SELECTED CURRICULUM VITAE
ALAN SONDHEIM
Address: 432 Dean Street, Brooklyn, NY, 11217
Telephone: 718-857-3671
Email: sondheim@panix.com
EDUCATION
Brown University, M.A. English Literature, 1969
Brown University, B.A. 1965
Hebrew University, 1962-3
TEACHING
Full Time
University of Texas, Dallas, Visiting Assistant Professor, 1985-87
Nova Scotia College of Art and Design, Visiting Artist, 1973-5-7-9, 1982
University of California, Los Angeles, Visiting Artist, 1980-81
University of California, Irvine, Visiting Artist, 1978
Hartford Art School, 1977
Part-Time
Lang/Parsons School of Design, spring 97
New School for Social Research 1992-97
Film/Video Arts 1992-96
School of Visual Arts, Fall 1991
Atlanta College of Art, 1983-85, 1989-90
Western Carolina University, 1989
University of North Carolina, Asheville, Summer, 1990
Image Film and Video, Atlanta, 1984-85, 1990-2
Ontario College of Art, 1982
Concordia University, Montreal, 1979
University of Ottawa, 1979
Rhode Island School of Design, 1969-72
Brown University, 1967-8
BOOKS (TRADE):
Mediapane, forthcoming, Gordon and Breach, 1999
The Care of the Real, potepoet Press, 1998
Jennifer, nominative press collective, 1998
Being On Line, editor, Lusitania, 1997
Disorders of the Real, Station Hill, 1988
Individuals: Post-Movement Art in America, editor, Dutton, 1977
An,ode, Burning Deck Press, 1968
CYBERSPACE:
U.S.C., lecture, 1998
Bloomfield College, New Jersey, two lectures, 1998
Huntington Beach, reading and lecture, 1998
Beyond Baroque, Venice, Ca., reading and talk, 1998
U.C. Santa Cruz, two lectures, 1998
Powers Institute, University of Sydney, lecture, 1998
Bard College, lecture, 1998
Comoderator Cybermind email list at listserv@listserv.aol.com
Comoderator Fiction-of-Philosophy (FOP-L) at listserv@vm.cc.purdue.edu
Comoderator E-conf (electronic conferencing) at e-conf@chatsubo.com
Guest advisor, eyebeam-list at thing.net, 1997
Participant/organizer, ISEA98, 1998
URL (Internet Text, graphics):
http://jefferson.village.virginia.edu/~spoons/internet_txt.html
or at: ftp jefferson.village.virginia.edu
cd pub/pubs/listservs/spoons/cybermind-digest.archive/internet
MIRROR SITE with additional materials:
http://www.anu.edu.au/english/internet_txt/
Images are at: URL http://www.cs.unca.edu/~davidson/pix/
On-Line and Off-Line Publications related to Cyberspace:
Guest editor, special issue of New Observations on Net.Culture, 1998
Various additional e-zines, 1997-8
Texts in Aporia, 1998
Iroiro in Blind Donkey, 1998
Schizz, in.formation Website, 1997
Contributor to ZKP5, 1999
Contributor to ZKP4, 1997
Contributor, 1997 Guide to Behavioral Resources on the Internet
Two texts, UbuWeb, 1997
Flexibility, Alma e-zine, 1996
Voyeurism, New Observations, 112, 1996
Linguistic Models and the Internet, Alma e-zine, 1996
Avatars, etc. in Vision Project 7 e-zine, 1996
Texts, Foreign-Body e-zine, 1996
Various texts, NWHQ e-zine, 1995
On Addiction, Women & Performance, 17, 1997
How to Mutate..., R.U. Sirius & St. Jude, "WARNING! WARNING!" 1996
Horizons philosophiques, Printemps 1996, "La Facticite du domaine
numerique vue a travers les lunettes du Tractatus de Wittgenstein"
Queer-e, "Heart of Darkness," on-line, 1/1, 1995
Perforations, Public Domain, Atlanta, Georgia, all issues
Conferences and Talks:
Modern Language Association (MLA), forthcoming, 1998, email panel
Sydney University, on electronic subjectivity, lecture, 1998
Participant, ISEA98 Conference, 1998
Participant, Warwick Virtual Futures Conference, 1994
Participant, Rhetoric Online Conf., Denton, Texas, 1998
Cyberspace and Community Conference, New School, Creative Time, panel
moderator and organizer, 4/23/96
"Net Sex: Community, Language, Narrative" presented at Narrative
Conference, 4/25-28/96 (contact for paper)
Keynote speaker and participant, Cybermind Conference, Perth,
Australia, 11/96
Talk at Murdoch University, Perth, Australia, 11/96
Participant, Panel on Voyeurism (in Cyberspace), New School, 1996
Beyond Baroque, Venice, California, 1995
Huntington Beach Arts Center, LA, California, 1995
College of St. Rose, Albany, NY, 1996
Miscellaneous:
Teachers and Writers Reading, New York, 1998 (Jennifer-Julu material)
Fellow of Wins Program / Community Access Projects, University College
of Cape Breton, Nova Scotia, 1996-1997
Grants for on-line work, New School, 1995-96
With Kayo Matsushita, ran Kyoto MOO, Nuts, and Haven talkers 1996.
PCM2-MOO, Quota Review Board, former member
Wizard on CM-MOO, 1996
Reviewer for O'Reilly publishing, 1996
CURATORIAL/EDITORIAL
Guest editor, Perforations 17 on Illegibility, 1998
Guest editor, Perforations video component and "Leaky Supplement," 1993-5
Art Papers, special issue on Future Culture, 1995
Art Papers. special issue on Noise Culture, 3/4, 1990
NY Short Film and Video Expo, Experimental section organizer/jury, 1994-8
Editorial Board, Perforations Six, 1994
The Red Year, exhibition/catalog, The World Gallery, Asheville, 1990
Curator, Image Film and Video, Atlanta, 1989-0
Inaugural Exhibition, The World Gallery, 1989
Artistic Director, Hallwalls CAC, Buffalo, 1987-8
Contributing Editor, Art Papers, Atlanta, 1984-6
Board Member, Image Film and Video, 1984
Curator, Nexus CAC, Atlanta, 1983-5 (began Atlanta Biennale, Atlanta
Alternative Biennale, Atlanta Photo Salon, 1983-5; curator, Atlanta
Biennale, 1987)
Board Member, Nexus, 1983-5
Curator, 10 Artists/Videotapes, LAICA, LA, 1979
Participating curator, Artists Space show, NYC, 1985, w/catalog essay
Addenda, Franklin Furnace, NY, 1978
Correspondent for Paris Biennale, 1975
Organized visiting artists program, RISD 1970-73
Ppress magazine, 1968-9
ARTISTS/WRITERS BOOKS:
Internet Text, available on the World Wide Web, 1994-6 (see above)
Hole, 1994
Immobilization, Fort-Da, Atlanta, 1993
Robbed Texts, 1993
Juarez, Bruised, Digital Domain, 1993
Muck, 1993
Geography/Postmodernism/Body, 1992
Chatter Death, 1992
Incorrect: Final Fire of the Video World, 1992
Textbook on Thinking, ocalocka, 1991
Poems and Stories, 1991
Cut Desert and Confused Supplement, 1991
ETR, ocalocka, 1988
In the Third World, Tasmanian School of Art, 1982
Texts, U.C. Irvine Dept. of Art, 1978
The Structure of Reality, NSCAD, 1977
Analysis of Situation, 1972
Strata, NSCAD, 1972
Resonances, for Bykert Gallery Show, NYC, 1971
Lists, Halifax, 1971
FILM/VIDEO SCREENINGS (* = solo or duo show)
The Bug, Denver, 1997*
Thread Waxing Space, 1997*
MOMA, Super 8 Series, 1997?
FTI, Perth, Australia, 1996*
RISD Museum, Providence, 1993
Cincinnati, 1994
Brussels, 1994
Melbourne, Sydney (AFI), Brisbane, 1993*
KERA, Dallas (PBS), 1992-3-4
Public Domain, Atlanta, 1993*
Jager und Sammler, Berlin, 1992
Limelight, NYC, 1991
San Francisco Cinematheque, 1991*
University of North Carolina, Asheville, 1991*
Nexus, Atlanta, 1991*
Millennium, NYC, 1981-3-5-6-8-90-2-3-4 (all *)
UT Dallas, 1990*
X-Art w/CAC, New Orleans, 3 shows, 1990*
Image Film and Video, Atlanta, 1983-4-5-8-9-90-92 (all *)
Collective for Living Cinema, NYC, twice 1990*
Brown University 1985-6-7-8-90-92 (twice)*
Western Carolina University 1989*
Cal. Arts 1988*
Squeaky Wheel, Buffalo 1987-8*
Suny Bethune, Buffalo 1987*
Film-Video Arts, NYC, 1987*
Arsenal, Berlin, 1985
New York Institute of Technology, 1986*
Frontera Media Arts, El Paso, 1987*
Film Forum, LA, 1987*
Upstairs, Tryon, North Carolina, 1985
Lumina, LA, 1984*
Foundation for Arts Resources, LA, 1983*
Newport Harbor Art Museum, LA, 1983*
San Francisco Filmmaker's Coop, 1983*
The Funnel, Toronto, 1981-3* (both *)
The Gap, Toronto, 1981*
Whitney Biennial, 1977-9
Whitney Museum, 1976*
Museum of Modern Art, New York, 1976-81
Kitchen Retrospective, NYC, 1980*
American Center, Paris, 1980
Vehicule, Montreal, 1980
Export 80, Canada, traveling show
Franklin Furnace, NYC, 1977-9*
Matrix Gallery, Hartford, 1979*
Hartford PBS broadcast, 1979*
Ontario Gallery of Art, Toronto, 1978
Dundas Valley School of Art, Canada, 1978
Sheridan College, Canada, 1978
Winnipeg Art Gallery, Canada, 1978
Hallwalls 1977*
Nova Scotia College of Art and Design, 1971-2-7* (all *)
University of New Mexico, Albuquerque, 1977*
Dalhousie University, 1977*
Kitchen, screening/installation, 1977*
Rhode Island School of Design, 1974*
St. Mark's on the Bowery, NYC, 1974*
Mills College, Oakland, 1974*
Wesleyan University, 1974*
Persona Show, Artists Space, NYC, 1974
UCSD, 1974*
Yale University, 1974*
Brown University, 1973*
Oberlin College, 1972
Gain Ground Gallery, 1970
112 Greene Street, NY, 1971*
EXHIBITIONS (* = solo)
Benefit, Thread-Waxing Space, 1996
Benefit, Creative Time, 1996
Crash, Thread-Waxing Space, 1994
Stolen Books, Printed Matter, 1994
Nexus, 1991-3
Participant, SIGGRAPH kiosk (Public Domain), 1993
Art in the Age of Information, Penn Modern, Pittsburgh, 1993
Contact/Proofs, Jersey City Museum, 1993
Public Domain Benefit, Atlanta, 1989
Faculty Exhibition, Atlanta College of Art, 1989
New Vision Exhibition, Atlanta, 1989
"The Death of Sean Smith," installation, University of Texas, Dallas, 1987*
Square Zero, Asheville, 1986
"Power and Gender," Atlanta, 1985
"Immure," Atlanta, 1986
"Destroy All Music," Atlanta, 1986
"Art Papers," Atlanta, 1984*
Harbourfront, Toronto, 1980
University of California, Irvine, 1979
Franklin Furnace, NYC, 1977*
"Pan-Conceptuals," Gallery Maki, Tokyo, 1976
"Projects in Nature," Far Hills, New Jersey, 1975
Nova Scotia College of Art and Design, 1971-2-75 (all *)
Paris Biennale, 1973
Bykert Gallery, 1971*
Gotham Book Mart Gallery, NYC, 1970*
Rhode Island School of Design, 1968-9-70 (all *)
ARTICLES (Also See Cyberspace Section)
Texts, Transit, 1998
Hymen, Perforation 13, with Laurie Cubbison, 1997
Various texts in Being On Line, 1996
Various, in Consider the Alternative, 1996
Fractured Mirrors, Perforations 12 (on-line), 1997
Hole, in Uncontrollable Bodies, Bay Press, 1994
Internet Texts, in Crash, Thread Waxing Space, 1994
Lips, in Vulvamorphia, 1994
Internet Texts in Perforations, 1994
Work in Transmog e-zine, 1994-5
Throat, Art Papers, 1994
Presence of Future Presence of Video, Art Vu, 1993
Essay in "The Imaginary Zone," Anne Burke Daly catalog, 1993
Greetings form Out Here In Here, Art Papers, 1993
Book review on artists couples, Art Papers, 1993
Trivial Consequences, in Elma Johnson catalog, 1993
Flux Knowledge in Perforations, 1992
Geography Texts in Perforations, 1992
Video Texts in Perforations 1992
Karen Finley, Noise, Atlanta, 1992
Columns in Noise, 1991
Writing for the Return of It, Art Papers, 1991
Contamination, Transformation, Parasitologies in Perforations 1991
Fear and Retributions, Light Struck, 1991
Polymorphous Perverse Disposition, Smut, modified, 1991
Fissure (Your Voice, Adjacent, Absent), Cinematograph, 1991
Patricia Thornley review, Art Papers, 1991
Noise Culture, Art Papers, 1990
Interview with Jon Held, Dallas Arts Revue, 1990
Paint, She Said, North Carolina Arts Journal, 1990
The Red Year, catalog, The World Gallery, 1990
Liner booklet for Arcane Device/PGR Fetish Disk, 1990
The Figure When It's Speaking, catalog, The World Gallery, 1989
Inquisition, Art and Artists, 1989
Spinthariscope, Lowlife, 1989
Unnerving Questions About Outsider Art, Art Papers, 1989
Decomposition: The Transamerican Avant-Garde, Art Papers, 1989
Interviewed by Robert Godfrey & texts, North Carolina Arts Journal, 1989
Five Texts, Lowlife, 1989
Texts, Homocore, 1989-90
The Death of American Art, Art and Artists, 1989
On Connie Bostic, in YMI catalog, Asheville, 1989
On Barbara Simcoe, Dallas Arts Revue, 1989
Review of I want to Take Picture, CEPA Journal, 1989
George Stone catalog essay, Meyers-Bloom, LA, 1988
Film Notes, CEPA Journal, 1988
Selections, Blatant Artifice, Buffalo, 1988
Sexuality Filmscripts, Squealer, Buffalo, 1987
S8, Exit Art catalog w/Steve Gallagher, 1988
Tre Roberts Interview, Atelier South, 1988
Poems, Buffalo News, 1988
Photographs in Dallas Arts Review w/Denise de la Cerda, 1988
M, Cinematograph, 1988
On Modeling, CEPA Journal, 1988
Interview with Jerry Cullum, Art Papers, 1988
The Seen of it All, Squealer, 1988
No Theory, Art Papers, 1987
Marcia Resnick's Bad Boys, Art Papers, 1987
Art, Labor, and the University, Art Papers, 1987
Art, Labor, and the University, revised, Art and Artists, 1987
S8 (On Super 8mm), Image Newsletter, Atlanta, 1987
Post-Modern Syndrome, art and Artists, 1986
In Defense of Linguistic Obscurity, Art Papers / Art and Artists, 1986
Using a Computer, I Graph, Art Papers, 1985
The Jackson Pollock Essay, Art Papers, 1985
Cinema and Dual, Millennium Film Journal, 1984
The 'Self,' That 'Thing' Is 'Not,' Art Papers, 1984
Future Culture, Art Papers, 1994
On Listening to Short-Wave, Ear, 1984
Phenomenology of Short-Wave, Review of International Broadcasting, 1983
Cinema Without the Screen, Impressions, 1982
Americans and Others, All Area, 1983
Dead Time: The Machinery of Reality, Obscura, 1982
Landscape, Obscura, 1981
Pornography: Its Penis, Its vagina, Obscura, 1982
Orange County and the Economics of Language, L*A*N*G*U*A*G*E, 1981
Joual Jouissance, Parachute, 1980
O.K. David, in Eindhoven Museum David Askevold catalog, 1981
A The A The, LAICA Journal, 1979
Two (Four) Views of Niagara, LAICA Journal, 1979
The Painting, The Drawing, Parachute, 1979
On Laurie Anderson, Parachute, 1979
"Filed," on art and mathematics, LAICA Journal, 1979
Summary of theoretical work, Criss Cross, 1979
On Cage and Duchamp, L*A*N*G*U*A*G*E, 1978
As If.. in Substitute, 1978
On Alvin Lucier, Parachute, 1978
Transcription and Annotations, Strike 2, CEAC, Toronto, 1978
Annihilation: To the Limit!, Strike 1, CEAC, 1977
amino, The World 20, 1977
Work in translation-transformation, Spankeren, Netherlands, 1977
Film Notes, CEAC newspaper 9, 1977
Work in Breakthrough Fictioneers, Richard Kostelanetz
On Karen Shaw, Arts, 1976
Umberto Eco's A Theory of Semiotics, CAA Journal, 1976
Give Me an N, in Narrative Art catalog, Houston, 1976
74 Characteristics of the World, Tracks, 1976
Characterizations of the Word, Tracks, 1976
Essay in Projects in Nature catalog, 1975
Nature and Discourse: 1975 Project, Control 9, 1975
On Vito Acconci, Arts, 1975
On Louise Bourgeoise, Arts, 1975
On Rosemary Mayer, Arts, 1974
On Nancy Kitchel, Art-Rite, 1974
On a Theory of Reality, Big Deal, 1974
Articles in Informations et Documents, Paris, 1973-6
Sounds, in After Brockman, 1974
Victor Weisskopf and Gregory Bateson, in Real Time II, ed. John Brockman,
1973
On Acconci's poetry, The World, 1973
4320 in Clone, 1971
On Yoko Ono, Fusion, 1970
On Machines, 0 to 9 6, 1969
MUSICAL RECORDINGS
Global Report, Damaged Life, Spasm cassette, 1986
Flesh, Damaged Life. Spasm cassette, 1987
Live at Starck Club 1987, Damaged Life cassette
Lips, Damaged Life cassette, 1987
The Songs, Riverboat, LP, 1967
Ritual, ESP lp, 1968, reissued ZYX CD
T'Other Little Tune, ESP lp, 1969, reissued ZYX CD
Participant on ESP samplers 1969-70
MUSICAL PERFORMANCE
Intermedia, NYC, 1988
Squeaky Wheel, Buffalo, 1988
SNAP Performance Series, Franklin Furnace, 1987
Millennium Film, 1987
University of Texas, Dallas, 1987
Peachtree Playhouse, Atlanta, 1987
500 Cafe, Dallas, 1985-6
500 X Gallery, Dallas, 1986
KNON (Dallas), KPFA (Los Angeles), WREK (Atlanta), WBAI (NY 1974),
WBRU (Providence), MIT-FM radio (1-3 times each)
Liberte des Paroles, Paris 1970 (audiotape)
Participant in Radio by Artists, 1979-81
Group 212 Woodstock, 1969
Town Hall, NY, 1969
Brown University, 1969
LECTURES, FORUMS, ETC. (See also Cyberspace)
Group reading, Andrea Rosen, 1994
Group reading, Printed Matter, 1994
Panel/Screening, ATOA, NYC, 1993
Writing Group, etc. Cal. Arts, 1992
Geography Council, Cal. State Northridge, 1992
Nexus, Sexuality Symposium, 1991
DARE, Dallas, 1991 (also under screening)
UNCA, 1991 (on postmodernism, also under screening)
U. Alabama., Tuscaloosa, current art and postmodernism, 1991
South-Eastern College Art Association, Atlanta, current art, 1990
Hammond House, Black Photography symposium, Atlanta, 1989
Louisiana State University, Shreveport, postmodernism lecture, 1990
University of Texas, Dallas, current art, 1990
University of North Texas, postmodernism, 1990
Dallas Cable TV w/Margaret Curtis, 1990
Dallas Cable TV interview, 1990
SMU, Dallas, postmodernism, 1990
Emory University, Atlanta, alternative culture, 1989
S.P.E., regional, Buffalo, photography and the 'other,' 1988
SMU seminar, Dallas, 1988
On Theory, Brown University, 1988
On Painting, Toronto College of Art, 1988
On Skin, Hallwalls, 1988
No Theory, Hallwalls, 1987
On Painting, University of Buffalo, 1987
University of Texas, Dallas Forum on the Holocaust, 1986
University of Texas, Dallas Forum on my filmwork, 1985
S.P.E., regional, Southeast, 1983
S.P.E., national, teaching women panel, 1982
Canadian Art Association, Ottawa (on Robin Collyer), 1980
Connecticut Video Conference, Hartford, participant, 1979
Art and Ideology Conference, University of Ottawa, 1979
Southern Experiment Critics' Forum, Emory University, 1984
Old New York Bookstore reading, Atlanta, 1984
Franklin Furnace reading, 1979
College Art Association panel, 1978
"Down with Helvetica!" lecture, NSCAD, Visual Communication series, 1977
Williams College 1976-7
London Institute of Contemporary Art, 1975
Mass. College of Art, 1974-5
St. Marks on the Bowery readings, 1973-4
Brown University reading, 1973
Dalhousie University reading, 1972
Newark College of Engineering, 1970-1
Center for the Study of Social Change, 1971
Aarhus Artists' Group, 1973 (Denmark)
Newcastle-upon-Tyne Polytechnic, 1973
Brown University Dept. of Music, 1971
Rhode Island School of Design, 1969-70
University of Rhode Island reading, 1968-9
SELECTED RECENT FILM AND VIDEO
AVI short videos (computer), 1997, 2'
Virtual Subjectivity, 1998
Net Sexuality, video, 1996, 20'
Net-Body tape, in progress, 1996-7, 10'
Warwick Conference tape, 1994, 34'
Family Loss, video, 1994, 10'
Electronic Texts, video, 1993, 3'53"
Robbed Texts, video, 1993, 90'
Fever, video, 1993, 25'
Antler, video, 1993, 10'
Geyser, video, 1993, 15'
Drug, 1993, video, 10'
Margaret, video, 1993, 10'
Postmodern Sureno, video, 1993, 57'
Planet 1&2, video, 1993, 43'
Border, video, 1993, 11'
Postmodern.Pobre., video, 1992, 32'
Sequestered Geography, video, 1992, 13 hrs., 3 monitor installation
Fashion, video, 1992, 17'
Cut Blind, video, 1992, 50'
Male, video, 1992, 40'
Revised Greatest Hits, video, 1992, 118'
Thought, 16mm film, 1991, 22'
God, 16mm film, 15'
Wupatki, video, 1990, 15'
Best Lovers of Numerous Others, 16mm film, 50'
Misrecognitions, 16mm film, 1990, 20'
Singular Illumination of the Body, 16mm film, 1990, 31'
Second Person Singular, 16mm film, 1990, 30'
Angelina and Sorrow, video, 1989, 13'
Sick and Violent Love, 16mm film, 1989, 45'
Debrisfilm, 16mm film, 1989, 50'
Exhibitionist, S8 film, 1989, 12'
Into the Light, 16mm film, 1988, 15'
Sleazy and the Year 3000, 1987-9, 16mm film, 50'
Nina Hagan, S8 film, 1988, 18'
Untitled Frenzy of History, 16mm film, 1984, 45'
AIR, 16mm film, 1983, 50'
Talking Cure, 16mm film, 1982, 20'
Testimony of Love and War, 16mm film, 1982, 9'
Using a Computer, I Graph, 16mm film, 1985, 50'
Some Features of US Chemical Warfare in South Vietnam, 16mm film, 1982, 30'
Films 1-37, 16mm film, 1980-2, three hours
Hollywood, 16mm film, 1981, 75'
[Note: This does not include film before 1980 or video before 1988.]
SELECTED COURSES
Internet Access, Communications, and Community, Lang/Parsons, 1997
Internet Access, New School Computer Instruction Center, 1994-7
Before and After the Information Superhighway, New School, 1994-5
Cyberspace, Film/Video Arts, 1994-5
Watching Television, New School, 1993-4
Video Art Seminar, Film/Video Arts, 1993-4
Camcorder Workshop, FVA, 1992-6 and New School 1993-4
Cinema and the Project of Emancipation in Postmodernism, New School, 1992
History and Aesthetics of TV and Video Forms, School of Visual Arts, 1991
Camcorder Workshop, Image Film and Video, 1992-3
Experimental Writing, Atlanta College of Art, 1990
Beginning Video, ACA, 1989-90
Current Art and Aesthetics, ACA, 1989
Current Art (Noise Culture), ACA, 1990
Introduction to Humanities, ACA, 1989
Art Seminar (Current Art), Western Carolina University, 1989
Super 8mm Filmmaking, Image Film and Video, 1984-9
Cheap Media (with Margaret Curtis), Image, 1990
Postmodernism Seminar, Image, 1989
Intermedia Workshops, NSCAD, RISD, University of Texas, Dallas, etc.
Video Workshops, UTD, UCLA, U. Ottawa, etc.
Current Art, UTD, UCLA, UCI
Feminism and Art, UTD (graduate seminar)
Future of the Planet, RISD, UTD
Negative Culture (punk, industrial, etc.), UTD
Culture and Creativity, UTD
Current Art and Criticism, UCLA, U. Ottawa
Aesthetics of Postmodernism, UTD
Creative Writing, RISD, Brown Night School, etc.
GRANTS (See also Cyberspace)
Experimental Television Workshop Residences, 11/92, 4/93, 12/93
Atlanta Bureau of Cultural Affairs, 1983-4-9
LUBO Foundation, 1984
UCLA Faculty Research Grants, 1981-2
Video Studio Production Grant, Hartford, 1979
NEA Critics Grant, 1977
ZBS Artist in Residence Grant, 1976
North Carolina Arts Commission grant through Upstairs Gallery, 1975
Video Production Grant, Art Tapes, Florence, 1974
Rhode Island S.C.A. Grant, 1973
REVIEWS
L.A. Times, 7/4/95, On Internet, Meeting of Minds is Just, Cathy Curtis
Light Struck, Sondheim, Voice, & the Figure of the Child, Zack Stiglicz,
1991
Atlanta Journal-Constitution, Jerry Cullum, 11/91
City Life, Voice of Postmodernism, cover story, Dallas, 1990
Dallas Arts Revue, Post-Sondheim Dallas, cover story, Tre Roberts, 1988
Art Papers, Tre Roberts, 1988
Squealer, Terry Klein, Buffalo, 1987
Option, music review, 1987
Image Film and Video Newsletter, Robin Reidy, 1984
Newsletter interview, 1984
Village Voice, Jim Hoberman, 1983
Parachute, review of Harbourfront, 1980
Artweek, Roles and Relationships, cover story, Howard Singerman, 1979
Soho Weekly News, review of Acker/Sondheim tape, Anne Sargent-Wooster, 1977
Artforum, Beyond Reductivism, Robert Horvitz, 1974
Reviewed in The End of Intelligent Writing, Richard Kostelanetz, 1974
Village Voice, WBAI concert (w/ Kathy Acker), Tom Johnson, 1974
Artforum, review of Bykert show, 1971, Kenneth Baker
Also see C 27, Gordon Lebredt, John Massey: Twilight's Last Gleaming, 1990
New German Critique, 1990, Johannes Birringer on Heiner Muller
Theater, Theory, Postmodernism, Johannes Birringer, 1991
Village Voice, Group 212 concert, Carman Moore, 1969
Providence Sunday Journal, 11/10/68, "Alan Sondheim's Eclectic Guitar,"
Laurence Goldstein
MISCELLANEOUS
Member, Spoons Email List Collective, 1994-95
_Hole,_ artists book, carried by Printed Matter
Co-Organizer, Film/Video Arts Works-in-Progress Screenings, 1994
Media Network member, 1992-3
Work archived at Franklin Furnace and Art Metropole
Video in Drift Distribution, NYC
Films distributed by Filmmaker's Coop
Founder, Damaged Life music group, 1984-88
Organizer, w/ Karen Chance, Ethiopian Artists Auction Fundraiser, Nexus, 1984
Consultant, Cyberfeld's Internet Cafe, 11/95-5/96
Producer/originator, Artwaves, Hallwalls' cable TV show, 1987-8
Publications and representation through 1985 by Art Metropole
688 Club organizer/participant in political evening, 1983
Real Art Ways gallery advisor, 1979-80
Correspondent for Paris Biennale, 1975
10 videotapes completed for Cogitations Ltd., 1973
Advisor to Earthrise futures research group, 1972-3
Member Brown University systems study group, 1973
President, Meta Corporation for Art Research, 1971-2
Headed All electronic music group, 1963-9
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