ARH 222 Art of China Identification List: 16 Northern Sung [Song] (cont.) I. Ts’ui Po [Cui Bo], “Magpies and Hare”, dated 1061, hanging scroll, ink and colors on silk (H. 76”), Palace Museum II. Mi Fei (or Mi Fu), “Pines and Mountains in Spring,” late 11th century, hanging scroll, ink and colors on paper (13 x 17 in), Palace Museum III. Emperor Hui-tsung [Huizong] (1101-1125), “A Literary Gathering,” hanging scroll, ink and colors on silk (H. 73 in.), Palace Museum IV. Emperor Hui-tsung [Huizong] (1101-1125), “Five Colored Parakeet”, handscroll, colors on silk, MFA, Boston V. Li T’ang [Li Tang], “Whispering Pines in the Mountains, dated 1124, hanging scroll (H. 75 in.), ink and colors on silk, Palace Museum Names and Terms Literati: a group of Confucian intellectuals who espoused a new approach to painting – as a subjective expression of the individual artist. Emperor Hui-tsung: the last emperor of the Northern Sung Axe-cut stroke: the particular slanted stroke used by Li-T’ang (it has the appearance of the surface of wood cut by an axe) Acdemic school: painting fostered by the imperial court – as distinct of the painting of the literati.