A Rose for Emily

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ENGLISH 111
SHORT
STORIES
“Two Words” by
Isabel Allende
(Echoes)
“A Rose for Emily”
by William
Faulkner (Seagull
Reader)
“Tapka” from
Natasha and Other
Stories by David
Bezmozgis
An Excerpt from A
Visit From the
Goon Squad by
Jennifer Egan
Edgar Allen Poe
(various from
Project Gutenberg)
THE STORIES
Introduction to Magical
Realism/Read aloud: “A
Very Old Man with
Enormous Wings: A Tale for
Children”.
Two Words: The focus of
this story is the power of
language on multiple levels.
“T WO
WORDS” BY
ISABEL
ALLENDE
“TWO WORDS” BY ISABEL ALLENDE
LECTURE
 BEFORE READING: Back ground
 Until the 1960s, Latin American literature had a small, mostly
localized audience. Book publishers typically published only
3,000 copies of a novel. During the 1960s, however, Latin
American writers began to reach larger audiences, thanks to the
growth of Latin American literacy, advances in book publishing
and distribution, and the development of multinational
companies. Outstanding authors, such as Gabriel García
Márquez, Julio Cortázar, Mario Vargas Llosa, and Carlos Fuentes,
sold as many as 20,000 copies of their works. Then in 1968
García Márquez's One Hundred Years of Solitude broke entirely
new ground, selling about 100,000 copies per year and creating
a viable international market for other Latin American authors.
Beginning in 1967, a series of Latin American authors won the
Nobel Prize for Literature.
“TWO WORDS” BY ISABEL ALLENDE
LECTURE
 BEFORE Reading: Background
 In the 1980s Latin American women writers claimed an
international audience, too. Latin America already had several
well-known women authors. In the 1980s a feminist literary
movement began to develop that its chief proponent, Chilean
writer Isabel Allende, said was unified by a common
"dimension of emotion, passion, obsession, and dream."
Allende, an exemplar of the style of "magic realism," became
internationally famous with her best -selling first novel, House
of the Spirits (1982; tr. 1985).
 This selection, "Two Words," is one of Allende's short stories.
“TWO WORDS” BY ISABEL ALLENDE
LECTURE
 About the Author
 Isabel Allende (b. 1942), is a Chilean novelist, short story
writer, and author of nonfiction who, with Mexico's Laura
Esquivel, has helped create an international audience for
Latin America's women writers.
 Allende was born in Lima, Peru, and grew up in Chile. As a
young woman, she worked as a journalist, married, and had
two children. When she was 31 , her uncle, Salvador Allende,
who was president of Chile, was assassinated in a military
takeover of the government. Allende and her family were
forced to flee to Venezuela.
“TWO WORDS” BY ISABEL ALLENDE
LECTURE
 About the Author
 A painful divorce as well as the illness and death of her
grandfather prompted her to write her first novel, House of the
Spirits (1982; tr. 1985), which became an international best
seller and a film. Allende moved to San Francisco in 1987 with
her second husband. Her other novels include Of Love and
Shadows (1984; tr. 1987), Eva Luna (1987; tr. 1988), The Stories
of Eva Luna (1989; tr. 1991), and the U..S. -based The Infinite
Plan (1991; tr. 1993). Her first nonfiction work, Paula (1994; tr.
1995), was a series of letters to her dying daughter. She also
wrote Aphrodite: A Memoir of the Senses (1997; tr. 1998). In
1999 two new books appeared: a novel called Daughter of
For tune (1999; tr. 1999) and Conversations with Isabel Allende
(1998; tr. 1999), a collection of essays and interviews with the
author.
“TWO WORDS” BY ISABEL ALLENDE
LECTURE
 About the Author:
 Allende's work is written in a style called "magic realism," which
links myth and fantasy with realistic portrayals of life and often
with politics. Previous writers of magic realism include Asturias
and Garcia Márquez. Writers of magic realism view Latin America
as a many -layered culture in which everyday activities and events
are colored by powerful underlying forces, such as religion,
superstition, passion, myth, and magic. As Allende's heroine Eva
explains it, "reality is not only what we see on the surface; it has
a magical dimension as well, and, if we so desire, it is legitimate
to enhance it and color it to make our journey through life less
trying."
 In the Foreword to Conversations with Isabel Allende , the author
writes that "Most of my writing is an attempt to bring an illusory
order to the natural chaos of life, to decode the mysteries of
memory, to search for my own identity."
“TWO WORDS” BY ISABEL ALLENDE
 Read the story
 Complete the questions and vocabulary
“TWO WORDS” BY ISABEL ALLENDE
Journal Question:
 What do you think the author's goals and ideas were when
she wrote this story? What are her main themes? Defend your
answer.
TWO WORDS
 Assignment: Write an analysis of the power of language
through a demand writing activity. You will be given a quote
from the text as a prompt. This is a 60 minute timed
assignment.
 HANDOUT
 Faulkner on Hemingway:
"[Hemingway] has never been
known to use a word that might
send a reader to the dictionary."
 Hemingway on Faulkner:
"Poor Faulkner. Does he really
think big emotions come from big
words?"

A ROSE
FOR EMILY
B y W i l l i am
Fa u l k n e r
“A ROSE FOR EMILY”
BEFORE READING
 Read introductory notes before the story.
 “Aristocracy”: The aristocracy are people considered to be in
the highest social class.
 "A Rose for Emily" is a five -part short story narrated by the
townspeople of Jef ferson, Mississippi.
 "A Rose for Emily" is a short story by American author
William Faulkner first published in the April 30, 1930 issue
of Forum. This story takes place in Faulkner's fictional city,
Jef ferson, in his fictional county of Yoknapatawpha County,
Mississippi. It was Faulkner's first short story published in a
national magazine.
WHO IS WILLIAM FAULKNER?
 1897 – 1962
 American author of the 20 th century
 The majority of his works are based in his native state of
Mississippi.
 Faulkner is considered one of the most important writers of
Southern literature along with Mark Twain,, Truman Capote,
and Tennessee Williams.
 His work was published as early as 1919 and was largely
published during the 1920s and 1930s.
WHO IS WILLIAM FAULKNER?
 Faulkner was relatively unknown until receiving the 1949
Nobel Prize in Literature.
 Faulkner has often been cited as one of the most
important writers in the history of American literature.
 Heavily influenced by the south.
 Mississippi marked his sense of humor, his sense of the
tragic position of racism, his characterization of Southern
characters and timeless themes, including fiercely
intelligent people dwelling behind façades.
“A ROSE FOR EMILY”
BEFORE READING
Vocabulary
 remit
 mote
 gilt
 pallid
 hue
 temerity
 teeming
 diffident
 deprecation
 tableau
 cabal
 impervious
 acrid
 thwart
 august
 cuckold
“A ROSE FOR EMILY”
AFTER READING
Characters: Identify each of the following characters by writing
a brief description of each .





Emily Grierson
Colonel Sartoris
Tobe
Judge Stevens
Homer Barron
“A ROSE FOR EMILY”
AFTER READING
1 . What metaphor is used to describe Miss Emily in the first
paragraph?
2. How is the house personified in the second paragraph?
3. How does Faulkner describe Miss Emily in the sixth paragraph?
4. What did Miss Emily tell her visitors the day after her father’s
death?
5. Why did the townspeople not think she was crazy for this?
6. What does Miss Emily do that makes the townspeople think
that she and her boyfriend have wed?
7. How do the townspeople know what they know about Miss
Emily’s life? What is the source of their information?
8. What is the horrible revelation about Miss Emily that the story
ends with? How is this related to the overall meaning of the
story?
THE ROSE AS A SYMBOL OF LOVE
--AFTER READING
Roses, in literature and the general daily experience,
usually represent love. Roses are given as tokens of
affection, as a sign of devotion to the individual to whom
they are given. When viewed in this light, the rose seems
an odd choice for the title of this story: Emily’s story is
disturbing, the tale of a woman obsessed with her own
heritage who never understood the true meaning of love.
This makes the title ironic, which seems to be Faulkner’s
entire point. By using the classic symbol of love to
introduce the narrative, he is leading the reader to a
consideration of what the components of true love are.
Love is not the distorted narcissism that is Emily’s
perception; it is a selfless act of giving that builds
relationships, not destroys them like in the story.
THE ROSE AS A TRIBUTE
Another way to look at the rose in the title “A Rose for
Emily” is as a token, a tribute. The narrator tells her
story, the kind of person Emily was and the personal
actions that led to her demise. Again, Faulkner’s irony
is apparent. Tributes are usually something positive, a
way for onlookers and observers to understand a
person or event as it relates to their own lives. The
story of Emily is anything but positive; it is disgusting,
repulsive. So why a tribute? Perhaps it is to serve as a
reminder of the ugliness of self -absorption, of the
consequences of a life lived without love. The rose is
given as a tribute to a hideous person that the reader
might be reminded of the importance of self -giving and
true devotion.
THE ROSE AS A SYMBOL OF MEMORY
Roses are also often used as memories, as a way to preserve a
moment in time or to keep a person close to one’s heart. They
are dried and kept, not only because they are beautiful, but
usually because it is a way to retain a precious time in one’s
life. So why would Faulkner use such a symbol of beauty and
memory to present the horrific narrative of “A Rose for Emily”?
Firstly, the story is written in the form of a memory, the
narrator speaking in the first person about events that to him
and the community were very real. Secondly, however terrible
the tale may be, it serves as a reminder to the reader that
some integral things in a person’s life should never be
forgotten: love, devotion, and selflessness. By presenting a
woman who possessed none of these attributes, Faulkner calls
on his readers to remember the things that make life
beautiful, especially love. Hence the rose can be seen as a call
to memory.
A ROSE FOR EMILY
CONCLUSIONS DRAWN
As a symbol of love, as a tribute, or as a representative of
memory, the rose in the title “A Rose for Emily” presents a
variety of interpretations. Faulkner is not an author that can
be definitively defined by one theory. His writings are able to
be analyzed on multiple levels, because this calls the reader
to consider all aspects of the information provided and draw
one’s own conclusion. His choice of the rose is testimony to
this, as there is no one way to interpret its use. The reader
must decide Faulkner’s intention.
“A ROSE FOR EMILY”
AFTER READING
 MLA DIDLS Analysis Essay
 HANDOUT
Tapka by David Bezmozgis
TAPKA BY DAVID BEZMOZGIS
 David Bezmozgis (born 1973) is a Canadian writer and
filmmaker.
 Born in Riga, Latvia, he came to Canada with his family when
he was six. He graduated with a B.A . in English literature from
McGill University. Bezmozgis received an M.F.A. from the
University of Southern California's School of Cinema Television. In 1999, his first documentary, a 25 -minute film
called L.A . Mohel, won a major award for student filmmakers.
His first published book is Natasha and Other Stories (2004).
Stories from that collection first appeared in The New Yorker,
Harper's and Zoetrope All-Stor y. Natasha and Other Stories
was chosen for inclusion in Canada Reads 2007. Bezmozgis is
among The New Yorker magazine's 2010 top 20 fiction writers
under the age of 40.
TAPKA BY DAVID BEZMOZGIS
1 . How does Bezmozgis describe Goldfinch?
2. What do you notice right away about the language of this
text? How does the author arrange the sentences? Does it seem
conventional?
3. When does this story take place?
4. The narrator says that he would return from school “bearing
the germs of a new vocabulary”. What does this mean and why is
it significant? (3)
5. What does he mean by “linguistic bounty”? (3)
6. Describe the Nahumovsky’s.
7. Because the title of the story is “Tapka” we know that when
the narrator discusses the dog on page 5 that it is a very
important description. Paraphrase the information about Tapka’s
immigration to Canada and Rita’s devotion for the dog.
TAPKA BY DAVID BEZMOZGIS
8. What about lunchtime excites Mark? Why does he not relate to
other students in school (“effectively friendless” page 8)?
9. Choose a passage that best describes Mark’s love for the dog.
10. Describe Bezmozgis’s use of dialogue. What do you notice
about the format and why do you think he does this?
11 . What is significant about the line “television taught me to
say…” (9)?
12. What details does Mark relate about the accident? (12)
13. What is significant about Jana saying, “Mark, get Clonchik”
(13)?
14. Reread the passage where Rita, in desperation, attempts to
communicate with the doctor. What story does this remind you of
(that we’ve read in class) and why? Explain your answer with
evidence.
15. Explain the ending of this story. How does Mark first try to
rationalize what happened and then quickly succumb to guilt? (18)
TAPKA BY DAVID BEZMOZGIS
 Demand Writing 3 activity.
 HANDOUT
Sto r y by
Je n n i fer E g a n
[ exc e rpt fro m
A V i s i t fro m
the Goon
S q u a d ].
“GREAT ROCK AND
ROLL PAUSES
BY ALISON BLAKE”
EXCERPT:
GREAT ROCK AND ROLL PAUSES
 Alison Blake is a 12 -year-old American. She lives on the edge
of the desert in the near -future. Her brother, Lincoln, is
autistic and obsessed with the pauses in famous rock songs.
In this book, kids of the future don't write diaries in the
normal way but record what's happening in their lives in
PowerPoint slides.
GREAT ROCK AND ROLL PAUSES
1 . Do you think it works to write a story in PowerPoint? Why?
Respond in paragraph form with examples.
2. In a recent interview Egan said, “I think anyone who’s writing
satirically about the future of America and life often looks
prophetic. . . . I think we’re all part of a zeitgeist [general trend
of thought or feeling characteristic of a particular period of
time] and we’re all listening to and absorbing the same things,
consciously or unconsciously….” Considering current social
trends and political realities, including fears of war and
environmental devastation, evaluate the future Egan envisions in
“Great Rock and Roll Pauses.”
3. The novel is about the passage of time. Why is music the
way to describe this theme?
GREAT ROCK AND ROLL
PAUSES
 Discussion: Egan was inspired by reading in the NY Times
that the Obama campaign had been turned around when
someone on staf f made a PowerPoint presentation
explaining where they were going wrong. She realized “a
PowerPoint” had become a genre, a recognizable mode of
thought and representation. So just as she might write a
chapter in the form of a magazine article, why not as a
PowerPoint?
 The novel is about time. Why was music the way to describe
her theme? Music lets us look at change, nostalgia.
 http://www.youtube.com/watch?v=pZGXILewUSQ
GREAT ROCK AND ROLL PAUSES
 The second demand writing task for this unit.
 A 60 minute, timed discussion of theme. You can use the text
and must show a seamless use of quotes to support your
analysis.
MOOD AND MADNESS
Edgar Allen Poe
EDGAR ALLEN POE ESSAY ANALYSIS
 Your Task: Using the DIDLS model for essay analysis, analyze
Poe’s writing style through DIDLS. What devices does he use
to create setting and atmosphere?
 Prompt: Prove that Poem is the master of creating
atmosphere.
 Think about the author’s use of narrative technique,
description and diction, and find examples from the text.
 Requirements:
 800 word MLA Essay
 Due: October _____ 2012




READ:
The Raven
The Pit and the Pendulum
The Fall of the House of Usher
WHAT IS MOOD?
 Mood is the atmosphere created by the setting, and
actions of people and characters in it. It also relates
to how the reader emotionally responds to these
elements like sadness for a tragedy.
WHAT WAYS CAN AN AUTHOR ESTABLISH
MOOD?
WHY IS IT IMPORTANT TO
UNDERSTAND THE MOOD WHEN
ANALYZING LITERATURE?
WHAT’S THE MOOD…?
 http://www.youtube.com/watch?v=W4s9V8aQu4c
 Tell Tale Heart
WHAT’S THE MOOD…?
 http://www.yourenglishclass.com/the -simpsons-raven/
MADNESS IN LITERATURE
 The prevalence of depictions of
madness in nineteenth-century
literature paralleled the growth
of the scientific and medical
study of insanity. Increasingly
in the nineteenth century,
madness was seen more as a
social and medical problem,
compared to the eighteenth
century, when madness was
feared as the absence of
reason, and therefore, evil.
MADNESS IN LITERATURE
Some authors attempted to portray
mental "aberrations" in a realistic
manner, while others sensationalized
the symptoms of and reaction to a
character's insanity. Such sensation
fiction often portrayed characters who
were wrongfully accused of insanity.
The multitude of ways insanity was
treated in literature reflects nineteenthcentury society's fascination bordering
on obsession with madness.
MADNESS IN LITERATURE
 In fiction, there were two basic trends in the way
madness was represented: authors strove either for
psychological realism, or they sensationalized
madness, using it as a tool to bring about a certain
effect on characterization or plot.
MADNESS IN LITERATURE
 Edgar Allan Poe's depictions of madness are well
known. "The Fall of the House of Usher" (1840),
focuses in particular on the way in which Poe uses the
language and imagery of enclosure to follow the
narrator on his journey from reason to insanity.
MADNESS IN LITERATURE
JOURNAL
 How does Poe establish Mood?
 How does the theme of Madness come into play with Poe’s
stories?
 Why are people fascinated by madness?
THE RAVEN
THE RAVEN
 Read Aloud the Poem.
 Pay attention to mood and the diction Poe uses to reinforce
this: Dreary; Bleak; Ghost; Lost; Sorrow; Terrors; Darkness;
Melancholy; Stern; Dirges; Grave; Stillness .
THE RAVEN
 Pick out some of the other word(s) in the poem that
reinforce the feelings of bleakness and hopelessness.
THE RAVEN
1.What does Poe want the reader to believe has happened
to the narrator before events in the poem?
2. Why does Poe use a raven instead of another bird as the
major symbol of this work?
3. The universal appeal of the poem comes from its
expression of the feeling of loneliness we are all subject to
at some time in our lives due to separation from loved ones.
The narrator is feeling that his situation is inescapable and
hopeless. IS there any feeling of hope at the conclusion of
this narrative?
4. What devices does Poe utilize in order to create
suspense? Think of the repetition and rhyme. Is this
effective? Explain.
BONUS: Recreate your own version of The Raven.
You must use the same rhyme scheme, meter,
and mood as Poe.
THE PIT AND THE PENDULUM
THE PIT AND THE PENDULUM
Characters:
 Unnamed Narrator - A victim of the Inquisition. The
narrator maintains sanity that many of Poe’s other
narrators lack. He functions with Dupin -like
practicality despite the invisible enemy threatening
him with torture.
 General Lasalle - A leader of the French army.
General Lasalle is a real and positive presence of
authority in contrast to the shadowy and invisible
leaders of the Inquisition.
T H E P I T A N D T H E P E N D U L U M SY M B O L I S M
 Symbolism allows people to communicate beyond the limits of
language. Humans use symbolism all the time. Words themselves are
mere symbols for something else.
 A symbol is a per son, place, or object that stands for something beyond
itself. National, religious, and cultural symbols have standard
interpretations as well as a per sonal significance for each individual.
For example, the American flag symbolizes the United States of
America. The per sonal significance, however, varies. An army veteran
cherishes its meaning. A terrorist, on the other hand, finds it
despicable. A golden coloured coin with a loon on it symbolizes one
dollar. A billionaire consider s it chump change. A beggar considers it an
elusive treasure.
 A literar y symbol gains its meaning from the context of a literar y work
and of ten changes as the work develops.
THE PIT AND THE PENDULUM
QUESTIONS
1. Symbolism: Although the events in the story create
suspense and interest, its the story's deeper meaning that
makes it so good. What do the following symbols represent:
the pit
the pendulum
the judges
2. Sensory Details: The description of rats on the narrator's lips
is Poe at his finest. Poe's description of the cell, the pit,
and the judges provide examples of sensory details. Explain
how.
3. Suspense: Dangerous action, foreshadowing and pacing
combine to keep readers on the edge of their seat. Provide
an example of each.
4. Setting and Mood: Describe the setting and mood.
THE PIT AND THE PENDULUM QUESTIONS
5. Discuss why this narrator is considered unreliable.
6. Prove the following statement as true using textual
references:
“’The Pit and the Pendulum’ is a traditional Poe story
that breaks from Poe’s conventions: violent yet
ultimately hopeful, graphic yet politically allusive.”
7. Poe claims that: “the ideal short story must be short
enough to be read at a single sitting. Moreover, he
argues that all elements of a work of fiction should
be crafted toward a single, intense effect.” Discuss
how he does this in “The Pit and the Pendulum”.
THE PIT AND THE PENDULUM FILM
 Watch the 1961 Vincent Price version of the
film.
 Hand in: A T chart comparing Story and Film.
Then…
 Discuss: How the genre of HORROR has changed
over time. Use examples from Poe and the notes
you have received on madness, and the incidents
of sensationalism in the 1961 film version.
THE PIT AND THE PENDULUM FILM
 Watch the video clip of the 1961 Vincent Price
version of the film. Time: 1:08 – 1:18
 Discuss: why the film is so dif ferent than the
text. Think of aspects the film added such as the
fight scene, the known enemy versus the
unknown judges, a romantic element, and the
ending.
THE PIT AND THE PENDULUM
Bonus Assignment:
Make a movie poster that includes a scene from the
story and a list of actors who would be ideal for the
role of narrator and Inquisitors. If you're really
feeling creative, make a soundtrack to go along with
your poster.
This must be presented in order to receive the bonus
point on a chosen assignment.
THE FALL OF THE HOUSE OF USHER
THE FALL OF THE HOUSE OF USHER
1 . What mood does Poe create at the beginning of the story, and how
is that mood established?
2. Is there anything noteworthy about the description of Usher’s
house?
3. How would you characterize Roderick Usher and his life? What does
he consider to be the cause of his problems?
4. What is the narrator’s initial reaction to the sight of his friend
Usher, and how does he feel about the prospect of cheering him up?
5. What is the nature of Usher’s art? Consider the significance of the
painting described, as well as of the ballad “The Haunted Palace” in
relation to the story as a whole.
6. Is there anything ironic about the narrator’s role in the story?
Although he is Roderick’s most intimate boyhood friend, the
narrator apparently does not know much about him —like the basic
fact that Roderick has a twin sister.
7. Is there any significance to Roderick and Madeline being
twins?
8. What do you think is the overall theme of the story?
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