BIG SUR
A Film by Michael Polish
2013 / USA / English / Drama
81 min / HD / 2.40 / Dolby 5.1
International Sales Contact:
173 Richardson Street, Brooklyn, NY, 11222, USA
Office: +1.718.312.8210 Fax: +1.718.362.4865
Email: info@visitfilms.com Web: www.visitfilms.com
LOGLINE
A recounting of Jack Kerouac's three sojourns to the cabin in Big Sur owned by poet
Lawrence Ferlinghetti.
SYNOPSIS
Based on the 1962 novel by American literary icon Jack Kerouac, Big Sur recounts the
events surrounding Kerouac's three brief sojourns to a cabin in Bixby Canyon, Big Sur,
owned by Kerouac's friend and fellow Beat poet Lawrence Ferlinghetti. The story
departs from Kerouac's previous fictionalized autobiographical series in that the selfinspired character is shown as a popular, published author; Kerouac's previous works
are restricted to depicting Kerouac's days as a bohemian traveler.
The movie depicts Kerouac's mental and physical deterioration. Kerouac is unable to
cope with a suddenly demanding public, and is battling with advanced alcoholism. He
seeks respite first in solitude in the Big Sur cabin, then in a relationship with Billie, the
mistress of his longtime friend Neal Cassady. Kerouac initially finds solace in the Big
Sur wilderness, but is driven by loneliness to return to the city, and resumes drinking
heavily.
Across Kerouac’s subsequent trips to Big Sur and interleaved lifestyle in San Francisco,
he drunkenly embarrasses Neal by introducing Billie to Neal’s wife, cannot emotionally
provide for the increasingly demanding Billie, and finds himself increasingly unable to
integrate into suburban life. Kerouac's inner turmoil culminates in his nervous
breakdown during his third journey to Big Sur, which serves as his farewell to the beat
generation.
PRESS
"Big Sur is a picturesque film to behold."
Ion Cinema
"An intuitive approach to this literary classic yields dividends for both style and performance."
Film Journal
"Big Sur' cracks the code of how to adapt Jack Kerouac for the screen."
The New York Times
"Big Sur achieves one of the trickier challenges in cinema, dramatising the inner demons of a
character awash in melancholy and addiction."
Screen Daily
"The truest stab yet at bringing Kerouac's artistry to the screen."
Variety "Filming a truly immersive and dimensional adaptation of a Kerouac novel remains an ongoing
challenge for any filmmaker, but Polish's film comes closer than most, while adding another
layer of complexity to the author's venerable reputation."
The Hollywood Reporter
"Breathtaking visuals of Big Sur and the California coast make you feel like you are there which,
when paired with a beautiful score from The National, feel like true escapism and make the
juxtaposition against Kerouac's breakdown all the more tragic."
Film School Rejects
'Any film this well made with the acting muscle of Jean-Marc Barr, Kate Bosworth, Radha
Mitchell and Anthony Edwards is destined to make it to the art houses.'
SLCene
TECH SPECS
Run Time:
Country:
Language:
Shooting Format:
Sound:
Aspect Ratio:
Production Company:
81 min
USA
English
RED (5K)
Dolby 5.1
2.40
3311 Productions
CAST
Jean-Marc Barr
Kate Bosworth
Josh Lucas
Radha Mitchell
Anthony Edwards
Henry Thomas
Jack Kerouac
Billie
Neal Cassady
Carolyn Cassady
Lawrence Ferlinghetti
Philip Whalen
CREW
Writer / Director
Based on the novel by
Producers
Executive Producers
Director of Photography
Production Designer
Editors
Costume Designer
Composers
Michael Polish
Jack Kerouac
Orian Williams
Ross Jacobson
Adam Kassen
Michael Polish
Jim Sampas
Mark Roberts
Eddie Vaisman
Donal Logue
M. David Mullen, A.S.C
Max Biscoe
Robert Frazen, A.C.E.
Geraud Brisson
Bic Owen
Bryce and Aaron Dessner
ABOUT THE CAST
JEAN-MARC BARR (Jack Kerouac)
Jean-Marc Barr was born in Germany to a French mother and an American father, a USAir
Force officer. He studied at UCLA and the Sorbonne, completing his drama education at the
Guildhall School of Music and Drama in London. He is best to known to U.S. audiences for his
roles in Hope and Glory (1987), The Big Blue (1988), Europa (1991) and Breaking the Waves
(1996) including many other independent European films. His collaboration with Danish director
Lars Von Trier put him on track to start directing his own works. He debuted in 1999 as a codirector, screenwriter and producer with Lovers, made in harmony with the Dogma 95
Manifesto. This film became the first part of a Free-Trilogy whose two subsequent parts – the
drama Too Much Flesh (2000) and the comedy Being Light (2001) – that he co-directed with
Pascal Arnold. Their last three films One to Another (2006), American Translation (2011) and
Sexual Chronicles of a French Family (2012) have had US releases.
KATE BOSWORTH (Billie)
Kate Bosworth has made the seamless transition from a young Hollywood starlet to one of
today’s leading ladies. She played the iconic ‘Lois Lane’ in Warner Bros. Superman Returns for
director Bryan Singer and graced the screen in Kevin Spacey’s Beyond the Sea, where she
portrayed screen icon ‘Sandra Dee’ opposite Spacey as Bobby Darin. Receiving rave reviews
from critics, Dee herself gave a nod of approval for her portrayal as the ultimate golden girl.
Bosworth was most recently seen the independent film Little Birds with Juno Temple and will
next be seen in Michael Polish’s Big Sur with Josh Lucas, which will premiere at the 2013
Sundance Film Festival. She will also star in the thriller Black Rock with Lake Bell out this
spring. She also just finished shooting the Sylvester Stallone-penned action-thriller Homefront
where she stars opposite James Franco and Jason Statham.
Her additional recent credits include the comedy L!fe Happens starring opposite Krysten Ritter
and Rachel Bilson, Sam Levinson’s indie drama Another Happy Day starring opposite Demi
Moore and Ellen Barkin, the remake of Straw Dogs with James Marsden and Alexander
Skarsgard, the action film The Warriors Way with Danny Huston and Geoffrey Rush, David
Auburn’s drama The Girl in the Park opposite Sigourney Weaver and in Robert Luketic’s 21.
Most recognized for her strong-willed performance in John Stockwell’s hugely successful Blue
Crush, Bosworth landed her first lead role after dedicating herself to a crash course in
surfing. Contradicting the blonde surfer-girl image and showcasing her multidimensional range,
she starred in the dark indie biopic Wonderland, portraying the real-life girlfriend of the late,
infamous porn star John Holmes, played by Val Kilmer.
With this determination not to be type-cast, it is no surprise that Bosworth made another turn in
her next film Win a Date with Tad Hamilton, Robert Luketic’s romantic comedy in which she
starred opposite Topher Grace and Josh Duhamel. Critics dubbed her as America’s next
sweetheart for her performance as a small town girl caught in a love triangle. Bosworth also
made a cameo appearance in Bee Season as a Hari Krishna convert opposite Max Minghella,
Richard Gere and Juliette Binoche.
While she made her feature film debut in Robert Redford’s film The Horse Whisperer at the age
of 14, Bosworth made the decision early on to make education her priority—choosing parts that
would accommodate her school schedule. While in high school, she starred in the WB’s hit
summer series Young Americans and took a role in Jerry Bruckheimer’s Remember the Titans.
Subsequent to her graduation, Bosworth starred in Roger Avary’s Rules of Attraction.
RADHA MITCHELL (Carolyn Cassady)
Radha Mitchell continues to be one of the most versatile and hardest working actresses in
Hollywood with a slew of feature films on the way. Recently wrapped production on Standing
Up with Val Kilmer, Gus with Michelle Monaghan, Evidence with Stephen Moyer, Fugly! with
John Leguizamo, Bird People with Josh Charles and ensemble films The Frozen Ground
opposite John Cusack, Nicholas Cage and Curtis “50 Cent” Jackson, Big Sur alongside Stana
Katic, Josh Lucas and Kate Bosworth which will premiere at Sundance, as well as Olympus Has
Fallen with Morgan Freeman, Gerard Butler, Dylan McDermott, Aaron Eckhart, Ashley Judd,
Angela Bassett, Robert Forster and Melissa Leo slated for theatrical release on April 5, 2013.
Upon completion of these projects, Mitchell was tapped for the lead role in ABC’s new
organized-crime drama series Red Widow from Twilight-scribe Melissa Rosenberg which
premieres on March 3, 2013.
Mitchell was last seen in leading roles for the feature films Surrogates opposite Bruce Willis and
The Crazies alongside Timothy Olyphant. In 2009, Mitchell co-produced and starred in the
indie, The Waiting City, which premiered at the Toronto International Film Festival and screened
for the closing gala of the 2010 Indian Film Festival Los Angeles (IFFLA). She has also starred
in such features as The Children of Huang Shi with Jonathan Rhys Meyers and Chow Yun-Fat,
Henry Poole is Here with Luke Wilson, Feast of Love alongside Morgan Freeman and Greg
Kinnear, Silent Hill as the leading role, Finding Neverland opposite Johnny Depp, Kate Winslet
and Dustin Hoffman, Man on Fire with Denzel Washington, the innovative feature film, Phone
Booth, opposite Colin Farrell, Pitch Black starring Vin Diesel and her acclaimed dual
performance as both the comic and tragic leads in Woody Allen's Melinda and Melinda.
Other past notable film credits includes the independent feature Dead Heat opposite Keifer
Sutherland and Anthony LaPaglia, When Strangers Appear alongside Josh Lucas, Nobody’s
Baby with Gary Oldman and Skeet Ulrich, Mozart and the Whale opposite Josh Harnett and
Rodrigo Garcia's Ten Tiny Love Stories.
On television, she starred with Hank Azaria and Donald Sutherland in NBC's critically acclaimed
mini-series, Uprising, for director Jon Avnet. Mitchell gave a memorable performance as Syd,
the young editorial assistant who falls in love with Ally Sheedy's heroin-addicted photographer
character in Lisa Cholodenko's critically acclaimed drama High Art. Her role in Emma-Kate
Croghan's romantic comedy Love and Other Catastrophes was highly praised at both the
Cannes and Sundance film festivals.
Originally hailing from Australia, Radha currently resides in Southern California.
JOSH LUCAS (Neal Cassady)
Josh Lucas’ film career began by accident in 1979 when a small Canadian film production was
filmed on the tiny coastal South Carolina Island, The Isle of Palms, where Lucas and his family
lived. Unbeknownst to the filmmakers, 8-year-old Lucas was hiding in the sand dunes watching
filming during the climatic scene where teenage lovers engage in a love sick fight. It was during
this experience that Lucas decided to pursue a career in film.
Born to young, radical, politically active parents in Arkansas in 1971, Lucas spent his early
childhood nomadically moving around the southern United States. The family finally settled in
Gig Harbor, Washington, where Lucas attended high school. The school had an award winning
drama/debate program and Lucas won the State Championship in Dramatic Interpretation and
competed at the National Championship in 1989. Brief stints in professional theater in Seattle
followed, before Lucas moved to Los Angeles. After receiving breaks playing a young George
Armstrong Custer in the Steven Spielberg production Class of ’61 and in the Frank Marshall film
Alive, Lucas’ career toiled in minor television appearances. Frustrated, he decided to start over
and relocate to New York City.
In NYC, Lucas studied acting for years under Suzanne Shepherd and performed in smaller
theater productions, like Shakespeare in the Parking Lot, before receiving another break in 1997
when he was cast as Judas in Terrence McNally’s controversial off-Broadway production of
Corpus Christi. The play led to his being cast in the films You Can Count on Me and American
Psycho. These films were followed by performances in the Oscar-winning A Beautiful Mind and
the box office hit Sweet Home Alabama. After which, Lucas gave memorable performances in
various films, such as Ang Lee’s Hulk, David Gordon Green’s Undertow, Secondhand Lions,
Wonderland, Lasse Hallstrom’s An Unfinished Life and Wolfgang Petersen’s Poseidon. In
2005, Lucas gained nearly 40 pounds to play legendary basketball coach Don Haskins in the
Jerry Bruckheimer production Glory Road. Lucas followed this performance by making his
Broadway debut in Tennessee Williams’ The Glass Menagerie. Lucas’ other theater credits
include the award-winning off-Broadway production of Spalding Gray: Stories Left to Tell.
Lucas’s first producing project, the intensely personal Boaz Yakin film Death in Love, was
released in 2009 in which he also starred. Lucas also produced and starred in the IFC film
Stolen opposite Jon Hamm, which was released in select theatres last year.
Lucas recently wrapped production on Space Warriors opposite Thomas Horn and Dermott
Mulroney. Lucas will play the role of Col. Roy Manley in the film written and directed by Sean
McNamara. He is currently in production on Wish You Well, directed by Darnell Martin.
Lucas recently starred on NBC’s drama, The Firm based on the book by John Grisham and was
seen this past summer in Hide Away, which followed the story of a successful businessman
(Lucas) attempting to resurrect his life and about the inevitability of change. Lucas was
previously seen in the Warner Brothers film J. Edgar as the character role of Charles Lindbergh.
J. Edgar, directed by Clint Eastwood and written by Dustin Lance Black. Lucas also recently
wrapped production on two films: Millennium Films Medallion alongside Nicolas Cage, and the
independent film Big Sur alongside Kate Bosworth. Lucas can also be seen in the Australian
independent film Red Dog opposite Rachael Taylor. Adapted from the beloved and bestselling
novel “Red Dog” by Louis De Bernieres, the film captures the story of a loyal dog searching the
Australian Outback for its owner (Lucas). Roadshow Films released the film in Australia on
August 4th, 2011 to rave reviews. Red Dog has quickly become one of Australia’s highestgrossing Australian films.
In May 2011, Lucas starred in Anchor Bay’s dark comedy Daydream Nation, opposite Kat
Dennings. Daydream Nation premiered at the 2010 Toronto International Film Festival. Lucas
also starred in the Lionsgate film The Lincoln Lawyer, opposite Matthew McConaughey; Life as
We Know, opposite Katherine Heigl and the independent film, Hideaway, opposite Ayelet Zurer
and James Cromwell, which premiered at the 2011 SXSW film festival.
Lucas has always remained fascinated by documentaries, and over the past few years has
worked repeatedly with film legend Ken Burns on the documentaries The War, The National
Parks: America’s Best Idea, and Prohibition, in which he narrated. He was involved in the
Oscar-nominated Operation Homecoming, and appeared in the National Board of Review’s
award winner Trumbo. Lucas also appeared in the Los Angeles Film Festival’s award winning
film Resolved, as well as Barry Levinson’s documentary Poliwood.
Lucas resides in New York City.
ABOUT THE FILMMAKERS
MICHAEL POLISH (Writer/Director/Actor & Producer)
Michael Polish burst onto the independent film scene in 1999 with his first feature, Twin Falls
Idaho. Sony Pictures Classics won the bidding war for theatrical distribution of the film which
debuted at the Sundance Film Festival (1999). In 2000 Michael followed up with the film
Jackpot. Sony Pictures Classics also distributed the film and the film garnered a 2001
Independent Spirit Awards’ John Cassavetes’ Best Independent Film Award and the 2001
Seattle International Film Festival’s New American Cinema Award. In 2002, Michael directed
Northfork which also premiered at the 2003 Sundance Film Festival and was distributed by
Paramount Classics. In 2006 Michael teamed up with Warner Independent for The Astronaut
Farmer. In 2010 Michael directed For Lovers Only and Big Sur, which will premiere at
Sundance in 2013. In 2011 Michael directed Hot Bot. Michael is a native of El Centro,
California. Additionally, Michael studied Visual Communications and Animation at Cal Arts.
ORIAN WILLIAMS (Producer)
Orian Williams Born in Jackson, Mississippi is an award-winning film producer whose credits
include, the Academy Award nominated film, Shadow of the Vampire, starring John Malkovich
and Willem Dafoe also produced by Nicolas Cage. Orian then set his sites on producing the
BAFTA and Cannes winning critically acclaimed film, Control, directed by his only choice as
director Anton Corbijn which details the life and times of Joy Division front man, Ian Curtis,
which was based on the book he optioned ‘Touching from a Distance’ written by Deborah
Curtis. Along the way producing and releasing the comedy Tennis Anyone?, with his friend
Donal Logue and produced the documentary One Fast Move Or I’m Gone: Kerouac’s Big Sur.
Orian then decided his documentary on Kerouac’s Big Sur should be made it into a narrative
feature film with Michael Polish as director, starring Jean Marc-Barr as Kerouac. Currently he’s
producing Dog Years with director Gore Verbinski and right now working on getting the film
Mystery White Boy off the ground which follows Jeff Buckley from his rise and fall during his
New York and Memphis years with documentary director Amy Berg at the helm as well as
Wonderland Avenue based on the book by Danny Sugerman and KIT based on the life and
times of Kit Lambert, a trouble eccentric man who managed the band The Who.
Amongst his many accolades, the versatile producer was chosen by Variety Magazine as one of
2007’s Top Ten Producers. Prior to his film career, he was a commercial producer and also
dabbled in journalism, public relations, acting, and the music business. He currently resides in
Los Angeles, CA.
M. DAVID MULLEN, ASC (Director of Photography)
M. David Mullen, ASC, studied filmmaking and cinematography at the California Institute of the
Arts (CalArts), where he received his Master’s Degree. Since then, he has photographed more
than thirty independent feature films and three television series.
He was nominated for the IFP Independent Spirit Award for Best Cinematography in 2000 for
Twin Falls Idaho and again in 2004 for Northfork both films by Michael and Mark Polish.
In 2000, he photographed Jackpot the first 24P HD feature to be released theatrically in North
America. He has worked with a number of digital cinema cameras since then, including the new
Red Epic and ARRI Alexa.
In 2004, he became a member of the American Society of Cinematographers; in 2007, he joined
the Academy of Motion Picture Arts and Sciences.
Projects released in the past few years include Jennifer’s Body for 20th Century Fox and the
NBC series Smash. In addition, he photographed the pilot episode of The Good Wife for CBS.
He also updated the classic textbook “Cinematography” with original author Kris Malkiewicz,
and has written a number of articles about his own work for various filmmaking magazines.
BIG SUR
A Michael Polish Picture
Directed by - Michael Polish
Screenplay by - Michael Polish
Based on the novel ‘Big Sur’ by Jack Kerouac
Producer – Orian Williams
Producer – Ross Jacobson
Producer – Adam Kassen
Producer – Michael Polish
Executive Producer – Jim Sampas
Executive Producer – Mark Roberts
Executive Producer – Eddie Vaisman
Executive Producer – Donal Logue
Jack Kerouac – Jean-Marc Barr
Billie – Kate Bosworth
Neal Cassady – Josh Lucas
Carolyn Cassady – Radha Mitchell
Lawrence Ferlinghetti - Anthony Edwards
Michael McLure – Balthazar Getty
Lew Welch – Patrick Fischler
Lenora - Stana Katic
Philip Whalen - Henry Thomas
Paul Smith - John Robinson
Director of Photography - M. David Mullen, A.S.C.
Production Designer - Max Biscoe
Edited by Robert Frazen, A.C.E.
Geraud Brisson
Co-Producer – Mark G. Mathis
Co-Producer – Sean O'Grady
Costume Designer - Bic Owen
Composer - Bryce and Aaron Dessner
Music Supervision - Chris Douridas
Casting by Kelly Wagner
ASSISTANT DIRECTORS:
UPM: Mark Mathis
1st AD: Charity Ozarowski
2nd AD: Mary Beth Chambers
ASSISTANT DIRECTORS SAN FRANCISCO:
2nd 2nd AD - Michael Jordan
ASSISTANT DIRECTORS BIG SUR:
2nd 2nd AD - Brad Pero
Vulture Girl – Jasper Polish
Lady Dining - Vanessa Ross
Cabbie - Richard Conti
Party Girl - Natasha Goss
Bar Patron - Jeffrey T Ferguson
Wife - Deanna Marks
Emily Cassidy - Shelby Lyon
Wifey - Katrina Sherwood
Beatnik party goer - Talaria Haast
Naked Hot Springs Stranger - Jesse Soares
Deli Customer - Veronica Loud
Mrs. McClure - Brenda Marie King
Orderly - David Ojakian
Timmy Cassady - Seth McCracken
Orderly Johnson - Bennie Bell
Waiter - Peter Kepler
Restaurant Patron - Briana Eason
Elliott - Ryan Teeple
Victor Wong - Jason W. Wong
Party Goer - Stevenson Heriveaux
Catherine Kim Poon – Bus Passenger
GRIP – SAN FRANCISCO:
Key Grip - Brad Heiner
Best Boy Grip - Matt Marden
Dolly Grip - Jim Heywood
Grip - Nick Hertel
Grip - Shaymus Maley
Grip - Christian Wadman
GRIP – BIG SUR:
Best Boy Grip -Matty Gulbin
Dolly Grip - Tony Bendt
Grip - Johnny Martin
Grip - Douglas Wiltse
Grip (Week 3 – 4) - Cliff Denson
Grip (Week 4) - Frank Gardner
ELECTRIC – SAN FRANCISCO:
Gaffer - Keith Morgan
Best Boy Electric - Lisa Quinn
Electric - Keith Pikus
Electric - Dave Cherry
Electric - Evan Davies
Electric - Chad Janusch
Electric - John Allbee
ELECTRIC BIG SUR:
Best Boy Electric - Cooper Donaldson
Best Boy Electric - Curtis Sherman
Electric - Chris Horton
Electric -Stephen Ohab
Electric - Greg Brezovec
Electric - Jason Goodell
Electric - Mike Beckman
Electric - Nathan Fetzer
Electric - Beau Lambert
CAMERA DEPARTMENT:
Director of Photography - David Mullen
A Camera Operator - Theo Pingarelli
1st AC A Cam (SF) - Paul Marbury
1st AC A Cam (BS) - Dave Mun
1st AC A Cam - Vance Piper
2nd AC A Cam: Anna Lee
D.I.T: Dane Brehm
Camera Intern: Will Eprin
B Camera Operator - Mickey Freeman
1st AC B Cam - Val Camp
st
1 AC B Cam - Steve Bellen
1st AC B Cam - Rod Williams
2nd AC B Cam - Alex Worster
2nd AC B Cam - Katelin Hull-Nye
Still Photographer - Ursula Coyote
B CAMERA DEPARTMENT – BIG SUR:
B Camera Operator - Chris Squires
B Camera Operator - Josh Bleibtreu
1st AC B Cam - Alan Koplin
2nd AC B Cam - Alex Worster
WARDROBE:
Costume Design - Bic Owen
Wardrobe Supervisor - Sarah Bram
Wardrobe Supervisor - Amy Parris
Set Costumer (San Francisco) - Shayla Dopp
Set Costumer (Big Sur) - Analucia McGorty
HAIR & MAKE UP:
Key Make Up: Aurora Bergere
Key Hair: Gary Perticone
Assistant Make Up: (April 10-12, April 19-20): Nancie Marsalis
Assistant Make Up (Big Sur): Patty Androff
Make Up Artist – Stana Katic: Sara Vaugn Schofield
Assistant Hair: Mary Still
Assistant Hair (April 29 on): Patricia Gundlach
ART DEPARTMENT:
Production Designer - Max Biscoe
Art Department Coordinator= Camille Goldberg
Prop Master - Andrew Lewis
Props Assistant -Zachary Lewis
Set Decorator - Dean Backer
Leadman - Michael “Barney” Bernard
On Set Dresser: Joe Schlick
Set Dresser: Dan Molnar
PRODUCTION:
Production Coordinator - Clio Tegel
Asst. Production Coordinator - Sara Wosik
Production Accountant - Katherine Swanson
Documentarian – Adam Rehmeier
Office PA (SF) - Clark Todd
Office PA - Mike Bondi
Office PA - Jeff Kramer
Travel Coordinator - Tracy Remmereid
Set PA - Susannah Evans
Set PA - La Mar Stewart
Set PA - Jack Malcolm
Set PA - Darryl Jefferson
Set PA -Ric Perada
Set PA - Darryll Scott
Set PA - Alan Stephens
Set PA - Charles Moore
Set PA - Jaime Stocker
Set PA - John Knight
Basecamp PA - Jennifer Jordan
Administrative Assistant - Nicole Lang
Script Supervisor - Kris Smith
CASTING:
Casting Director - Kelly Wagner
Casting Associate - Dominika Posseren
Casting Director (San Francisco Extra’s) - Nina Henninger
Background Coordinator - Marcy Guiragossian
CRAFT SERVICES SAN FRANCISCO:
Craft Service - Kim Miller
Craft Service Assistant - Jill Wattles
CRAFT SERVICES BIG SUR:
Craft Service - Regal Riser
Craft Services Assistant - Clifford Scott
LOCATIONS:
Location Manager (San Francisco) - Gail Stempler
Location Scout - Peter Moody
Location Scout (Big Sur) - Peter Newfield
Assistant Locations (San Francisco) - Daniel Lee
MEDIC:
Set Medic (Big Sur) - Alex Farrington
SOUND:
Sound Mixer - Matthew Nicolay
Boom Operator - Stacey Washer
Utility - Keith Sasser
STUDIO TEACHER:
Studio Teacher (Week 1) - Elise Ganz
Studio Teacher (Weeks 2 – 3) - Eloisa Alarcon
Studio Teacher (Apr 29 – May 6) - Linda Stanley
TRANSPORTATION:
Transportation Captain - Chad Henley
Driver - Tommy Drtina
Driver - Tim Jensen
Driver - Frank Durate
Driver - Zach Beach
Driver - Leo Kazanchian
Driver - Brent Sincock
Driver - Les Blenkhorn
Driver - John Aliano
Driver - Leo Reed
Driver - Chris Stathes
Driver - Mary Alice Denman
Driver - Michael Henley
Driver - Jeff Purpus
Driver - Donovan Santana
Driver - Ron Hooker
Driver - Richard Anton
Driver - Jose Hernandez
Driver - Chris Wienskoski
Driver - Bob Barbosa
EDITING:
Additional Editor - Cary Gries
Asst. Editor - Jeff Cummings
Asst. Editor – Jane Tones
Asst. Editor – Stuart Sperling
Editorial PA – Juliette Edwards
Sound Post Production Services provided by Stand Sound
ADR and Foley recordings by Lotus Post in Santa Monica, CA
Christopher Sheldon
Sound Supervisor
Yagmur Kaplan
Rerecording Mixer
Mark Ettel
Rerecording Mixer
Gregg Teutonico
Foley Supervisor
Alex Ma
Foley Editor
Phil Kim
Post Sound Assistant
Paul Carden
Dialogue Editor
Post Auto-Conform
Sang Kim
Jeff Pitts
Sound Designer
Laird Fryer
Foley Mixer
Mixing Stage provided by
Troy Entertainment
(Lake Hollywood, California)
Mixing Technicians
Phillip Biff Vincent
Andrew Troy
Sound Services Business Affairs
Andrew Troy
Evan Edelist
Digital Intermediate by LIGHT IRON
Digital Intermediate Colorist! - IAN VERTOVEC
DI Producer - PAUL GEFFRE
Conform Editors - MONIQUE EISSING
MATT BLACKSHEAR
DI Assists PAUL REHDER
RYAN McKEAGUE
Light Iron Management - MICHAEL CIONI
PETER CIONI
KATIE FELLION
DES CAREY
CTO
CHRIS PEARISO
Systems Administrator KEVIN LONDON
Administration
DANA BLUMBERG
DEREK EBY
EMILY EDDEY
DEAN MOZIAN
CATERER:
Caterer - Matt “Chachi” Medina
Catering Assistant - Taku Tsukii
Catering Assistant - Ben Metier
Payroll services provided by Ease Entertainment Services, LLC
Production Lighting & Grip Equipment Provided By
LEONETTI COMPANY
Camera Dollies By
CHAPMAN/LEONARD STUDIO EQUIPMENT, INC
SPECIAL THANKS:
Catherine Ann
Delbert M. Polish
Jasper Polish
Adriana Ariaza
Jean Louis Keroauc
Levi Strauss
Buffalo Trace
Bryce Dressner
Aaron Dressner
The National
Cocteau Twins
Neko Case
Dwight Yoakam
Oren Segal
Henry Miller Library
Harley Davidson
Calvin Klein
Steve Jobs
Jeff Robinov
Jerry Jones
Charlotte Jones
CalArts
Lila
Maria Perritano
Tony Perritano
Rachel Reisman
Andrew Troy
City and County of San Francisco
Laguna Honda and Rehabilitation Center
SPECIAL THANKS:
Helen Surprenant