ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 1 Honors Critical Thinking and Literary Analysis #1409 TuTh 9:10-10:35 AM in SG 139 Michael C. Harnett, Ph. D., Professor of English & Humanities and Scholars Program Director Office: LB 216 Phone: (818) 240-1000 x5699 Email: mharnett@glendale.edu. Alternate email (also good for sharing documents, etc.): mharnettgcc@gmail.com. Note that I check the glendale.edu email much more frequently. Office Hours: 8:00-9:00 AM MTuWTh; 11:00 AM-12:00 PM MW; 1:30-2:30 PM MTu; see me for other times. I’ll make every effort to meet with you. Dr. Harnett’s Courses’ Website: http://mharnett.weebly.com/ Please check the home page for general announcements, and check the ENGL 102H page for information specific to this class. There is a link for this class within the ENGL 102H page. I will post class notes and assignments along with announcements. GCC Catalog Description: English 102 helps students to develop their critical thinking and writing skills beyond the level achieved in English 101. The course emphasizes the application of logical reasoning, analysis, and strategies of argumentation in critical thinking and writing, using literature (both fiction and non-fiction) and literary criticism as subject matter. Students will also receive instruction in literary research, and will complete a fully documented research paper. The honors course will be enhanced in one or more of the following ways: 1. Accelerated standards of both critical thinking and literary analysis, including critical writing. 2. Introduction to and emphasis on types or schools of literary criticism, including professional models of such. Lecture 3 hours. Prerequisite: English 101. Transfer credit: CSU, UC, USC (CAN ENGL 4) (ENGL 101 & 102 CAN ENGL SEQ A) Note: This Honors course also emphasizes profound readings by classic, significant sources. GCC Educational Philosophy: See the GCC website link at http://www.glendale.edu/Modules/ShowDocument.aspx?documentid=2586 Course Entry Expectations Skills Level Ranges: Reading 7; Writing 7; Listening/Speaking 7; Math 1 Prior to enrolling in this course, the student should be able to: 1. read critically and write critical, thesis-based essays from the rhetorical perspective of example, comparison/contrast, analysis, definition, and argument 2. organize, develop, and revise original writing using appropriate tone, style, and semantics; 3. understand induction and deduction, evaluate claims and assumptions, identify logical fallacies, and present reasoned arguments; 4. analyze, synthesize, distinguish fact from opinion or belief, seek credible sources, and reach logical conclusions; 5. examine values, identify bias and prejudice, and objectively summarize the views of others; 6. prepare a research paper using proper documentation and format. Course Exit Standards Upon successful completion of the required coursework, the student will be able to: A. Critically read and evaluate culturally diverse literary and prose texts which address critical positions and problems. 1. Identify thesis or unifying theme 2. Identify traditional reasoning and logic (including induction and deduction, denotation and connotation) 3. Identify and evaluate supporting evidence (relevance, accuracy) 4. Distinguish fact from opinion, recognize assumptions and fallacies 5. Evaluate text in terms of diction, tone and unity 6. Analyze literary texts through traditional tools of literary criticism. 7. Identify the ways in which expository pieces and arguments are shaped by an author’s social, historical, moral, and psychological, and philosophical assumptions B. Write logical, coherently structured and mechanically sound, thesis based expository and persuasive essays which demonstrate appropriate use of primary and secondary research materials. 1. Select topic and adjust it in terms of breadth and complexity 2. Clearly establish thesis 3. Demonstrate appropriate use of supporting evidence in terms of accuracy, relevance, and freedom ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 2 from faulty assumptions and fallacies 4. Demonstrate ability to refute counter-argument 5. Write critical analyses of literary works, relating them to current issues 6. Maintain unity and coherence within and between paragraphs 7. Maintain college-level prose standards (mechanics) Glendale Community College Student Learning Outcomes (SLO) for English 102 Reading: Critically read and evaluate culturally diverse literary and prose texts which address critical positions and problems. Identify thesis or unifying theme of text and its traditional use of reasoning and logic. Identify and evaluate supporting evidence for relevance and accuracy and evaluate text in terms of diction, tone and unity. (Exit Standards A1, A2, A3, A4, A5) Core Competencies: 1a, 1b, 4a, 4b, 4c, 4d, 4e, 5b, 5d Exit Level: Reading 7; Writing 7; Listening/Speaking 7; Math 1 Assessment Method: Research Essay Research: Demonstrate appropriate application of supporting evidence from primary and secondary sources. Evaluate evidence in terms of accuracy, relevance, and freedom from faulty assumptions. (Exit Standard B3) Core Competencies: 1a, 1b, 3a, 3b, 3c, 3d, 4a, 4b, 4c, 4d, 4e Exit Level: Reading 7; Writing 7; Listening/Speaking 7; Math 1 Assessment Method: Research Essay Writing: Write sophisticated, coherently structured, mechanically sound expository and persuasive essays related to literary works and current issues. (Exit Standards B1, B2, B3, B4, B5, B6) Core Competencies: 1a, 1b, 4a, 4b, 4c, 4d, 4e Exit Level: Reading 7; Writing 7; Listening/Speaking 7; Math 1 Assessment Method: Research Essay Introduction: In this course you will read and analyze various kinds of literature: fiction, poetry, and drama, including film. You will also read commentaries and research about literature and related topics. We will investigate stories and literary expressions that offer plenty of ideas that we all can relate to our own lives and to our imagination. Through the semester, you will develop your thinking and writing skills by recognizing and expressing important human truths from the readings. You will find that the readings and writing assignments challenge us to understand, to feel, to analyze, to learn, to discern possibilities, to rise above setbacks, and to move forward in our development as open-minded, intellectually curious people. The goal is to help you develop your abilities to communicate excellent written insights that are well supported, logically organized, deeply explained, and precisely, clearly expressed. This goal isn’t just about literature, but about being a useful part of any organization. According to a recent report, today’s employers continue to complain that college graduates need better skills at critical thinking, problem solving, and communication, key fundamentals that this course addresses. I will support you as you work to build your academic writing competence, basing my approach on my own research on teaching through motivational, activity-based learning. As my foundation, I believe that if I can create an atmosphere of curiosity and good humor, then you will devote your best efforts to your work and succeed. I also believe that my honest feedback and encouragement can make a difference in a person’s confidence, which also shapes success. Required Texts: Charles Morey. Figaro. Dramatists’ Play Service, 2013. ISBN 9780822229384 J. D. Salinger, Nine Stories. Little, Brown, 1948 (rpt. 1991). ISBN 9780316769501 John Kennedy Toole, A Confederacy of Dunces. Grove Press, 1980. ISBN 9780802130204 Please note: Other readings will be available online, which I recommend that have in printed form. Having all readings completed and with you in class counts toward your Participation grade. ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 3 Strongly Recommended: a handbook such as Hacker, A Writer’s Reference; a college dictionary; a flash drive or other storage device Grading: Exam average (in class essays) 25% Essay average (out of class essays) 30% Research Paper (at least 2000 words) 20% SLO (See SLO information above) Final 15% Attendance & Participation (Note: See 10% Attendance Policy), SIs, Quizzes, & Homework Assignments Grading Policy: All course assignments must be completed by the end of the semester in order to earn a passing grade. All exams, all essays, the research paper, and the final count toward the course grade, as do attendance and participation. No grades are dropped, though trends, especially toward the end of the semester, are taken into account. Grading Standards: The UC Entry Level Scoring Guide is used for this course, available at http://www.ucop.edu/elwr/process.html#guide. A score of 6 is an A; 5 may be an A- or B+ or B; 4 is a B- or C+ or C; 3 is a C- or D+; 2 is a D; 1 is an F. The range in grades for the scores allows for judgment by the instructor. Since GCC has no +/- grading, +/- marks on your papers are only advisory. Course Policies Attendance is Required; Participation Counts. The GCC attendance policy states that students are expected to attend all class meetings. There are no excused absences at GCC, other than documented medical or personal emergencies—meaning that a responsible doctor or official verifies it, but it is possible to make up some work for partial credit (this will be handled on an individual basis). You may be dropped if you miss the first class meeting or more than 6 class hours total, unless I hear from you as soon as possible. If you stop attending after the drop deadline, the only grades you can receive are an F or an Incomplete (Incompletes rarely apply). Late Arrivals/Early Departures: If you arrive in class after the beginning time, or if you leave early, you are subject to being marked as Partially Attending for that day. 3 Partial Attendance marks count as one Absence. Participation: You will also be evaluated for your involvement and contribution to the class. This involvement and contribution can come in many forms: completion of all assignments both in and out of class; verbal questions & discussion, both in whole-class and small-group activities; individual office consultations with me; willingness to read or share written work; and the many kinds of attentive and respectful behaviors that are expected of the college classroom. Note that off-task behaviors, including internet browsing, texting, side conversations, game playing or any other kind of distracted, and distracting, behavior, are considered non-participation. Non-participation results in negative consequences, including a failing grade for the day, and continuing problems with it result in a failing Participation/Attendance grade. Before the drop deadline, repeated nonparticipation could result in being dropped from the class. Supplemental Instruction: Attend as many SI sessions as you can to enhance your participation. They are meant to provide time and practice for you in addition to the primary means of support for you: class time and consultations with me. In the SI, there will be exercises and assistance with essays. Attendance adds points to your participation grade the more you attend. We are very fortunate to have Minelie Asadorian, Ala Babakhanians, Viktoriya Shumakova, and Melvin Dilanchian as ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 4 your SI leaders this semester. Attendance of at least 5 SI sessions is considered part of your regular attendance; any beyond that are bonuses. Extra Credit: Extra credit enriches your experience and provides opportunities for practice, contributing to the Participation grade. It doesn’t change major grades. Outside exercises, assignments, and written impressions of outings that are relevant to our course content in some way, such as lectures, museum visits, to name a couple, are likely to be available. All such extra attendance and participation needs to be written up and handed in within one week of the event or assignment. Account for facts (descriptions) and insights (deep thoughts and reactions to show your critical thinking) in each writeup. Clearly delineate each of these two sections and write them as clearly and precisely as you can. Please note: Extra Credit might help a course grade in a borderline case. But again, Extra Credit does not affect the major assignments, which largely define the course grade. Dropping the Course: If you must drop this course, do so through the Admissions and Records Office by the drop deadline of Saturday, February 28, 2015 without a mark of W, Saturday, May 16, 2015 with a mark of W. Before you do any such thing, though, I encourage you to see me so that we both are sure about what must be done. Note that you are responsible for dropping. Faculty Lateness or Absence Policy: While I do not anticipate missing any classes or being late to class, emergencies, illnesses, and other unplanned issues do occur. For instance, a major factor for me is the ongoing and increasing health issues that both of my parents are facing, so I may need to go to help and attend to them. If I know about an absence in advance, I will email everyone’s GCC student email and/or post an announcement on the main page of my website at http://mharnett.weebly.com/. I will let you know about assignments to do for the next class. A note from Instructional Services should be posted on the classroom door as well. If I am not there at class time, and no information has been posted on the classroom door or on the GCC Website under Classes Cancelled Today, please wait 15 minutes and then do one or more of these things for more information and guidance: Contact me directly at (626) 372-2326 (please use my number judiciously). Check my website. Contact the English Division Office (LB 215) at (818) 240-1000 x5606. Contact Instructional Services (AD 145) at x5904. Late Work/Make-Up Policy: Work missed due to an excused absence may be made up, normally within a week of your return to class. Work missed due to all other kinds of absences will be dealt with on a case-by-case basis; there is likely to be a penalty for late work. The emphasis here is on you and me working together so that you succeed, not on dwelling on excuses. Don’t waste time with elaborate reasons that work is not done; instead, be honest with me and we will move on and make plans, usually including a contract and timetable for you to follow. In other words, let’s focus less on excuses and more on planning for the best course of action now. If a makeup of an exam is allowed, you will need to schedule it with me, usually in another of my classes, or in the Assessment Center (SF 112, x5329) within the week that you return. For excused, documented absences, we will arrange for you to make up the work with no penalty. For all other absences, you and I will discuss the circumstances of your absence, and we will then make a plan for making up the missed work. Usually, we’ll make some kind of arrangement so that out-of-class essays may be turned in late (penalties, if any, decided on a case-by-case basis), and I will prepare a make-up exam that is different from the original but equivalent. Made-up quizzes and other work may count only for credit, not for scores. ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 5 ***Follow the GCC Academic Honesty Policy. Please know that you are responsible for being fully aware of this policy, and for preparing all work in an academically honest way. This course adheres to all Glendale College policies and procedures regarding plagiarism and other problems. In general, we assume that you take responsibility for doing your own work, and that you understand the difference between collaboration and cheating. In essays, correct documentation (use of quotations for all words taken from sources, and citations of all quotations, paraphrases, and summaries of ideas from said sources) solves most such problems. For in class essays, preparing prewritten paragraphs and anything resembling a prewritten essay constitute academic dishonesty as well. If plagiarism or academic dishonesty problems exist, the assignment in question receives a lower grade, including an F if the problem is substantial. Also, for a serious case of academic dishonesty, such as using passages from a source without quoting or citing them at all, you may receive an F for the entire course. In addition, cases will be referred to the Vice President of Instruction, who may decide to take even more drastic action. The GCC Policy on Academic Honesty will be followed, which is available at http://www.glendale.edu/index.aspx?page=2596. Read it very carefully and make sure that you understand it. You have been informed. Follow the GCC Standards of Student Conduct. I expect everyone to adhere to GCC Administrative Regulation 5500, Standards of Student Conduct, Section C (Prohibited Conduct), which are found under Board Policies and Administrative Regulations, Chapter 5, Student Services, at http://www.glendale.edu/index.aspx?page=6526. Our class must be an environment that allows everyone to concentrate and feel comfortable. Disruptions, intimidation, and other forms of disrespect are not tolerated, and you will be asked to leave if you repeatedly disrupt the class. Cell Phones, devices, etc.: In class, please be sure that all cell phones and other devices are on silent or turned off, out of respect for everyone. If you do this you’re participating in the class; if you do not, your Participation grade is lowered. You should not use your phones for reference during closed book in class work, for instance! You should not be calling people, texting, playing games, making calculations, browsing the internet, participating in social networks, etc. If the class meets in a lab, you are to use the computers in there, and do not use laptops or other outside equipment in the lab as well, according to the technology use policy of GCC. Complete All Work on Time. Deadlines for major assignments are listed in this syllabus. If there are any changes, I will let you know, but assume that deadlines stand. Tell me if there are any problems and I’ll work with you as much as possible. Readings: The literary works that you are to read are often quite powerful expressions of the human condition. As such, they are thought provoking, making them a useful basis for essay writing. Complete each assigned reading before the listed class day. Take notes or annotate your readings so that you can remember important passages, questions you have, and your insights about the ideas presented. Bring up these important ideas and questions in class, recognizing that literary interpretations are judged by their plausibility, logic, and specific evidence from the readings rather than some single “right answer.” Your thinking and writing as you read and work with the selections will be useful for assignments and for your general practice and proficiency in the course. Quizzes and In-Class Exercises: The quizzes are mostly short-answer or singleparagraph responses to questions about the readings. Their purpose is to make sure that you keep up with the readings as well as recognize important aspects of them. If you miss a quiz, you may make it up, but it will not be scored, only counted as participation. Most of the time, you will have in-class exercises, which are meant to help you improve your ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 6 thinking and writing through the semester. Do your best on these; they count for participation also. I will collect quizzes immediately, and will usually have you submit inclass exercises and other in-class work on a frequent and regular basis. Save all inclass work in a reliable way that I can check at any time, which counts toward your Participation grade. Sometimes, you may need more time to finish in class work, which is fine as long as you complete it right away, remembering that I might check in class work at any time. Note that the emphasis of this work is more about you learning and mastering aspects of reading, research, critical thinking, and writing, so effort means more than results on the in class work. There will often be items in the class notes that are not covered in class, which I plan to provide as extra practice for anyone who would like to improve in any aspect of critical thinking, literary analysis, and writing, including grammar and expression, use of sources, documentation, and other relevant skill areas. Essay and Exams: Together, the out-of-class Essays and the in-class Exams (which are essays) are the single largest factor influencing your course grade. All of these essays and exams focus on selected readings that we will have covered to that point. Information about the out-of-class Essay assignments will be given well ahead of time to allow you the greatest possible opportunity to write preliminary drafts and discuss them with me before submitting the final draft of each—you may do this as much as you can, up until the due dates. I encourage you to make the most of the time available before the due dates. To be clear, there is really not very much time before a due date, but there certainly is time to make the most of your efforts, receive my feedback and advice, and revise your work before it’s due. Meet with me as often as possible to discuss revision strategies and expressive improvements. Late essays are accepted, but with a severe penalty: one full grade per day late, unless you meet with me and I allow a late submission. In class Exams provide valuable practice in writing efficiently so that you rise above time and other pressures, keeping in mind that many classes after transfer involve in class exams. Note that a missing major assignment (Essay, Exam, Research Paper, Final) is scored an F, and that completion of all major assignments is required to pass the course. Research Paper: After the midterm point of the course, you will prepare and write a research paper on an approved topic involving a specific aspect of the course readings. This paper will develop a profound insight derived from the comparison of one work from this course and one work from another medium (art, film, music, TV, etc.). The paper will be at least 2000 words (8-10 pages) in length, and must incorporate at least six sources as defined by the assignment, including a deep theoretical source, a scholarly source, and four other approved sources. More information about the Research Paper will follow. Note that part of the Participation grade will be the timely completion of the RP preparation components: proposal, annotated works cited, basic outline, detailed outline (showing all uses of sources), and the draft in stages. Communicate with Me: In order for you to get the most out of this class, it is critical that I know how you are doing in it and what I can do to adjust and improve it. To help with this, please make every effort to communicate with me. If there is a problem, such as getting behind in readings or assignments, or aspects of your writing to improve, let me know and I will do my very best to help you. Learning is what the course is all about, and communication with me gives you the best chance to succeed. Special Needs: Official Statement: “All students with disabilities requiring accommodations are responsible for making arrangements in a timely manner through the Center for Students with Disabilities.” If you have any special needs, such as those addressed by the Disabled Student Center or High-Tech Center, please feel free to discuss them with me early in the course so that you can file the necessary paperwork. If ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 7 you qualify, we can make arrangements to allow you more time on in-class assignments, for example. Continued on next page ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 8 Course Calendar Please Note: 1. This schedule is subject to change, which I will announce as needed, and I will re-post the revised syllabus on the main ENGL 102H/Course Materials page of the website. 2. You are expected to complete all readings and assignments prior to the class dates listed for the assignments to be on time. 3. Be sure to purchase all books for the course as soon as they are available. You are responsible for having your own copy of each day’s assigned readings with you in class. Weeks and Dates Week 1 Tu, 2/17 Assignments to Complete Before Class In-Class Activities 1st-Day Readings : Welcome to the class! Get a. Guy de Maupassant, “The Necklace” at into the habit of devoting http://www.bartleby.com/195/20.html about 2 hours or more to b. Poem: “Cinderella” by Sylvia Plath reading, research, and writing http://allpoetry.com/poem/8498493work outside of each class Cinderella-by-Sylvia-Plath hour. c. Poem: “Cinderella” by John Dickson Also get into the habit of http://www.poetryfoundation.org/poe seeing me for any help and trymagazine/browse/141/3#!/2059463 advice I can provide. 3/0 Introductions. Literary d. Ogden Nash Poems at Criticism: Reading & writing http://www.westegg.com/nash/ about important ideas. i. “The Shrimp” Themes. Annotation & active ii. “The Turtle” reading. iii. “Reflections on Ice Breaking” Write Diagnostic Writing iv. “My Dream” Sample in class (30 minutes). v. “The Purist” I have arranged for our class to attend of a live performance of the play Figaro, by Charles Morey, on Thursday, April 9, 7:30 PM, at A Noise Within Theatre. Tickets (group rate) at $18, plus our group collectively has a $10 service charge. You will read and see this play as the basis of an Exam. Be sure to get a print copy of the play, listed on this syllabus under Required Texts. Part 1: Short Fiction. Take careful notes of important plot points, representative examples of characterizations, themes, and other things you notice as you read. Th, Stories with Tragic Turns. Quiz. Discussion. Introduction to 2/19 Literary Criticism. Writing Bulfinch (trans), “Orpheus and Exercises. Developing Key Ideas Eurydice” at http://www.bartleby.com/181/241.html and Examples. Kate Chopin, “The Story of an Hour” [PDF in Course Materials on Website] John Steinbeck, “The Chrysanthemums” at http://nbu.bg/webs/amb/american/4/ steinbeck/chrysanthemums.htm Irwin Shaw, “The Girls in their Summer Dresses” at http://www.classicshorts.com/stories/ dresses.html ENGL 102H, Dr. Harnett TuTh Spring, 2015 Syllabus, page 9 Stories about Imagination vs. Reality. Ambrose Bierce, “An Occurrence at Owl Creek Bridge” at http://www.gutenberg.org/files/375/3 75-h/375-h.htm James Thurber, “The Secret Life of Walter Mitty” at http://www.newyorker.com/archive/1 939/03/18/390318fi_fiction_thurber? currentPage=all Frank O’Connor, “First Confession” at http://www.irelandinformation.com/firstconfession.htm Prepare for Exam 1—Notes and examples from the reading, but not any kind of prewritten essay. Begin work on Essay 1. Quiz and/or Writing Exercises. Discussion and Exercises involving Themes, Supporting Logic, and Examples. Using Quotations Effectively. Exam 1 information. Information about Essay 1—begin it ASAP. Week 3 Tu, 3/3 Preliminary Work on Essay 1 due: Planning or Outline with all selected examples shown at least. Discussion. Exercises. Essay 1 Information and Planning Advice. Th, 3/5 Draft of Essay 1 due. Week 2 Tu, 2/24 Th, 2/26 Exam 1: Short Fiction. More on Essay 1: Writing Exercises and Focused Work With Essay 1. Preview of A Confederacy of Dunces. Discussion and Sharing of Essay Week 4 Essay 1 due. Read ahead in A Confederacy of Dunces. 1. Introduction to John Kennedy Tu, Toole and A Confederacy of 3/10 Dunces. Part 2: Novel: A Confederacy of Dunces. Plan your reading carefully so that you keep up with the schedule. Take thorough and useful notes as you go. Th, Read Toole, Chapters 1-2. Quiz. Discussion and Writing 3/12 Exercises. Allusions. Toole, Chapters 3-5. Quiz and/or Writing Exercises. Week 5 Characters and Themes. Tu, 3/17 Th, Toole, Chapters 6-7. Discussion, Activities, and 3/19 Writing Exercises involving the Novel. Writing Exercises. Characters’ Week 6 Toole, Chapters 8-10. Motivations and Actions. Tu, 3/24 Be sure to have your own copies of all books, including those coming up: Nine Stories by J. D. Salinger, Figaro by Charles Morey, and The Geographer’s Wife by Bart Edelman. Th, Toole, Chapters 11-12. Quiz. Writing Exercises. Plot. 3/26 More on Character and Themes. Tone and Aspects of Expression. More Intro. to Literary Criticism. Toole, Chapters 13-14. Overview of the Novel: More Week 7 ENGL 102H, Dr. Harnett Tu, 3/31 Th, 4/2 TuTh Spring, 2015 Syllabus, page 10 Plot Analysis. Characters and their significance in the novel’s themes. Information for Exam 2. Exam 2: Novel. Prepare for Exam 2: Novel. Use your own notes & the novel itself, not prewritten essays in part or whole. Read ahead in Morey, Figaro. Part 3: Drama. Charles Morey, Figaro. Introduction to Beaumarchais, Week 8 Morey, Figaro, Act 1. The Marriage of Figaro, and Tu, 4/7 Morey’s adaptation, Figaro. Major Ideas from the Play. Discussion of Plot, Characters, Themes. Th, 4/9 Morey, Figaro, Act 2. Quiz, Figaro. More on the Play’s Main Features. Writing Exercises. Thursday, April 9, 2015, 7:30 PM, A Noise Within Theatre. Performance of Figaro. April 13-18: Spring Break. Campus Closed. Have a nice break! Prepare efficient notes on the play. Review Figaro, especially Act 2. Week 9 Be well-prepared for Exam 3. Preparation for Exam 3. Tu, 4/21 Th, Essay 1 final revision due. J. D. Exam 3: Drama. Figaro. 4/23 Salinger, Nine Stories: “A Perfect Day for Bananafish” (3-18); “Uncle Wiggily in Connecticut” (19-38); “Just Before the War with the Eskimos” (39-55). Part 4: J. D. Salinger, Nine Stories. Salinger, “The Laughing Man” (56-73), Quiz. Discussion and exercises Week “Down at the Dinghy” (74-86), “For involving Nine Stories. 10 Esmé—with Love and Squalor” (87-114). Information on Essay 2 Tu, Assignment. 4/28 See me this week about your Research Paper topic, sources, approach, and development. Plan it as early as possible to allow time to write it, and especially to revise it. Th, Salinger, “Pretty Mouth and Green My Overview of Nine Stories. 4/30 Eyes” (115-129), “De Daumier-Smith’s Blue Focused discussion, exercises, Period” (130-165), “Teddy” (166-198). and advice involving Essay 2. Make a detailed plan for Essay 2. More on Nine Stories and Essay Week 11 Draft of Essay 2 due. 2. Tu, 5/5 Th, 5/7 Essay 2 due. RP approaches. RP Proposal, Annotated Works Cited, and Basic Outline information. More on planning. Bart Edelman introduction. Part 5: Research Paper. Be sure to progress with your RP preparation efficiently, now and through the process. See me for help with any part of it. ENGL 102H, Dr. Harnett Week 12 Tu, 5/12 Th, 5/14 Week 13 Tu, 5/19 Th, 5/21 Week 14 Tu, 5/26 Th, 5/28 Week 15 Tu, 6/2 Week 16 RP Proposal, Annotated Works Cited, & Basic Outline Due. Read Bart Edelman, The Geographer’s Wife (1st half as assigned). RP, Part 1 due (About 3 pages). Edelman, 2nd half of The Geographer’s Life as assigned. RP Draft, part 2 due (about another 3 pages—6 or more total). RP Complete Draft Due (2000 words, about 8-10 pages). RP Revision. TuTh Spring, 2015 Syllabus, page 11 Research Paper Topics, Approaches, Sources, Logic, and Development. Poetry (TBA). RP Thesis Development, Sources, Examples. RP Workshop. More Poetry (TBA). RP Workshop. Writing Exercises. RP Presentations. Bart Edelman poems from the 1st half of The Geographer’s Wife. Research Paper Final Checklist. Questions and Answers about the Research Paper. RP Presentations. Visit from Bart Edelman! RP Presentations. Discussion and Exercises. Introduction to Story and Film Adaptation. Part 6: Short-Fiction Adaptation into Film. Research Paper due. Discussion and Analysis of Agatha Christie, “The Witness for the Agatha Christie story. Prosecution” Adaptation into Stage Plays and http://www.uek12.org/Downloads/Witnes Films. Watch a film adaptation! s_for_the_Prosecution.pdf or other story Take careful notes. or poems (TBA). Assigned readings—story, article, or poem (TBA). Finish the film. Information about the Final Exam. Thursday, June 4, 9:10-10:35 AM. Final Exam.