Major Triad (chord) • A chord is three or more notes played simultaneously Major Triad (chord) • A chord is three or more notes played simultaneously – Two notes played together is not a chord, but it can suggest a chord Major Triad (chord) • By definition the first, third, and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale –C D E F G A B C Major Triad (chord) • By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale –C D E F G A B C • C is the First Major Triad (chord) • By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale –C D E F G A B C • C is the First • E is the Third Major Triad (chord) • By definition the first, third and fifth tones of the major scale are the tones that comprise a Major Chord • If we look at a C scale –C D E F G A B C • C is the First • E is the Third • G is the Fifth Major Triad (chord) • Do you remember our scales from the last session? • Let’s look at how the C scale in a linear form. Major Triad (chord) • A major triad consists of the first tone, the third tone, and the fifth tone of the major scale. (I-iii-V) – That is for a C chord we have the first tone (or root), C; the third tone, E; and the fifth tone G. Major Triad (chord) • If we look at a G scale –G A BCD EFG • G is the First • B is the Third • D is the Fifth Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month First Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month First Third Major Triad (chord) • We can get all the Major chords in a similar way • Let’s look at this from last month First Third Fifth Major Triad (chord) • The common chords you most likely will play are: Minor Triad (chord) • To make a minor chord you take the major chord and flat the third Dominant Seventh Chord • To make a dominant seventh chord (G7, D7, E7, etceteras) you add a flatted (or minor) seventh to the major chord. Dominant Seventh Chord • You may wonder why we added a flatted seventh to the major chord. • Observe the proper name for the chord is the Dominant Seventh Chord. – That means we took the chord from another scale — the scale for which the seventh chord is the dominant tone. (I.E. the fourth.) • G7 comes for the C scale, D7 comes from the G scale, etceteras. Other Chords A sixth chord is the I-iii-V-vi A ninth chord is the I-iii-V-ix A six-nine chord is I-iii-V-vi-ix A major seventh chord is I-iii-V-viiio An augmented chord is I-iii-#V A diminished chord is I-biii-bVA diminished seventh chord is I-biii-bV-bbvii Other Chords A minor sixth chord is the I-biii-V-vi A minor ninth chord is the I-biii-V-ix A minor six-nine chord is I-biii-V-vi-ix A minor (dominant) seventh chord is I-biii-V-bviiio Chord Inversions • There are three different ways to play a Major Chord Chord Inversions • There are three different ways to play a Major Chord • The root position G E C Chord Inversions • The first inversion C G E Chord Inversions • The second inversion E C G Chord Inversions • All three together Root G E C First Inversion Second Inversion C G E E C G Inversions apply to all chords not just major chords Chord Doubling • There are only three tones in a Major Chord – The root, the third, and the fifth Chord Doubling • There are only three tones in a Major Chord – The root, the third, and the fifth • If we have fourth tone and one of the tones is repeated at a different octave, that is called doubling Chord Doubling • There are only three tones in a Major Chord – The root, the third, and the fifth • If we add fourth tone and one of the tones is repeated at a different octave, that is called doubling (within a chord) C G E C Chord Doubling • Doubling may be done in any inversions. • Any tone in a chord can be doubled • If you have five, six, seven, etceteras, tones in a chord and all the tones are either the root, third, or fifth tones, it is doubling. • Doubling may be done in any chord not just a major chord. Chords • There are some things you should know about a Major Chord Chords • There are some things you should know about a Major Chord • The harmonic interval between the root and the third is a Major Third Chords • There are some things you should know about a Major Chord • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Perfect Fifth Major Chord • There are some things you should know about a Major Chord • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Perfect Fifth • The harmonic interval between the third and the fifth is a Minor Third Major Chord • Let’s graphically look at a major chord G Minor Third E Perfect Fifth Major Third C Minor Chord • There are some things you should know about a Minor Chord Minor Chord • There are some things you should know about a Minor Chord • The harmonic interval between the root and the third is a Minor Third Mlnor Chord • There are some things you should know about a Minor Chord • The harmonic interval between the root and the third is a Minor Third • The harmonic interval between the root and the Fifth is a Perfect Fifth Minor Chords • There are some things you should know about a Minor Chord • The harmonic interval between the root and the third is a Minor Third • The harmonic interval between the root and the Fifth is a Perfect Fifth • The harmonic interval between the third and the fifth is a Major Third Minor Chords • Let’s graphically look at a minor chord G Major Third Eb Perfect Fifth Minor Third C Augmented Chords • There are some things you should know about a Augmented Chords Augmented Chords • There are some things you should know about a Augmented Chords • The harmonic interval between the root and the third is a Major Third Augmented Chords • There are some things you should know about a Augmented Chords • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Augmented Fifth Augmented Chords • There are some things you should know about a Augmented Chords • The harmonic interval between the root and the third is a Major Third • The harmonic interval between the root and the Fifth is a Augmented Fifth • The harmonic interval between the third and the fifth is a Major Third Augmented Chords • A graphic look at an augmented chord G# Major Third E Augmented Fifth Major Third C Augmented Chords • There are only four augmented chords – C E G# (E G# B#) (G# B# D##) Ab – G B D# (B D# F##) (D# F## A##) Eb – F A C# (A C# E#) (C# F A) – D F# A# (F# A# C##) (A# C## E##) Bb Diminished Chords • There are some things you should know about a Diminished Seventh Chords Diminished Chords • There are some things you should know about a Diminished Seventh Chords • The harmonic interval between the root and the flatted third is a Minor Third Diminished Chords • There are some things you should know about a Diminished Seventh Chords • The harmonic interval between the root and the flatted third is a Minor Third • The harmonic interval between the flatted third and the flatted fifth is a Minor Third Diminished Chords • There are some things you should know about a Diminished Seventh Chords • The harmonic interval between the root and the flatted third is a Minor Third • The harmonic interval between the flatted third and the flatted fifth is a Minor Third • The harmonic interval between the flatted fifth and the double flatted seventh is a Minor Third Diminished Chords • A graphic look at a diminished chord Bbb Minor third Gb Minor third Eb Minor third C Diminished Chords • There are only three diminished seventh chords – C Eb Gb Bbb • (Eb Bbb Dbb) (Gb Bbb Dbb Fbb) • (Bbb Dbb Fbb Gb) A – G Bb Db Fb • (Bb Dbb Fbb Abb) (Db Fb Abb Cbb) • (Fb Abb Cbb Ebbb) E – F Ab Cb Eb • (Ab Cb Eb Gbb) (Cb Eb Gb Bbb) B • (Eb Gb Bbb Dbb) Diminished Chords • Sometimes you may read or hear a reference to a half diminished chord Diminished Chords • Sometimes you may read or hear a reference to a half diminished chord • A half diminished chord is the same as a diminished chord but there is no seventh tone in the half diminished chord. Diminished Chords • Sometimes you may read or hear a reference to a half diminished chord • A half diminished chord is the same as a diminished chord but there is no seventh tone in the half diminished chord. • Diminished C Eb Gb Bbb • Half diminished C Eb Gb Diminished Chords • The purpose of a diminished chord is to create tension and unrest. • Therefore, I ask why would one use a half diminished chord? A rhetorical question Chords Chords Pop Quiz • What is the difference between a C6 chord and an Am7? • C6 = C E G A • Am7 = A C E G Chords End of presentation Major Triad (chord) • Likewise for any major chord: