The new Olympian and its’ sacred devices Abstract_This paper seeks to investigate how athletes deal with their sport-self construction. To do so, a multi-method approach, with visual and textual data, is employed in a hermeneutical analysis. Preliminary findings from athletes from different sports show that they often have a magical (believes of supernatural power in the equipments) or rational (a reliance in the technological features of the device) world-view, and this influences the relationships between the athlete and their sport apparel. Results also show that the athletes possess a fragmented self, divided at least in their sport-work time, and their personal-leisure time. Our contemporary society is arguably facing new contexts, characterized by the post-modern conditions (Baudrillard, 1994; 1996; Brown, 1999; Debord, 1995; Firat & Venkatesh, 1995; Jameson, 1991; Maffesoli, 1988; 1990) which in turn reflects in who the Olympic athlete is. While different papers studied the relationship between postmodernity and self construction in “normal” individuals, few or none dealt with athletes. The idea to study athletes comes because they, as other persons, are in their working place most time of their day (Tian & Belk, 2005), but while the “normal workers” have spare time in the weekend, athletes normally compete at this time, making them to represent most time, theoretically, the work-self. With the intention to study how the subjects deal with their sport-self construction, this work will rely on the theoretical bases developed by Sartre (1943) and Belk (1988). For both authors, the most important aspect of the construction of the self is having objects, where it is stated that you are what you have and you have what you are. To achieve this objective, this work uses a multi-method approach (Mason, 2006), where visual data (pictures of the sport apparel) were used in a visual elicitation process (Heisley & Levy, 1991), and together with the textual data (transcriptions of the interviews), were then employed in a hermeneutical analysis (Arnold & Fischer, 1994; Thompson, 1997; Thompson, Pollio & Locander, 1994). The interviews happened in different places, ranging from the athletes’ house, to the athletes’ training place. It lasted an average of one and a half hour, and dealt mainly with the history as a person, history as an athlete and the history of their sport apparel, constructing a cultural biography of the possessions (Kopytoff, 1986; Löfgren, 1990). Athletes from different sports disciplines who competed at least at the Pan-American Games level for the Brazilian Team were contacted to be part of this research. Preliminary findings from the hermeneutical analysis show that athletes often have a magical or rational world-view, and this influences the relationships between the athlete and their sport apparel, and also with their different fragments. Firstly, it was seem that this individuals are a fragmented self, arguably a post-modern condition (Firat & Schultz, 2001; Firat & Venkatesh, 1995), divided in a work-self (athlete-self) and a personal-self, being such a fragmentation already documented in other research (Tian & Belk, 2006). The results that follow are excerpts taken from two different athletes that could be considered cases of the two different world-views. Claudia is a 26-year old female wrestler, which competed for the first time internationally in the Rio de Janeiro’s Pan-American Games 2007. She comes from a very catholic country side town in a south Brazilian state, and lives now in the state capital. After practicing different sports in her youth, she turned to combat sports, training Brazilian jiu-jitsu (BJJ) first and after changing to wrestling in 2006. Participating in her first tournament in wrestling without any training, she classified for the Brazilian Championship, where, then, she placed second (with just three specific training). Claudia is an example of an athlete who was a magical world-view, predominantly deterministic (Tian & Belk, 2006). In relation to her possessions, she believes that they have special powers, that came from the divine, and are considered supernatural lucky charms and amulets (Tian & Belk, 2006; Belk, Wallednrof & Sherry, 1989; Kover, 1998; Tian & Belk, 2005), which help her to perform better in wrestling (Belk, 2003; Csikszentmihalyi & Rochberg-Halton, 1981). One example is that she still uses, to compete, a bikini that had some medallions that were attached by her mother while she competed in BJJ, as well as her first competition top. She also present in her sport-self is the Brazilian religious syncretism (Da Matta, 1979), represented in the fact that she uses candomblé, catholicism and Buddhism to protect her sport apparel from evil powers. In the other hand, Juliana, a 26-year old female sailor, represents the rational world-view (Tian & Belk, 2006). She is an international athlete, having already competed in two Olympic Games, considering herself as a professional athlete. In contrast to Claudia, Juliana has no possessions in her sport-self that have supernatural or metaphysical powers, what makes her to rely on the scientific aspect of the object. She prefers to use, and have, objects (i.e. suits, boats, and sail) that help her to perform better, through the physical qualities that they have. As she notes, this no-superstition aspect was developed through the years of competition, where in the beginning she was more worried of what she used or bought. What can be said about her relationships with her objects is that they are considered as prostheses (Belk, 1988; Tian & Belk, 2005; Csikszentmihalyi & Rochberg-Halton, 1981); they help her achieve her objectives and are used with this intent. The help that her sports apparel gives her is physical; there are not any magical aspects to them. If a suit is good, it is not because of her relationship with the suit, or because she won one time with it. It is good because it is made with a good fabric; there is high technology in it, denoting a belief in science, a modern culturally constructed marketplace myth in the words of Kniazeva & Belk (2007). The construction of this new Olympian departs from the two distinct world-views, gaining influences from science and quantification as well as from magic power. It is one more fragment that the post-modern subject can incorporate. Following, the new Olympian has a syncretism in his (or her) beliefs. 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