Test Name: Middle School English Language Arts Test Code: 0049 Time: Number of Questions: 2 hours 90 multiple-choice questions (Part A); 2 constructed-response questions (short-answer essay) (Part B) Format: Multiple-choice and constructed-response questions Weighting: Multiple-choice: 75% of total score Short constructed-response: 25% of total score Content Categories Pacing and Special Tips: Approximate Number of Questions Approximate Percentage of Examination I. Reading and Literature Study 45 37% II. Language Study 16 13% III. Composition and Rhetoric 29 25% IV. Short Essays 1. Textual Interpretation 2. Teaching Reading/Writing 2 25% In allocating time on this assessment, it is expected that about 90 minutes will be spent on the multiple-choice section and about 30 minutes will be spent on the constructed-response section; the sections are not independently timed. Language Arts (Middle Grades) Middle School English Language Arts 0049 1 145 Praxis II ® Paper-delivered Test Dates and Deadlines Praxis II ® Paper-delivered Test Dates and Deadlines Registration Deadlines2 Test Date1 Regular Late Emergency Scores3, 4 Outside Monday Multiple Constructed U.S. Testing Choice Response 3/12/11 2/10/11 2/17/11 3/4/11 1/13/11 1/27/11 4/5/11 4/12/11 4/30/11 3/31/11 4/7/11 4/22/11 3/3/11 3/17/11 5/24/11 5/31/11 6/11/11 5/12/11 5/19/11 6/3/11 4/14/11 4/28/11 7/5/11 7/12/11 7/23/11 6/23/11 6/30/11 7/15/11 5/26/11 8/16/11 8/23/11 6/9/11 Reading and Literature Study A. Knowing the major works and authors of literature appropriate for adolescents B. Paraphrasing, comparing, and interpreting (literally and inferentially) various types of print and nonprint texts, e.g., fiction, nonfiction, poetry, drama, and graphic representations C. Identifying and interpreting figurative language and other literary elements, e.g., voice, point of view, style, tone, diction, allusions, irony, clichès, simile, metaphor, analogy, character, setting, theme, plot D. Identifying the characteristics of literary forms and text structures, e.g., poetry, fiction, nonfiction, drama E. Locating and interpreting literature within historical and cultural contexts F. Recognizing various critical approaches to interpreting text, e.g., shared inquiry and readerresponse theory G. Recognizing and applying various strategic approaches to teaching reading, e.g., cueing systems, activating prior knowledge, constructing meaning through context, and employing metacognitive strategies II. Language Study A. Understanding and applying the conventions of grammar, usage, and mechanics, e.g., sentence types, sentence structure, parts of speech, modifiers, phrases and clauses, capitalization, and punctuation B. Understanding the development and structure of the English language, e.g., vocabulary and syntax C. Understanding principles of first- and second-language acquisition and development, and the nature of dialects III. Composition and Rhetoric A. Understanding strategies for teaching writing 1. Individual and collaborative approaches to teaching writing, e.g., writing processes (prewriting, drafting, revising, editing, publishing, evaluating) and how those processes work recursively 2. Common research and documentation techniques, e.g., gathering and evaluating data, using electronic and print media, and evaluating sources 3. Evaluating and assessing student writing, including knowledge of various assessment tools and response strategies B. Recognizing, understanding, and evaluating rhetorical features of writing 1. Thesis statements and appropriate support, e.g., evidence, examples, arguments 2. Audiences and purposes within varying contexts 3. Types of discourse, e.g., narrative, expressive/poetic, expository, persuasive, reflective, informational, and descriptive 4. Coherence and organization, e.g., chronological order, transitions, cause/effect, compare/contrast 5. Critical reasoning, e.g., recognition of bias and fallacies, distinctions between fact and opinion, and identification of stereotypes, inferences, and assumptions Short Essays Question 1: Textual Interpretation Stimulus The stimulus for the literary analysis question will consist of a selection of prose (fiction or nonfiction) OR poetry (a whole short poem or an excerpt from a longer work). Task Examinees will be asked to do both of the following: 1. Describe and give examples of the use of one or two specified literary element(s) present in the stimulus, e.g., metaphor, simile, voice, narrative point of view, tone, style, setting, diction, mood, allusions, irony, cliches, analogy, hyperbole, personification, alliteration, foreshadowing 2. Discuss how the author's use of the literary element(s) contributes to the overall meaning and/or effectiveness of the text Question 2: Teaching Reading/Writing Stimulus The stimulus for the teaching reading/writing question will consist of a piece of student work OR a classroom situation. Task Examinees may be asked to do any of the following: 1. Analyze a piece of student work or a classroom situation to determine strengths and/or weaknesses 2. Describe an instructional activity referencing the identified strengths and/or weaknesses This section presents sample questions and constructed-response samples along with the standards used in scoring the essays. When you read these sample responses, keep in mind that they will be less polished than if they had been developed at home, edited, and carefully presented. Examinees do not know what questions will be asked and must decide, on the spot, how to respond. Readers take these circumstances into account when scoring the responses. Readers will assign scores based on the following scoring guide. Scoring Guide 3 The response is successful in the following ways: 2 It demonstrates an ability to analyze the stimulus material thoughtfully and in depth. It demonstrates a strong knowledge of the subject matter relevant to the question. It responds appropriately to all parts of the question. It demonstrates facility with conventions of standard written English. The response demonstrates some understanding of the topic, but it is limited in one or more of the following ways: 1 It may indicate a misreading of the stimulus material or provide superficial analysis. It may demonstrate only superficial knowledge of the subject matter relevant to the question. It may respond to one or more parts of the question inadequately or not at all. It may contain significant writing errors. The response is seriously flawed in one or more of the following ways: 0 It may demonstrate weak understanding of the subject matter or of the writing task. It may fail to respond adequately to most parts of the question. It may be incoherent or severely underdeveloped. It may contain severe and persistent writing errors. Response is blank, off-topic, totally incorrect, or merely rephrases the question. http://www.sparknotes.com/ http://quizlet.com/ Flashcards: Praxis II (0049) Middle School Language Arts Instructions 1. Print this webpage. If you can, set your printer to Grayscale for faster printing. 2. Fold each page down the middle along the solid vertical line. 3. Cut along the dotted horizontal lines. 4. Optional: Use tape, glue, or staples to hold the two sides of each flashcard together. This will print 27 pages (5 terms/page). This box will be automatically hidden when printing. ← Back to Set Page Voice Distinctive features of a person's speech and speech patterns. Tone The overall feeling created by an author's use of words. Point of View The perspective from which a story is told. Narrative Point of View The perspective from which the story is told four choices: first person; 3rd person (dramatic, objective); 3rd person omniscient; 3rd person limited omniscient. Diction An author's choice of words based on their clearness, conciseness, effectiveness, and authenticity. Mood The feeling a text evokes in the reader, such as sadness, tranquility, or elation. Allusion A reference to a familiar person, place, thing, or event—for example, Don Juan, brave new world, Everyman, Machiavellian, utopia. Irony The use of a word or phrase to mean the exact opposite of its literal or expected meaning. There are three types....Dramatic, Verbal, Situation. Hyperbole A figure of speech in which exaggeration is used for emphasis or effect, as in I could sleep for a year or this book weighs a ton. Foreshadowing A literary technique in which the author gives hints or clues about what is to come at some point later in the story. Meter A rhythmical pattern in verse that is made up of stressed and unstressed syllables. Phrase Two or more words in sequence that form a syntactic unit that is less than a complete sentence. Clause A group of words containing a subject and a predicate and forming part of a compound or complex sentence. Euphemism The act or an example of substituting a mild, indirect, or vague term for one considered harsh, blunt, or offensive. Connotation The set of associations implied by a word in addition to its literal meaning. Denotation The most specific or direct meaning of a word, in contrast to its figurative or associated meanings. Holistic Scoring A method by which trained readers evaluate a piece of writing for its overall quality. There is no focus on one aspect of the writing. Alliteration The repetition of initial consonant sounds in words, such a "Peter Piper picked a peck of pickled peppers." Analogy A comparison of objects or ideas that appear to be different but are alike in some important way. 4 sentence types Simple, compound (conjunctions), complex (subordination), compound-complex (conjunctions and subordination). Allegory A story in which people (or things or actions) represent an idea or a generalization about life. Usually have a strong lesson or moral. Anapestic Meter Meter that is composed of feet that are shortshort-long or unaccented-unaccentedaccented, usually used in light or whimsical poetry, such as limerick. Anecdote A brief story that illustrates or makes a point. Antagonist A person or thing working against the hero of a literary work (the protagonist). Aphorism A wise saying, usually short and written. Apostrophe A turn from the general audience to address a specific group of persons (or a personified abstraction) who is present of absent. For example, in a recent performance of Shakespeare's Hamlet, Hamlet turned to the audience and spoke directly to one woman about his father's death. Assonance A repetition of the same sound in words close to one another—for example, white stripes. Blank verse Unrhymed verse, often occurring in iambic pentameter. Caesura A break in the rhythm of language, particularly a natural pause in a in a line of verse, maked in prosody by a double vertical line ( || ). Ex. Arma virumque cano, || Troiae qui primus ab oris . Characterization A method an author uses to let readers know more about the characters and their personal traits. Cliché An expression that has been used so often that it loses its expressive power—for example, "dead as a doornail" or "I'm so hungry I could eat a horse." Connosance Repetition of the final consonant sound in words containing different vowels—for example, "stroke of luck." Couplet A stanza made up of two rhyming lines. Archaic Old-fashioned words that are no longer used in common speech, such as thee, thy, and thou. Colloquialisms (diction) Expressions that are usually accepted in informal situations or regions, such as "wicked awesome." Dialect A variety of a language used by people from a particular geographic area. Jargon Specialized language used in a particular field or content area—for example, educational _____ includes differentiated instruction, cooperative learning, and authentic assessment. Profanity (diction) Language that shows disrespect for others or something sacred. Slang (diction) Informal language used by a particular group of people among themselves. Vulgarity Language widely considered crude, disgusting, and oftentimes offensive. End rhyme Rhyming of the ends of lines of verse. Enjambment Also known as a run-on line in poetry, _____ occurs when one line ends and continues onto the next line to complete meaning. For example the first line in Thoreau's poem "My life has been the poem I would have writ," and the second line completes the meaning—"but I could not both live and utter it." Existentialism A philosophy that values human freedom and personal responsibility. A few well known _______ writers are Jean-Paul Satre, Soren Kierkegaard ("the father of _______"), Albert Camus, Freidrich Nietzche, Franz Kafka, and Simone de Beauvoir. Flashback A literacy device in which the author jumps back in time in the chronology of narrative. A metrical ______ is defined as one stressed syllable and a number of unstressed syllables (from zero to as many as four). Stressed syllables are indicated by the ΄ symbol. Foot Unstressed syllables are indicated by the ⌣ symbol. There are four possible types....Iambic: ˘ ΄ (unstressed, stressed), Trochaic: ΄ ˘ (stressed, unstressed), Anapestic: ˘ ˘ ΄ (unstressed, unstressed, stressed), and Dactylic: ΄ ˘ ˘ (stressed, unstressed, unstressed). Free verse Verse that contains an irregular metrical pattern and line length; also known as vers libre. Genre A category of literature defined by its style, form, and content. Heroic couplet A pair of lines of poetic verse written in iambic pentameter. Hubris The flaw that leads to the downfall of a tragic hero; this term comes from the Greek word hybris, which means "excessive pride." Imagery The use of words to create pictures in the reader's mind. Internal rhyme Rhyme that occurs within a line of verse. Malapropism A type of pun, or play on words, that results when two words become mixed up in the speaker's mind—for example, "Don't put the horse before the cart." Metaphor A figure of speech in which a comparison is implied but not stated, such as "This winter is a bear." Moral A lesson a work of literature is teaching. Narration The telling of a story. Onomatopoeia The use of sound words to suggest meaning, as in buzz, click, or vroom. Oxymoron A phrase that consists of two contradictory terms—for example, "deafening silence." Paradox A contradictory statement that makes sense—for example, "Man learns from history that man learns nothing from history." Personification A literary device in which animals, ideas, and things are represented as having human traits. First Person The story is told from the point of view of one character. Third Person The story is told by someone outside the story. Omniscient The narrator shares the thoughts and feelings of all the characters. Limited omniscient The narrator shares the thoughts and feelings of one (or a few) character(s). Camera view The narrator records the actions from his or her point of view, unaware of any of the other characters' thoughts or feelings. Also known as the objective view. Refrain The repetition of a line or phrase of a poem at regular intervals, particularly at the end of each stanza. Repetition The multiple use of a word, phrase, or idea for emphasis or rhythmic effect. Rhetoric Persuasive writing. Rhythm The regular or random occurrence of sound in poetry. Setting The time and place in which the action of a story takes place. Simile A comparison of two unlike things, usually including the word like or as. Style How the author uses words, phrases, and sentences to form ideas. Symbol A person, place, thing, or event used to represent something else, such as the white flag that represents surrender. Transcendentalism During the mid-19th century in New England, several writers and intellectuals worked together to write, translate works, and publish. Their philosophy focused on protesting the Puritan ethic and materialism. They valued individualism, freedom, experimentation, and spirituality. Noted individuals of this philosophy included Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, Henry Wadsworth Longellow, and Oliver Wendell Holmes. Verse A metric line of poetry. Its name is based on the kind and number of feet composing it ("foot"). Ballad A short poem, often written by an anonymous author, comprised of short verses intended to be sung or recited. Canto The main section of a long poem. Elegy A poem that is a mournful lament for the dead. Examples include William Shakespeare's "Eligy" from Cymbeline, Robert Louis Stevenson's "Requiem," and Alfred Lord Tennysone's "In Memoriam." Epic A long narrative poem detailing a hero's deeds. Examples include The Aenied by Vergil, The Illiad and The Odyssey by Homer, Beowulf, Don Quixote by Miguel Cervantes, War and Peace by Leo Tolstoy, Faust by Johann Wolfgang von Goethe, and Hiawatha by Henry Wadsworth Longellow. Haiku A type of Japanese poem that is written in 17 syllables with three lines of five, seven, and five syllables, respectively. Expresses a single thought. Limerick A humorous verse form of five anapestic (Composed of feet that are short-short-long or unaccented-unaccented-accented) lines with rhyme scheme of aabba. Lyric A short poem about personal feelings and emotions. Sonnet A fourteen-line poem, usually written in iambic pentameter, with a varied rhyme scheme. Two main types are Petrarchan (or Italian) and the Shakespearean (or English). A Petrarchan opens with an octave that states a proposition and ends with a sestet that states the solution. A Shakespearean includes three quatrains and a couplet. Stanza A division of poetry named for the number of lines it contains...Couplet: Two-lines, Triplet: Three-lines, Quatrain: Four-lines, Quintet: Five-lines, Sestet: Six-lines, Septet: Sevenlines, Octave: Eight-lines. Fable A short story or folktale that contains a moral, which may be expressed explicitly at the end as a maxim. Examples include The Country Mouse and the Town Mouse, The Tortoise and the Hare, and The Wolf in Sheep's Clothing. Fairy Tale A narrative that is made up of fantastic characters and creatures, such as witches, goblins, and fairies, and usually begins with the phrase "Once upon a time..." Examples include Rapunzel, Cinderella, Sleeping Beauty, and Little Red Riding Hood. Fantasy A genre that uses magic and other supernatural forms as a primary element of plot, theme, and/or setting. Examples include J.R.R. Tolkien's The Lord of the Rings, C.S. Lewis' The Chronicles of Narnia, and William Morris' The Well at the World's End. Folktale A narrative form, such as an epic, legend, myth, song, poem, or fable, that has been retold within a culture for generations. Examples include The People Couldn't Fly retold by Virginia Hamilton and And Green Grass Grew All Around by Alvin Schwartz. Frame tale A narrative technique in which the main story is composed primarily for the purpose of organizing a set of shorter stories, each of which is a story within a story. Examples include Geoffrey Chaucer's Canterbury Tales, Ovid's Metamorphoses, and Emily Bronte's Wuthering Heights. Historical fiction Narrative fiction that is set in some earlier time and often contains historically authentic people, places, or events—for example, Lincoln by Gore Vidal. Horror Fiction that is intended to frighten, unsettle, or scare the reader. Often overlaps with fantasy and science fiction. Examples include Stephen King's The Shining, Mary Shelley's Frankenstein, and Ray Bradbury's Something Wicked This Way Comes. Legend A narrative about human actions that is perceived by both the teller and the listeners to have taken place within human history and that possesses certain qualities that give the tale the appearance of truth or reality. Washington Irvin's The Legend of Sleepy Hollow is a well-known example; others include King Arthur and The Holy Grail. Mystery A suspenseful story that deals with a puzzling crime. Examples include Edgar Allan Poe's "The Murder in Rue Morgue" and Charles Dickens' The Mystery of Edwin Drood. Myth Narrative fiction that involves gods and heroes or has a theme that expresses a culture's ideology. Examples of Greek ______ include Zeus and the Olympians and The Trojan War. Roman ______ include Hercules, Apollo, and Venus. Novel An extended fictional prose narrative. Novella A short narrative, usually between 50 and 100 pages long. Examples include George Orwell's Animal Farm and Franz Kafka's The Metamorphosis. Parody A text or performance that imitates and mocks an author or work. Romance A novel comprised of idealized events far removed from everyday life. This genre includes the subgenres of gothic ____ and medieval ____. Examples include Mary Shelly's Frankenstein, William Shakespeare's Troilus and Cressida, and King Horn (anonymous). Satire Literature that makes fun of social conventions or conditions, usually to evoke change. Science fiction Deals with current or future development of technological advances. Examples are Kurt Vonnegut's Slaughterhouse-Five, George Orwell's 1984, Aldous Huxley's Brave New World, and Ray Bradbury's Fahrenheit 451. Short story A brief fictional prose narrative. Examples include Shirley Jackson's "The Lottery," Washington Irving's "Rip van Winkle" D.H. Lawrence's "The Horse Dealer's Daughter," Arthur Conan Doyle's "Hound of the Baskervilles," and Dorothy Parker's "Big Blond." Tragedy Literature, often drama, ending in a catastrophic event for the protagonist(s) after he or she faces several problems or conflicts. Western A novel set in the western U.S. featuring the experiences of cowboys and frontiersmen. Examples include Zane Grey's Riders of the Purple Sage and Trail Driver, Larry McMurty's Lonesome Dove, Conrad Richter's The Sea of Grass, Fran Striker's The Lone Ranger, and Owen Wister's The Virginian. Autobiography A person's account of his or hew own life. Biography A story about a person's life written by another person. Document (letter, diary, journal) An expository piece written with eloquence that becomes part of the recognized literature of an era. Often reveal historical facts, the social mores of the times, and the thoughts and personality of the author. Some have recorded and influenced the history of the world. Examples include the Bible, the Koran, the Constitution of the United States, and Adolf Hitler's Mein Kampf. Essay A document organized in paragraph form that can be long or short and can be in the form of a letter, dialogue, or discussion. Examples include Politics and the English Language by George Orwell, The American Scholar by Ralph Waldo Emerson, and Moral Essays by Alexander Pope. Dialect A variation of a language used by people who live in a particular geographical area. Phonetics The study of the sounds of language and their physical properties. Phonology The analysis of how sounds function in a language or dialect. Morphology The study of the structure of words. Semantics The study of the meaning in language. Syntax The study of the structure of sentences. Pragmatics The role of context in the interpretation of meaning. Participle A verb form that usually ends in -ing or -ed. Ambiguity Occurs when there are two or more possible meanings to a word or phrase. Euphemism A socially accepted word or phrase used to replace unacceptable language, such as expressions for bodily functions or body parts. Also used as substitutes for straightforward words to tactfully conceal or falsify meaning. Ex. My grandmother passed away last April. Double speak Language that is intended to be evasive or to conceal. Ex. "downsized" actually means fired or loss of job. Jargon The specialized language of a particular group or culture. Ex. in the field of education...rubric, tuning protocol, and deskilling. Dialect A variation of a language used by people who live in a particular geographical area. Antagonist A person who opposes or competes with the main character (protagonist); often the villain in the story. Character A person or being in a narrative Conflict Opposing elements or characters in a plot. Denouement The outcome or resolution of plot in a story. Plot The structure of a work of literature; the sequence of events. Protagonist The main character or hero of a written work. Setting The time and place in which a story occurs. Noun a word which names a person, place or thing. Ex. boy, river, friend, Mexico, triangle, day, school, truth, university, idea, John F. Kennedy, movie Verb a word which shows action or state of being. Ex. In the sentence The dog bit the man, bit is the ____. Adjective - a word which describes or gives more information about a noun or pronoun. Ex. The lazy dog sat on the rug, the word lazy is an ____ which gives more information about the noun dog. Adverb a word that gives more information about a noun or pronoun. Ex. Sue runs very fast, very describes the ____ fast and gives information about how fast Sue runs. Pronoun a word which can be used instead of a noun. Ex instead of saying John is a student, the ____ he can be used in place of the noun John and the sentence becomes He is a student. Preposition a word which shows relationships among other words in the sentence. The relationships include direction, place, time, cause, manner and amount Ex. In the sentence He came by bus, "by" is a _____ which shows manner. Conjunction a word that connects other words or groups of words. Ex. In the sentence Bob and Dan are friends, the _____ "and" connects two nouns and in the sentence. Article a kind of adjective which is always used with and gives some information about a noun. There are only two _____ a and the. A Bridge to Terabithia, Katherine Patterson fantasy childrens' novel published 1977 by American author (1932-), Characters include Jess Aarons, Leslie Burke, Mr and Mrs Aarons; set in the late 1970s in Lark Creek; Friendship, Childhood, Conformity and individuality, Gender Roles , education Sonnet 18, William Shakespeare comparative poem of the Elizabethian Movement, author was born in 1564 and died in 1616, "Shall I compare thee to a summer's day?" Not Without Laughter, Langston Hughes written and set during the Harlem Renaissance (1920s, 30s); African American author known for Jazz poerty, characters include Sandy Rogers, Jimboy, Annjee Williams; realities of black life in a small Kansas town Sounder, William Armstrong young adult novel published in 1969, based on a true story, set during 19th century in Southern America; characters include "the boy", "the boy's father", "the boy's mother"; author 1914-1999 The Joy Luck Club, Amy Tan postmodern novel published in 1989; characters include the Woo, Jong, Hsu, and St. Clair families, set in China from the 1920s to 1980s; author born in 1952 The Hobbit, JRR Tolkien postmodern, fantasy, heroic quest novel by British author (1892-1973) published in 1937; characters include Bilbo Baggins, Gandolf, Gollom; set the Third Age of Middle-Earth, 2941-2942 in various locales in the imaginary world of Middle-Earth HG Wells British author (1866-1946), wrote mainly science fiction including "The War of the Worlds","The Time Machine", and "The Invisible Man" Roll of Thunder, Hear My Cry; Mildred Taylor historical fiction concerning racial tension published in 1976 by African American author (1943-); characters include Casey, Stacey, Christopher, and David Logan; set in 1930s in Mississippi Holes, Louis Sacher Mystery; folk tale; adventure novel; published 1998 by American author (1954-); characters include Stanley Yelnats, Zero, Xray, Squid, Magnet, Armpit; set in 20th century in Green Lake, Texas Anna Karenina, Leo Tolstoy Realist, psychological, tragic novel by Russian writer (1828-1910); published in 1873; characters include Anna Karenina, Alexei Karenin, Alexei Vronsky, Konstantin Levin; themes include adultery and suicide Sarah, Plain and Tall; Patricia MacLachlan children's novel set in 19th century Kansas, published in 1985 by American author (1938); characters include Sarah, Anna, Caleb; deals with abandonment, loneliness, and death To Kill a Mockingbird, Harper Lee Southern Gothic novel published in 1960 by American author (1926-); characters include Scout Finch, Atticus Finch, Boo; set 19331935 in fictional town of Maycomb, Alabama; deals with goodness, integrity, rape and racial inequality The Picture of Dorian Gray, Oscar Wilde Gothic work written in Victorian era (18371901) by Irish playwright (1854-1900); characters include Basil Hallward, Dorian Gray, Lord Henry, Sibyl Vane; set 1890s in London, England; deals with fear of lost beauty, low morality, pursuit of happiness Little Women, Louisa May Alcott dramatic, comedic novel published in 1869 by American novelist (1832-1888); characters include Meg, Jo, Beth, and Amy March; set during Civil War period (1861-1865); deals with poverty, personal growth The Witch of Blackbird Pond, Elizabeth George Speare historical fiction published by American author in 1958; characters include Katherine "Kit" Tyler, Hannah Tupper, Nathaniel Eaton; set in 1697 in Connecticut Colony A Farewell to Arms, Ernest Hemingway Literary war novel published in 1929 by American author (1899-1961); set during WWI (1916-1918) in Italy and Switzerland; characters include Lt. Frederic Henry, Catherine Barkley, Rinaldi; deals with romance and war The Call of the Wild, Jack London adventure novel involving Realism and Naturalism published in 1903 by American author (1876-1916); characters include dog named Buck, Judge Miller, John Thornton, "devil dog" Spitz; set in late 1890s in California; deals with cruelty Frankenstein, Mary Shelley Sci-fi, horror, Gothic novel written during the Romantic Movement ( second half of 18th century) and Industrial Revolution (late 18th, early 19th century); published in 1818 by British novelist ( 1797-1851); characters include Victor, the monster, Robert Walton, Elizabeth Lavenza Jane Eyre, Charlotte Bronte Gothic, Romantic, bildungsroman novel by British novelist (1816-1855) published in 1847, characters include Jane, St. John, Edward Rochester, Bertha Mason; set in early 19th century in 5 different locations in England Robinson Crusoe, Daniel Defoe adventure, frame tale published in 1719 by English writer (1659-1731); characters include Crusoe, "Friday", The Portuguese captain, Xury; set 1659-1694 at many different locations including the island The Giver, Lois Lowry fantasy, science fiction, dystopian novel published in 1993 by American author (1937); characters include Jonas, The Giver, Lilly, Gabriel; set in an unspecified time in the future in an utopian community Out of the Dust, Karen Hesse historical fiction published in 1997 by an American author ( 1952-); characters include Billy Jo Kelby Anne, Ma (Polly), and Pa ( Bayard) ; set in 1934-35 in Oklahoma during the Dust Bowl years; deals with guilt, sorrow, and anger The Catcher in the Rye, JD Salinger bildungsroman novel by American author (1919-) published in 1951; characters include Holden Caulfield, Ackley, Stradlater; setting is a long weekend in late 1940, early 1950s in Pennsylvania and New York; deals with teenage rebellion and defiance The Outsiders, SE Hinton bildungsroman novel published in 1967 by American author (1950-); set in the mid 1960s in Tulsa, Oklahoma; characters include Ponyboy Curtis, Darrell Curtis, Sodapop Curtis, Steve Randle, Greasers and Socs; deals with social division and class struggles Because of Winn Dixie, Kate DiCamillo animal fiction published in 2000 by an American author (1964-); characters include dog (eponymous), Opal Buloni, Miss Franny Block; set in Naomi, Florida at an unspecified time; deals with emotional growth Aurora Leigh, Elizabeth Barrett Browning epic/novel prose poem written in 1st person blank verse, published during Victorian Era (1837-1901) by an English author (18061861); eponymous character is a heroine Prometheus Unbound, Percy Bysshe Shelley romantic 4 act play (closet drama), published in 1820 by an English poet (1792-1822) Hoot, Carl Hiaason adventure novel published in 2002 by an American author (1953-); set in Florida; characters include Roy Eberhardt, Mullet Fingers, Beatrice Narrative of the Life and Times of Frederick Douglas memoir and treatise on abolition encompassing 11 chapters published in 1845; describes events of African American author's life (1818-1895) ; deals with Civil Rights, but NOT written during Civil Rights Movement (1950-1980) The Scarlett Letter, Nathaniel Hawthorne historical fiction during Romantic Movement (second half of the 18th century); published in 1850 by American novelist (1804-1864); characters include Hester Pryne, Pearl, Dimmesdale, Chillingworth; set in the mid 17th century in Puritan Boston; deals with adultery and symbolism Island of the Blue Dolphins, Scott O'Dell historical fiction published in 1960 by American author (1898-1989); characters include Karana, Ramo, Rontu, Tutok, set in 1835-1853 in Ghalas-at, an island off the coast of California Fahrenheit 451, Ray Bradbury dystopian science fiction novel published in 1953 by an American writer (1920-); characters include Guy Montag, Mildred Montag, Captain Beatty, Granger; set sometime in the twenty-first century, in and around an unspecified city The Bell Jar, Sylvia Plath semi-autobiographical bildungsroman published in 1963 by American author (19321963); characters include Esther Greenwood, Buddy Willard, Doctor Nolan; set 1953-54 in New York City and Boston; deals with suicide and mental instability Beowulf, anonymous heroic, epic poem displaying alliterative verse and elegy; characters include Beowulf, King Hrothgar, Grendel; set around 500 AD in Denmark and Geatland (a region in what is now southern Sweden) ; Anglo-Saxon literature, using "Old English" Beloved, Toni Morrison postmodern, contemporary historical fiction published in 1987 by African American author (1931-); characters include Sethe, Denver, Beloved; set in 1873 in Cincinnati, Ohio; includes ghosts and flashbacks Night, Elie Wiesel Holocaust memoir set during WWII (194145); follows author Eliezer (1928-) through loss of faith, abuse and other experiences, set in Transylvania (beginning) and concentration camps in Europe The Great Gatsby, F Scott Fitzgerald Modernist novel during the Jazz Age published in 1925 by American author (18961940), considered to be part of the "Lost Generation"; characters include Nick Carraway, Joy Gatsby, Jordan Baker; set in summer of 1922 in Long Island and NY City Mrs Dalloway, Virginia Woolf Modernist, formalist, feminist novel published in 1925 by English novelist (18821940); set one day of party preparation in mid-June 1923 in London, England; characters include Clarissa Dalloway, Peter, Septimus; deals with judgement A Wrinkle in Time, Madeline L'Engle science fantasy novel published in 1962 by American writer (1918-2007); characters include Mrs Whatsit, Mrs Which, Mrs Who, Meg Murray, Charles Wallace, Caulin O'Keefe; set at an unspecified time and throughout the universe Walk Two Moons, Sharon Creech quest, adventure novel published in 1994 by an American novelist ( 1945-); characters include Sal, Phoebe Winterbottom; set in 1980s or early 1990s in Kentucky and Ohio; deals with abandonment Animal Farm, George Orwell Animalism dystopian novella published in 1945 by English author (1903-1950); characters include Old Major, Snowball, Napoleon, Squealer; set in unspecified time on Manor Farm in England Aenied, Virgil Latin mythological, heroic epic poem written in dactylic hexameter by Roman poet (70 BCE-19 BCE); set in the late 1st century (2919 BCE) during the aftermath of the Trojan War in The Mediterranean, including the north coast of Asia Minor, Carthage, and Italy; characters include Aenas, Dido, Turmis Crime and Punishment, Fyodor Dostoevsky psychological suspense novel published in 1866 by Russian author (1821-1881); characters include Rodion Romanovich Raskolnikov, Sofya Semyonovna Marmeladov, Porfiry Petrovich; set in 1860s in St. Petersburg and a prison in Siberia, deals with existentialism, alienation from society, the idea of superman 1984, George Orwell dystopian political novel published in 1949 by English author (1903-1950); characters include Winston Smith, Julia, O'Brien, Big Brother; set in 1984 in London, England; deals with individuality and totalitarian regime The Color Purple, Alice Walker epistolary, confessional novel published in 1982 by African American author (1944-); characters include Celie, Alphonso, Nettie, Mr.__, Harpo; set 1910-1940 in rural Georgia The Real McCoy: The Life of an African American Inventor, Wendy Towle Biography of Elijah J McCoy (1843-1929), an engineer and investor, who was known for over 57 US patents, mainly in automatic lubrication; published in 1995 by American author; displays heroic status in African American community Macbeth, William Shakespeare tragic play published in 1623 by English poet and playwright (1564-1616) of the Elizabethan Era (1558-1603); characters include 3 witches, Duncan, Macbeth, Banquo; set during The Middle Ages, specifically the eleventh century in various locations in Scotland; also England, briefly Their Eyes Were Watching God, Zora Neele Hurston Bildungsroman, American Southern spiritual journey novel published in 1937 by American author (1891-1960); characters include Janie Crawford, Tea Cooke, Phoeby Watson, Jody; set in rural Florida in the 1920s and 30s (Harlem Renaissance); deals with younger love and search to find peace Leaves of Grass, Walt Whitman part of poetry collection, published 1855 by American Realist and Transcendentalist poet (1819-1892) known as the "father of free verse" during Civil War period (1861-1865); author wrote about sexuality (especially homosexuality) Charlotte's Web, EB White children's novel published in 1952 by American author (1899-1985); characters include Wilbur, Charlotte, Fern; set at unspecified time in a barn on farm Ethan Frome, Edith Wharton tragic romance novel published in 1911 by an American author (1862-1937); characters include Ethan Frome, Mattie Silver, Zeena; set in the late nineteenth-early twentieth century in Starkfield, Massachusetts; deals with sexual tension and suicide Lord of the Flies, William Golding allegorical adventure novel published in 1954 by British novelist (1911-1993); characters include Ralph, Piggy, Island Beast, Jack, Simon, Roger; set in the near future on a deserted tropical island; deals with loss-ofinnocence A Time for Andrew: A Ghost Story, Mary Downing Hahn horror mystery novel published in 1994 by American author; characters include Drew Tyler, Aunt Blythe Self-Reliance, Ralph Waldo Emerson essay written by Transcendentalist American author (1803-1882); essay NOT anti-society, however focuses on the avoidance of conformity and the importance of individualism Doctor Faustus, Christopher Marlowe tragic play written in blank verse, published 1604 during Elizabethan Era by English dramatist (1564-1593); characters include Mephastophilis, Wagner, Faustus; set during the 1580s in Europe; deals with magic, the supernatural, and tricks The Canterbury Tales, Geoffrey Chaucer frame tale, collection of narrative poems published sometime during the 14th century or Middle English period (1066-1470), by an English author/poet (1343-1400); characters include pilgrims, Knight, Miller, Squire, Reeve whom all share there stories; set during the 14th century The Fall of the House of Usher, Edgar Allen Poe sci-fi, gothic, horror detective short story published in 1839 by American writer/poet (1809-1849) during the Romantic Movement ; characters include the narrator, Roderick Usher, Madeline; set deals with a gloomy and mysterious estate The Love Song of J Alfred Prufrok, TS Eliot dramatic monologue with refrains published in 1915 by American poet (1888-1965); isolation and compulsion I Know Why the Caged Bird Sings, Maya Angelou Bildungsroman autobiography published in 1969 by African American author/poet (1928); set during the 1930s-1950s in California, Arkansas, and Missouri; deals with abandonment, racism, insecurity/inferiority, and shame; other characters include Bailey, Momma, Vivian Alice's Adventures in Wonderland, Lewis Carroll fantasy, fairy tale, allegorical, satiric literary nonsense novella published in 1865 by a British author (1832-1898); characters include Alice, White Rabbit, Mouse, Cheshire Cat, Dyna; set during the Victorian Era c. 1865 On First Looking into Chapman's Homer, John Keats sonnet published during Romantic Movement (second half of 18th century) by a British poet (1795-1821); focused on the astonishment at reading the works of ancient Greek poet Homer; "Much have I travell'd in the realms of gold,..." Watership Down, Robert Adams allegorical heroic fantasy published in 1972 by English writer (1920-); characters include Fiver, Hazel, Threarah, Big Wig, Captain Holly; set May-June c.1972 between Berkshire and Hampshire, England; deals with search for a home The Glory Field, Walter Dean Myers collection of stories about the Lewis family published in 1994 by an African American author (1937-); set 1753-1994; focuses mainly on slavery and the struggle for freedom and dignity during the Civil Rights Movement (1920s-80s) The Swiss Family Robinson, Johann David Wyss family adventure novel published in 1812 by German author (1743-1818); characters include Mom, Dad, Fritz, Jack, Ernest, and Franz (Swiss family); set at an unspecified time on an island; deals with confinement, good values, husbandry, the uses of the natural world, and self-reliance Johnny Tremain, Esther Forbes Bildungsroman historical war novel published in 1943 by American novelist (1891-1967); characters include Johnathan Tremain, Rab Silsbee, Priscilla Lapham, Ephraim Lapham; set in the summer of 1773 and ends during April of 1775 in Colonial Boston (during Boston Tea Party and American Revolution); deals with transition from arrogance to idealistic selflessness The Lion, the Witch,and the Wardrobe, CS Lewis fantasy novel published in 1950 by Irish author (1898-1963); characters include Aslan, The White Witch, Peter, Susan, Edmond, and Lucy Pevensie; set during WWII (1939-1945) on the English countryside and the magical land of Narnia The Yearling, Marjorie Kinnan Rawlings Bildungsroman young adult novel published in 1938 by an American author (1896-1953); characters include Jody Baxter, Ora and Penny Baker; set during the 1870s in the animal-filled Florida backwoods; deals with companionship, strained relationships, hunger, death Touching Spirit Bear, Ben Mikaelson teen novel published in 2002 by author who grew up in the Andes Mountains, Bolivia, later moving to US in 7th grade (1952-); characters include Cole Matthews, Peter Driscal, Garvey; set on a remote island in Alaska for one year; deals with anger, rage, hate, blame, fear, learned forgiveness Julie of the Wolves, Jean Craighead George children's novel published in 1972 by American author (1919-); characters include Miyax, Aunt Martha, Amaroq, Daniel; set in early 1970s in Northern Alaska (tundra); deals with acceptance, life as an Americanized Eskimo, running away from home The Legend of Sleepy Hollow, Washington Irving Gothic, folktale, historical short story published in 1820 by American author (17831859) during the Romanticism Movement and American Revolutionary War; characters include Ichabod Crane, Katherine Van Tassel, Abraham "Brom Bones" Van Brunt, Headless Horsemen; set circa 1790 in Dutch Settlement of Tarry Town, NY, in secluded glen The Voice on the Radio, Caroline B Cooney novel published in 1996 by American author (1947); characters include Janie, Reeve; deals with kidnapping, and acceptance issues She Walks in Beauty, Lord Byron poem which focuses on beauty of one particular woman; "She walks in beauty...like the night"; published in 1815 by British poet (1788-1824) during Romanticism Movement In Reference to Her Children, Anne Bradstreet poem written in forty-eight tetrameter couplets by English-American author (16121672) during Colonial American period; maintains the bird reference throughout poem; "I had eight birds hatch in one nest..." The Chocolate War, Robert Cormier controversial novel published in 1974 by American author (1925-2000); characters include Jerry Renault, Archie Costello, The Goober, The Vigils; setting is relatively modern at Trinity High School; deals with rebellion against bullies The House on Mango Street, Sandra Cisneros Bildungsroman novella published in 1984 by Chicana author (1954-); characters include Esperanza Corderon, Lucy, Rachel, Sally; set in crowded Latino neighborhood in Chicago over a period of one year; deals with poverty, sexual growth and maturity, writing as an outlet The History of the Nun, Aphra Behn prose narrative (short story) published in 1688 by British author (1640-1689) who was the first woman to write professionally in English; speculated to be based on author's romantic relationship with Hortense Mancini; set in the 17th century; analyzed female sexual desire Wuthering Heights, Emily Bronte Gothic novel published in 1847 by English novelist and poet (1818-1848); characters include Heathcliff, Catherine Earnshaw, Hindley, Nelly Dean; set 1770s-1802 at Thrushcross Grange; deals with love The Pigman, Paul Zindel Young adult novel published in 1968 by American author (1936-2003); characters include John and Lorraine (both narrators), Mr. Angelo Pignati; set on Staten Island New York, early to mid 1960s; deals with friendship, symbolism, death, maturation, trust Shiloh, Phyllis Reynolds Naylor children's novel published in 1991 by American author (1933-); characters include Marty Preston, Judd Travers, Dad, David; set in Friendly, West Virginia; deals with companionship and loss Hatchet, Gary Paulson Bildungsroman, adventure, survival novel published in 1987 by American author (1939); characters include Brian Robeson, Brian's mother and father, Terry; set in Hampton, NY, Canadian woods presumably in the 1980s; deals with death, self-reliance on island The Story of My Life, Helen Keller autobiography published in 1903; author (1880-1968) was women's suffragist, workers rights activist, socialist, who was the first deaf-blind individual to earn a Bachelors degree; well respected and honored by society; includes Anne Sullivan (teacher) Bud, Not Buddy, Christopher Paul Curtis historical fiction novel published in 1999 by African American author (1953-); characters include Bud Caldwell, Herman Calloway, Todd Amoses; set in Flint, Michigan 1936 during the Great Depression; deals with racism, abuse in foster home, search for father Any Human to Another, Countee Cullen irregular rhyme, five stanza poem written during Harlem Renaissance by leading African American poet (1903-1946); "The ills I sorrow at, not me alone, like an arrow..."; was a cry for racial equality Wild Nights! -- Wild Nights!, Emily Dickinson 3 stanza poem published in 1891 and written by an eccentric, reclusive, and introverted American poet (1830-1886) ; some speculate the meaning of the poem - eroticism?, religion?; "Wild Night!-Wild Nights!, were I with thee, Wild Nights!-Wild Nights! should be our luxury..." Civil Disobedience, Henry David Thoreau natural history essay published in 1849 by transcendentalist author (1817-1862) who was also an abolitionist and into simple living; the active refusal to obey certain laws, demands,and commands of a government or occupying power, w/o resorting to physical violence Crispin: The Cross of Lead, Avi historical fiction published in 2002 by American author (1937-); characters include Asta, Crispin, Duke of Lancaster, Father Quinel, John Aycliffe; set 14th century England; deals with being an outcast, hatred, learning difficiencies Adventures of Huckleberry Finn, Tom Sawyer Bildungsroman, Picaresque novel published in 1884 by American author (1835-1910); characters include Huckleberry "Huck" Finn, Jim, Tom Sawyer, Widow Douglas and Miss Watson, The duke and the dauphin; set before the Civil War; roughly 1835-1845 on The Mississippi River town of St. Petersburg, Missouri; various locations along the river through Arkansas Picaresque episodic, colorful story often in the form of a quest or journey The Road Not Taken, Robert Frost 4 stanza, 5 line poem published in 1916 by an American poet (1874-1963) who believed in free will and fate as well as the appreciation of rural life; "...Two roads diverged in a wood and I - I took the one less traveled by, and that has made all the difference"; irony, regret? The True Confessions of Charlotte Doyle, Avi historical novel published in 1990 by American author (1937-); characters include Charlotte Doyle, Zachariah, Captain Jaggery, Samuel Hollybrass,Roderick Fisk, Seahawk (ship); set early summer in the year 1832 on voyage from Liverpool, England to Providence, Rhode Island; deals with upperclass lifestyle, rebellion, betrayal, racism David Copperfield, Charles Dickens Bildungsroman novel published in 1850 by English author (1812-1870), considered the most popular author of the Victorian Era; characters include Agnes Wickfield, James Steerforth, Clara Peggotty, Little Em'ly; set 1800s in England; deals with cruelty, the plight of the weak, wealth and class, and equality in marriage The Awakening, Kate Chopin Bildungsroman, modernistic novel published in 1899 by American author (1850-1904); characters include Edna Pontellier, Mademoiselle Reisz, Adèle Ratignolle, Robert Lebrun, Léonce Pontellier; set in 1899, at a time when the Industrial Revolution and the feminist movement were beginning to emerge yet were still overshadowed by the prevailing attitudes of the nineteenth century in New Orleans; deals with selfishness, feminist issues, the pursuit of happiness, and suicide The Red Badge of Courage, Stephen Crane Realism psychological war novel published in 1895 by American novelist (1871-1900); characters include Henry Fleming, Jim Conklin, Wilson; set during the Civil War in 1863 presumably during the Battle of Chancellorsville; deals with courage, manhood, and self-preservation We Are Seven, William Wordsworth poem published in 1798 by English Romantic poet (1770-1850); focuses on the distinction between the dead and the living; "--A simple child, that lightly draws its breath, and feels its life in every limb, what should it know of death?"; poet had optimistic view of nature and dissatisfaction with rationality; believed that childhood was a "magical and magnificent time of innocence" Moby Dick, Herman Melville allegorical, tragic, epic, quest, adventure novel, sea story published in 1851 by American author (1819-1891); characters include Ishmael, Ahab, Starbuck, Queequeg; set 1830s or 1840s aboard the whaling ship the Pequod, in the Pacific, Atlantic, and Indian Oceans; deals with revenge, morals, death A Portrait of the Artist as a Young Man, James Joyce semi-autobiographical Kuntslerroman published in 1917 by Irish author (18821941); characters include Stephen Dedalus, Simon Dedalus, Emma Clery, Eileen Vance; set 1882-1903 primarily in Dublin and the surrounding area; deals with devotion of life to art of writing, development of individual consciousness, pitfalls of religious extremism The Ear, the Eye, and the Arm, Nancy Farmer science fiction novel published in 1994 by American author (1941-); characters include Tendai, Rita, Kuda (children of General Matsika), the "Mellower", Eye, Ear, and Arm (detectives), She-Elephant; set in Zimbabwe the year 2194; deals with isolation, pseudohypnosis My Antonia, Willa Cather historical, frontier fiction recollection memoir published in 1918 by American author (1873-1947); characters include Jim Burden, Ántonia Shimerda, Lena Lingard, Otto Fuchs; set 1880s-1910s in and around Black Hawk, Nebraska; also Lincoln, Nebraska; deals with humankind's relationship to the past and its environment Maniac Magee, Jerry Spinelli novel published in 1990 by American author (1941-); characters include Jeffery Lionel Magee, Aunt Dot, Uncle Dan, Beale and McNab families, set in the Pennsylvania towns of Hollidaysbury, Two Mills, and Bridgeport at unspecified time, deals with race relations, reconciliation, fearlessness, running away, friendships The Whipping Boy, Sid Fleischman novel published in 1987 by American author (1920-); characters include Jemmy, Prince Horace, Hold-Your-Nose-Billy, Cutwater, Betsy, Captain Harry Nips; set during an era of powdered wigs and highwaymen from the royal castle to the countryside; deals with misbehavior, running away, taking the blame Old Yeller, Fred Gipson childrens novel published in 1956 by American author (1908-1973); characters include The Coates Family (mother, father, Travis, and Arliss); set in Texas Hill Country, 1860s; deals with protection of family, loyalty, death Flowers for Algernon, Daniel Keyes controversial sci-fi short story published in 1959 by American author (1927-); characters include Charlie Gordon, Alice Kinnian, Dr Strauss, Professor Harold Nemur, Algernon; set in New York city in the mid 1960s; deals with mistreatment of the mentally disabled, the tension between intellect and emotion, and the persistence of the past in the present Where the Red Fern Grows, Wilson Rawls novel published in 1961 by American author (1913-1984); characters include Billy Coleman, Old Dan, Little Ann, Rainie, Rubin; set in The Ozarks, Oklahoma during the Great Depression (1929-1940s); deals with loyalty, death, competition A Midsummer Night's Dream, William Shakespeare Fantasy romantic comedy about the adventures of 4 Athenian lovers written 15941596 and published 1600 by English poet and playwright (1564-1616); characters include Puck, Oberon, Titania, Helena, Hermia, Hippolyta; set in Athens and the forest outside its walls, Combines elements of Ancient Greece with elements of Renaissance England; deals with love's difficulty, magic, and dreams The Crucible, Arthur Miller tragic, allegorical, dramatic play published in 1953 by American playwright (1915-2005); characters include Abigail Williams, John Proctor, Rev John Hale, Elizabeth Proctor, Rev Parris, Giles Corey; set in Salem, Massachusetts, 1692; based on actual events before Salem Witch Trials in 1692; deals with intolerance, hysteria, reputation Gulliver's Travels, Johnathan Swift satire novel published in 1726 by Anglo-Irish author (1667-1745); characters include Gulliver, The Emperor, The Farmer, Glumdalclitch, Lord Munodi, Laputans; set early 18th century primarily in England and the imaginary countries of Lilliput, Blefuscu, Brobdingnag, Laputa, and the land of the Houyhnhnms; deals with might versus right, the individual versus society, and the limits of human understanding Hamlet, William Shakespeare tragic revenge play published in 1603 by English playwright (1564-1616); characters include Hamlet, Claudius, Gertrude, Polonius, Horatio, The Ghost, Ophelia; set the late medieval period in Denmark, deals with the impossibility of certainty, the complexity of action, the mystery of death Candide, Voltaire Satire, adventure novel published in 1759 by French Enlightenment author (1694-1778); characters include Candide, Pangloss, Martin, Cunégonde, Cacambo; set in various real and fictional locations in Europe and South America in 1750s; deals with the folly of optimism, the uselessness of philosophical speculation, the hypocrisy of religion, and the corrupting power of money Drama a composition in prose or verse presenting in dialogue or pantomime a story involving conflict or contrast of character, esp. one intended to be acted on the stage; a play. Playwright someone who writes plays or the texts of plays that can be read, as distinct from being seen and heard in performance Pastoral a poem, play, or the like, dealing with the life of shepherds, commonly in a conventional or artificial manner, or with simple rural life generally; a bucolic. Epistle A literary composition in the form of a letter. Metaphysical poetry unified by a philosophical conception of the universe and of the role assigned to the human spirit in the great drama of existence. Antithesis the placing of a sentence or one of its parts against another to which it is opposed to form a balanced contrast of ideas, as in "Give me liberty or give me death." Anticlimax an event, conclusion, statement, etc., that is far less important, powerful, or striking than expected. a descent in power, quality, dignity, etc.; a disappointing, weak, or inglorious conclusion: After serving as President, he may find life in retirement an _________. Apocalypse a prophetic revelation, esp. concerning a cataclysm in which the forces of good permanently triumph over the forces of evil. Archetype the original pattern or model from which all things of the same kind are copied or on which they are based; a model or first form; prototype. Burlesque an artistic composition, esp. literary or dramatic, that, for the sake of laughter, vulgarizes lofty material or treats ordinary material with mock dignity. Catastrophe (in a drama) the point at which the circumstances overcome the central motive, introducing the close or conclusion; dénouement Catharsis the purging of the emotions or relieving of emotional tensions, esp. through certain kinds of art, as tragedy or music. Conceit A fanciful poetic image, especially an elaborate or exaggerated comparison. Closet drama drama appropriate for reading rather than for acting. Discourse communication of thought by words; talk; conversation: earnest and intelligent __________. Epiphany a sudden, intuitive perception of or insight into the reality or essential meaning of something, usually initiated by some simple, homely, or commonplace occurrence or experience. Epilogue a concluding part added to a literary work, as a novel. Exposition (in a play, novel, etc.) dialogue, description, etc., that gives the audience or reader the background of the characters and the present situation. Figure of speech any expressive use of language, as a metaphor, simile, personification, or antithesis, in which words are used in other than their literal sense, or in other than their ordinary locutions, in order to suggest a picture or image or for other special effect Grotesque odd or unnatural in shape, appearance, or character; fantastically ugly or absurd; bizarre. Inversion reversal of the usual or natural order of words; anastrophe. Metonymy a figure of speech that consists of the use of the name of one object or concept for that of another to which it is related, or of which it is a part, as "scepter" for "sovereignty," or "the bottle" for "strong drink," or "count heads (or noses)" for "count people." Motif recurring structures, contrasts, or literary devices that can help to develop and inform the text's major themes. Overstate to state too strongly; exaggerate: to ___________ one's position in a controversy. Parallelism Likeness, correspondence, or similarity in aspect, course, or tendency. Rhyme Royal a form of verse introduced into English by Chaucer, consisting of seven-line stanzas of iambic pentameter in which there are three rhymes, the first line rhyming with the third, the second with the fourth and fifth, and the sixth with the seventh; rhyming ababbcc Scansion the metrical analysis of verse. The usual marks for __________ are ˘ for a short or unaccented syllable, ¯ or ʹ for a long or accented syllable, ^ for a rest, | for a foot division, and ‖ for a caesura or pause. Soliloquy an utterance or discourse by a person who is talking to himself or herself or is disregardful of or oblivious to any hearers present (often used as a device in drama to disclose a character's innermost thoughts) Sprung rhythm a poetic rhythm characterized by the use of strongly accented syllables, often in juxtaposition, accompanied by an indefinite number of unaccented syllables in each foot, of which the accented syllable is the essential component. Spenserian stanza the stanza used by Spenser in his Faerie Queene and employed since by other poets, consisting of eight iambic pentameter lines and a final Alexandrine, with a rhyme scheme of ababbcbcc. Stock character a character in literature, theater, or film of a type quickly recognized and accepted by the reader or viewer and requiring no development by the writer. Strophe (in modern poetry) any separate section or extended movement in a poem, distinguished from a stanza in that it does not follow a regularly repeated pattern. Stream of consciousness A literary technique that presents the thoughts and feelings of a character as they occur. Superego the part of the personality representing the conscience, formed in early life by internalization of the standards of parents and other models of behavior Synecdoche (sa-nek-ta-ki) A figure of speech in which a part is used for the whole (as hand for sailor), the whole for a part (as the law for police officer), the specific for the general (as cutthroat for assassin), the general for the specific (as thief for pickpocket), or the material for the thing made from it (as steel for sword). Terza Rima an Italian form of iambic verse consisting of eleven-syllable lines arranged in tercets, the middle line of each tercet rhyming with the first and last lines of the following tercet; aba bcb cdc, etc. Villain a character in a play, novel, or the like, who constitutes an important evil agency in the plot. Zeugma the use of a word to modify or govern two or more words when it is appropriate to only one of them or is appropriate to each but in a different way, as in to wage war and peace or On his fishing trip, he caught three trout and a cold. Strategic Approaches to teaching reading: Anticipation guides: pg 9 The purpose of an Anticipation Guide (Herber, 1978) is to activate student’s thoughts and opinions about a topic and to link their prior knowledge to the new material. Because Anticipation Guides are flexible strategies, they can be used effectively with any content area text as well as with non-print media such as videos. Anticipation guided provide an excellent springboard for class discussion and lead students into reading or viewing with a sense of curiosity about the topic. Although an Anticipation Guide can be completed individually, assigning it to a small group promotes the collaborative aspect of learning. http://www.readwritethink.org/classroom-resources/lesson-plans/guided-comprehension-previewingusing-226.html http://www.readwritethink.org/files/resources/lesson_images/lesson226/anticipation.pdf Guided Comprehension in Grades 3–8 Combined Second Edition Maureen McLaughlin and Mary Beth Allen The Guided Comprehension Model is a step-by-step teaching framework that encourages students to become active, strategic readers by providing explicit strategy instruction, opportunities for engagement, and a variety of texts and instructional settings. This book has everything you need to use the Guided Comprehension Model effectively with your students. Part I introduces new ideas for teaching Guided Comprehension and updated resources that support its evidence base. Part II features 16 new lessons and includes planning forms, teacher commentaries and think-alouds, samples of student work, and theme-based resources. Suggestions for differentiating instruction, including teaching English learners, are integrated throughout. Helpful appendixes offer teaching ideas, new classroom applications, reproducible blackline masters, forms for organizing and managing Guided Comprehension centers and routines, literature response prompts, leveled book resources, and assessment forms. This book combines and completely updates the bestsellers Guided Comprehension: A Teaching Model for Grades 3–8 and Guided Comprehension in Action: Lessons for Grades 3–8 into one comprehensive resource. http://www.indiana.edu/~l517/anticipation_guides.htm Contextual Analysis- Using Contextual Analysis to evaluate texts A contextual analysis is simply an analysis of a text (in whatever medium, including multi-media) that helps us to assess that text within the context of its historical and cultural setting, but also in terms of its textuality – or the qualities that characterize the text as a text. A contextual analysis combines features of formal analysis with features of “cultural archeology, ” or the systematic study of social, political, economic, philosophical, religious, and aesthetic conditions that were (or can be assumed to have been) in place at the time and place when the text was created. While this may sound complicated, it is in reality deceptively simple: it means “situating” the text within the milieu of its times and assessing the roles of author, readers (intended and actual), and “commentators” (critics, both professional and otherwise) in the reception of the text. A contextual analysis can proceed along many lines, depending upon how complex one wishes to make the analysis. But it generally includes several key questions: 1. What does the text reveal about itself as a text? – Describe (or characterize) the language ( the words, or vocabulary) and the rhetoric (how the words are arranged in order to achieve some purpose). These are the primary components of style. 2. What does the text tell us about its apparent intended audience(s)? – What sort of reader does the author seem to have envisioned, as demonstrated by the text’s language and rhetoric? – What sort of qualifications does the text appear to require of its intended reader(s)? How can we tell? – What sort of readers appear to be excluded from the text’s intended audiences? How can we tell? – Is there, perhaps, more than one intended audience? 3. What seems to have been the author’s intention? Why did the author write this text? And why did the author write this text in this particular way, as opposed to other ways in which the text might have been written? – Remember that any text is the result of deliberate decisions by the author. The author has chosen to write (or paint, or whatever) with these particular words and has therefore chosen not to use other words that she or he might have used. So we need to consider: – what the author said (the words that have been selected); – what the author did not say (the words that were not selected); and – how the author said it (as opposed to other ways it might or could have been said). 4. What is the occasion for this text? That is, is it written in response to: – some particular, specific contemporary incident or event? – some more “general” observation by the author about human affairs and/or experiences? – some definable set of cultural circumstances? 5. Is the text intended as some sort of call to – or for – action? – If so, by whom? And why? – And also if so, what action(s) does the author want the reader(s) to take? 6. Is the text intended rather as some sort of call to – or for – reflection or consideration rather than direct action? – If so, what does the author seem to wish the reader to think about and to conclude or decide? – Why does the author wish the readers to do this? What is to be gained, and by whom? 7. Can we identify any non-textual circumstances that affected the creation and reception of the text? – Such circumstances include historical or political events, economic factors, cultural practices, and intellectual or aesthtic issues, as well as the particular circumstances of the author's own life. Stephen C. Behrendt – Spring 2008 http://www.unl.edu/sbehrend/html/sbsite/StudyQuestions/ContextualAnalysis.html Informal Reading Inventories (IRI’s) AR/ What are informal reading inventories (IRIs)? IRIs are individually administered diagnostic assessments designed to evaluate a number of different aspects of students' reading performance. Typically, IRIs consist of graded word lists and passages ranging from preprimer level to middle or high school levels (Paris & Carpenter, 2003). After reading each leveled passage, a student responds orally to follow-up questions assessing comprehension and recall. Using comprehension and word recognition scores for students who read the passages orally, along with additional factors taken into consideration (e.g., prior knowledge, fluency, emotional status, among other possible factors), teachers or other education-related professionals determine students' reading levels. They also use this information to match students with appropriate reading materials, place children in guided reading groups, design instruction to address students' noted strengths and needs, and document reading progress over time. While IRIs serve a variety of purposes, perhaps their greatest value is linked to the important role they play in helping educators to diagnose the gaps in the abilities of readers who struggle the most. Based on notions implicit in developmental (Chall, 1983; Spear-Swerling & Sternberg, 1996) and interactive models of reading (Rumelhart, 1977; Stanovich, 1980), IRIs provide information about students' reading stages and knowledge sources. For example, by charting and analyzing patterns in oral reading error types, educators identify whether students rely on one cueing system (i.e., graphophonic, syntactic, or semantic cueing system) to the exclusion of the others, as beginning readers typically do, or if they use a balance of strategies, as mature readers at more advanced stages do in their reading development when they encounter challenges while processing text. Supplemented by other measures of literacy-related knowledge and abilities, as needed, IRIs contribute valuable information to the school's instructional literacy program. Rationale for selecting IRIs to evaluate Given the sweeping, education-related policy changes associated with the No Child Left Behind Act signed into U.S. law in 2002, the IRIs included in this analysis were limited to those published since 2002 because it was felt that they would be more likely to reflect features relevant to the policy changes than IRIs published earlier. For example, federal guidelines specify that the screening, diagnostic, and classroom-based, instructional assessments used by schools receiving Reading First grants to evaluate K-3 student performance must have proven validity and reliability (U.S. Department of Education, 2002) — aspects noted as weak with regard to IRIs published earlier (Kinney & Harry, 1991; Klesius & Homan, 1985; Newcomer, 1985). In addition, specifications in Guidance for the Reading First Program (U.S. Department of Education, 2002) require that educators in Reading First schools evaluate students in the five critical areas of reading instruction (i.e., comprehension, vocabulary, fluency, phonemic awareness, and phonics) as defined by the National Reading Panel (NRP; National Institute of Child Health and Human Development [NICHD], 2000) and screen, diagnose, and monitor students' progress over time. Given these federal mandates, it was assumed that IRIs published since 2002 would be more apt to exhibit the technical rigor and breadth in assessment options necessary to help reading professionals achieve these goals. The names of specific IRI instruments identified were obtained from searches in the professional literature or recommended by professionals in the field of literacy. In all, eight IRIs were identified, examined, and cross-compared with regard to selected features of their most current editions. The following were the IRIs included in this analysis: Analytical Reading Inventory (ARI; Woods & Moe, 2007), Bader Reading and Language Inventory (BRLI; Bader, 2005), Basic Reading Inventory (BRI; Johns, 2005), Classroom Reading Inventory (CRI-SW; Silvaroli & Wheelock, 2004), Comprehensive Reading Inventory (CRI-CFC; Cooter, Flynt, & Cooter, 2007), Informal Reading Inventory (IRI-BR; Burns & Roe, 2007), Qualitative Reading Inventory-4 (QRI-4; Leslie & Caldwell, 2006), and The Critical Reading Inventory (CRI-2; Applegate, Quinn, & Applegate, 2008). Analyzing the IRIs In order to cross-compare selected features of the current editions of all eight IRIs, a coding spreadsheet was prepared and used to assist in the systematic collection of data. The categories used were chosen because of their relevance to issues in the professional literature (e.g., length of passages, type of comprehension question scheme used) or to policy and other changes affecting the field today (e.g., assessment options related to the five critical areas of reading, reliability, and validity information). Interrater reliability measures To ensure the accuracy of the coded data, I enlisted the assistance of a graduate student who independently coded one of the IRIs. Afterward, our data charts were compared and the percentage of agreement was determined with differences resolved by discussion. Following this interrater reliability check, data from the separate coding sheets for each IRI were rearranged and compiled onto additional charts in various ways in order to facilitate comparisons and the detection of patterns among variables of interest. Results In all, eight IRIs published since 2002 were analyzed and compared in order to identify the variety of ways in which the instruments approach key issues relevant to their use. Based on the analysis, it is evident that the eight IRIs reviewed range in the assessment components they include and in which critical aspects of reading instruction identified by the NRP (NICHD, 2000) they assess. For example, measures for reading comprehension and vocabulary (i.e., sight word vocabulary) were more common than measures in the other areas. An analysis of the IRI features related to each of the five pillars of reading follows. http://www.readingrockets.org/article/23373 GIST: (Cunningham 1982) is a strategy designed to improve student’s comprehension of text material and to enhance their ability to write a summary paragraph. The acronym GIST stands for Generating Interactions between Schemata and Text. While practicing this strategy, students will have added benefit of “honoring their ability to analyze and synthesize content area readings.” Write a 20-word GIST summary. Write twenty key words and write a summary about it. Metacognition is thinking about thinking, knowing "what we know" and "what we don't know." Just as an executive's job is management of an organization, a thinker's job is management of thinking. The basic metacognitive strategies are: 1. Connecting new information to former knowledge. 2. Selecting thinking strategies deliberately. 3. Planning, monitoring, and evaluating thinking processes. (Dirkes, 1985) A thinking person is in charge of her behavior. She determines when it is necessary to use metacognitive strategies. She selects strategies to define a problem situation and researches alternative solutions. She tailors this search for information to constraints of time and energy. She monitors, controls and judges her thinking. She evaluates and decides when a problem is solved to a satisfactory degree or when the demands of daily living take a temporary or permanent higher priority. Studies show that increases in learning have followed direct instruction in metacognitive strategies. These results suggest that direct teaching of these thinking strategies may be useful, and that independent use develops gradually (Scruggs, 1985). Learning how to learn, developing a repertoire of thinking processes which can be applied to solve problems, is a major goal of education. The school library media center, as the hub of the school, is an ideal place to integrate these types of skills into subject areas or students' own areas of interest. When life presents situations that cannot be solved by learned responses, metacognitive behavior is brought into play. Metacognitive skills are needed when habitual responses are not successful. Guidance in recognizing, and practice in applying, metacognitive strategies, will help students successfully solve problems throughout their lives. Strategies for Developing Metacognitive Behaviors 1. Identifying "what you know" and "what you don't know." At the beginning of a research activity students need to make conscious decisions about their knowledge. Initially students write "What I already know about..." and "What I want to learn about...." As students research the topic, they will verify, clarify and expand, or replace with more accurate information, each of their initial statements. 2. Talking about thinking. Talking about thinking is important because students need a thinking vocabulary. During planning and problem-solving situations, teachers should think aloud so that students can follow demonstrated thinking processes. Modeling and discussion develop the vocabulary students need for thinking and talking about their own thinking. Labelling thinking processes when students use them is also important for student recognition of thinking skills. 3. 4. 5. 6. Paired problem-solving is another useful strategy. One student talks through a problem, describing his thinking processes. His partner listens and asks questions to help clarify thinking. Similarly, in reciprocal teaching (Palinscar, Ogle, Jones, Carr, & Ransom, 1986), small groups of students take turns playing teacher, asking questions, and clarifying and summarizing the material being studied. Keeping a thinking journal. Another means of developing metacognition is through the use of a journal or learning log. This is a diary in which students reflect upon their thinking, make note of their awareness of ambiguities and inconsistencies, and comment on how they have dealt with difficulties. This journal is a diary of process. Planning and self-regulation. Students must assume increasing responsibility for planning and regulating their learning. It is difficult for learners to become self-directed when learning is planned and monitored by someone else. Students can be taught to make plans for learning activities including estimating time requirements, organizing materials, and scheduling procedures necessary to complete an activity. The resource center's flexibility and access to a variety of materials allows the student to do just this. Criteria for evaluation must be developed with students so they learn to think and ask questions of themselves as they proceed through a learning activity. Debriefing the thinking process. Closure activities focus student discussion on thinking processes to develop awareness of strategies that can be applied to other learning situations. A three step method is useful. First, the teacher guides students to review the activity, gathering data on thinking processes and feelings. Then, the group classifies related ideas, identifying thinking strategies used. Finally, they evaluate their success, discarding inappropriate strategies, identifying those valuable for future use, and seeking promising alternative approaches. Self-Evaluation. Guided self-evaluation experiences can be introduced through individual conferences and checklists focusing on thinking processes. Gradually self-evaluation will be applied more independently. As students recognize that learning activities in different disciplines are similar, they will begin to transfer learning strategies to new situations. Phonics: The relationship between letters and sounds fundamental in beginning reading. Semantic feature analysis: http://www.readingrockets.org/strategies/semantic_feature_analysis The semantic feature analysis strategy uses a grid to help you explore how a set of things are related to one another. By completing and analyzing the grid, students are able to see connections, make predictions and master important concepts. This strategy enhances comprehension and vocabulary skills. How to use semantic feature analysis 1. Select a category or topic for the semantic feature analysis. 2. Provide students with key vocabulary words and important features related to the topic. 3. Vocabulary words should be listed down the left hand column and the features of the topic across the top row of the chart. 4. Have students place a "+" sign in the matrix when a vocabulary word aligns with a particular feature of the topic. If the word does not align students may put a "–" in the grid. The Semantic Feature Analysis strategy asks students to identify key words in a reading selection and relate these words to the major concepts of the text. Using a graphical matrix, students . . . List the key words of a reading selection. Identify the meaning and properties of these key words. Group key words into logical categories. Relate the words (and categories) to one another. This strategy makes special effort to draw on a student's past knowledge and experiences to define and relate the key terms. Steps to a Semantic Feature Analysis: 1. Select a topic or concept from a reading selection for student analysis. Introduce the Semantic Feature Analysis graphical organizer (see below) as a tool for recording reading observations. 2. Help students list key vocabulary words related to the topic down the left hand column of the chart. Next, assist students in listing the properties or features of the topic across the top row of the chart. 3. Once the matrix is complete, review all the words and properties with the students and have them carefully read the text selection. 4. While reading, students place check marks in the matrix when a vocabulary word reinforces one of the properties of the topic. 5. After reading and completing the matrix, have students share their observations. Encourage discussion about differing results. Ask students to identify which vocabulary words best communicate the essential properties of the topic. Reading Workshops: Why use Reader's Workshop? Once implemented, Reading Workshop can quickly become students' favorite part of the day. Since the format gives students tools for selecting and comprehending literature, students who were once reluctant to read now find themselves with the skills needed to be successful readers. Over the course of the year, students read many books and are encouraged to do as good reader's do in exploring different genres, authors, and texts. The program emphasizes the interaction between readers and text. Students learn to ask questions, make connections with prior knowledge and previously read texts, and ask questions to clarify faulty comprehension they recognize has occurred. The program includes peer conferences and teacher conferences with students but emphasizes students' independence and allows them to become successful readers outside of the classroom. Reciprocal teaching: http://www.ncrel.org/sdrs/areas/issues/students/atrisk/at6lk38.htm Reciprocal Teaching Palincsar (1986) describes the concept of reciprocal teaching: "Definition: Reciprocal teaching refers to an instructional activity that takes place in the form of a dialogue between teachers and students regarding segments of text. The dialogue is structured by the use of four strategies: summarizing, question generating, clarifying, and predicting. The teacher and students take turns assuming the role of teacher in leading this dialogue. Purpose: The purpose of reciprocal teaching is to facilitate a group effort between teacher and students as well as among students in the task of bringing meaning to the text. Each strategy was selected for the following purpose: Summarizing provides the opportunity to identify and integrate the most important information in the text. Text can be summarized across sentences, across paragraphs, and across the passage as a whole. When the students first begin the reciprocal teaching procedure, their efforts are generally focused at the sentence and paragraph levels. As they become more proficient, they are able to integrate at the paragraph and passage levels. Question generating reinforces the summarizing strategy and carries the learner one more step along in the comprehension activity. When students generate questions, they first identify the kind of information that is significant enough to provide the substance for a question. They then pose this information in question form and self-test to ascertain that they can indeed answer their own question. Question generating is a flexible strategy to the extent that students can be taught and encouraged to generate questions at many levels. For example, some school situations require that students master supporting detail information; others require that the students be able to infer or apply new information from text. Clarifying is an activity that is particularly important when working with students who have a history of comprehension difficulty. These students may believe that the purpose of reading is saying the words correctly; they may not be particularly uncomfortable that the words, and in fact the passage, are not making sense. When the students are asked to clarify, their attention is called to the fact that there may be many reasons why text is difficult to understand (e.g., new vocabulary, unclear reference words, and unfamiliar and perhaps difficult concepts). They are taught to be alert to the effects of such impediments to comprehension and to take the necessary measures to restore meaning (e.g., reread, ask for help). Predicting occurs when students hypothesize what the author will discuss next in the text. In order to do this successfully, students must activate the relevant background knowledge that they already possess regarding the topic. The students have a purpose for reading: to confirm or disprove their hypotheses. Furthermore, the opportunity has been created for the students to link the new knowledge they will encounter in the text with the knowledge they already possess. The predicting strategy also facilitates use of text structure as students learn that headings, subheadings, and questions imbedded in the text are useful means of anticipating what might occur next. In summary, each of these strategies was selected as a means of aiding students to construct meaning from text as well as a means of monitoring their reading to ensure that they are in fact understanding what they read. Research Base: For the past five years, Palincsar and Brown (1985) have conducted a series of studies to determine the effectiveness of reciprocal teaching. The initial studies were conducted by adult tutors working with middle school students in pairs and by Chapter 1 teachers working with their small reading groups averaging five in number. The students were identified to be fairly adequate decoders but very poor comprehenders, typically performing at least two years below grade level on standardized measures of comprehension. Instruction took place over a period of 20 consecutive school days. The effectiveness was evaluated by having the students read passages about 450 to 500 words in length and answer 10 comprehension questions from recall. The students completed five of these passages before reciprocal teaching instruction began and one during each day of instruction. Performance on these assessment passages indicated that all but one of the experimental students achieved criterion performance, which we identified as 70 percent accuracy for four out of five consecutive days. These results were in contrast to the group of control students, none of whom achieved criterion performance. In addition, qualitative changes were observed in the dialogue that occurred daily. For example, the experimental students functioned more independently of the teachers and improved the quality of their summaries over time. In addition, students' ability to write summaries, predict the kinds of questions teachers and tests ask, and detect incongruities in text improved. Finally, these improvements were reflected in the regular classroom as the experimental students' percentile rankings went from 20 to 50 and above on texts administered in social studies and science classes. When the same instructional procedure was implemented in larger classes with groups ranging in size from 8 to 18, 71 percent of the students achieved criterion performance as opposed to 19 percent of the control students who were involved in individualized skill instruction. Furthermore, teachers observed fewer behavior problems in their reciprocal teaching groups than in their control groups." (pp. 19-20)