Republican Motherhood to the Ya-Ya Sisterhood How representations of women are altered by the different cultural lenses of different eras The Sedgeford Portrait, c. early 17th Century QuickTime™ and a decompressor are needed to see this picture. “Pocahontas,” Thomas Sully (1852) QuickTime™ and a decompressor are needed to see this picture. QuickTime™ and a decompressor are needed to see this picture. QuickTime™ and a decompressor are needed to see this picture. QuickTime™ and a decompressor are needed to see this picture. QuickTime™ and a decompressor are needed to see this picture. Abigail Adams QuickTime™ and a decompressor are needed to see this picture. Abigail Adams to John Adams (March 31, 1776) “Remember the Ladies …” Dolley Madison QuickTime™ and a decompressor are needed to see this picture. Harriet Beecher Stowe QuickTime™ and a decompressor are needed to see this picture. Blonde Bombshells of the Silver Screen QuickTime™ and a decompressor are needed to see this picture. QuickTime™ and a decompressor are needed to see this picture. Audrey Hepburn QuickTime™ and a decompressor are needed to see this picture. QuickTime™ and a decompressor are needed to see this picture. “ . . .We have not reached a time where there are movies made with female presidents, but that time will come. In literature, Hepburn contrasts so many women. For example, the woman in “The Yellow Wallpaper”, who remains nameless throughout the story is not taken seriously and is encouraged to stay in her house or on the property to rest. Hepburn was able to achieve what these women could not; she broke the confinements of society and let no man control her. Or for instance some of the poems of Emily Dickinson are in complete contrast to Hepburn. Dickinson speaks of a cage that confines her as a friend, of course take into account that Dickinson lived in the 1860s. . . ” “. . . However this only shows how the ideology of submissive women has been prevalent in society for a while. The role of women during this time was repressive and constrictive in many ways. Society placed high importance and many expectations on behavior at home as well as in public. Women were supposed to fulfill certain roles, such as a caring mother, a diligent homemaker, and an obedient wife. Hepburn expanded a woman’s capability to aspects outside the arena of domestic work, she refused to play the role of submissive, and she was admired for her distinctiveness. Often replicated but never duplicated, Audrey Hepburn left an impression on American culture and will forever be labeled as the closest thing Americans had to royalty.” -Chloe Johnson American Studies Institute The Lovett School Atlanta, GA June 10-11 http://www.lovett.org/academics/america n-studies-institute/index.aspx Works Cited Adams, John, and Abigail Smith Adams. “Adams Electronic Archive: Correspondence between John and Abigail Adams.” Adams Family Papers: An Electronic Archive. The Massachusetts Historical Society, 2003. Web. 2 Nov. 2009. <http://www.masshist.org/digitaladams/aea/letter/>. Clendenning, John. “The American Novel. Literary Timeline. Authors. Harriet Beecher Stowe.” American Masters. Educational Broadcasting Cor., 2007. Web. 2 Nov. 2009. <http://www.pbs.org/wnet/americannovel/timeline/stowe.html>. Gelles, Edith. Address regarding her book, Abigail and John. Book Passage Bookstore. Corte Madera, Calif. 23 June 2009. YouTube. Web. 2 Nov. 2009. <http://www.youtube.com/watch?v=uB_e_8zonX0>. Henning, Martha L., and Susan Goodwin, comps. “A Bibliography for Harriet Beecher Stowe.” A Celebration of Women Writers. Ed. Mary Mark. N.p., 1994-2009. Web. 2 Nov. 2009. <http://digital.library.upenn.edu/women/stowe/stowbib.html>. Hill, Patricia R. “Nation’s History is Imbedded in Portrait of a Famous Writer.” Rev. of Loves of Harriet Beecher Stowe, by Philip McFarland. boston.com. NY Times Co., 9 Jan. 2008. Web. 2 Nov. 2009. <http://www.boston.com/ae/books/articles/2008/01/09/nations_history_is_embedded_in_portrait_of_a_famous_writer/>. “Joan D. Hedrick.” Faculty Profiles. Trinity Coll., n.d. Web. 2 Nov. 2009. <http://internet2.trincoll.edu/facProfiles/Default.aspx?fid=1000648>. “National First Ladies’ Library.” The National First Ladies’ Library. National First Ladies’ Lib. and Historic Site, 2009. Web. 2 Nov. 2009. <http://www.firstladies.org/>. “Republican Motherhood.” U. S. History Pre-Columbian to the New Millenium. Independence Hall Assn., 2008-2009. Web. 13 Nov. 2009. <http://www.ushistory.org/us/12d.asp>. Rev. of A Perfect Union: Dolley Madison and the Creation of the American Nation, by Catherine Allgor. Henry Holt and Company. Macmillan, 2008. Web. 2 Nov. 2009. <http://us.macmillan.com/aperfectunion#praise>. Shulman, Holly Cowan, ed. “The Dolley Madison Project.” Virginia Center for Digital History. Rector and Visitors of the U. of Virginia, 2002-2009. Web. 2 Nov. 2009. <http://www2.vcdh.virginia.edu/madison/>. “Welcome to the Harriet Beecher Stowe Center.” Harriet Beecher Stowe Center. Harriet Beecher Stowe Center, 2009. Web. 2 Nov. 2009. <http://www.harrietbeecherstowecenter.org/>. “Women’s Rights.” U. S. History Pre-Columbian to the New Millenium. Independence Hall Assn., 2008-2009. Web. 13 Nov. 2009. <http://www.ushistory.org/us/26c.asp>.