Figurative Language in Natalie Babbitt's Tuck Everlasting For each expression, discuss and identify the form of figurative language used: personification, metaphor or simile. What images are evoked in your mind? Do the words appeal to your senses, your prior knowledge, or your personal experiences? What do they compel you to think about or recall? What is the literal meaning being conveyed? The numbers in the parenthesis correlate with the book’s pages. 1. The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. (3) ______________________________________________________________ 2. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after. (3) ______________________________________________________________ 3. The wood was at the center, the hub of the wheel. (4) _______________________________________________________________ 4. The house was so proud of itself that you wanted to make a lot of noise as you passed, and maybe even throw a rock or two. (6) _______________________________________________________________ 5. …that would have been a disaster so immense that this weary old earth, owned or not to its fiery core, would have trembled on its axis like a beetle on a pin. (8) _______________________________________________________________ 6. Then, last of all, she pulled down over her ears a blue straw hat with a drooping, exhausted brim. (11) _______________________________________________________________ 7. "…I want some. I'm about dry as dust." (29) _______________________________________________________________ 8. She had always pictured a troupe of burly men with long black moustaches who would tumble her into a blanket and bear her off like a sack of potatoes while she pleaded for mercy. (31) _______________________________________________________________ 9. Jesse sang funny old songs in a loud voice and swung like a monkey from the branches of trees, showing off shamelessly for Winnie, calling to her, "Hey, Winnie Foster, watch me!" and "Look what I can do!" (44) _______________________________________________________________ 10. The sweet earth opened out its wide four corners to her like the petals of a flower ready to be picked, and it shimmered with light and possibility till she was dizzy with it. (45) _______________________________________________________________ 11. He looked solid like an oar, whereas Jesse-well, she decided, Jesse was like water: thin and quick. (84) _______________________________________________________________ 12. Two days before, they would have insisted that she stay indoors, but now, this morning, they were careful with her, a little gingerly, as if she were an egg. (111) _______________________________________________________________ 13. …and they ran together, lightly, down the road, past other sleeping cottages, into the dim and empty center of the village. The big glass windows here were lidded eyes that didn't care-that barely gave them back reflections. (122) _______________________________________________________________ 14. A dragonfly, a brilliant blue jewel, darted up and paused over the lily pads, then swung up and away. (85) _______________________________________________________________ Wow. So you’re probably wondering why I have so many posts starting with the same two words. Well, here’s the reason: THERE’S SO MUCH TO DISCUSS! Tuck Everlasting is an amazing book. Natalie Babbitt used many different ways to make her writing extremely beautiful, so it paints a picture in your head. We’ve already talked about similes, metaphors and hyperboles, but another thing that she uses very commonly is personification. Personification is giving an object the abilities and traits of a human. Here are 4 examples of personification I’ve found in Tuck Everlasting: Pg. 60 - ‘The rowboad slipped from the bank then, silently, and glided out, tall water grasses whispering away from its sides, releasing it.’ This is an example of personification because water grasses can’t whisper and release. Pg. 62 - ‘The rowboad had drifted at last to the end of the pond, but now its bow bumped into the rotting branches of a fallen tree that thrust thick fingers into the water.’ This is an example of personification because a fallen tree can not thrust it’s thick fingers into the water. Pg. 63 - ‘And, farther down, Winnie could see that it hurried into a curve, around a leaning willow, and disappeared.’ This is an example of personification because the water cannot hurry. Pg. 86 - ‘The sky was blue and hard now, the last of the mist dissolved, and the sun, stepping higher above the trees, was hot onWinnie’s back.’ This is an example of personification because the sun cannot step. I hope you liked this and will read Tuck Everlasting in the future! (By the way, I’ve already read it in 4th grade) is another. The sun is exactly like a sliding egg yolk. They will write this definition in their notebooks. I will start out by talking about the idea of a secret and how that secret affects Winnie's life. While looking at the text, I will ask them, “On pg. 6, the story tells us, ‘the gate said Move on.' Did the gate really say that?” I will give another example, on page 6, “Was the house proud of itself?” “On page 12, it says, ‘The air fairly hummer with their daybreak activites…' Can air hum? What is going on here? Remember ‘Rikki- Tikki- Tavi', where animals could talk? Is that what is going on with the house or the gate? Is something being compared here?” Hopefully, the class will identify that these items doing things that people do. I will then tell them that this is called personification and it is when animals and things are given human qualities. The air didn't hum, but it made a sound that is comparable to a person humming. I will have them write the definition in their notebooks and on the graphic organizer that I will give them The class has already learned what a simile is, so they are familiar with comparisons in literature. After reading last night, I will ask them if they found any forms of comparisons in their homework. They may mistakenly identify some metaphors as similes. If so, I will inform them that this is a different form of comparison that we will be learning about today. I will write the following quotes on the overhead: “The sky was a ragged blaze of red and pink and orange…” “The sun was dropping fast now, a soft red sliding egg yolk…” pg 32. “But this rowboat now, it's stuck. If we didn't move it ourself, it would stay here forever, trying to get loose, but stuck. That's what us Tuck's are, Winnie.” pg 33. I will then ask the class, “What is the author doing in these passages? Are these comparisons? What makes them different from the similes we looked at yesterday?” Hopefully, they will identify that they do not use the words like or as. I will then inform them that these are called metaphors and that they are stronger forms of comparison. They do not claim something is similar to another; they claim that the one thing The class has been reading Tuck for a week. They learned that literary techniques are things authors use to make the text more interesting and to add creativity to writing. To start off the class, I will ask them about the reading so far. Specifically, I will point out the following passages. Page 26: “An ancient green-plush sofa lolled alone in the center like yet another mossy fallen log…” and, “a bag of cotton batting with wisps of its contents, like snow, drifting into the cracks and corners…” I will also add in the familiar, “snug as a bug in a rug.” “So what is going on here? What are these sentences telling us? How is the sofa like a fallen log?” After some discussion, I will tell them that this is called simile and that it is a literary technique. “The author makes a comparison using the words like or as.” Next, I will hand out a graphic organizer and ask the students to fill in the definition in the center of the sheet.