Gods and Goddesses in Oedipus and other Greek theater Dionysus (Bacchus) God of fruitfulness and the vine (power and force of all green living things) Worshipped during the Greek harvest festival—place of worship was the theater “bacchanalian” -- characterized by or involving drunken partying Athene/Athena Patron goddess and protector of Athens Goddess of wisdom Goddess of citizenship and patriotism Worshipped at the Parthenon (Temple of the goddess) in Greece Apollo/King Phoebus God of prophecy God of the light/god of the sun Healer of sickness Foretold future of humans through the priests of Apollo at Delphi Zeus Supreme God Father of the gods The god of the sky—thunder, lightening, rain, and sunlight Married to Hera Artemis Goddess of the hunt Hades Western God (sun sets in the West—direction represents death) God of death/the underworld Ares God of war Introductory notes for Sophocles’ Oedipus Protagoras: “Man is the measure of all things” Democratic government The word “democratic” in Greek translates to “rule of the people” Plays attempt to answer the following archetypal questions: “What is man?” “What is the meaning of life?” “What is our purpose?” During the age of Sophocles: People questioned the power and existence of gods/goddesses Sculptures of the time period show man’s dignity and power; these were new vision of man’s greatness Religion became subject for debate/discussion Hippocrates creates a school for medical doctors where they observed people and compared symptoms and diseases. They began diagnosing people, distinguishing between one disease and another. Theater became a conflict between the old religious/philosophical outlook and new ideas (thus “fate” as a theme) Terms/vocabulary Hamartia—“fatal flaw” Hubris—arrogance or pride (often is a character’s hamartia) Catharsis—purification/purging of emotions Situational irony-- the disparity of intention and result: when the result of an action is contrary to the desired or expected effect. Dramatic irony-- a disparity of expression and awareness: when words and actions possess a significance that the listener or audience understands, but the speaker or character does not. For example when a character says to another "I'll love you until I die!" not realizing a piano is about to crush them. Verbal irony—a disparity of expression and intention: when a speaker says one thing but means another, or when a literal meaning is contrary to its intended effect. An example of this is when someone says "Oh, that's beautiful", when what they mean (probably conveyed by their tone) is they find "that" quite ugly. Oedipus Family Tree Laius Creon Jocasta Oedipus Jocasta Eurydice Haemon betrothed Polyneices Etocles Ismene Antigone Freud Notes (see me to get these in class) Freud’s background and own psychological disorders Development of personality through stages Oedipus complex; Electra complex Structure of personality Thematic Chart for Oedipus TOPIC Choice vs. Fate Sight/ Blindness Hunting metaphor Line numbers Speaker Quotation or Summary Fertility Ship Pollution/ disease Irony in Oedipus IRONY Situational Dramatic Line numbers Speaker Quotation AND Summary/Explanation Dramatic continued Verbal Story of Antigone When Oedipus stepped down as King of Thebes, he gave the kingdom to his two sons, Eteocles and Polynices, who both agreed to alternate the throne every year. However, they showed no concern for their father, who cursed them for their negligence. After the first year, Eteocles refused to step down and Polynices attacked Thebes with his supporters of the Argive (the Seven Against Thebes). Both brothers died in the battle. King Creon, Oedipus' brother-in-law and the sons' uncle, decreed that Polynices was not to be buried. Antigone, Oedipus' daughter and the sister of Polynices, defied the order, but was caught. Creon decreed that she was to be thrown into a cave with a days worth of food, in spite of the fact that she was betrothed to his son, Haemon. The gods, through the blind prophet Tiresias, expressed their disapproval of Creon's decision, which convinced him to rescind his order, and he went to bury Polynices. However, Antigone had already hanged herself on the way to her burial. When Creon arrived at the tomb where she was to be left, his son, Haemon, threatens him and tries to kill him but ends up taking his own life. Creon's wife Eurydice, informed of Haemon's death, took her own life out of grief. Haemon is betrothed to Antigone. He must choose between his father (whom he has always followed) and his lover Antigone. He chooses the morally right side of Antigone's but cannot separate himself from either due to the strong ties of family and love. He commits suicide because of his helpless situation, which also leads his mother to commit suicide. These actions cause Creon's madness at the play's conclusion.