Mrs. Agatone
Chapter 34 Index of Images/Assignments
Chapter 34 Index of Images
From the Modern
to the Post-Modern and Beyond:
Art of the Later 20th Century
Figure
#
Caption
Upheaval and change: The world in 1945.
Maps
Upheaval and change: The world in 2000.
34-01
FRANCIS BACON, Painting, 1946. Oil and pastel on linen, 6' 5
7/8" x 4' 4". Museum of Modern Art, New York (purchase).
34-02
JEAN DUBUFFET, Vie Inquiète (Uneasy Life), 1953. Oil on
canvas, approx. 4' 3" x 6' 4". Tate Gallery, London.
ALBERTO GIACOMETTI, Man Pointing, 1947. Bronze no. 5 of
6, 5' 10" x 3' 1' 5 5/8". Nathan Emory Coffin Collection of the Des
34-03
Moines Art Center, Des Moines. (Purchased with funds from the
Coffin Fine Arts Trust.)
JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950.
34-04 Oil, enamel, and aluminum paint on canvas, 7' 3" x 9' 10". National
Gallery of Art, Washington (Ailsa Mellon Bruce Fund).
File
Mrs. Agatone
Chapter 34 Index of Images/Assignments
34-05 Photo of Jackson Pollock painting.
34-06
WILLEM DE KOONING, Woman I, 1950-1952. Oil on canvas, 6'
3 7/8" x 4' 10". Museum of Modern Art, New York (purchase).
BARNETT NEWMAN, Vir Heroicus Sublimis, 1950-1951. Oil on
34-07 canvas, 7' 11 3/8" x 17' 9 1/4". Museum of Modern Art, New York
(gift of Mr. and Mrs. Ben Heller).
MARK ROTHKO, No. 14, 1961 Oil on canvas, 9' 6" x 8' 9". San
34-08 Francisco Museum of Modern Art, Helen Crocker Russell Fund
Purchase.
34-09 David Smith, Cubi XIX, 1964. Stainless steel.
ELLSWORTH KELLY, Red Blue Green, 1963. Oil on canvas, 6'
34-10 11 5/8" x 11' 3 7/8". Collection Museum of Contemporary Art, San
Diego (gift of Dr. and Mrs. Jack M. Farris).
FRANK STELLA, Nunca Pasa Nada, 1964. Metallic powder in
34-11 polymer emulsion on canvas, 9' 2" x 18' 4 1/2". Collection of
Lannan Foundation.
34-12
HELEN FRANKENTHALER, Bay Side, 1967. Acrylic on canvas,
6' 2" x 6' 9". Private Collection, New York.
Mrs. Agatone
Chapter 34 Index of Images/Assignments
34-13
MORRIS LOUIS, Saraband, 1959. Acrylic resin on canvas, 8' 5
1/8" x 12' 5". Solomon R. Guggenheim Museum, New York.
34-14
TONY SMITH, Die, 1962. Steel, 6' x 6' x 6'. Museum of Modern
Art, New York (gift of Jane Smith in honor of Agnes Gund).
DONALD JUDD, Untitled, 1969. Brass and colored fluorescent
plexiglass on steel brackets, ten units, 6 1/8" x 2' x 2' 3" each, with
60 intervals. Hirshhorn Museum and Sculpture Garden,
34-15
Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn,
1972). Art copyright © Donald Judd Estate/Licensed by VAGA,
New York, NY.
34-16
MAYA YING LIN, Vietnam Veterans Memorial, Washington,
D.C., 1981-1983. Black granite, each wing 246' long.
LOUISE NEVELSON, Tropical Garden II, 1957-1959. Wood
34-17 painted black, 5' 11 1/2" x 10' 11 3/4" x 1'. Musée National d'Art
Moderne, Centre Georges Pompidou, Paris.
LOUISE BOURGEOIS, Cumul I, 1969. Marble, 1' 10 3/8" x 4' 2"
x 4'. Musée National d'Art Moderne, Centre Georges Pompidou,
34-18
Paris. Copyright © Louise Bourgeois/Licensed by VAGA, New
York, NY.
Mrs. Agatone
Chapter 34 Index of Images/Assignments
EVA HESSE, Hang-Up, 1965-1966. Acrylic on cloth over wood
34-19 and steel, 6' x 7' x 6' 6". Art Institute of Chicago, Chicago (gift of
Arthur Keating and Mr. and Mrs. Edward Morris by exchange).
34-20 GEORGE BRECHT, Event Scores.
34-21
KAZUO SHIRAGA, Making a Work with His Own Body, 1955.
Mud.
34-22
CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of
performance at Judson Church, New York.
34-23
JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, 1965.
Photograph of Performance art. Schmela Gallery, Düsseldorf.
JEAN TINGUELY, Homage to New York, 1960, just prior to its
34-24 self-destruction in the garden of the Museum of Modern Art, New
York.
JOSEPH KOSUTH, One and Three Chairs, 1965. Wooden folding
chair, photographic copy of a chair, and photographic enlargement
34-25
of a dictionary definition of a chair; chair, 2' 8 3/8" x 1' 2 7/8" x 1'
8 7/8"; photo panel, 3' x 2' 1/8"; text panel, 2' 2' 1/8". Museum of
Mrs. Agatone
Chapter 34 Index of Images/Assignments
Modern Art, New York (Larry Aldrich Foundation Fund).
BRUCE NAUMAN, The True Artist Helps the World by
Revealing Mystic Truths (Window or Wall Sign), 1967. Neon with
34-26
glass tubing suspension frame, 4' 11" x 4' 7" x 2". Private
collection.
RICHARD HAMILTON, Just What Is It That Makes Today's
34-27 Homes So Different, So Appealing?, 1956. Collage, 10 1/4" x 9
3/4". Kunsthalle Tübingen, Tübingen, Germany.
JASPER JOHNS, Flag, 1954-1955, dated on reverse 1954.
Encaustic, oil, and collage on fabric mounted on plywood, 3' 6 1/4"
34-28 x 5' 5/8". Museum of Modern Art, New York (gift of Philip
Johnson in honor of Alfred H. Barr, Jr.). Copyright © Jasper
Johns/Licensed by VAGA, New York, NY.
ROBERT RAUSCHENBERG, Canyon, 1959. Oil, pencil, paper,
fabric, metal, cardboard box, printed paper, printed reproductions,
photograph, wood, paint tube, and mirror on canvas, with oil on
34-29
bald eagle, string, and pillow, 6' 9 3/4" x 5' 10" x 2'. Sonnabend
Collection. Copyright © Untitled Press, Inc./Licensed by VAGA,
New York.
ROY LICHTENSTEIN, Hopeless, 1963. Oil on canvas, 3' 8" x 3'
34-30 8". Kunstmuseum, Basel (permanent loan from the Ludwig
Foundation Collection).
ANDY WARHOL, Green Coca-Cola Bottles, 1962. Oil on canvas,
6' 10 1/2" x 4' 9". Collection of Whitney Museum of American Art,
34-31
New York (purchase, with funds from the Friends of the Whitney
Museum of American Art).
34-32
ANDY WARHOL, Marilyn Diptych, 1962. Oil, acrylic, and silkscreen enamel on canvas. Tate Gallery, London.
Mrs. Agatone
34-33
Chapter 34 Index of Images/Assignments
CLAES OLDENBURG, photo of one-person show at the Green
Gallery, New York, 1962.
AUDREY FLACK, Marilyn, 1977. Oil over acrylic on canvas, 8' x
8'. Collection of the University of Arizona Museum, Tucson
34-34
(museum purchase with funds provided by the Edward J.
Gallagher, Jr. Memorial Fund).
CHUCK CLOSE, Big Self-Portrait, 1967-1968. Acrylic on canvas,
34-35 8' 11" x 6' 11" x 2". Collection Walker Art Center, Minneapolis
(Art Center Acquisition Fund, 1969).
DUANE HANSON, Supermarket Shopper, 1970. Polyester resin
and fiberglass polychromed in oil, with clothing, steel cart, and
34-36
groceries, life-size. Nachfolgeinstitut, Neue Galerie, Sammlung
Ludwig, Aachen.
ROBERT SMITHSON, Spiral Jetty, 1970. Black rock, salt
crystals, earth, red water (algae) at Great Salt Lake, Utah. 1,500' x
34-37 15' x 3 1/2'. Estate of Robert Smithson; courtesy James Cohan
Gallery, New York; collection of DIA Center for the Arts, New
York.
RICHARD SERRA, Tilted Arc, 1981. Cor-Ten steel, 12' x 120' x 2
1/2". Installed Federal Plaza, New York City by the General
34-39
Services Administration, Washington D.C. Removed by the U.S.
Government 1989.
FRANK LLOYD WRIGHT, Solomon R. Guggenheim Museum
34-40 (exterior view from the northwest), New York, 1943-1959 (photo
1962).
Mrs. Agatone
Chapter 34 Index of Images/Assignments
34-41
FRANK LLOYD WRIGHT, Interior of the Solomon R.
Guggenheim Museum, New York, 1943-1959.
34-42
LE CORBUSIER, Notre Dame du Haut, Ronchamp, France, 19501955.
34-43
LE CORBUSIER, Interior of Notre Dame du Haut, Ronchamp,
France, 1950-1955.Text
34-44
JOERN UTZON, Sydney Opera House, Sydney, Australia, 19591972. Reinforced concrete; height of highest shell, 200'.
34-45
EERO SAARINEN, Trans World Airlines terminal, Kennedy
Airport, New York, 1956-1962.
34-46
LUDWIG MIES VAN DER ROHE and PHILIP JOHNSON,
Seagram Building, New York, 1956-1958.
Mrs. Agatone
Chapter 34 Index of Images/Assignments
34-47
SKIDMORE, OWINGS AND MERRILL, Sears Tower, Chicago,
1974.
34-48
CHARLES MOORE, Piazza d'Italia, New Orleans, Louisiana,
1976-1980.
PHILIP JOHNSON and JOHN BURGEE with Simmons
34-49 Architects, associated architects, a model of the AT&T Building,
New York, 1978-1984.
34-50
MICHAEL GRAVES, The Portland Building, Portland, Oregon,
1980.
34-51
ROBERT VENTURI, JOHN RAUCH and DENISE SCOTT
BROWN, house in Delaware (west elevation), 1978-1983.
34-52
RICHARD ROGERS and RENZO PIANO, Georges Pompidou
National Center of Art and Culture (the “Beaubourg"), Paris, 1977.
Mrs. Agatone
34-53
Chapter 34 Index of Images/Assignments
GÜNTER BEHNISCH, Hysolar Institute Building, University of
Stuttgart, Stuttgart, Germany, 1987.
34-54 FRANK GEHRY, Guggenheim Museum, Bilbao, Spain, 1997.
JULIAN SCHNABEL, The Walk Home, 1984-1985. Oil, plates,
34-55 copper, bronze, fiberglass, and bondo on wood, 9' 3" x 19' 4".
Broad Art Foundation and the Pace Gallery, New York.
SUSAN ROTHENBERG, Tattoo, 1979. Acrylic, flashe on canvas,
5' 7" x 8' 7 1/8" x 1 1/4". Collection Walker Art Center,
34-56 Minneapolis (purchased with the aid of funds from Mr. and Mrs.
Edmond R. Ruben, Mr. and Mrs. Julius E. Davis, the Art Center
Acquisition Fund and the National Endowment for the Arts, 1979).
ANSELM KIEFER, Nigredo, 1984. Oil paint on photosensitized
fabric, acrylic emulsion, straw, shellac, relief paint on paper pulled
34-57
from painted wood, 11' x 18'. Philadelphia Museum of Art,
Philadelphia (gift of Friends of the Philadelphia Museum of Art).
CHRIS OFILI, The Holy Virgin Mary, 1996. Paper collage, oil
34-58 paint, glitter, polyester resin, map pins, elephant dung on linen, 7'
11" x 5' 11 5/16". The Saatchi Collection, London.
34-59
JUDY CHICAGO, The Dinner Party, 1979. Multimedia, including
ceramics and stitchery, 48' x 48' x 48' installed.
MIRIAM SCHAPIRO, Anatomy of a Kimono (section), 1976.
34-60 Fabric and acrylic on canvas, 6' 8" x 8' 6". Collection of Bruno
Bishofberger, Zurich.
34-61
CINDY SHERMAN, Untitled Film Still #35, 1979. Black-andwhite photograph, 10" x 8". Metro Pictures, New York.
Mrs. Agatone
Chapter 34 Index of Images/Assignments
BARBARA KRUGER, Untitled (Your Gaze Hits the Side of My
34-62 Face), 1983. Photostat, red painted frame, 6' 1" x 4' 1". Courtesy of
Mary Boone Gallery, New York.
ANA MENDIETA, Flowers on Body, 1973. Color photograph of
earth/body work with flowers, executed at El Yaagul, Oaxaca,
34-63
Mexico . Courtesy of the Estate of Ana Medieta and Galerie
Lelong, New York.
HANNAH WILKE, S.O.S.—Starification Object Series, 1974-82.
10 Black-and-white photographs with 15 chewing-gum sculptures
34-64 in Plexiglas cases mounted on ragboard, from a series originally
made for S.O.S. Mastication Box and used in an exhibitionperformance at The Clocktower, January 1, 1975, 3' 5" x 5' 8".
KIKI SMITH, Untitled, 1990. Beeswax and microcrystalline wax
figures on metal stands, female figure installed height 6' 1 1/2" and
34-65 male figure installed height 6' 4 15/16". Collection Whitney
Museum of American Art, New York (purchase, with funds from
the Painting and Sculpture Committee).
FAITH RINGGOLD, Who's Afraid of Aunt Jemima?, 1983.
34-66 Acrylic on canvas with fabric borders, quilted, 7' 6" x 6' 8". Private
collection.
ADRIAN PIPER, Cornered, 1988. Mixed-media installation of
34-67 variable size; video monitor, table, and birth certificates. Collection
of Museum of Contemporary Art, Chicago.
LORNA SIMPSON, Stereo Styles, 1988. 10 black-and-white
34-68 Polaroid prints and 10 engraved plastic plaques, 5' 4" x 9' 8"
overall. Collection of Raymond J. Learsy, Sharon, Connecticut.
Mrs. Agatone
34-69
Chapter 34 Index of Images/Assignments
MELVIN EDWARDS, Tambo, 1993.Welded steel, 2' 4 1/8" × 2' 1
1/4" . Smithsonian American Art Museum,Washington, D.C.
DAVID HAMMONS, Public Enemy, installation at Museum of
34-70 Modern Art, New York, 1991. Photographs, balloons, sandbags,
guns, and other mixed media.
JAUNE QUICK-TO-SEE SMITH, Trade (Gifts for Trading Land
with White People), 1992. Oil and mixed media on canvas, 5' x 14'
34-71
2". Chrysler Museum of Art, Norfolk, Virginia (museum purchase
93.2).
34-72
LEON GOLUB, Mercenaries (IV), 1980. Acrylic on linen, 10' x
19' 2". Collection Mr. and Mrs. Ulrich Meyer, Chicago.
MAGDALENA ABAKANOWICZ, artist with Backs, at the
Musée d'Art Moderne de la Ville de Paris, Paris, France, 1982.
34-73
Copyright © Magdalena Abakanowicz/Licensed by VAGA, New
York, NY/Marlborough Gallery, NY.
DAVID WOJNAROWICZ, "When I Put My Hands On Your
34-74 Body", 1990. Gelatin-silver print and silk-screened text on
museum board, 2' 2" x 3' 2". Collection of Tom Rauffenbart.
KRZYSZTOF WODICZKO, The Homeless Projection, 198634-75 1987. Outdoor slide projection at the Soldiers and Sailors Civil
War Memorial, Boston, organized by First Night, Boston.
34-76
NAM JUNE PAIK, Video still from Global Groove, 1973. 3/4
videotape, color, sound, 30 minutes. Collection of the artist.
Mrs. Agatone
34-77
Chapter 34 Index of Images/Assignments
DAVID EM, Nora, 1979. Computer-generated color photograph, 1'
5" x 1' 11". Private collection.
JENNY HOLZER, Untitled (Selections from Truisms,
Inflammatory Essays, The Living Series, The Survival Series,
Under a Rock, Laments, and Child Text), 1989. Extended helical
34-78
tricolor LED electronic display signboard, 16" x 162' x 6".
Solomon R. Guggenheim Museum, New York, December 1989February 1990 (partial gift of the artist, 1989).
34-79
BILL VIOLA, The Crossing, 1996. Installation with two channels
of color video projection onto screens 16'-high .
TONY OURSLER, Mansheshe, 1997.Ceramic, glass, video player,
34-80 videocassette, CPJ-200 video projector, sound, 11" x 7" x 8" each.
Courtesy the artist and Metro Pictures, New York.
JEFF KOONS, Pink Panther, 1988. Porcelain, 3' 5" x 1' 8 1/2" x 1'
34-81 7". Collection Museum of Contemporary Art, Chicago (Gerald S.
Elliot Collection).
34-82
MARK TANSEY, A Short History of Modernist Painting, 1982.
Oil on canvas, three panels, each 4' 10" x 3' 4".
Mrs. Agatone
Chapter 34 Index of Images/Assignments
ROBERT ARNESON, California Artist, 1982. Glazed stoneware,
5' 8 1/4" x 2' 3 1/2" x 1' 8 1/4". San Francisco Museum of Modern
34-83
Art (gift of the Modern Art Council). Copyright © Estate of Robert
Arneson/Licensed by VAGA, New York, NY.
HANS HAACKE, MetroMobiltan, 1985. Fiberglass construction,
34-84 three banners, and photomural, 11' 8" x 20' x 5'. Collection Centre
Georges Pompidou, Paris.
34-85
GUERRILLA GIRLS, The Advantages of Being A Woman Artist,
1988. Poster.
34-86
MATTHEW BARNEY, Cremaster cycle, installation at the
Solomon R. Guggenheim Museum, 2003.