Basic Elements of Music • • • • • Pitch Rhythm Phonic Structure Form Medium I. Pitch • Pitch refers to the relative quality of “highness” or “lowness” of a tone • A pitch or tone results when some medium vibrates at a particular frequency (measured in Hz) Interval • An interval is the distance spanned between two pitches (measured by the relative difference in frequency) • Many musical systems divide the octave into a set number of intervals Tuning Systems • Entire collection of pitches used in a given musical tradition • Melodic toolkits for music-making Scale • A scale consists of a set of pitches (therefore intervals) used in particular performances • Scales can include both equal and unequal sized intervals • Common scales include heptatonic (7 tones) and pentatonic (5 tones) Western Major Scale (7 tones) “Oriental” scale (5 tones) Pitch Functions • Within a scale, different pitches can take on certain functions or tonal significance • Ex: tonic/dominant Pitches 1 and 5 in a Western major scale vadi/samvadi Pitches 1 and 5 in a South Asia raga (mode) Kiembara Xylophone Orchestra, Ivory Coast, West Africa Modes • Modes are tonal frameworks for composition and improvisation • Includes both pitch sets (scales), tone hierarchies, characteristic melodic motion, and emotional connotations to generate a unique modal identity, or mood Sargarm (North Indian solfege) Creating Melodies • Range is the span of pitches a given instrument or voice is capable of producing Described as wide or narrow • Register is the relative highness or lowness of pitches a voice or instrument is capable of producing Described as high or low Susap, Papua New Guinea Cantonese Opera Creating Melodies • A melody is an organized succession of pitches forming a musical idea • Pitch and rhythm (duration of the tone) combine to create a melody • Melodic contour is the shape of a melody (ascending, descending, etc) “Frere Jacques” “Take Five”, Dave Brubeck Quartet Building on Melodies • Ornamentation is the embellishment of a melody • Text setting is the relationship between words and melody Syllabic (one pitch per syllable) Melismatic (several pitches per syllable) II. Rhythm • Rhythm refers to the relationship between sound durations • “A rhythm” is a particular succession of sound durations Beat and Tempo • A beat is a regular pulsation of sound • Tempo is the rate or speed of the beat • Music with an irregular beat or pulse is said to be in free rhythm “West End Blues”, Louis Armstrong Organizing Beats into Units • A unit is a grouping of beats that organizes the rhythmic elements of a piece of music • When a unit contains a pattern of accented and unaccented beats, it is called a meter Kinds of Meters • Meter can be constructed in many different ways Duple meters have multiples of 2 beats Triple meters have multiples of 3 beats Syncopation occurs when a usually weak beat is accented Compound meters subdivide each beat into 3 equal divisions More Meters • Additive meters contain assymetrical subdivisions Ex: a meter with 7 pulses can be subdivided 3+2+2, thus have 3 accented beats • Try clapping on pulse 1, 4, & 6 (these are the accented beats) “Makedonsko horo”, Bulgarian tambura Other Metric Structures • Some meters are determined by how they are articulated in performance • Rhythmic modes require a musician to play a “signature” skeletal pattern that identifies the mode Ex: North Indian tal, SE Asian colotomic meters, Korean changdan, Middle Eastern iqá Polyrhythm • Polyrhythm is the musical texture of performing multiple rhythmic meters simultaneously Sounds like duple and triple meter performed together (“2 against 3”) Held together by a timeline (often played by bell) III. Phonic Structure = Texture • Phonic structure is the organizational relationship between or among sounds • Different combinations result in different textures Performing one melody Performing one melody with another part Performing multiple melodies Combination of pitched and non-pitched instruments Performing One Melody • Monophony refers to a melody sung or played by a single person alone (solo) • Unison refers to a single melody sung or played by a group • Interlocking parts (“faceting”) split a melody up among several musicians • Heterophony refers to several musicians playing the same melody slightly differently One Melody with Another Part • A drone is a constant pitch over which a melody is played • Homophony refers to accompanying a melody with underlying chords (groups of intervals) Performing Multiple Melodies • Polyphony refers to performing multiple melodic parts together IV. Form • Form is the shape or underlying structure of a musical performance as it unfolds over time • A form can be a structure (a composition or song) and it can be a process of structuring (combining a succession of forms in performance) • Form varies greatly cross-culturally and depends on the performance context Types of Form • Sequential form refers to passing through an ordered succession of musical material • In Part-Counterpart form, one or more supporting parts respond to another part • Music in which the content changes continually from beginning to end is through-composed Types of Form cont. • Strophic form refers to a melody that is repeated while the text changes • AAAAA • Binary form refers to music with two contrasting melodies • ABABAB Form in Performance Context • Musical form can be dependant on context (where, when, who, why) • Form takes into account aesthetic considerations to create musical impact through building expectations and contrasts V. Medium • A medium is a physical body that vibrates to create a pitch A string, drumhead, solid object, or column of air • The quality of sound produced is called timbre (pr. tamber) Timbre is how we distinguish between the sound of a violin and an electric guitar Timbres are described with adjectives, ie. sweet, scratchy, smooth, heavy