Teaching notes and ideas Name of resource: Not my business Age group(s) Subject(s) 12 to 14, 15 to 16 English Topic Language Level Poetry from other cultures Beginner /Intermediate / Advanced EAL Nexus Description of resource A series of PowerPoint presentations based on the poem ‘Not my business’ by Niyi Osundare, with accompanying worksheets, visuals and activities. PowerPoint presentations: Background and context, Understanding the poem, Structure of the poem, Language of the poem 8 accompanying Word documents with a range of activities A set of flashcards with images to illustrate key words and phrases (provided on PowerPoint) A set of flashcards for matching exercises on structure, context and imagery (provided on PowerPoint) Preparation needed You will need: interactive white board or projector to use the PowerPoints electronically highlighters in 3 colours for each group of learners You will need to: print out the two sets of flashcards (Cards for matching and Key words and phrases) Cards are provided on PowerPoint, so print them out as handouts, either 2 to a page for if you prefer larger cards (recommended for visuals) or 6 to a page for small cards. In the ‘Cards for matching’ PowerPoint the cards relating to structure are pink, those on context are orange and the cards relating to imagery are blue. print out all word documents. It is recommended that the ‘Text for annotation’ is printed on A3 for learners to work collaboratively. Curriculum objectives to understand and analyse the content of the poem and annotate it accurately to comment on the language used by the poet and the structure of the poem to reflect on the main events and themes of the poem Language / literacy objectives Functions Structures Describing Present simple This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals © British Council 2014 EAL Nexus The structure of the poem: E.g. The poem has four stanzas. The structure of each stanza is similar. The first half of each stanza….. Asking and answering questions for information Suggesting Narrating The effect of poetic devices: . … uses … to show/convey that … … creates an image of … Past simple: .. was a dictator in When was the poet born? He was born in.. What has he protested against? He has protested… Conditionals: What would you do if....? If I …..I would……. Present tense: The narrator remembers, a man is dragged, a woman discovers… Vocabulary dictatorship, punishment prison, riots, yam, jeep, violence, brutality arrested, tortured, killed, protested, beat, booted, dragged poet, playwright, critic, professor simile, metaphor, alliteration, personification, repetition, emotive language, powerful imagery, rule of three. This resource could be used: with the whole class as differentiation within class for beginner or intermediate EAL learners one to one or with a small group Ideas for using the resource What to do PowerPoint1 - Background and context: Start with the slide with all the images and elicit vocabulary/ideas from learners e.g. jeep, yam, beat, hungry, dragged, violence, there are some soldiers, they look angry etc. Discuss what a dictator / dictatorship is, and do the activity in pairs. A version of the matching activity is also provided as a Word document if preferred. Give background information about Nigeria and General Sani Abacha using the PowerPoint. The poet: An information gap activity is provided with biographical information about Niyi Osundare. In pairs, one learner has sheet A, the other sheet B. This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals © British Council 2014 EAL Nexus Learners ask each other questions to fill gaps on their sheet. No looking at each other’s sheets till they finish! Answers are provided on the PowerPoint when everyone has had a chance to exchange information. PowerPoint 2 - Understanding the poem: Give learners the text of the poem so they can annotate it as you go along. Read the poem as a whole before you start. The PowerPoint breaks it down into small chunks with questions to discuss in pairs at each point. Beginner EAL learners could have access to the ‘key words and phrases’ flashcards to support understanding. Check comprehension of more difficult vocabulary. Learners note down new words. EAL learners can look words up in their first language if they want to. At the end of the first stanza (slide 7) there is an opportunity for a pair or group discussion. An example is given (slide 8) to model sentence structure for the discussion. The rest of the PowerPoint goes through the remaining 3 stanzas line by line. Learners annotate their poem. Discussion questions are provided on the slides. Learners could discuss in pairs or groups. PowerPoint 3 - Structure of the poem: This PowerPoint focuses on the structure and the similarities between the first three stanzas. There is then a table to complete (provided separately in the Word document called ‘What happens’) for the learners to demonstrate their understanding of what happens in each stanza. For beginner EAL learners use the set of pink matching cards so they can match what happens to the relevant stanza. Answers are given on the PowerPoint. PowerPoint 4 - Language of the poem: This PowerPoint is intended to introduce the activities relating to the use of language and imagery in the poem. Working in groups, learners annotate their copies of the poem, underlining verbs, speech and poetic devices in three different colours. There is a matching exercise, matching poetic devices (repetition, alliteration etc) to their definitions. This is provided as a Word document, and answers are given on the PowerPoint. This can be done as a pair or group collaborative activity. Slide 7 focuses on violent language in the poem, and is also provided as a Word document This can be done as a pair or group collaborative activity. Slide 8 introduces an activity on the impact of different quotes from the poem. related to life in Nigeria under General Sani Abacha’s dictatorship. Encourage learners to use the table to make full sentences e.g. The poet uses the simile ‘ beat him soft like clay’ to show/convey that people were physically beaten. This is also provided as a Word document, and answers are given on the PowerPoint. This can be done as a pair or group collaborative activity. This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals © British Council 2014 EAL Nexus Beginner EAL learners can use the orange flash cards to help them complete the table. Slide 11 introduces an activity to focus on imagery in the poem. Encourage use of full sentences e.g. The use of the words ‘my savouring mouth’ creates a powerful image of the poet eating with pleasure. This is also provided as a Word document, and answers are given on the PowerPoint. This can be done as a pair or group collaborative activity. Beginner EAL learners can use the blue flash cards to help them complete the table. Other ideas for making the best use of this resource Consider pairing one EAL learner to two English speakers, who can provide a good model of spoken English and also can encourage their EAL peer to take part actively in the discussions. If there are EAL learners who speak the same first language they can carry out part of the discussions in that language. It can be a relief for learners to be able to express themselves fully and they could take notes in their first language, which they can refer to, or translate into English, at a later stage Encourage the EAL learners to use bilingual dictionaries translating the keywords into their first language Visuals can be used to provoke further discussions about the situations described in the poem Possible extension activities The EAL learners can use the ‘What happens?’ slide activities for writing an account of the situations presented in the poem After completing all the activities, EAL learners could write a Point Evidence Explanation (PEE) paragraph about one of the main themes of the poem, e.g. violence, and /or one about the narrator’s attitude throughout the poem and how his state of mind changes. This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals © British Council 2014