP THE BOYS.)
THEY
SYFY CHANNEL: NEVERLAND – NIGHT ONE
30
Tootles:
Peter?
Peter, you’re here!
The Boys:
Peter.
Peter.
Peter:
(overlapping) (shushes) (quietly) Come
on.
Curly:
(whispering) I’m not goin’ anywhere
with you!
Fox:
Shut it, Curly.
Curly:
Yeah, well, we don’t need his help.
Nibs:
Yeah. He’s the one who got us into
this mess in the first place.
Peter:
And I’m the one that’s getting you out.
Fox:
You want to stay? Fine.
live, follow us.
He’s here to help.
You want to
EXT. JOLLY ROGER – DECK – MOMENTS LATER
(SMEE TALKS TO STARKEY.)
Mr. Smee:
Did I ever tell you my recipe for
turtle soup?
Starkey:
Please, Smee.
Shh!
Hey. (sniffs)
(HE STANDS AND LOOKS AROUND.)
Starkey:
(cont) Something, she is not right.
Mr. Smee:
What?
Starkey:
I’m gonna go look around.
Mr. Smee:
I wouldn’t do that if I was you.
up there in Bonny’s cabin.
Not
(HE HANDS SMEE A CUP.)
Mr. Smee:
(cont) Thank you. (chuckles)
EXT. WATER – SAME
(THE LAST OF THE BOYS GET INTO THE BOAT.)
Peter:
(grunts)
Where’s Jimmy?
Tootles:
That Captain’s quarters.
Peter:
You sure?
Tootles:
(laughs) She’s got a shine for him.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Peter:
31
She?
(PETER STARTS TO CLIMB BACK UP.)
Fox:
Where are you going Peter?
Peter:
To get Jimmy.
Fox:
But we’re all here. We can make a
clean getaway if we go now.
Peter:
I’m not going without Jimmy.
(HE CLIMBS UP.)
EXT. JOLLY ROGER – BONNY’S QUARTERS – MOMENTS LATER
(PETER LOOKS IN THE WINDOW’S TO SEE BONNY IN BED WITH A MAN.)
INT. JOLLY ROGER – BONNY’S QUARTERS – CONTINUOUS
(PETER SPOTS A GUN AND STARTS TO SNEAK IN.
Peter:
HE GRABS THE GUN.)
(cont) Where’s Jimmy?
(HOOK RISES FROM THE BED.)
Hook:
Peter.
Peter:
Get your clothes on.
waiting below.
Hook:
Put the pistol down, Peter.
friend.
Peter:
Bonny?
Bonny:
How many more in your litter, Hook?
Hook:
Let me speak to him. I didn’t know he
was here. Give me the gun, Peter.
(STARKEY BARGES IN.
How did you get here?
I’ve got a canoe
Bonny’s a
PETER TURNS THE GUN ON HIM.)
Starkey:
(grunts)
Bonny:
(overlapping) Wait, Starkey!
Hook:
Peter, give me the gun!
(STARKEY HOLDS OUT HIS GUN.)
Peter:
Tell him to put his away first!
Hook:
Listen to me Peter. Captain Bonny and
her men are on our side. She’s assured
me that the boys will be well looked
SYFY CHANNEL: NEVERLAND – NIGHT ONE
32
after.
Peter:
The Indians say they’re crazy.
Hook:
Indians?
Bonny:
He’s with the savages.
Hook:
Trust me, Peter. They’re anything but
crazy. These are our people. It’s a
dangerous place. They can help us
survive.
Peter:
You wanna stay here with her!?!
Hook:
We’ve nowhere else to go!
Peter:
We can stay with the Indians until we
find a way home.
Bonny:
They’ll scalp and skin the lot of ya.
Peter:
No they won’t!
Hook:
How do you know?
Peter:
They’re kind.
Hook:
Listen to me Peter. I’m staying here.
If you want to stick with me give me
the gun.
Peter:
(crying) I don’t trust them Jimmy.
Hook:
(whispers) So, trust me.
Peter:
(crying)
Hook:
Give me the gun.
Peter:
(shuddering)
They’re good people!
(HE GIVES THE GUN TO HOOK AND HOOK HUGS HIM.
HIM AWAY.)
Starkey:
Come on.
Hook:
Leave him be.
STARKEY GRABS
(HOOK STARTS TO FOLLOW.)
Bonny:
Hook!
Leave it.
(HOOK GOES AFTER THEM.)
EXT. JOLLY ROGER – DECK – MOMENT LATER
(STARKEY BRINGS PETER OUT ONTO THE DECK.
FOX WATCHES SECRETLY
SYFY CHANNEL: NEVERLAND – NIGHT ONE
33
FROM THE SIDE.)
Starkey:
(growling in Spanish) Your boys are
gone Smee. But I captured this one.
Mr. Smee:
He’s not one of my boys.
Starkey:
Hook, he had him working behind our
backs.
Mr. Smee:
What did you do with my boys?
(HOOK COMES OUT.)
Hook:
Leave him be! He’s just a boy!
doesn’t know what he’s doing.
He
(HE GOES TO PETER.)
Mr. Smee:
I’m gonna keel-haul him if he don’t
tell me what he’s done with my boys!
(FOX JUMPS ON DECK.)
Hook:
Where are the others Peter?
all stick together.
We must
Peter:
Not here.
Hook:
(shushes) You’re safe with me. Now,
let’s go inside, get something to eat
and forget this foolishness. Hm?
Not with these crazies!
(PETER LOOKS AROUND AT THE PIRATES AND JUMPS AWAY.)
Hook:
(cont) Peter!
Starkey:
Stop! Get back!
Mr. Smee:
(overlapping) Oy!
back here!
Starkey:
Hey!
Come here!
(PETER JUMPS OFF THE SIDE OF THE BOAT.)
Peter:
(screams)
(A COUPLE PIRATES RESTRAIN JIMMY.)
Hook:
(groaning) Unhand me!
EXT. WATER – SAME
(THE BOYS LOOK AROUND FROM THE CANOE.)
Tootles:
Where is he!?
Come
SYFY CHANNEL: NEVERLAND – NIGHT ONE
34
EXT. JOLLY ROGER – DECK – SAME
(STARKEY TAKES AIM WITH HIS PISTOL.)
Starkey:
(grunts) Where are you?
(HE SEES PETER POP UP FROM THE WATER.)
Peter:
(gasping)
(FOX LEAPS OUT AT STARKEY JUST AS HE’S SHOOTING.
A PIRATE AND PULLS AWAY. STARKEY HITS FOX.)
Starkey:
HOOK FLIPS
(loud moan)
(HOOK PUSHES HIM ASIDE.)
Hook:
Fox!
Come, run Fox!
(HOOK HELPS HIM UP AND RUSHES HIM FORWARD.)
EXT. WATER – SAME
(TOOTLES SPOTS PETER SWIMMING.)
Tootles:
There!
Peter:
(gasps)
Curly:
Quick, hurry.
Quick.
Come on, come on!
(THE START ROWING TOWARDS PETER.)
Tootles:
Row faster!
Faster!
Quickly!
Curly:
Quickly!
Tootles:
Peter!
Peter:
Come on, let’s go.
Tootles:
But Fox is up there.
Curly:
He came back for you!
Quickly!
Over here Peter!
(HOOK RUNS FOX TO THE BACK OF THE BOAT TOWARDS PETER AND THE
BOYS.)
Hook:
Jump! Jump!
the canoe.
Peter:
Jump Fox!
Jump now!
(STARKEY RUSHES FORWARD AND GOES TO STAB HOOK.)
Starkey:
(grunting)
You’ll make
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Hook:
35
(grunting)
(STARKEY’S BLADE MISSES HOOK AND STABS FOX.)
Fox:
(gasps)
Hook:
Fox.
Fox:
(groans)
(STARKEY PULLS OUT THE BLADE AND FOX FALLS TO THE WATER.)
Peter:
Fox!
Hook:
Peter!
(STARKEY TAKES AIM BUT HOOK KNOCKS HIM OUT.)
Starkey:
(grunts)
Hook:
Peter!
(THE BOYS ROW AWAY.)
Hook:
(cont) (crying) Peter.
INT. CHIEF’S HUT – NIGHT
(PETER STANDS BY FIRELIGHT AS THE CHIEF SPEAKS TO HIM WITH
AAYA.)
Chief:
(speaking in native language)
Aaya:
We trusted you.
of our village.
trust.
Chief:
(speaking in native language)
Aaya:
Stole two canoes and used the mountain
passage without our consent.
Chief:
(speaking in native language)
Aaya:
(overlapping) I should punish you. But
in light of your loss I will be lenient
this time.
Gave you the freedom
And you abused that
INT. JOLLY ROGER – BONNY’S QUARTERS – NIGHT
(HOOK SITS AND BONNY CROSSES TO HIM.)
Hook:
I want to find them.
Bonny:
Things have come a long way since I
terrorized the Spanish Main.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
36
(SHE TURNS THE HANDS OF HER WATCH.)
Bonny:
(cont) What else is new?
machines.
Flying
Hook:
Where’s this Indian settlement?
(HE LOOKS AT THE MAP.)
Bonny:
You would choose the boys over me?
Hook:
I’m responsible for them. I brought
them here. They look up to me.
Bonny:
(overlapping) What will you do when you
find them?
Hook:
They’re clever. Trained in the
streets. Pickpockets. They could be
useful to us. Help us find the metal
dust.
Bonny:
Us?
Hook:
I’ve never met anyone like you.
(SHE WALKS AWAY FROM HIM.)
Bonny:
And what about her?
already.
You’ve forgotten
Hook:
She passed away many years ago.
Bonny:
But you still carry her portrait.
Hook:
She had a hold on me once.
you.
Now I have
(HE GOES TO KISS HER BUT SHE GRABS HIS THROAT.)
Hook:
(cont) (moans/chokes)
Bonny:
I’ll give you what you want Hook.
Hook:
(grunts)
Bonny:
But only if you give me what I want.
There is no us! Understand?
Hook:
(breathing heavily)
Bonny:
(overlapping) I’ll let you live ‘cause
I want to know what you know. All twohundred years of it.
(SHE LETS GO.)
Hook:
(grunts/coughs)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
37
EXT. CLIFF – NIGHT
(AAYA WALKS UP AS PETER AND THE BOYS GATHER BY A LARGE TREE.)
Nibs:
You lied to us. We never should’ve
broken into Harbottles.
Slightly:
You were just showing off to Jimmy.
The Twins:
Now, we’re stuck here. (voice changes)
Wherever here is.
Curly:
And you got Fox killed.
Tootles:
Curly!
Curly:
And we were all in that canoe.
Alright, we could’ve all gotten away
but he had to go back for Jimmy.
Tootles:
What’s the point of rubbing it in?
Peter:
Curly’s right.
I got Fox killed.
(PETER PLAYS HIS FLUTE AS AAYA WATCHES.
TO HIM.)
HOLY MAN WALKS UP
EXT. CLIFF – LATER
Holy Man:
No, no, no, no.
(PETER STOPS.)
Holy Man:
(cont) It should go… (hums) …at the
end. Up…not down.
Peter:
You know this tune?
Holy Man:
Come.
INT. HOLY MAN’S HUT – MOMENTS LATER
(PETER LOOKS AT A LARGE DRAWING.)
Peter:
Where did you see this?
Holy Man:
In here.
Peter:
A dream?
Holy Man:
The same dream every night.
the dream too, don’t you?
Peter:
Uh-huh.
Holy Man:
That music is the sound of Tree Spirit
wings.
You have
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Peter:
38
He’s holding the orb, isn’t he? That
isn’t quite right. The peaks were
different in my dream.
(HOLY MAN PULLS OUT A PIECE OF PARCHMENT AND A DRAWING UTENSIL.)
Holy Man:
Draw it.
(PETER BEGINS TO DRAW.)
Peter:
It’s something like… No.
(AAYA APPEARS IN THE DOORWAY.)
Aaya:
Can I try?
(SHE CROSSES TO PETER AND GRABS THE DRAWING UTENSIL AND BEGINS
TO DRAW.)
Aaya:
(cont) Something like this?
Peter:
Do you have the dream too?
Aaya:
No. But I hunt and fish. We call that
Bull Mountain. We’ve never been there.
It’s too far away. But we can see it
on a clear day when we pass the outer
islands.
Peter:
So, the Hooded Man was in Neverland?
Why do we have the same dream?
Holy Man:
How did you get to Neverland?
Peter:
I hit the orb with my dagger.
Holy Man:
Me too. With the staff. I hit it so
hard I brought the whole tribe with me.
Perhaps part of it’s great power enters
those who strike it.
Peter:
Do you think the Hooded Man is still
there? How do I get to this island?
EXT. VILLAGE – NIGHT
(THE BOYS SLEEP AND PETER CROUCHES DOWN TO TOOTLES WAKING HIM.)
Tootles:
(moans)
(PETER SILENCES HIM.)
EXT. WOODS – MOMENTS LATER
(PETER STANDS TALKING TO TOOTLES.)
Tootles:
(cont) I’m coming with you.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
39
Peter:
No, Toots.
It’s too dangerous.
Tootles:
I don’t care.
Peter:
But, I do. I’ve done enough damage.
Look, it’s just a dream. It’ll
probably turn out to be a wild goose
chase. But, if I do find the way home
I’ll be back for you and the others,
okay?
Tootles:
What do I tell them?
Peter:
To sit tight and wait for me. And that
I promise I’ll do everything I can to
get them home safe.
(PETER WALKS OFF.)
INT. JOLLY ROGER – BONNY’S CABIN – NIGHT
(BONNY LOOKS AT THE MAP WITH HOOK.)
Bonny:
You’ll find the mineral dust here in
the Tree Spirit colony. But the
problem is it’s within the Kaw
territory. The mountains from the
north to the east are impregnable and
tall cliffs line the Kaw so there’s no
way through!
Hook:
How do the Indians get in and out?
Bonny:
We don’t know. We can watch them cook
on their campfires from across a narrow
ravine but if we try to rope across
they will pick us off like gulls on a
gaf rig. They hunt on this part of the
island going back and forth as if these
mountains weren’t even there. Any
ideas?
Hook:
Perhaps we should watch them a little
more closely.
EXT. WATER – DAY
(VARIOUS SHOTS OF PETER AND AAYA AS THEY ROW ALONG THE COAST.)
EXT. JOLLY ROGER – DECK – SAME
(HOOK WATCHES THEM THROUGH A SPYGLASS.)
Bonny:
The Chief’s daughter is a prize indeed.
She’ll tell us how to get into the Tree
Spirit colony. I’ll send some men to
cut them off.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Hook:
40
No. Sometimes smaller is smarter.
They’re up to something. Let’s find
out what first.
EXT. SHORE – DAY
(PETER AND AAYA WALK UP A SMALL HILL AND LOOK AT BULL MOUNTAIN.)
Peter:
He was standing on a hill in front of
the mountain.
Aaya:
There must be a hundred hills here.
Peter:
Let’s try that one.
EXT. SHORE – LATER
(STARKEY WALKS UP TO PETER’S CANOE AS THE OTHERS STAND ON THE
SHORE.)
Starkey:
I find it!
Hook:
The prints go this way.
Bonny:
Right then.
(SHE BEGINS TO WALK.)
Bonny:
(cont) Let’s go.
(HE FOLLOWS AND THEY HEAD TOWARDS THE MOUNTAIN.)
EXT. WOODS – DAY
(AAYA AND PETER WALK.)
Aaya:
Your family back home must be very
worried about you.
Peter:
I don’t have a family. My mother died
when I was three and I never knew my
father. So, I was brought up in a
workhouse.
Aaya:
Is that where you met your friends?
Peter:
Nah. No, I was the only kid there.
Punch Bag they called me. Jimmy fished
me out. He was visiting one day and
saw me getting a kicking. He was a
good man once. The best. He saved my
life but that pirate turned his head.
(THEY COME TO A STOP.)
Aaya:
Recognize anything?
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Peter:
41
It wasn’t this overgrown in my dream.
Let’s find a place to rest. It’ll be
dark soon.
EXT. WOODS – DUSK
(HOOK, BONNY AND THE PIRATES WALK.)
EXT. WOODS – NIGHT
(AAYA LIES ON A MAT AND PETER SITS UP IN A TREE PLAYING HIS
FLUTE AND SEES A SMALL LIGHT IN THE DISTANCE. HE STOPS AS A
FLYING CREATURE COMES TOWARDS HIM AND HE CONTINUES TO PLAY.
THE CREATURE MAKE SOUNDS THAT JOIN HIM IN THE SONG. IT FLIES
UP TO HIM.)
(SHE SUDDENLY FLIES OFF AND PETER CLIMBS DOWN TO FOLLOW.)
Peter:
(cont) Wait!
(HE CLIMBS DOWN AS AAYA WAKES.)
Peter:
(cont) It’s the tree spirit from my
dream.
(HE COMES TO THE GROUND.)
Peter:
(cont) Come on!
the Hooded Man!
She might lead us to
(THEY RUN AFTER HER AND COME TO A STOP.)
Peter:
(cont) (panting) See her?
Aaya:
No.
Peter:
She’s too fast. (panting)
Aaya:
I’ve never seen a tree spirit glow like
that. She’s really beautiful.
(panting) Oh, no.
Peter:
What?
Aaya:
The sun’s coming up.
gonna find her.
(THE SUN RISES OVER THE MOUNTAIN.
ENTWINED TREES.)
Now we’re never
THEY TURN TO A WALL OF
Aaya:
(cont) I’ve never seen anything like
this.
Peter:
We’ve gotta find a way in.
in there.
(THEY APPROACH THE WALL.)
He must be
SYFY CHANNEL: NEVERLAND – NIGHT ONE
42
Peter:
(cont) How are you at climbing?
Aaya:
It’s a mile high.
Peter:
Then we better get started.
(HE BEGINS TO CLIMB.)
EXT. FOREST GATE – MOMENTS LATER
(PETER AND AAYA COME TO THE TOP OF THE GATE.)
Aaya:
It’s incredible.
(THEY SEE A WOODED CITY.)
Peter:
Do you see anyone down there?
Aaya:
No.
Peter:
Come on.
up.
Down is sometimes harder than
EXT. FOREST CITY – LATER
(PETER AND AAYA WALK THROUGH THE FOREST CITY.)
Aaya:
Where is everyone?
Peter:
They’ll come to us.
Aaya:
How do you know?
Peter:
Anyone clever enough to make all this
already knows we’re here.
(THE HOODED MAN COMES UP BEHIND THEM.)
Hooded Man:
That’s right.
(THEY TURN AND HE PULLS BACK HIS HOOD TO REVEAL HE IS ACTUALLY
FLUDD.)
Peter:
You?
You’re the Hooded Man.
Fludd:
Hello Peter.
EXT. FOREST CITY – WALKWAY – MOMENTS LATER
(FLUDD LEADS PETER AND AAYA.)
Peter:
Can you get us home?
Fludd:
Of course. Now that I’m here
everything shall find it’s proper
place.
Peter:
You have the orb?
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Fludd:
In a matter of speaking. (grunts)
(HE LEADS THEM FORWARD.)
Fludd:
(cont) Finally after almost 350 years
it’s back where it belongs. Now we an
start to bring the elite of our world
here to my utopia.
Peter:
So, how will you get us back?
Fludd:
Patience young friend.
Aaya:
You made all this?
Fludd:
Mm-hm. It’s easier than it looks. A
simple growth solution which compels
the forest to grow in the way that I
want it to grow.
Aaya:
Who are you?
Fludd:
Oh, my apologies. My name is Dr.
Richard Fludd. Alchemist to her
majesty Queen Elizabeth the First.
Peter:
What?
Fludd:
Hard to believe, I know. But I am
almost four-hundred years old.
(chuckles) Come, I’ll show you my
life’s work.
Peter:
(laughs)
(THEY FOLLOW FLUDD.)
EXT. FOREST – DAY
(STARKEY LOOKS AT A DEAD FIRE ON THE GROUND AS BONNY AND HOOK
STAND NEARBY.)
Starkey:
It’s only a few hours old.
INT. FLUDD’S WORKSHOP – DAY
(FLUDD LEADS PETER AND AAYA INSIDE AND THEY LOOK AROUND.)
Fludd:
I was engaged in the search for the
Philosopher’s Stone, the elixir
believed to grant everlasting life.
(chuckles) There were others like me,
of course but they were all trying to
make a tangible substance which could
be consumed in some way. What I
discovered was that the Philosopher’s
Stone cannot be made. It has to be
43
SYFY CHANNEL: NEVERLAND – NIGHT ONE
44
trapped.
(HE PULLS A LEVER AND REVEALS AN ASTROLOGICAL CHART ABOVE THEM.)
Fludd:
(cont) You see, it’s a form of cosmic
energy which lives at the very center
of the universe…where it’s four corners
meet. This is the shape of the
universe. (laughs) And here at it’s
center is this tiny planet.
Aaya:
Neverland.
Fludd:
Mm. And because it lives at the
farthest reaches of the universe as
well as at it’s center time stands
still for all those who come here.
Peter:
So, how do we get back?
Fludd:
Ah.
(HE PUTS THE LEVER DOWN AND THE CHART DISAPPEARS.)
Fludd:
(cont) When I first arrived on this
planet I was stuck here, because of
course the orb that I had made in
London remained there. But, as you
know, the harder you strike the orb the
more it…
(HE MOTIONS AROUND.)
Fludd:
(cont) So, thankfully most of the
contents of my laboratory travelled
with me and in time I was able to build
the twin.
(HE OPENS A BOX.)
Fludd:
(cont) I activated it here in Neverland
with the power from two meteors.
Peter:
It’s just like the other one.
(TINKER BELL FLIES UP TO THEM.)
Fludd:
I call her Tinker Bell because of the
beautiful sound her wings make through
the air.
(PETER HOLDS HIS HAND UNDER HER.)
Fludd:
(cont) When she saw me harnessing the
astral energy of two meteors she
thought I was in trouble. Tried to
save me.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
45
Peter:
That’s my dream.
Fludd:
All who activate the orb are imprinted
with that memory.
Aaya:
Why does she glow so bright?
Fludd:
Much of that astral energy is trapped
inside her.
(SHE FLIES OFF.)
Fludd:
(cont) Hm.
Come.
(THE ORB GLOWS AND THEY CAN SEE LONDON.)
Fludd:
(cont) We’ll take the orb below.
There’s an open area where I can send
you both back.
Peter:
No. Not yet.
friends.
I’ve gotta find my
(A BELL RINGS.)
Fludd:
It seems I have more guests.
(HE WALKS OUT.)
EXT. FOREST CITY STREET – DAY
(BONNY, HOOK, STARKEY AND THE PIRATES WALK FORWARD.)
Hook:
Incredible.
Bonny:
What’s it all for?
Starkey:
Es la obra del Diablo. (shudders)
Atencion. There could be demons
lurking behind these walls.
Fludd:
No, only me.
(THE PIRATES HOLD UP THEIR GUNS AS HE EMERGES.)
Bonny:
That’s the man in my dream.
(HE DROPS HIS HOOD.)
Hook:
Fludd.
Bonny:
You know him?
(HE MOTIONS FOR THEM TO FOLLOW INTO AN ENTRANCE.)
INT. FOREST SANCTUARY – CONTINOUS
(THE PIRATES ENTER BUT FLUDD IS NOT THERE.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Hook:
46
Dr. Fludd!
(FLUDD REAPPEARS.)
Hook:
(cont) Where’s Peter?
Fludd:
Please lay down your weapons. This is
a sanctuary. You’re in no danger here.
Bonny:
Why such a big city for just one man?
Fludd:
It will soon be filled with the elite
of our world. Artists, statesmen,
philosophers.
Bonny:
What the hell for?
Fludd:
Think what great minds can achieve if
they have the rest of eternity to
study.
Hook:
Can you help us get back to London?
Fludd:
Yes.
Hook:
Did you send Peter back already?
Fludd:
Not yet.
Hook:
Then where is he?
Fludd:
As I said, this is a sanctuary.
who enter here are granted my
protection.
All
(PETER SNEAKS UP TO WATCH THEM.)
Fludd:
(cont) If you lay down your weapons I
can start to prepare your return.
Bonny:
I don’t want to go back.
(HOOK TURNS TO HER.)
Hook:
No?
Bonny:
Who wants to return to the Carribean?
Do you think we’ll still strike terror
into men’s hearts. Tell them Hook.
Tell them how it’s changed. We
wouldn’t last a week. And if we did
we’d grow old quickly in a world that
we no longer understand. Is that what
you want?
Starkey:
No, of course not.
SYFY CHANNEL: NEVERLAND – NIGHT ONE
47
Pirates:
(scattered “no’s”)
Bonny:
But we don’t want legions of pompous
braggarts coming here either with their
fancy new weapons, tellin’ us how to
live our lives. No. Now you tell me
how it’s done. Is there a door or
another sphere like the one that
brought us here?
Fludd:
If you don’t want to use it why do you
care?
Bonny:
Because Dr. Fludd, I want to police it.
Fludd:
I won’t allow that to happen.
(HE DISAPPEARS.
THEY LOOK AROUND.
Fludd:
HE APPEARS IN ANOTHER SPOT.)
(cont) I won’t tolerate violence.
(HE DISAPPEARS AGAIN AND THEN MULTIPLE, MUCH LARGER VERSIONS OF
HIM
APPEAR ALL AROUND THEM.)
Fludd:
(cont) Lay down your weapons!
INT. ROOM ABOVE – SAME
(FLUDD STANDS IN A LARGE LOOKING GLASS.)
Fludd:
(cont) Gunpowder and lead have no place
here.
INT. FOREST SANCTUARY – SAME
(THE LARGE FLUDD’S LEAN DOWN TO THEM WITH HANDS OUT.)
Fludd:
(cont) Leave now and your live’s will
be spared!
Starkey:
Shoot them!
(THE PIRATES BEGIN FIRING THEIR GUNS.
FIRE FROM THE GUN FIRE.)
Shoot them all!
THE WALLS IGNITE WITH
INT. UPPER ROOM – SAME
Fludd:
You’re dealing with forces beyond your
understanding. Run!
INT. FOREST SANCTUARY – SAME
(THE PIRATES KEEP FIRING.)
Fludd:
(cont) Run for your lives!
(HOOK SEES PETER AND RUNS FOR HIM.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Hook:
48
Peter!
(PETER RUNS.)
EXT. FOREST CITY STREET – CONTINOUS
(PETER RUNS OUT AND HOOK FOLLOWS.)
Hook:
(cont) Peter, wait!
you.
I need to talk to
(THE PIRATES SURROUND HIM AND FLUDD APPEARS.)
Fludd:
Peter!
Over here.
(PETER RUNS TO HIM.)
Peter:
(gasping)
(BONNY AND THE OTHERS COME RUNNING OUT.)
Bonny:
Make your way for the door mates!
(HOOK WATCHES AS PETER AND FLUDD RUN ACROSS A FALLING BRIDGE.
HE SPOTS ANOTHER BRIDGE AND RUNS FOR IT.)
Hook:
This one.
(OTHER PIRATES FOLLOW.)
EXT. FOREST BRIDGE – SECONDS LATER
(FLUDD AND PETER STOP ON A BRIDGE.)
Fludd:
It took me almost a century to grow my
city. Look how quickly it disappears.
Peter:
Where’s Aaya?
Fludd:
I don’t know.
(THEY SEE HOOK AND THE PIRATES COMING FOR THEM.)
Fludd:
(cont) Try and save the orb. I’ll face
them here. Go, go, go, go…go.
(PETER RUNS ON AND FLUDD TURNS TO FACE THEM. PETER WATCHES AS
FLUDD CUTS THE BRIDGE SUPPORT AND IT BEGINS TO FALL.)
Fludd:
(cont) (grunts)
(PIRATES FALL.)
Pirates:
(scream)
(FLUDD HOLDS A KNIFE TO HOOK.)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
49
Hook:
I don’t want to hurt you Fludd.
want to see Peter safe.
Fludd:
Engaging you Hook was a terrible
mistake.
Bonny:
The glass sphere Fludd?
Fludd:
I’d rather burn in hell.
responsible for this!
I just
Where is it?
You’re
(HE ATTACKS HOOK AND BONNY SHOOTS HIM.)
Fludd:
(cont) (groans)
(HE FALLS.)
Fludd:
(cont) (moans)
Peter:
No.
(FLUDD FALLS FROM THE BRIDGE.
Hook:
PETER RUNS OFF.)
Peter!
(HE GOES AFTER HIM.)
Bonny:
Move!
(SHE LEADS THEM BACK THE OTHER WAY.)
INT. FLUDD’S WORKSHOP – MOMENTS LATER
(PETER ENTERS.)
Peter:
Aaya, where are you Aaya!?
(PETER GOES TO THE SPHERE AND HOOK ENTERS.)
Hook:
Going back?
Peter:
You can’t have it.
Hook:
What makes you think I want it?
(PETER PULLS OUT HIS DAGGER.)
Peter:
I heard your girlfriend.
want people going back.
You don’t
Hook:
That doesn’t mean you, Peter. I’ll
make sure you get back safely.
Peter:
Then let me take it back to my crew.
Hook:
I have a better idea.
come to us?
Why don’t they
SYFY CHANNEL: NEVERLAND – NIGHT ONE
50
Peter:
Us? Who’s us!? The pirates!? Because
they will kill them! Just like
they…(crying)…just like they killed
Fox.
Hook:
That was a terrible mistake.
to stop it.
Peter:
(crying) You let it happen!
become one of them!
Hook:
Listen to me Peter. There’s something
in this world that will completely
change our lives in London, make us
more powerful than you can ever
imagine. And Bonny and her men can
help us find it.
Peter:
(crying) She’s turned your head Jimmy.
I tried
You’ve
(HOOK GRABS FOR THE KNIFE.)
Hook:
Gimme that knife!
(PETER PULLS AWAY, STOMPING HIS FOOT.)
Hook:
(HE PULLS OUT HIS SWORD.
Peter:
(cont) (groans) I taught you too well.
THEY BEGIN TO FIGHT.)
(grunting)
(HOOK PINS PETER TO THE FLOOR.)
Peter:
(cont) (panting)
Hook:
(overlapping) I swear Peter, I will run
you through if you don’t calm down and
let me explain what I found here.
Peter:
You don’t care about me.
that woman!
Hook:
You couldn’t be more wrong. I didn’t
pull you out of that workhouse because
I took pity on you, Peter. I did it
because of a debt I owed…to your
mother.
Peter:
You, you knew my mother?
You just want
(HOOK HOLDS OUT THE WATCH AND THE PORTRAIT.)
Hook:
Very well.
Peter:
This is my mother?
Hook:
I vowed to bring you up and rear you as
SYFY CHANNEL: NEVERLAND – NIGHT ONE
51
my own and I won’t give up on you now.
(BONNY AND THE OTHER PIRATES ENTER.)
Bonny:
(breathing heavily)
Peter:
This is her watch?
Hook:
It was your fathers.
Bonny:
I hate to break up such a touching
reunion but we have to get out of here.
Hook:
Give me another minute will you, Liz?
Bonny:
There is no time.
tinderbox.
(SHE SPOTS THE ORB.
Bonny:
The place is a
IT GLOWS.)
(cont) It’s even more beautiful than I
remember.
(SHE LIFTS IT.)
Peter:
No.
No. (panting)
(PETER LIFTS THE LEVER AND THE ILLUMINATED STAR CHART APPEARS.
PETER RUNS OFF.)
Hook:
Peter!
Starkey:
Hey you!
Hey you, wait!
EXT. FOREST CITY – CONTINUOUS
(PETER COMES OUT AND RECOILS FROM A PIRATE.)
Peter:
(gasping)
(STARKEY EMERGES.)
Starkey:
Ha!
Come on.
(THEY STRIKE SWORDS AND PETER DISARMS HIM.)
Starkey:
(cont) (grunts)
(BONNY RUSHES HIM AND THEY BEGIN BATTLING.)
Bonny:
(groaning)
(SHE DISARMS HIM AND STARKEY GRABS HIM.)
Peter:
(HOOK COMES OUT.)
Ah! (moaning)
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Hook:
Leave him be!
Bonny:
Where is the squaw!?
Hook:
Tell them Peter.
Peter:
I wouldn’t tell your girlfriend the
time of day!
Starkey:
(grunts)
Bonny:
I will give you one last chance to
redeem yourself.
52
(HE SPITS AT HER.)
Peter:
(panting)
(BONNY GOES TO STAB HIM AND AAYA APPEARS.)
Aaya:
Stop! Let him live and I will tell you
what you want to know.
Bonny:
What is that?
Aaya:
(crying) How to get into the Tree
Spirit colony. And the secret of the
mineral dust.
Peter:
No, Aaya, run!
(STARKEY RESTRAINS HIM HARDER.)
Peter:
(cont) (screams)
Bonny:
And you do this just to keep him alive?
Aaya:
Only if you set him free.
Peter:
Aaya, run! (groans)
Bonny:
Tie her up!
(PETER BREAKS FREE FROM STARKEY.)
Peter:
Come on, Aaya!
(HE GRABS HIS DAGGER.)
Peter:
(cont) Run!
(BONNY STABS PETER.)
Peter:
(cont) (gasps)
Hook:
Peter!
Aaya:
No!
SYFY CHANNEL: NEVERLAND – NIGHT ONE
53
Peter:
(groans)
Hook:
No!
No!
No!
(PETER FALLS OFF THE SIDE OF THE WALKWAY.)
Aaya:
(panting)
Bonny:
There. I set him free.
out of here.
Now let’s get
(SHE RUNS ON AND A PIRATE PULLS AAYA ALONG.)
Aaya:
(shuddering)
Hook:
Dear Lord.
EXT. FOREST CITY STREET – SAME
(PETER LIES SURROUNDED BY FIRE AS TINKER BELL LOOKS AT HIM.)
END NIGHT ONE
SYFY CHANNEL: NEVERLAND – NIGHT ONE
CLOSING CREDITS
Voice of Tinker Bell
KEIRA KNIGHTLEY
Tinker Bell
CHARLOTTE ATKINSON
Doctor Richard Fludd
CHARLES DANCE
Elizabeth Bonny
ANNA FRIEL
Mr. Smee
BOB HOSKINS
Gentleman Starkey
CAS ANVAR
Chenoweth
COLIN GORING
Peter
CHARLIE ROWE
Tootles
JAMES AINSWORTH
Curly
PATRICK GIBSON
Nibs
CHASE WILLOUGHBY
Burly Man
LEN COLLIN
Pompous Man
PHIL KINGSTON
Slightly
BRANDON ROBINSON
Handsome Woman
LUCY MILLER
The Twins
THOMAS PATTEN
Fox
LORN MACDONALD
Copper 1
DENIS FOLEY
Copper 2
MARK HUBERMAN
54
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Copper 3
DONAL O’FARRELL
Jimmy Hook
RHYS IFANS
Jeffries
PIP CARTER
Night Guard
TONY TORMEY
Pirate
YARE JEGBEFUME
Holy Man
RAOUL TRUJILLO
Kaw Chief
GEORGE AGUILAR
Aaya
Q’ORIANKA KILCHER
Kaw Scout
JOSE NAVARRO
Kaw Youngster / Xyahl
JERMAINE NELSON
Line Producer
MARY ALLEGUEN
1st Assistant Director
JONATHAN FARMER
2nd Assistant Director
SUSAN DRENNAN
2nd 2nd Assistant Director
HANNAH QUINN
Supervising Art Director
JOHN REID
Art Director
LUCY VAN LONKHUYZEN
Storyboard Artists
KEVIN O’BOYLE
GABRIEL SCHUCAN
Concept Artists
DERMOT POWER
ROB BLISS
WARREN FLANAGAN
55
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Props Master
DAVE PETERS
Wardrobe Supervisor
CIARA McARDLE
Assistant Costume Designer
DEBBIE MILLINGTON
Wardrobe Assistants
CATHY YOUNG
NIAMH BUCKLEY
Chief Make-Up Artist
AILBHE LEMASS
Assistants Make-Up
DEIRDRE FITZGERALD
LUCY BROWNE
Chief Hair Designer
LORRAINE GLYNN
Assistants Hair
SEVLENE RODDY
ANNA GRONERUS
Construction Manager
TOM DOWLING
Construction Buyer / Driver
MAURICE THOMPSON
Supervisor Carpenter
STEPHEN USHER
Chargehand Carpenter
DAVID BYRNE
Head of Department Painter
CHRISTOPHER O’SHAUGHNESSY
Scenic Artist
GARY O’DONNELL
Supervisor Stagehand
LARRY LOVERIDGE
Chargehand Rigger
MICHAEL FREANEY
Script Supervisor
PETER CONWAY
Script Supervisor
CHRISTINE MARY WILSON
56
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Production Co-Ordinators
CATHERINE O’FLAHERTY
YVONNE BURKE
Production Accountant
DONAL GERAGHTY
1st Assistant Production Accountant
JOAN LAMBE
“A” Camera Operator
MARTIN STEPHENS
“B” Camera Operator
CIARAN KAVANAGH
Focus Pullers
CONOR KELLY
FIONN COMERFORD
DECLAN KING
Clapper Loader
LOUISE McELLIN
Grip
IAN BUCKLEY
Sound Mixer
MERVYN MOORE
Boom Operator
MARK BARRY
Gaffer
NOEL CULLEN
Rigging Gaffer
CIARAN DEMPSEY
Best Boy
INGRID WHELAN
Lighting Equipment
CINE ELECTRIC
Camera Equipment
THE PRODUCTION DEPOT
Stunt Co-Ordinator
DONAL O’FARRELL
Marine Co-Ordinator
ALISTAIR RUMBALL
Post-Production Producer
CAROLINE McMANUS
57
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Additional Editor
DAVID FREEMAN
Visual Effects Editor / Assistant Editor
DAVID FISHER
Additional Music Editor
RICH WALTERS
Music Editors
GERARD McCANN
PETER CLARKE
Post-Production Services
WINDMILL LANE PICTURS, DUBLIN
DI Conform
MATT BRANTON
DI Colourist
ADAM INGLIS
Additional Post-Production Services
MOLINARE, LONDON
Colourist
GARETH SPENSLEY
Sound Post-Production
ARDMORE SOUND, IRELAND
Sound Designer
PAUL DAVIES
Supervising Sound Editor
PATRICK DRUMMOND
Additional Sound Post-Production
GOLDCREST POST, LONDON
Special Effects By
TEAM FX
Special Effects Supervisor
KEVIN BYRNE
Visual Effects By
ANTHEM VISUAL EFFECTS
Digital Effects Supervisors
MARK LASOFF
SEBASTIEN BERGERON
CG Supervisor
LES QUINN
On Set Supervisor
LISA SEPP-WILSON
58
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Compositing Supervisor
LIONEL LIM
Visual Effects Colourist
MATT BELBIN
Concept Artist
ROSE WANG
Visual Effects By
THE MILL
Visual Effects Supervisor
DAVID HOUGHTON
Visual Effects Producer
WILL COHEN
CG Supervisor
NICOLAS HERNANDEZ
Compositing Supervisor
BRYAN BARTLETT
Animation Supervisor
NEIL ROCHE
Matchmove Supervisor
AMY CUTHBERTSON
I/O Supervisor
MARK BRIGHT
Concept Artist
GRANT BONSER
ITALIAN CREW
Genda Production Services
RIVERIA FILMS
Production Manager
SUZANNE REYNEKE
Location Manager
VALERIA MORETTI
Production Co-Ordinator
DONATELLA IANNETTI
Production Accounts
MICHELA ANGELINI
Focus Puller
STEFANO BARABINO
59
SYFY CHANNEL: NEVERLAND – NIGHT ONE
Key Grip
ONOFRIO COPPOLA
Wardrobe Assitants
NEVA VIALE
PASQUALE NAPOLITANO
Hair Assistants
LAURO OGLIASTRO
MARIA ROSA BELLIA
Art Department Assistants
ANDREA MORINI
VITO SANTINI
Additional Stunt Co-Ordinator
CLAUDIO PACIFICO
Publicity
FREUD COMMUNICATIONS
Stills Photographer
PATRICK REDMOND
Transport Captain
PAUL CULLEN
Facilities Manager
PATRICK FISHER
Caterer
SAVAGAE FOOD COMPANY
Security
STRAND SECURITY SERVICES
Animals Provided By
EDDIE DREW
Health and Safety Officer
KEVIN KEARNS
Insurance
MEDIA INSURANCE SERVICES
Legal Services
JOHANNA HOGAN
MATHESON ORMSBY PRENTICE
Additional Music By
RICH WALTERS
Music Orchestrated and Conducted By
NICK INGRAM
60
SYFY CHANNEL: NEVERLAND – NIGHT ONE
61
Music Recorded and Mixes By
TIM MARTIN
Music Recorded At
WINDMILL LANE RECORDING STUDIOS, DUBLIN
Orchestra
THE IRISH FILM ORCHESTRA
FOR PARALLEL FILMS
Co-Producer
SUSAN MULLEN
Supervising Accountant
NIALL DELANEY
Production Executive
SUSAN HOLMES
Associate Producer
RUTH COADY
FOR MNG FILMS
Production Consultant
SHEILA FRASER MILNE
FOR SKY MOVIES
Director of Sky Movies
IAN LEWIS
IN ASSOCIATION WITH SYFY CHANNEL
CO-PRODUCED WITH INGENIOUS BROADCASTING
FILMED ON LOCATION IN IRELAND
PRODUCED WITH THE SUPPORT OF INVESTMENT INCENTIVES FOR THE IRISH
FILM INDUSTRY PROVIDED BY THE GOVERNMENT OF IRELAND
NO ANIMALS WERE HARMED IN THE MAKING OF THIS MOTION PICTURE
THE CHARACTERS AND INCIDENTS PORTRAYED AND THE NAMES USED HEREIN
ARE FICTITIOUS AND ANY SIMILARITY TO ANY NAME, CHARACTER OR
HISTORY ANY ACTUAL PERSONS LIVING OR DEAD IS ENTIRELY
COINCIDENTAL AND UNINTENTIONAL
THIS MOTION PICTURE IS PROTECTED UNDER THE LAWS OF IRELAND AND
OTHER COUNTRIES UNAUTHORISED DUPLICATION, DISTRIBUTION OR
EXHIBITION MAY RESULT IN CIVIL LIABILITY AND CRIMINAL
PROSECUTION
SYFY CHANNEL: NEVERLAND – NIGHT ONE
A PARALLEL FILMS PRODUCTION FOR MNG FILMS
MNG FILMS 2011
PARALLEL FILMS LOGO
RHI ENTERTAINMENT LOGO
62