PASIC 2002 Program - Percussive Arts Society

PASIC 2002 COLUMBUS, OHIO NOVEMBER 13–16 THE DRUMMERS OF WOODY HERMAN FRIDAY RIDAY EVENING VENING SCHEDULE OF EVENTS WEDNESDAY, NOVEMBER 13 • PAGE 30 THURSDAY, NOVEMBER 14 • PAGE 34 PERCUSSIVE ARTS SOCIETY HISTORY • PAGE 90 FRIDAY, NOVEMBER 15 • PAGE 42 SATURDAY, NOVEMBER 16 • PAGE 50 SPONSORS • PAGE 6 EXHIBITORS PASIC 2002 PLANNING COMMITTEE • PAGE 4 BY NAME • PAGE 8 PASIC 2002 ADVERTISERS • PAGE 95 BY BOOTH NUMBER • PAGE 8 BY CATEGORY • PAGE 10 COMPANY DESCRIPTIONS • PAGE 14 MAPS GREATER COLUMBUS CONVENTION CENTER & HYATT REGENCY MAP • PAGE 26 AREA MAP & RESTAURANTS • PAGE 28 EXHIBIT HALL • PAGE 12 ARTISTS AND CLINICIANS BIOS • PAGE 58 WELCOME MESSAGES • PAGE 3 PAS PRESIDENT’S WELCOME elcome to Columbus, Ohio and to the 2002 Percussive Arts Society International Convention. This is the third time that Columbus has hosted our unique music convention, and the city and event facilities have always proven to be first rate. I appreciate the tireless efforts of Susan Powell and her planning committee in providing a stel- W lar lineup of clinicians, artists, workshops, and concerts for the members of PAS. Please take a moment to thank Susan and her committee for their work before and during the convention to bring this world-class event to Columbus and to make it run like clockwork. Our society is richer for their vision and volunteer efforts. This vision can only be realized with the support of our Sustaining Members. In the Exhibit Hall you will find a dedicated music industry that devotes a large portion of their resources to invest in the percussive arts and PAS. On behalf of the Board of Directors and our entire membership, I say thank you to our Sustaining Members for their support that brings this convention together. Please take a moment to thank these exhibitors for providing opportunities for your enrichment. Finally, be sure to thank our Executive Director, Michael Kenyon, and the PAS Staff for their outstanding job to produce PASIC. It takes years of planning by the PAS office to administer and run this event. Our society is lucky to have such a talented and dedicated team of professionals in Lawton, Oklahoma working on our behalf. There is no place like PASIC on this earth. It is a place to recharge your batteries, to access new information, to renew old friendships and make new ones. PASIC is a unique connection to people, products, and performances. Please enjoy PASIC 2002 and all that it does to enhance our lives. PASIC HOST’S WELCOME n behalf of the city of Columbus and the PASIC 2002 planning committee, I’d like to welcome you to what I know will be a stimulating and enriching four days. Twenty seven years ago, the first Percussive Arts Society International Convention was held in Rochester, New York at the Eastman School of Music. Since then, PASIC has visited twenty different cities across the United States and brought the world of percussion to thousands of individuals. This is the third trip that PASIC has made to Columbus; Bob Breithaupt hosted the convention in 1993 and Jim Rupp was host in 1999. Due to the accessible location, great facilities, and the successful previous conventions, the precedent has been set for yet another memorable Columbus gathering. The artist roster for PASIC 2002 features some of the greatest names in percussion, and as you browse through O WELCOME MESSAGES the program take note of the wide array of genres represented: drumset, world, keyboard, orchestral, and marching percussion, as well as education sessions and concert events. Within each of these areas there are clinics, master classes, performances and panel discussions, as well as a diverse lineup of evening concerts. You can plan your PASIC experience around your particular points of interest, all while sampling the varied offerings of other areas. Also, be sure and budget time in your daily schedule to visit the PASIC 2002 Exhibit Hall. The exhibits offer the opportunity to browse through music, view the latest instrument innovations, and try out products not available anywhere else in one location. An event such as this could not take place without the collaboration of countless individuals and organizations. Numerous contributors have helped make this convention come to life: the PAS committee members, the many logistics volunteers, the corporate sponsors, and especially the PAS staff in Lawton. I would like to thank in particular PAS Administrative Manager Rebecca Kinslow and PASIC Production Manager Todd Lacy, who have been key in the planning process of this event. PAS conventions offer the unique gathering of individuals from all sides of percussion: performers, students, educators, composers, manufacturers and percussion enthusiasts. This is the seventeenth convention I have personally attended, and I can honestly say that I have grown up in, with and through the Percussive Arts Society. The yearly conventions have been integral to my development as both performer and educator, and I, like many others, look forward to renewing old friendships as well as making new ones each time PASIC takes place. Whether this is your first PAS convention or your twentieth, you will most certainly leave inspired. Enjoy your stay! PRESIDENT’S CIRCLE The Percussive Arts Society wishes to express its deepest gratitude to the following businesses and individuals who have given generous gifts and contributions to PAS over the years. $500,000 or more MCMAHON FOUNDATION $100,000 or more FRED GRUBER ZILDJIAN FAMILY $50,000 or more GORDON B. PETERS EMIL RICHARDS MICKEY TOPERZER $25,000 or more CAROLL BRATMAN NANCY & PERRY D. PREUSCH REMO, INC. SABIAN, LTD. THOMAS SIWE PASIC 2002 SPECIAL THANKS Eugene Novotney Organization of PASIC 2002 Focus Day Robin Engelman Organization of The Drummer’s Heritage Jim Rupp Organization of Drummers of Woody Herman Todd Lacy Production Manager Bryan Stone Photography 3 PASIC 2002 PLANNING COMMITTEE PERCUSSIVE ARTS SOCIETY BOARD OF DIRECTORS EXECUTIVE COMMITTEE James Campbell, President Mark Ford, President-elect Richard Holly, Vice President Kristen Shiner McGuire, Secretary Mike Balter, Treasurer Robert Breithaupt, Immediate Past President Michael Kenyon, Executive Director DIRECTORS SUSAN POWELL JEREMY BRADSTREET ROGER BRAUN CARY DACHTYL PASIC 2002 Host Director of Percussion Studies, The Ohio State University School of Music Assistant Band Director, Grove City High School Director of Percussion Studies Ohio University, Athens, Ohio Percussion Instructor, Kenyon College; Music Director, Welsh Hills Symphony; Timpanist, Opera Columbus JEFF JONES SCOTT KITCHEN JOSEPH KRYGIER JIM LESLIE Arts Impact School, Columbus Beginning Band teacher, Parkersburg WV; Adjunct Professor, Marietta College (Ohio) Percussionist/The Ohio State University Department of Dance University of Dayton; President of the PAS Ohio Chapter Timothy K. Adams, Pittsburgh, PA Anders Åstrand, Stockholm, Sweden Steve Beck, Pro-Mark Corp., Houston, TX Gregg Bissonette, Westlake Village, CA Michael Burritt, Northwestern University, Evanston, IL Jim Catalano, Ludwig/Musser Industries, Elkhart, IN Ndugu Chancler, Los Angeles, CA Gary Cook, University of Arizona, Tucson, AZ Peter Erskine, Santa Monica, CA David Eyler, Concordia College, Minnesota State University–Moorhead, MN Steve Houghton, Glendale, CA Dana Kimble, West Point Band, West Point, NY Frederic Macarez, Orchestre de Paris, Conservatoire Superieur de Paris - CNR. Paris, France William Moersch, University of Illinois, Urbana, IL Emil Richards, Toluca Lake, CA Lisa Rogers, Texas Tech University School of Music, Lubbock, TX Ney Rosauro, University of Miami, Coral Gables, FL/ Santa Maria, Brazil Ed Shaughnessy, Calabasas, CA Ed Soph, University of North Texas, Denton, TX Kay Stonefelt, College at Fredonia—SUNY, Fredonia, NY Ed Thigpen, Action Reaction, Copenhagen, Denmark Norman Weinberg, University of Arizona, Tucson, AZ Andy Zildjian, Sabian, Ltd., Meductic, NB Canada COUNCIL OF PAST PRESIDENTS JIM MOORE LENNARD MOSES ERIC PATON BEN RAMIREZ Percussion Instructor, OSU Marching Band; Editor/Owner of Per-Mus Publications, Inc. Associate Professor of Perucssion and World Music, Central State University, Wilberforce, OH Capital University Conservatory of Music Principal Timpanist, Columbus Symphony; faculty member Boston University–Tanglewood Institute Robert Breithaupt, 1999–2000 Genaro Gonzalez, 1997–98 Garwood Whaley, 1993–96 Robert Schietroma, 1991–92 John Beck, 1987–90 Thomas Siwe, 1984–86 Larry Vanlandingham, 1982–84 James Petercsak, 1978–81 Gary Olmstead, 1973–77 Saul Feldstein, 1968–72 Gordon Peters, 1964–67 Donald Canedy, 1960–63 PERCUSSIVE ARTS SOCIETY STAFF TED ROUNDS JIM RUPP ROGER SCHUPP GLENN SCHAFT Professor of Percussion, Kent State University President of Columbus Pro Percussion, Inc.; Chair of the PAS Drumset Committee Associate Professor of Percussion, College of Musical Arts, Bowling Green State University Associate Professor, Coordinator of Percussion Studies, Dana School of Music ADDITIONAL PLANNING COMMITTEE MEMBERS: 4 KIM BURDETT, REGGIE JACKSON, MICHAEL LAMATTINA, JOHN MERRITT Matt Elliott Catherine Flynn Jeff Hartsough Hillary Henry Michael Kenyon Rebecca Kinslow Rick Mattingly Danny Mendonsa Teresa Peterson Christa Riley Otice Sircy PASIC 2002 PLANNING COMMITTEE SPONSORS A.F.A.A. (Action Française d’Action Artistique) Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Alfred Publishing Co., Inc. Steve Houghton Kalani American Drum Manufacturing Company John Tafoya Aquarian Accessories Joe La Barbera Arizona State University School of Music/Herberger College of Fine Arts Arizona State University Contemporary Percussion Ensemble Aspen Music Festival and School Jonathan Haas Association des Amis de Maurice Ohana Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Audix Corporation Luis Conte Julio Figueroa Zoro Avedis Zildjian Cymbal Company Anders Åstrand and Global Percussion Network Arizona State University Contemporary Percussion Ensemble Tom Aungst James Campbell Gary Chaffee Patsy Dash, Doug Waddell & the Chicago Symphony Percussion Scholarship Group Lalo Davila Drummers of Woody Herman Mark Ford Jonathan Haas Steve Houghton Elvin Jones Hilary Jones Joe La Barbera Gene Lake Neil Larrivee Kakraba Lobi, Valerie Naranjo and Barry Olsen Robert McCormick Colin McNutt Russ Miller Gary Novak Adam Nussbaum Percussionists of the Boston Pops Esplanade Orchestra William Platt John Riley Michael Rosen Ed Soph Gordon Stout Tempus Fugit University of North Texas Drumline Billy Ward 6 Richard Weiner Nebojsa Jovan Zivkovic & Jovan Percussion Group Avedis Zildjian Drumsticks Gary Chaffee Steve Houghton Russ Miller Gary Novak Adam Nussbaum John Riley Ed Soph Batterie Music Raynor Carroll Berklee College of Music Percussionists of the Boston Pops Esplanade Orchestra Black Swamp Patsy Dash & Doug Waddell with Chicago Symphony Percussion Scholarship Group William Platt Bosphorus Cymbals Jeff Hamilton Boston Conservatory Percussionists of the Boston Pops Esplanade Orchestra Brevard College Laura Franklin The Canada Arts Council Ganesh Anandan Cadeson Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Cameron’s Drumming Studio Peel Regional Police Pipe Band Drum Line Cantus Ivana Bilic Capital University Conservatory of Music Capital University World Music Lab Ensemble Eric Paton Carl Fischer Nick Petrella cdstreet.com Drummers of Woody Herman Colleyville-Heritage High School Colleyville–Heritage High School Percussion Ensemble Columbus Pro Percussion, Inc. Drummers of Woody Herman Cooperman Company Ganesh Anandan Colonial Williamsburg Fife & Drum Corps Patrick Cooperman Nick Petrella Croatian Composers Society Ivana Bilic DeMorrow Instruments, Ltd. Rick Dimond DrumFrame Zoro Drum Workshop, Inc. Julio Figueroa Hilary Jones Gary Novak Paul Wertico Trio Billy Ward Paul Wertico Zoro East Kentwood and Caledonia High School Strike Percussion Ensemble Encore Mallets, Inc. Nancy Zeltsman Evans Drumheads Tim Adams Lalo Davila Kalani Frederic Macarez Mitch Markovich Aldo Mazza Adam Nussbaum Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Jeff Queen Ed Soph University of Kentucky Percussion Ensemble Billy Ward Zoro Fall Creek Marimbas Steve Chavez Franklin Central High School Franklin Central Percussion Symphony Gibraltar Hardware Hip Pickles Kalani Gretsch Drums Joe La Barbera Grip Peddler Aldo Mazza Grover Pro Percussion, Inc. Raynor Carroll Scott Herring Stanley Leonard Robert McCormick Percussionists of the Boston Pops Esplanade Orchestra William Platt Jim Royle Michael Sgouros John Tafoya Hal Leonard Corp. Nancy Zeltsman HoneyRock Publishing B. Michael Williams H. Selmer–Paris Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Innovative Percussion, Inc. Anders Åstrand and Global Percussion Network Lalo Davila Chris Deviney Mark Ford Scott Herring Chris Lamb Colin McNutt Ney Rosauro Michael Sgouros Tempus Fugit Ben Toth Truman State University Percussion Ensemble University of Miami Percussion Ensemble University of North Texas Drumline Latin Percussion, Inc. Lenny Castro Kakraba Lobi, Valerie Naranjo and Barry Olsen Aldo Mazza Pan Ramajay Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Bobby Sanabria Zoro Lefima Percussion Percussionists of the Boston Pops Esplanade Orchestra Lone Star Percussion Oak Village Middle School Ludwig/Musser Industries Ian Finkel Stefon Harris Arthur Lipner Gary Olmstead and Indiana University of Pennsylvania Percussion Ensemble Répercussion Rich Thompson Mairie de Paris Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Kp3 LLC/Malletech Instruments Patsy Dash & Doug Waddell with Chicago Symphony Percussion Scholarship Group Scott Herring Northwestern University Percussion Ensemble Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Eric Sammut Gordon Stout Malletech Mallets Eric Sammut Gordon Stout She-e Wu MalletWorks Music Arthur Lipner Ney Rosauro University of Miami Percussion Ensemble Manhattan School of Music John Riley Marimba One Ivana Bilic Patsy Dash & Doug Waddell with The Chicago Symphony Scholarship Group Kakraba Lobi, Valerie Naranjo and Barry Olsen Gary Olmestead and Indiana University of Pennsylvania Percussion Ensemble Nancy Zeltsman Meinl USA L.C. Luis Conte Julio Figueroa Thomas Lang Russ Miller Clyde Stubblefield and Jabo Starks Orestes Vilato SPONSORS Paul Wertico Miami University Department of Music Miami University Steel Band Mike Balter Mallets Arizona State University Contemporary Percussion Ensemble Ian Finkel Jonathan Haas Arthur Lipner Aldo Mazza Ministère des Affaires Etrangères, (French Government) Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Modern Drummer Publications Jake Hanna Don Lamond Mountain Rythym Ryan Goldin Aldo Mazza Noble & Cooley Chris McHugh Northwestern University Northwestern University Percussion Ensemble Oberlin Conservatory of Music Oberlin Percussion Group Michael Rosen Paiste America, Inc. Lenny Castro Andrea Centazzo Kim Plainfield Paul Van Wageningen Paul Wertico Trio Paul Wertico Pan Ramajay Productions Miami University Steel Band Tom Miller Pan Ramajay Peabody Conservatory of Music Jonathan Haas Peabody Percussion Ensemble Pearl Corporation and Adams Musical Instruments Arizona State University Contemporary Percussion Ensemble Lalo Davila Patsy Dash & Doug Waddell with The Chicago Symphony Scholarship Group Chris Deviney Virgil Donati Mark Ford Jonathan Haas Hip Pickles Steve Houghton Marty Hurley Don Lamond Neil Larrivee Mitch Markovich Colin McNutt Nexus Gary Olmestead and Indiana University of Pennsylvania Percussion Ensemble Pan Ramajay Percussionists of the Boston SPONSORS Pops Esplanade Orchestra Kim Plainfield Jeff Queen Bobby Sanabria Matt Savage Truman State University Percussion Ensemble University of North Texas Drumline The Peel Regional Police Pipe Band Drum Line Peel Regional Police Pipe Band Drum Line Premier Percussion Franklin Central Percussion Symphony Jim Kilpatrick Gene Lake Percussion Ensemble of Conservatoire Supérieur de Paris–CNR The Piano Gallery of Dublin Ohio Peabody Percussion Ensemble Pro-Mark Corporation Terreon Gully Jonathan Haas Stefon Harris Hip Pickles Elvin Jones Hilary Jones Jeff Jones Mitch Markovich Oak Village Middle School Paul Wertico Trio Matt Savage University of New Mexico Paul Wertico PureSound Percussion Julio Figueroa Charlie Rath Drummers of Woody Herman Regal Tip Julio Figueroa Jeff Hamilton Jake Hanna Aldo Mazza Rich Thompson Remo, Inc. Dean Anderson Tom Aungst Capital University World Music Lab Ensemble Raynor Carroll Lenny Castro Andrea Centazzo Gary Chaffee Luis Conte Dave Weckl Band Virgil Donati Julio Figueroa Jonathan Haas Jeff Hamilton Hip Pickles Steve Houghton Thomas Lang Russ Miller Colin McNutt Gary Novak Neil Larrivee Eric Paton Paul Wertico Trio John Riley Bobby Sanabria Matt Savage Clyde Stubblefield and Jabo Starks John Tafoya Rich Thompson Glen Velez Orestes Vilato Paul Wertico Rhythm Tech Julio Figueroa Ross Mallet Instruments, Inc. Stephen Crawford Row-Loff Productions Lalo Davila Sabian, Ltd. Alan Abel Ruth Cahn Raynor Carroll Dave Weckl Band Dennis DeLucia Chris Deviney Virgil Donati The Drummer’s Heritage Terreon Gully Hip Pickles Giff Howarth Chris Lamb Aldo Mazza Chris McHugh Pan Ramajay Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Nick Petrella Ney Rosauro Jim Royle Bobby Sanabria Matt Savage Michael Sgouros Michael Spiro University of Miami Percussion Ensemble Orestes Vilato Dave Weckl Zoro Sandy St. James Pipe Band Outfitter Peel Regional Police Pipe Band Drum Line Shure Incorporated Dave Weckl Band Russ Miller Paul Wertico Trio Billy Ward Paul Wertico Silver Fox Percussion Jim Royle Sonor/HSS, Inc. Thomas Lang Adam Nussbaum Stanley Leonard Percussion Music Stanley Leonard Steve Weiss Music William Platt Tap Space Publications Giff Howarth Tama Dave Lombardo Temple University Nancy Zeltsman Toca Percussion Kalani University of Buffalo Jonathan Haas University of Miami School of Music Ney Rosauro University of Miami Percussion Ensemble University of New Mexico University of New Mexico Percussion Ensemble Vater Percussion, Inc. Virgil Donati Thomas Lang Kim Plainfield Vic Firth, Inc. Tom Aungst Lenny Castro Dave Weckl Band Giff Howarth Kalani Joe La Barbera Gene Lake Neil Larrivee Tom Miller Percussion Ensemble of Conservatoire Supérieur de Paris–CNR Percussionists of the Boston Pops Esplanade Orchestra Jeff Queen Bobby Sanabria Michael Spiro Clyde Stubblefield and Jabo Starks Orestes Vilato Dave Weckl Zoro Warner Bros. Publications Matt Savage Wendy’s International Drummers of Woody Herman Yamaha Band & Orchestral Anders Åstrand and Global Percussion Network Tom Aungst The Drummer’s Heritage Giff Howarth Stanley Leonard Peabody Percussion Ensemble Nick Petrella Ney Rosauro Symphonic Percussion Emeritus Tempus Fugit University of Miami Percussion Ensemble Nebojsa Jovan Zivkovic & Jovan Percussion Group Yamaha Drumset Gary Chaffee Dave Weckl Band Terreon Gully Elvin Jones Russ Miller John Riley Ed Soph Clyde Stubblefield and Jabo Starks Dave Weckl 7 EXHIBITORS BY NAME EXHIBITORS BY BOOTH NUMBER A. Putnam Mallets ........................... 78 ACG Percussion ........................... 635 Alfred Publishing Co., Inc. ................ 9 Alternate Mode, Inc. ....................... 87 Aquarian Accessories .................. 535 Arbiter North America ................ 339 Audix Corporation .......................... 77 August Percussion ....................... 808 Avedis Zildjian Company ............. 202 Batterie Music ................................ 72 Bergerault USA— Professional Division of PeripoleBergerault ................................ 103 Berklee College of Music ............... 46 Black Swamp Percussion LLC ..... 435 Bosphorus Cymbals .................... 124 C. Alan Publications ....................... 47 California Percussion ..................... 24 Carl Fischer LLC ............................ 36 Clarion Associates, Inc. ................. 66 Clevelander Drum Company ....... 627 Coe Percussion .............................. 32 Columbus Pro Percussion, Inc. .... 223 Cooperman Company ................. 716 Coyle Drums ................................ 434 C.S. Records (Val Eddy) .............. 805 C-Shirtz, LLC ................ 634, 636, 638 Cymco, Inc. .................................. 238 DeMorrow Instruments, Ltd. .... 51, 53 Doc’s Proplugs, Inc. .................... 800 drop6 media, Inc. .......................... 67 Drum Workshop, Inc. ................... 428 Drummers Collective ..................... 33 Drums In the Wind (Woodwind & Brasswind) ........ 335 Dynasty USA/ DEG Music Products, Inc. ....... 226 Encore Mallets, Inc. ....................... 37 Equilibrium ..................................... 75 Evans Drumheads ....................... 518 Explorers Percussion ................... 816 Fall Creek Marimbas ...................... 20 Falls Music Company .................. 803 Fork’s Drum Closet ................ 234,236 GMS Drum Co., Inc. ..................... 336 GP Percussion ............................... 73 Grip Peddler .................................. 49 Grover Pro Percussion, Inc. ......... 724 Guitar Center ............................... 528 Hal Leonard Corp. ......................... 29 Hohner HSS, Inc./Sonor Drums ... 421 Humes & Berg Mfg. Co., Inc. ................ 119 & 223 HydroSteel LLC ........................... 52, 54 Iñaki Sebastián Mallets S.L. ......... 435 Innovative Percussion, Inc. ............ 11 Interstate Music Supply ............... 801 Istanbul Agop Cymbals .............. 637 JC’S Drummin Music Shop .......... 806 JiWi Drums and Restoration ........ 804 Kaman Music Corporation ........... 602 Kori Percussion/ Custom Music Co. ............. 56, 58 Lang Percussion, Inc. .................. 639 Latin Percussion, Inc. .................. 110 Lefima Percussion ....................... 326 Lone Star Percussion ..................... 55 Ludwig Drum Co. ......................... 100 MalletWorks Music ...................... 52, 54 Marcat Machining Co., L.L.C. ........ 80 Marimba One ................................. 40 Media Press ................................... 75 Meinl USA L.C. ............................. 420 Meredith Music Publications .......... 29 Mike Balter Mallets ....................... 118 Modern Drummer Publications ...... 21 Morgan Marketing Partners ......... 807 1 ..................... Percussive Arts Society 3 ............................... Mostly Marimba 9 .................. Alfred Publishing Co., Inc. 11 ............ Innovative Percussion, Inc. 17 .................... Pro-Mark Corporation 20 ...................... Fall Creek Marimbas 21 ...... Modern Drummer Publications 24 ..................... California Percussion 25 ..................... Row-Loff Productions 28 ............................ SKB Corporation 29 ......................... Hal Leonard Corp. 29 .......... Meredith Music Publications 32 .............................. Coe Percussion 33 ..................... Drummers Collective 36 ............................ Carl Fischer LLC 37 ....................... Encore Mallets, Inc. 40 ................................. Marimba One 46 ............... Berklee College of Music 47 ....................... C. Alan Publications 48 ........... Pan Caribe Inc/Steel Island 49 .................................. Grip Peddler Trinidad & Tobago 50 ....................... Instruments Limited 51, 53 .... DeMorrow Instruments, Ltd. 52, 54 ........................ HydroSteel LLC 52, 54 ................... Mallet Works Music 55 ..................... Lone Star Percussion Kori Percussion/ 56, 58 .................... Custom Music Co. 57 .............. U.S. Navy Music Program 59 ........ XL Specialty Percussion, Inc. 60 ............. Winter Guard International 66 ................ Clarion Associates, Inc. 67 .......................... drop6 media, Inc. 68 ................ Percussion Construction 70 .............................. Planet Marimba Rebeats Vintage 71 .............................. Drum Products 72 ................................ Batterie Music 73 ............................... GP Percussion 74 ............. Per-Mus Publications, Inc. 75 ..................................... Equilibrium 75 ................................... Media Press Percussion Events Registry 76 ....................................... Company 77 .......................... Audix Corporation 78 .......................... A. Putnam Mallets University of Miami School 79 ........................................ of Music 80 ........ Marcat Machining Co., L.L.C. 81 ......................... Smith Publications 82 ............................................. P-Bag 83 ................. Tap Space Publications 84 ............................... Pan Press, Inc. 85 ....... RAWI Percussion Publications 86 ............................... Musictime, Inc. 87 ...................... Alternate Mode, Inc. 100 ......................... Ludwig Drum Co. Bergerault USA—Professional 103 ..... Division of Peripole-Bergerault 109 ............................ Mountain Rythym 110 .................. Latin Percussion, Inc. 115 .................... PureSound Percussion 118 ....................... Mike Balter Mallets 119 ...... Humes & Berg Mfg. Co., Inc. 123 ....................... Steve Weiss Music 124 .................... Bosphorus Cymbals 130 ..................... Rhythm Fusion, Inc. 202 ............. Avedis Zildjian Company 214 .................................... Remo, Inc. 223 .... Columbus Pro Percussion, Inc. 223 ...... Humes & Berg Mfg. Co., Inc. Dynasty USA/ 226 ........... DEG Music Products, Inc. Pearl Corporation and Adams 302 ..................... Musical Instruments 234,236 ................ Fork’s Drum Closet 8 Mostly Marimba ............................... 3 Mountain Rythym ......................... 109 MRP Custom Drums/ MRP Edgeworks ...................... 537 Musictime, Inc. ............................... 86 Newman Vintage Percussion ....... 802 Oberlin Conservatory of Music .... 810 On the Wall Productions, Inc. ...... 334 Paiste America, Inc. ..................... 626 Pan Caribe Inc/Steel Island ........... 48 Pan Press, Inc. ............................... 84 P-Bag ............................................. 82 Pearl Corporation and Adams Musical Instruments ................ 302 Percussion Construction ................ 68 Percussion Events Registry Company ................................... 76 Percussive Arts Society ..................... 1 Per-Mus Publications, Inc. ............. 74 Pintech USA, Inc. ......................... 338 Planet Marimba ................................. 70 Premier Percussion ...................... 610 Pro-Mark Corporation .................... 17 PureSound Percussion ................. 115 RAWI Percussion Publications ....... 85 Rebeats Vintage Drum Products .......................... 71 Regal Tip ...................................... 322 Remo, Inc. .................................... 214 Rhythm Fusion, Inc. ..................... 130 Roland Corporation US ................ 510 Ross Mallet Instruments, Inc. ..... 337 Row-Loff Productions ..................... 25 Sabian, Ltd. ................................... 402 Sam Ash Music Corp. .................. 425 Shure Incorporated ...................... 524 Silver Fox Percussion ................. 809 SKB Corporation ............................ 28 Smith Publications ......................... 81 Spanway Imports ......................... 438 Steve Weiss Music ....................... 123 Tap Space Publications ................. 83 Taye Drum Company ................... 618 The Percussion Source ................ 708 Touch the Earth ............................ 539 Trinidad & Tobago Instruments Limited ................... 50 Unigrip Drumsticks ...................... 811 Universal Percussion, Inc. ........... 534 University of Miami School of Music ..................................... 79 U.S. Navy Music Program .............. 57 Vater Percussion, Inc. .................. 623 Vaughncraft .................................. 536 Vic Firth, Inc. ................................ 502 Warner Bros. Publications ............ 700 Winter Guard International ............. 60 XL Specialty Percussion, Inc. ........... 59 Yamaha Corporation of America– Drumset & Electronic Percussion ............................... 314 Yamaha Corporation of America— Band & Orchestral Division .......... 412 LITERATURE BINS Avedis Zildjian Company Drum! Magazine JazzTimes, Inc. Modern Drummer Publications Musical Alchemy Incorporated– Concussion Media Warner Bros. Publications 238 .................................. Cymco, Inc. Yamaha Corporation of America– Drumset & Electronic 314 ................................... Percussion 322 ......................................Regal Tip 326 ....................... Lefima Percussion 334 ...... On the Wall Productions, Inc. Drums In the Wind 335 ........... (Woodwind & Brasswind) 336 ..................... GMS Drum Co., Inc. 337 ..... Ross Mallet Instruments, Inc. 338 ....................... Pintech USA, Inc. 339 ................ Arbiter North America 402 .................................. Sabian, Ltd. Yamaha Corporation of America— 412 .......... Band & Orchestral Division 420 ............................. Meinl USA L.C. 421 ...... Hohner HSS, Inc./Sonor Drums 425 .................. Sam Ash Music Corp. 428 ................... Drum Workshop, Inc. 434 ................................ Coyle Drums 435 ..... Black Swamp Percussion LLC 435 ......... Iñaki Sebastián Mallets S.L. 438 ......................... Spanway Imports 502 ................................ Vic Firth, Inc. 510 ................ Roland Corporation US 518 ....................... Evans Drumheads 524 ...................... Shure Incorporated 528 ............................... Guitar Center 534 ........... Universal Percussion, Inc. 535 .................. Aquarian Accessories 536 .................................. Vaughncraft MRP Custom Drums/ 537 .......................... MRP Edgeworks 539 ............................ Touch the Earth 602 ........... Kaman Music Corporation 610 ..................... Premier Percussion 618 ................... Taye Drum Company 623 .................. Vater Percussion, Inc. 626 ..................... Paiste America, Inc. 627 ....... Clevelander Drum Company 634, 636, 638 ................ C-Shirtz, LLC 635 .......................... ACG Percussion 637 .............. Istanbul Agop Cymbals 639 .................. Lang Percussion, Inc. 700 ............ Warner Bros. Publications 708 ................ The Percussion Source 716 ................. Cooperman Company 724 ......... Grover Pro Percussion, Inc. 800 ..................... Doc’s Proplugs, Inc. 801 ............... Interstate Music Supply 802 ....... Newman Vintage Percussion 803 .................. Falls Music Company 804 ........ JiWi Drums and Restoration 805 .............. C.S. Records (Val Eddy) 806 .......... JC’S Drummin Music Shop 807 ......... Morgan Marketing Partners 808 ....................... August Percussion 809 ................. Silver Fox Percussion 810 .... Oberlin Conservatory of Music 811 ...................... Unigrip Drumsticks 816 ................... Explorers Percussion EXHIBITORS BY NAME AND BOOTH NUMBER EXHIBITORS BY CATEGORY ACCESSORIES ACG Percusssion ......................... 635 California Percussion .................... 24 Columbus Pro Percussion, Inc. .... 223 Coyle Drums ............................... 434 C-Shirtz, LLC ................ 634, 636, 638 Cymco, Inc. .................................. 238 Doc’s Proplugs Inc. ...................... 800 Drums In the Wind (Woodwind & Brasswind) ........ 335 Evans Drumheads ....................... 518 Falls Music Company .................. 803 Grip Peddler .................................. 49 Grover Pro Percussion, Inc. ......... 724 Guitar Center ............................... 528 Humes & Berg Mfg. Co., Inc. ................ 119 & 223 JC’S Drummin Music Shop ........... 806 JiWi Drums and Restoration ........ 804 Latin Percussion, Inc. ...................110 Lefima Percussion ....................... 326 Lone Star Percussion ..................... 55 Ludwig Drum Co. ......................... 100 Marcat Machining Co., L.L.C. ........ 80 On the Wall Productions, Inc. ...... 334 P-Bag ............................................. 82 Pro-Mark Corporation .................... 17 PureSound Percussion ................. 115 Sabian, Ltd. .................................. 402 Sam Ash Music Corp. .................. 425 Spanway Imports ......................... 438 Steve Weiss Music ....................... 123 The Percussion Source ................ 708 Touch the Earth ............................ 539 Trinidad & Tobago Instruments Limited ................... 50 XL Specialty Percussion, Inc. ........... 59 Yamaha Corporation of America— Band & Orchestral Division ..... 412 Spanway Imports ......................... 438 Steve Weiss Music ....................... 123 Vaughncraft .................................. 536 Yamaha Corporation of America— Band & Orchestral Division ..... 412 AUDIO & VISUAL PUBLISHERS Carl Fischer LLC ............................ 36 C.S. Records (Val Eddy) .............. 805 Equilibrium ..................................... 75 GP Percussion ............................... 73 Guitar Center ............................... 528 Hal Leonard Corp. ......................... 29 MalletWorks Music ...................... 52, 54 Media Press ................................... 75 Warner Bros. Publications ............ 700 DRUMSETS Aquarian Accessories .................. 535 Arbiter North America ................ 339 Columbus Pro Percussion, Inc. .... 223 C-Shirtz, LLC ................ 634, 636, 638 Cymco, Inc. .................................. 238 Drum Workshop, Inc. ....................428 GMS Drum Co., Inc. ........................ 336 Guitar Center ............................... 528 Hohner HSS, Inc./Sonor Drums ... 421 JC’S Drummin Music Shop ......... 806 Kaman Music Corporation .............. 602 Ludwig Drum Co. ......................... 100 MRP Custom Drums/ MRP Edgeworks ...................... 537 Paiste America, Inc. ..................... 626 Pearl Corporation and Adams Musical Instruments .... 302 Premier Percussion ...................... 610 Remo, Inc. .................................... 214 Roland Corporation US ................ 510 Spanway Imports ......................... 438 Taye Drum Company ................... 618 Yamaha Corporation of America— Drumset & Electronic Percussion ............................... 314 BAND & ORCHESTRAL PERCUSSION ACG Percusssion ......................... 635 Black Swamp Percussion LLC ..... 435 Clevelander Drum Company ....... 627 Columbus Pro Percussion, Inc. .... 223 Dynasty USA/ DEG Music Products, Inc. ....... 226 Falls Music Company .................. 803 GMS Drum Co., Inc. ..................... 336 Grover Pro Percussion, Inc. ......... 724 Humes & Berg Mfg. Co., Inc. ................ 119 & 223 Istanbul Agop Cymbals .............. 637 Lang Percussion, Inc. .................. 639 Ludwig Drum Co. ......................... 100 Pearl Corporation and Adams Musical Instruments .... 302 Premier Percussion ...................... 610 Remo, Inc. .................................... 214 10 CYMBALS Avedis Zildjian Company ............. 202 Bosphorus Cymbals .................... 124 Columbus Pro Percussion, Inc. .... 223 Cymco, Inc. .................................. 238 Drums In the Wind (Woodwind & Brasswind) ........ 335 Guitar Center ............................... 528 Hohner HSS, Inc./Sonor Drums ... 421 Istanbul Agop Cymbals ............... 637 JC’S Drummin Music Shop ......... 806 Meinl USA L.C. ............................. 420 Paiste America, Inc. ..................... 626 Sabian, Ltd. .................................. 402 Sam Ash Music Corp. ................. 425 Steve Weiss Music ....................... 123 Universal Percussion, Inc. ........... 534 DRUM HEADS Aquarian Accessories .................. 535 Columbus Pro Percussion, Inc. .... 223 Drums In the Wind (Woodwind & Brasswind) ........ 335 Evans Drumheads ....................... 518 Guitar Center ............................... 528 JC’S Drummin Music Shop ......... 806 Ludwig Drum Co. ......................... 100 Remo, Inc. .................................... 214 Sam Ash Music Corp. .................. 425 Spanway Imports ......................... 438 Taye Drum Company ................... 618 Touch the Earth ............................ 539 Universal Percussion, Inc. ........... 534 ELECTRONIC PERCUSSION Alternate Mode, Inc. ...................... 87 Columbus Pro Percussion, Inc. .... 223 Guitar Center ............................... 528 Pintech USA, Inc. ......................... 338 Roland Corporation US ................ 510 Yamaha Corporation of America— Drumset & Electronic Percussion ............................... 314 HARDWARE & CASES ACG Percusssion ......................... 635 Columbus Pro Percussion, Inc. .... 223 Coyle Drums ................................ 434 Cymco, Inc. .................................. 238 Drum Workshop, Inc. ................... 428 Equilibrium ..................................... 75 Falls Music Company .................. 803 Fork’s Drum Closet ............... 234, 236 Guitar Center ............................... 528 Hohner HSS, Inc./Sonor Drums ... 421 Humes & Berg Mfg. Co., Inc. ................ 119 & 223 Kaman Music Corporation ........... 602 Latin Percussion, Inc. .................. 110 Ludwig Drum Co. ......................... 100 Morgan Marketing Partners ......... 807 Media Press ................................... 75 P-Bag ............................................. 82 SKB Corporation ............................ 28 Spanway Imports ......................... 438 Taye Drum Company ................... 618 The Percussion Source ................ 708 Touch the Earth ............................ 539 Vaughncraft .................................. 536 XL Specialty Percussion, Inc. ........... 59 Yamaha Corporation of America— Drumset & Electronic Percussion ............................... 314 KEYBOARD PERCUSSION Bergerault USA—Professional Division of Peripole– Bergerault ................................ 103 Coe Percussion .............................. 32 DeMorrow Instruments, Ltd. .... 51, 53 Dynasty USA/ DEG Music Products, Inc. ....... 226 Fall Creek Marimbas ...................... 20 Grover Pro Percussion, Inc. ......... 724 Kori Percussion/ Custom Music Co. ............. 56, 58 Ludwig Drum Co. ......................... 100 Marimba One ................................. 40 Mostly Marimba ............................... 3 Newman Vintage Percussion ....... 802 Planet Marimba ........................... 70 Premier Percussion ...................... 610 Ross Mallet Instruments, Inc. ..... 337 MARCHING PERCUSSION Columbus Pro Percussion, Inc. ....... 223 Cooperman Company ................. 716 Dynasty USA/ DEG Music Products, Inc. ....... 226 Grover Pro Percussion, Inc. ......... 724 Humes & Berg Mfg. Co., Inc. ................ 119 & 223 Istanbul Agop Cymbals .............. 637 JiWi Drums and Restoration ........ 804 Lefima Percussion ....................... 326 Ludwig Drum Co. ......................... 100 Pearl Corporation and Adams Musical Instruments .... 302 Premier Percussion ...................... 610 Remo, Inc. .................................... 214 Vater Percussion, Inc. .................. 623 Vaughncraft .................................. 536 XL Specialty Percussion, Inc. ........... 59 Yamaha Corporation of America— Band & Orchestral Division ..... 412 PERCUSSION RETAIL ACG Percusssion ......................... 635 Explorers Percussion .................. 816 Guitar Center ............................... 528 On the Wall Productions, Inc. ..... 334 Sam Ash Music Corp. .................. 425 Steve Weiss Music ....................... 123 The Percussion Source ................ 708 PRINT PUBLISHERS ACG Percusssion ......................... 635 Alfred Publishing Co., Inc. ............... 9 Batterie Music ................................ 72 Bill Holcombe's Musicians Publications ............................... 807 C. Alan Publications ....................... 47 Carl Fischer LLC ............................ 36 C.S. Records (Val Eddy) .............. 805 drop6 media, Inc. .......................... 67 Drummers Collective ..................... 33 Equilibrium ..................................... 75 GP Percussion ............................... 73 Hal Leonard Corp. ......................... 29 Innovative Percussion, Inc. ............ 11 Interstate Music Supply .............. 801 MalletWorks Music ...................... 52, 54 Mostly Marimba ............................... 3 Media Press ................................... 75 Meredith Music Publications .......... 29 Modern Drummer Publications ...... 21 Musictime, Inc. ............................... 86 Newman Vintage Percussion ....... 802 Pan Press, Inc. ............................... 84 Per-Mus Publications, Inc. ............. 74 RAWI Percussion Publications ....... 85 Row-Loff Productions ..................... 25 Smith Publications ......................... 81 Tap Space Publications ................. 83 Universal Percussion, Inc. ........... 534 Warner Bros. Publications ............ 700 SCHOOLS, ORGANIZATIONS AND SERVICES Berklee College of Music ............... 46 Clarion Associates, Inc. ................. 66 Drummers Collective ..................... 33 Fall Creek Marimbas ...................... 20 JiWi Drums and Restoration ........ 804 Oberlin Conservatory of Music .... 810 Percussion Events Registry Company ................................... 76 University of Miami School of Music ......................... 79 U.S. Navy Music Program .............. 57 SOUND EQUIPMENT Audix Corporation .......................... 77 Shure Incorporated ...................... 524 STEEL DRUMS Coyle Drums ................................ 434 HydroSteel LLC ........................... 52, 54 Pan Caribe, Inc./Steel Island ......... 48 Trinidad & Tobago Instruments Limited .................. 50 STICKS & MALLETS A. Putnam Mallets .......................... 78 ACG Percusssion ......................... 635 August Percussion ....................... 808 Avedis Zildjian Company ............. 202 Black Swamp Percussion LLC ..... 435 EXHIBITORS BY CATEGORY California Percussion ..................... 24 Columbus Pro Percussion, Inc. .... 223 Cooperman Company ................. 716 Coyle Drums ................................ 434 Drums In the Wind (Woodwind & Brasswind) ........ 335 Encore Mallets, Inc. ....................... 37 Fork’s Drum Closet ............... 234, 236 Grover Pro Percussion, Inc. ......... 724 Guitar Center ............................... 528 Hohner HSS, Inc./Sonor Drums ... 421 Iñaki Sebastián Mallets S.L. ......... 435 Innovative Percussion, Inc. ............ 11 Lefima Percussion ....................... 326 Lone Star Percussion ..................... 55 Ludwig Drum Co. ......................... 100 Mike Balter Mallets ....................... 118 Percussion Construction .................. 68 Pro-Mark Corporation .................... 17 Regal Tip ......................................... 322 Sam Ash Music Corp. .................. 425 Silver Fox Percussion ................. 809 Spanway Imports ......................... 438 Steve Weiss Music ....................... 123 Unigrip Drumsticks ...................... 811 Vater Percussion, Inc. .................. 623 Vaughncraft .................................. 536 Vic Firth, Inc. ................................ 502 Yamaha Corporation of America— Band & Orchestral Division ..... 412 TIMPANI Dynasty USA/ DEG Music Products, Inc. ....... 226 Falls Music Company .................. 803 Grover Pro Percussion, Inc. ......... 724 Lefima Percussion ....................... 326 EXHIBITORS BY CATEGORY Ludwig Drum Co. ......................... 100 Premier Percussion ...................... 610 Yamaha Corporation of America— Band & Orchestral Division ..... 412 WORLD PERCUSSION Columbus Pro Percussion, Inc. .... 223 Cooperman Company ................. 716 Coyle Drums ................................ 434 Drums In the Wind (Woodwind & Brasswind) ........ 335 Explorers Percussion ................... 816 Guitar Center ............................... 528 Kaman Music Corporation ........... 602 Latin Percussion, Inc. .................. 110 Meinl USA L.C. ............................. 420 Mountain Rythym ......................... 109 Pan Caribe, Inc./Steel Island ......... 48 Remo, Inc. .................................... 214 Rhythm Fusion, Inc. ..................... 130 Sam Ash Music Corp. .................. 425 Steve Weiss Music ....................... 123 Touch the Earth ............................ 539 Trinidad & Tobago Instruments Limited ................... 50 Vaughncraft .................................. 536 OTHER Doc’s Proplugs. Inc. ..................... 800 Earplugs Kaman Music Corporation ........... 602 Hardware, Educational Percussion Winter Guard International ............. 60 WGI Percussion 11 EXHIBIT HALL EXHIBIT HALL HOURS 9:00 A.M. – 5:00 P.M. THURSDAY THRU SATURDAY 12 EXHIBIT HALL EXHIBITORS A. Putnam Mallets 78 1300 SW Campus Drive #49-2 Federal Way, WA 98023 Phone: 253-661-5715 Fax: 253-661-5715 E-mail: amy@aputnammallets.com Web: www.aputnammallets.com Mallets of quality and distinction for marimba, timpani, bass drum, gong and vibes. ACG Percussion 337 1530 E. Chevy Chase Drive #205 Glendale, CA 91206 Phone: 713-501-5543 Fax: 818-243-1318 E-mail: info@acg.la Web: www.acg.la Grand Opening! Internet and mail order based company featuring percussion instruments and accessories from all genres. We specialize in equipment for advanced students. Alfred Publishing Co., Inc. 9 16320 Roscoe Boulevard Van Nuys, CA 91406-1216 Phone: 818-891-5999 Fax: 818-830-6249 E-mail: CustomerService@Alfred.com Web: www.alfred.com Educational music publisher of instrumental materials including percussion methods, solo and ensemble literature and the exclusive distribution of Studio 4 music. Alternate Mode, Inc. 87 53 First Avenue Chicopee, MA 01020 Phone: 413-594-5190 Fax: 413-592-7987 E-mail: kat1993@aol.com Web: www.AlternateMode.com The complete line of KAT midi mallet and percussion controllers. Aquarian Accessories 535 1140 N. Tustin Avenue Anaheim, CA 92807 Phone: 714-632-0230 Fax: 714-632-3905 E-mail: info@aquariandrumheads.com Web: www.aquariandrumheads.com Aquarian drumheads, precision corps drumheads, studio rings, cymbal rings, port holes. Arbiter North America 339 P.O. Box 360 Cobourg ON K9A 4K8 Canada Phone: 877-553-5596 Fax: 877-553-5598 Email: fraser@arbiterdrums.com Web: www.arbiterdrums.com Arbiter Flats: Pro & lite portable drum kits. Audix Corporation 77 9400 SW Barber Street Wilsonville, OR 97070 Phone: 503-682-6933 Fax: 503-682-7114 E-mail: info@audixusa.com Web: www.audixusa.com Audix is a leading manufacturer of high quality microphones and monitor speakers for the live sound and recording markets. 14 August Percussion 808 4127 Washburn Avenue North Minneapolis, MN 55412 Phone: 612-588-3864 Fax: 612-287-4212 E-mail: augustperc@aol.com Marimba mallets—new spine matched shafts, wool/mohair 2-step wrapping process introducing new line of graduated mallets. 100% hand-crafted. Avedis Zildjian Company 202 Literature Bin 22 Longwater Drive Norwell, MA 02061 Phone: 781-871-2200 Fax: 781-871-3984 Web: www.zildjian.com A complete range of cymbals—plus drumsticks, accessories and educational literature. Batterie Music 72 P.O. Box 90014 Pasadena, CA 91109 Phone: 626-798-7144 Fax: 626-798-7144 E-mail: battmusik@aol.com Web: www.batteriemusic.com Music for the orchestral percussionist published by Raynor Carroll, Principal Percussionist, Los Angeles Philharmonic. Bergerault USA—Professional 103 Division of Peripole–Bergerault P.O. Box 12909 Salem, OR 97309-0909 Phone: 800-443-3592 Fax: 888-724-6733 E-mail: pro@BergeraultUSA.com Web: www.BergeraultUSA.com Manufacturers and sole distributor of Bergerault keyboard mallet percussion instruments, including vibraphones, marimbas, bass marimbas, xylophones, glockenspiels and concert chimes. Berklee College of Music 46 1140 Boylston Street Boston, MA 02215-3693 Phone: 800-Berklee (US/Canada) or 617-747-2222 (Int) Fax: 617-747-2047 E-mail: admissions@berklee.edu Web: www.berklee.edu Berklee College of Music provides professional career preparation for the challenges facing today's percussionist, drummer, vibraphonist and hand percussionist. Black Swamp Percussion LLC 435 13493 New Holland Street Holland, MI 49424 USA Phone: 616-738-3190 Fax: 616-738-3105 E-mail: info@blackswamp.com Web: www.blackswamp.com Snare drums, field drums, tambourines, Iñaki Sebastian keyboard mallets, castanets, timpani mallets, triangles, woodblocks, cases, accessories. Bosphorus Cymbals 124 5910 Shiloh East, Suite 102 Alpharetta, GA 30005 Phone: 770-205-0552 Fax: 770-886-7980 E-mail: info@bosphoruscymbal.com Web: www.bosphoruscymbal.com Hand hammered cymbals from Turkey. C. Alan Publications 47 P.O. Box 29323 Greensboro, NC 27429 Phone: 336-272-3920 Fax: 336-272-3988 E-mail: calanp@earthlink.net Web: www.c-alanpublications.com Publisher. California Percussion 24 2366 9th Avenue San Francisco, CA 94116 Phone: 800-865-7933 Fax: 510-523-3786 E-mail: info@californiapercussion.com Web: www.californiapercussion.com Professional model Herbert timpani mallets and professional quality triangle holders, accessories and practice tools. Carl Fischer LLC 36 65 Bleecker Street New York, NY 10012 Phone: 212-777-0900 Fax: 212-477-6996 E-mail: cf-info@carlfischer.com Web: www.carlfischer.com Publishers of percussion videos, books and performance material, including "Killer Grooves" and "Vodou Drumset," plus the music of Dave Weckl, Ignacio Berroa, Vic Firth and Sandy Feldstein. Clarion Associates, Inc. 66 1711 New York Avenue Huntington Station, NY 11746 Phone: 631-423-2990 Fax: 631-423-2821 E-mail: clarion@clarionins.com Web: www.clarionins.com Clarion is an insurance firm dedicated solely to the needs of musicians worldwide. Clevelander Drum Company 627 3800 Kelley Avenue Cleveland, OH 44114 Phone: 216-391-1234 Ext. 130 Fax: 216-391-8999 E-mail: drum@grotro.com Web: www.clevelanderdrum.com Manufacturer of professional percussion products, specializing in snare drums, timpani and timpani mallets. Coe Percussion 32 682 McDonnell Drive Tallahassee, FL 32310-4808 Phone: 850-228-6960 Fax: 850-942-6380 E-mail: matt@coepercussion.com Web: www.coepercussion.com Custom built five octave and smaller marimbas, and four octave and smaller xylophones. EXHIBITORS Columbus Pro Percussion, Inc. 223 5052 North High Street Columbus, OH 43214 Phone: 614-885-7372 or 800-775-7372 Fax: 614-885-4761 E-mail: mail@columbuspercussion.com Web: www.columbuspercussion.com Pro shop carrying all major brands of combo, concert, marching, world and electronic percussion. Also offering custom work, repairs and lessons. Cooperman Company 716 P.O. Box 276 Centerbrook, CT 06409-0276 Phone: 860-767-1779 Fax: 860-767-7017 E-mail: info@cooperman.com Web: www.cooperman.com Makers of drumsticks, concert/marching, handcrafted matched pairs; rope tension drums, contemporary and historical, custom crafted; frame drums including Velez signature drums, bodhran drums and jingled drums. Coyle Drums 434 8800 Sharon Lane Pensacola, FL 32534 Phone: 866-355-DRUM Fax: 850-471-9222 E-mail: coyledrums@aol.com Web: www.coyledrums.com Performance quality pans, professional tuning and repair service and a variety of accessories including stands, cases, mallets, bags, apparel, CD's, arrangements and adhesive letters. C.S. Records (Val Eddy) 805 3341 Central Avenue Spring Valley, CA 91977 Phone: 619-463-0303 Fax: 619-463-0303 Email: valeddy@aol.com Xylophone/marimba solos - C.D.’s, cassettes and sheet music. C-Shirtz, LLC 634, 636, 638 P.O. Box 17941 Memphis, TN 38134 Phone: 901-373-6612 Fax: 901-379-0903 E-mail: chester2@midsouth.RR.com Web: www.cshirtz.com Cymbal covers. Cymco, Inc. 238 91 Airport Drive, P.O. Box 762 Houlton, ME 04730 Phone: 207-532-3152 Fax: 207-532-5947 E-mail: buzk@cymcomusic.com Camber Cymbals and percussion accessories manufacturer. DeMorrow Instruments, Ltd. 51, 53 1318 Center Street Arkadelphia, AR 71923 Phone: 870-246-4010 Email: demorrow@arkansas.net Handmade keyboard percussion instruments, services include keyboard retuning, bar replacement and refinishing and keyboard replacement. Ask about auxillary percussion instruments. EXHIBITORS Doc’s Proplugs, Inc. 800 719 Swift Street, Suite 56 Santa Cruz, CA 95060 Phone: 831-425-5920 Fax: 831-425-0178 E-mail: info@proplugs.com Web: www.proplugs.com Ready-to-wear preformed protective earplugs in 8 sizes vented and non-vented. Ready-towear earmolds with adaptor to hold budstyle earphones in the ear securely and Handsfree bud headsets hold in ear securely without headband. drop6 media, Inc. 67 P.O. Box 81 Denton, TX 76202 Phone: 877-77drop6 Fax: 413-638-7564 E-mail: info@drop6.com Web: www.drop6.com Percussion ensemble publications, classical, pop, marching, steel band and originals. Drum Workshop, Inc. 428 3450 Lunar Court Oxnard, CA 93030 Phone: 805-485-6999 Fax: 805-485-1334 E-mail: juelst@dwdrums.com Web: www.dwdrums.com American manufacturer of drums, pedals, hardware, snare drums, and drum accessories. DW is also the exclusive worldwide distributor for Pacific Drums and Percussion. DRUM! Magazine Literature Bin 773 North 9th Street Suite 253 San Jose, CA 95112-9897 Phone: 408-971-9794 Fax: 408-971-0382 E-mail: info@DRUMLINK.com Web: www.drumlink.com DRUM! covers the drumming scene with a focus on youth culture. Every issue features drum set, hand drumming, and electronics, and emphasizes fun and education. Drummers Collective 33 541 Avenue of the Americas New York, NY 10011 Phone: 212-241-0091 Fax: 212-604-0760 E-mail: collective@thecoll.com Web: www.thecoll.com Current course catalog, faculty books and videos. The collective's admission director Michael Krashes will be available for questions and interviews. Drums In the Wind 335 (Woodwind & Brasswind) 4004 Technology Drive South Bend, IN 46628 Phone: 574-251-3500 Fax: 574-251-3501 E-mail: pkohlenberg@wwandbw.com Web: www.woodwindbrasswind.com Full line percussion dealer handling marching, concert, combo and accessories. A division of the band instrument company, The Woodwind and Brasswind. 15 Dynasty USA/DEG Music Products 226 P.O. Box 968 Lake Geneva, WI 53147 Phone: 262-248-8314 or 800-558-9416 Fax: 262-248-7953 E-mail: info@degmusic.com Web: www.degmusic.com Marching, concert percussion including timpani, keyboards, practice pads and accessories. Encore Mallets, Inc. 37 438 Southfork Drive, Suite 101 Lewisville, TX 75057 Phone: 972-436-6963 Fax: 972-436-6963 E-mail: dan@encoremallets.com Web: www.encoremallets.com Nancy Zeltsman mallets, Nanae Mimura marimba mallets and Doug Walter vibes mallets, xylophone mallets, latex mallets, rubber ball mallets, bell mallets, Payson timpani mallets, Payson concert bass drum mallets, Nick Petrella xylophone mallets, and Nick Petrella suspended cymbal mallets. Equilibrium 75 P.O. Box 305 Dexter, MI 48130 Phone: 734-426-5814 Fax: 734-426-5834 E-mail: equ@equilibri.com Web: www.equilibri.com Professional glockenspiel stand, CD's, log drums, etc. Evans Drumheads 518 595 Smith Street Farmingdale, NY 11735 Phone: 631-439-3300 Fax: 631-439-3333 Web: www.evansdrumheads.com Drumheads for drumsets, afro-Cuban, marching and orchestral instruments as well as a line of percussion accessories including drum keys and sound enhancement devices. Explorers Percussion 816 8050 Wornall Road Kansas City, MO 64114 Phone: 816-361-1195 Fax: 816-523-7867 E-mail: wes@explorersdrums.com Web: www.explorersdrums.com Specializing in all major brands of drumsets, marching and symphonic percussion and hand percussion from around the world. Repairs all percussion and specializes in recovering drums. Fall Creek Marimbas 20 1445 Upper Hill Road; P.O. Box 118 Middlesex, NY 14507 Phone: 518-554-4011 Fax: 518-554-4017 E-mail: pangaia@earthlink.net Web: www.marimbas.com Mallet percussion instrument tuning and repair since 1972. Maker of the K-100 Series Glockenspiels since 1985. Falls Music Company 1275 Bloomfield Avenue, Building 3 Fairfield, NJ 07004 Phone: 973-882-8122 Fax: 973-244-9915 Email: fallspercussion@earthlink.net Web: www.fallspercussion.com Percussion instruments, accessories, Planet Gauge, EZ Wheel for Timpani, repair parts. Fork’s Drum Closet 234, 236 2701 12th Avenue South Nashville, TN 37204 Phone: 615-383-8343 Fax: 615-269-0245 Email: sales@forksdrumcloset.com Web: www.forksdrumcloset.com Retail drum accessories. GMS Drum Co., Inc. 336 855-C Conklin Street Farmingdale, NY 11735 Phone: 631-293-4235 Fax: 631-293-4246 E-mail: info@gmsdrums.com Web: www.gmsdrums.com dK3 concert snare drums, Grandmaster series, Road series, CL series, Special Edition series, GMS concert bass drum. GP Percussion 73 43325 Lost Corner Road Leesburg, VA 20176 Phone: 703-669-2963 Fax: 703-669-2685 E-mail: rebeccakite@gppercussion.com Web: www.gppercussion.com Quality marimba music and method books by: Nebjosha Zivcovic, Ney Rosauro, Keiko Abe, Rebecca Kite, Valerie Naranjo, Bruce Hamilton, Evan Hause, Japanese composers, six mallet pieces and more! Grip Peddler 49 1100 Calle Cordiilera San Clemente, CA 92673 Phone: 949-361-9999 Fax: 949-361-9998 E-mail: info @grippeddler.com Web: www.grippeddler.com Traction pads for bass drum and hi-hat pedals. Grover Pro Percussion, Inc. 724 22 Prospect Street, Unit 7 Woburn, MA 01801 Phone: 781-935-6200 Fax: 781-935-5522 E-mail: info@groverpro.com Web: www.groverpro.com World class tambourines, triangles, snare drums, snares, mallets, wood blocks, concert bass drums, triangle beaters, timpani mallets, and pro concert percussion. Distributors of Vancore timpani, marimbas, xylophones and vibes. Guitar Center 528 5795 Lindero Canyon Road Westlake Village, CA 91362 Phone: 818-735-8888 Fax: 818-889-8475 Web: www.guitarcenter.com Drums, percussion, accessories, electronic percussion and world percussion from top manufacturers. Hal Leonard Corp. 29 7777 W. Bluemound Road Milwaukee, WI 53213 Phone: 414-774-3630 Fax: 414-774-3259 E-mail: halinfo@halleonard.com Web: www.halleonard.com Publisher of printed music including songbooks, instructional materials, performance works, videos and DVDs. Hohner HSS, Inc./Sonor Drums 421 P.O. Box 9167 Richmond, VA 23227 Phone: 804-515-1900 Fax: 804-515-0347 E-mail: info@hohnerusa.com Web: www.hohnerusa.com Sonor drums, Sabian cymbals, HSS bags, johnnyraBB drumsticks, Pro-Mark drumsticks, Rockwood Drums by Hohner, Drumat by MAPA, Metropad. Humes & Berg Mfg. Co., Inc. 119 & 223 4801 Railroad Avenue East Chicago, IN 46312 Phone: 219-397-1980 Fax: 219-397-4534 E-mail: products@humes-berg.com Web: www.humes-berg.com Percussion cases—bags and accessories. 16 EXHIBITORS HydroSteel LLC 52, 54 2708 Baynard Boulevard Wilmington, DE 19802 Phone: 302-429-5812 E-mail: hprice@udel.edu Web: www.steelpans.com The manufacturing and selling of the first patented stainless steel pan. Iñaki Sebastián Mallets S.L. Okendotegi 40 20115 Astigarraga Gipuzkoa Spain Phone: 34-943-331241 Fax: 34-948-142718 E-mail: mallets@cin.es Web: www.cin.es/mallets/ Keyboard mallets. 435 Innovative Percussion, Inc. 11 470 Metroplex Drive, Suite 214 Nashville, TN 37211 Phone: 615-333-9388 Fax: 615-333-9354 E-mail: info@innovativepercussion.com Web: www.innovativepercussion.com Mallets, drumsticks and publications. Interstate Music Supply 801 13819 West National Avenue New Berlin, WI 53151 Phone: 262-789-7600 Fax: 262-786-6840 E-mail: gbach@casciointerstate.com Web: www.interstatemusic.com Catalogs. Istanbul Agop Cymbals 637 7 Palisade Avenue Emerson, NJ 07630 Phone: 201-599-0100 Fax: 201-599-0404 Email: instanbul@drstings.com Web: www.instanbulcymbals.com The most diversity in styles and sounds in handmade Turkish cymbals. Offering traditional, alchemy, student/budget, signature and orchestral series. JazzTimes, Inc. Literature Bin 8737 Colesville Road Silver Spring, MD 20910 Phone: 301-588-4114 Fax: 301-588-5531 E-mail: info@jazztimes.com Web: www.jazztimes.com Publisher of 32 year old JazzTimes Magazine and the annual Jazz Education Guide—the largest circulated publication addressing the jazz education marketplace. JC’S Drummin Music Shop 806 933 East Auburn Road Rochester Hills, MI 48307 Phone: 248-852-3660 Fax: 248-852-3723 Web: www.jcdrums.com Affordable custom drums. Huge stock of used and vintage drums and cymbals. Professional teachers. Pro repair department with tons of new and used parts. Rentals. EXHIBITORS JiWi Drums and Restoration 804 4023 17 Mile Kent City, MI 49330 Phone: 616-675-4266 Fax: 616-675-4266 E-mail: jiwidrum@tir.com Web: www.jiwidrums.com Specializing in school percussion and drumset restoration. Offering over 100 shell finishes, powder coating, repair and maintenance, and custom percussion products. Kaman Music Corporation 602 P.O. Box 507 Bloomfield, CT 06002-0507 Phone: 860-509-8888 Fax: 860-509-8891 E-mail: info-kmc@kaman.com Web: www.kamanmusic.com Presenting Gretsch drums, Toca hand percussion, Gibraltar Hardware, DrumFrame, CB and Vic Firth educational percussion. Kori Percussion/Custom Music Co. 56, 58 1930 Hilton Road Ferndale, MI 48220 Phone: 248-546-4135 Fax: 248-546-8296 Email: cmctuba@aol.com Web: www.custommusiccorp.com Using only the finest Hondurian rosewood and rosewood lite, Kori marimbas and xylophones offer the bestsounding mallet instruments, with the widest variety of styles. Lang Percussion, Inc. 639 325 Gold Street Brooklyn, NY 11201 Phone: 718-624-1825 Fax: 718-624-5004 Gladstone Snare Drums and Drum Sets, Goodman Timpani; new “Animal” metal shell snares. Latin Percussion, Inc. 110 160 Belmont Avenue Garfield, NJ 07026 Phone: 973-478-6903 Fax: 973-772-3568 Web: www.lpmusic.com Manufacturer of hand percussion for over 35 years, features a vast selection of wood and fiberglass congas and bongos, timbales, community drums, udu drums, cowbells, blocks, chimes, tambourines, shakers and more. lpmusic.com/congahead.com Lefima Percussion 326 Barbaraweg 3 93413 Cham Germany Phone: 49-9971-32081 Fax: 49-9971-31122 E-mail: petra@lefima.de Web: www.lefima.de U.S. distributor: Everett Beale Email: e.beale@lefima-usa.com Web: www.lefima-usa.com Drums, timpani, sticks, keyboard instruments, mallets, tambourines, marimbas, xylophones, glockenspiels, and triangles. Distributor for Kalfo Calfskin Heads. 17 Lone Star Percussion 55 10611 Control Place Dallas, TX 75238 Phone: 214-340-0835 Fax: 214-340-0861 Email: lsp@lonestarpercussion.com Web: www.lonestarpercussion.com Over 6,000 percussion items in stock. 24+ years experience. Friendly, professional people are waiting to take your call. Ludwig Drum Co. 100 P.O. Box 310 Elkhart, IN 46515 Phone: 574-522-1675 Fax: 574-295-5405 Web: www.ludwig-drums.com Manufacturer of percussion instruments and accessories. MalletWorks Music 52, 54 P.O. Box 302 Wilton, CT 06897 Phone: 203-762-8083 Fax: 203-762-8079 E-mail: malletworksmusic@yahoo.com Web: www.malletworks.com Specializing in the music of Arthur Lipner, Ney Rosauro, Double Image, David Friedman, Dave Samuels, Mike Mainieri and more. CD's, mallets and accessories. Marcat Machining Co., L.L.C. 80 34 Franklin Street Nashua, NH 03064 Phone: 603-578-0493 Fax: 603-578-0493 Web: www.qwikstix.com Qwikstix, professional drumstick holder. Marimba One 40 P.O. Box 786 Arcata, CA 95518 Phone: 707-822-9570 Fax: 707-822-6256 E-mail: percussion@marimba1.com Web: www.marimba1.com Concert marimbas. Media Press 75 P.O. Box 3937 Champaign, IL 61826 Phone: 217-359-0162 E-mail: t-siwe@uiuc.edu Publisher of contemporary music, books and reference material. Meinl USA L.C. 420 8300 N.W. 30th Terrace Miami, FL 33122 Phone: 877-886-3465 Fax: 305-418-4771 E-mail: meinlusa@aol.com Web: www.meinl.de Meinl congas, bongos, djembes, timbales. Byzance cymbals, Amun cymbals, classic cymbals, marathon cymbals, Generation X cymbals. Meredith Music Publications 29 P.O. Box 344 Galesville, MD 20765 Phone: 301-261-5015 Fax: 301-261-5015 E-mail: garwoodw@aol.com Web: www.meredithmusic.com Publisher. Mike Balter Mallets 118 15 E. Palatine Road, Suite 116 Prospect Heights, IL 60070 Phone: 847-541-5777 Fax: 847-541-5785 E-mail: info@mikebalter.com Web: www.mikebalter.com Custom and semi-custom percussion mallets for keyboard percussion, concert percussion, marching percussion and more. Mostly Marimba 3 P.O. Box 467 Asbury Park, NJ 07712 Phone: 732-774-0011 Fax: 732-774-0033 E-mail: mpi@mostlymarimba.com Web: www.mostlymarimba.com Malletech instruments, Keyboard Percussion Publications, Resonator Records, Marimba Productions, Inc. and KP3 L.L.C. Mountain Rythym 109 P.O. Box 1356 Lakefield, ONT Canada KOL 2H0 Phone: 905-764-6543 Fax: 905-764-6685 E-mail: drums@mountainrythym.com Web: www.mountainrythym.com Manufacturers of percussion instruments— featuring our patented, easy-to-use 'simple twist' tuning system—djembes, ashikos, snares, congas, bata, ethnic drumkit and djembe cajons. Modern Drummer Publications 21 Literature Bin 12 Old Bridge Road Cedar Grove, NJ 07009 Phone: 973-239-4140 Fax: 973-239-7139 E-mail: mdinfo@moderndrummer.com Web: www.moderndrummer.com Publisher. MRP Custom Drums/MRP 537 514 West Valley Stream Boulevard Valley Stream, NY 11580-5127 Phone: 516-568-2820 Fax: 516-825-4485 E-mail: mark@mrpdrums.com Web: www.mrpdrums.com and www.mrpedgeworks.com MRP EdgeWorks is the service division of MRP Custom Drums where we significantly improve the sound of any drum from any company by modifying the drums' bearing edges to increase the resonance, tone, and overall sound of the drum. Call for an estimate. Morgan Marketing Partners 807 6205 Davenport Drive Madison, WI 53711-2447 Phone: 608-277-9518 Fax: 608-277-9612 E-mail: morgan@morganmp.com “Mallet Jack” —a new device to raise fixed height mallet percussion instruments to the qoptimum performance height; perfect for universities, schools and studio situations. Musical Alchemy, Inc. Literature Bin Concussion Media 2525 Arapahoe Avenue, Suite E4-206 Boulder, CO 80302 Email: MusicalAlchemy@hotmail.com Web: www.musical-alchemy.com Visit our literature bin for information about our latest works for percussion, our call scores, and our new call recordings. Musictime, Inc. 86 P.O. Box 405 Haddonfield, NJ 08033 Phone: 856-627-9611 Fax: 856-346-4264 E-mail: info@musictime.com Web: www.musictime.com Printed music distributor for all publishers in all categories. Newman Vintage Percussion 802 4214 Hunters Trace Evansville, IN 47715 Phone: 888-961-1469 E-mail: rent_xylophones@hotmail.com Manufacturer and distributor of keyboard instruments. 3 octave padouk xylophone with height adjustable x-stand. “Joia Tubes” pentatonic/chromatic tube instruments. 18 EXHIBITORS Oberlin Conservatory of Music 810 39 West College Street Oberlin, OH 44074 Phone: 440-775-8413 Fax: 440-775-6972 E-mail: Beth.Weiss@oberlin.edu Web: www.oberlin.edu School/University. On the Wall Productions, Inc. 334 8312 Olive Boulevard St Louis, MO 63132 Phone: 314-692-2900 Fax: 314-213-3194 E-mail: scream@fclass.net Web: www.zydecotie.com Novelty sound effects and percussion: Thunder Tubes, Zydeco Steel Ties, Bonego’s (skull bongos), Giant Twirl drums, BeadBrain, skoll shakers and more! Paiste America, Inc. 626 460 Atlas Street Brea, CA 92821 Phone: 800-472-4783 Fax: 714-671-5869 E-mail: info@paiste.com Web: www.paiste.com Traditional, Signature, Dimensions, 2002 Classic, Rude Classic, Innovations, Alpha 802, 502, 402, 302, Gongs, Exotic/Percussion, Cast Bronze Drums. Pan Caribe, Inc./Steel Island 48 14103 Panorama Drive Austin, TX 78732 Phone: 800-525-6896 (USA and Canada) or 512-266-7995 Fax: 512-266-7986 E-mail: info@pancaribetours.com or pan@steelisland.com Web: www.pancaribetours.com or www.steelisland.com Tour packages for Trinidad & Tobago. Steel pans. Pan Press, Inc. 84 P.O. Box 1126 Elgin, IL 60121-1126 Phone: 630-587-3473 E-mail: paul@panpress.com Web: www.panpress.com Steel band music for beginning and advanced ensembles. Solos for steel pan. Steel pan recordings. P-Bag 82 1806 Wayne Circle San Jose, CA 95131 Phone: 408-434-1118 Fax: 630-604-3539 E-mail: info@p-bag.com Web: www.p-bag.com Innovative and functional stick bags. EXHIBITORS Pearl Corporation and 302 Adams Musical Instruments 549 Metroplex Drive Nashville, TN 37211-3140 Phone: 615-833-4477 Fax: 615-833-6242 E-mail: donclick@pearldrums.com or stevehearn@pearldrums.com Web: www.pearldrum.com All areas of percussion equipment. Percussion Construction 68 P.O. Box 6116 Kingwood, TX 77325 Phone: 800-3MALLET Fax: 281-360-4104 E-mail: sales@percussionconstruction.com Web: www.percussionconstruction.com Full line of keyboard and timpani mallets. Percussion Events Registry 76 3815 Comanche Trail Bedford, TX 76021 Phone: 817-354-3815 Fax: 817-354-7080 E-mail: perc@ont.com Your one-stop source for scheduling percussion events (clinics, master classes, concerts, festivals, days of percussion, etc). Percussive Arts Society 1 701 NW Ferris Avenue Lawton, OK 73507 Phone: 580-353-1455 Fax: 580-353-1456 E-mail: percarts@pas.org Web: www.pas.org The Percussive Arts Society is a music service organization promoting percussion education, research, performance and appreciation throughout the world. Per-Mus Publications, Inc. 74 P.O. Box 218333 Columbus, OH 43221 Phone: 614-529-0085 Fax: 614-529-0085, ext. 51 E-mail: PerMus@aol.com Offering over 200 items for percussion (solos, ensembles, books.) Publications for instruction, recitals and contest use at elementary through high school and college levels. Pintech USA, Inc. 338 P.O. Box 3869 Greenville, SC 26908 Phone: 800-445-0506 Fax: 866-445-0506 E-mail: play@edrums.com Web: www.edrums.com Manufacturer of woven head electronic drum kits. Professional grade. Made in USA. Planet Marimba 70 P.O. Box 6072 Plymouth, MI 48170 Phone: 734-223-1125 Email: mail@planetmarimba.com Web: www.planetmarimba.com Custom-built marimbas and xylophones. Innovative and aesthetic designs. Keyboard retuning\renovation. 19 Premier Percussion 610 915 North Lenola Road Moorestown, NJ 08057-1042 Phone: 856-231-8825 Fax: 856-231-8829 E-mail: hibbspremier@aol.com Web: www.premier-percussion.com Drumsets, marching percussion, mallet instruments, timpani, snare drums. Regal Tip 322 4501 Hyde Park Boulevard Niagara Falls, NY 14305 Phone: 716-285-3546 Fax: 716-285-2710 E-mail: carolc@regaltip.com Web: www.regaltip.com Regal Tip drumsticks, brushes, mallets and specialty sticks. Pro-Mark Corporation 17 11550 Old Main Street Loop Road Houston, TX 77025-5901 Phone: 713-314-1100 Fax: 713-669-8000 E-mail: info@promark-stix.com Web: www.promark-stix.com Drumsticks, mallets and percussion accessories. Remo, Inc. 214 28101 Industry Drive Valencia, CA 91355 Phone: 805-294-5600 Fax: 805-294-5714 Web: www.remo.com Drumheads, drums, world percussion, kids percussion, marching percussion and accessory products. Advanced acousticon. Weatherking, Fiberskyn, NuSkyn, Renaissance, Suede and PowerStroke drumheads. Sound shapes. PureSound Percussion 115 2050 Cotner Avenue Los Angeles, CA 90025 Phone: 310-966-1176 Fax: 310-473-4255 E-mail: info@puresound.com Web: www.puresoundpercussion.com Hand crafted snare wires dramatically improve the sound and performance of drumset, marching and concert snare drums. RAWI Percussion Publications Casa Triangolo 6596 Gordemo Switzerland Phone: 41-91-745-6316 Fax: 41-91-745-3781 E-mail: ruudwiener@swissonline.ch Web: www.percussion-rawi.com Music books and compact discs. 85 Rebeats Vintage Drum Products 71 219 Prospect Street; P.O. Box 6 Alma, MI 48801 Phone: 517-463-4757 Fax: 517-463-6545 E-mail: rebeats@rebeats.com Web: www.rebeats.com Vintage drum books, videos, shirts and other products. Rhythm Fusion, Inc. 130 1541C Pacific Avenue Santa Cruz, CA 95060 Phone: 831-423-2048 Fax: 831-423-2073 E-mail: rhythm@rhythmfusion.com Web: www.rhythmfusion.com Collection of musical instruments from around the world: drums, winds and strings from Africa, Middle East, Caribbean, North and South America and more: darbuka, doumbek, doff, riq, djembe, congas, bongos, bendir, shakers, bells, rattles and whistles. Ross Mallet Instruments, Inc. 337 P.O. Box 90249 Austin, TX 78709-0249 Phone: 512-288-7400 Fax: 521-288-6445 Email: mrosch@jupitermusic.com Web: www.rossmallet.com Ross Mallet Instruments, Inc. is a provider of a full line of mallet percussion instruments from student to professional models including marimba, xylophone, chimes, vibraphone and bells. Roland Corporation US 510 5100 South Eastern Avenue Los Angeles, CA 90040 Phone: 323-890-3700 Fax: 323-890-3701 Web: www.rolandus.com Electronic drumkits, drum machines, sound modules, pad controllers and electronic drum accessories. Row-Loff Productions 25 P.O. Box 292671 Nashville, TN 37229 Phone: 800-624-8001 Fax: 615-885-0370 E-mail: rlpmail@rowloff.com Web: www.rowloff.com Music publisher. Sabian, Ltd. 402 219 Main Street Meductic NB Canada E6H 2L5 Phone: 506-272-2019 Fax: 506-272-1265 E-mail: sabian@sabian.com Web: www.sabian.com Manufacturer of cymbals, gongs, crotales and metallic percussion instruments and percussion accessories. Sam Ash Music Corp. 425 P.O. Box 9047 Hicksville, NY 11802 Phone: 516-932-6400 Fax: 516-931-3881 E-mail: samashhq@aol.com Web: www.samashmusic.com 78 year old chain featuring a large selection of instruments, recording and sound equipment, publications and a catalog/web service. Shure Incorporated 524 222 Hartrey Avenue Evanston, IL 60202 Phone: 847-866-2200 Fax: 847-866-2279 E-mail: info@shure.com Web: www.shure.com Microphones and microphone accessories. Silver Fox Percussion 809 22 Prospect Street, Unit 7 Woburn, MA 01801 Phone: 781-935-6200 Email: info@silverfoxpercussion.com Web: www.silverfoxpercussion.com Silverfox hand finished drum sticks, Qwicksilver mallets, Feild Series keyboard mallets, Foxsticks, marching sticks, tenor and bass mallets. SKB Corporation 28 1607 North O’Donnell Way Orange, CA 92867 Phone: 800-410-2024 Fax: 714-283-0425 E-mail: ted@skbcase.com Web: www.skbcases.com Manufacturer of musical instrument cases. SKB recently introduced the Roto X series drum cases. Heavy-duty molded cases with fabric foam-lined interiors. 20 EXHIBITORS EXHIBITORS 21 Smith Publications 81 2617 Gwynndale Avenue Baltimore, MD 21207 Phone: 410-298-6509 Fax: 410-944-5113 Web: www.smith-publications.com Display of serious contemporary music for percussion. CDs of Smith, Brun and Carter timpani pieces. Spanway Imports 438 P.O. Box 726 Sanger, TX 76266 Phone: 940-458-7267 Fax: 940-458-7367 E-mail: todd@brazildrums.com Web: www.brazildrums.com “Contemporanea” Brazilian drums and accessories. Steve Weiss Music 123 2324 Wyandotte Road Willow Grove, PA 19090 Phone: 215-659-0100 Fax: 215-659-1170 Web: www.steveweissmusic.com Percussion instrument and music specialists handling all major lines and imports from around the world. Of particular interest: wind gongs, tam tams, Chinese cymbals mallets and a new line of bags. 22 Tap Space Publications 83 P.O. Box 55753 Portland, OR 97238 Phone: 888-628-1899 Fax: 503-288-6085 E-mail: murray@tapspace.com Web: www.tapspace.com Tap Space Publications is the producer of books that specialize in forefront marching and concert percussion literature. Taye Drum Company 618 4881 Chino Avenue Chino, CA 91710 Phone: 909-628-9589 Fax: 909-628-1799 E-mail: info@taye.com Web: www.taye.com Drumsets, hardware, drumheads, drumsticks. The Percussion Source 708 1212 West 5th Street Coralville, IA 52241 Phone: 866-849-4387 Fax: 888-470-3942 E-mail: service@percussionsource.com Web: www.percussionsource.com Concert percussion instruments and accessories for the serious player from beginner to pro. Touch the Earth 539 88 Dobyns Church Road Stuart, VA 24171 Phone: 276-694-5910 Fax: 276-694-5432 E-mail: tucherth@swva.net Web: www.touchtheearth.com Middle Eastern, Central Asian and West African folk percussion instruments, audio and video products, instructional materials and one-on-one instruction. Trinidad & Tobago Instruments 50 Limited Corner Eastern Main Road & Dorata Street Laventille Trinidad Phone: 868-627-0185 Fax: 868-623-1634 E-mail: steelpan@tstt.net.tt Web: www.steelpansttil.com Musical instrument—steel pan. Unigrip Drumsticks 811 1646 North Lincoln Street Burbank, CA 91506 Phone: 818-840-0280 Fax: 818-841-5088 E-mail: info@ungrip2000.com Web: www.ungrip2000.com Unique drumstick grips that help drummers with control and stamina. Specialty sticks and accessories. EXHIBITORS Universal Percussion, Inc. 534 1431 Heck Road Columbiana, OH 44408 Phone: 800-282-0110 Fax: 800-979-3786 E-mail: univperc@aol.com Web: www.universalpercussion.com Wuhan cymbals and gongs, Attack drumheads and Joe Maroni lesson books. University of Miami School of Music 79 P.O. Box 248165 Coral Gables, FL 33124 Phone: 305-284-2241 Fax: 305-284-6475 E-mail: kmoses@miami.edu Web: www.music.miami.edu Information on the degree programs and scholarships offered a the University of Miami School of Music. U.S. Navy Music Program 57 5720 Integrity Millington, TN 38055-6400 Phone: 901-874-4316 Fax: 901-874-2614 E-mail: P64F@persnet.navy.mil Web: www.buper.navy.mil\navymusic The U.S. Navy Music Program is hiring woodwind, brass, percussionists and vocalists for duty with one of our official U.S. Navy Bands located worldwide. These are full time positions and require enlistment in the U.S. Navy. Audition required. Vater Percussion, Inc. 623 270 Centre Street Unit D Holbrook, MA 02343 Phone: 781-767-1877 Fax: 781-767-0010 E-mail: vaterinc@aol.com Web: www.vater.com Vater drumsticks, Vater timbale sticks, Vater multi-tone mallets, Vater timpani mallets, brushes, specialty sticks, and Victory Corps marching sticks and mallets. 24 Vaughncraft 536 1451 Stafford Rd. Ottawa, KS 66067 Phone: 785-255-4500 Fax: 785-255-4573 E-mail: info@vaughncraft.com Web: www.vaughncraft.com Tambourines, mallets, wood blocks, hardware mounting systems, solid maple drum shells, log drums, K-6 instruments and materials. Vic Firth, Inc. 502 65 Commerce Way Dedham, MA 02026 Phone: 781-326-3455 Fax: 781-326-1273 E-mail: info@vicfirth.com Web: www.vicfirth.com Complete line of drumsticks and mallets for every percussive need. Warner Bros. Publications Yamaha Corporation of America— 314 Drumset & Electronic Percussion 6600 Orangethorpe Avenue Buena Park, CA 90620 Phone: 714-522-9011 Fax: 714-739-2680 Web: www.yamahadrums.com Yamaha Corporation of America— 412 Band & Orchestral Division P.O. Box 899 Grand Rapids, MI 49512-0899 Phone: 616-940-4900 Fax: 616-949-7721 Web: www.yamaha.com/band Keyboard percussion instruments, sticks, mallets, timpani. 700 Literature Bin 15800 N.W. 48th Avenue Miami, FL 33014 Phone: 305-620-1500 Fax: 305-621-1094 E-mail: wbpsales@warnerchappell.com Web: www.warnerbrospublications.com Your total percussion music publisher. Solo and ensemble music, methods, and instructional music videos and DVD's from Warner New Media. Featuring DCI, Interworld, and CPP Media. Winter Guard International 60 4010 Youngfield Street Wheat Ridge, CO 80033 Phone: 303-424-1927 Fax: 303-431-7267 E-mail: wgioffic@ix.netcom.com Web: www.wgi.org Indoor Percussion for Young People. XL Specialty Percussion, Inc. 59 16335-5 Lima Road Huntertown, IN 46748 Phone: 219-637-5684 Fax: 219-637-6354 E-mail: nealh@xlspec.om Web: www.xlspec.com Protector Cases™, XL-Lite Marching Carriers, Stik Stands, Accessory Cases, Marching accessories. EXHIBITORS EXHIBITORS 25 PASIC 2002 MAP CONVENTION CENTER LEVEL I PASIC SHOW OFFICE CONVENTION CENTER LEVEL II E 170–172 EXHIBIT HALL E E 160–162 E151 E150 D 140-143 D 130–132 C120– 122 EXHIBIT HALL C C 210-212 BALLROOM 1–3 TERRACE CONCERTS HYATT LEVEL II REGISTRATION ROOM 150 LOGISTICS ROOM 151 GRANT GARFIELD HARDING FRANKLIN HYATT LEVEL III UNION REGENCY BALLROOM HAYES HYATT LEVEL I 26 PASIC 2002 MAP A CONVENTION CENTER B HYATT REGENCY COLUMBUS N H H C CROWNE PLAZA BY HOLIDAY INN D RED ROOF INN H SHORT NORTH DISTRICT 3 GOODAL E ST. 12 Barrister Hall 560 S. High St. • (614) 621-1213 Jazz Bar/Club LOCATED ON PARK STREET 11 Tapatio 491 N. Park St. • (614) 221-1085 Eclectic and International, Mexican, Seafood, South American, Southwestern, and Spanish Restaurant. Average Meal Price: $21–$30 12 5:01 Jazz Bar 501 N. Park St. • (614) 464-0882 Voted Best Live Jazz in Columbus. 4TH AVE. 23 STATE ST. 33 E. TOWN ST. 3RD HIGH 15 E. RICH ST. 62 E. MAIN ST. 33 G MOUND ST. 23 EXIT 100B GRANT 10 F E. BROAD ST. ST . RJ Snapper's 700 N. High St • (614) 280-1070 Seafood Restaurant. Average Meal Price: $21–$30 40 3 4TH 9 State House 3 E. GAY ST. S. Rigsby’s Cuisine Volatile 698 N. High St. • (614) 461-7888 American (New), Eastern European, Eclectic & International, Greek, and Italian Restaurant. Average Meal Price: $41 and up E. LONG ST. N. 8 N. Basso Bean Coffee House 691 N. High St. • (614) 221-2326 Coffee Shops and Diners, Desserts, and Coffeehouse Restaurant. ST. 7 3RD Betty’s 680 N. High St. • (614) 228-6191 A contemporary diner featuring sandwiches, pastas, and salads. Average Meal Price: $8–$11 E. SPRING ST. N. 6 ST. Dagwoodz 660 N. High St. • (614) 228-5004 Coffee Shops and Diners and Delis Restaurant. Average Meal Price: $20 and under FRONT 5 C 13 14 D N. Brian Boru’s Pub 647 N. High St. • (614) 221-1250 B NATIONWIDE BLVD. ST. 4 1 15 MARCONI BLVD. K2U Bar & Grill 641 N. High St. • (614) 461-4766 Eclectic and International and Seafood Restaurant. Average Meal Price: $21–$30 2 16 ST. 3 A 11 2ND Barley’s Alehouse No. 1 467 N. High St. • (614) 228-2537 American (Traditional), English, Hamburgers, and Irish Restaurant. Average Meal Price: $20 and under ST. E ST . Martini Italian Bistro 445 N. High St. • (614) 224-8259 Eclectic and International, Italian, and Pizza Restaurant. Average Meal Price: $21–$30 670 SWAN ST. ST. SPRUCE LOCATED ON HIGH STREET 2 5 4 S J GERMAN VILLAGE 1 6 ST . I BREWERY DISTRICT SUMMIT ST. G SOUTHERN THEATER 8 7 23 ST. OHIO THEATER 23 9 HIGH F HUBBARD AVE. E W PARK ST. HAMPTON INN FRONT E FULTON ST. LOCATED ON NATIONWIDE BOULEVARD LOCATED ON FRONT STREET 15 Buca Di Beppo 343 N. Front St. • Phone: (614) 621-3287 Italian and Pizza Restaurant. Average Meal Price: $20 and under 16 28 Frog, Bear & Wild Boar Bar 343 Front St. • (614) 621-WILD Featuring food, drink and live entertainment. The menu includes overstuffed specialty sandwiches, soups, salads, and appetizers. S. S. 14 Damon’s 89 E. Nationwide Blvd. • (614) 228-7427 American (Traditional) and Barbecue Restaurant. Average Meal Price: $20 and under EXIT 100B S. 13 Max and Erma’s 55 E. Nationwide Blvd. • (614) 228-5555 Casual dining featuring a classic American menu of gourmet burgers along with a traditional breakfast menu. Average Meal Price: $7-11 I 10 23 J List compiled by Jeremy Bradstreet PASIC 2002 AREA MAP WEDNESDAY, NOVEMBER 13, 2002 © 1999 EVAN K AFKA 7:30 A.M. • Registration Opens [Convention Center Level One] Eugene Novotney Paul D. Lehrman Focus Day “Retrospective of Percussion Ensemble Literature of the 20th Century” hosted by Eugene Novotney presented by the PAS New Music/Research Committee Welcome by Susan Powell, PASIC 2002 Host 9:00–9:45 A.M. [Franklin Room, Hyatt Regency, Level Two] Keynote Address: Dr. Eugene Novotney, Humboldt State University Introduction: William Sallak In addition, throughout the day, Mr. Sallak will provide introductions of the literature performed from a historical perspective. 1924 George Antheil “Ballet Mecanique” with film and presentation by Paul D. Lehrman Peabody Percussion Ensemble, Julian Pellicano, director; Sponsors: Peabody Conservatory of Music, The Piano Gallery of Dublin Ohio, Yamaha Band & Orchestral. Louisiana State University 10:00–11:00 A.M. [Regency Ballroom, Hyatt Regency, Level Three] Jim Nelson Kay Stonefelt Judy Moonert Ben Miller Steve Hanna Rebecca Kite Oberlin Percussion Group 30 1928 Dimitri Shostakovich “The Nose” Louisiana State University, Michael Kingan, director 1930 Amadeo Roldan “Ritmicas #5 and #6” Louisiana State University, Michael Kingan, director 1931 Edgard Varese “Ionisation” Indiana University/Gaber Alumni Ensemble, Stuart Marrs, director featuring Dave Sander, Jim Nelson, Kay Stonefelt, Judy Moonert, Ben Miller, Steve Hanna, Rebecca Kite, Eric Batterman, Mike Sanders, John Crocken, Janet Pemberton and Jim Baker. Janet Pemberton Eric Batterman Kathleen Kastner Lisa Rogers Alison Shaw SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 1933 Jose Ardevol “Prelude & Fugue for 35 Players” University of Akron Percussion Ensemble, Larry Snider, director; Cincinnati College Conservatory of Music Percussion Ensemble, James Culley and Allen Otte, directing; and Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 1935 Johanna Beyer “IV” (three versions) Women’s Percussion Project featuring Julia Gaines, Kathleen Kastner, Janet Pemberton, Rebecca Kite, Lisa Rogers, Alison Shaw, Kristen Shiner-McGuire, Kay Stonefelt and Susan Martin Tariq Kristen Shiner-McGuire Susan Martin Tariq 1935 Harold Davidson “Auto Accident, An American Tragedy” LINKS Ensemble (Fred Bugbee, Andria Fennig, Douglas Norringham) assisted by John H. Beck, Jeff Ausdemore, Steve Hearn, Scott Ney, Neil Rutland, Chris Shultis, Andrew Spencer, Blake Tyson and B. Michael Williams 1935 William Russell “Three Cuban Pieces” Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 1940 LINKS Ensemble William Russell “Chicago Sketches” Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 11:15–12:30 P.M. [Franklin Room, Hyatt Regency, Level Two] Lecture by Chris Shultis: “No Ear for Music: Timbre in the Early Percussion Music of John Cage.” 1939 Henry Cowell “Pulse” Tempus Fugit Percussion Ensemble (Brett William Dietz, Shawn Galvin, P.J. Gatch, R.J. Heid and Dennis Hoffmann) Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Yamaha Band & Orchestral. John Beck Steve Hearn Scott Ney Neil Rutland 1940 Lou Harrison “Labrynth No. 3” Arizona State University Percussion Ensemble, J.B. Smith, director Sponsors: Arizona State University School of Music/Herberger College of Fine Arts, Avedis Zildjian Cymbal Company, Mike Balter Mallets, Pearl Corporation and Adams Musical Instruments. Chris Shultis Blake Tyson B. Michael Williams Arizona State University Percussion Ensemble SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 Tempus Fugit Percussion Ensemble University of New Mexico Percussion Ensemble 31 1941 John Cage “3rd Construction” University of New Mexico Percussion Ensemble, Scott Ney, director Sponsors: Pro-Mark Corporation, University of New Mexico 1942 Lou Harrison “Fugue” Conundrum (Daniel Kennedy, Terry Longshore, Brett Reed and Tomm Roland) 1941 John Cage & Lou Harrison “Double Music” Conundrum (Daniel Kennedy, Terry Longshore, Brett Reed and Tomm Roland) 1:30–2:30 P.M. [Regency Ballroom, Hyatt Regency, Level Three] 1940 Conundrum Stephen Crawford “For me, when all is said and done, sound is the determining factor for marimbas. Although I’ve been impressed with the many improvements in design and construction of marimbas over the past few years, it is the sound of the Marimba One rich, dark, open and sonorous - that sets it apart from other instruments. Marimba One’s high level of professionalism and pursuit of excellence sets a benchmark that more percussion manufacturers should aspire to.” Daniel Druckman, New York Philharmonic The Juilliard School 32 Carlos Chavez “Xochipilli” University of Mary Hardin–Baylor Percussion Ensemble, Stephen Crawford, director; Crawford Sponsor: Ross Mallet Instruments, Inc. 1942 Carlos Chavez “Tocatta” North Coast Percussion Ensemble (Mark Maynor, Matt Dudack, Murray Mast, Chris Vandell, Jeff Neitzke and Daniel Kaminski) 1952 Michael Colgrass “Three Brothers” Oberlin Percussion Group, Michael Rosen, director Sponsor: Oberlin Conservatory of Music 1959 Gardner Read “Los Dioses Aztecas” University of Kentucky Percussion Ensemble, James Campbell, director Sponsor: Evans Drumheads; Campbell Sponsor: Avedis Zildjian Cymbal Company ™ One Marimba...is custom made to order giving artistic preference for voicing, choice of tuning standards, and frame configuration. ™ One Marimba... gives you the choice of a wood frame or an adjustable height metal frame, hand selected Honduras Rosewood bars, and resonators in rich burgundy, traditional black or a lustrous gold. ™ One Marimba...leads the industry in design innovation. Come hear and see these amazing instruments in booth #40. One Marimba... ™ Toll Free (888) 990-6663 (U.S. only) • (707) 822-9570 • Fax (707) 822-6256 E-Mail: percussion@marimba1.com • www.marimba1.com SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 2:45–4:00 P.M. [Franklin Room, Hyatt Regency, Level Two] 1955 Maurice Ohana “Etude Chorégraphiques” Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Evans Drumheads, H. Selmer–Paris, Kp3 LLC/Malletech Instruments, Latin Percussion, Inc., Mairie de Paris, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc. 1961 Ben Johnston “Knocking Piece” Two Percussion Group (Chris Leonard and Dale Speicher) 1965 Kazimierz Serocki “Continuum” Cincinnati College Conservatory of Music Percussion Ensemble, James Culley and Allen Otte, directing 1965 Andre Jolivet “Ceremonial” Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Evans Drumheads, H. Selmer–Paris, Kp3 LLC/Malletech Instruments, Latin Percussion, Inc., Mairie de Paris, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc. University of Kentucky Percussion Ensemble 1966 Russell Peck “Lift Off” Percussion Group of Cincinnati (Allen Otte, James Culley, and Russell Burge) 1968 Edgard Varese/arr. G. Van Gucht “Ionisation” Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Evans Drumheads, H. Selmer–Paris, Kp3 LLC/Malletech Instruments, Latin Percussion, Inc., Mairie de Paris, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc. Percussion Ensemble of Conservatoire Supérieur de Paris–CNR 8:00–10:00 P.M. [Regency Ballroom, Hyatt Regency, Level Three] THE MUSIC OF STEVE REICH PROGRAM MUSIC FOR PIECES OF WOOD Percussion Group of Cincinnati Nexus: Bob Becker, Bill Cahn, Robin Engelman, Russell Hartenberger, Garry Kvistad; Sponsor: Pearl Corporation and Adams Musical Instruments DRUMMING PERCUSSION Nexus: Bob Becker, Bill Cahn, Russell Hartenberger, Garry Kvistad University of Toronto Percussion Ensemble: Richard Burrows, Jamie Drake, Devon Fornelli, Ian Gibson, Peter Jones (singing, whistling), Christa Mercey, Antti Ohenoja SINGERS Ainsley McNeaney, University of Toronto, Sonja Rasmussen, Steve Reich & Musicians PICCOLO Katherine Borst Jones, Ohio State University Nexus SCHEDULE OF EVENTS–WEDNESDAY, NOVEMBER 13 33 THURSDAY, NOVEMBER 14, 2002 7:30 A.M. • Registration Opens [E–150, Greater Columbus Convention Center, Level One] 8:00 A.M. Chris McHugh • College Pedagogy Committee Meeting Gary Cook, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Keyboard Committee Meeting Frank Kumor, interim chair. [Garfield Room, Hyatt Regency Columbus, Level One] • Marching Percussion Committee Meeting Julie Davila, chair. [Grant Room, Hyatt Regency Columbus, Level One] • Contest & Auditions Procedures Committee Meeting George Frock, chair. [Harding Room, Hyatt Regency Columbus, Level One] Neil Larrivee 9:00 A.M. Tom Aungst q Raynor Carroll y l Strike Percussion Ensemble t Chris Deviney Michael Rosen • Chris McHugh Drumset Clinic; Presider: Bobby Boos; Sponsors: Noble & Cooley, Sabian, Ltd. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Neil Larrivee & Tom Aungst Marching Clinic “The Principals of Effective and Successful Programming for Indoor Marching Percussion;” Presider: John King; Larrivee Sponsors: Avedis Zildjian Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc., Vic Firth, Inc.; Aungst Sponsors: Avedis Zildjian Cymbal Company, Remo, Inc., Vic Firth, Inc., Yamaha Band & Orchestral. [E160–162, Greater Columbus Convention Center, Level One] • Strike Percussion Ensemble, Don Raaymakers, director Showcase Concert; Presider: Andrew Spencer; Sponsor: East Kentwood and Caledonia High School. [Franklin Room, Hyatt Regency Columbus, Level Two] • Orchestral Panel Discussion; Panelists: Raynor Carroll, Chris Deviney, Michael Rosen and Phil Shipley, Jim Dallas, Moderator; “Auditions.” Carroll Sponsors: Grover Pro Percussion, Inc., Remo, Inc., Sabian, Ltd.; Deviney Sponsors: Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Sabian, Ltd.; Rosen Sponsors: Avedis Zildjian Cymbal Company, Oberlin Conservatory of Music. [C210–212, Greater Columbus Convention Center, Level Two] • PAS Museum/Library Listening Lab Sponsors: Keyboard Committee, New Music/Research Day Committee, Music Technology Committee. [D140–141, Greater Columbus Convention Center, Level One] • Health and Wellness Lab and Video Techniques Analysis [D142– 143, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Opens [Exhibit Hall E, Greater Columbus Convention Center, Level One] 10:00 A.M. l Arizona State University Contemporary Percussion Ensemble • Arizona State University Contemporary Percussion Ensemble, J. B. Smith, director Showcase Concert; Presider: Dan Moore; Sponsors: Arizona State University School of Music/Herberger College of Fine Arts, Avedis Zildjian Cymbal Company, Mike Balter Mallets, Pearl Corporation and Adams Musical Instruments. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Ivana Bilic with Vanja Kuljeric (piano) Keyboard Clinic “Working with the Composer;” Presider: Ron Samuels; Sponsors: Cantus, Croatian KEY: q DRUMSET KEYBOARD Ivana Bilic 34 Ganesh Anandan e WORLD PERCUSSION y t l MARCHING PERCUSSION PERCUSSION CONCERT SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 e t q Composers Society, Marimba One. [Union Room, Hyatt Regency Columbus, Level Two] • Ganesh Anandan World Clinic “South Indian Hand Drumming;” Presider: Sal Ferreras; Sponsors: The Canada Arts Council, Cooperman Company. [E170–172, Greater Columbus Convention Center, Level One] • Multiple Percussion Competition Presider: George Frock. [C120–122, Greater Columbus Convention Center, Level One] • Drumset Panel Discussion, Glenn Schaft, Moderator “Drumset in the College Methods Class.” [D130–132, Greater Columbus Convention Center, Level One] Gene Lake Russell Burge 11:00 A.M. q e y t • Gene Lake Drumset Clinic; Presider: Joe Hibbs; Sponsors: Avedis Zildjian Cymbal Company, Premier Percussion, Vic Firth, Inc. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Miami University Steel Band, Chris Tanner, director with guests Russell Burge, Lalo Davila, Kalani and Tom Miller World Clinic; “The Steel Band: A Versatile Vehicle for Various Styles;” Presider: Dr. Pascal Younge; Miami Sponsors: Miami University Department of Music, Pan Ramajay Productions; Davila Sponsors: Avedis Zildjian Cymbal Company, Evans Drumheads, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Row-Loff Productions; Kalani Sponsors: Alfred Publishing Co., Inc., Evans Drumheads, Gibraltar Hardware, Toca Percussion, Vic Firth, Inc.; Miller Sponsors: Pan Ramajay Productions, Vic Firth, Inc. [E160–162, Greater Columbus Convention Center, Level One] • Matt Savage Marching Master Class; “A Savage Rudimental Workshop;” Presider: Ray Brych; Sponsors: Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., Sabian, Ltd., Warner Bros. Publications. [Franklin Room, Hyatt Regency Columbus, Level Two] • Alan Abel Snare Drum Embellishments Lab. Sponsor: Sabian, Ltd. [C210–212, Greater Columbus Convention Center, Level Two] • Board of Directors Meeting [Garfield Room, Hyatt Regency Columbus, Level One] Miami University Steel Band Lalo Davila Kalani Tom Miller Matt Savage Alan Abel Gordon Stout Greg Beyer Kim Plainfield 12:00 P.M. l e • Gordon Stout with Steve Houghton Keyboard Clinic “Marimba Perspectives;” Presider: Leigh Howard Stevens; Stout Sponsors: Avedis Zildjian Cymbal Company, Kp3 LLC/Malletech Instruments, Malletech Mallets; Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Hip Pickles Children’s Concert; Presider: Karl Dustman; Sponsors: Gibraltar Hardware, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., Sabian, Ltd. [Union Room, Hyatt Regency Columbus, Level Two] • Greg Beyer World Clinic “Musical Bows—Ancient Instruments, New Ideas;” Presider: Sal Ferreras. [E170–172, Greater Columbus Convention Center, Level One] Steve Houghton Hip Pickles SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 35 q • Kim Plainfield Drumset Master Class “Rhythm Section 2 (Beginning– Intermediate);” Presider: Rich Mangicaro; Sponsors: Pearl Corporation and Adams Musical Instruments, Paiste America, Inc., Vater Percussion, Inc. [D130–132, Greater Columbus Convention Center, Level One] 1:00 P.M. t Michael Rosen Colin McNutt l Anders Åstrand and Global Percussion Network • Michael Rosen Cymbals Lab; Sponsors: Avedis Zildjian Cymbal Company, Oberlin Conservatory of Music. [C210–212, Greater Columbus Convention Center, Level Two] • SUNY-Fredonia African Drumming Ensemble, Kay Stonefelt, director with Bernard Woma Terrace Concert. [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Chapter Presidents Meeting Mark Ford, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Drumset Committee Meeting Jim Rupp, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • New Music/Research Committee Meeting Larry Snider, chair. [Grant Room, Hyatt Regency Columbus, Level One] • Scholarly Papers Committee Meeting Laura Franklin, interim chair. [Harding Room, Hyatt Regency Columbus, Level One] 2:00 P.M. l y Alfons Grieder 36 Adam Nussbaum • Anders Åstrand and Global Percussion Network Showcase Concert; Presider: John Wittmann; Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Yamaha Band & Orchestral. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Colin McNutt Marching Clinic; Presider: George Barrett; Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Remo, Inc. [E160–162, Greater Columbus Convention Center, Level One] SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 PERCUSSIVE NOTES 39 OCTOBER 2002 t q Clyde Stubblefield Jabo Starks 3:00 P.M. q y e Ganesh Anandan Patrick Cooperman Ryan Goldin Tom Teasley 38 • Orchestral Mock Audition Theresa Dimond, auditions coordinator; Judges: John Beck, Jack Brennan, Frederic Macarez, Ben Ramirez, Michael Udow. Tape review judges: Tim Genis, Stanley Leonard Don Liuzzi. [C120–122, Greater Columbus Convention Center, Level One] • Adam Nussbaum Drumset Master Class “Musical Applications for the Drumset;” Presider: John King; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Sonor/HSS, Inc. [D130–132, Greater Columbus Convention Center, Level One] • Clyde Stubblefield and Jabo Starks Drumset Clinic; Presider: Norbert Saemann; Sponsors: Meinl USA L.C., Remo, Inc., Vic Firth, Inc., Yamaha Drumset. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Alfons Grieder with Americlique Marching Clinic; [C210–212, Greater Columbus Convention Center, Level Two] • World Percussion Panel Discussion, Sal Ferreras, Moderator; Panelists: Ganesh Anandan, Patrick Cooperman, Ryan Goldin, Aldo Mazza and Tom Teasley “Makers & Shakers;” Anandan Sponsors: The Canada Arts Council, Cooperman Company; Cooperman Sponsor: Aldo Mazza Percussionists of the Boston Pops Esplanade Orchestra SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 t Cooperman Company; Goldin Sponsor: Mountain Rythym; Mazza Sponsors: Evans Drumheads, Grip Peddler, Latin Percussion, Inc., Ludwig/Musser, Mike Balter Mallets, Mountain Rythym, Regal Tip, Sabian, Ltd. [E170–172, Greater Columbus Convention Center, Level One] • Percussionists of the Boston Pops Esplanade Orchestra (Dean Anderson, Everett Beale, Neil Grover and Patrick Hollenbeck) Orchestral Clinic; Presider: Craigie Zildjian; Sponsors: Avedis Zildjian Cymbal Company, Berklee College of Music, Boston Conservatory, Grover Pro Percussion, Inc., Lefima Percussion, Pearl Corporation and Adams Musical Instruments, Vic Firth, Inc.; Anderson Sponsor: Remo, Inc. [Franklin Room, Hyatt Regency Columbus, Level Two] Gary Olmstead Chris Deviney 4:00 P.M. t t q • Gary Olmstead and Indiana University of Pennsylvania Percussion Ensemble Percussion Ensemble Literature Presentation “New Literature for Percussion Ensemble;” Presider: David Eyler; Sponsor: Ludwig/ Musser, Marimba One, Pearl Corporation and Adams Musical Instruments. [Union Room, Hyatt Regency Columbus, Level Two] • Chris Deviney Orchestral Clinic/Performance “Xylophone and Marimba in the Orchestra;” Presider: Steve Hearn; Sponsors: Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Sabian, Ltd. [E160–162, Greater Columbus Convention Center, Level One] • Julio Figueroa with Ebenezer Da Silva Drumset Master Class “How to Incorporate Latin Percussion to Your Drumset;” Presider: Scott Donnell; Sponsors: Audix Corporation, Drum Workshop, Inc., Meinl USA L.C., PureSound Percussion, Regal Tip, Remo, Inc., Rhythm Tech. [D130– 132, Greater Columbus Convention Center, Level One] Indiana University of Pennsylvania Percussion Ensemble Julio Figueroa SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 Gary Novak 39 5:00 P.M. q l Colonial Williamsburg Fifes & Drums y • Gary Novak Drumset Clinic; Presider: John DeChristopher; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Drum Workshop, Inc., Remo, Inc. [Ballroom 1-3, Greater Columbus Convention Center, Level One] • Colonial Williamsburg Fifes & Drums Terrace Concert; Sponsor: Cooperman Company. [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • College and High School Marching Individuals Snares, Keyboard and Tenors [Greater Columbus Convention Center] • Registration Closes [E–150, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Closes [Exhibit Hall E, Greater Columbus Convention Center, Level One] 8:00 P.M. l Bethune Cookman Marching Percussion Section • The Drummer’s Heritage featuring Americlique, Bethune Cookman Marching Percussion Section, Camp Chase Fife and Drum Corps, Canadian Associates Drumming Rudimental Excellence (C.A.D.R.E.), Colonial Williamsburg Fifes and Drums, Oak Village Middle School, Peel Regional Police Pipe Band Drum Line, University of North Texas Drumline and Soloists: Alfons Grieder, Camp Chase Fife and Drum Corps University of North Texas Drumline Canadian Associates Drumming Rudimental Excellence Alfons Grieder Marty Hurley Jim Kilpatrick Oak Village Middle School John Pratt Jeff Queen Nick Attanasio Peel Regional Police Pipe Band Drum Line Dominick Cuccia Therese Cuccia Robin Engelman 40 SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 Marty Hurley, Jim Kilpatrick, John Pratt, Jeff Queen and Nick Attanasio accompanied by Dominick and Therese Cuccia; Dennis DeLucia, Master of Ceremonies; Robin Engelman, Artistic Director Evening Concert; Presider: Ken Greene; Sponsors: Sabian, Ltd., Yamaha Band & Orchestral; Colonial Sponsor: Cooperman Company; Oak Village Sponsors: Lone Star Percussion, Pro-Mark Corporation; Peel Sponsors: Cameron’s Drumming Studio, The Peel Regional Police Pipe Band, Sandy St. James Pipe Band Outfitter; UNT Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments; Hurley Sponsor: Pearl Corporation and Adams Musical Instruments; Kilpatrick Sponsor: Premier Percussion; Queen Sponsors: Evans Drumheads, Pearl Corporation and Adams Musical Instruments, Vic Firth, Inc.; DeLucia Sponsor: Sabian, Ltd. [Regency Ballroom, Hyatt Regency Columbus, Level Three] Eric Paton 10:00 P.M. e l • Eric Paton World Drum Circle; Sponsors: Capital University Conservatory of Music, Remo, Inc. [D130–132, Greater Columbus Convention Center, Level One] • Pan Ramajay (Tom Miller, Alan Lightner and Jim Munzenrider) with Paul VanWageningen (drums), Michael Spiro (percussion) and Nelson Braxton (bass) World Showcase Concert; Sponsors: Latin Percussion, Inc., Pan Ramajay Productions, Pearl Corporation and Adams Musical Instruments, Sabian, Ltd.; VanWageninger Sponsor: Paiste America, Inc.; Spiro Sponsors: Sabian, Ltd., Vic Firth, Inc. [Big Bar on 2, Hyatt Regency Columbus, Level Two] Pan Ramajay SPECIAL THANKS: STATE CHAPER PASIC SCHOLARSHIP SPONSORS CALIFORNIA REMO, INC. CALIFORNIA CHAPTER OF PAS ILLINOIS MIKE BALTER MALLETS ILLINOIS CHAPTER OF PAS SCHEDULE OF EVENTS–THURSDAY, NOVEMBER 14 NEW YORK REGAL TIP/CALATO NEW YORK CHAPTER OF PAS TEXAS MIKE BALTER MALLETS EVANS DRUMHEADS PERCUSSION CONSTRUCTION PRO-MARK CORPORATION VIC FIRTH, INC. TEXAS CHAPTER OF PAS 41 FRIDAY, NOVEMBER 15, 2002 7:30 A.M. • Registration Opens [E–150, Greater Columbus Convention Center, Level One] 8:00 A.M. • World Percussion Committee Meeting Sal Ferreras, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Education Committee Meeting Ruth Cahn, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • International Committee Meeting Larry Snider, chair. [Grant Room, Hyatt Regency Columbus, Level One] Steve Chavez 9:00 A.M. y University of New Mexico Percussion Ensemble q e Truman State University Percussion Ensemble 42 • Drumline Festival: Opening Ceremony, College and High School Marching, Standstill and Small Ensemble Competition and Awards [Exhibit Hall C, Greater Columbus Convention Center, Level One] • Drumset Clinic; [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Marimbas of the World featuring Steve Chavez, Ken Battat, and University of New Mexico Percussion Ensemble, Scott Ney, director and Truman State University Percussion Ensemble, Michael Bump, director World Clinic “Africa to the Americas;” Presider: Chris Shultis; Chavez Sponsor: Fall Creek Marimbas; University of New Mexico Sponsors: Pro-Mark Corporation, University of New Mexico; Truman Sponsors: Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments. [E160–162, Greater Columbus Convention Center, Level One] SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 • College Pedagogy Panel Gary Cook, Moderator “The ‘Percussion Ensemble’ in the 21st Century” [C120–122, Greater Columbus Convention Center, Level One] • Franklin Central Percussion Symphony, Daniel Fyffe, director Showcase Concert; Presider: Michael Burritt; Sponsors: Franklin Central High School, Premier Percussion. [Franklin Room, Hyatt Regency Columbus, Level Two] • Robert Bridge Paper Presentation “An Overview of Steve Reich’s Sextet;” Presider: Laura Franklin. [C210–212, Greater Columbus Convention Center, Level Two] • PAS Museum/Library Listening Lab Sponsors: Keyboard Committee, Music Technology Committee, New Music/Research Day Committee. [D140–141, Greater Columbus Convention Center, Level One] • Health and Wellness Lab and Video Techniques Analysis [D142–143, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Opens [Exhibit Hall E, Greater Columbus Convention Center, Level One] t l Franklin Central Percussion Symphony 10:00 A.M. l t e q • Percussion Ensemble of Conservatoire Supérieur de Paris–CNR, Fréderic Macarez, director with soloists: She-e Wu (marimba), Cécile Beune (timpani), Ionela Christu (timpani) and Adrien Perruchon (timpani) and Northwestern University Percussion Ensemble Showcase Concert; Presider: Dan Moore; Sponsors: A.F.A.A. (Action Française d’Action Artistique), Association des Amis de Maurice Ohana, Cadeson, Evans Drumheads, H. Selmer–Paris, Latin Percussion, Inc., Mairie de Paris, Kp3 LLC/Malletech Instruments, Ministère des Affaires Etrangères, (French Government), Premier Percussion, Sabian, Ltd., Vic Firth, Inc.; Wu Sponsor: Malletech Mallets; Northwestern Sponsors: Kp3 LLC/Malletech Instruments, Northwestern University. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Symphonic Percussion Emeritus Orchestral Panel featuring Alan Abel, John H. Beck, Vic Firth, Arnie Lang and Stanley Leonard, Bill Cahn, moderator; Sponsor: Yamaha Band & Orchestral; Abel Sponsor: Sabian, Ltd.; Leonard Sponsors: Grover Pro Percussion, Inc., Stanley Leonard Percussion Music, Yamaha Band & Orchestral. [Union Room, Hyatt Regency Columbus, Level Two] • B. Michael Williams World Clinic “Learning Mbira;” Presider: Michael Spiro; Sponsor: HoneyRock Publishing. [E170–172, Greater Columbus Convention Center, Level One] • Drumset Panel Discussion featuring Joe La Barbera, Jeff Hamilton, Jake Hanna, Steve Houghton, Don Lamond, John Riley and Ed Soph, Jim Rupp, Moderator “Drummers of the Woody Herman Alan Abel KEY: q DRUMSET KEYBOARD e Vic Firth John Beck WORLD PERCUSSION y t l Robert Bridge She-e Wu Percussion Ensemble of the Conservatoire Supérieur de Paris–CNR Northwestern University Percussion Ensemble Arnie Lang Stanley Leonard B. Michael Williams Paul Wertico MARCHING PERCUSSION PERCUSSION CONCERT SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 43 Orchestra.;” Sponsors: Avedis Zildjian Cymbal Company, cdstreet.com, Columbus Pro Percussion, Inc., Charlie Rath, Wendy’s International; La Barbera Sponsors: Aquarian Accessories, Avedis Zildjian Cymbal Company, Gretsch Drums, Vic Firth, Inc.; Hamilton Sponsors: Bosphorus Cymbals, Regal Tip, Remo, Inc.; Hanna Sponsors: Modern Drummer Publications; Regal Tip, Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; Lamond Sponsors: Modern Drummer Publications, Pearl Corporation and Adams Musical Instruments; Riley Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Manhattan School of Music, Remo, Inc., Yamaha Drumset; Soph Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One] Valerie Naranjo, Barry Olsen and Kakraba Lobi 11:00 A.M. q Robert Friedman Rick Dimond e t Allan Molnar Jim Royle t • Paul Wertico Drumset Clinic; Presider: Chris Lombardi; Sponsors: Drum Workshop, Inc., Meinl USA L.C., Paiste America, Inc., Pro-Mark Corporation, Remo, Inc., Shure Incorporated. [Ballroom 1-3, Greater Columbus Convention Center, Level One] • Kakraba Lobi, Valerie Naranjo and Barry Olsen World Clinic/ Performance “West African Literature for the Solo Marimbist;” Presider: Ray Tregellas; Sponsors: Avedis Zildjian Cymbal Company, Latin Percussion, Inc., Marimba One. [E160–162, Greater Columbus Convention Center, Level One] • Robert Friedman Health & Wellness Presentation “Drumming Away Stress;” Presider: Darin Workman. [C120–122, Greater Columbus Convention Center, Level One] • Rick Dimond Keyboard Clinic/Performance “Building a Vibraphone Repertoire Through Transcription;” Presider: Doug DeMorrow; Sponsor: DeMorrow Instruments, Ltd. [Franklin Room, Hyatt Regency Columbus, Level Two] • Allan Molnar, Jim Royle and Michael Sgouros Education Panel Discussion “Studio Teaching the Pre-Collegiate Student;” Presider: Ruth Cahn; Royle Sponsors: Grover Pro Percussion, Sabian, Ltd., Silver Fox Percussion; Sgouros Sponsors: Grover Pro Percussion, Inc., Innovative Percussion, Inc., Sabian, Ltd. [C210–212, Greater Columbus Convention Center, Level Two] • Board of Directors Meeting [Garfield Room, Hyatt Regency Columbus, Level One] 12:00 P.M. Michael Sgouros Ian Finkel t e Tony Cirone Houman Pourmehdi q • Ian Finkel Keyboard Clinic; Presider: Jim Catalano; Sponsors: Ludwig/ Musser, Mike Balter Mallets. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Symphonic Percussion Emeritus Timpani/Orchestral Presentation featuring Alan Abel, John H. Beck, Tony Cirone, Arnie Lang, and Stanley Leonard Presider: Michael Kenyon; Sponsor: Yamaha Band & Orchestral; Abel Sponsor: Sabian, Ltd.; Leonard Sponsors: Grover Pro Percussion, Inc., Stanley Leonard Percussion Music, Yamaha Band & Orchestral. [Union Room, Hyatt Regency Columbus, Level Two] • Houman Pourmehdi World Clinic; Presider: David Johnson. [E170–172, Greater Columbus Convention Center, Level One] • John Riley Drumset Master Class “Rhythm Section 2 (Intermediate– Advanced);” Presider: John DeChristopher; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Manhattan School of Music, Remo, Inc., Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One] 1:00 P.M. John Riley 44 William Platt • Health & Wellness Injury Panel Discussion featuring Kalani, Brian Mason, Michael Udow and Zoro, Darin Workman, moderator. [C120– 122, Greater Columbus Convention Center, Level One] SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 t l Central State University Steel Ensemble • William Platt Tam-Tams Lab; Sponsors: Avedis Zildjian Cymbal Company, Black Swamp Percussion, Grover Pro Percussion, Steve Weiss Music. [C210–212, Greater Columbus Convention Center, Level Two] • Central State University Steel Band, Lennard Moses, director Terrace Concert [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Chapter Presidents Meeting, Mark Ford, chair. [Hayes Room, Hyatt Regency Columbus, Level One] • Drumset Committee Meeting, Jim Rupp, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • Percussion Ensemble Committee Meeting, Dan Moore, chair. [Grant Room, Hyatt Regency Columbus, Level One] 2:00 P.M. l Nebojsa Jovan Zivkovic and Jovan Percussion Group e q Aldo Mazza Ed Soph • Nebojsa Jovan Zivkovic and Jovan Percussion Group (Nebojsa Jovan Zivkovic, Craig Bitterman, Fernando Meza and Ben Toth) Showcase Concert; Presider: John King; Sponsors: Avedis Zildjian Cymbal Company, Yamaha Band & Orchestral; Toth Sponsor: Innovative Percussion, Inc. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • A Tribute to Michael Bookspan [Union Room, Hyatt Regency Columbus, Level Two] • Aldo Mazza World Clinic/Performance “Adding World Percussion to the Performance Language for the Percussionist and Drummer;” Presider: Bill Zildjian; Sponsors: Evans Drumheads, Grip Peddler, Latin Percussion, Inc., Ludwig/Musser, Mike Balter Mallets, Mountain Rythym, Regal Tip, Sabian, Ltd. [E160–162, Greater Columbus Convention Center, Level One] • Ed Soph with Lou Fischer (bass) and Stan Smith (guitar) Drumset Master Class “Practicing Improvisationally: From the Practice Room to the Bandstand;” Presider: Jerry Andreas; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One] 3:00 P.M. q e Virgil Donati Tom Miller t Chicago Symphony Percussion Scholarship Group • Virgil Donati Drumset Clinic; Presider: Bill Zildjian; Sponsors: Pearl Corporation and Adams Musical Instruments, Remo, Inc., Sabian, Ltd., Vater Percussion, Inc. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Tom Miller World Clinic “Arranging for Steelband: Basics and Beyond;” Sponsors: Pan Ramajay Productions, Vic Firth, Inc. [E170–172, Greater Columbus Convention Center, Level One] • Keyboard Panel Discussion; Panelists: Rick Dimond and Ian Finkel, Rebecca Kite, Moderator; “Transcriptions;” Dimond Sponsor: DeMorrow Instruments, Ltd.; Finkel Sponsors: Ludwig/Musser, Mike Balter Mallets. [C120–122, Greater Columbus Convention Center, Level One] • Patsy Dash and Doug Waddell with the Chicago Symphony Percussion Scholarship Group Education Clinic/Performance “Inner City Kids and Percussion;” Presider: John R. Beck; Sponsors: Avedis Zildjian Cymbal Company, Black Swamp Percussion, Kp3 LLC/ Malletech Instruments, Marimba One, Pearl Corporation and Adams Musical Instruments. [Franklin Room, Hyatt Regency Columbus, Level Two] • PASIC 2003 Host Committee Meeting, Rick Mattingly, chair. [Garfield Room, Hyatt Regency Columbus, Level One] 4:00 P.M. e Nancy Zeltsman 46 Glen Velez • Nancy Zeltsman Keyboard Master Class “Tone, Articulation and Expressiveness on Marimba;” Presider: Ron Samuels; Sponsors: Encore Mallets, Inc., Hal Leonard Corp., Marimba One, Temple University. [Union Room, Hyatt Regency Columbus, Level Two] • Glen Velez World Clinic; Presider: Chris Hart; Sponsor: Remo, Inc. [E160–162, Greater Columbus Convention Center, Level One] SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 47 q t • Russ Miller Drumset Master Class “The Drum Set Crash Course;” Presider: Joe Testa; Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Meinl USA L.C., Remo, Inc., Shure Incorporated, Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One] • John Shaw Castanets Lab. [C210–212, Greater Columbus Convention Center, Level Two] 5:00 P.M. q Russ Miller Elvin Jones • Elvin Jones Drumset Clinic/Performance; Presider: Jerry Andreas; Sponsors: Avedis Zildjian Cymbal Company, Pro-Mark Corporation, Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Registration Closes [E–150, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Closes [Exhibit Hall E, Greater Columbus Convention Center Level One] 6:00 P.M. John Pratt Ringo Starr • Hall of Fame Cocktail Hour [Ballroom 1-3 Foyer, Greater Columbus Convention Center, Level One] SESSION DEFINITIONS CLINIC: PERFORMER(S) INSTRUCTS/SPEAKS ABOUT AND DEMONSTRATES TECHNIQUES/IDEAS. CLINIC/PERFORMANCE: SAME AS THE CLINIC, BUT CONTAINING A GREATER AMOUNT OF STRUCTURED PERFORMANCE (I.E., PERFORMANCE WITH GROUP, TAPE, ETC.). CONCERT: FEATURES ARTIST(S) IN A FORMAL/ SEMIFORMAL CONCERT PERFORMANCE. LAB: HANDS-ON, INTERACTIVE, INSTRUCTIONAL SESSION. LECTURE/PAPER PRESENTATION: A FORMAL, ACADEMIC PRESENTATION OF A RESEARCH PAPER OR TOPIC. MASTER CLASS: ATTENDEES ARE CALLED TO THE STAGE TO RECEIVE PERSONAL INSTRUCTION IN FRONT OF THE AUDIENCE FOCUS DAY: CONCERT, CLINICS/PERFORMANCES, AND PRESENTATIONS ON WEDNESDAY. PANEL DISCUSSION: A PANEL OF EXPERTS ON ANY GIVEN SUBJECT. DOES NOT CONSTITUTE FEATURING ANY PARTICULAR ARTIST IN A CLINIC OR FEATURE SETTING. PRESENTATION: ACADEMIC PRESENTATION OF A SPECIFIC TOPIC, I.E., INDUSTRY SEMINAR, POSTERS. TERRACE CONCERT: AN INFORMAL CONCERT. WORKSHOP: ALL ATTENDEES ARE INVITED TO BRING INSTRUMENTS AND PARTICIPATE IN THIS INSTRUCTIONAL SESSION. 48 SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 7:00 P.M. • Hall of Fame Banquet honoring John Pratt, Ringo Starr and Ed Thigpen [Ballroom 1–3, Greater Columbus Convention Center, Level One] 9:00 P.M. • The Drummers of Woody Herman featuring Don Lamond, Jake Hanna, Ed Soph, Joe La Barbera, Steve Houghton, Jeff Hamilton and John Riley; Jim Rupp, Presider and Coordinator Evening Concert; Sponsors: Avedis Zildjian Cymbal Company, cdstreet.com, Columbus Pro Percussion, Inc., Charlie Rath, Wendy’s International; La Barbera Sponsors: Aquarian Accessories, Avedis Zildjian Cymbal Company, Gretsch Drums, Vic Firth, Inc.; Hamilton Sponsors: Bosphorus Cymbals, Regal Tip, Remo, Inc.; Hanna Sponsors: Modern Drummer Publications, Regal Tip; Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; Lamond Sponsors: Modern Drummer Publications, Pearl Corporation and Adams Musical Instruments; Riley Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Manhattan School of Music, Remo, Inc., Yamaha Drumset; Soph Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Evans Drumheads, Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three] l Ed Thigpen Don Lamond Jake Hanna Ed Soph Joe La Barbera Steve Houghton Jeff Hamilton John Riley 10:00 P.M. e l • Jeff Jones Drum Circle; Sponsor: Pro-Mark Corporation. [D130–132, Greater Columbus Convention Center, Level One] • Paul Wertico Trio featuring Paul Wertico (drums), John Moulder (guitar) and Eric Hochberg (bass) Showcase Concert; Sponsors: Drum Workshop, Inc., Paiste America, Inc., Pro-Mark Corporation, Remo, Inc., Shure Incorporated. [Big Bar on 2, Hyatt Regency Columbus, Level Two] PERCUSSIVE ARTS SOCIETY CALL FOR PROPOSALS PASIC 2003 RESEARCH PROPOSAL INFORMATION The Scholarly Paper Committee of the Percussive Arts Society is pleased to announce the call for research proposals for presentation at PASIC 2003, November 13-16 in Columbus, Ohio. Three papers will be selected for oral presentation and up to eight additional proposals will be selected to be presented as research posters. Some possible topic areas for presentation include: world percussion, historical aspects of percussion, compositional analysis, historical aspects of drumset, physical and medical related issues, notation for percussion, aspects of orchestral repertoire and performance practices within the varied areas of percussion. Authors selected to give oral presentations will have a 50 minute session in which to present their research and answer questions from the audience. Most media resources will be available upon request. Those authors whose proposals are selected to present their research in a poster session, will do so at a time when interested attendees may discuss research results and applications with individual authors. Each presenter will prepare a 30" x 40" poster that describes the research and will provide abstracts of the report for interested individuals attending the poster session. Jeff Jones Prospective participants for either format should download an application from the PAS website (pas.org). A completed application must be submitted, in addition to an abstract of approximately 750 words that provides a concise, yet thorough summary of the research project. Deadline for applications is March 1, 2003 Send application and abstract to: Scholarly Research Proposals Percussive Arts Society, 701 NW Ferris Avenue Lawton, OK 73507-5442. Additional information regarding the Scholarly Papers and Research Posters may be directed to Laura Franklin at: Phillil@brevard.edu or 828/883-2343. CONTACT PERCUSSIVE ARTS SOCIETY FOR RESEARCH PROPOSAL APPLICATION SCHEDULE OF EVENTS–FRIDAY, NOVEMBER 15 Paul Wertico Trio 49 SATURDAY, NOVEMBER 16, 2002 7:30 A.M. • Registration Opens [E–150, Greater Columbus Convention Center, Level One] 8:00 A.M. Billy Ward • New Music Technology Committee Meeting Kurt Gartner, chair. [D142–143, Greater Columbus Convention Center, Level One] • Composition Contest Committee Meeting Lynn Glassock, chair. [Garfield Room, Hyatt Regency Columbus, Level One] • Health & Wellness Committee Meeting Darin Workman, chair. [Grant Room, Hyatt Regency Columbus, Level One] • Symphonic Committee Meeting Alan Abel, chair. [Harding Room, Hyatt Regency Columbus, Level One] Robert Breithaupt 9:00 A.M. Eric Paton Nick Petrella q e t Robert McCormick Laura Franklin l Northwestern University Percussion Ensemble • Billy Ward Drumset Clinic “Drum Set as an Orchestra;” Presider: John DeChristopher; Sponsors: Avedis Zildjian Cymbal Company, Drum Workshop, Inc., Evans Drumheads, Shure Incorporated. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Capital University World Music Lab Ensemble, Robert Breithaupt and Eric Paton, directors World Presentation “World Music and Curriculum/Accreditation: A Percussion-based Solution;” Presider: Gavin Carignan; Sponsors: Capital University Conservatory of Music, Remo, Inc. [E160–162, Greater Columbus Convention Center, Level One] • Nick Petrella and Robert McCormick Snare Drum Fundamentals; Presider: Chris W. Treloar; Petrella Sponsors: Carl Fischer, Cooperman Company, Sabian, Ltd., Yamaha Band & Orchestral; McCormick Sponsors: Avedis Ziljdian Cymbal Company, Grover Pro Percussion, Inc. [C120–122, Greater Columbus Convention Center, Level One] • Colleyville–Heritage High School Percussion Ensemble with Arjuna Contreras, guest artist, Chris Hayes, director Showcase Concert; Presider: Wayne Bovenschen; Sponsor: Colleyville-Heritage High School. [Franklin Room, Hyatt Regency Columbus, Level Two] • Laura Franklin Paper Presentation “Digging for Gold: Techniques and Resources for Conducting Scholarly Research;” Presider: Lisa Rogers; Sponsor: Brevard College. [C210–212, Greater Columbus Convention Center, Level Two] • PAS Museum/Library Listening Lab Sponsors: Keyboard Committee, Music Technology Committee, New Music/Research Day Committee. [D140–141, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Opens [Exhibit Hall E, Greater Columbus Convention Center, Level One] KEY: q DRUMSET KEYBOARD John Tafoya Jeff Hamilton Dave Weckl Bobby Sanabria 50 e Scott Herring WORLD PERCUSSION y t l MARCHING PERCUSSION PERCUSSION CONCERT Giff Howarth SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 51 10:00 A.M. l t q Mitch Markovich Richard Weiner • Northwestern University Percussion Ensemble, Michael Burritt, director Showcase Concert; Presider: Dan Moore; Sponsors: Kp3 LLC/ Malletech Instruments, Northwestern University. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • John Tafoya Timpani Clinic; Presider: Neil Grover; Sponsors: American Drum Manufacturing Company, Grover Pro Percussion, Inc., Remo, Inc. [Union Room, Hyatt Regency Columbus, Level Two] • Jeff Hamilton Drumset Master Class “Big Band Drumming;” Presider: Dwight Keith; Sponsors: Bosphorus Cymbals, Regal Tip, Remo, Inc. [D130–132, Greater Columbus Convention Center, Level One] • Hands on Music Technology Lab [D142–143, Greater Columbus Convention Center, Level One] 11:00 A.M. q e AMY RENTMEESTER Hip Pickles Stefon Harris y Raynor Carroll t • Dave Weckl Drumset Clinic; Presider: David Via; Sponsors: Sabian, Ltd., Vic Firth, Inc., Yamaha Drumset. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Bobby Sanabria World Clinic; Presider: Ray Tregellas; Sponsors: Latin Percussion, Inc., Pearl Corporation and Adams Musical Instruments, Remo, Inc., Sabian, Ltd., Vic Firth, Inc. [E160–162, Greater Columbus Convention Center, Level One] • Scott Herring and Giff Howarth Keyboard Fundamentals; Presider: Jim Lambert; Herring Sponsors: Kp3 LLC/Malletech Instruments, Innovative Percussion, Inc., Grover Pro Percussion, Inc.; Howarth Sponsors: Sabian, Ltd., Tap Space Publications, Vic Firth, Inc., Yamaha Band & Orchestral. [C120–122, Greater Columbus Convention Center, Level One] • Mitch Markovich Marching Master Class “Snare Drum Interpretation/ Technique Exchange;” Presider: Carol Carpenter; Sponsors: Evans Drumheads, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation. [Franklin Room, Hyatt Regency Columbus, Level Two] • Richard Weiner Triangle Lab; Sponsor: Avedis Zildjian Cymbal Company. [C210–212, Greater Columbus Convention Center, Level Two] • Board of Directors Meeting [Garfield Room, Hyatt Regency Columbus, Level One] 12:00 P.M. Steve Houghton Gary Chaffee y t Ruth Jeanne Marimba Ensemble q • Stefon Harris with Terreon Gully (drums) George Colligan (piano) Keyboard Clinic/Performance “The Expansion of Vibes and Marimba in a Contemporary Jazz Setting;” Presider: Staci Stokes; Sponsors: Ludwig/Musser, Pro-Mark Corporation; Gully Sponsors: Pro-Mark Corporation, Sabian, Ltd., Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Hip Pickles Marching Clinic/Performance; Sponsors: Gibraltar Hardware, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., Sabian, Ltd. [Union Room, Hyatt Regency Columbus, Level Two] • Raynor Carroll Bass Drum Clinic/Performance; Presider: Chris Hart; Sponsors: Grover Pro Percussion, Inc., Remo, Inc., Sabian, Ltd. [E170– 172, Greater Columbus Convention Center, Level One] • Steve Houghton with Gary Chaffee Drumset Master Class “The Art of Practicing...with a Friend;” Presider: Lennie DiMuzio; Houghton Sponsors: Alfred Publishing, Co., Inc., Avedis Zildjian Drumsticks and Cymbal Company, Pearl Corporation and Adams Musical Instruments, Remo, Inc.; Chaffee Sponsors: Avedis Zildjian Drumsticks and Cymbal Company, Remo, Inc., Yamaha Drumset. [D130–132, Greater Columbus Convention Center, Level One] Trio Yarn 52 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 53 1:00 P.M. l • Ruth Jeanne Marimba Ensemble Terrace Concert. [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Committee Chairs Meeting Rich Holly, chair. [Hayes Room, Hyatt Regency Columbus, Level One] 2:00 P.M. Jonathan Haas Tim Adams l t Matthew Beaumont William Moersch e q q Frederic Macarez Kevin Richard Dufford • Trio Yarn Showcase Concert; Presider: Michael Rosen. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • The Carter Timpani Cartel “CTC” featuring soloists Jonathan Haas, Tim Adams, Matthew Beaumont, William Moersch, Kevin Richard Dufford and Frederic Macarez Symphonic Clinic/Performance; Presider: Steve Beck; Haas Sponsors: Aspen Music Festival and School, Avedis Zildjian Cymbal Company, Mike Balter Mallets, Peabody Conservatory of Music, Pearl Corporation and Adams Musical Instruments, Pro-Mark Corporation, Remo, Inc., University of Buffalo; Adams Sponsor: Evans Drumheads; Macarez Sponsor: Evans Drumheads. [Union Room, Hyatt Regency Columbus, Level Two] • Lenny Castro World Clinic; Presider: Rich Mangicaro; Sponsors: Latin Percussion, Inc., Paiste America, Inc., Remo, Inc., Vic Firth, Inc. [E160– 162, Greater Columbus Convention Center, Level One] • Rich Thompson and Zoro Drumset Fundamentals; Presider: Marshall Maley; Thompson Sponsors: Ludwig/Musser, Regal Tip, Remo, Inc.; Zoro Sponsors: Audix Corporation, DrumFrame, Drum Workshop, Inc., Evans Drumheads, Latin Percussion, Inc., Sabian, Ltd., Vic Firth, Inc. [C120–122, Greater Columbus Convention Center, Level One] • Joe La Barbera Drumset Master Class; Presider: John DeChristopher; Sponsors: Aquarian Accessories, Avedis Zildjian Cymbal Company, Gretsch Drums, Vic Firth, Inc. [D130–132, Greater Columbus Convention Center, Level One] 3:00 P.M. q e • Dave Lombardo Drumset Clinic; Sponsor: Tama [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Andrea Centazzo World Clinic “Ancient Future: A multimedia experience for Percussion, MIDI Percussion and Video Images;” Presider: Matt Connors; Sponsors: Paiste America, Inc., Remo, Inc. [E170–172, Greater Columbus Convention Center, Level One] Lenny Castro Rich Thompson Zoro Joe La Barbera Dave Lombardo Eugene Espino Ney Rosauro University of Miami Percussion Ensemble 54 Andrea Centazzo Eric Sammut Arthur Lipner SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 55 t • Eric Sammut Keyboard Clinic; Presider: Leigh Howard Stevens; Sponsors: Kp3 LLC/Malletech Instruments, Malletech Mallets. [Franklin Room, Hyatt Regency Columbus, Level Two] • Eugene Espino Timpani Lab. [C210–212, Greater Columbus Convention Center, Level Two] 4:00 P.M. l Mark Ford Chris Lamb t Luis Conte Orestes Vilato e t q Ruth Cahn 56 Stanley Leonard • Ney Rosauro with guests University of Miami Percussion Ensemble, Arthur Lipner and Mark Ford Showcase Concert “A Celebration of Ney Rosauro/25 Years of Percussion and 50th Birthday;“ Presider: John Wittmann; Sponsors: Innovative Percussion, Inc., MalletWorks Music, Sabian, Ltd., University of Miami School of Music, Yamaha Band & Orchestral; Lipner Sponsors: Ludwig/Musser, MalletWorks Music, Mike Balter Mallets; Ford Sponsors: Avedis Zildjian Cymbal Company, Innovative Percussion, Inc., Pearl Corporation and Adams Musical Instruments. [Regency Ballroom, Hyatt Regency Columbus, Level Three] • Chris Lamb Orchestral Clinic/Performance; Presider: Nick Petrella; Sponsors: Innovative Percussion, Inc., Sabian, Ltd. [Union Room, Hyatt Regency Columbus, Level Two] • Luis Conte and Orestes Vilato World Clinic; Presider: Norbert Saemann; Conte Sponsors: Audix Corporation, Meinl USA L.C., Remo, Inc.; Vilato Sponsors: Meinl USA L.C., Remo, Inc., Sabian, Ltd., Vic Firth, Inc. [E160–162, Greater Columbus Convention Center, Level One] • Ruth Cahn and Stanley Leonard Timpani Fundamentals “Timpani—A Great Sound From the Beginning;” Presider: Dr. John Papastefan; Cahn Sponsor: Sabian, Ltd.; Leonard Sponsors: Grover Pro Percussion, Inc., Stanley Leonard Percussion Music, Yamaha Band & Orchestral. [C120–122, Greater Columbus Convention Center, Level One] • Hilary Jones Drumset Master Class; Presider: David Levine; Sponsors: Avedis Zildjian Cymbal Company, Drum Workshop, Inc., Pro-Mark SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 Corporation. [D130–132, Greater Columbus Convention Center, Level One] 5:00 P.M. q l • Thomas Lang Drumset Clinic; Presider: Ian Croft; Sponsors: Meinl USA L.C., Remo, Inc., Sonor/HSS, Inc., Vater Percussion, Inc. [Ballroom 1–3, Greater Columbus Convention Center, Level One] • Arts Impact Steel Band, Jeff Jones, director Terrace Concert [Connector between Hyatt Regency Columbus and Greater Columbus Convention Center] • Registration Closes [E–150, Greater Columbus Convention Center, Level One] • International Drum & Percussion Expo Closes [Exhibit Hall E, Greater Columbus Convention Center, Level One] Hilary Jones Thomas Lang Dave Weckl Tom Kennedy Steve Weingart Gary Meek Christoph Luty Tamir Hendelman 8:00 P.M. l • Dave Weckl Band featuring Dave Weckl (drums), Tom Kennedy (bass), Steve Weingart (piano) and Gary Meek (saxophone) Evening Concert; Presider: Jerry Andreas; Sponsors: Remo, Inc., Sabian, Ltd., Shure Incorporated, Vic Firth, Inc., Yamaha Drumset. [Regency Ballroom, Hyatt Regency Columbus, Level Three] 10:00 P.M. e l • Kalani World Drum Circle; Sponsors: Alfred Publishing Co., Inc., Evans Drumheads, Gibraltar Hardware, Toca Percussion, Vic Firth, Inc. [D130– 132, Greater Columbus Convention Center, Level One] • Jeff Hamilton Trio featuring Jeff Hamilton (drums), Christoph Luty (bass) and Tamir Hendelman (piano) Showcase Concert. [Big Bar on 2, Hyatt Regency Columbus, Level Two] Kalani Jeff Hamilton AVAILABLE ON CD SEARCHABLE FORMAT PERCUSSION EDUCATION: A SOURCE BOOK OF CONCEPTS AND INFORMATION & PAS RESEARCH PUBLICATIONS 1963–1987 VISIT BOOTH 1 SCHEDULE OF EVENTS–SATURDAY, NOVEMBER 16 57 ARTISTS AND CLINICIANS ALAN ABEL THURSDAY 11:00 A.M.; FRIDAY 10:00 A.M. & 12:00 P.M. Former Associate Principal Percussionist of the Philadelphia Orchestra Alan Abel retired in September 1997 after 38 years of service. He currently works with graduate students at Temple University. Abel has compiled two books on orchestral studies for timpani and percussion for G. Schirmer, Inc. and has designed and produced symphonic triangles and bass drum stands that are used throughout the world. Abel has served on the PAS Board of Directors, was inducted into the PAS Hall of Fame in 1998, and is presently Chair of the PAS Symphonic Committee. He has been a faculty member of the University of Oklahoma, Oklahoma City University, Glassboro State College, and the Philadelphia Settlement Music School. Abel was a part-time member of the Rochester Philharmonic Orchestra and, after two years in a U.S. Air Force Band, played in the Oklahoma City Symphony (1953–59). TIMOTHY ADAMS SATURDAY 2:00 P.M. Named Principal Timpanist with the Pittsburgh Symphony in 1995, Timothy Adams also serves on the faculty of Carnegie Mellon University in Pittsburgh as Associate Professor of Music. In addition, he teaches percussion at the Brevard Music Center in North Carolina and gives master classes and recitals both in the U.S. and abroad. Adams is a regular guest lecturer at the University of Chile and will conduct a South American percussion master class in Patagonia, Argentina next year. He has played solo performances with the Atlanta Symphony, the Indianapolis Symphony, the Pittsburgh Symphony and the Florida Philharmonic, and has recorded with the Cleveland Orchestra, Atlanta Symphony and Indianapolis Symphony, where he served as Principal Timpanist (1991-95). Adams has been featured on the television show Mister Rogers’ Neighborhood, performed on the movie soundtrack The Cave Man’s Valentine and also played in the rock band Exotic Birds, which recorded two albums and a music video for MTV. AMERICLIQUE THURSDAY 2:00 P.M. & 8:00 P.M. Americlique was formed in 1991 by accomplished fife and drum corps musicians as a platform for learning and performing Basel Swiss Festival music in New England and the Northeast. Americlique is a reciprocal effort to Swiss Cliques such as the Swiss Regimentals and Wild Bunch, which are Swiss Cliques that perform traditional American Fife and Drum music. Americlique traveled to Basel, Switzerland to perform in Basel Fasnacht for the first time in 1993. Since then, Americlique has performed at the Basel Fasnacht in 1996, 1999 and 2001. Members will be going over as well to attend the 2003 Fasnacht festival. When in Switzerland, Americlique musicians have participated as guests with Basel cliques such as Mir, Déjà Vu, the New York Bebbi Club and Chromosomily. GANESH ANANDAN THURSDAY 10:00 A.M., 3:00 P.M. Ganesh Anandan was born and raised in Bangalore City, South India, where he studied Karnatic music under the tuitorship of G. Venugopal (flute) and K.K. Parthasarthy (mrdangam). After completing university studies in 1976, he moved to Canada where he studied western classical music theory and took part in a variety of percussion workshops including the bodhran and tar with Glen Velez and the tamburrelo and tammurriata with Carlo Rizzo. Anandan was awarded several grants from The Canada Arts Council and Le Conseil des Arts et des Lettres du Québec for artistic projects and studies. He received a long-term grant to study the Tavil (a ritual two-sided drum) and the Kanjira (a south Indian tambourine) with T.N. Shashikumar at the Karnataka College of Percussion in Bangalore. During the past 10 years Anandan has 58 been transposing south Indian drumming concepts and techniques to alternative surfaces and frame drums. As a composer and improviser he draws from the vocabulary of Karnatic percussion, extended techniques and contemporary forms in composition. His music combines drum poetry, mathematics and improvisation. ANDERS ÅSTRAND AND THE GLOBAL THURSDAY 2:00 P.M. PERCUSSION NETWORK Anders Åstrand, well known as a versatile percussionist and composer, performs and records extensively throughout the USA, Europe and Australia. He has appeared as a soloist, conductor, and featured performer with a wide range of classical and jazz artists. He has appeared as a soloist with several Swedish choirs, the Engebretson/Fancher/Åstrand saxophone trio, organist Mattias Wager, and he leads his own group, the Global Percussion Network. He has toured and recorded with the jazz trio Like One, and in 1999 he toured Sweden with Double Image. In his compositions, Åstrand focuses on contemporary percussion ensemble. The Spanish percussion ensemble Amores recently commissioned “Rauk” and his highly acclaimed work “Purge” was broadcast by Swedish Radio. Åstrand collaborates with several multi-media artists and was recently commissioned to compose an outdoor concert for ice instruments as well as another that featured performers utilizing jet-fighter aircraft as instruments. ARIZONA STATE WEDNESDAY 11:15; THURSDAY 10:00 A.M. UNIVERSITY CONTEMPORARY PERCUSSION ENSEMBLE The Arizona State University Contemporary Percussion Ensemble strives to increase performer and audience awareness of the contributions to percussion ensemble literature by major composers such as Edgard Varese, Lou Harrison, John Cage, Steve Reich, as well as new literature by emerging composers. J. B. Smith directs the group. The ensemble has commissioned and premiered numerous works including Wendy Mae Chambers’ “Manadala in Funk,” Anthony Braxton’s “Composition No. 174 for Percussion Ensemble and Constructed Environment” (recording available from Leo Records) and Mary Ellen Childs’ “Crash.” NICK ATTANASIO THURSDAY 8:00 P.M. Nick Attanasio was introduced to drum corps in 1932 when his father’s VFW Post 716 started a drum corps and he signed up as a drummer. His drum instructor, Charles Wilson, had him join the Fighting Irish 69th Regiment Fife, Drum & Bugle Corps. They were a Senior group and Nick was the only “kid” in it. He was preparing to join the 4th Degree K of C Senior Corps in 1940 as a snare drummer, but due to a severe injury to his left hand he became a rudimental bass drummer with the K of C. Nick played with the famous and highly competitive Sons of Liberty Fife & Drum Corps in Brooklyn, New York, alongside Les Parks and Bobby Thompson. He has won state titles in New York, New Jersey, Rhode Island, Massachusetts, Connecticut and Virginia, and won the North Eastern States Title scores of times. He retired from individual competition in 1971 as the undefeated New York state champion and the North Eastern States Champion. But after being retired for 21 years he won the New York State title and the North Eastern States title with a perfect score of 200 about eight weeks prior to his 70th birthday. He also resumed drumming with the Civil War Troopers Fife & Drum Corps from Newburgh, New York. TOM AUNGST THURSDAY 9:00 A.M. After receiving his bachelor’s degree in music education from Westchester University, Tom Aungst went on to Rutgers where he ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 59 graduated with a master’s degree in jazz performance. In 1985, Tom began teaching marching percussion. His work as the percussion arranger and caption head for the eight-time world champion Cadets of Bergen County Drum and Bugle Corps is widely known and respected in the marching community. The Cadets took home the Fred Sanford High Percussion Award in 2001 and 2002. Tom’s teaching techniques can be seen in his video, Rehearsing the Contemporary Percussion Ensemble. Tom is the Percussion Director for the Dartmouth Public School System in Dartmouth, Mass. His job includes teaching and writing music for the percussion students from 4th through 12th grade. Under his direction, Dartmouth High School has captured two WGI world championships (1998 and 1999) and has consistently placed in the top three. ERIC BATTERMAN WEDNESDAY 10:00 A.M. Eric Batterman received his Bachelor of Music degree from Indiana University. Soon after graduating, he worked as timpanist for the RAI Orchestra in Turin, Italy. Eric toured extensively in the 1980s as drummer/musical director for The Lettermen and performed as percussionist with artists including Frank Sinatra Jr., The 5th Dimension, Connie Francis, Michel Legrand, Roger Williams, Stephane Grappelli and others. He has appeared with the St. Louis, Cincinnati, Portland and Rochester symphony orchestras. Since 1992 Eric has maintained a music production company now based in Chicago. He works steadily as studio musician, composer and producer for numerous commercial TV, video, Web and film projects. MATTHEW BEAUMONT SATURDAY 2:00 P.M. Matthew Beaumont is the acting principal timpanist for the Richmond Symphony’s 2002-2003 season. Beaumont has appeared regularly with the Delaware, Charleston, and Lancaster symphony orchestras. He has also performed with the New Jersey Symphony and the American Symphony Orchestra. As a chamber musician, Matthew has appeared with the Battery Four percussion quartet and performs recitals with flutist Ellen Dooley. Beaumont received his bachelor’s degree from the Peabody Conservatory, where he studied with Jonathan Haas and Robert Van Sice. He continued his studies at Temple University, receiving a master’s degree under the tutelage of Alan Abel. Matthew spends his summers in Annandale-on-Hudson, New York, where he acts as Principal Timpanist and contractor for Bard College’s Conductor’s Institute. JOHN H. BECK WEDNESDAY 10:00 A.M.; FRIDAY 10:00 A.M. & 12 P.M. John H. Beck received his B.M. and M.M, degrees from the Eastman School of Music where he is Professor of Percussion. He is also the former timpanist with the Rochester Philharmonic Orchestra. As a performer he has made many solo appearances with the Rochester Philharmonic Orchestra, Eastman Wind Ensemble and has soloed with and conducted many percussion ensembles. He has held numerous percussion clinics around the world. Beck is a Past President of the PAS and he also served as New York State PAS Chapter President and Second and First Vice President of this international organization. His compositions have been published by leading publishing companies and he has recorded for CRT, Turnabout, Mark Records and Heritage Records. Beck has written many articles on percussion for leading music journals. He is the editor of Encyclopedia of Percussion and has written several instruction books for snare drum, drumset and timpani. He was inducted into the PAS Hall of Fame in 1999. BETHUNE-COOKMAN COLLEGE THURSDAY 8:00 P.M MARCHING WILDCATS DRUMLINE The Bethune-Cookman College Marching Percussion section is under the direction of Pedro D. Orey, Director of Percussion Studies and Assistant Director of Bands at Bethune-Cookman College. 60 Nicknamed “Sudden Impact,” the drumline is one of the premier marching percussion units in the “Show Band” community. Consisting of 43 members, the line performs an exciting, traditional style of drumming while incorporating contemporary rudiments and visual effects throughout the ensemble. The group has appeared at numerous musical events and clinics throughout Florida and is featured on the Marching Wildcats 2000 CD, titled Live, and the soon-to-be-released movie “Drumline.” The ensemble is preparing for its 2003 clinic tour, focusing on the show drumming style of black college bands. Section leaders include Ricardo Floyd, Andre Miller, Carey Wright and Christopher Robinson. GREG BEYER THURSDAY 12:00 P.M. Greg Beyer is a specialist in contemporary classical music performance, and maintains an active performance schedule in a variety of activities. Beyer regularly performs pop and jazz music, combining world percussion influences into his drumset playing. He takes a particular interest in Brazilian music, and is currently working on a project involving the commission and creation of new works for the berimbau. He was recently a resident at the Bannff Centre for the Arts, focusing on solo repertoire and duo music with flutist Erin Lesser. In New York City, he has performed and/or recorded with Orpheus Chamber Orchestra, Speculum Musicae, the Orchestra of St. Luke’s, NewBand, Sequitur, Absolute Ensemble and the S.E.M. Ensemble. IVANA BILIC THURSDAY 10:00 A.M. Ivana Bilic studied with Prof. Igor Lesnik at the Zagreb Music Academy, where she received an MA degree in 1993. She also participated in master classes with Keiko Abe, Jean Geoffroy, Siegfried Fink and Klaus Tresselt. She has been a member of the Alpe Adria Orchestra, the Eurosong 1990 orchestra, the Supercussion ensemble, Acczantez ensemble and Cantus ensemble (Croatian Composers’ Society) and has made solo appearances with the Symphony Orchestra of the Croation Radio-Television, Danish Radio orchestra, Dubrovnik Symphony Orchestra, Croation Chamber Orchestra and Zagreb Soloists. Bilic has performed concerts in Croatia (regular appearances in the Zagreb Music Biennale and Dubrovnik Summer Festival), Italy, Israel, the USA, Denmark, Slovakia, Bulgaria, Germany, Poland and Slovenia. She is timpanist of the Symphony Orchestra of the Croatian Radio-Television, permanently collaborating with the Zagreb Philharmonic and an Assistant Professor at the Zagreb Academy of Music. In 2000 she released a solo CD, Follow Me (Cantus), which won the PORIN award (Croatian discography award) for best solo performance in the classical field. ROBERT BRIDGE FRIDAY 9:00 A.M. Robert Bridge is an Assistant Professor of Music at Onondaga Community College in Syracuse, New York. He holds degrees from the University of North Texas (BME), Southern Methodist University (MM) and the Eastman School of Music (DMA). In 1995 he was awarded the Eastman School’s Performer’s Certificate. He has performed concertos with the Eastman Kilbourn Orchestra and the Southern Methodist University Symphony Orchestra. In both 1985 and 1986, Robert won first place at the PAS Marching Percussion Forum Individual Marimba Competition. BOSTON POPS ESPLANADE THURSDAY 3:00 P.M. ORCHESTRA PERCUSSIONISTS Dean Anderson has performed with the Boston Symphony, Boston Pops, and the Pittsburgh Symphony Orchestras. He was Principal Percussionist with the Boston Ballet Orchestra for 25 years, and has 30 years experience as a percussionist with the Boston Pops Esplanade Orchestra. Anderson is the solo percussionist with the Boston Musica Viva, has released a solo percussion CD, Divinations on Neuma records, and is Chairman of the Percussion Department at Berklee College of Music in Boston. Everett M. Beale ARTISTS AND CLINICIANS is in his 34th year as Timpanist with the Boston Pops Esplanade Orchestra. He also performs extensively throughout the U.S. as a freelance percussionist. He is a former member of the percussion faculty at the New England Conservatory of Music and former head of the percussion departments of the University of Lowell (MA) and Keene State College (NH). Neil W. Grover is the President and founder of Grover Pro Percussion, Inc. In addition to his duties with the Boston Pops Esplanade Orchestra, he has performed for past 25 years with the Boston Symphony and has recorded with the Boston Symphony, Boston Pops, Philip Glass Ensemble, Empire Brass, Old South Brass, Music from Marlboro, and rock group Aerosmith. Neil is the author of Four Mallet Primer and co-author (with Garwood Whaley) of Triangle, Tambourine and Cymbal Technique, both published by Meredeth Music. Patrick Hollenbeck has performed with the Boston Pops for over 22 years. He is also a staff arranger for the Pops and his orchestrations have been broadly utilized on television as well as on recordings for the past 15 years. His work as an orchestrator can be heard on John Williams’ score to Indiana Jones and the Last Crusade, which was nominated for both an Oscar and a Grammy. Commissioned works include a concerto for percussionist Airto Moriera, which aired on PBS. Pat is Chairman of the Percussion Program at The Boston Conservatory. RUSSELL BURGE WEDNESDAY 2:45; THURSDAY 11:00 A.M. Russell Burge joined the CCM faculty in 1992 as a member of Percussion Group Cincinnati, with whom he has performed extensively throughout North America, Europe and Asia. Recent performances include the Japan World Drum Festival, Chinese International Music Festival, Taipei International Percussion Convention, the Ravinia Festival, Merkin Hall in New York City, the Festival of Music in Portugal, and the San Diego Ballet. He was formerly principal percussionist with the West Virginia Symphony and performs regularly with the Cincinnati Symphony and Opera. He has appeared as a marimba soloist with the West Virginia Symphony, Florida Coast Symphony and the CCM Philharmonia Orchestra. Burge teaches percussion, improvisation, percussion ensemble and directs the University of Cincinnati College-Conservatory of Music Steel band. He is an active jazz vibraphonist who has recorded for J Curve Records, Human Records, Telarc and WVXU. His jazz compositions are featured on the recording Reverse Wave released in 1995. Burge is Associate Professor of Percussion at the Cincinnati College-Conservatory of Music. CADRE THURSDAY 8:00 P.M. CADRE (Canadian Associates Drumming Rudimental Excellence) is a group of drummers who banded together in 1997 to preserve and pursue the technology of traditional and modern rudimental drumming and to document the Canadian contribution to rudimental excellence. Under the “Heritage Hands Banner” local drum clubs have been formed in Quebec City, Montreal, Ottawa, Toronto and Hamilton. CADRE’s newsletter is named The Handshake, and when they all gather together to drum, the event is called a “shake.” Both rope and high-tension drums are utilized. An extensive library of international drum solos has been built and is available to CADRE members, drummers and organizations. The library covers a variety of drum compositions such as North American drum corps, fife and drum, Scottish pipe band, and Swiss/European drumming. CADRE is in the process of interfacing its operations with percussion educators and is currently working with the Ontario PAS Chapter to elevate interest in the rudimental art form in the province of Ontario. RUTH CAHN SATURDAY 4:00 P.M. Ruth Cahn is the Jack Frank Instructor of Percussion in the Community Education Division and Summer Session Director of the Eastman School of Music. She also serves as Chair of the CED Wind, Brass and Percussion Department and is founder and di- ARTISTS AND CLINICIANS NEW WORKS BY NEY ROSAURO PERCUSSIONIST, COMPOSER, PEDAGOGUE CONCERTO # 2 FOR MARIMBA AND ORCHESTRA (PIANO RED.) Rosauro’s Marimba Concerto # 1, the most popular marimba concerto on the market today, has been performed by over 500 orchestras worldwide. Finally... Marimba Concerto # 2 has arrived. Scored for Marimba (5 oct), this 24-min work is written in 3 mvmts. DON’T MISS THE PREMIER OF ROSAURO’S MARIMBA CONCERTO #2 BY NEY ROSAURO WITH THE UNIVERSITY OF MIAMI PERCUSSION ENSEMBLE AT PASIC SATURDAY 4 P.M. REGENCY BALLROOM the long awaited... COMPLETE SNARE DRUM METHOD Focuses on developing both hands equally using matched grip. Over 250 exercises and etudes for Technique, Sight Reading and Ensemble Performance. 4 levels of difficulty presented in a single book! Each level divided into 3 parts: Part I: Daily Technique Part II: Progressive Studies Part III: Duets A must for every percussion instructor! VIBES ETUDES AND SONGS–Eight beautiful pieces for beginning vibes players which work through dampening, pedaling and phrasing. Also begins the first steps on improvisation. CONCERTO FOR VIBRAPHONE AND WIND ENSEMBLE: New arrangement by Rodrigo Morte for the popular Rosauro’s Vibraphone Concerto. “VARIATIONS OVER EVELYN GLENNIE’S A LITTLE PRAYER” Exciting and challenging set of Eight variations for marimba (5 octaves). A great addition to the advanced marimba repertory. Dedicated to virtuoso marimba player Katarzyna Mycka, who played the PASIC 2001 premiere of the work. visit Ney’s new website at www.neyrosauro.com MALLETWORKS MUSIC MALLET LITERATURE FOR THE 21ST CENTURY WWW.MALLETWORKS.COM TEL 203.762.8083 FAX 203.762.8079 61 rector of the Music Horizon Program for talented high school musicians. Ruth was a full-time member of the Rochester Philharmonic Orchestra for 32 years. For 12 years she was a member of the Chautauqua Symphony Orchestra and Opera and has also performed with the Society for Chamber Music, Rochester Chamber Orchestra, Breath Percussion Ensemble in Finland, Canadian Brass Spectacular and is a frequent recitalist. As a “Musician in Residence” Ruth has worked as an individual artist in the Rochester City School District for 27 years, presenting sequential programs that link music to academic curriculum. Ruth has also taught a “Musician in Residence” course in the Arts Leadership Program at the Eastman School of Music. She is Chair of the PAS Education Committee. CAMP CHASE FIFES AND DRUMS THURSDAY 8:00 P.M. The Camp Chase Fifes and Drums is an authentic recreation of a Civil War-period regimental fife and drum corps. Founded in 1983, the corps is named after the large Union Army training camp that was located near Columbus, Ohio during the war. Members are from across Ohio and several neighboring states. Their music, played on authentic wooden fifes and rope-tension drums, comes from the actual military field music manuals utilized by the armies of America and Europe from the mid 18th century to the late 19th century. The corps performs regularly at historical events and commemorations, reenactments, musters and musical programs around the country. The Camp Chase Fifes & Drums served as the principal Union Army field music unit throughout the major reenactments commemorating the 125th anniversary of the American Civil War during the late 1980s. In addition to its main Civil War period impression, the corps occasionally portrays the Fifes and Drums of the First American Regiment: the US Army’s very first regimental field music unit following the American Revolution. RAYNOR CARROLL THURSDAY 9:00 A.M.; SATURDAY 12:00 P.M. Raynor Carroll has been playing timpani and percussion for the Los Angeles Philharmonic since 1983. Carroll has made numerous recordings with the Philharmonic and also records motion picture soundtracks for Hollywood studio composers. Carroll performs regularly on the Philharmonic’s New Music Group and Chamber Music series and has been a featured soloist with various southern California orchestras. In addition to his performing, Carroll is an active teacher/clinician on timpani and percussion. He teaches both privately and at California State University at Los Angeles, California State University at Long Beach and the Los Angeles Music Academy. Carroll is the founder and owner of Batterie Music, a publishing company specializing in music for the symphonic percussionist. His highly acclaimed timpani method, Exercises, Etudes and Solos for the Timpani, and the multi-volume orchestral repertoire series are among his published works. He received his B.A. degree in music composition and performance from California State University at Los Angeles where he studied with Mitchell Peters. ANDREA CENTAZZO SATURDAY 3:00 P.M. In an artistic career that spans over 25 years, percussionist/ composer Andrea Centazzo has given more than 1,000 concerts and live performances in Europe and the United States, as well as having appeared and performed on numerous radio and television broadcasts. He has recorded over 60 LPs and CDs, and has authored 350 compositions and eight musicology books. His musical endeavors range from lyric opera to orchestral symphony and solo percussion. Centazzo has performed with such avant-garde percussionists, soloists and composers as John Zorn, Steve Lacy, Sylvano Bussotti, Don Cherry, Kristof Kaskel, Evan Parker, David Moss, Pierre Favre and Tony Oxley. A doctoral graduate in musicology, he has taught seminars and workshops in Europe and the USA. Since 1983, Centazzo has 62 been dedicated to creating multi-media experiences combining both live performance (mainly solo percussion) with video images. As composer, he unites traditional instrumentation with current technological advances. As solo percussionist, he blends electronics and percussion sounds in a unique and creative mixture. CENTRAL STATE UNIVERSITY STEELBAND FRIDAY 1:00 P.M. The Central State University Steelband serves as World Music Ensemble in the Department of Fine and Performing Arts and utilizes diverse percussion instruments in its repertoire. All percussion majors are required to participate, music majors are encouraged, and students from other academic disciplines are welcomed. The steelband is an educational ensemble devoted to both the oral and written music tradition. Director Lennard V. Moses is Associate Professor of Percussion and World Music at Central State University. GARY CHAFFEE SATURDAY 12:00 P.M. Credited with teaching some of the most successful and influential players on the contemporary drumming scene, Gary Chaffee has earned the respect of musicians worldwide for more than 25 years. During his tenure as Chairman of the Percussion Department at Berklee College of Music (1972-1976) and more recently in his own private teaching studio, Chaffee has worked with such players as Vinnie Colaiuta, Steve Smith, Jonathan Mover, J.R. Robinson, Casey Scheuerell, Kenwood Dennard, Joey Kramer and David Beal. As an active performer, Chaffee has shared the stage with many noted artists, including Pat Metheny, Dave Samuels, Abe Laboriel, Jaco Pastorius, Mike Stern, Steve Swallow, Mick Goodrick, John Abercrombie, Bill Frisell, Palle Danielsson and Tom Harrell. Chaffee has authored many books demonstrating his unique concepts. Among these are his highly popular 4-volume “Patterns” series: Rhythm & Meter, Sticking, Time Functioning, and Technique, and his new Linear Time Playing. Chaffee has also released two videos on DCI: Phrasing & Motion and Linear Time, Rhythm & Meter. CHICAGO SYMPHONY PERCUSSION FRIDAY 3:00 P.M. SCHOLARSHIP GROUP Launched in 1995 under the direction of Chicago Symphony Orchestra percussionist Patricia Dash and Douglas Waddell, percussionist with the Lyric Opera of Chicago, the Percussion Scholarship Group is part of the division of Education and Community relations of the Chicago Symphony Orchestra. The PSG offers intensive, individual, weekly percussion instruction on a full scholarship basis. Participating students, all Chicago residents in grades four through 12, were selected for the group through a rigorous application and personal interview process. As an ensemble, the Percussion Scholarship Group has had numerous compositions arranged especially for them by nationally known artists. The group performs twice annually at Symphony Center and has appeared at Marshall Field’s Day of Music, DePaul University, the Chicago Cultural Center, on WTTW, WGN and WFMT radio, WGN-9 and WMAQ -5 television and as soloists with the Chicago Symphony Orchestra as part of CSO Youth Concerts, The Kraft Family Matinee Series and Welcome, Yule! Concerts. CINCINNATI COLLEGE WEDNESDAY 10:00 A.M.; 2:45 P.M. CONSERVATORY OF MUSIC PERCUSSION ENSEMBLE The Cincinnati College Conservatory of Music has achieved considerable acclaim for its numerous musical ensembles. The Philharmonia Orchestra was the only American orchestra invited to perform at the recent 19th International Mahler Festival in Paris and has recently released several CDs, one of which featured The Percussion Group and CCM’s Percussion Ensemble performing Ives’ “Universe Symphony.” CCM’s Percussion En- ARTISTS AND CLINICIANS PERCUSSIVE NOTES 19 OCTOBER 2002 semble was invited to perform at previous PASICs in St. Louis and Nashville, and the Steelband has appeared in numerous venues across the tristate area. ANTHONY J. CIRONE FRIDAY 12:00 P.M. Anthony J. Cirone received his Bachelor of Science and Master of Science degrees from the Juilliard School of Music where he studied with Saul Goodman, solo timpanist of the New York Philharmonic. Upon graduation, he was offered the position of Percussionist with the San Francisco Symphony. He served as Professor of Music at San José State University, where he headed the percussion department from 1965 to 2001. Cirone has also been on the faculty of San Francisco State University and Stanford University. Cirone is currently Professor of Music and Chairman of the Percussion Department at Indiana University in Bloomington. A prolific composer, he has over 70 published titles, including textbooks, three symphonies for percussion, four sonatas, a string quartet, and seven works for orchestra. He is the Percussion Consultant/Editor for Warner Bros. Publishing, Inc. and is the author of Portraits In Rhythm, a collection of 50 studies for snare drum. Cirone is featured in a video titled Concert Percussion – A Performers Guide, distributed by Warner Bros. COLLEYVILLE HERITAGE HIGH SCHOOL SATURDAY 9:00 A.M. PERCUSSION ENSEMBLE Established in 1996, Colleyville Heritage High School is rated Exemplary and has a reputation for high standards and quality performance. The Colleyville-Heritage Band Program offers marching band, four concert ensembles, two jazz bands, two winterguards, music theory, music history, and a complete percussion program. The Colleyville-Heritage Band program has received numerous regional, state, and national honors encompassing both the marching and concert performance disciplines. The Colleyville-Heritage Percussion program is a co-curricular music program that exists under the umbrella of the Colleyville-Heritage Band Program. Since the inception of the school in 1996, The Colleyville-Heritage Percussion Program has sought to enrich the lives of each student through the disciplines of orchestral percussion, marching percussion, percussion ensemble, pop percussion ensemble, and soloistic studies. In only the second year under the direction of Chris Hayes, the Colleyville-Heritage Percussion Program has become known as one of the best marching percussion programs in Texas as well as one of the most musical and mature percussion ensembles in the nation. COLONIAL WILLIAMSBURG THURSDAY 5:00 P.M. & 8:00 P.M. FIFES AND DRUMS The Colonial Williamsburg Fifes and Drums represent the counterpart fifers and drummers of the Virginia State Garrison Regiment, which was founded in 1778. The present corps follows 18th-century practice, utilizing school-aged students, with the exception of the drum major. Its membership has grown from a handful in 1958 to 80 members divided between a junior and senior unit. Performing close to 500 times during the year, the corps performs weekly with the military units, marches through the historic area, and plays for the special musters observing Washington’s Birthday, the Prelude to Victory, Veteran’s Day and Independence Day. Much of the music played is documented to the 18th century with the remainder arranged following period practice. The ropetensioned snare and bass drums are replicas of 18th-century field drums used by American and European forces. They are made of wooden shells and hoops with calfskin heads and gut snares and are beaten by wooden mallets. For the group’s performance at PASIC 2002, Drum Major Lance Pedigo will lead the corps. LUIS CONTE SATURDAY 4:00 P.M. Grammy-winner Luis Conte is an acknowledged master of percussion. His celebrated career includes touring and/or recording 64 work with some of the greatest names in contemporary music, including Madonna, Eric Clapton, Phil Collins, Santana (Supernatural album), Jackson Browne, Celine Dion, Barbra Streisand, Ray Charles, Tony Bennett and Cuban legends Arturo Sandoval and Cachao. He can also be heard on the scores and/or soundtracks of such box office smashes as Mission Impossible, Rain Man, Waiting to Exhale, Coming to America, Disney’s animated Tarzan, and many more. His percussion clinic tours take him around the world teaching musicians the essentials and history of Afro-Cuban rhythm. CONUNDRUM WEDNESDAY 11:15 A.M. The quartet Conundrum was founded as an avenue for the performance of works from the classic percussion literature as well as to embrace and explore new directions in emerging percussion music. The members of the quartet, Daniel Kennedy, Terry Longshore, Brett Reed and Tomm Roland, have a thorough grounding in the performance of new music. Each player infuses the group with additional influences, including the traditions of world music, jazz, rock and avant-garde improvisation. Daniel Kennedy has been the founding member of several contemporary music ensembles, including the California E.A.R. Unit and the Talujon Percussion Quartet. Terry Longshore is Assistant Professor of Music and Director of Percussion Studies at Southern Oregon University. Brett Reed performs as both a soloist and as a member of several ensembles, including Skin & Bones. Tomm Roland is Assistant Professor of Percussion/Multicultural Music at the University of Nebraska, Omaha, where he coordinates the percussion program and teaches courses in musics of the world. GARY COOK FRIDAY 9:00 A.M. Gary Cook is Professor of Music and has been Director of Percussion Studies at The University of Arizona in Tucson since 1975. He is author of the text Teaching Percussion. He was timpanist and principal percussionist with the Tucson Symphony Orchestra for 21 years and has held similar posts for nearly three decades with the Arizona Opera, Arizona Ballet, Tucson Pops, and Flagstaff Festival Orchestras. In the summer, he is principal percussionist with the Crested Butte Music Festival in Colorado. From 1994-99 he served as Director of the School of Music and Dance at The University of Arizona. He holds degrees from the University of Michigan and has traveled widely both in this country, Europe, Trinidad, Bali and Chile studying, teaching, and performing. He has won awards for outstanding teaching in the College of Fine Arts at The University of Arizona. He is contributing author to such publications as Percussive Notes and The Encyclopedia of Percussion Instruments. He is a member of the PAS Board of Directors, was chair of the PAS College Pedagogy Committee for several years, and will become PAS Vice President in 2003. PATRICK COOPERMAN THURSDAY 3:00 P.M. The Cooperman Company, a second-generation family business, is proud to work with leading artists in collaborations that bring together traditional craftsmanship and innovative designs. Patrick has worked closely with Glen Velez, Jamey Haddad and Randy Crafton as well as many up-and-coming artists to create frame drums. Drum building remains a Cooperman family heritage; Patrick works out of the company’s revitalized (circa 1925) hoopbending mill in Vermont, while other family members continue to build Cooperman’s rope-tension drums at the Connecticut shop. JOHN CROCKEN WEDNESDAY 10:00 A.M. John Crocken received his Master of Music degree from Indiana University and his Bachelor of Music Education degree from the Peabody Conservatory. He has performed with a wide range of artists including Judy Garland, Tony Bennett, Frank Sinatra, Sammy Davis, Jr., Elvis Presley, Ray Charles, Milton Berle, Martha Raye, Angela Lansbury, Richard Kiley, Xavier Cugat, Sergio ARTISTS AND CLINICIANS Franchi, Steve Lawrence, Edye Gorme, Robert Goulet, Carol Lawrence, John Raitt, Betty Grable, Jose Ferrer, Eddie Fisher, Buddy Hacket, Howard Keel, Jane Powell, Craig Stevens, Cathy Rigby, Dean Martin, Jerry Lewis, Yul Brynner, Carol Channing, Dan Rowan, Dick Martin, Ethel Merman, Pia Zadora, Rosie O’Donnell, Herschael Bernardi, Ian Peerce, Barbara Eden, George Hamilton, Bernadette Peters, Mickey Rooney, Carroll O’Connor, Debbie Reynolds, Tom Jones, Engelbert Humbperdinck, Gordon McRae, Shirley Jones, Jack Cassidy, Sally Struthers, Bob Hope, Liberace, Wayne Newton, Chita Rivera, Mikhail Baryshnikov, George Hines, Ray Bolger and Blackstone the Magician. He was owner of J.C.’s Drum Shop from 1971-95. DOMINICK CUCCIA THURSDAY 8:00 P.M. Dominick Cuccia began drumming in 1976 when he joined the Young Colonial Fife & Drum Corps in Lake Carmel, New York. Under the tutelage of drum instructors Gary Gillotti and Mary Comer, he became part of the Earl Sturtze family tree of drumming. He has performed professionally with the United States Military Academy Band’s legendary field music group The Hellcats in West Point, New York and Walt Disney World’s Founders of Freedom Fife & Drum Corps in Orlando, Florida. He was also a member of the faculty at Northwestern State University of Louisiana. Today he works for the Paul Effman Music Service as an instrumental music teacher. In addition he serves as musical director of the Civil War Troopers Fife & Drum Corps from Cornwall, New York and drum instructor of The Regulators Fife & Drum Corps in Dover Plains, New York. He also holds the title of chairman of the music committee for The Company of Fifers & Drummers, and is music editor for the Ancient Times, the premier publication of the fife and drum world. This year he completed his first book of rudimental drum solos titled The Beat of a Different Drummer. THERESE ROCK-CUCCIA THURSDAY 8:00 P.M. Therese Rock-Cuccia began playing drums with the Young Colonials Fife & Drum Corps in the mid-1980s. Her drum instructor was Al Merritt, a former student of Earl Sturtze. In 1990 she recorded with the corps on their classic album Friendship Through Music. She was a playing member in many championship performances, including the corps’ run of four straight Northeastern Championships. As a soloist she also won many titles and was the corps Drummer of the Year from 1992-94. She joined the instructional staff of the corps in 1992 and took over as drumline instructor in 1994. In 1995 her drumline led the corps to its 5th Championship in seven years. In 1996 she relocated to Orlando, Florida to perform with one of Walt Disney World’s premier musical ARTISTS AND CLINICIANS groups, The Spirit of America Fife & Drum Corps. During this time she also performed at the 1998 Florida Day of Percussion and PASIC in Orlando. She returned to New York in 1999 and is a member of The Civil War Troopers and has studied with rudimental master Nick Attanasio. In addition, she has also been a clinician at The Company of Fifers & Drummers museum, the 1st Annual Fife and Drum Camp and Northwestern State University of Louisiana. JAMES J. DALLAS THURSDAY 9:00 A.M. James J. Dallas is presently serving his 20th season as Principal Percussion with the Naples Philharmonic Orchestra. Jim has been a featured soloist with the orchestra on several occasions including the 2001 “Pops” series with Erich Kunzel. Dallas has played percussion with the Philadelphia Orchestra and the Delaware Symphony as well as performing for numerous Broadway Show tours, commercial pop artists, ballet and opera productions. Jim was a featured clinician at PASIC ’98 in Orlando and at PASIC 2001 in Nashville. He is the editor for the Florida PAS Chapter newsletter and is a member of the PAS Orchestral Committee. Jim received a Bachelor of Music degree in percussion from the University of Miami and a Master of Music degree from the University of the Arts in Philadelphia, where he was a student of Michael Bookspan. DAVE WECKL BAND SATURDAY 8:00 P.M. Dave Weckl burst onto the world drumming scene in the mid ’80s with such artists as Michel Camillo, French Toast, and Simon and Garfunkel before joining Chick Corea’s Elektric Band and Akoustic Band. He also recorded with the Honeydrippers, which included Robert Plant and Jeff Beck. Dave was also into doing his own thing through books, videos and clinics, and before long he was leading his own band and creating a new profile for himself. That change has seen Dave point his music in a new direction. His current band includes: Tom Kennedy (bass), who has worked with Al DiMeola, Tania Maria, Michael Brecker, Don Grolnick, and Steve Gadd, and is featured on all Dave Weckl Band recordings, Rhythm of the Soul, Synergy, Transition and Perpetual Motion; Gary Meek (saxophone, clarinet, flute), who has worked with Dionne Warwick, Airto Moreira and Flora Purim, Fourth World, Jeff Lorber, Al Jarreau, Chick Corea, Stanley Clarke, Herbie Hancock and George Duke; and Steve Weingart (keyboards), who has been with the Dave Weckl Band since 1999 and has also worked with Chaka Khan, Frank Gambale, Scott Henderson, John Patitucci, Eric Marienthal, Kenny Rankin, Jimmy Haslip and Terry Lynn Carrington. 65 CHRIS DEVINEY THURSDAY 9:00 A.M. & 4:00 P.M. Chris Deviney has been a member of the Houston Symphony percussion section since February 1998. From 1989-94 he was a percussionist in the New Orleans Symphony. Since 1989, Chris has performed and recorded with the Philadelphia Orchestra including European and Asian tours under maestros Riccardo Muti and Wolfgang Sawallisch. Since 1991 he has also performed and recorded with the New York Philharmonic including a South American tour under Maestro Kurt Masur. Chris has also been engaged as Acting Principal Percussion with the Toronto Symphony. He earned his Master of Music Performance degree from Temple University under Alan Abel, his Bachelor of Music Performance degree from The Florida State University under Gary Werdesheim and has also studied with Stan Head. He was awarded the very first Percussion Fellowship to the Aspen Music Festival. He was also awarded full scholarships to both the Tanglewood Music Festival (two consecutive years) and National Repertory Orchestra. Deviney has taught at the Settlement Music School in Philadelphia and currently is Professor of Percussion at Sam Houston State University in Huntsville, Texas. RICK DIMOND FRIDAY 11:00 A.M. & 3:00 P.M. Dr. Rick Dimond is Professor of Music, Percussion and Jazz Studies at Henderson State University and the Principal Timpanist with the Arkansas Symphony Orchestra. He earned his DM, MM and B.M. Degrees in percussion performance from Indiana University. He was also awarded a Performer’s Certificate, Indiana University’s highest performance award, and he performed his transcription of the Khachaturian Violin Concerto with the IU Symphony Orchestra upon winning the school’s concerto competition. Dimond composes music for and performs on keyboards, percussion, accordion, and oboe with Acoustic Sin, his own commercial music group. He has also composed and recorded a film score for the movie The Redemption, which has appeared in a number of independent film festivals. Dimond has performed as marimba soloist and timpani soloist with the Arkansas Symphony Orchestra, and also premiered the new Russell Peck timpani concerto, “Harmonic Rhythm.” He has also served for two summers as the Percussion Artist Faculty for the Asian Youth Orchestra in Hong Kong. KEVIN RICHARD DUFFORD SATURDAY 2:00 P.M. Kevin Richard Dufford received his Bachelor of Music - Performance Degree from the University of Akron under the guidance of Dr. Larry Snider. Kevin also studied timpani and percussion with Tom Freer of the Cleveland Orchestra and is now pursuing his Master of Music degree at the Peabody Conservatory with Robert van Sice. He is a member of the Peabody Symphony Orchestra, Peabody Percussion Group and has played in a wide spectrum of ensembles including the Akron Symphony Orchestra, the Cavaliers Drum and Bugle Corps, the University of Akron Steel Band and the New World Performance Lab Theatre Company. With theatre and acting being Kevin’s other passion, he enjoys working with Paul Fadoul on their collaboration including percussion and theatre as a single medium. ROBIN ENGELMAN THURSDAY 8:00 P.M. Robin Engelman is an Adjunct Professor of Music at the University of Toronto where he conducts and directs the Percussion Ensemble. He studied percussion and composition with Warren Benson at Ithaca College. He has taught percussion at Ithaca College, the Eastman School of Music Preparatory Department and York University, Toronto. He is a founding member of Nexus and a member of the PAS Hall of Fame; a recipient of the Toronto Arts Award and the Banff School of Fine Arts Donald Cameron Medal. During the 1970s, Robin became interested in the ropetensioned field drums in use during the 16th and 19th centuries. He began collecting historic fife tunes and fife and drum tutors 66 associated with armies of that period. He also studied the history of military duties, campaigns and tactics to better understand the development of the drum and the lives of drummers prior to the 20th century. He has arranged over 100 historical tunes for various instrumental combinations and is preparing a book that will trace the history of the field drum. EUGENE SANTIAGO ESPINO SATURDAY 3:00 P.M. Eugene Santiago Espino has been Principal Timpanist of both the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra since 1967. He has recorded with both orchestras on the TELARC Label and completed many European and Asian tours as well as yearly tours to Carnegie Hall. He studied with Saul Goodman at the Juilliard School and with Roland Kohloff on the West Coast. JULIO FIGUEROA THURSDAY 4:00 P.M. Grammy Award nominee and internationally renowned Latin recording artist Julio Figueroa was born in Sao Paulo, Brazil. Julio began playing percussion at age ten and studying the drumset at age 14. He lived in Buenos Aires, Argentina for ten years before moving to Los Angeles, CA in 1993. Julio’s multi-cultural background allows him to adapt to any percussive situation and makes him a much sought after drummer and percussionist in the United States. His music is heard on television, radio show commercials and movie soundtracks including Why do Fools Fall In Love, Looking For Lola, Hostile and Intentions. Julio has conducted over 150 percussion and drum workshops and clinics in North America, Central America, South America and Europe. Julio’s recent performance and recording credits include such artists as Celia Cruz, Enrique Iglesias, Alejandro Sans, Francisco Aguabella, Los Trio, Malena Burke, Millie; Xuxa, Loco Mia, Carlos Ponce, Cristian Castro, Joan Sebastian, Jose Manual Figueroa, Alvaro Torres, Rene Touzet, Arco Iris, Sergio Aran, Los Brios, Graciela Beltran, Nydia Rojas, and Horacio “El Negro” Hernandez. IAN FINKEL FRIDAY 12:00 P.M. & 3:00 P.M. Regarded as one of the world’s greatest xylophone virtuosos, Ian Finkel is also noted for his arranging and orchestration expertise. He has completed successful concert tours in Japan, Korea, Canada and Mexico as well as the U.S. As a freelance percussionist, he has played Broadway shows, nightclubs, concerts, commercials and soap operas. Finkel has also performed with the New York Philharmonic and the Metropolitan Opera House Orchestras and received rave reviews from The New York Times for his performance in Fyvush Finkel’s “From Second Avenue to Broadway: A Musical Comedy Gift.” He has conducted clinics and master classes at colleges and music festivals across the country and performed at PASICs in 1995, 1996 and 1999. Finkel can be heard as the xylophone soloist on his latest jazz album, Brother, Can You Spare a Dime? and Jonathan Haas’ CD Johnny H. & the Prisoners of Swing. VIC FIRTH FRIDAY 10:00 A.M. Vic Firth started on trumpet when he was four, and he also took lessons on trombone, clarinet, piano, and percussion. By the time he was in high school, he was playing percussion full-time and studying with the legendary George Lawrence Stone. By age 16, Firth was working professionally as a big band drumset player. Firth attended the New England Conservatory of Music, where he studied with Roman Szulc, who was then timpanist with the Boston Symphony Orchestra. Firth also studied with New York Philharmonic timpanist Saul Goodman. Firth joined the Boston Symphony Orchestra in 1951 at age 21, making him the youngest person to ever land a position with that orchestra. In 2002 he retired from the BSO. Firth founded Vic Firth, Inc., which manufactures timpani mallets and drumsticks. He is also the author of ARTISTS AND CLINICIANS several instructional books published by Carl Fisher, including The Solo Timpanist. Firth was elected to the PAS Hall of Fame in 1995. pers Committee, serves on the Board of Advisors for the National Conference on Percussion Pedagogy, and is Vice President of the North Carolina PAS Chapter. MARK FORD SATURDAY 4:00 P.M. Mark Ford is the coordinator of percussion activities at the University of North Texas in Denton, Texas. He is a marimba specialist and the director of one of the largest percussion programs in the country at UNT. Ford has premiered a variety of new works for solo marimba and regularly performs concerts and clinics around the country. Mark’s solo marimba CDs, Motion Beyond and Polaris, are considered standards for marimba literature and each have received excellent reviews from music publications. Other CDs by Ford include Athletic Conveyances: Music for Tuba and Percussion. Ford has written several popular works for solo marimba and percussion ensemble including “Head Talk,” “Stubernic,” “Afta-Stuba!,” “One-Eyed Jacks,” “Ransom,” “Nightwatch” and “Standup Shadow.” His compositions have been performed at universities and concert halls throughout the world. Mark serves on the PAS Executive Committee as Presidentelect. An author of numerous percussion pedagogy articles, Ford served ten years as associate editor for the PAS publication Percussive Notes. ROBERT LAWRENCE FRIEDMAN FRIDAY 11:00 A.M. Robert Lawrence Friedman, MA is the author of The Healing Power of the Drum — A Psychotherapist Explores the Healing Power of Rhythm (September 2000). This book explores the power of hand drumming to facilitate health in areas including stress and anger management, Alzheimer’s disease, autism, Multiple Sclerosis, Parkinson’s disease, Post-Traumatic Stress Disorder and others. He is affiliated with the Saint Barnabas Health Care System and the Complementary Therapy Department of St. Mary’s Hospital in New Jersey, providing innovative drumming programs for doctors, nurses, patients and the community. He has appeared on several national radio and television programs and is the columnist for Drum! magazine’s “Healing Rhythms” column. He is the president of Drumming Away Stress, currently Stress Solutions, Inc., a New York based corporation that provides drumming seminars to numerous Fortune 500 corporations. Friedman is co-chairman of the PAS Health and Wellness Committee. FRANKLIN CENTRAL PERCUSSION SYMPHONY FRIDAY 9:00 A.M. The Franklin Central Percussion Symphony is directed by Daniel Fyffe assisted by Sarah Sorge. The symphony has performed at two Indiana Music Educators State Conventions, three PAS Indiana Days of Percussion. They have also hosted and performed at two Indiana Percussion Association Clinic/Kick-Off Days and two Franklin Central High School Evenings of Percussion. The Franklin Central Percussion Symphony is a charter member of the Indiana Percussion Association and has competed in Winter Guard International indoor percussion competition. To date, the Franklin Central Percussion Symphony has been awarded five world championships, five state championships, nine regional championships and several invitational victories in indoor percussion competition. LAURA FRANKLIN SATURDAY 9:00 A.M. Laura Franklin is Assistant Professor of Music and Director of Percussion Studies at Brevard College, where she coordinates all areas of percussion studies and teaches music history and world music. She is an active performer with several professional orchestras and serves as a clinician and adjudicator throughout North Carolina. Franklin is Acting Chair of the PAS Scholarly Pa- ARTISTS AND CLINICIANS JULIA GAINES WEDNESDAY 10:00 A.M. Dr. Julia Gaines is the Assistant Professor of Percussion at the University of Missouri-Columbia. She is serving her first term as the Vice-President of the Missouri PAS Chapter and will be host of the Missouri PAS Day of Percussion next April. Dr. Gaines also serves on the Educational Advisory Board of the Pro-Mark Corporation. RYAN GOLDIN THURSDAY 3:00 P.M. Ryan Goldin, born in Johannesburg, South Africa, was instrumental in co-founding Mountain Rythym, manufacturers of percussion instruments. Since 1995, Ryan has headed Mountain Rythym’s marketing, sales and artist/endorser relations departments and was involved in developing Mountain Rythym’s patented Simple Twist tuning system. In 1999 Ryan launched Rhythm Camp and Corporate Rhythm, divisions of Mountain Rythym. These companies provide facilitated drum workshops for children as well as corporations and aim to bring the world of percussion to the masses. ALFONS GRIEDER THURSDAY 3:00 P.M. & 8:00 P.M. As the “Ambassador of Basel Drumming” Alfons Grieder is known as a performer, composer and international expert of the Basel drum style through clinics and lectures given at schools and mu- 67 sic academies throughout the world. In addition he is an experienced drum teacher and belonged for more than 15 years to the jury of the Swiss National Drum Competitions. Grieder has performed with such orchestras and musicians as the State Orchestra Hamburg, Philharmonic State Orchestra of Bremen, the Basel Sinfonie Orchestra, The Basel Percussion Trio, George Gruntz Concert Jazz Band, Basel Ballet, the US Air Force Band, the US Marine Drum & Bugle Corps, the American Originals Washington D.C., the German Bundeswehr Band, the Swiss Army Band, Pierre Favre, Daniel Humair, Roy Burns, Morris Goldenberg, Robert Brenner, Wolfgang Basler, John Beck, Jim Kilpatrick and John Bosworth. JONATHAN HAAS SATURDAY 2:00 P.M. Jonathan Haas has recently garnered widespread attention for his performances of Philip Glass’ “Concerto Fantasy for Two Timpanists and Orchestra,” a piece conceived by Haas to spotlight timpani. Haas has commissioned and premiered over 25 works by such composers as Stephen Albert, Marius Constant, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others. His recordings include 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning Zappa’s Universe, recorded with Aerosmith, Michael Bolton and Black Sabbath, and explored heavy metal with his rock group Clozshave. Haas is Principal Timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, Principal Percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He is director of the Peabody Conservatory Percussion Studio and a faculty artist of the Aspen Music School. Visit his Web site at www.aboutjonathanhaas.com. JEFF HAMILTON FRIDAY 10:00 A.M. & 9:00 P.M. SATURDAY 10:00 A.M. & 10:00 P.M. Drummer Jeff Hamilton attended Indiana University where he studied with George Gaber and he also studied with John Von Ohlen. In 1974, he joined the New Tommy Dorsey Orchestra. He then performed with Lionel Hampton’s Band until 1975, when he became a member of the Monty Alexander Trio. He then joined Woody Herman and the Thundering Herd, with whom he made several recordings. In 1978, he replaced Shelly Manne in the L.A.4 with Ray Brown, Bud Shank and Laurindo Almeida. From 1983 to 1995, Jeff performed with Ella Fitzgerald, the Count Basie Orchestra, Rosemary Clooney, Monty Alexander and the Ray Brown Trio. Jeff is currently touring with his own trio, the Clayton-Hamilton Jazz Orchestra and Diana Krall. Jeff has been heard on nearly 200 recordings with such artists as Natalie Cole, Diana Krall, Milt Jackson, Rosemary Clooney, Barbra Streisand, Mel Torme, John Pizzarelli, Benny Carter, Lalo Schifrin, George Shearing, Dr. John, Clark Terry, Gene Harris, Toshiko Akioshi, Scott Hamilton, Harry “Sweets” Edison, Keely Smith, Bill Holman, Herb Ellis, Barney Kessel and Mark Murphy. JAKE HANNA FRIDAY 10:00 A.M. & 9:00 P.M. Jake Hanna attended the Berklee College of Music where he met Toshiko Akyoshi, with whom he worked in New York at the Hickory House. Jake then worked with the Woody Herman and Maynard Ferguson orchestras, and in 1959 he became the house drummer for the Storyville jazz club in Boston. Jake then worked with Marion McPartland, Bobby Hackett and Harry James until Woody Herman invited Jake to work with his band again, and this band turned out to be the “Swinging Herd,” which was one of Woody’s more famous bands. For the next ten years, Jake was the drummer for The Merv Griffin Show. His personal highlight was being a member of Bing Crosby’s personal quartet. Jake has recorded many albums under his own name as well as 68 being a sideman. His latest recording is on the Arbors record label and is titled Jake Hanna’s After Hours Gang. His most recent work has included recordings with Harry Allen and tours with Howard Alden, Warren Vache and Scott Hamilton. STEVE HANNA WEDNESDAY 10:00 A.M. Steve Hanna is a freelance drumset/percussionist who has toured nationally with Henry Mancini, Andy Williams, Johnny Mathis, the Houston Ballet, My Fair Lady, A Chorus Line and currently is touring with Grammy/Dove award-winning vocalist Sandi Patty in her symphony pops concerts. He is also active with Hal Leonard Corporation in creating and recording performance CD tracks for the Essential Elements training series. He is a member of the Indianapolis Chamber Orchestra and has served as Adjunct Associate Professor of Percussion at DePauw University in Greencastle, Indiana since 1984. He holds BM and MM degrees in Percussion Performance from Indiana University. STEFON HARRIS SATURDAY 12:00 P.M. Vibraphonist/composer Stefon Harris has been heralded as “one of the most important young artists in jazz” by The Los Angeles Times. A graduate of the Manhattan School of Music, he received a BA in Classical Music and an MA in Jazz Performance. Stefon is a recipient of the prestigious Martin E. Segal Award from Lincoln Center and earned Grammy nominations for his 2001 CD, Kindred, and for his 1999 release, Black Action Figure. He was voted best mallet player by the Jazz Journalist Association (2001 and 2000), named Debut Artist of the Year by Jazz Times, and was a Down Beat Critics Poll Winner (Talent Deserving Wider Recognition). He has toured and recorded with the Chamber Music Society of Lincoln Center and performed his original compositions with the Dutch Metropole Orchestra in Den Hague. Harris has recorded with many of today’s greatest artists, including Wynton Marsalis, Cassandra Wilson, Joe Henderson, Charlie Hunter, Cyrus Chestnut, Steve Coleman, Steve Torre and Buster Williams, and many others. STEVE HEARN WEDNESDAY 10:00 A.M. Steve Hearn is Concert Percussion Product/Marketing Specialist at Pearl Corporation and Principal Timpanist of the Cabrillo New Music Festival. He frequently performs with the Colorado Symphony, Alabama Symphony and Nashville Symphony Orchestras. Receiving an Artist Performing Diploma from Rotterdam’s Conservatory, The Netherlands, a Master of Music degree from New Mexico State University, and a Bachelor of Music degree from the University of New Mexico, Hearn previously held the position as percussionist/timpanist in the U.S. Army Field Band, Washington, D.C. Hearn has served as Principal Percussionist with the Belgian Youth Philharmonic Orchestra and as a percussionist with the Dutch Joop Van Ende Theater Production of West Side Story and the Orchestra of Santa Fe. Winner of the Las Cruces Symphony Orchestra and the University of New Mexico concerto competitions, he was selected as a finalist in the Music Teachers National Association Competition. Hearn has also performed throughout the Chicago area with the Ramesdell Jazz Quintet and the pop/rock group The Others. SCOTT HERRING SATURDAY 11:00 A.M. Scott Herring is Assistant Professor of Percussion at the University of South Carolina where he directs the Percussion Ensemble, the Palmetto Pans Steel Band and the West African Drumming Ensemble. Previously he served as Assistant Professor of Percussion and Assistant Director of Bands at Emporia State University in Emporia, Kansas. He holds degrees from East Carolina University and Northwestern University, where he is pursuing the Doctor of Musical Arts Degree. He has presented clinics and concerts in North Carolina, Illinois, Ohio, Kansas, Michigan and Texas and was a member of the Civic Orchestra of Chicago un- ARTISTS AND CLINICIANS der the direction of Maestro Daniel Barenboim. Scott’s primary teachers include Michael Burritt, Mark Ford, James Ross and Harold Jones. HIP PICKLES THURSDAY 12:00 P.M.; SATURDAY 12:00 P.M. Their unique style of an exciting blend of drumming, singing, hip choreography, humor and “interactive” audience participation has earned Hip Pickles a reputation as the world’s most exciting “drum band.” Their “team drumming” melds the styles of corps percussion, world percussion, MIDI, Latin and drumset. The award-winning Hip Pickles—Chet Doboe, Chris Scherer and Jeremy Fischer—are six-time DCA (Drum Corps Associates) Drum Ensemble World Champions. The trio’s CD, Hip Pickles - Out of the Jar, features some of their most popular compositions, and they host a contemporary and active Web site at www.hippickles.com. Hip Pickles are active performing for young people in their Arts in Education School program. Dedicated to “making a difference,” Chet, Chris and Jeremy perform for over 130,000 students each year in schools throughout the East Coast. Not only do they highlight the excitement and fun of making music, but the trio also weaves messages of “Just Say NO,” the power of teamwork, cultural diversity and self-empowerment throughout their performance. STEVE HOUGHTON THURSDAY 12:00 P.M. FRIDAY 10:00 A.M. & 9:00 P.M.; SATURDAY 12:00 P.M. Internationally respected as a jazz drummer, percussionist, clinician and educator, Steve Houghton has shared stages and studios with such renowned jazz and pop artists as Joe Henderson, Maureen McGovern, Arturo Sandoval, Gary Burton, Billy Childs, Scott Henderson and Bob Florence. After two years with Woody Herman’s Young Thundering Herd, Houghton worked in Dallas studios for four years, then moved to California where he quickly established himself through his tenure with Toshiko Akiyoshi. In 1980, a last-minute call to substitute for Freddie Hubbard’s drummer evolved into a two-year association. By the mid-1980s, Houghton, a busy Los Angeles studio musician, was writing, teaching at area universities and performing with symphony orchestras as a featured guest percussionist, activities he continues to pursue today. Houghton is a member of the PAS Board of Directors and co-chairman of the International Association of Jazz Educators percussion division. GIFFORD HOWARTH SATURDAY 11:00 A.M. Gifford Howarth received his Bachelor of Music degree from Ithaca College and his Master of Percussion Performance from ARTISTS AND CLINICIANS Kent State University. His percussion studies include work with Gordon Stout, Ted Rounds and Bill Molenhof. He teaches at Penn State University in State College, PA and Nazareth College in Rochester, NY. Howarth is an active recitalist, clinician and master class teacher focusing on mallet percussion. He has given clinics and performances at numerous universities and colleges, along with several All-State Music Education Festivals, All-State Percussion Festivals, and at the National Midwest Band Directors Clinic in Chicago. In 2001 he released his debut CD, Rosewood Resonance, a collection of works spanning the Baroque to today played on solo marimba. His mallet method book, Simply Four, has been published by Tap-Space Publications and he has published several arrangements and transcriptions of classical and romantic guitar works for the marimba. Visit his Web site at www.giffordhowarth.com. MARTY HURLEY THURSDAY 8:00 P.M. Marty Hurley received his BME from Wilkes University, WilkesBarre, PA, and performed for four years with the Air Force Band. A former member of New Jersey’s Hawthorne Caballeros and Blessed Sacrament’s Golden Knights, Marty served as percussion instructor for the Stardusters (Arabi, LA) 1971, the Bleu Raiders (Metairie, LA) 1972-73, and the Black Knights (Belleville, IL) 1973-75. During his tenure as percussion instructor and arranger with the Phantom Regiment (Rockford, IL), the corps placed in the top ten nationally for 14 years at DCI finals competition. For the past 29 years Marty has been the Director of Bands at Brother Martin High School in New Orleans, LA. Marty’s music is published by Row-Loff Productions. INDIANA UNIVERSITY GABERWEDNESDAY 10:00 A.M. STUDENT ALUMNI ENSEMBLE Dr. Stuart Marrs, Director This remarkable assemblage of percussion personalities was originally brought together for a gala concert on February 24, 2001 in celebration of George Gaber’s 85th birthday. Former students came from all over the United States, Europe and Canada to perform and honor their former teacher with a concert titled “Field of Drums.” On the program of that memorable concert was Varese’s “lonisation.” The group reunites for PASIC 2002 to reprise that performance. Stuart Marrs is founder and a past-president of the Maine PAS Chapter. He has served as Principal Percussionist with the Louisville Orchestra, the National Symphony Orchestras of Bolivia and Costa Rica, and since 1985 has been teaching percussion, music history, and digital music at the University of Maine. Dr. Marrs tours the U.S., Europe and Latin America as soloist, conductor, clinician and teacher. 69 INDIANA UNIVERSITY OF PENNSYLVANIA THURSDAY 4:00 P.M. PERCUSSION ENSEMBLE The Indiana University of Pennsylvania Percussion Ensemble is known for its playing skill and versatility. All the percussion majors participate in the percussion ensemble, which performs regularly on the IUP campus. The ensemble has also performed frequently in public schools and at regional and national conventions including the American Orff-Schulwerk Association National Conference; Music Educator’s National Conference; Pennsylvania Music Educators Association; Music Teachers National Association; College Band Directors National Association; the American School Band Directors Association, National Dance Association of the American Alliance for Health, Physical Education, Recreation, and Dance; and PASICs. The ensemble also collaborates with the IUP Dance Theater for periodic productions. RUTH STUBER JEANNE SATURDAY 1:00 P.M. Ruth Stuber Jeanne began violin study at the age of three. In high school, she played with the Evanston Symphony Orchestra and continued with that group until she graduated from Northwestern University in 1932. In 1933, she learned to play the marimba and was selected as one of 100 marimba players organized by Clair Musser to perform at the Chicago World’s Fair. Later she moved to New York and played with the Orchestrette Classique chamber orchestra. She was a featured soloist in a 1940 performance of the “Concertino for Marimba and Orchestra” written for her by Paul Creston. She continued to pursue her musical career by giving lessons and playing with the chamber orchestra. She moved to Granville, OH in 1959 and was lead violinist and later head percussionist with the Licking County Symphony. With Dr. Jim Moore, head marimbist with OSU, she formed the Per-mus Publishing Company and published many arrangements for marimba and recorder. After undergoing heart surgery five years ago, she moved to the Sharon Brooke Retirement Center in Newark, Ohio. At 93, she continues to direct a recorder and marimba group each week. Her ensemble performed for PASIC ’93 in Columbus and looks forward to giving a repeat performance this year. JEFF HAMILTON TRIO SATURDAY 10:00 P.M. Drummer Jeff Hamilton has been constantly in demand for recordings and performances with his own trio, Oscar Peterson, Ray Brown, and countless others. The Jeff Hamilton Trio’s recording, It’s Hamilton Time (Lake Street Records), received enormous airplay while reaching #5 on the Gavin national jazz radio chart. The trio’s second release, Jeff Hamilton Trio - LIVE! (MONS), was nominated by critics for best jazz recording in Germany in 1997. The trio’s second MONS release is titled Hands On, and Hamilton House - Live at Steamers (MONS) was the trio’s 2000 release. As well as recording and performing throughout the world, Jeff also teaches, arranges and composes. The trio includes bassist Christoph Luty, who also performs with the Clayton/Hamilton Jazz Orchestra, the Cecilia Coleman Quintet and Howlett Smith, and the trio’s pianist is Tamir Hendelman, who has performed with Teddy Edwards, John Clayton, Harry Allen, Tierney Sutton, Phil Upchurch, Jeff Clayton, Rickey Woodard, Sandra Booker, Barbara Morrison and the Clayton/Hamilton Jazz Orchestra. JOVAN PERCUSSION GROUP FRIDAY 2:00 P.M. The Jovan Percussion Group, originally formed in 1995 (for the recording of Nebojsa Jovan Zivkovic’s Uneven Souls CD), became a multi-national quartet in 1998 with members native to Costa Rica, Serbia, Germany, and the United States. The group has two international tours to their credit, including festival appearances, concerts, radio and television broadcasts, and recordings (for Zivkovic’s latest CD, The Castle of the Mad King, on the Swedish label, BIS). Ensemble members include: Craig Bitterman, a multiple-percussionist whose performance highlights include appearances with the Maelstrom Percussion Ensemble, Full Force Dance 70 Theatre, New Dimensions Ensemble, and June in Buffalo Chamber Orchestra. He is on the faculty at Holyoke Community College and on staff at Wesleyan University and Dance Connecticut/Hartford Ballet. Fernando Meza is Director of Percussion Studies at the University of Minnesota School of Music (Minneapolis). He has performed and recorded with a variety of renowned artists and orchestras, including the Costa Rica National Symphony, the Minnesota Orchestra, the Festival Dancing in Your Head, Keiko Abe and Grupo Clave. Benjamin Toth, Director of Percussion Studies at the Hartt School, University of Hartford, has performed with the Percussion Group Cincinnati, the Sinfonia da Camera of Illinois, Hartford Stage, the Jimmy Dorsey Band, and the Solo Pan Knights (for the Trinidad Panorama). Nebojsa Jovan Zivkovic, founder of the Jovan Percussion Group, serves as composer and soloist for the ensemble. In addition to presenting solo recitals and master classes, he has performed concertos with orchestras world wide, including his own marimba concerti. He has released five recordings featuring his own works as well as pieces that have been written for him. KALANI THURSDAY 11:00 A.M.; FRIDAY 1:00 P.M.; SATURDAY 10:00 P.M. Kalani has performed and/or recorded with such music legends as Kenny Loggins, David Sanborn, Max Roach, Barry Manilow, Vic Damone, John Mayall and Melissa Manchester, and is the featured percussionist on the multiplatinum Yanni Live at the Acropolis video and CD. He has also performed on numerous film and TV soundtracks. Kalani has produced over 15 instructional videos for a variety of instruments including congas, bongos, djembe, hand percussion and drumset. He is the founder and director of Drumlesson.com and is director of Drum Camp, a summer program that offers classes in a variety of drumming traditions. Kalani presents workshops, programs and drum circles at conferences, music stores, educational institutions and festivals both in the U.S. and abroad. He has been a featured clinician at the Taipei Percussion Institute, the International Percussion Festival (Belgium), the World Rhythm Festival (Seattle) and several PASICs. For more information, visit Kalani’s Web site at www.kalanimusic.com. KATHLEEN KASTNER WEDNESDAY 10:00 A.M. Kathleen Kastner is Professor of Percussion at the Wheaton College Conservatory of Music, where she teaches all aspects of percussion, as well as world music and 20th-century music history. Dr. Kastner has been active in the PAS for many years, having previously served as a member of the Board of Directors, Associate Editor for Research of Percussive Notes, Chair of the Scholarly Paper Committee, PAS Historian and Illinois State PAS Chapter President. JIM KILPATRICK THURSDAY 8:00 P.M. Jim Kilpatrick started playing drums at the age of ten. His progress was so rapid that within two years he was competing at the highest level in Grade 1 Scottish drumming competitions. At the age of 15 he joined Shotts and Dykehead and won his first World Drum Corps Championship - the first of Jim’s 16 World Drum Corps titles, which includes winning the World Drum Corps Championship a record-breaking 11 times in a row. Jim is the current World Solo Drumming Champion, World Solo Champion of Champions and World Drum Corps Champion of Champions. This takes the number of wins to a record 14 times in the course of his drumming career. He has won every major drumming and pipe band championship, including Champion of Champions in the pipe band, solo and drum corps. Jim has been invited to teach in schools all over the world as well as making countless appearances at drum clinics and festivals everywhere, including The Royal School of Music (London and Glasgow) and PASIC. He is regarded as the world’s greatest exponent of Scottish style snare drum. ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 71 REBECCA KITE WEDNESDAY 10:00 A.M.; FRIDAY 3:00 P.M. Rebecca Kite is an internationally recognized marimba soloist and teacher. Her work as a marimba soloist may be heard on her solo CDs, Across Time and Prism. She has published articles in Percussive Notes, authored a method book, Reading Mallet Percussion Music, and created the Anthology of Lute and Guitar Music for Marimba. Kite is also a percussionist and timpanist and has worked with the Minnesota Opera Orchestra, Saint Paul Chamber Orchestra, and Plymouth Music Series Orchestra and performed in a variety of theatrical and Broadway show settings. She has commissioned and premiered works for solo marimba. Recent projects include collaborations with composer Bruce Hamilton (funded by an American Composers Forum Grant) resulting in “Recurrences” for solo marimba, with Nebjosha Zivcovic in “Ilijash,” and with Evan Hause in a six-mallet work, “Circe,” to be premiered in fall of 2002. Kite has been on the PAS Board of Directors, received the PAS Outstanding Service Award in 1999 (for her work in helping create the WPN Web site) and was chair of the PAS Marimba Committee from 1998 to 2002. DON LAMOND FRIDAY 10:00 A.M.; FRIDAY 9:00 P.M. Don Lamond was born August 18, 1921, in Oklahoma City, OK. He began playing snare drum in fourth grade and then became leader of a small stage band while attending Paul Junior High School in Washington, D.C. Through high school, he was the leader of a 13-piece dance band, and was also a member of the Military and Concert bands at Central High School, Washington, D.C. After graduation, he studied percussion with Carrol Bratman at Peabody Institute of Music in Baltimore, MD. Following his departure from Washington, D.C. he played with Sonny Dunham, Boyd Raeburn, Woody Herman, Harry James, Benny Goodman, Charlie Barnett, Count Basie, Alvino Rey, Clark Terry, Artie Shaw, Doc Severinsen and Urbie Green. He also worked with Red Norvo, Stan Getz, Charlie Parker, Errol Garner, Dizzy Gillespie, Lester Young, Teddy Wilson, Newport All Stars, Bob Crosby, Artie Shaw and the Clark Davy Big Band. He was a member of the studio band for a variety of TV shows, including the Fred Allen Show, Gary Moore Show, Steve Allen Show, Dinah Shore Show, Perry Como Show, Sid Caesar Show and Merv Griffin Show. JOE LA BARBERA FRIDAY 10:00 A.M. & 9:00 P.M.; SATURDAY 2:00 P.M. Jazz drummer Joe La Barbera is highly regarded for his work with the Bill Evans Trio, with whom he worked until Evans’ untimely death in 1980. Afterwards, La Barbera worked with singer Tony Bennett for 12 years, and his credits also include work with Gap Mangione, the Woody Herman big band, Chuck Mangione, John Scofield, Conte Candoli, Bud Shank, Alan Broadbent, Kenny Wheeler, and the WDR Big Band. Since 1994 he has been on the faculty of the California Institute for the Arts (CalArts). La Barbera has also been leading his own group since the early 1990s, and with that band he recently released his first album as a leader: The Joe La Barbera Quintet Live on the Jazz Compass label. MORRIS “ARNIE” LANG FRIDAY 10:00 A.M. & 12:00 P.M. Morris Lang is a graduate of the Juilliard School. He was a student of Saul Goodman, Morris Goldenberg and Billy Gladstone. He performed with the New York City Ballet, the American Opera Society, and the Metropolitan Opera Orchestra along with various chamber music organizations. In 1955 he was appointed Associate Principal Timpanist and Percussionist with the New York Philharmonic. Among his solo recordings is “Histoire du Soldat” and he is the only person to have recorded all “Eight Pieces for Timpani” by Elliot Carter. Lang is Professor of Percussion at the Conservatory of Music at Brooklyn College and in charge of the Doctoral Percussion Program at CUNY. The Percussion Ensemble at Brooklyn, under his direction, has premiered some 60 works, many of them commissions. Lang retired from the New York Philharmonic in 1996 in order to devote more time to Lang Percussion Inc., which manufactures Goodman Timpani, Gladstone Snare Drums and drumsets, and publishes music and books. In 2000 he was inducted to the PAS Hall of Fame. GENE LAKE THURSDAY 11:00 A.M. Gene Lake has been playing for almost ten years with a diverse range of artists: from R&B group, Surface, in the 1980s to the new wave of R&B acts, such as Me’shell NdegeOcello, Maxwell, and D’Angelo in the 1990s; from jazz innovators Steve Coleman and Henry Threadgill, to fusion legends Joe Zawinul and Marcus Miller; from jazz/rap group Opus Akoben to acts that defy categorization, such as the wildly original rock/funk/jazz fusion group Screaming Headless Torsos. The son of jazz saxophonist Oliver Lake, Gene Lake attended the High School of Music and Arts in New York City and Berklee College of Music in Boston. He credits various drummers with influencing his musical style, from Diamond (of the Ohio Players) to Omar Hakim (of Weather Report). In future he plans to spend more time writing music that synthesizes and transforms the many influences from which he emerged. CHRISTOPHER LAMB SATURDAY 4:00 P.M. Christopher Lamb was appointed Principal Percussionist of the New York Philharmonic in 1985. He has performed in Europe, Asia, and the Americas under such greats as Leonard Bernstein, Klaus Tennstedt and Sir George Solti, as well as the preeminent conductors of our day. Lamb joined the faculty of the Manhattan School of Music in 1989. The New York Philharmonic has commissioned three major works for Lamb, Joseph Schwantner’s “Percussion Concerto,” Tan Dun’s “Concerto for Water Percussion” and Susan Botti’s “Echo Tempo” for soprano, percussion, and orchestra. Lamb has appeared as soloist with the London Philharmonic Orchestra, the Concertgebouw Orchestra, and the Gewandhaus Orchestra as well as orchestras throughout the United States. He recorded Dun’s “Water Concerto” with the New York Philharmonic under the baton of Kurt Masur as well as chamber works on the New World, Cala, and CRI labels. Lamb is a graduate of the Eastman School of Music in Rochester, NY. 72 NEIL LARRIVEE THURSDAY 9:00 A.M. Neil Larrivee is Pit Director and Arranger for eight-time DCI World Champion Cadets Drum and Bugle Corps. He has been with the Cadets since 1993. In 2001 and 2002, The Cadets were awarded the DCI Division 1 High Percussion Trophy. Neil served as CoMarching Band Director, Percussion Director and Arranger at King Philip Regional High School of Wrentham, MA from 19852002. He was the director and designer for the 2000 WGI Scholastic World Champion King Philip Indoor Marching Percussion Ensemble. During his time at King Philip, the marching band achieved regional and national recognition including two Bands of America Northeast Regional Championships, two BOA Grand National Semi-Finalist placements and the 2000 Grand National AA Bronze medal. Neil is Director of Education and New Product Development for Vic Firth Inc. STANLEY LEONARD FRIDAY 10:00 A.M. & 12:00 P.M. SATURDAY 4:00 P.M. Stanley Leonard is a noted performing artist, prolific composer and dedicated percussion teacher and mentor. He achieved prominence in the music world during a 38-year career as Principal Timpanist of the Pittsburgh Symphony Orchestra and member of the faculties of Duquesne and Carnegie-Mellon Universities. He presents master classes at leading conservatories and universities in the United States and abroad and is a frequent presenter during the PASIC. He is an Artist in Residence at Duquesne University. He conducted and can be heard performing his own compositions on the compact disc Canticle, distributed by Ludwig Music. ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 73 LINKS WEDNESDAY 10:00 A.M. LINKS was formed in Albuquerque, New Mexico in 1988 as a collective of musicians and movement artists in order to present the world premiere of Stuart Sanders Smith’s “Initiatives and Reactions.” Since that time, the LINKS Ensemble has devoted itself to premiering new sonic, theater, dance, and trans-media works. Additionally, the ensemble is committed to presenting essential performances illustrative of the historical progression of the experimental music tradition. The group’s recent endeavors include retrospective concerts of the music of John Cage, Peter Garland, and Christopher Shultis, and the realization and premier of Stuart Smith’s “Transitions and Leaps.” LINKS was supported through a grant from the Institute for the Arts to create the premiere of Smith’s “From One to Another,” with an album release forthcoming. Members of LINKS performing at PASIC include: Fred Bugbee (New Mexico State University), Andria Fennig (Phoenix freelance artist), and Douglas Nottingham (Grand Canyon Community College). formed with avant garde saxophonist/composer John Zorn. Recently he was asked to return to Slayer to tour and record a new CD. Soon Dave will be releasing a CD of his own with drum songs that have a variety of instrumentations. Dave is the author of the book/CD set Power Grooves, published by Hal Leonard Corporation. LOUISIANA STATE UNIVERSITY WEDNESDAY 10:00 A.M. PERCUSSION ENSEMBLE The LSU Percussion Ensemble has been conducted by Michael Kingan since 1996 and is dedicated to performing at a high standard in a wide variety of literature chosen for its substance and pedagogical value. Concert programs include pieces ranging from traditional to contemporary, novelty to transcriptions, marimba ensembles to steel band. The LSU Percussion Ensemble has performed throughout Louisiana and Texas, at several Louisiana Days of Percussion, and at the Louisiana Music Educators Association Convention. The ensemble’s CD, Coming Full Circle, is expected to be released in early 2003. ARTHUR LIPNER SATURDAY 4:00 P.M. Arthur Lipner is one of the leading vibes and marimba voices in jazz today. Arthur has just returned from a tour in Brazil and Peru where he performed/taught in Brasilia, Rio, Campinas and at the Lima Jazz Festival. Brazilian music has become an integral part of Arthur’s activities in recent years. He has recorded two CDs with woodwind artist Ze Luis, performs occasionally at the NYC nightclub SOB’s with The Brazooka Band led by Carlos Darcy, and is preparing a collection of Brazilian music arranged for solo marimba. Arthur’s most recent solo project is Portraits In World Jazz. This mostly acoustic album features Arthur on vibes and marimba joined by percussionist Glen Velez, bassist Harvie Swartz, guitarist Vic Juris, pianist Fred Hersch and others. Over 50 of Arthur’s compositions have been released on recordings. His works have been used on radio, film and TV soundtracks. Arthur serves on the PAS Board of Directors and is a Contributing Editor for Percussive Notes. His text The Vibes Real Book (1996) is a comprehensive guide to jazz vibraphone. His Jazz Mallets: In Session (2000) is the first-ever play-along folio for jazz vibes and marimba. FRÉDÉRIC MACAREZ SATURDAY 2:00 P.M. A former student of Jacques Delécluse at the Conservatoire National Superieur de Musique de Paris where he received the First Prize, Frédéric Macarez was Principal Percussionist and Assistant Principal Timpanist of Orchestre de la Suisse Romande (Geneva) from 1981–87. Daniel Barenboïm appointed him as Principal Percussionist of the Orchestre de Paris (France) in 1987, and he became Principal Timpanist of this orchestra in 1993. Frédéric is also famous as a soloist and a chamber music player. He is Director of Percussion Studies at the Conservatoire Superieur de Paris CNR. Macarez is the Founder, President and Artistic Director of Journées de la Percussion, the international percussion festival in Paris. He is a composer of percussion solos and ensembles published by A. Leduc and Alfonce Prod., and an editor for the percussion music by the French publisher Gérard Billaudot. Since 1999 Macarez has served as President of the PAS France Chapter and he is also a member of the PAS Board of Directors. KAKRABA LOBI FRIDAY 11:00 A.M. In Ghana, Kakraba Lobi is considered to be the gyil’s spokesperson by virtue of being one of the only living virtuosi to have mastered the instrument’s vast and difficult repertoire, and to have gained international acclaim as a concert soloist. He was born in Kalba Saru in the Lobi and Brifo area of Upper West Ghana in 1939. His father is a farmer who was also highly skilled in the art of making and playing gyil, like his father before him. As a child, Kakraba became involved in the family tradition. When he was old enough, Kakraba traveled to the city of Accra where he gave broadcasts for radio Ghana. In 1957 famed ethnomusicologist Professor J. H. Nketia offered him a teaching post in the Institute of African Studies. From 1962 until 1987 Kakraba was a full-time member, and is presently an advising member, of the staff at the Institute. He guest lectures at universities in Germany, Japan, Scandinavia and the United States, and has performed throughout North America, Europe, Asia, and Africa. MITCH MARKOVICH SATURDAY 11:00 A.M. Mitch Markovich is best known for being three-time undefeated consecutive National and five-time undefeated consecutive Illinois State Snare Drum Champion and has accumulated 12 National and 23 State Championships as a player and caption head. Mitch’s former students include James Campbell (PAS President, Cavaliers), Mike Mann (Phantom Regiment), Chris Crockarell (Row-Loff Productions) and Rick Beckham (DCA National Snare Drum Champion). He has been caption head for the national champion Royal Airs, the national champion Argonne Rebels, the Nisei Ambassadors, the Guardsmen and the Men of Brass, a consultant for the Santa Clara Vanguard and the Casper Troopers, and caption head for the Chicago Royal Airs 2002 Reunion Corps, who performed at the DCI World Championships last August. He is the author of such snare drum solos and ensembles as “Stamina,” “Tornado,” “The Winner” and “Four Horsemen.” Mitch is active doing clinics and performing at high schools and universities, consultant, writer and arranger, and teacher at the Joy School of Performing Arts in Glendale, Arizona. DAVE LOMBARDO SATURDAY 3:00 P.M. Dave Lombardo came to national prominence as the drummer for the heavy metal band Slayer, with whom he first recorded in 1983 with eight more recordings following. In 1992 He left the group and ventured on his own, recording and touring continuously with the bands Grip Inc. and Testament. He enjoyed other styles that led him to experiment in the recording Vivaldi, The Meeting, which incorporated his drumming style with classical instruments and two soprano vocalists. Continuing his experimentations he was asked to drum for Fantomas, which was the brainchild of Faith No More vocalist Mike Patton. Lombardo has also recorded and per- 74 ALDO MAZZA THURSDAY 3:00 P.M.; FRIDAY 2:00 P.M. Aldo Mazza is an internationally recognized drummer-percussionist, recording artist, clinician, and educator. As a member of internationally acclaimed percussion quartet Répercussion for over 25 years, Aldo has gone around the world twice with the ensemble, recorded five CDs and performed over 2,500 concerts and television appearances including appearances with most major Canadian symphony orchestras, jazz and world music festivals, contemporary music festivals, children’s festivals, and before Canadian Prime Ministers and United States Presidents. He is also a ARTISTS AND CLINICIANS freelance artist with over 100 recorded albums and soundtracks to his credit, including recordings with Céline Dion, Jon Bon Jovi and Aldo Nova. He has performed live with such artists as James Brown, Chris De Burgh and Oliver Jones as well as organizations such as the CBC and SMCQ (Societé de Musique Contemporaine du Québec). He is artistic director and founder of the KoSA International Percussion Workshop & Festival and Instructor of Percussion at McGill Conservatory of Music in Montreal, Canada. ROBERT MCCORMICK SATURDAY 9:00 A.M. Robert McCormick is Professor of Music at the University of South Florida. He served as Principal Percussionist/Assistant Timpanist with the Florida Orchestra for over 20 years. He is also a former member of the Harry Partch Ensemble. Billed as the McCormick Duo, Bob regularly tours and records with his wife, flutist Kim McCormick. Well-known in new-music circles, Bob has recorded extensively, including many CDs with the University of South Florida Percussion Ensemble. In November 2001, under his direction, the USF Percussion Ensemble was the featured group at the International Percussive Music Festival sponsored by Ewha University in Seoul, Korea. Bob has also published several texts, articles and percussion solos. KRISTEN SHINER MCGUIRE WEDNESDAY 10:00 A.M. Kristen Shiner McGuire has been performing for over 25 years as a marimbist, solo and ensemble percussionist, drumset artist, and jazz singer. She is the director of percussion studies and assistant jazz ensemble director at Nazareth College of Rochester, where she has taught since 1984. Kristen Is a published author and composer and is the Secretary for PAS. She is a member of the Maelstrom Percussion Ensemble and the drummer and “Ella” vocalist for the touring jazz group Jon Seiger and the All Stars: a Tribute to Louis Armstrong. CHRIS MCHUGH THURSDAY 9:00 A.M. One of the new breed of drummers now occupying A-List positions in the Nashville session scene, Chris McHugh is a first-call session player, with credits including Amy Grant, Faith Hill, Garth Brooks, Jewel, Keith Urban, Lonestar, Owsley, and a long list of others. COLIN MCNUTT THURSDAY 2:00 P.M. Colin McNutt has arranged for the Star of Indiana drum and bugle corps and the Tony Award winning stage production Blast! He has also written and instructed for the Crossmen Drum and Bugle Corps and the Glassmen Drum and Bugle Corps. McNutt was also the 1992 DCI individual tenor champion. He has served on the faculty of the University of Massachusetts at Amherst, where he received degrees in Music Education and Classics. He is currently the percussion designer and caption head for the Magic of Orlando Drum and Bugle Corps. MIAMI UNIVERSITY STEEL BAND THURSDAY 11:00 A.M. Founded in 1994 by director Chris Tanner, the Miami University Steel Band has become one of the most dynamic and popular performing groups in the region composed of undergraduate and graduate students from various academic disciplines. The Miami University Steel Band performs a broad, diverse repertoire, with a special focus on contemporary compositions by preeminent figures in the steel band idiom. The ensemble’s most recent recording project, Burnin’, was produced by Tom Miller and is distributed through Pan Ramajay Productions. BEN F. MILLER WEDNESDAY 10:00 A.M. Ben F. Miller is Professor of Music at Marshall University, Huntington, West Virginia, where he serves as Coordinator of Percussion Studies, Conductor of the Symphonic-Community Band and is a member of the M.U. Jazz Faculty. He received his BME degree ARTISTS AND CLINICIANS from Indiana University and MA and DMA degrees from the University of Iowa. Miller is the former Timpanist and Principal Percussionist with the Cedar Rapids (IA) and West Virginia Symphonies and serves in a similar capacity with the Huntington Symphony and Pops Orchestras. He is the founder and leader of the Flat Baroque (mostly) Marimba Quartet. As a freelance performer, Ben is active in the tri-state region of West Virginia, Kentucky and Ohio. Many elementary school students know Ben as “Professor Boom Boom” who demonstrates his unique collection of percussion instruments from around the world and addresses the similarities of various cultures through percussion instruments and rhythm. He is President of the West Virginia PAS Chapter and is a member of the PAS Education and College Pedagogy Committees. RUSS MILLER FRIDAY 4:00 P.M. Russ Miller is a top touring and session drummer whose musical versatility has led him to work with a wide variety of artists including Ray Charles, The Fifth Dimension, Bobby Caldwell, Babyface, Toni Braxton, Nelly Furtado and Meredith Brooks. As a strong force on the Los Angeles studio scene, Russ was among the top five Studio Drummers two years in a row in the Modern Drummer magazine Readers Poll. He has performed on over 250 albums and dozens of movie soundtracks such as Daylight, Hardball, The Specialist and Lethal Weapon 4. Along with his many album credits, he has two solo albums, Where’s One? and Cymbalism on R.M.I Records. Russ performs clinics throughout the world and has authored two books: The Drum Set Crash Course and Transitions, along with his video, The Drum Set Crash Course, all of which were voted the #1 educational books and video (20012002) by Modern Drummer magazine. For more info visit www.RussMiIler.com. CALL FOR PROPOSALS PASIC 2003 FOCUS DAY “MOVING SOUND (Percussion with Dance)” The PAS New Music/Research Committee is pleased to announce a call for proposals for presentation/performance at PASIC 2003 Focus Day, Wednesday, November 19, 2003 in Louisville, Kentucky. The theme for the 2003 Focus Day is “Moving Sound (Percussion with Dance).” Artists, ensembles, and scholars are invited to send in proposals. The committee intends to present a wide representation of styles to celebrate percussion music with dance throughout the years, concentrating on new works in the genre. Our vision is to program works of diverse styles, from re-creating some of the classic percussion/dance works from the 1930s and 1940s to experimental/mixedmedia events of the present day. For example, we are looking to program early percussion ensemble works (by Cage, Harrison, Becker, etc.) with original or new choreography, newer or newly composed percussion works, and mixed ensemble works with choreography, and electronic/mixed-media works that include percussion and choreography. Eastern/Western influenced percussion/ dance pieces are encouraged as are collaborations “on the cutting edge.” Other suggestions are welcome. Send all proposals with video to: Percussive Arts Society, 701 N.W. Ferris Avenue Lawton, OK 73507-5442 Deadline: December 1, 2002 For additional information: Dr. Rob Falvo, Appalachian State University School Of Music, Boone, NC 28608 PHONE: (828) 262-4979 FAX: (828) 262-6446 E-MAIL: falvorj@appstate.edu 75 TOM MILLER THURSDAY 11:00 A.M. & 10:00 P.M.; FRIDAY 3:00 P.M. Tom Miller has performed and recorded throughout world with his own group, Pan Ramajay, as well as notable pan masters Andy Narell and Ray Holman, renowned Calypsonian David Rudder, bassist Michael Manring, the WDR Jazz Ensemble, the San Francisco Contemporary Chamber Orchestra, Allison Krause, Charlie Musselwhite, John Denver, Allison Brown and Maria Marquez. His playing is also featured on numerous film scores and ads. A fivetime recipient of grants from the Meet the Composer Foundation, Tom’s dedication to musical education has won him invitations as a guest clinician and performer at numerous college and secondary school programs throughout the U.S. WILLIAM MOERSCH SATURDAY 2:00 P.M. William Moersch is internationally renowned as a marimba virtuoso, chamber and symphonic percussionist, recording artist and educator. He has appeared as soloist with symphonic orchestras and in recital throughout North and South America, Europe, the Far East and Australia. One of twelve international marimbists featured at the World Marimba Festival in Osaka, Japan in 1998, he is perhaps best known for his solo compact disc The Modern Marimba and for commissioning, over the past twenty years, much of the prominent modern American repertoire for solo marimba. Professor and Chair of the Percussion Division at the University of Illinois, Moersch also created the graduate degree programs in marimba performance at the Peabody Conservatory and Rutgers University and has presented master classes throughout the world. A graduate of the University of Michigan, where he was a scholarship student of Charles Owen, Moersch was a freelance percussionist in New York City for over twenty years. Currently, he is Principal Timpanist/Percussionist of Sinfonia da Camera and Principal Percussionist of the Bard Music Festival. ALLAN MOLNAR FRIDAY 11:00 A.M. Percussionist Allan Molnar is very active on the Toronto music scene. His experiences include many live and recorded performances in a variety of genres. Allan has been an instrumental music teacher in the Toronto, Ontario school system since 1983 and has experience at the elementary, middle and secondary school levels. Allan has successfully brought many elements of professional music to the classroom by way of his MIDI-assisted band program. His students experience both the performance and creative aspects of this technology-rich approach to learning and teaching. More than 130 music teachers have been able to duplicate important elements of Allan’s program in their own schools as a direct result of his many workshop presentations at conferences and universities. Molnar is a recipient of the prestigious Prime Minister’s Award for Teaching Excellence in recognition of his accomplishments in music education. He works as a resource teacher for the Canadian Teachers Federation through the “Sharing Teaching Excellence” program and is a faculty member of the KoSA International Percussion Workshops. JUDY MOONERT WEDNESDAY 10:00 A.M. Judy Moonert is an Associate Professor of Music at Western Michigan University where she serves as the director of percussion studies. She is Principal Percussionist with the Kalamazoo Symphony Orchestra and the Fontana Chamber Music Society. She has also performed with the Grand Rapids Symphony, Fort Wayne Philharmonic Orchestra, Evansville Philharmonic Orchestra, Owensboro Symphony Orchestra, and the Meadowbrook Festival Orchestra. A frequent soloist, Moonert has appeared in Ohio, Indiana and Michigan. In June 2000 she performed the world premiere of Richard Adams’ “Beat It!” and “Brush Off” in Carnegie’s Weill Recital Hall. Moonert has adjudicated the Music Teachers National Association Regional and National Collegiate Percussion Competitions, and the 1998 PAS Composition Con- 76 test. Under her direction, the Western Michigan University Percussion Ensemble presented a feature performance at PASIC ’98 . She has also served as president of the Michigan PAS Chapter. Moonert received bachelor and master of music degrees in performance from Indiana University. VALERIE NARANJO FRIDAY 11:00 A.M. Valerie Naranjo is of Native American (Ute) and Latin American heritage. She journeyed to West Africa after she learned of Kakraba and the gyil tradition of the Lobi nation. She first performed in Ghana’s Kobine Festival of Traditional Music in 1988, after the chief of the festival’s host community decreed that women be allowed (for the first time) to play gyil publicly. Valerie co-directs the multi-instrumental/vocal quartet Mandara, arranged the percussion books for the Broadway hit The Lion King and is the percussionist in NBC’s Saturday Night Live band. She has performed and recorded with such artists as Philip Glass, David Byrne, Tori Amos, Hugh Masekela, The Paul Winter Consort, the international percussion ensemble Megadrums with Airto Moreira, Zakir Hussein and Glen Velez, and has published several transcriptions of traditional Native American and West African music. She and Barry Olsen have recorded three CDs, Song of Legaa, Song of Niira and Da Yillena (Wood that Sings) with Kakraba Lobi. Her CD Orenda - Native American Music to Heal the Spirit was released in 2000. JIM NELSON WEDNESDAY 10:00 A.M. Jim Nelson graduated from Indiana University in 1968 and was Best Jazz Combo Drummer at the 1969 Notre Dame Jazz Festival. From 1968–1972 he was a member of the United States Marine Band. From 1973–93 he lived in Los Angeles and performed as a studio musician for television shows, movies, records, jingles, and radio programs, plus live performances with various orchestras, ballets, modern dance companies, operas, Broadway theatre shows, concerts, solo performers, industrial shows, jazz groups, and tours. Since 1994 he has lived in the Phoenix, Arizona area where he performs with local orchestras, theatre productions, concerts, industrial shows, touring musical acts and jazz groups, and teaches at Phoenix Community College. NEW MEXICAN MARIMBA BAND FRIDAY 9:00 A.M. FEATURING STEVE CHAVEZ The New Mexican Marimba Band is actually a duet, with Steve Chavez performing the lead part and one of his four partners playing the bass and harmony part on one marimba. The New Mexican Marimba Band performs for local, state, and national conventions and parties. The group recently performed at a marimba festival in Berlin and was one of only two groups invited from the Americas. The band plays many of the famous styles of Mexico and Guatemala as well as new Mexican favorites and many originals. Chavez is a performer, teacher, historian, composer, and collector of marimbas from around the world. He has performed with the New Mexico Symphony Orchestra, Chamber Orchestra of Albuquerque, and Santa Fe Pro Musica, where he was principal percussionist for 15 years. Steve has composed or arranged four concerti for marimba and orchestra and two for wind ensemble. His many works include compositions for steel drum bands, Latin-jazz ensembles, and marimba bands. The other members of the group are Ken Battat, John Bartlit, Hovey Dean Corbin and Ray Sarracino. SCOTT NEY WEDNESDAY 11:15 A.M. Scott Ney is Assistant Professor of Music and Director of Percussion at the University of New Mexico. He received a Bachelor of Music degree from the Boston Conservatory, a Master of Arts degree from Eastern Illinois University, and is presently pursuing a Doctor of Musical Arts degree from the University of Washington. As a clinician and performer Scott travels throughout the United ARTISTS AND CLINICIANS States and Europe, most recently traveling to Koln, Germany, performing in the premiere of Falko Steinbach’s “Agnes Messe,” and to Poland where he was a featured artist at the 2002 International Festival of Percussive Arts Perkusja. Scott regularly performs with the New Mexico Symphony Orchestra and has worked with the Santa Fe Opera, Santa Fe Symphony, Opera Southwest, Seattle Symphony Recording Orchestra and the Sacramento Symphony Orchestra. NEXUS WEDNESDAY 8:00 P.M. Since its first concert in 1971, Nexus has continued to delight audiences with a repertoire that includes contemporary percussion masterworks, ragtime, world music, group improvisations, and compositions by Nexus. Dubbed “the high priests of the percussion world,” the ensemble’s virtuosity, innovative programming and insatiable musical curiosity have inspired compositions from some of the greatest composers of our time. Nexus has garnered international acclaim from their many performances of “From me flows what you call Time,” created for them and the Boston Symphony by Toru Takemitsu under a commission from Carnegie Hall for its 1990 Centennial celebration. A compact disc recording of the work featuring Nexus and the Pacific Symphony, conducted by Carl St. Clair, was released in March 1998 on the Sony Classical label. Nexus’s wide and eclectic range of music has been recorded on an extensive and growing list of compact discs, including the twelfth CD on the group’s own Nexus label, Lullaby with works by Robin Engelman, Steve Reich, Jo Kondo and Bill Cahn. In November 1999, Nexus was inducted into the PAS Hall of Fame. NORTHWESTERN UNIVERSITY FRIDAY 10:00 A.M. PERCUSSION ENSEMBLE SATURDAY 10:00 A.M. The Northwestern University Percussion Ensemble has a rich history, having been led by such well-known artists and teachers as Clair Omar Musser, Gordon Peters, Dick Schory and Terry Applebaum. Currently under the direction of Michael Burritt, the group has established itself as one of the premier ensembles of its kind in the United States. The ensemble has been invited to perform at PASIC in 1996 and 2002. In July 1998 Northwestern had the honor of being the first university ensemble to be invited to perform at the Rhythm Sticks Festival in London England. Distinguished soloists with the Northwestern Percussion Ensemble have included Anders Astrand, John Beck, Bill Cahn, Bob Becker, Robin Engleman, Leigh Stevens, Gordon Stout, Walifred Kujala and the Vienna Saxophone Quartet. The ensemble is dedicated to performing both standard and contemporary repertoire and has commissioned and premiered works by such notable percussion composers as Anders Astrand, Brett Dietz and Gordon Stout. EUGENE DOMINIC NOVOTNEY WEDNESDAY 9:00 A.M. Eugene Dominic Novotney received his Bachelor of Music Degree in Percussion from the Cincinnati Conservatory of Music and his Master of Music and Doctor of Musical Arts degrees from the University of Illinois with emphasis in Percussion, Composition, and Ethnomusicology. He has been a member of the South Dakota Symphony, the Sioux City Iowa Symphony, the Champaign-Urbana Symphony, Sinfonia da Camera, and the Cleveland Chamber Orchestra, and has served on the faculty of the University of Illinois and the University of South Dakota. Presently, he is Associate Professor of Music at California State University-Humboldt, and is the founder and statewide coordinator of the Percussion in World Music program for the California State University Summer Arts Program. He was the first percussionist to win the Krannert Center’s Debut Soloist Competition, and has been awarded the Edgard Varese Percussion Award from the University of Illinois and the Meritorious Performance and Professional Promise Award from the California State University system. He is a member of the PAS New Music/Research Committee and has organized numerous workshops and performances for PASIC. ARTISTS AND CLINICIANS ADAM NUSSBAUM THURSDAY 2:00 P.M. A very versatile drummer who generally plays in advanced settings, Adam Nussbaum is considered one of the finest jazz drummers of the 1990s. Nussbaum studied at the Davis Center and City College of New York, and by 1978 was making a strong impression in the jazz world, playing regularly with both Dave Liebman and John Scofield (1978-83). Other important associations through the years include Stan Getz (1982-83), Gil Evans, the George Gruntz Concert Jazz Band, Gary Burton, Steve Swallow, Michael Brecker, Don Grolnick, Sonny Rollins, Art Pepper, Joe Henderson, John Abercrombie, Sheila Jordan, Lee Konitz and Eddie Daniels, along with countless others. OAK VILLAGE MIDDLE SCHOOL THURSDAY 8:00 P.M. Rodney B. Goods is Director of Bands at Oak Village Middle School in Houston, Texas. His ensembles include marching, concert and jazz band. He has garnered several awards both personally and professionally while helping his students reach their full potential. Goods was recognized by his peers as Teacher of the Year in May 2000. He studied percussion with Larry Jones at Prairie View A&M University. Other teachers include Dr. Lucius Wyatt, George Edwards and Dr. Danny R. Kelley. The Oak Village Marching Percussion Ensemble was instituted in 1996 with a desire to incorporate percussion as a separate unit of the band program. The ensemble has blossomed into one of the most talked about aspects of the music program. The group performs year-round and has won several first-place awards. OBERLIN PERCUSSION GROUP WEDNESDAY 10:00 A.M. & 1:30 P.M. The Oberlin Percussion Group was founded in 1972 and is conducted by Michael Rosen. The group consists of students who major in percussion at Oberlin Conservatory. Premiering new works is a major objective of the group and, to this end, has commissioned more than 12 compositions by such composers as Ed Miller, Richard Hoffman, Dary John Mizelle, Randy Coleman, Evan Hause and Michael Daugherty. The OPG has also performed the American premieres of works by both Japanese and European composers including “Pleides” and “IDEM” by Iannis Xenakis, “Prelude” by Riccardo Malipiero, “Con Luigi Dallapiccola” by Luigi Nono and “Voûtes” by Michaël Levinas. In 1984 the OPG won the PAS Percussion Ensemble Contest and performed “Persephassa” by Xenakis at PASIC in Washington, D.C. The group also played at PASIC in 1990 and 1996. The group has made several CDs, which are available on the Opus One, Lumina and CRI labels. Rosen encourages composers to send scores for performance in future concerts. GARY J. OLMSTEAD THURSDAY 4:00 P.M. Gary J. Olmstead is in his 37th year as Professor of Music and Director of Percussion Studies at Indiana University of Pennsylvania. Dr. Olmstead received the BM degree from the University of Michigan, the MFA degree from Ohio University, and the DMA degree from the Cleveland Institute of Music. He has studied with James Salmon, Stanley Leonard, and Cloyd Duff. Olmstead served 23 seasons as Principal Timpanist of the Westmoreland Symphony Orchestra, currently serves as Principal Timpanist of the Keystone Wind Ensemble, and has directed the O-Zone Percussion Group’s Whiplash and La Bamba CDs. Honors include Pennsylvania Music Teachers Association Teacher of the Year Award, Ohio University Achievement in Music Award, IUP Distinguished Faculty Award for Teaching, and membership in Phi Kappa Phi, National Honor Society. Olmstead has served the PAS as President, First Vice-President, and currently as a permanent member of the Board of Directors and the Past-President’s Advisory Committee. BARRY OLSEN FRIDAY 11:00 A.M. Barry Olsen has performed and recorded with Ray Barretto, Eddie Palmieri, Hector Lavoe, Tito Puente, Celia Cruz, Marc Anthony 77 and La India. He has also worked with Paul Simon, Paul Winter, David Byrne, Charli Persip and many others. In 1994 Barry appeared on the recording Ancestral Healing by South African artist Pops Mohammed, which subsequently led to an invitation to record the CD Jazzin’ Universally in South Africa with Airto Moreira, Jose Neto, Valerie Naranjo and many outstanding South African musicians. Barry is the pianist for the New York based Latin-jazz group Syotos. On marimba and percussion he is frequently heard in the orchestra of the Broadway hit The Lion King and in the Latin sextet The Mambo Kings. Since 1988 he has been performing Lobi and Dagara music from northern Ghana playing a hand drum known as the kuar, and a hand/stick drum called ganga, which accompany the gyil or pentatonic xylophone. He has recorded four CDs with Ghanaian masters Kakraba Lobi and Bernard Woma. PAN RAMAJAY THURSDAY 10:00 P.M. Pan Ramajay skillfully blends musical tastes from the Caribbean and Brazil with contemporary pop and jazz. This cultural diversity results in a colorful, new approach to pan music written specifically to feature the tonal range and abilities of the instrument and creates a fresh voice for the steel band. Pannists Tom Miller, Alan Lightner and Jim Munzenrider are joined by drummer Paul VanWageningen, percussionist Michael Spiro and bassist Nelson Braxton to heighten the performance of steel drum music for the concert venue. The group’s recordings have received critical acclaim worldwide. ERIC PATON THURSDAY 10:00 P.M. Eric Paton is the leader and business manager of Yumbambe Salsa Jazz and an artist in residence with the Ohio Arts Council, the Artists-In-Schools program of the Greater Columbus Arts Council, and Muse Machine of Toledo. A member of the Capital University Faculty since 1990, Eric has conducted the Concert Percussion Ensemble, directed the Jazz Percussion Ensemble, and founded the Ethnic Percussion Ensemble featuring the music of Cuba, Haiti, Brazil and Japan. In 1994, Eric composed a world premiere for Ballet Metropolitan. The overture featured children from seven to 17 performing Japanese drumming (taiko). Eric has presented clinics and workshops for Ohio Music Educators Association, Kolady Educators National Conference, PASIC, Suzuki Summer Institute at Capital University, Ohio University, Ohio State University, Ballet Metropolitan, music retailers and hundreds of school assemblies. His touring and recording credits include Bobby Shew and Salsa Caliente, Milano la Scalla, Carmen Cavallaro, Eddie Daniels, Maurine McGovern, Bernadette Peters, Sir Ronald Hannah, Kaikpai Paasewe and the Wonde African Dance Co., and Arnett Howard and his Creole Funk Band. PAUL WERTICO TRIO FRIDAY 10:00 P.M. The Paul Wertico Trio was formed in 1994. Led by seven-time Grammy Award winning drummer Paul Wertico, the trio features guitarist John Moulder and bassist Eric Hochberg. They have toured in the U.S. and Europe and have released two highly critically acclaimed CDs: Live In Warsaw! (Igmod Records, 1998) and Don’t Be Scared Anymore (Premonition Records, 2000). The band’s wide ranging original repertoire is penned by all three members and reflects the many sides of these three musicians. The Chicago Reader wrote: “The band can certainly rock, with flashy skeins of moaning guitar and percolating bass lines, but all three members are gifted, flexible, and intuitive mainstream jazzmen, so the music can range all over Wertico’s extremely broad palette—from reconstructed hard bop to heavy metal to South American pop to high-energy free improvisation.” All About Jazz wrote: “If you dig adventurous guitar-based jazz or exceptional jazz drumming, it doesn’t get much better than the Paul Wertico Trio.” 78 PEABODY PERCUSSION ENSEMBLE WEDNESDAY 9:00 A.M. Conducted and directed for the past 18 years by department head Jonathan Haas, the Peabody Percussion Ensemble is composed of undergraduate and graduate students from the Peabody Conservatory of Music in Baltimore, MD. The group is dedicated to performing cutting-edge and imaginative contemporary percussion literature, often utilizing theatrical and multimedia elements. It also focuses on the finest and most influential traditional percussion ensemble repertoire through in-depth study and performance. At PASIC 2002, the Peabody Percussion Ensemble will be led by guest conductor Julian V. Pellicano, who studies conducting and percussion with Dr. Harlan Parker and Jonathan Haas at the Peabody Conservatory. PEEL REGIONAL POLICE DRUM CORPS THURSDAY 8:00 P.M. The Peel regional Police Drum Corps is one of North America’s Premier Grade 1 pipe band drum corps. It is based in Brampton, Ontario with members from Canada and the USA. The corps plays a selection of compositions written by leading drummer Doug Stronach and corps member Drew Duthart, as well as older classic compositions by Scotland’s legendary Alex Duthart. The band performs throughout North America in competition and concert and was one of the guest bands invited to play at the September 11th Memorial Parade in New York City. The Peel Police Pipe Band also has a history of performing outside their idiom with the likes of Sir Paul McCartney and Rod Stewart, and is one of the featured acts on John McDermot’s new VHS and DVD, A Time To Remember. JANET PEMBERTON WEDNESDAY 10:00 A.M. Janet Pemberton received a Bachelor’s degree from Indiana University and Master’s degree from the University of Akron. She performs with the Cleveland Opera Orchestra and the Cleveland Chamber Symphony, an ensemble specializing in the performance and recording of new music. Janet is on the Artists Roster for Young Audiences of Greater Cleveland as a member of BATTU World Percussion and as an individual offering percussion workshops to school-age children. Also, Janet has been adjunct faculty at Youngstown State University since 2001. PERCUSSION ENSEMBLE WEDNESDAY 2:45 P.M.; FRIDAY 10:00 A.M. OF THE CONSERVATOIRE SUPERIEUR DE PARIS–CNR The Conservatoire Superieur de Paris - CNR is the superior music school of the City of Paris. The percussion department includes a marimba class led by Professor Eric Sammut and a soloist department created to prepare students for international marimba and percussion competitions and contests. The Percussion Ensemble includes students of the Superior, Perfection and Soloist departments. Directed by Frédéric Macarez, the ensemble has premiered several new works, played with soloists such as Michael Burritt, Nebojsa Jovan Zivkovic, Ney Rosauro, Dave Samuels, She-e Wu, Frédéric Macarez and Eric Sammut, and performed concerts and toured in France, Germany, United Kingdom, and United States. It has become one of the best interpreters of the French music for percussion; Varése, Jolivet and Ohana, for instance, appear among its composers of preference. PERCUSSION GROUP CINCINNATI WEDNESDAY 2:45 P.M. Percussion Group Cincinnati was founded in 1979 and consists of Allen Otte, James Culley and Russell Burge, all of whom are faculty members and ensemble-in-residence at the College-Conservatory of Music of the University of Cincinnati. Appearances have included the major cities, festivals, concert halls and schools of America, Europe and Asia. In addition, the group regularly appears as concerto soloists with symphony orchestras, and has presented their program “Music From Scratch” to hundreds of thousands of children. Percussion Group Cincinnati is particularly respected for its experience with the music of John Cage. More ARTISTS AND CLINICIANS recently, the group has developed relationships with John Luther Adams, Qu Xiao-Song, Russell Peck, and with Larry Austin on the Charles Ives Universe Symphony project. The group’s work appears on various CDs, including their own Ars Moderno label; their recording of John Luther Adams’ “Strange and Sacred Noise” will be released in surround-sound by Mode this year. They are currently completing a CD of the percussion music of Qu Xiao-song and will contribute to Mode Records’ set of the complete music of John Cage. NICK PETRELLA SATURDAY 9:00 A.M. Dr. Nick Petrella is the Band & Orchestral Educational Director for Sabian. In addition, Nick is on the faculty at Oakland University, is active in commissioning new music and maintains a full schedule as a freelance musician in the Detroit metropolitan area. From 1996-2001 he was the Director of Percussion Studies at Texas Christian University. During the 1992-93 academic year, Nick developed the percussion pedagogy course at the Royal Northern College of Music, England. He toured the U.S. and Spain as a founding member of the percussion ensemble, Percunits A2, and taught at the Encuentros de Percussion in Xixona (Alicante) in the summer of 1992. In 1997 and 1998 he was the percussion coach for the World Youth Orchestra in Switzerland and Taiwan. Nick has has published numerous articles in U.S. and European music journals and is the author of The Multiple-Percussion Book, published by Carl Fischer. Nick is in demand as a clinician, teacher and performer throughout North America, Europe and Asia. KIM PLAINFIELD THURSDAY 12:00 P.M. Originally from the San Francisco bay area, drummer Kim Plainfield has numerous performance and recording credits including Mingo Lewis, the Pointer Sisters, Bill Conners and Didier Lockwood. Kim began to receive international recognition during his seven-year engagement with Tania Maria. During that period he toured extensively in the U.S., Europe and the Far East. Additional performance and recording credits include Jon Lucien, Andy Narell, John Pattitucci, Kenny Rankin, Jacques Higelin, Charles Fambrough, Edgar Winter and Mose Allison. Kim is cochairman of the faculty at Drummers Collective in New York City. He is also a member of the jazz faculty at S.U.N.Y. Purchase College, Conservatory of Music. Other teaching engagements include a five-day intensive at Berklee College of Music and a master class for the percussion department of the Juilliard School. He has conducted countless clinics worldwide, as well as extended artist-in-residence programs at various conservatories in Europe. Kim recently recorded his first solo CD for EFA Records, a joint project with Lincoln Goines. WILLIAM PLATT FRIDAY 1:00 P.M. William Platt has been Principal Percussionist of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra since 1971. He is a graduate of the Eastman School of Music where he was a student of William G. Street. He has also performed with the Rochester Philharmonic (1964–1966), the U.S. Army Band (Washington D.C., 1966–1969) and the Richmond Symphony (1967–1969). HOUMAN POURMEHDI FRIDAY 12:00 P.M. Houman Pourmehdi is a Persian master percussionist and composer. He was privileged to study Tonbak under the supervision of Grand Master Amir Nasser Eftetah and Master Morteza Ayan. Houman studied the heart-to-heart traditional techniques of playing Daf under guidance of the Grand Masters Haj Agha Sadeghi, Mirza AghaGhosi and Darvish Karim. Houman studied with Mohammad Ali Kianey-Nejad, who taught him the Ney (Persian reed pipe). He is one of the founding members of the Liän Ensemble. Pourmehdi’s deep understanding of the Persian musical heritage and his belief in exploring new territories make him a unique musician. He has played a pivotal part in advancing the ARTISTS AND CLINICIANS tonbak’s role in ensemble work with his distinct playing style. He has won acclaim throughout the world both as a solo artist and as an accompanist for some of the world’s most prestigious and renowned artists, including Mohammad Reza Lotfi, Hassan Nahid, Wadada Leo Smith, Rajeev Taranath and John Bergamo, to name a few. Pourmehdi currently lives in Los Angeles, where he teaches Tonbak, Daf and Ney. JOHN S. PRATT THURSDAY 8:00 P.M. In 1949, Pratt received an NARD certificate after being tested by his drum teacher, Norman Peth. He joined the Army, graduating from the 3rd Armored Division Band Training School and was eventually assigned to the U.S. Field Music Unit at West Point in 1950, where he served as Rudimental Military Academy Band Drum Instructor/Arranger until he retired in 1969. Belwin published his 14 Modern Contest Solos and three other books during 195960. In 1985, The New Pratt Book was published by Per-Mus Publications. His seventh book, Rudimental Solos for Accomplished Drummers, was published in 2000 by Meredith Music. Pratt was also active with the All-American Association of Contest Judges and taught numerous Drum and Bugle corps like the Hawthorne Cabelleros, who won three American Legion Nationals and four DCA World Titles while he instructed them. In 1990, he was inducted into the World Drum Corps Hall of Fame. JEFF QUEEN THURSDAY 8:00 P.M. Jeff Queen has marched in the snare lines of the Canton Bluecoats, Velvet Knights, Santa Clara Vanguard, Blue Knights and the University of North Texas. He was section leader for the Velvet Knights, Blue Knights and the University of North Texas. Jeff was the Drum Corps International Individual and Ensemble Snare Drum Champion in 1994 and 1995 as well as the PAS Individual Snare Drum Champion in 1994 and 1995. Jeff has been the snare tech for the Carolina Crown Drum and Bugle Corps from 1998 to 2002 and has also taught for the Blue Knights and the University of North Texas drumlines. Jeff recently ended a twoyear tour with the Broadway Show Blast, of which he was an original cast member, solo performer and battery instructor. Jeff has performed on stages across the country and in Europe in addition to appearing on numerous television shows. Currently Jeff is traveling the country performing clinics and motivational workshops. JOHN RILEY FRIDAY 10:00 A.M., 12:00 P.M. & 9:00 P.M. John Riley’s career as a jazz drummer has included gigs and recordings with such artists as John Scofield, Mike Stern, Woody Herman, Dizzy Gillespie, Stan Getz and Miles Davis. He performs regularly with the Vanguard Jazz Orchestra, Bob Mintzer, Mike Stern and Joe Lovano. John is on the faculty of Manhattan School of Music, The New School and SUNY-Purchase, and he has written two critically acclaimed books about jazz drumming: The Art of Bop Drumming and Beyond Bop Drumming. John is also a regular contributor to Modern Drummer magazine. John joined the Woody Herman Band in January 1978 and stayed with the band until August 1978. The live CDs La Fiesta and The Woody Herman Orchestra Presents: Four Brothers and Giant Steps feature John’s work with the band in 1978. He rejoined the band for a six-week European tour in the fall of 1978 and to record tracks for the CD Chick, Donald, Walter and Woodrow in February 1979. Throughout the 1980s John did many short stints with the band when it was between drummers. LISA ROGERS WEDNESDAY 10:00 A.M. Lisa Rogers is Assistant Professor of Percussion at Texas Tech University where she teaches applied studies as well as directs ensembles such as the Texas Tech Steel Drum Band. She attended Southwest Texas State University and Texas Tech University. Rogers received a Doctor of Musical Arts Degree in Percussion Performance from the University of Oklahoma. Cur- 79 rently, Rogers serves as Associate Research Editor and Selected Reviews author for Percussive Notes. Additionally, she is a member of the PAS Board of Directors and is PAS Historian. active clinician, he gives workshops and educational clinics around the country. He is also the chair of the PAS Drumset Committee and President of Columbus Pro Percussion, Inc. NEY ROSAURO SATURDAY 4:00 P.M. Symphonic percussionist and composer Ney Rosauro was born in Rio de Janeiro, Brazil, and studied percussion with Luiz Anunciacao from the Orquestra Sonfonica Brasileira. He studied composition and conducting at the Universidade de Brasilia, earned his master’s degree in percussion at the Hochschule für Musik Würzburg in Germany with Prof. Siegfried Fink. His doctoral degree comes from the University of Miami, where he studied under the supervision of Fred Wickstrom. From 1975-87 he taught percussion at the Escola de Musica de Brasilia and was timpanist of the Orquestra do Teatro Nacional de Brasilia. From 1987-99 he was head of percussion studies at the Universidade Federal de Santa Maria in South Brazil. Since 2000 he has been Director of Percussion Studies at the University of Miami in Coral Gables, FL. He has written several method books and pieces for percussion instruments, and his compositions have been recorded by such international artists as Evelyn Glennie and the London Symphony Orchestra. His five solo CDs have been highly acclaimed by critics. NEIL RUTLAND WEDNESDAY 10:00 A.M. Neil Rutland (MM, University of North Texas; BS, Tennessee Technological University) is an Instructor at Eastern New Mexico University where he is Associate Director of the Symphonic band and the Greyhound Sound Marching Band, teaches percussion and music technology, and directs the percussion ensemble and the steel drum ensembles. Rutland previously held faculty appointments at Indiana State University, Southwest Missouri State University and Tennessee Technological University. Rutland’s career has included eight years as Principal Percussionist with the Knoxville Symphony Orchestra. Other positions have included the Wichita Falls Symphony Orchestra, the Shreveport Symphony, and the Richardson, TX Symphony. Rutland performs regularly with the ENMU Faculty Jazz Players and has played drums and percussion for many musicals including the Knoxville Opera Company’s summer musical series, stints at Nashville’s Opryland and music director/percussionist for Dino Kartizinakis’s Branson, Missouri Show, “Somewhere in Time.” MICHAEL ROSEN THURSDAY 9:00 A.M. & 1:00 P.M. Michael Rosen served as Principal Percussionist with the Milwaukee Symphony from 1966-72. He also performs with the Cleveland Orchestra, as well as the Metropolitan Opera Orchestra, the Concertgebouw Orchestra and the Grand Teton Music Festival. He is Professor of Percussion at Oberlin Conservatory of Music where he teaches, conducts the Oberlin Percussion Group and is director of the Oberlin Percussion Institute. Rosen was a student of Charles Owen, Cloyd Duff and Fred Hinger and received his Master of Music Degree from the University of Illinois where he studied with Jack McKenzie. He has served on the PAS Board of Directors, maintains a continuing column in Percussive Notes dealing with percussion terms in foreign languages and is an associate editor of the magazine. He has also served as clinician for the OMEA, TBMA, TMEA, MENC, MBDC, NYSMA, Bands of America and PASIC. He has recorded for the Bayerische Rundfunk, Opus One, Albany, Lumina and CRI labels. Rosen has concertized and taught extensively throughout the world in France, Holland, Italy, Spain, Belgium, Denmark, Germany, Sweden, Finland, Beijing and Hong Kong. JIM ROYLE FRIDAY 11:00 A.M. Jim Royle is President of the Connecticut PAS Chapter and was named the PAS 2000 Chapter President of the Year. He attended the University of Bridgeport as a percussion and education major under the director of Howard Zwickler, Arthur Lipner and Bill Finegan. Jim has also studied with Max Roach, Alan Dawson, Keith Copeland, Akira Tana, Norbert Goldberg and Vernal Fournier. Royle’s playing is documented on several CDs, including Version 3.0 and Storm Before the Calm on the Sea Breeze Jazz label, both released in 2000. His latest CD, Jazz by Coogan, showcases his small-group jazz talents. Jim is also the drummer for the New England Jazz Ensemble big band. His studio currently has 120 students and five percussion ensembles. JIM RUPP FRIDAY 10:00 A.M. Jim Rupp has done extensive touring with the bands of Woody Herman, Maynard Ferguson and Glenn Miller. He is the drummer on three Woody Herman CDs, The Fiftieth Anniversary Tour, which was nominated for a Grammy Award, Legacy, and Live In London. Jim spent seven years with Grammy Award-winning jazz singer Diane Schuur, and has also performed with such artists as Ray Charles, Tony Bennett, Joe Lovano, Hank Marr, Buddy DeFranco, Clark Terry, Joe Williams, Rosemary Clooney and Natalie Cole. An 80 ERIC SAMMUT SATURDAY 3:00 P.M. Eric Sammut was born in Toulouse and began his percussion studies at age 11 with Michel Ventula. He attended the Conservatoire National Superieur of Lyon where he studied with Francois Dupin and Georges Van Gucht. In 1989 he graduated with a First Prize and became First Percussionist at the Opera National of Lyon. In 1995 he won the First Prize of the Leigh Howard Stevens competition and began his career as a marimbist in Europe, Japan and the USA. Since 1998 he has been a soloist with the Paris Orchestra and a marimba teacher at the Conservatoire Superieur de Paris and keyboard teacher at the Conservatoire National Superieur de Musique de Paris. Sammut has composed pieces for marimba solo, marimba duo, marimba and percussion, and piano, clarinet, double bass and percussion quartet. He also likes to arrange all styles of music for the marimba. BOBBY SANABRIA `SATURDAY 11:00 A.M. Drummer, percussionist, composer, arranger and educator Bobby Sanabria is a graduate of the Berklee College of Music where he earned his Bachelor of Music degree in 1979 and received the Faculty Association Award for his work as an instrumentalist. Bobby teaches at The New School University and The Manhattan School of Music in New York City, where he conducts both schools’ Afro-Cuban Jazz Orchestras. Bobby has played and recorded with “la creme de la creme” of Latino-oriented jazz, including Tito Puente, Mongo Santamaria, Mario Bauzá, Paquito D’Rivera, Dizzy Gillespie and Ray Barretto. He has released two critically acclaimed CD’s: N.Y.C. ACHÉ (1993) and his 2001 Grammy-nominated Afro-Cuban Dream - Live & In Clave!!! (2000). A two-hour Bravo TV special, Palladium Memories: The Golden Age of Latin Music, features Bobby, who is also the show’s Associate Producer. He performed at the opening of the Smithsonian’s four-year nationwide travel exhibit, Jazz: La Combinacion Perfecta and is featured in several films in the exhibit and included in the book documenting the exhibit. DAVID SANDER WEDNESDAY 10:00 A.M. David Sander attended Ball State University and Indiana University Bloomington majoring in Music Performance. He has played in various community musical groups in the Southern Indiana and St. Louis area. He is the owner of Newman Vintage Percussion. MIKE SANDERS WEDNESDAY 10:00 A.M. Mike Sanders has taught in the public schools of Indiana for 27 years and is currently the band director at Northfield Junior-Senior ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 81 High School in Wabash. He also operates his own teaching studio in Goshen, where he resides. Mike has performed with various local organizations including the Elkhart Symphony, Maple City Chamber Orchestra, the Lake Area Community Band, and his own jazz quintet, Zbop. Mike has a BME degree from Indiana University and an MA degree from the University of Iowa. MATT SAVAGE THURSDAY 11:00 A.M. Matt Savage, a graduate of the Crane School of Music in Potsdam, NY and The University of Southern California, has taught at every level of public education. Matt also has 25 years of playing and teaching experience in the marching percussion field, including playing snare drum with the Bayonne Bridgemen and serving as percussion director and arranger for such drum and bugle corps as the Anaheim Velvet Knights, The Dutchboy of Kitchener, Ontario and the Canton Bluecoats. Matt has served as percussion instructor for the USC Trojan Marching Band and is currently director of percussion at the University of North Carolina, where he has also served as Assistant Director of University Bands. He is involved with the indoor percussion activity as an adjudicator for WGI. His most recent publication is Savage Rudimental Workshop, a rudiment development book/CD set published by Warner Bros. Music. Matt is also a drum circle facilitator, leading drum circles for a variety of both local and national events. GLENN SCHAFT THURSDAY 10:00 A.M. Glenn Schaft is Associate Professor and Director of Percussion Studies at Youngstown State University. He directs the YSU Percussion Ensemble, Latin Percussion Group, SMARTS Drum Circle Educational Outreach Program, and performs with the YSU Faculty Jazz Group. Schaft earned a Doctor of Musical Arts from the University of Illinois at Champaign-Urbana, a Master of Arts from Eastern Illinois University, and a Bachelor of Music from the Baldwin-Wallace College Conservatory of Music, all in percussion performance. He has studied Afro-Cuban percussion at the Escuela Nacional de Arte in Havana, Cuba. Schaft has performed with the World Percussion Group Battu, Colorado Music Festival, Cleveland Chamber Symphony, Cleveland Ballet, Cleveland Opera, Youngstown Symphony, Akron Symphony, and the Ohio Chamber Orchestra, Cleveland Jazz Orchestra, Chuck Berry, Englebert Humperdink, Marvin Stamm, John Fedchock, Don Menza, Tommy Dorsey Band and Anthony Cox. MICHAEL SGOUROS FRIDAY11:00 A.M. Michael Sgouros is a founding member of the Ethos Percussion Group. Recent seasons have included performances across the United States with major engagements at Lincoln Center’s Alice Tully Hall (for Lou Harrison’s 80th birthday celebration), Carnegie’s Weiss Recital Hall, the Philadelphia Museum of Art, Hancher Auditorium in Iowa, Spivey Hall in Atlanta and Carnegie Hall. The ensemble is in great demand for residencies and clinics and has conducted workshops for Clemson University, Pennsylvania State University, the Universities of Georgia, Maryland, Rhode Island and Vermont, as well as the Juilliard School, Eastman School of Music and the Berklee College of Music. Ethos offers its outstanding educational program, Bing! Bang! Boom!, in New York under the auspices of Young Audiences/New York, and Arts Connection. Sgouros has also performed with the American Symphony, Philharmonia Virtuosi, Long Island Masterworks Chorus Orchestra, and the Broadway productions of The Secret Garden, Falsettos, The Goodbye Girl, Sunset Boulevard, Miss Saigon, and the Phantom of the Opera. ALISON SHAW WEDNESDAY 10:00 A.M. Alison Shaw is Assistant Professor of Percussion, Coordinator of Percussion Studies, and Director of the Michigan State University Percussion Ensemble. She received a Bachelor of Music degree 82 from the University of Arizona, and Master of Music and Doctor of Musical Arts degrees from the University of Michigan. Dr. Shaw is involved with the PAS College Pedagogy Committee and is the Michigan PAS State Chapter President. She is a founding member of Quorum Chamber Arts Collective, a new music sextet, and is a member of the percussion and tuba duo Balance with tubist Martin Erickson. She is Principal Timpanist with the Brass Band of Battle Creek (MI), a featured soloist with the New Columbian Brass Band. She has given recent performances with the Flint (MI) and Grand Rapids (MI) symphonies and the Florida Orchestra. She is active internationally as a clinician and recitalist and has recorded on the Equilibrium, BBBC (Canada), Dorian and Mark Records labels. She recently released Cold Water—Dry Stone, Quorum’s first CD recording, and a solo percussion debut, Cadenza, Fugue, and Boogie. CHRISTOPHER SHULTIS WEDNESDAY 10:00 A.M. & 11:15 A.M. Christopher Shultis is Regents’ Professor of Music at the University of New Mexico where he has taught since 1980. In 1993-94 he was a Fulbright guest professor in American Studies at the Institut fuer Anglistik, RWTH Aachen and in 1999-2000 at the Anglistisches Seminar, Universitaet Heidelberg. At UNM, Shultis teaches courses in American music, 20th-century music, popular music, and interdisciplinary fine arts. He also teaches composition for the Department of Music and team-teaches a course on interdisciplinary collaboration for the College of Fine Arts. His book, Silencing the Sounded Self: John Cage and the American Experimental Tradition, is published by Northeastern University Press. He is presently an Associate Editor for Perspectives of New Music. His compositions are featured on the Aerial and AlbuZERXque labels. Shultis’ activities continually draw upon his previous work as a solo percussionist and conductor of the highly acclaimed UNM Percussion Ensemble. As Director of Percussion Studies at UNM from 1980-1996, Shultis worked closely with many composers including, Ernst Krenek, Lou Harrison, Michael Colgrass and John Cage. ED SOPH FRIDAY 10:00 A.M., 2:00 P.M. & 9:00 P.M. Ed Soph’s career spans 40 years as a performer, recording artist, author and teacher. Ed’s experience includes the big bands of Stan Kenton, Woody Herman, Clark Terry, and Bill Watrous, and small-group work with David Liebman, Bobby Shew, Joe Henderson, Kurt Elling, Bill Evans and James Moody. Currently an Associate Professor at the University of North Texas College of Music, Ed continues to record and perform, most notably with trumpeter Marvin Stamm’s quartet with Bill Mays and Rufus Reid, and with pianist Stefan Karlsson’s trio with bassist Tom Warrington. Ed’s insights into rhythmic improvisation, the art of practicing, stylistic concepts, technical principles, and fundamental aspects of musicality on the drumset make his presentations uniquely informative, practical and entertaining. Ed’s discography may be found at www.allmusic.com. JOHN “JABO” STARKS and THURSDAY 3:00 P.M CLYDE STUBBLEFIELD Clyde Stubblefield and Jabo Starks are considered the Godfathers of Funk Drumming as a result of their work with James Brown. Stubblefield started his musical career in Chattanooga, TN. He has played all over the world and recorded with some of the greatest funk, soul and R&B performers including James Brown, Otis Redding and Clayton Fillyau. John “Jabo” Starks began playing while attending Chickasaw Elementary school in Alabama. He began his professional career with Bobby “Blue” Band. While Clyde was performing with James Brown, Jabo joined the band in 1965 and they became known as the funkiest men alive. Jabo’s contributions include “Sex Machine,” “Super Bad,” “Lickin Stick” and “Make it Funky.” Clyde played on “Cold Sweat,” “Mother Popcorn” and “The Funky Drummer,” which became the ARTISTS AND CLINICIANS THE PAS INTERNATIONAL PERCUSSION ENSEMBLE COMPETITION 2003 PERCUSSIVE ARTS SOCIETY 30TH ANNUAL PERCUSSION COMPOSITION CONTEST PURPOSE: The purpose of the Percussive Arts Society International Ensemble Competition is to encourage, promote and reward musical excellence in percussion ensemble performance and compositions by selecting the most qualified high school and college/university percussion ensembles to appear at PASIC. PURPOSE: The Percussive Arts Society sponsors an annual competition to encourage and reward those who create music for percussion instruments and to increase the number of quality compositions written for percussion. AWARDS: Three high school and three college/university percussion ensembles will be invited to perform at PASIC 2003 (November 19–22) in Louisville, KY. All ensembles will be featured in Showcase Concerts (Thursday, Friday, Saturday). 50 minute program (per ensemble) maximum. ELIGIBILITY: Ensemble Directors and/or Professional Soloists are not allowed to participate as players on the tape. All ensemble members (excluding nonpercussionists, e.g. pianists) must be members of PAS and currently enrolled in school. This will be verified when application materials are received. Ensembles which have been chosen to perform at PASIC may not apply again for three years (resting out 2 PASICS). PROCEDURES: 1. Send three (3) identical non-edited tapes (cassette/CDs only) to PAS, 701 NW Ferris Ave., Lawton, OK 73507-5442. Tapes should demonstrate literature that you feel is appropriate and not exceed 30 minutes in length. Tapes should include only works that have been performed by the ensemble since January 2001. Include program copy for verification. All compositions and/or movements of music must be performed in their entirety. Tapes/CDs become the property of PAS and will not be returned. 2. The tapes/CDs will be numbered to ensure anonymity and will then be evaluated by a panel of judges. 3. Invited groups are expected to assume all financial commitments (room, board, travel), organizational responsibilities and to furnish their own equipment. One piano will be provided (if needed) as well as an adequate number of music stands and chairs. PAS will provide an announcement microphone. Additional audio requirements must be provided by the performing ensemble. 4. Ensembles will be notified of the results in June. PAS 2003 INTERNATIONAL PERCUSSION ENSEMBLE COMPETITION CATEGORY: ❑ High school ❑ College/University ENSEMBLE’S NAME ____________________________________________________ SCHOOL NAME ______________________________________________________ ENSEMBLE DIRECTOR’S NAME___________________________________________ ADDRESS ___________________________________________________________ CITY ____________________________ COUNTRY _______________________ STATE/PROVINCE _________________________ ZIP/POSTAL CODE ____________ 2003 CATEGORIES: Category I: Marimba Solo First Place: $1000.00 plus publication by HoneyRock Publishing Second Place: $300.00 Third Place: $200.00 Category II: Percussion Ensemble (6–8 players) First Place: $1000.00 plus publication by Southern Music Company Second Place: $300.00 Third Place: $200.00 Efforts will be made to encourage performances of the winning compositions at a future Percussive Arts Society International Convention or other PAS sponsored events. PAS reserves the right to not designate a winner if the judges determine that no composition is worthy of the award(s). ELIGIBILITY AND PROCEDURES: • Previously commissioned or published (printed, audio or video) works may not be entered. • Time limit for each category is 6–12 minutes. Total duration of piece should be stated on manuscript. Compositions must be original (no transcriptions or arrangements). • Composer should send four (4) complete copies of the score. If not computer generated, neat manuscript is required. Composer’s name cannot appear on any of the score pages. Four (4) cassette tapes or CDs may be submitted in addition to scores but are not required All entry materials become property of PAS. • The difficulty of the composition is left to the discretion of the composer, however, high artistic goals should be coupled with realistic demands to allow for performance at the university level. Instrument demands should also be limited to those commonly found at the university level. APPLICATION FEE: $25 per composition (non-refundable) should be enclosed with each entry. Make checks payable to the Percussive Arts Society. DEADLINE: All materials (application fee, application form and manuscripts) must be received in the Lawton, Oklahoma PAS office no later than April 12, 2003. TELEPHONE NUMBER __________________________________________________ For further information and details, contact PAS, 701 NW Ferris Avenue, Lawton, OK 73507-5442, (580) 353-1455; E-mail: percarts@pas.org ENSEMBLE DIRECTOR’S PAS MEMBERSHIP CODE NUMBER: _______________________ 2003 PERCUSSIVE ARTS SOCIETY 30TH ANNUAL PERCUSSION COMPOSITION CONTEST ON A SEPARATE PAGE LIST ENSEMBLE MEMBERS AND THEIR PAS MEMBERSHIP NUMBERS (PLEASE NOTE: WITHOUT ENSEMBLE MEMBERSHIP NUMBERS AND NAMES YOUR APPLICATION CANNOT BE PROCESSED.) Name of Composition __________________________________________________ TO ENSURE THE SAME QUALITY AS THE PERFORMANCE TAPE, PLEASE INDICATE THE NUMBER OF RETURNING ENSEMBLE MEMBERS: ___________________ PLEASE INCLUDE A $25 U.S. CONTEST APPLICATION FEE; MAKE CHECKS PAYABLE TO PERCUSSIVE ARTS SOCIETY. I HEREBY CERTIFY THAT I HAVE READ THE REQUIREMENTS AND REGULATIONS STATED ABOVE AND UNDERSTAND THAT FAILURE TO ABIDE BY THESE REGULATIONS WILL RESULT IN THE DISQUALIFICATION OF OUR ENSEMBLE. SIGNATURE OF ENSEMBLE DIRECTOR _______________________________________ Deadline is April 15, 2003. All materials (application fee, application form, student membership numbers, 3 cassette tapes/CDs, programs for verification) must be received by April 15, 2003. ARTISTS AND CLINICIANS Composer’s Name _____________________________________________________ Address _____________________________________________________________ City ____________________________ State ____________ Zip_____________ Telephone Number (include area code) ___________________________________ Fax Number ____________________ E-mail Address __________________ I hereby certify that the enclosed composition is original and it has not been previously commissioned or published in any format. Signature of Composer __________________________________________ 2004 CATEGORIES CATEGORY I VIBRAPHONE SOLO CATEGORY II PERCUSSION QUARTET 83 most sampled drumbeat in drumming history. Their latest collaborations include the recording of The Funkmasters - Find the Groove CD, performances at the Montreal Drum Fest and the Musikmesse in Frankfurt/Germany. Visit John and Clyde’s Web site: www.funkmasters.com KAY STONEFELT WEDNESDAY 10:00 A.M. Dr. Kay Stonefelt is an Associate Professor of Music in Percussion at the State University of New York College at Fredonia and a freelance percussionist. After several years as a contract musician with the Baltimore Symphony and, later, as a freelance percussionist doing jingles and pit work for Broadway shows in New York City, Kay returned to academic life. In 1992 she earned a Doctor of Music degree in Percussion Performance from Indiana University. Kay’s primary interests include the performance of contemporary solo and chamber works for percussion, performing in Medieval and Renaissance ensembles, and comparative research and performance in the popular and traditional performing arts of Ghana, West Africa. Prior to beginning at Fredonia, Kay was the recipient of a Fulbright Senior Scholar Research award to Ghana. Kay serves on PAS Board of Directors, is a Vice President of the Western New York Fulbright PAS Chapter, and is a member of the Education Committee of the Society for Ethnomusiclogy. GORDON STOUT THURSDAY 12:00 P.M. Gordon Stout is Professor of Percussion and Chair of the Performance Studies Department at the School of Music, Ithaca College, Ithaca, New York. He studied composition with Joseph Schwantner, Samuel Adler and Warren Benson, and percussion with James Salmon and John Beck. As a composer-recitalist he has premiered a number of his original compositions and works by other contemporary composers. Many of his compositions for marimba have become standard repertoire for marimbists worldwide. His latest solo marimba recording, Astral Projections, is available on Resonator Records. His latest compositions can be obtained from G & C Music at www.gordonstout.net or from Keyboard Percussion Publications at mostlymarimba.com. A frequent lecture-recitalist for the PAS, he has appeared at 12 PASICs as well as throughout the United States and Canada, Europe, Japan and Mexico. STRIKE PERCUSSION ENSEMBLE THURSDAY 9:00 A.M. Strike began in the fall of 1996 when Don Raaymakers, percussion instructor for both Caledonia and East Kentwood High Schools in Grand Rapids, MI, created a group in which his students could get a broader musical experience. The group began with eight members and has since grown to approximately 30 members from Caledonia, East Kentwood, and South Christian High Schools. This past year, after performing at the state-level competition of the Michigan State Band and Orchestra Association’s Solo/Ensemble Festivals, Strike was invited to perform for the Michigan Youth Fine Arts Festival, which is a rare honor for high school percussionists. Growing in popularity, Strike has been showcased locally in public performances, newspapers and television features. SUNY FREDONIA AFRICAN THURSDAY 1:00 P.M. DRUMMING ENSEMBLE The SUNY Fredonia African Drumming Ensemble was founded in 1994 by Dr. Kay Stonefelt as a direct result of her Fulbright Senior Scholar Research award to study music, theater and dance in Ghana (1993-94). To further infuse the energy and cultural relevance of the group, Kay and SUNY Fredonia Dance Professor Carol Prevet co-wrote and were awarded a Fulbright Visiting Scholar research proposal that supported a one-year Fredonia campus residency of master drummer and dancer Francis Kofi. Since that time, they have been supported yearly, through the 84 Carnahan-Jackson Fund for the Humanities, in bringing Bernard Woma, the current Master Drummer and Solo Xylophonist of the National Dance Ensemble of Ghana, to their campus. In addition, support from the Lundquist award for travel to Third World countries has enabled some members of the ensemble to travel to Ghana to further their music and cultural studies. The group performs for SUNY Fredonia ceremonial and recreational events and also goes into the public schools for assemblies, workshops and cultural presentations. JOHN TAFOYA SATURDAY 10:00 A.M. John Tafoya became principal timpanist with the National Symphony Orchestra in 1999. He has also held principal timpani positions with the American Wind Symphony, Colorado Philharmonic Orchestra, Owensboro Symphony (KY), Evansville Philharmonic Orchestra (IN) and Florida Philharmonic Orchestra. Tafoya earned BM and MM degrees in percussion performance from Indiana University and has presented numerous master classes and clinics at universities across the U.S. He has published articles for The Band Director’s Guide, the Texas Bandmasters Association, the Florida PAS Newsletter and Percussive Notes magazine. His Web site (www.johntafoya.com) is accessed by thousands of percussion students and professional players each month. Tafoya has served on music department faculties at Indiana University, the University of Evansville and at Florida International University (Miami). Tafoya currently serves on the music department faculty at the University of Maryland. Tafoya recently performed Russell Peck’s new timpani concerto, “Harmonic Rhythm,” with the Columbus Symphony (GA) Orchestra and the Allentown (PA) Symphony Orchestra. SUSAN MARTIN TARIQ WEDNESDAY 10:00 A.M. Susan Martin Tariq is Professor of Music and Director of Percussion Studies at West Texas A&M University. Tariq holds a Doctor of Musical Arts Degree in percussion performance from the University of Arizona, a Master of Music in Percussion Performance from Ohio State University, and a B.S. in Music Education from Ball State University. Tariq has studied primarily with Dr. Erwin C. Mueller, Dr. James L. Moore, and Professor Gary Cook. Tariq is Principal Timpanist of the Amarillo Symphony and Randel Chamber Orchestras. She is the drummer for the West Texas Jazz Quintet and performs with the Amarillo Jazz Orchestra. She is an active performer/clinician/adjudicator in all areas of percussion including concert and orchestral percussion instruments, marching percussion, drumset and ethnic percussion. Tariq is an active member of PAS serving as secretary of the PAS Drumset Committee, a member of the PAS College Pedagogy Committee and secretary of the Texas PAS Chapter. TOM TEASLEY THURSDAY 3:00 P.M. Tom Teasley is a native Washingtonian, percussionist and composer who performs throughout the U.S. and Europe. Tom produces over 100 performances a year of his solo presentation “The Drum: Ancient Traditions Today,” documented in a video of the same name. The performance and video trace the history of ancient percussion, traditional western and jazz percussion, and electronic technology. Two new videos document Tom’s eclectic fusion of world drumming styles in educational and performance formats: Tom Teasley Presents Global Fusion Percussion Clinic and Percussion Performance. Tom’s latest CD, Global Standard Time, airs throughout the U.S. and is featured on NPR’s All Things Considered. Tom is Chair of the Percussion Dept. and an Artistin-Residence at Levine School of Music and on the faculties of American University and the University of the District of Columbia. Tom’s eclectic approach to music and percussion was the focus of a feature article in the “Percussion Today” section of Modern Drummer. ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 85 TEMPUS FUGIT WEDNESDAY 11:15 A.M. The Tempus Fugit Percussion Ensemble was formed in 1993 in Pittsburgh, Pennsylvania. Its members are Brett William Dietz, Shawn Galvin, P.J. Gatch, R.J. Heid and Dennis Hoffmann. The group has performed throughout the United States and Europe, and has released two compact discs, Tempus Fugit Percussion Ensemble (1998) and Push Button, Turn Crank (2000). Both recordings highlight the quintet’s dedication to commissioning new music for percussion and demonstrating the viability of the percussion ensemble as true chamber music. Tempus Fugit has performed at PASIC 2001, the 2000 Bands of America Summer Symposium, and the 1999 MENC Eastern Division Conference. They have collaborated with many of the top artists in the percussion world, including Leigh Howard Stevens, Michael Burritt, Steve Houghton, Stanley Leonard and She-E Wu. The group has commissioned new works from such composers as David Stock and Michael Wittgraf. Tempus Fugit is currently in residence at Westminster College in New Wilmington, Pennsylvania. RICH THOMPSON SATURDAY 2:00 P.M. Rich Thompson performs and records with the Eastman Faculty Jazz Quartet and is assistant professor of drumset in the Eastman School of Music’s Jazz and Contemporary Media department. He was featured with the Count Basie Orchestra at the President’s Inaugural Ball in 1997 and performed on the CD Jazzin’, a collaboration CD with Tito Puente, Puente’s Latin rhythm section and the Count Basie Orchestra. Thompson was one of 15 semifinalists in the Thelonious Monk International Drum Competition in 1992. He has performed with pianist Marion McPartland, guitarist Gene Bertoncini, trumpeter Dizzy Gillespie, guitarist Joe Pass, and trumpeter/flugelhornist Clark Terry. He has recorded with pianist Bill Dobbins and as a leader with James Williams on the CD Eventually. In addition to touring with trumpeters Jeff Tyzik and Byron Stripling, Rich currently performs with the Rochester Philharmonic Pops Orchestra as well as many of the major symphony orchestras in the United States. TRIO YARN SATURDAY 2:00 P.M. As the winner of the International Percussion Competition in Luxembourg in February 2002, Trio Yarn was also awarded the Jean Gieres Prize, which was selected by the audience during the final round of the competition, and the Prize Honnert 7 for the best interpretation of the Luxembourgeois pieces. The group has given several performances in France and were invited to the Forum International des Percussion Actuelles in July and the Mulhouse Percussion Festival in February 2003. Trio Yarn, whose members are Yi-Ping Yang, Raphaël Aggery and Minh Tam Nguyen, work with contemporary composers to develop a different style of music. TRUMAN STATE UNIVERSITY FRIDAY 9:00 A.M. PERCUSSION ENSEMBLE Directed by Dr. Michael Bump, the Truman State University Percussion Ensemble is devoted to the performance of both large and small chamber ensemble literature written specifically for percussion. The ensemble is quickly becoming recognized in the Midwest for its outstanding performances of standard, world-ethnic, and experimental percussion music. A recent performance at the Missouri Music Educators Association Convention included the world premiere of Jared Spears’ “Legacy.” The ensemble works and performs regularly with international guest artists hosted by the percussion studio. Both the TSU Percussion Ensemble and Indoor Marching Percussion Ensemble have toured on several occasions and appeared at regional and national conferences, including MEA, MENC, and PAS. TWO PERCUSSION GROUP WEDNESDAY 2:45 P.M. Two is a contemporary percussion duo committed to the ad- 86 vancement of contemporary music through performance and education. The duo was founded by Chris Leonard and Dale Speicher, former members of the seminal percussion group Trio Algetic. In its inaugural season, Two will be presenting concerts throughout the United States. The group will also be commissioning new works for percussion duo by forward-thinking composers for future performance. Currently, Two is presenting work by Milton Babbit, Herbert Brun, John Cage, Ben Johnston, Udo Kassamets, Stuart Saunders Smith, Gitta Steiner, lannis Xenakis, and Roger Zahab. In the 2002/2003 concert season, Two will perform additional works by Frank Cox and Christain Wolf. BLAKE TYSON WEDNESDAY 10:00 A.M. Blake Tyson is Assistant Professor of Percussion at UCA. He received his DMA degree from the Eastman School of Music in Rochester, NY. The faculty of the Eastman School also awarded Tyson the prestigious Performer’s Certificate. He received a Master of Music degree from Kent State University in Kent, OH, and a Bachelor of Music degree from the University of Alabama. His teachers include John Beck, Michael Burritt, Larry Mathis, and Peggy Benkeser. He has also studied darabucca with Halim ElDabh and has devoted intensive study to El-Dabh’s unique notational system for the instrument. Tyson has performed and taught in Ecuador as a guest of the National Conservatory. Recently, he visited Egypt where he performed at the Ministry of Culture in Cairo and as a soloist with the Orchestra de Biblioteca Alexandrina in Alexandria. He has also performed at PASIC, the Northwest Percussion Festival, the Leigh Howard Stevens Summer Marimba Seminar, and has presented clinics and master classes at colleges and universities throughout the country. His solo marimba work “Anubis” is published by Keyboard Percussion Publications. UNIVERSITY OF KENTUCKY WEDNESDAY 1:30 P.M. PERCUSSION ENSEMBLE The University of Kentucky Percussion Ensemble, under the direction of James Campbell, has won the prestigious PAS Collegiate Percussion Ensemble Contest and has performed at several PASICs, Lotus World Music and Arts Festival, Bands of America Percussion Ensemble Festival, and alongside international guest artists such as Steve Houghton, John Bergamo, Michael Burritt, Bob Becker, Michael Spiro, Chalo Eduardo, Ney Rosauro, Liam Teague, Dick Schory, Anders Åstrand, Richie Garcia, Dave Samuels, Danny Gottlieb, Glen Velez, Emil Richards, Joe Porcaro, Jerry Steinholtz and many others. UNIVERSITY OF MARY HARDIN-BAYLOR WEDNESDAY 1:30 P.M. PERCUSSION ENSEMBLE The University of Mary Hardin-Baylor Percussion Ensemble comprises the finest percussion players from the university campus and Texas. Using the best percussion literature, the percussion and keyboard ensembles strive to give each work an interpretation that represents the composer’s original intent. Repertoire is selected to expose the performers and audience to a wide range of musical languages, as well as a variety of technical, intellectual, and aesthetic challenges, enhancing the development of the student performer. Director Dr. Stephen Crawford is an Associate Professor of Music and Director of Bands and Percussion Studies at the University of Mary Hardin-Baylor in Belton, TX. He received the Bachelor of Arts degree from Minot State University, the Master of Music degree from the University of Northern Iowa, and the Doctor of Musical Arts degree from the University of Missouri Kansas City Conservatory of Music. He is Principal Percussionist/ Timpanist with the Temple Symphony Orchestra, Music Director for the Ritmo y Mas Percussion Group, and conductor of the UMHB Wind Ensemble, Marching Band, and Percussion Ensemble. ARTISTS AND CLINICIANS UNIVERSITY OF MIAMI PERCUSSION ENSEMBLE SATURDAY 4:00 P.M. The University of Miami Percussion Ensemble was founded by Fred Wickstrom, who directed the group until 1999, and is now under the direction of Ney Rosauro. The ensemble is an important venue for percussion development inside the University of Miami, and the repertory consists of all musical styles, including many compositions from faculty and students from the school of music. Its members are Jenni Miller, Anthony J. Abucay, Jesse Abraham, Kristen Weaver, Brian Potts, Matthew Koger, Michael Brown, Robert LaDue, David Birrow, Andy Gillespie, Cory Hopkins, Iris Lee (piano) and Jeff Block (double bass). UNIVERSITY OF NEW WEDNESDAY 11:15 & FRIDAY 9:00 A.M. MEXICO PERCUSSION ENSEMBLE The University of New Mexico Percussion Ensemble is under the direction of Scott Ney and is composed of undergraduate and graduate percussion students. The ensemble is committed to performing the works of major composers such as John Cage, Lou Harrison, Henry Cowell and Carlos Chavez, as well as focusing on several folkloric styles of drumming. Most recently the ensemble presented a concert of traditional music from Mexico, Guatemala, Africa, Ecuador and Puerto Rico on traditional drums and mallet instruments. This past year the ensemble received an invitation to perform at the 2002 International Festival of Percussive Arts Perkusja in Warsaw, Poland. UNIVERSITY OF NORTH TEXAS DRUM LINE THURSDAY 8:00 P.M. The University of North Texas indoor drum line has won the PASIC College Marching Drum line Competition 12 times and has been recognized as a leader in indoor drum line performance. This unique ensemble combines the diverse styles of world percussion music with the traditions of the marching ensemble. From steel pan to Latin hand drums, look for a variety of sounds from this energetic ensemble. Their presentations offer a wide variety of visual effects, drill and choreography. The director of the drum line is Paul Rennick. The coordinator of the UNT Percussion area is Mark Ford. GLEN VELEZ FRIDAY 4:00 P.M. Grammy award-winning percussionist Glen Velez is an international soloist and seminal figure in the history of the frame drum. After 15 years performing and recording with Steve Reich (197388) and Paul Winter (1983-98), Velez is working as a soloist while continuing to collaborate with a variety of top-notch professionals in many genres. Twentieth-century music guru John Cage wrote a piece especially for Glen in 1989. Velez has also played with notables such as Pat Metheny, Richard Stoltzman, Suzanne Vega, Howard Levy, Zakir Hussain and Oregon. He has written music for theater and dance and recorded hundreds of albums on ECM, CBS, RCA, GRP, Warner Bros., Deutsche Gramophone, Geffen, Nonesuch, Capital, and Sony, and he has several instructional videos and ten recordings of his own music on CMP, Music of the World, Sounds True, Interworld, and Ellipsis Arts. As a master teacher who conducts workshops worldwide, Velez developed his own teaching method called Handance, which incorporates voice and body movement into the process of learning to play the frame drum. ORESTES VILATO SATURDAY 4:00 P.M. Orestes Vilato has been referred to as the “Cuban multi-percussionist extraordinaire.” He is undoubtedly one of the greatest figures in the history of the timbales. From 1980 to 1989, Orestes recorded and performed with the renowned Carlos Santana band. He has recorded over 300 albums with various artists, including Ray Barretto, Cachao, Aretha Franklin, Patato Valdez, Herbie Hancock, Rebeca Mauleon, Buddy Montgomery, and many more. ARTISTS AND CLINICIANS BILLY WARD SATURDAY 9:00 A.M. For the past year and a half, Billy Ward has toured with singer Joan Osborne, and now he is free-lancing in the New York City area (mostly recording) and performing clinics. Billy performed at the Modern Drummer Festival 2000, demonstrating his unique approach to drumming technique. He has played drums on more than 50 albums and 50 film soundtracks and in recent years has turned his ears toward producing. His solo live duets album, Two Hands Clapping, got a 5-star drummers album-of-the-year rating in Modern Drummer. Drummers from all over the world have responded enthusiastically to Billy’s “Concepts” articles, which have been appearing in Modern Drummer magazine for over a year. As a writer and clinician, Billy emphasizes a musical approach to drumming with an emphasis on the psychological aspects of making music on drums. Visit www.billyward.com for more information. Dave Weckl SATURDAY 11:00 A.M. & 8:00 P.M. Dave Weckl burst onto the world drumming scene in the mid ’80s with such artists as Michel Camillo, French Toast, and Simon and Garfunkel before joining Chick Corea’s Elektric Band and Akoustic Band. He also recorded with the Honeydrippers, which included Robert Plant and Jeff Beck. Dave was also into doing his own thing through books, videos and clinics, and before long he was leading his own band and creating a new profile for himself. That change has seen Dave point his music in a new direction. His latest album, Transition, features Tom Kennedy on bass, Steve Weingart on keys and Brandon Fields on sax. RICHARD WEINER SATURDAY 11:00 A.M. Richard Weiner is Principal Percussionist with the Cleveland Orchestra, Co-Head of the Timpani and Percussion Department of the Cleveland Institute of Music and Director of the CIM Percussion Ensemble. He received his BS from Temple University, an MM with distinction from Indiana University, and JD magna cum laude from Cleveland State University. He was a student of Charles Owen and George Gaber and was the first percussionist to receive the Performer’s Certificate from Indiana University. Previous faculty appointments include the Settlement Music School of Philadelphia, Philadelphia Board of Education and Oberlin College. He is a former member of the Aspen Festival Orchestra and the Chautauqua Summer Symphony and a contributing editor of the symphonic percussion column of Percussive Notes. He is a faculty member of the National Orchestra Institute, a seminar participant at The New World Symphony, and a soloist with the Cleveland Orchestra and various contemporary music organizations. He has performed on over 100 recordings of the Cleveland Orchestra and the Cleveland Symphonic Winds as well as in dozens of world premieres. PAUL WERTICO FRIDAY 11:00 A.M. & 10:00 P.M. Paul Wertico was a member of the Pat Metheny Group for 18 years. During that time, he won seven Grammy Awards, numerous magazine polls and received several gold records. Paul divides his time among touring, studio work, producing, session playing and leading his own groups. Wertico serves on the percussion faculty of Northwestern University and the Bloom School of Jazz and he has written educational articles for Modern Drummer, DRUM!, Drums & Drumming, Drum Tracks and Musician.com. He also performs drum clinics and master classes at universities, high schools, and music stores around the world. He has released two instructional videos, Fine Tuning Your Performance and Sound Work Of Drumming. The latest CD by Paul’s trio is titled Don’t Be Scared Anymore. Paul played drums on Paul Winter’s 1990 Grammy-nominated release, Earth: Voices Of A Planet, and he has also played on and produced a number of CDs for various artists. Visit Paul’s Web site: www.paulwertico.com 87 B. MICHAEL WILLIAMS WEDNESDAY 10:00 A.M.; FRIDAY 10:00 A.M. B. Michael Williams is Professor of Music and Director of Percussion Studies at Winthrop University in Rock Hill, SC. He holds a BM degree from Furman University, MM from Northwestern University, and PhD from Michigan State University. Williams is active throughout the Southeast as a performer and clinician in symphonic and world music. He has performed with the Charlotte (NC) Symphony, Lansing (MI) Symphony, Brevard Music Center Festival Orchestra, and the Civic Orchestra of Chicago. Williams has served the South Carolina PAS chapter as President and Communications Director, and currently holds the position of Vice President (President-Elect). He has written articles for Accent Magazine, South Carolina Musician and Percussive Notes, and has made scholarly presentations on the music of John Cage and on African music at meetings of the College Music Society and PASIC. His publications include “Four Solos for Frame Drums,” “Three Shona Songs” for marimba ensemble, “Recital Suite for Djembe,” “Another New Riq,” “Bodhran Dance” and “Learning Mbira,” all published by HoneyRock Publications. SHE-E WU FRIDAY 10:00 A.M. She-e Wu is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers University in New Brunswick, NJ. Wu was a featured artist at the Journées de la Percussion (PAS European Convention) in Paris, France and performed the marimba concerto of Eric Ewazen with Orchestre de la Garde Republicaine. This concerto was written for her and commissioned by her and the Moment Musical Orchestra in Taiwan. Shee has appeared as a solo artist at PASIC 2000 in Dallas; the 4th National Percussion Convention of Spain in Seville; International Percussion Festival in San Juan, Puerto Rico; radio broadcast at the World Marimba Competition in Stuttgart, Germany; Festival Internacional de Percusion Ritmo Vital 2001 in Madrid, Spain; the International Percussion Festival in San Juan, Puerto Rico; PercuPassion Festival in Lyon, France; Marimba Seminar in Fukui, Japan; and Taipei International Percussion Convention in Taipei, Taiwan. She-e is a member of the Bob Becker Ensemble and her solo marimba CD will be released this fall on Resonator Records. NANCY ZELTSMAN FRIDAY 4:00 P.M. Nancy Zeltsman is a leading marimba performer, recording artist, commissioner of new works, teacher and author. Her new marimba method, Four-Mallet Marimba Playing: A Musical Approach for All Levels, will soon be released by Hal Leonard Corporation. Zeltsman teaches marimba at the Boston Conservatory, Berklee College of Music and Temple University. Zeltsman has recorded two solo CDs, Woodcuts (GM Recordings) and See Ya Thursday (Equilibrium), and three CDs with the marimba/violin duo Marimolin (1985-1996). She served as a judge for the Belgium International Marimba Competition in August 2001. Earlier this month, she was a featured performer at the 5th Journées de la Percussion in Paris. Visit her Web site at: www.nancyzeltsman.com. NEBOJSA JOVAN ZIVKOVIC FRIDAY 2:00 P.M. Nebojsa Jovan Zivkovic (pronounced Neboysha Yovan Chivkovich) completed his Master’s degrees in composition, music theory and percussion in Mannheim and Stuttgart, Germany. He extensively tours Europe and performs frequently in the USA, Japan, Taiwan, Korea and Mexico. As a soloist, mostly with his own marimba concertos, Zivkovic has played with the Stuttgart Philharmonic, Munich Symphonic, Bochum Philharmonic, Austrian Chamber Symphony, Hannover Radio Symphony, Bielefeld Philharmonic and others. In addition to his composing and concert activities, he gives master classes and seminars in Europe, Asia and the USA. Many composers have written works dedicated to Zivkovic. His works for marimba and percussion published in the USA and in Germany have entered the standard repertoire of 88 many percussionists world wide. Zivkovic has made four compact discs of marimba and percussion music and one CD featuring Darius Milhaud’s marimba/vibraphone concerto recorded with the Austrian Chamber Symphony in Vienna. For more information on current projects, visit www.zivkovic.de ZORO FRIDAY 1:00 P.M.; SATURDAY 2:00 P.M. Zoro has toured and recorded with Lenny Kravitz, Bobby Brown, Vanessa Paradis, The New Edition, Jody Watley, Philip Bailey, Frankie Valli and the Four Seasons and many others. He was voted #1 R&B drummer in the Modern Drummer Readers Poll for three consecutive years, 2000-2002. He is also author of the bestselling and critically acclaimed Warner Bros. Publications book The Commandments of R&B Drumming: A Comprehensive Guide To Soul, Funk & Hip Hop, which was voted #1 educational book in the Modern Drummer Readers Poll. His three-volume video series by the same name was voted Best Educational Videos, and Zoro was voted best clinician in the 2001 and 2002 Modern Drummer poll. He is the editor of Stick It magazine and has released a solo CD, The Funky Drummer. Zoro brings his intense passion and love of funky music to life with a very in-depth and entertaining look at the history of rhythm & blues music and drummers. To find out more about Zoro, visit www.zorothedrummer.com. SPRING 2003 INTERNSHIP The Percussive Arts Society is seeking applicants for our six-month internship program beginning in early January 2003. In the past, successful candidates for this position have either used internships at PAS as capstone semesters to complete music business degrees or have been recent graduates of such programs. However, all percussion students who wish to gain industry experience as a way of promoting career goals are encouraged to apply. PAS interns acquire broad industry experience by assisting with a variety of staff projects. However, the opportunity to work closely with our new Director of Event Production and Marketing, Jeff Hartsough—with his 17 years of music industry experience - will make the spring 2003 internship especially valuable. Our spring intern will work with Jeff on early planning and production of the next international convention, marketing, and artist and manufacturer relations. Any young adult who intends to pursue a career in the field of music business should not miss the opportunity Interns live in a furnished apartment provided by PAS (water, electricity, and cable bills are also paid). In addition, interns receive a $500 stipend each month. We invite prospective candidates to send the following information: • a résumé of academic and work experiences; • a copy of a paper submitted in an upper division course that includes an evaluation written by the student’s professor; • a list of persons who have agreed to provide academic and work-related recommendations, along with contact information; • a cover letter that both describes the applicant’s career goals and also discusses (based on a review of the public-access pages of our website) how an internship with PAS could help to realistically promote those goals. Completed applications can be forwarded as e-mail attachments to museum@pas.org or may be sent to our postal address: Intern Coordinator, Percussive Arts Society, 701 NW Ferris Avenue, Lawton, OK 73507. Priority will be given to candidates whose applications are received before December 1, 2002. For additional information, stop by the Listening Room D140–141. ARTISTS AND CLINICIANS ARTISTS AND CLINICIANS 89 PERCUSSIVE ARTS SOCIETY HISTORY D uring the late 1950s, it became the custom for a small group of percussionists and interested music directors to gather informally and discuss percussion problems during the Mid-West Band Clinic held each December at Chicago’s Sherman House. During the 1960 Clinic, Remo Belli, a member of the group and an exhibitor at the convention, invited the others to dinner at the hotel’s restaurant, and during discussion, they developed the idea of forming a percussion organization. Gordon Peters became the first President of PAS; Jack McKenzie took the position of First Vice-President and Mr. Canedy continued as Executive Secretary. Also elected were a Board of Directors and an Editorial Board. With this solid structure, the Society became increasingly influential, expanding its committee activities to address important percussion issues and making policy decisions that would result in important contributions to all areas of percussion. A Pictured above are several of the fourteen founding members of the Society. (left to right, near side of table) Remo Belli, Jack McKenzie, Don Canedy, Mervin Britton, (left to right, far side of table) Hugh Soebbing, Vern Reamer and Sid Lutz, and Kenneth Leisen. W hen Mr. Belli returned home to California, he enlisted the services of Robert Winslow, a professional percussionist and a North Hollywood high school band director, to carry out the details of forming an organization. In early 1961, Mr. Winslow sent a series of letters concerning membership to interested parties. Among the stated goals of the organization were: “to stimulate a greater interest in percussion performance and teaching,” and “to promote better teaching of percussion instruments.” In May of 1961, Mr. Winslow sent a letter proclaiming: “We are underway. The Percussive Arts Society is open for business,” and in September, the Society sent its first publication, Percussive Arts Society Bulletin, printed on a mimeograph machine donated by Mr. Belli, to the membership. n important expansion occurred in 1967 when James L. Moore’s already successful Percussive Notes became an official PAS publication. Another milestone was achieved in 1969 when the Society was incorporated in Indiana as the Percussive Arts Society, Incorporated, a status it maintained until 1985 when it was reincorporated under the laws of Illinois. Beginning in 1971, performances and clinics called “Days of Percussion” were held in conjunction with the yearly business meetings. In 1974, the first Percussive Arts Society National Conference (PASNC) was held in Anaheim and at California State University at Northridge. It was hosted by then-California State Chapter President Lloyd McCausland and Joel Leach of CSU/ Northridge. The PASNC evolved into the Percussive 1965 PAS Logo Arts Society International Convention that we know today as PASIC. The first PASIC was held in 1976 at the Eastman School of Music in Rochester, NY, and was hosted by John Beck, the Eastman School and the New York State Chapter. I t is important to note several significant awards presented annually by the Society. First, since 1972, PAS has inducted some of the most important people in percussion into its Hall of Fame. Secondly, since 1974, the PAS Compo- A fter three Bulletins, a determination was made to transfer the administrative and publication duties of the Society to Professor Donald Canedy, who was the percussion instructor and band director at Southern Illinois University. In April of 1963, Mr. Canedy, with the advice of a distinguished editorial board and an able group of contributing editors, published the new PAS journal, Percussionist (in later years called Percussive Notes Research Edition) in its familiar booklet form. Mr. Canedy served as de facto president through 1964, when, at the December Percussive Arts Society meeting in Chicago, a constitution was adopted and regular officers were elected. 1963 PAS Logo 90 The first Hall of Fame awards were presented December 16, 1972. Three of the five recipients are pictured here. Roy Knapp, Haskell Harr, William F. Ludwig, Sr. PERCUSSIVE ARTS SOCIETY HISTORY sition Contest has encouraged the production of hundreds of new works, many of which have become part of the standard percussion repertoire. During the 1990s four additional annual awards were implemented to recognize PAS volunteers and their importance to the society: PAS Outstanding Chapter President Award; Outstanding PAS Supporter Award; PAS President’s Industry Award; and Outstanding PAS Service Award. Thus, the Percussive Arts Society, which began in 1961 as a group of fourteen concerned percussionists, has grown to more than 6,000 members worldwide, with significant influence on percussion performance, education, composi- Year City Percussive Arts Society Percussion Day 1971 Chicago, Illinois Percussive Arts Society Day of Percussion 1972 Chicago, Illinois Percussive Arts Society National Conference (PASNC) 1974 Anaheim, California/ Northridge, California 1975 Chicago, Illinois tion, publication and manufacturing. Today, the Percussive Arts Society is headquartered in Lawton, Oklahoma, where the administrative offices and its museum of rare and unusual percussion instruments are located in the Society’s new building in Elmer Thomas Park. Construction of the building was funded by PAS members and by the McMahon Foundation in Lawton. The grand opening was in August 1992. Phase II of the building project involved the expansion of the museum and was completed in 1995. Phase III of the building project was completed in 2001, finishing 13,000 square feet of beautiful museum, library and office space. Host Location Bob Tilles DePaul University National PAS, Inc. and Illinois State Chapter College Inn and Sherman House Hotel Lloyd McCausland/ Joel Leach Thomas Siwe Royal Inn Hotel/ CSU/Northridge Roosevelt University Percussive Arts Society International Convention (PASIC) 1976 Rochester, New York John Beck 1977 Knoxville, Tennessee Michael Combs 1978 Tempe, Arizona Merv Britton 1979 New York, New York Morris Lang 1980 San Jose, California Tony Cirone 1981 Indianapolis, Indiana Paul Berns 1982 Dallas, Texas Robert Schietroma 1983 Knoxville, Tennessee Michael Combs 1984 Ann Arbor, Michigan Michael Udow 1985 Los Angeles, California Jay Wanamaker 1986 Washington, D.C. Randall Eyles 1987 St. Louis, Missouri Norm Goldberg/Thomas Siwe 1988 San Antonio, Texas Genaro Gonzalez 1989 Nashville, Tennessee Bill Wiggins 1990 Philadelphia, Pennsylvania Dean Witten 1991 Anaheim, California Dave Black 1992 New Orleans, Louisiana Jim Atwood 1993 Columbus, Ohio Robert Breithaupt 1994 Atlanta, Georgia Tony McCutchen 1995 Phoenix, Arizona J.B. Smith 1996 Nashville, Tennessee Bill Wiggins 1997 Anaheim, California Theresa Dimond 1998 Orlando, Florida Beth Radock Gottlieb 1999 Columbus, Ohio Jim Rupp 2000 Dallas, Texas Michael Varner 2001 Nashville, Tennessee George Barrett PERCUSSIVE ARTS SOCIETY HISTORY Eastman School of Music University of Tennessee Arizona State University Taft Hotel Convention Center Convention Center Loews Anatole Hotel Convention Center University of Michigan Sheraton Hotel Convention Center and Kennedy Center Adam’s Mark Hotel Henry Gonzalez Convention Center Stouffer Hotel/Convention Center Adams Hotel Disneyland Hotel Hyatt Regency Hotel Greater Columbus Convention Center Peachtree Plaza Hotel Phoenix Civic Plaza Renaissance Hotel/Convention Center Disneyland Hotel Orange County Convention Center Greater Columbus Convention Center Hyatt Regency Dallas Nashville Convention Center & Renaissance Nashville Hotel 91 OUTSTANDING PAS SERVICE AWARD ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 1996 1997 1998 1999 2000 2001 * WILL BE INDUCTED AT THE FRIDAY EVENING HALL OF FAME BANQUET 1994 1995 1996 1997 1998 1999 2000 2001 Please limit testing of instruments to not louder than a moderate dynamic level (up to mf) and for a brief period only (up to 30 seconds). Failure to adhere to this policy will result in the following: 1st Offense: Warning (Badge will be punched) 2nd Offense: Expulsion from Exhibit Hall (24 hours) 3rd Offense: Permanent expulsion from Exhibit Hall, No refunds will be given, and decisions of the security guards are final. 92 Sandy Feldstein Lloyd McCausland Robert Zildjian Lennie DiMuzio Jim Catalano Jim Coffin Steve Ettleson Paul Siegel Rob Wallis PAS OUTSTANDING CHAPTER PRESIDENT AWARD 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 PASIC 2002 SOUND POLICY PLEASE BE CONSIDERATE OF OTHERS! Steve Beck Karen Hunt Doug Wolf Rebecca Kite Larry Snider Ian Turnbull PAS PRESIDENT’S INDUSTRY AWARD ○ Jo Jones, 1990 Roy Knapp, 1972 William Kraft, 1990 Gene Krupa, 1974 Morris “Arnie” Lang, 2000 Alexander Lepak, 1997 Mel Lewis, 2001 Maurice Lishon, 1989 William F. Ludwig II, 1993 William F. Ludwig, Sr., 1972 Shelly Manne, 1997 Joe Morello, 1993 Clair Musser, 1975 John Noonan, 1972 Red Norvo, 1992 Babatunde Olatunji, 2001 Charles Owen, 1981 Harry Partch, 1974 Al Payson, 2001 John S. Pratt, 2002 * Paul Price, 1975 Tito Puente, 2001 Buddy Rich, 1986 Emil Richards, 1994 Max Roach, 1982 James Salmon, 1974 Fred Sanford, 2000 Murray Spivack, 1991 Ringo Starr, 2002 * George L. Stone, 1997 William Street, 1976 Ed Thigpen, 2002 * Edgar Varèse, 1980 William “Chick” Webb, 1985 Charley Wilcoxon, 1981 Tony Williams, 1997 John Wyre/NEXUS, 1999 Armand Zildjian, 1994 Avedis Zildjian, 1979 Robert Zildjian, 2000 ○ ○ ○ Keiko Abe, 1993 Alan Abel, 1998 Henry Adler, 1988 Frank Arsenault, 1975 Elden C. “Buster” Bailey, 1996 John Beck, 1999 Bob Becker/NEXUS, 1999 Remo Belli, 1986 Louis Bellson, 1978 James Blades, 1975 Carroll Bratman, 1984 Harry Breuer, 1980 Gary Burton, 1988 John Cage, 1982 William Cahn/NEXUS, 1999 Joe Calato, 2001 Jim Chapin, 1995 Vida Chenoweth, 1994 Bobby Christian, 1989 Michael Colgrass, 1987 Alan Dawson, 1996 John Calhoun (J.C.) Deagan, 1999 Cloyd Duff, 1977 Robin Engelman/NEXUS, 1999 Vic Firth, 1995 Alfred Friese, 1978 George Gaber, 1995 Terry Gibbs, 2000 Billy Gladstone, 1978 Morris Goldenberg, 1974 Saul Goodman, 1972 George Hamilton Green, 1983 Lionel Hampton, 1984 Haskell Harr, 1972 Lou Harrison, 1985 Russell Hartenberger/NEXUS, 1999 Roy Haynes, 1998 Sammy Herman, 1994 Fred D. Hinger, 1986 Richard Hochrainer, 1979 Milt Jackson, 1996 Elvin Jones, 1991 ○ PAS Hall of Fame (year specifies date of induction) 2001 Ian Turnbull (Ontario) Lauren Vogel Weiss (Texas) Kristen Shiner McGuire (New York) Keith Aleo (Florida) Mark Dorr (Iowa) Nigel Shipway (United Kingdom) Marshall Maley (Virginia) Peter O’Gorman (Minnesota) Eric Hollenbeck (Alabama) Jim Royle (Connecticut) Frederic Macarez (France) OUTSTANDING PAS SUPPORTER AWARD 1993 1994 1995 1996 1997 1998 1999 2000 2001 Ed Soph Norman Weinberg Barry Zimmerman Jerry Steinholtz James Lambert Steve Houghton Ed Shaughnessy Tzong-Ching Ju Gregg Bissonette Peter Erskine PERCUSSIVE ARTS SOCIETY HISTORY PAS COMPOSITION CONTEST 1974: LARGE PERCUSSION ENSEMBLE 1ST Walter Mays “Six Invocations to the Svara Mandala” 2ND William Steinhort “Two Movements for Mallets” 3RD Marta Ptaszynska “Siderals” 1975: KEYBOARD PERCUSSION SOLO 1ST Luis Jorge Gonzalez “Mutables” 2ND Andrew Frank “Maneries of Garlandia” 3RD Gordon Stout “Two Mexican Dances” Reed Holmes “DreamQuest” 1976: TIMPANI SOLO 1ST Murray Houllif “Four Verses for Timpani” 2ND John Floyd “Theme and Variations for Four Timpani” Marta Ptaszynska “Classical Variations in Several Styles for Four Timpani” 1977: PERCUSSION DUO 1ST John B. Austin “Designs with Refrain” 2ND Edward M. Barnes “Three Dances for Percussion” Robert Lombardo “Variations for Two Percussionists” 1978: PERCUSSION SOLOIST WITH PERCUSSION ENSEMBLE ACCOMPANIMENT 1ST Michael W. Udow “Bog Music” 2ND Daniel Levitan “Concerto for Marimba” 3RD Murray Houllif “Three Movements for Multi-Percussionist and Percussion Quartet” William J. Schinstine “Sonata No. 4 for Timpani and Percussion Ensemble” 1979: KEYBOARD PERCUSSION ENSEMBLE (3 OR MORE PLAYERS) 1ST Luis Jorge Gonzalez “Invocations for Three Percussionists” 2ND Carla Scaletti “Waves: A Concerto for Harp and Percussion Ensemble” 3RD Lawrence Hoffman “Music for Six Percussionists” 1980: SNARE DRUM SOLO 1ST Eric White “False Images” 2ND William Schinstine “Recital Suite for Snare Drum” Chris McDermott “A solo for Two Hands and a Snare Drum” 1980: VIBRAPHONE SOLO 1ST Takayoshi Yoshioka “Meditation” 2ND Larry Spivack “Soliloquy” 1980: DRUMSET SOLO 1ST Eric White “Two Sketches for Drum Set” 2ND Thomas Nehls “Warm Up Drums” 3RD Ron Fink “Set Solos III” [now titled “Drum Suite”] 1981: KEYBOARD MALLET ENSEMBLE (3 OR MORE PLAYERS) 1ST Daniel V. Oppenheim “4 Percussion” 2ND Jonathan B. McNair “Intervals” 3RD Moses Howden “Hollow Madona” David Morris “Octet” 1982: UNACCOMPANIED SOLO MARIMBA 1ST Christopher Deane “Etude for a Quiet Hall” 2ND Donald Skoog “Water and Fire” 3RD Bob Margolis “Three Technical Sketches for Marimba” 1983: DUET FOR ONE PERCUSSIONIST AND ONE WIND INSTRUMENTALIST 1ST Raymond Luedeke “Fancies and Interludes IV for Bass Clarinet and Percussion” 2ND Raymond Luedeke “Fancies and Interludes III for Horn and Percussion” 3RD David J. Colson List 1: “Hotdogs for Oboe and Percussion” PERCUSSIVE ARTS SOCIETY HISTORY 1984: MARCHING PERCUSSION (FEATURE CORPS STYLE) 1ST Jefferey P. Funnell “Time Warp” 2ND Barry D. Bridwell “Evolution” 3RD Glenn C. Fugett “An Etude for Field” Willis M. Rapp “Arrangement of Thomas Gauger’s Gainsborough” Richard McLendon “Medicated Goo II” 1985: SOLO PERCUSSION WITH BAND/WIND 1ST Robert Myers “Enigma Virginia” 2ND William Susman “Exchanges” 3RD Michael Udow “Rememberance” John Serry “Concerto for Percussion, Brass and Percussion” 1986: SOLO PERCUSSION WITH PERCUSSION ENSEMBLE (6 OR MORE PLAYERS) 1ST Yiu-kwong Chung “Three Movements for Solo Marimba and Seven Percussionists” [now titled “Chariots”] 2ND Lynn Glassock “Four Interiors” 3RD Willie Anku- GAHU “An African Model” 1987: SOLO PERCUSSION WITH TRADITIONAL WOODWIND OR BRASS QUINTET 1ST Tomoyuki Hisatome “The Hopping Moon for Percussion and Woodwinds” 2ND Ramon Dana “Sonata for Brass Quintet and Percussion” 3RD Daniel Moore “Fantasy on Two American Folk Tunes” 1988: LARGE PERCUSSION ENSEMBLE (8 OR MORE PLAYERS) 1ST Steve Riley “Declarative Stances” 2ND Blake Wilkins “Twilight Offering” 3RD Dr. David Gillingham “Paschal Dances” 1989: SUITE FOR SOLO SNARE DRUM 1ST Guy Gauthreaux “American Suite for Unaccompanied Snare Drum” 2ND Dr. Jack Jenny “At Odds, Suite for Solo Snare Drum” 3RD Daniel Adams “Variation Sans Theme” 1990: UNACCOMPANIED VIBRAPHONE SOLO 1ST Robert Stright “Six Poems” 2ND Thomas Briggs “Reminiscence for Solo Vibraphone” 3RD Lynn Glassock “Reflections” Brad Stirtz “Tribute” 1991: UNACCOMPANIED 5-PIECE DRUMSET SOLO 1ST Robert Stright “Melodies for Drumset” 2ND Glen A. Bush “Moose and Squirrel are Friends” 3RD Gerald M. Heslip “Whose Kit is This?” 1992: I. SOLO MARIMBA (LOW A) 1ST Gary Smart “The Seasons” 2ND Christopher Deane “Three Shells” 1992: II. LARGE PERCUSSION ENSEMBLE (8–10 PLAYERS) 1ST Christopher Coleman “Cat Spanking: A Fantasy for Percussion” 2ND Duane Heller “Scena” Anthony Scott Watson “Dark Chase” 93 PAS Composition Contest 1993: I. PERCUSSION DUO (SINGLE INSTRUMENT OR SMALL-TO-MEDIUM MULTIPLE SET-UP FOR EACH PERFORMER) 1ST Dan Knipple “Recital Duo” (For Rudimental Snare Drum with Pedal Bass Drum and Concert Snare Drum with Hi-Hat) 2ND Dave Roth “Harmony–Three Episodes for Percussion” 3RD Paul Swenson “An Index of Gasses” 1993: II. KEYBOARD PERCUSSION ENSEMBLE (5–8 PLAYERS) 1ST Cynthia C. Barlow “Nomen Solers” 2ND Dan Heslink “Fantasia for Bar Percussion Instruments” 3RD Thomas E. Suta “Ice Princess” 1994: I. MARIMBA AND VOICE (LOW A OR LOW F ACCEPTABLE FOR MARIMBA) 1ST Lynn Glassock “Five Songs For Voice and Marimba” 2ND Bruce Roberts “Dona Eis Requiem” 3RD Douglas Ovens “She Sings….” 1994: II. Small Percussion Ensemble (3–5 players) 1ST David Minnick “Telemikro” 2ND Edward Smaldone “Episodes for Percussion Quart” 3RD David McIntyre “Chronomosaic” Kevin Kaspar “Bergamo Suite” 1995: I. VIBRAPHONE SOLOIST WITH PERCUSSION ENSEMBLE (5–8 PLAYERS) 1ST David Johnson “Quartz City” 2ND Stephen Lima “Alma Sagrada” 3RD Robert Cossom “Bunyip” 1995: II. SOLO PERCUSSIONIST (SMALL TO MEDIUM SET-UP WITH TAPE {CASSETTE}) 1ST Thom Hasenpflug “South of Jupiter” 2ND Jeffrey Peyton “The Final Precipice” 3RD Bruce Hamilton “Edge” 1996: I. SOLO MARIMBA (LOW A ) WITH PIANO ACCOMPANIMENT 1ST Thomas Briggs “Duet for Marimba and Piano” 2ND Mari Era “San Sui Sui” 3RD Alexis Bacon “Duet for Marimba and Piano” 1996: II. STEEL DRUM ENSEMBLE (CONCERT STYLE, NO TRANSCRIPTIONS OR ARRANGEMENTS) 1ST Paul G. Ross “For the Day” 2ND Khris Dodge “The Truth Out There” 3RD Paul G. Ross “Realization for Steel Band” 1997: I. SOLO MARIMBA (ANY STANDARD RANGE FROM 4 1/3 TO 5 OCTAVES ACCEPTABLE) 1ST Leander Kaiser “Black Sphinx” 2ND Geir Rafnsson “Hekla” 3RD Tom Deastlov “Creation and Metamorphosis” 1997: II. LARGE PERCUSSION ENSEMBLE (8–10 PLAYERS) 1ST Lynn Glassock “No Exit” 2ND William Hill “Brazilian Dances” 3RD Kevin Purrone “Wadsworth Falls” 1998: I. SOLO TIMPANI (FOUR DRUMS) 1ST William Hill “Sonata in C for Solo Timpani” 2ND Kevin Erikson “In the Valley of Kings” 3RD Guy Gauthreaux “Capriccio for Solo Timpani” Frederic Macarez “Feet and Hands” 94 1998: II. SMALL PERCUSSION ENSEMBLE (3–5) 1ST Lynn Glassock “Between the Lines” 2ND Brian Prechtl “Passing Through the Waters” 3RD William Hill “Stonehenge Rites of the Solstice” Michael Zak “Starburst” John Christian Orfe “Dragon” 1999: I. KEYBOARD DUET (ANY COMBINATION OF MARIMBAS AND/OR VIBRAPHONES) 1ST Roland Stolk “Light as a Feather” 2ND Richard O’Meara “looking at ‘r’ ” 3RD Adi Morag “Octabones” 1999: II. MEDIUM SIZE PERCUSSION ENSEMBLE (6–8 PLAYERS) 1ST Elyzabeth Meade “TAPAS” 2ND Angel Morales “Butai No Tameno Ongaku” 3RD Steve Riley “Eye Irascible” 2000: I. PERCUSSION SOLOIST WITH BAND (WIND ENSEMBLE TO SYMPHONIC BAND) 1ST Lynn Glassock “Concerto for Percussion and Wind Ensemble” 2ND Joey Sellers “Odd Children” 3RD Daniel Adams “Isorhythmic Concerto” 2000: II. MALLET ENSEMBLE (4–6 PLAYERS) 1ST Scott Comanzo “Machine Duck” 2ND Elyzabeth Meade “Curious for Mallet Sextet” 3RD Matthew Briggs “Marimba Quartet” 2001: I. LARGE PERCUSSION ENSEMBLE (8–12 PLAYERS) 1ST Joe Hansen “The Tempest” 2ND Jonathan Kolm “The Primitive Cosmos” 3RD Luigi Morleo “Mucha Concert” 2001: II. DUET, PERCUSSION AND ALTO SAXOPHONE 1ST Shawn Crouch “Suspended Contact” 2ND Chris Roze “Jitterbug And Ballad” 3RD Luca Vanneschi “Deep Blue” 2002: I. MULTIPLE PERCUSSION SOLO 1ST Eckhard Kopetzki “Canned Heat” 2ND Guy Gauthreaux, “Time to Remember” 3RD Brett William Dietz, “Fire Wire” 2002: II. TIMPANI SOLOIST WITH PERCUSSION ENSEMBLE 1ST Allen Houston, “Concert Piece in 3 Movements” 2ND Alex A. Orfaly, “Divertissement” 3RD Eric Matthew Rodis, “Channels: Concerto for Timpani” PERCUSSIVE ARTS SOCIETY HISTORY PASIC 2002 ADVERTISERS Alfred Publishing Co., Inc. ................................... Cover II Aquarian Accessories ..................................................... 47 Avedis Zildjian Company ................... 15, 17, 19, Cover IV Bergerault USA ................................................................. 9 Berklee College of Music ............................................... 51 Blair School of Music–Vanderbilt University ................ 56 C.S. Records ................................................................... 53 Clevelander Drum Company .......................................... 41 Doc’s Proplugs, Inc. ......................................................... 11 Drummers Collective ...................................................... 11 Drum Workshop, Inc. ....................................................... 81 Evans Drumheads ........................................................... 85 Fall Creek Marimbas ....................................................... 48 Falls Music Company ...................................................... 39 Guitar Center ................................................................... 25 Hal Leonard Corp. ............................................................ 42 HydroSteel LLC ................................................................ 41 Innovative Percussion, Inc. ................................ 65, 67, 69 Latin Percussion, Inc. ..................................................... 27 Lefima Percussion ........................................................... 36 MalletWorks Music ........................................................... 61 Mannes College of Music ............................................... 38 Marimba One .................................................................... 32 Mostly Marimba ................................................................ 18 Musical Alchemy, Inc.–Concussion Media .................... 36 Paiste America, Inc. ......................................................... 1 Pearl Corporation and Adams Musical Instruments ... 63 Pro-Mark Corporation ................................................. 5, 29 Regal Tip ........................................................................... 71 Remo, Inc. ......................................................................... 45 Rhythm Fusion, Inc. ......................................................... 24 Roland Corporation US ................................................... 13 Sabian, Ltd. ....................................................................... 55 Salazar Fine Tuning .......................................................... 16 Shure, Incorporated ........................................................ 22 SKB Corporation .............................................................. 21 Sonor Drums/HSS, Inc. ................................................... 59 Trinidad & Tobago Instruments, Ltd. ............................. 39 University of Miami .......................................................... 73 Vaughncraft ...................................................................... 20 Vic Firth, Inc. ..................................................................... 37 Virginia Arts Festival ....................................................... 48 Warner Bros. Publications ............................ 89, Cover III Winter Guard International ................................................5 Yamaha Corporation of America .................................... 23 CONGRATULATIONS TO THE PASIC 2002 SCHOLARSHIP WINNERS INTERNATIONAL/NATIONAL PASIC 2002 SCHOLARSHIPS FUNDED THROUGH THE PAS ENDOWMENT FUNDS • DAVID BERGMAN BEAVERTON, OR REGIONAL SCHOLARSHIPS CALIFORNIA AVEDIS ZILDJIAN CO. • NEERAJ MEHTA MADISON, WI LUDWIG INDUSTRIES • ASHLEY HAYNES • DEBRA LIPPA REMO, INC./CALIFORNIA CHAPTER OF PAS PASIC SCHOLARSHIP NEW YORK WINSTON-SALEM, NC MCMAHON FOUNDATION • CHARLIE FORKISH • DARRYL LITTMAN REGAL TIP/CALATO PASIC SCHOLARSHIP EUGENE, OR REMO, INC. • KELLY LYNN WRIGHT TEXAS • ANDREA BUNTON ANDERSON, SC TEXAS PAS PASIC HIGH VAL AND VENUS EDDY SCHOOL SCHOLARSHIP • MATT KANTORSKI BOWLING GREEN, OH WILLIAM F. LUDWIG JR. • ELLEN M. SIMON FOND DU LAC, WI • LAURA LYNN “SKIPPER” CATHEY TEXAS PAS PASIC COLLEGE SCHOLARSHIP • AMANDA BALL YAMAHA CORPORATION OF TEXAS PAS/PRO-MARK AMERICA PASIC SCHOLARSHIP • ZACH REDLER CORAL SPRINGS, FL THOMAS SIWE • MARIEL JOCELYN READ AMHERST, NY THOMAS SIWE • DAVID CONSTANTINE EUGENE, OR CLOYD DUFF • ROB PESKE BISMARCK, ND JAMES SEWREY • DANIEL VILLANUEVA • COLTY HARRISON TEXAS PAS/VIC FIRTH PASIC SCHOLARSHIP • JORDAN R. SMITH TEXAS PAS/PERCUSSION CONSTRUCTION PASIC SCHOLARSHIP WINNER • DANIELLE LEHLE TEXAS PAS/MIKE BALTER PASIC SCHOLARSHIP • LAURA FIEDER TEXAS PAS/EVANS PASIC SCHOLARSHIP WINNER SARASOTA, FL STEVE ETTLESON PASIC 2002 program printed by Johnson Press of America, Pontiac, Illinois PASIC 2002 ADVERTISERS 95

PASIC 2002 Program - Percussive Arts Society

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