From Participant Observation to the Observation of Participation: The Emergence of Narrative Ethnography Author(s): Barbara Tedlock Source: Journal of Anthropological Research, Vol. 47, No. 1 (Spring, 1991), pp. 69-94 Published by: University of New Mexico Stable URL: http://www.jstor.org/stable/3630581 Accessed: 24/10/2010 20:12 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=unm. 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University of New Mexico is collaborating with JSTOR to digitize, preserve and extend access to Journal of Anthropological Research. http://www.jstor.org OBSERVATION TOTHE FROMPARTICIPANT OBSERVATION OF PARTICIPATION: THE EMERGENCE OF NARRATIVE ETHNOGRAPHY1 Barbara Tedlock StateUniversity of NewYorkat Buffalo, ofAnthropology, Department NY14261 Buffalo, Beginningin the 1970s therehas beena shiftin culturalanthropological methodology towardtheobservation fromparticiant observation ofparticiation.Duringparticipant observation and coolly ethnographers attemptto be bothemotionally engagedparticipants observers dispassionate of thelivesof others.In theobservation ofparticipation, ethnogand observetheirownand others'coparticipation withintheethraphersbothexperience encounter. Theshiftfromtheonemethodology totheotherentailsa representational nographic in which,insteadof a choicebetweenwritingan ethnographic memoir transformation centeringon theSelf or a standardmonograph centeringon theOther,boththeSelf and Otherarepresented withina singlenarrative focusedon thecharacter together ethnography, andprocessof theethnographic dialogue. THE MYTHICHISTORY OF anthropologyis populatedby fourarchetypes:the the professional amateurobserver,the armchair anthropologist, ethnographer, and the "gonenative"fieldworker.Eighteenth-and earlynineteenth-century amateuraccounts-writtenby explorers,travelers,medicaldoctors,colonial officers,missionaries,andtheidlerich-providedthematerialsforthe armchair It was not untilafter ruminationsof late nineteenth-century anthropologists. in anynumbers, the FirstWorldWarthatacademically trainedethnographers, fieldwork and intensive constructingethnographicinforbegan undertaking in nihilistic It was this world-which mation.2 shattered, gave birthto the Jazz valuewas placed with its hair and bathtub intellectual bobbed gin-that Age in order to studyandreconstitutea humaneorder on travelingto distantplaces out of devastationanddisorder. In the Frenchtradition,the emphasiswas on team research,usinga docThe Britishandthe Americantraditionsemphasizedinumentaryapproach.3 dividualresearch,using an experientialapproachthat was labelledwith the There is no doubtbut thatthis peculiar oxymoron"participant observation."4 methodologicalstance causes stress, for as BenjaminPaul (1953:441)has noted, "Participation impliesemotionalinvolvement;observationrequiresdetachment.It is a strainto try to sympathizewithothersandat the sametime Thissimultaneously striveforscientificobjectivity." empathetic,yet distancing, to producedatathat methodology,whichis widelybelievedby ethnographers somehowreflectthe native'sown pointof view, in time becamethe principal mode of productionfor anthropologicalknowledge.5 Ever since Malinowski (1922[1961]:25) suggested that an ethnographer's goal should be "to grasp the native's point of view, his relationto life, to realize 69 70 OFANTHROPOLOGICAL RESEARCH JOURNAL his visionof his world,"there has been an expectationthatparticipant observationwouldlead to "humanunderstanding" througha fieldworker's learning to think,see, feel, andsometimeseven behaveas a native.Sincewe canonly enter into anotherperson'sworldthroughcommunication, we dependupon of to create a world shared andto reach dialogue intersubjectivity ethnographic an understanding of the differencesbetweentwo worlds.6In orderto accomit is necessaryto undertakeanengaged plishthisformof humanunderstanding, It this of fieldwork. is period experiencethat has become the professional necessaryinitiation-variouslyreferredto as a pubertyrite, ethnographer's ritualordeal,or ritedepassage.7 whohavelearnednot onlythe languagebutalsoappropriate Ethnographers behavior(includingnonverbalcommunication codes) have been transformed, sometimesquiteradically,by theirfieldworkexperience.In his ethnography, PokerFaces, DavidHayano(1982:149)reveals thathe becameso immersed in the subcultureof California pokerplayersthat "withinseveralyears I had of become one the virtually peopleI wantedto study!"LizaCrihfieldDalby not only took on the socialrole of a geisha (a charmingerotic entertainer) duringher fieldworkinJapan,but she also claimsto have becomeone in both bodyandspirit.8Herassertionthatshe learnedto thinkandbehaveas a geisha Howimagination. suggests the "gonenative"archetypeof the anthropological memoirabouther fieldwork ever, since she also publishedan ethnographic experience,Geisha(1983),she mightmoreaccuratelybe describedas having "gone native"culturally,but not socially,or, better yet, as havingbecome bicultural.In other words, while Dalbybecamea geisha in Japanto an imrole andstatus pressive degree, she didnot totallyabandonher ethnographic backin the UnitedStates. The numberof fieldworkerswho have givenup anthropology altogetherin orderto jointhe flowof lifeelsewhereis very small.Perhapsthe mostfamous case of a "gonenative"fieldworker is thatof GermanscholarCurtUnkel,who went to Brazilearlyin this centuryto studythe Indiansof the Amazonregion andnever returned.Althoughhe was adoptedintoa tribalgroupandtook the Guaraniname Nimuendajti, a house in the city of Beldm.He he maintained also wrote a series of ethnographic manuscriptsandaskedthe Americananhis workandin obtaining thropologistRobertLowieforhelpbothin publishing a researchgrantto continuehis fieldstudies.Anothercandidatefor the "gone native"awardis FrankHamiltonCushing.Duringhis fouryears of fieldwork at ZuniPueblo,he was initiatedas a warpriest,buthe nonethelesscontinued to do fieldworkandpublisheda numberof ethnographic works-includingan narrative of account the fieldwork early experience(Cushing1882-83). Eventually,he marrieda whitewomanandleft Zunito settle on the East Coast.A thirdcandidateis VerrierElwin,an Englishmanwho went to India,married intoa tribe,becameanIndiancitizen(evena close confidant of Mahatma Gandhi andJawaharlal Nehru),andwas recognizedas a pioneerIndiananthropologist. He publisheda series of extraordinarily detailedethnographies muchadmired in bothIndiaandEngland. For these individuals,fieldworkwas not a rite of passage, or route to an ETHNOGRAPHY EMERGENCE OF NARRATIVE 71 academicunioncard, but ratherthe lived-realityof the fieldexperiencewas the center of their intellectualandemotionalmissionsas humanbeings.9 As Elwinexpressedit, "Forme anthropology didnot mean'field-work': it meant my whole life. My methodwas to settle downamongthe people, live with them, sharetheirlifeas faras anoutsidercouldandgenerallydo severalbooks together.... This meantthat I didnot dependmerelyon askingquestions, but knowledgeof the peoplegraduallysankin untilit was partof me"(Elwin 1964:142). What seems to lie behindthe belief that "goingnative"poses a serious is the logicalconstruction of the relationship between dangerto the fieldworker objectivityand subjectivity,between scientistand native, between Self and is thata subject'sway Other,as an unbridgeable opposition.The implication of knowingis incompatible with the scientist'sway of knowingand that the domainof objectivityis the sole propertyof the outsider.Severalfieldworkers haverejectedthissharpanalytical distinction betweenSelfandOther.Bennetta Jules-Rosette,whojoinedanAfricanchurchinthe processof studyingit, wrote that"throughcontinuedobservation,I beganto developa repertoireof knowledge andexpectations,or a commonculture,thatwas sharedwithparticipants and createdin interactionwith them"(Jules-Rosette1975:21).In his introductionto Jules-Rosette'sbook,VictorTurnerobservedthat"toeachlevel of socialitycorrespondsits ownknowledge,andif one wishes to graspa group's deepest knowledgeone mustcommunewithits members,speakits Essential thiscom(inJules-Rosette1975:8).Inphenomenological We-talk" terminology, municativeinteraction,or "we-talk," neither to the realm of belongs objectivity nor to that of subjectivity,but ratherto "humanintersubjectivity." It is this realmthat distinguishesthe humansciences from the naturalsciences as a fieldof investigation.10 There was a time whenassuminga participatory stance, suchas takingon an apprenticeship role, was criticizeddue to the beliefthatit mightsomehow interferewith the objectivityof the description(Coy 1989:108).The enculturationthat accompaniesany intensivefieldworkexperiencemightalso be critiquedfor the same reason, but this has not alwaysbeen the case. Solon Kimballportrayedhis own involvementin the Irishworldas so intensethat, withoutanyformalinstructionin spectralsightings,he saw a well-knownlocal apparition.Describinghis experience,he suggestedthat"thetime mayhave arrivedwhen we are readyto undertakesystematicobservationsof the processes of inductionand involvementin anotherculture"(Kimball1972:192). The time has indeedcome. There are now severaldetailedethnographic reports of intensiveenculturation, includingsuccessfulformalandinformalapprenticeships(Chernoff1980; Cooper1980;B. Tedlock1982;Johnson1984; Coy 1989). detailsof the fieldwork Nevertheless,the publicrevelationof participatory experienceis stillconsideredembarrassingly unprofessional by some ethnographers.It is as thoughfieldworkwere supposedto give us two totallyindependentthings:reportablesignificantknowledgeandunreportable mysticism and highadventure.If we were to be so foolishas to make the mistakeof 72 OFANTHROPOLOGICAL RESEARCH JOURNAL combiningthese elements, it wouldsomehowseriouslydiscreditour entire "As this contradiction: endeavor.PaulRabinow(1977:10)nicelysummarized we that students are told graduate 'anthropology equalsexperience';you are not an anthropologist untilyou havethe experienceof doingit. But whenone is not returnsfromthe fieldthe oppositeimmediatelyapplies:anthropology the experienceswhichmadeyou an initiate,but only the objectivedatayou have broughtback." In the past, the most commonway out of this doublebindwas either to publishthe fieldworkexperienceas a novel or else to suppressthe actual events that took place duringthe research,togetherwith all referenceto andthe ethnographic the ethnographer subjects. including specificindividuals, When the novelisticpath was taken, some ethnographerswere carefulto distancethemselvesfromthe work by usinga pseudonym.MargaretField publishedher memoirof doingethnographyamongthe Ga of West Africa, novStormyDawn (1947),underthe nameMarkFreshfield.LauraBohannan in WestAfricaunderthe elized her experiencesas a neophyteethnographer nameElenoreSmithBowen.HerbookReturntoLaughter(1954)was a highly successfulpublishing venture,withmorethan350,000 acclaimed,commercially copies printedas of this writing.PhilipDruckerpublishedhis Mexicanethnographicnovel, TropicalFrontier(1969),underthe namePaulRecord.This to publishtheirfieldexpeuse of pseudonymsenabledthese ethnographers riencesandkeep this activitytotallyseparate,even secret, fromtheirprofesfeltthatpublishing sion.Thisdistancing moveindicates,I believe,thatindividuals a personalfieldworkaccountwouldsomehowdamagetheir reputationsor credibilityas professionalethnographers."Later in life perhaps,as Laura Bohannandid, they couldrevealtheirpseudonymsto the professionandtake creditfor theirliteraryoutput. The second andmore commonway of dealingwithfieldexperienceswas datafrom simplynot to mentionthem,butinsteadto abstractthe meaningful the objectsof studyand to removeall traces of the observer.The resultof this strategyis that,as StephenTyler(1987:92)recentlynoted,"ethnography is a genre thatdiscreditsor discouragesnarrative,subjectivity,confessional, or anyoneelse's expepersonalanecdote,or accountsof the ethnographers' rience."Thissuppressionof firsthandexperiencein ethnographic monographs has been describedby GeorgeDevereux,in FromAnxietyto Methodin the defensemechanismproducing BehavioralSciences(1967:97),as a professional "scientific(?) 'results'whichsmellof the morgueandare almostirrelevantin terms of livingreality."12 is botha productanda process, ourlives as ethnogBecauseethnography raphersare embeddedwithinfield experiencein such a way that all of our interactions involve choices, and thus, "there is a moral dimension-made explicit or not-in all anthropologicalwriting"(Herdt 1988:185). Whatwe see or fail to see, reporting a particularmisunderstandingor embarrassment, or ignoringit, all involve choices. We also make a choice when we edit ourselves out of our finalwritten ethnographicproduct. This is so no matter how narrow OFNARRATIVE ETHNOGRAPHY EMERGENCE 73 the focus or scientificityof our researchdesign. That a personalaccountof fieldworkis always an option, regardlessof our chosen topic or research methodology,is demonstratedin DennisWerner's(1984) beautifullycrafted In this workhe combinesa livelypersonal Amazonian narrativeethnography. accountof his lifein the field,a richportraitof Mekranoti culture,anda precise descriptionof the variousquantitative approacheshe usedduringhis research. RogerSanjek(1990:254)classifiedWerner'stext as amongthe "mostethnorichof the personalaccounts... writtenby one whoadmits,'While graphically I was stillin graduateschool,a fellowstudentoncecomplained thatevery time I openedmy mouthnumberscameout.'"GilbertHerdt(1988:186)pointsout thatare totallyremovedfroma discussionof fieldwork, thatin ethnographies "the author'sfield tacticsandexperiencecan remaininvisible,"leavingonly accounts." "impersonalized-no--depersonalized An early exceptionto the impersonalstyle in anthropological writingwas A Weavers Woman: and Chanters, StoryofNavajo Spider publishedby Gladys Reichardin 1934. In this engagingrenderingof her fieldworkexperience, Reichardnarrates-in the firstperson,activevoice, presenttense-four separatefieldtripsto Arizona.Her re-creationof her experiencesandfeelingsis full of precise descriptionsof the detailsof everydaylife, includingher own unspokenthoughtsandreactionsto events she sharedwithher Navajofamily. In a painfulvignette,we see her strugglingto remainwithinthe boundsof the undergoesa gruellingeight-day Navajoworldwhenher adoptivegrandmother traditionalcuringceremony,thoughshe has what Reichardbelieves to be pneumonia."Mysympathyhas runthe gamutfromthe weakest sort of pity to bitternessat notfindingthe doctor,"she writes,"fromgrimfatalismat being compelledto fetch the Chanterto the most abjectfutilityat watchingMaria Antoniashampooingher hairin that wind. It now flaresinto feverishanger whichdies downin despairas I see her rest once moredisturbed,when she is forcedby the tenets of the cureto sit upwhilethe Chanterblowsmedicinepine leaves floatingon water---onher side where the pain tormentsher" (Reichard1934:252-53).The overallplotlineof this accountfollowsthatof a novel of education;thus, in the last chapter,entitled"Degreein Weaving," endsup teachingher own Reichardportraysherselfas a studentwhoironically instructorthe diamondtwilltechnique. MichelLeirispublished hisAfricandiary,L'Afrique The Frenchethnographer In Woman additionto documenting in the same year appeared. Spider fant6me, the two-yearDakar-Djibouti expeditionto the Dogonof Sangaandthe Ethiopiansof Gondar,togetherwiththe activitiesof variousAfricansubjects,Leiris revealedthe strainedrelationshipsbetween the Europeanmembersof the researchteam and the unethicalmuseum-collecting proceduresof the expedition.These revelationswere to be the causeof hiseventualpermanentbreak with his colleague Marcel Griaule. He also disclosed the invasion of his own dream life by images arising directly from his fieldwork:"Suddenly,the smell of the herbs I've had scattered around my room enters my nostrils. Half dreaming. I have the sensation of a kindof swirling(as if reddeningand turning 74 OFANTHROPOLOGICAL RESEARCH JOURNAL of trance)andI let out my headI were doingthe gourridancecharacteristic a scream.ThistimeI'mreallypossessed"(Leiris1934:358;Englishtranslation by Clifford1986:44).13 Inhisintroduction to TheNuer(1940),the Britishanthropologist E.E. EvansPritchard includeda seven-pagefirst-personconfessional accountof the terrible livingconditionsandinformantdifficultieshe experiencedduringfieldworkin the Sudan.In sharpcontrast,the remainderof the book,writtenin an omniscient third-person authoritative voice, describeshighlyabstract,nonempirical entities, such as lineageand age-set systems, and the idealizedactionsof commondenominator people:the Nuerdo this, the Nuerdo that. Duringthis samedecade,OliverLaFarge,theAmericananthropologist andPulitzerPrizeSantaEulalia: winningnovelist,publisheda complexnarrativeethnography, TheReligionof a Cuchumatdn are porIndianTown(1947).In it, individuals trayedandactualevents are describedin detail.Liberallysprinkledwith engagingfirst-personnarrativevignettes,the text climaxeswith a narrativeof stolen idolsandthe placementof a deathcurse uponLa Fargeandhis party. andLa Fargebothplacethemselveswithinthe ethAlthoughEvans-Pritchard their frame, nographic purposesand the resultingtexts couldnot be more different.Evans-Pritchard's serves to distancehimfromthe Nuer, self-portrait of La the giving appearance objectivity; Farge'sself-portraitplaces him far within the Mayanworldto revealhis subjectivity. enough LaFarge'shumanistic stancetowardthe portrayal of the fieldworkencounter can also be foundin two of AliceMarriott'sbooks, The ValleyBelow (1949) and GreenerFields (1952). In the firstof these ethnographic memoirs,which centers on a sojournin northernNew Mexico,Marriott(1949:239)explains her writingproblem:"I startedwith the idea of an orderlydescriptionof a societythatwas blendedof threeelements:Indian,Spanish,andAnglo.I found thatI couldn'tdescribethe societywithouttellinghowwe [herartistcompanion Marthaandherself]cameto be partof it. I couldn'tanalyzethe peoplewithout describingthem, andthe descriptiontook the formof tellingof the impactof theircharacterson ours."In her secondmemoir,GreenerFields, the chapters alternatebetween a highlyaccessibleaccountof the historyof anthropology and anecdotalnarratives,rangingfromthe hilariousto the poignant,of her manyyears of fieldworkandclose friendshipswith PlainsandSouthwestern Indians. In spite of its appeal,first-person,experientialwritingby ethnographers dealingwith actualpeopleandevents was rareduringthe 1930s, 1940s, and JeanMalauriedecided early 1950s. Indeed,the Arcticexplorer-ethnographer thatthe onlywayto changethe situationwasto promotethisformof expression activelyamonghis friendsandcolleagues(Balandier1987:1).In 1955 he initiated a documentaryliterary series, TerreHumaine, with the Paris publisher Plon. The series was specificallydedicated to the publicationof well-written, firsthand documentary testimony combining "scientific objectivity with a dialectic of personal relationships"(Malaurie1987:10). Over five millioncopies of the fifty volumes publishedto date have been sold. ETHNOGRAPHY EMERGENCE OFNARRATIVE 75 and To start the literaryseries, MalaurieencouragedClaudeL&vi-Strauss (IkviGeorgesBalandierto writeup theirfieldexperiences.TristesTropiques Strauss 1955, 1961) andAfriqueambigui(Balandier1957, 1966) resulted. Togetherwithhis ownLes derniersroisde Thuld(Malaurie1956, 1982),these were the firstfieldworkaccountshe published.Eachof the threevolumeswas successful,reachinga wide, appreciativeaudience.By now, Malaurie'sbook has been translatedinto sixteen languages.But the most renownedvolume, and one that becamean immediatebest-sellerin France,was IAvi-Strauss's of a traveler'stale, personalfeelwithits oddjuxtaposition TristesTropiques, abstract models.Althoughpopulartoday, and observation, ings, ethnographic it wasvirtuallyignoredwhenit wasfirsttranslatedintoEnglishin 1961.Perhaps the English-speaking academicworldwas not yet comfortablewith a firstof fieldwork,or perhapswe were simplynot ready narrative account person for whatSusanSontag(1966)called"theanthropologist as hero." At almostthe same time TristesTropiques cameout, GeorgesCondominas (1957) publishedhis Vietnamesefield notebookswith Mercurede France, underthe titleof Nousavonsmangelaforetdela Pierre-Genie G6o.Hiswriting takes the formof a diary,listingandcommentingat lengthon the events he witnessedin the villageof Sar LukfromNovember1948to December1949. In his introduction he comments,"I shallno doubtbe reproachedfor alluding to my own presenceat events I describe.But my purposeis not to paintan exotic canvasor to constructsome sort of prehistoricethnography. Rather,it is to renderrealityas it waslivedwhilebeingobserved"(Condominas 1977:xix). Insteadof beingreproached,the bookwas rapidlytranslatedintoItalian,German,andRussian.However,Condominas's attemptto get the booktranslated andpublishedin Englishis a bizarretaleof international copyrightinfringement. Afteryears of unsuccessfulpublication attempts,he ranacrossa 1962pirated Englisheditionproducedby the United States Departmentof Commerce, which,as he notes, "actedon politicalandmilitaryreasonsratherthanout of anydeepscientificconcern,anddidso withoutconsultingeitherme, the author, or the originalFrenchpublisher" (Condominas 1977:xi).This piratededition of a fielddiarythatsympathetically the portrayed indigenous peoplesof Vietnam was availableneitherto the anthropological nor to the generalpublic profession in the of the war Vietnam. during period Fromthe 1960s to the presentday, the relationship of fieldworkersto the and other to the authorities peoplethey study, political powerfulfiguresof the host community, andto themselvesas observers,participants, andinterpreters has been exploredin depth in a series of edited volumesand in individual fieldworkaccounts.14Whenthe Society for AppliedAnthropology published GeraldBerreman'sBehindManyMasks:Ethnography and ImpressionManagementin a HimalayanVillage(1962),RobertSmithcommented,in his foreword,thatit was the "onlyattemptknownto me to presentwithinananalytical framework the subtleties of what the author calls 'the human experience' of field work"(in Berreman 1962:3). Using Erving Goffman's(1959) interactionist approach to "impression management," which involves a description of the 76 OFANTHROPOLOGICAL RESEARCH JOURNAL performancesstaged for the observer(includingthe behaviorthatgoes into producingthem, as well as the backstagesituationwhichconcealsthem), Berremananalyzedthe specificpatternsof socialinteractionhe foundduring his ethnographic fieldworkin a highlystratifiedNorthIndianvillage.Although (so far as I know)has utilizedthe socialinteronly one other ethnographer actionistmethodso explicitly(Gregor1977),Berreman'smonograph has been cited as an inspirational workby a numberof ethnographers who have subsequentlywrittenpersonalaccountsof theirfieldworkinteractionsandexperiences. Earlierintimateaccountsof fieldwork-suchas Reichard'sSpiderWoman Greener Fields(1952)(1934),La Farge'sSantaEulalia(1947),andMarriott's with accountsof the way this inforhad combinedethnographic information mationwas gathered.Duringthe 1960sand1970s, however,it becamemore commonfor suchaccountsto be kept separatefromstandardethnographies. This segmentation,as in the earliercase of ethnographic novels, reveals a dualisticapproach:publicversus private,objectiveversus subjectiverealms of experience."iColinTurnbull,for example,publishedan accessiblefirstpersonaccountof his fieldworkamongthe Congopygmies,TheForestPeople (1961),andthenfiveyearslaterreleaseda coollydistanced,moreauthoritative Servants:TheTwoWorlds on the sametopic,Wayward oftheAfrican monograph Pygmies(1965).JohnBeattie reversedthis process, first publishingan "objective"ethnographic monographbased on his doctoralthesis, Bunyoro:An AfricanKingdom(1960).Five yearslater,at the suggestionof his editors,he an wrote whathe saw as a "subjective" first-personaccount,Understanding AfricanKingdom:Bunyoro(1965).Althoughthe bookemphasizesovertmethhouse-to-house odologies-the use of assistants,informants,questionnaires, surveys, note taking,photography,keepinga diary,and writingup the research-Beattie was nonethelessapologeticaboutbeing autobiographical or in hisprefaceon his "somewhatimmodestundertaking." subjective,remarking of Understanding an AfricanKingdom,the SpinFollowingthe publication dlers encouragedethnographerswho had alreadypublishedmonographsfor theirHolt,RinehartandWinstonCaseStudiesin Cultural series Anthropology to writemethodologically orientednarrativeaccountsof theirfieldwork.Eleven such essays, includingone of theirown, were incorporated in Being an AnFieldwork in Eleven Cultures This volume includesthumb(1970). thropologist: nailbiographical sketchesof the authors,statementsconcerningwhythey had chosen anthropology as a career,and snapshotsshowingthem in the field. These novel featuresadd a more personalflavorto whatare, for the most statements.The photographs part,ratherimpersonal methodological primarily serve to documentthepresenceof the ethnographer at the ethnographic scene, but they also reveal that ethnographersenjoy representingthemselves as fieldworkers.We see AlanBeals gettinghis haircut native-stylein Gopalpur, India;RobertDentanburningthe furoffa monkeyin Malaysia; JohnHostetler prayingover a meal in a Hutteriteapartmentand his colleague,Gertrude Huntington,dressedas a Hutteritewomanpushinga Hutteritebabyin a pram; OF NARRATIVE EMERGENCE ETHNOGRAPHY 77 JohnHitchcockworkingup his notes in a headman'sgoat shed in Nepal;and Louise Spindlersittingon a step with a Menominiwomanwho is takinga Rorschachtest. Unlikethese authors,Britishanthropologist Nigel Barleyreleasedhis ethThe monograph nographicmonographand fieldworkaccountsimultaneously. is a Ikvi-Straussian An Exploration structuralist study,SymbolicStructures: of the Cultureof theDowayos(1983b),and the fieldaccountis a funny,wartsin a Mud and-all,first-personnarrativeof hisAfricanfieldresearch,Adventures Hut:An InnocentAnthropologistAbroad differencein (1983a).The remarkable tone, tenor, andmaterialpresentedin these two booksrevealsBarley'sdisaccount.In Adventures comfortwith representinghimselfin an ethnographic in a MudHut, he comes off as a silly, sad, incompetent,andeven slapstick characterwho marched,limped,andfinallywas carriedthroughhis initiatory fieldresearch,andthe nativesalso come offas clowns.Foolisholdmen stare at the photographsof lionsandleopardshe uses in orderto elicitinformation on localfauna,turningthemin all directionsandsayingthingslike, "I do not knowthis man"(Barley1983a:96).This soundslikeanAfricanvarianton that old anthropological storyaboutPolynesianswhoweren'tableto interpretphoat all. In tographs general,whatpurportsto be a personalnarrativeends up as a lampoonof the entireethnographic enterprise. withina seriousethnography, Discomfortwiththe act of self-representation, can also be detected in Paul Rabinow'sfirst-personmemoir,Reflectionson Fieldworkin Morocco(1977), where he refers to his previousmonograph, treatment Domination(1975),as a "moretraditionally anthropological Symbolic of the samedata"(Rabinow1977:7).Jean-Paul Dumont,likeRabinow,published his standardethnographic monograph,UndertheRainbow(1976), beforehis first-personfieldworkaccount,TheHeadmanand1 (1978),but he displaysa Forhim ratherdifferentattitudetowardsincluding himselfin his ethnography. the workof self-representation is neitherlaughablenor any less "traditional" of the Other.In fact, as Peter thanthe standardethnographic representation Riviere (1980) has pointedout, we learn rathermore aboutthe Panardin Partof the reason Dumont'sfirst-personaccountthanwe do inhis monograph. for this is that Dumontself-consciously centeredTheHeadmanandI around the seriousquestionof whohe was forthe Panard,ratherthanwhothe Panard were forhim,the latterbeingthe implicitquestionmostethnographies explore. Withthischangein focuscomesthe subtleshiftof genrefromthe ethnographic memoirtowardnarrativeethnography. In the ethnographic memoir,an authortakes us backto a cornerof his or her life in the fieldthatwas unusuallyvivid,fullof affect,or framedby unique events. By narrowingthe lens, these authorsprovidea windowinto their personallives in the field,a focuswhichwouldnot be possiblein a full-length also dealswithexperiThe authorof a narrativeethnography autobiography. reflections with these come but data,epistemological ences, ethnographic along on fieldworkparticipation, and culturalanalysis.The world, in a narrative ethnography,is re-presentedas perceivedby a situatednarrator,who is also 78 OFANTHROPOLOGICAL RESEARCH JOURNAL Thisenables presentas a characterinthe storythatrevealshisownpersonality. the readerto identifythe consciousnesswhichhas selected and shapedthe experienceswithinthe text. In contrastto memoirs,narrativeethnographies focusnot on the ethnographer herself,butratheron the characterandprocess of the ethnographic dialogueor encounter. Two key essays centeringon the exploration of the ethnographic encounter were publishedby StanleyDiamondandKurtWolffin a volumeentitledReStudieseditedby Vidich,Bensman,andStein (1964). flectionson Community Diamond'sessay, "NigerianDiscovery:The Politicsof Field Work,"subtly exploresthe complexpoliticaldimensionsinvolvedin crossingculturalboundaries. KurtWolff's"Surrenderand CommunityStudy:The Studyof Loma" describeshow, duringhis fieldresearchin a northernNew Mexicovillage,he openedhimselfto the risk of beinghurtby becomingso totallyinvolvedand identifiedwiththe communitythateverythinghe saw or experiencedbecame relevantto him."Itwas yearsbeforeI understoodwhathadhappenedto me: I hadfallenthroughthe web of culturepatternsandassortedconceptual meshes into the chaos of love;I was lookingeverywhere,famished,with a ruthless glance"(Wolff1964:235). It is preciselythe vulnerability revealedby WolffthatKevinDwyer(1982:27274) sees as the centralanthropological project.No matterhow muchcare an his or her devotes to ethnographer project,its success dependsuponmore thanindividual effort.It is tied to outsidesocialforces includingan anthropologicalcommunitythat accepts the projectas meaningfuland international thatmakethe fieldworkpossible.In Dwyer'sview, the issues of relationships the fieldworkendeavorare not so muchobjectivity,neutrality,anddistanceas they are risk, the possibilityof failure,andthe hope of success. firsthandaccountsare usefulin preparingethnogSpeakingpedagogically, raphersfor fieldwork.Their value in detailingthe complexand ambiguous realitiesinvolvedin the fieldworkexperiencewas formallyrecognizedby the Universityof Amsterdamin the early 1960s, when the Instituteof Cultural Anthropologyset up a series of formallecturesfor anthropologists recently returnedfromthe field.An editedvolumeof these lectures,Anthropologists in the Field, was compiledby Jongmansand Gutkind(1967), togetherwith fourpreviouslypublishedessays andan annotatedbibliography on fieldmethods. Whilesome personalaspectsof fieldexperienceappearin severalof the the mainthrustof the volumeis the descriptionandevaluation contributions, of variousfieldtechniques-socialsurvey,quantification, restudy-ratherthan an in-depthexplorationof the subjectiveelementsof fieldwork. obBeginningin the 1970s, there was a shiftin emphasisfromparticipant servationto the observationof participation. MartinYang(1972) wrote an importantessay discussingthe role of both his graduateeducationandwhat he calledhis "first-hand fieldwork" in the productionof his highlyacclaimed ethnography,A ChineseVillage(1945). His field researchwas done in the villagein whichhe grew up andliveduntilhe went awayto college.As he put it, "Myfieldworkwas my own life andthe lives of others in whichI had an OF NARRATIVE EMERGENCE ETHNOGRAPHY 79 active part"(Yang1972:63).This type of ethnographic experiencehas been calledboth"ethno-sociology" and"auto-ethnography" (see Hayano1979).Yang was by no meansthe firstindigenousanthropologist to publishan ethnography abouthis owngroup-JomoKenyatta(1938),Fei HsiaoTung(1939),andChie Nakane(1970), amongothers, had alreadydone so-but he was unique,at thattime, in writinga self-reflexiveessay aboutthe experienceof doingso.16 fieldwork accounts,including Duringthe 1980smorefirst-personexperiential auto-ethnographies, appearedthanduringthe previoustwo decades.7"These volumesclearlyrevealthe continuedmovementfromparticipant observation to the observationof participation. Whatwas onlya tricklein the 1930s grew intoa streamof confessionalaccountsby the 1960sandbecamea swollenriver of self-revelatorycelebrationby the 1980s. The explorationof the processof information andpublishing accountshad producingethnographic ethnographic turnedtowardthepolitical,philosophical, andpoeticimplications of suchwork.18 A criticalliteraturesimultaneously sprangup. The processof self-examination led to the examination of otherethnographers' selves, andthe eye shiftedfrom the ethnosin ethnographyto the graphia-the processof writing.'9 A numberof fieldworkersare currentlyat workon book-lengthnarrative witha dialecticof personal information ethnographies,combining ethnographic involvement.Meanwhile,editedvolumesfocusedon specificaspects of fieldworkcontinueto appear.Fieldworkeridentityis the focalpointof Fieldwork: TheHumanExperience(Lawless,Sutlive,andZamora1983). The impactof an ethnographer's sex andgenderidentityon fieldworkandthe effectof fieldworkon an ethnographer's view of genderself-identityare the centraltopics inSelf, Sex, and Genderin Cross-Cultural Fieldwork(Whitehead andConaway 1986). In Arab Womenin theField: StudyingYourOwnSociety(Altorkiand El-Solh 1988), the roles of gender and indigenousstatus in the fieldwork are explored.Most recently,the experiencesof Arabwomenethnographers mishaps,pratfalls,andlessons learnedwhiledoingfieldworkare the maintopic in TheHumbledAnthropologist: TalesfromthePacific(De Vita1990). Whatexplainsthe shiftin ethnography towardrepresentingourselvesin the act of engagingwith and writingaboutour selves in interactionwith other selves? In part,the changereflectstoday'sgeneralintellectualclimateof epistemologicaldoubt.Anotherfactorin the developmentof reflexivityandalternative styles of ethnographic representationhas been the notablegrowthin the prestigeof anthropology as a disciplineandin the size of the audiencefor the anthropological perspective.Interestbeganto increaseduringthe 1960s andacceleratedthroughout the 1980s.Not onlyhavewe capturedthe attention of the generalpublic,thanksin partto MargaretMeadandpublictelevision butwe havealso become World," programssuchas "Nova"and"Smithsonian the darlingof boththe humanities andthe socialsciences.As ourcurrentpublic guru, CliffordGeertz (1985), has recentlypointedout, our prestigein fields such as history,philosophy,literarycriticism,theory,law, politicalscience, sociology,psychology,andeconomicshas never been higher. In an enlargedmarketplacefor anthropological have ideas, ethnographers 80 OFANTHROPOLOGICAL RESEARCH JOURNAL been pursuedby publishersfor interestingideas abouthumankind andfascinatingstories. Some publishershave even been willingto read dissertations and mentorthe rewritingprocess. WhenBarbaraMyerhoffturnedher dissertationintothe bookPeyoteHunt (1974),her editorinsistedthatshe insert herselfandher observationsinto the manuscript.Rewritethe text top down was the suggestion;use an active personalvoice. Quite pleased with the results,Myerhoffnotes that"IfoundI hadwrittena bookI trustedmore,that was clearerandmorereliable"(MyerhoffandRuby1982:33). of individuals Therehavealsobeennotablechangesinthe population electing to become ethnographers-interms of gender (morewomen),class (more from middle-and lower-classbackgrounds),and ethnicity(more third-and fourth-worldscholars).These transformations have spurreda new critical awarenessand a radicaldemocratization of knowledgeresultingin the suggestion that the class, race, culture,andgenderbeliefsandbehaviorsof the inquirerbe placedwithinthe samehistoricalmoment,or criticalplane,as the subjectsof inquiry(Harding1987:9;Rose 1990:10).Anotherkey alterationin actionanthropologyhas been an emphasison researchas a fundamentally orientedendeavor.SherryOrtner,inherreviewessay "TheoryinAnthropology since the Sixties,"notes thatthere has been a growinginterestin suchinterrelatedterms as practice,praxis,action,interaction,activity,performance, andexperience,togetherwithagent,actor,person,self, individual, and/orthe subjectof the action(Ortner1984:144). in anthropology havealso comeaboutbecauseof the Majortransformations of "native" fromthe emergenceof a highlyarticulatepopulation ethnographers thirdandfourthworlds,includingvariousbicultural inside/outsiders. Whileit is undoubtedly true that insidersmay have easier access to certaintypes of information, especiallyinthe areaofdailyroutines(Jones1970;Ohnuki-Tierney can also be distinguished fromindigenousanthro1984), nativeanthropology are those who have theiroriginsin nonpologyin that nativeethnographers Europeanor non-Westernculturesandwho sharea historyof colonialism,or an economicrelationship baseduponsubordination 1989:18(McClaurin-Allen resultin "feminist" con24). Just as beingbornfemaledoes not automatically result in sciousness, being born an ethnic minoritydoes not automatically have critiquedthe discipline"native"consciousness.Nativeethnographers for example,the strangepreoccupation withissues suchas caste in SouthAsia (Daniel1984;Appadurai 1986)-and haveworkedto bridgethe gulfbetween Self andOtherby revealingbothpartiesas vulnerableexperiencingsubjects, workingto coproduceknowledge.They have arguedthat the observerand the observedare not entirelyseparatecategories.To them, theoryis not a transparent,culture-freezone, not a duty-freeintellectualmarketplacehoveringbetween cultures,lackingall connectionto embodiedlivedexperience. They believe that both knowledgeandexperience fromoutside fieldworkshould be brought into our narratives and that we should demonstrate how ideas matter to us, bridgingthe gap between our narrow academic world and our EMERGENCE OFNARRATIVE ETHNOGRAPHY 81 wide culturalexperiences.These strategies shouldhelp us simultaneously deepenandinvigorateour writingandour selves.20 As Vietnameseauthorand cinematographer TrinhMinh-ha(1989:76)has written,"Inwritingcloseto the otherof the other,I canonlychooseto maintain a self-reflexivelycriticalrelationshiptowardthe material,a relationshipthat definesboth the subjectwrittenandthe writingsubject,undoingthe I while asking'whatdo I wantwantingto knowyouor me?'" Or,as Jean-PaulDumont (1978:200)said at the close of his narrativeethnography,"Whowas I for them?" memoirto narrativeethnography hasgone Themovementfromethnographic literature.This unanalyzedwithinthe rapidlygrowingmeta-anthropological omissionhas occurred,I think,becauseso muchemphasishas been placedon less attentionhas been given to the rhetoricalstrategies,whilesubstantially If today'sethnographers are writing wideningof the audienceforethnography. not only for variousacademicaudiences(areaspecialists,membersof other members disciplines,andstudents)butalso for the educatedpublic,including of theirhost communities,then they are no longerin a positionto writeas if exchanges.Not they themselveswere the onlyactivepartiesin cross-cultural reveal this formof of Orientalism Edward Said's discussion did (1978) only would but a local audience exoticportraiture to be unacceptably neocolonialist, also knowit to be a blatantfalsehood. Just as writingfor and aboutthe feministmovementby feministscholars has provideda dynamicpublicspherewithinwhichideas can be discussedin botha politicallyandpersonallyengagingmanner,so writingfor andaboutthe communityin whichone has livedandworkedat lengthshould ethnographic political-personal produceengagedwritingcenteringon the ongoingdialectical thatanethnographer betweenSelfandOther.The likelihood might relationship take center stage when representingthe fieldworkexperiunselfconsciously ence is, I think, in direct proportionto the spatial,temporal,and cultural fromthe host communityat the time of such repdistanceof this individual Otherthe field resentation.The fartheraway,longerago, andmoreculturally experiencewas, the moreprobablethatthe authorialfigurewillbe dominant, while membersof the host communitywill shrinkinto the background.The self-consciousshift away from writinga memoirof the field experience,in whichthe authoris the onlydevelopedcharacter,towardswritinga narrative ethnography,in whichthe authorpurposelybecomesa secondarycharacter, andbackgrounding. alleviatesthis problemof foregrounding This sea changein ethnographic representationof boththe Self andOther withina single text has been lumpedtogetherwith other writingstrategies momentin the humansciences" andlabeledas partof a mythic"experimental (MarcusandFischer1986:165).However,as RenatoRosaldo(1989:231)has indicated,such an analysisembodiesa facileapplicationof ThomasKuhn's notion of experimentalismas occurringonly duringscientific paradigmshifts. Rather than describing the ongoing refigurationof social thought and practice 82 OFANTHROPOLOGICAL RESEARCH JOURNAL as partof an experimentalmoment(i.e., fad, or flashin the pan),it oughtto be recognizedforwhatit is, a changein ethnographic epistemologyembodying key ethicaland analyticalissues that has alreadyproduceda majorbody of work.The creationandsubsequentcelebrationof a fictive"experimental mowho ment"has producedan easy target for unsympathetic critics, gleefully dismissthe serious attemptto representboth Self and Otherwithina field accountas nothingbut an apoliticalsolipsisticexercisein exploringthe Other merely to findthe Self (Polierand Roseberry1989). It is to be hopedthat critiquesof this sort, whichreducea long-termdialectical negotiationbetween the Self andOtherto nothingbut a dualisticcaricatureof suchan encounter, willnotdelaythefurtherdevelopment ofa productivedialoguebetweenpersons of differingculturalbackgrounds andpoliticalsituations.Ethnographers may be able to overcomethis problemif they followthe lead of feministcritical theory,which,whenit denies the splitbetweenepistemologyandpolitics,is reflexiveandpolitical. simultaneously Howeverthe disciplinemay develophistorically,there currentlyexists a new breedof ethnographer whois passionatelyinterestedin the coproduction of ethnographic knowledge,createdandrepresentedin the onlywayit canbe, withinan interactiveSelf/Otherdialogue.These new ethnographers-manyof whomare themselvessubalternbecauseof theirclass, gender,or ethnicitycannotbe neatlytuckedawayor pigeonholedwithinany of the fourhistorical archetypesI enumeratedat the outset of this essay: the amateurobserver, the armchairanthropologist, the professionalethnographer, or the "gonenative"fieldworker.Ratherthey, or we, combineelementsfromallfourof these since categories.Thus, for example,we embracethe designation"amateur," it derivesfromthe Latinamatus,the past participleof amare,"to love,"and we are passionatelyengagedwith our endeavor.We accept the "armchair" designationbecausewe havea seriousconcernwithbothreadingandcritiquing the work of other ethnographersin order to try to changepast colonialist becauseof the seriousnessof practices.We insistthatwe are "professional," our field preparation and engagement,and also because of our attentionto issues of representation in ourownwork.Finally,to the extentthatfieldwork is not simplya unioncardbutthe centerof ourintellectual andemotionallives, we are, if not "goingnative,"at least becomingbicultural. NOTES 1. I beganto formulate Endowtheperspective hereduring myNational presented mentfortheHumanities at the Institute forAdvanced Studyin Princeton, Fellowship NewJersey(1986-1987). Sectionsof thisessayweregivenorallybeforethe anthrooftheUniversity ofMichigan atAnnArbor (1989),McMaster pologyfaculties University in Hamilton, of Wisconsin Ontario at Madison (1990).To (1989),andthe University the audience interlomembers,andmostespecially mygeneroushostsandprimary BruceMannheim, RuthBehar,EllenBadone, Geertz,SherryOrtner, cutors--Clifford andKirinNarayan--I extendmysincerethanksformanyperceptive comquestions, ments,andsuggestions. OFNARRATIVE EMERGENCE ETHNOGRAPHY 83 2. Even thoughBronislawMalinowski took on the archetypalrole of "theEthnoginthe openingchapterof hisArgonautsof theWestern Pacific(1922)andclaimed rapher" to have inventedthe methodof fieldwork,there are othercandidatesfor this honor, As includingMorgan,Cushing,Haddon,Seligman,Boas, Rivers,andRadcliffe-Brown. innovationlay in elevatingthe RaymondFirth(1985) has pointedout, Malinowski's fieldworkmethodinto a theory. For a brief historyof fieldwork,see RosalieWax series with a (1971:21-41). GeorgeStockingopenedhis "Historyof Anthropology" Observed: Fieldcollectionof superbarticlesentitledObservers EssaysonEthnographic work(1983b). 3. The Frenchfieldworktraditionwas initiatedduringthe 1920sby MarcelMauss andRiver,foundedthe Institut andMauriceDelafosse,who, togetherwithIAvy-Bruhl methods. d'Ethnologie,where manyAfricanistcolonialofficersstudiedethnographic MarcelMauss,althoughhe neverundertookfieldwork,taughtan annualcourse,"Ethandan important fieldworktext, Manueld'ethnographie (1947), nographiedescriptive," was developedfromhis notes. Maussrecommended thatthe "professional ethnographer"adoptthe "intensivemethod,"by whichhe did not meanlong-termindividual teamresearch,resultingin documentary experientialresearch,butrathermultifaceted hundredsof soundrecordings,textualaccounts,andmajorcollectionsof artandartifacts (Clifford1983). 4. AlthoughI havegroupedthe BritishandAmerican traditionstogetherhere, there are substantial differencesbetweenandwithinthem.Britishanthropologists specialized inrelativelyisolated"primitive" emphasizing peoplesandfocusedon socialanthropology, studiedless isolatedpeasantgroups,were socialstructures.Americananthropologists more inclusive,andfocusedon cultureandpsychology(Kirsch1982:103). 5. For furtherdiscussionof the emergenceof fieldwork,togetherwithholism,relvaluesinthe UnitedStates as keymethodological ativism,andthe comparative approach and and Britain,see DavidMandelbaum (1982:36) George Stocking(1982:411-12, 1983a:74). of communicative interactionthroughlanguage,es6. For moreon the importance peciallydialogue,see JohannesFabian(1971)andDennisTedlock(1979, 1987). 7. That the participant-observation formof the fieldworkritualis still considered in for the tribeis revealedin a recentreviewof ethnographic necessary membership JamesClifford'sThePredicament of Culture(1988), in whichPhilipBock (1990:10910) invitesClifford"toundergothe ritualordealof fieldwork(notjust as an observer in orderto become"oneof us." in a Mashpee,Massachusettscourtroom)" 8. One reviewerof Dalby'sbook took exceptionto the author'sclaimof having as a witness.The becomea geisha(Cornell1986)andquestionedher overallreliability objectionwas not to the fieldworker's attemptto becomea geisha,butratherto her a fieldworker who claims assertionthatshe was successful.Thiseffortat discrediting demonstratesthe persisto have undergonea successfulintercultural apprenticeship of SelfandOtheras two entirelyincomtence of the Westernintellectual construction mensurablecategories. canbe foundin his obituaryin theAmerican 9. Moreinformation about Nimuendajti (Baldus1946)andLowie's(1959:119-26)discussionof his long-distance Anthropologist withhim.Assessmentsof FrankHamiltonCushing'sfabledinductioninto relationship to his editedvolumeof Zuniculturecanbe foundinJesse Green's(1979)introduction Cushingessays and in SylviaGronewold's(1972:33-50)essay "DidFrankHamilton (1964); CushingGo Native?"For moreon VerrierElwin'slife, see his autobiography workcanbe foundin Misra a perceptivediscussionandevaluationof his ethnographic (1973). 84 OFANTHROPOLOGICAL RESEARCH JOURNAL 10. An excellentintroduction to the discussionof the differencesbetweenthe "natural"andthe "human" sciencescan be foundin Polkinghorne (1983, 1988). Phenom(1975), enologyis developedat lengthbySchutz(1967,1973),Ricoeur(1974),Gadamer andLuckmann of interpretation (1978).Forapplications theoryin the humansciences, see Geertz(1973),as well as RabinowandSullivan(1979). 11. Buelow(1973)foundthat most anthropologists who have writtenfictionhave used pseudonyms.NancySchmidt(1981:12)later notedthat "fieldwork experiences were not an acceptabletopicfor anthropologists to writeabout,so Bohannanused a to date have pseudonymfor her novel."She also reportedthat few anthropologists their literarypseudonyms.As she put it, "ethnographic fiction openlyacknowledged has been hidden,or perhapsmoreaccuratelysweptunderthe rug, by anthropologists who felt that it was inappropriate for consideration and"editorsof as ethnography," anthropological journalshave... refusedto considerit forreview"(Schmidt1984:11, 12). 12. Devereux(1967:41-42)hasarguedthatthistypeof anxiety-reducing devicecan intocountertransference reactions,leadingto "actingout"maseasilybe transformed of the individual fromethqueradingas science. He also notedthat "theelimination nologicalfieldreportswas formerlya routineprocedure.Lintononce quotedto me the aboutthe X-tribeis almostfinished. followingremarkof a colleague:'Mymonograph AllI haveto do now is cut out the life'(i.e., allreferencesto realpeopleandevents)" (Devereux1967:89). 13. Leiris'swork,as Clifford(1986)andBeaujour(1987)havepointedout, should be read as both an encouragement anda cautionaryexamplefor the projectof ethLeirisfaced"epistemological nographicrepresentation. aporiasin his effortto combine of literaryself-inscription, and sympatheticobservationof the Other,the unavoidability the imperativeof culturalcritique" (Beaujour1987:479). 14. Duringthe late 1950s, a series of methodological articles,centeringon field was in the American Human thencollected techniques, published journal Organization, and edited by Adamsand Preiss in the bookHumanOrganization Research(1960). The mainaim of these essays was to demystifythe process of fieldwork.Another influential editedvolume,publishedin the sameyear,wasJosephCasagrande's In the Companyof Man (1960), consistingof essay portraits,togetherwith snapshots,of informants. At the endof the decade,RobertLowiepublished twentykey ethnographic an intellectualhistoryof his professional A PersonalRecord(1959),in life, Ethnologist: whichhe ratherdispassionately describedhis field experiences.The ego-centered to fieldwork,including the alterationof self-imageand adjustmentof the ethnographer socialprojection of self, wasexploredinStressandResponseinFieldwork(1969),edited by FrancesHenryand SatishSaberwal.In 1970 three editedvolumesof fieldwork accountsappeared:GeorgeSpindler'sBeing an Anthropologist: Fieldworkin Eleven Natives:Anthropologists at Work,andPeggyGolde's Cultures,MorrisFreilich's Marginal Individual Womenin theField:Anthropological Experiences. first-personfieldworkaccountsfromthistwenty-yearperiodincludeTurnbull (1961),Berreman(1962),Beattie (1965),Fernea(1965,1975),Maybury-Lewis (1965),Read(1965),Powdermaker (1966), Gould(1969),Briggs(1970),Gearing(1970),Middleton (1970),Rosenfeld(1971),Wax (1971),Greenway(1972),Chagnon(1974),Myerhoff(1974,1979),Selby(1974),Alland (1975),Elmendorf (1976),Schieffelin (1976),Condominas (1977),Favret-Saada (1977), Rabinow(1977), Riesman(1977), Dumont(1978),Mitchell(1978), Belmonte(1979), andKeil(1979). 15. Perhapsthe most strikingexampleof this radicalsplitis foundin Malinowski's ETHNOGRAPHY OF NARRATIVE EMERGENCE 85 monographs(1922, 1935) on one side andhis writing,with his variousethnographic controversial,posthumously publisheddiary(1967)on the other. one is consciousof oneself as an Other,but in 16. In ordinary"reflectiveness," one is conscious of of oneself as an Other.For a beingself-conscious "reflexivity," thoroughdiscussionof the differencebetweenthese twoconcepts,see Babcock(1980). B6teilleand Madanpublisheda collectionof reflexivefieldaccounts,Encounterand PersonalAccountsof Fieldwork,in 1975. The authorsconsistedof Indian Experience: who hadworkedin India,Indianswhohadresearchedothercultures, anthropologists andnon-Indians who haddoneintensivefieldworkin India.Fouryears later,Srinivas, andtheField(1979),a set of eighteen Shah,andRamaswamy publishedTheFieldworker new essays by Indiansocialanthropologists andsociologists. 17. First-personexperientialfieldworkaccountspublishedsince 1980whichI have thus far been able to locate are those of Chernoff(1980), Fei (1981), Obeyesekere (1981),Cesara(1982),Dwyer(1982),Shore(1982),Barley(1983a,1986),Bell(1983), Dalby(1983), Messenger(1983), Reina(1984),Werner(1984),Moeran(1985),Dow (1986), Friedrich(1986), Kugelmass(1986), Read(1986),Rose (1987, 1989), Stoller and Olkes (1987), Taussig(1987), Turner(1987), Allen(1988), Kendall(1988), Ridington(1988, 1990), Vander(1988), Van Maanen(1988), Bode (1989), Campbell (1989), Danforth(1989), Dominguez(1989), Dorst (1989), Harrison(1989), Moffatt (1989), Narayan(1989),Price(1989),Ward(1989),Anderson(1990),Hayano(1990), Kondo(1990), Lavie(1990), andB. Tedlock(1991).My sincereapologiesto anyone whose volumeI havefailedto note. 18. For a discussionof some of the political,philosophical, andpoeticimplications of producing accounts,see DellHymes(1969),TalalAsad(1973),Stanley ethnographic Diamond(1974),AkbarAhmed(1976),JeanneFavret-Saada (1977,1980),EdwardSaid (1978), KevinDwyer(1982),GeraldD. Berreman(1982),E.A. Hoebel,RichardCurrier, and SusanKaiser(1982),JohannesFabian(1983), DennisTedlock(1979, 1983, 1987, 1990),CliffordandMarcus(1986),Clifford(1988),TrinhT. Minh-ha(1989),and SmadarLavie(1990). 19. See Webster(1982, 1983), MarcusandCushman(1982), CliffordandMarcus (1986),Becker(1986),Brodkey(1987),Tyler(1987),Geertz(1988),andVanMaanen (1988). 20. I am indebtedhere to the thoughtfulanalysisand criticalthinkingof Delmos Jones(1970),SimeonChilungu (1976),HusseinFahim(1977,1987),E. ValentineDaniel (1984), ArjunAppadurai (1986, 1988), DorinneKondo(1986, 1990), RenatoRosaldo (1984, 1989), FranqoiseLionnet(1989), IrmaMcClaurin-Allen (1989),JohnStewart (1989),TrinhMinh-ha(1989),andKirinNarayan(1990). 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