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AN51004A Ethnographic Film | Goldsmiths, University of London
AN51004A Ethnographic Film
(Autumn term 2014-15)
View Online
This course explores ethnographic film and its
relationship with anthropology and documentary
Asch Timothy and Chagnon Napoleon A. 1987. “The Ax Fight.” Yanomamo series.
Retrieved (http://search.alexanderstreet.com/view/work/763889).
Banks Marcus and Morphy Howard. 1999a. “Introduction to Rethinking Visual
Anthropology.” Rethinking visual anthropology. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226274).
Banks Marcus and Morphy Howard. 1999b. Rethinking Visual Anthropology. New Haven:
Yale University Press.
Barbash Ilisa and Castaing-Taylor Lucien. 2010. “Sweetgrass.”
Basu Paul. 2008. “Reframing Ethnographic Film.” Rethinking documentary: new
perspectives, new practices. Retrieved
(https://www.dawsonera.com/readonline/9780335236275/startPage/108).
Beckham Michael. 1991. “The Kayapo: Out of the Forest.” Disappearing world.
Beidelman Thomas O. 1976. “: Masai Women and Masai Manhood . Melissa
Llewelyn-Davis.” American Anthropologist 78(4):958–59. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226292).
Bruner Edward M. 1989. “Of Cannibals, Tourists, and Ethnographers.” Cultural
Anthropology 4(4):438–45. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226291).
Crawford Peter Ian and Turton David, Granada Centre for Visual Anthropology. 1992. Film
as Ethnography. Manchester: Manchester University Press in association with the Granada
Centre for Visual Anthropology.
Curling Chris and Llewelyn-Davies Melissa. 1974. “Masai Women.” Disappearing World.
Eliot Weinberger. 1992. “The Camera People.” Transition (55):24–54. Retrieved
(http://www.jstor.org/stable/2934848).
Flaherty Robert Joseph. 1921. “Nanook of the North.” Retrieved
(http://search.alexanderstreet.com/view/work/873484).
Gardner Robert. 2011. “Dead Birds.”
Grimshaw Anna. 2001a. “The Anthropological Television of Melissa Llewelyn-Davies.” The
ethnographer’s eye: ways of seeing in modern anthropology. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226292).
Grimshaw Anna. 2001b. The Ethnographer’s Eye: Ways of Seeing in Modern Anthropology.
Cambridge: Cambridge University Press.
Grimshaw Anna and Ravetz Amanda. 2009. Observational Cinema: Anthropology, Film, and
the Exploration of Social Life. Bloomington: Indiana University Press.
Heider Karl G. 2006. Ethnographic Film. Austin: University of Texas Press.
Henley Paul. 1998. “Film-making and Ethnographic Research.” Image-based research: a
sourcebook for qualitative researchers. Retrieved
(https://www.dawsonera.com/readonline/9780203980330/startPage/182).
Hertzfeld Michael. 2011. “Hindsight/Postscript: Ethical and Epistemic Reflections On/of
Anthropological Vision.” Made to be seen: perspectives on the history of visual
anthropology. Retrieved
(https://www.dawsonera.com/readonline/9780226036632/startPage/320).
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AN51004A Ethnographic Film | Goldsmiths, University of London
James C. Faris. 1993. “A Response to Terence Turner.” Anthropology Today 9(1):12–13.
Retrieved (http://www.jstor.org/stable/info/2783336).
John A. Price. 1973. “The Stereotyping of North American Indians in Motion Pictures.”
Ethnohistory 20(2):153–71. Retrieved
(http://www.jstor.org/discover/10.2307/481668?uid=24953&uid=3738032&uid=2129&uid
=2134&uid=2&uid=70&uid=3&uid=24951&uid=5910784&uid=67&uid=62&sid=2110460
0856477).
Kildea Gary and Leach Jerry W., University of California (System) and Papua New Guinea.
1975. “Trobriand Cricket: An Ingenious Response to Colonialism.”
Klein Patricia A. 1977. “The Ax Fight. 1975 . Tim Asch, Napoleon Chagnon.” American
Anthropologist 79(3):747–747. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226289).
Lutkehaus Nancy Christine. 1989. “‘EXCUSE ME, EVERYTHING IS NOT ALL RIGHT’: On
Ethnography, Film, and Representation.” Cultural Anthropology 4(4):422–37. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226291).
MacDougall David. 1999. “When Less Is Less.pdf” edited by Henderson B. and Martin A.
Film Quarterly: Forty Years - A Selection. Retrieved
(http://fdm.ucsc.edu/~landrews/178s2010/Assets/300F24DF/When%20Less%20is%20Less.
pdf).
MacDougall David. 2006a. “Introduction to The Corporeal Image: Film, Ethnography, and
the Senses.” The corporeal image: film, ethnography, and the senses.
MacDougall David. 2006b. The Corporeal Image: Film, Ethnography, and the Senses.
Princeton, N.J.: Princeton University Press.
MacDougall David and MacDougall Judith. 1991. “Photo Wallahs.”
MacDougall David and Taylor Lucien. 1998. Transcultural Cinema. Princeton, N.J: Princeton
University Press.
Mishler Craig. 1985. “Narrativity and Metaphor in Ethnographic Film: A Critique of Robert
Gardner’s Dead Birds.” American Anthropologist 87(3):668–72. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226288).
Nugent Stephen. 1989. “Review of Out of the Forest.” Anthropology Today 5(5). Retrieved
(http://www.jstor.org/stable/info/3032964).
Ostor Akos. 1988. “Misreading the Metaphor: A Comment on Mishler’s ‘Narrativity and
Metaphor’.” American Anthropologist 90(4):978–80. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226288).
O’Rourke Dennis. 1988. “‘Cannibal Tours’.”
Paul Henley. 2006. “Spirit Possession, Power, and the Absent Presence of Islam:
Re-viewing ‘Les Maîtres Fous’.” The Journal of the Royal Anthropological Institute
12(4):731–61. Retrieved (http://www.jstor.org/stable/4092563).
ROUGH JEAN, MARSHALL JOHN, and ADAMS JOHN W. n.d. “Les Mcdtres Fous, The Lion
Hunters, and Jaguar.”
Ciné
-ethnography (Book, 2003) [WorldCat.org]. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226287).
Ramos Alcida R. 1987. “Reflecting on the Yanomami: Ethnographic Images and the Pursuit
of the Exotic.” Cultural Anthropology 2(3):284–304. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226289).
Rony Fatimah Tobing. 1996. “Taxidermy and Romantic Ethnography. Robert Flaherty’s
Nanook of the North.” The third eye: race, cinema, and ethnographic spectacle.
Ruby Jay. 2000. “The Aggie Must Come First: Robert Flaherty’s Place in Ethnographic Film
History.” Picturing culture: explorations of film & anthropology. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226286).
Spencer Paul. 1975. “The Masai.” RAIN (6). Retrieved
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(https://learn.gold.ac.uk/mod/folder/view.php?id=226292).
Stoller Paul. 1984. “Horrific Comedy: Cultural Resistance and the Hauka Movement in
Niger.” Ethos 12(2):165–88. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226287).
Terence Turner. 1992. “Defiant Images: The Kayapo Appropriation of Video.” Anthropology
Today 8(6):5–16. Retrieved (http://www.jstor.org/stable/info/2783265).
Weiner Annette B. 1977. “: Trobriand Cricket: An Ingenious Response to Colonialism . Gary
Kildea.” American Anthropologist 79(2):506–7. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226290).
Weiner Annette B. 1978. “Epistemology and Ethnographic Reality: A Trobriand Island Case
Study.” American Anthropologist 80(3):752–57. Retrieved
(https://learn.gold.ac.uk/mod/folder/view.php?id=226290).
Winston Brian. 1995. Claiming the Real: The Griersonian Documentary and Its
Legitimations. London: BFI.
Worth Sol and Adair John. 1972. Through Navajo Eyes: An Exploration in Film
Communication and Anthropology. Bloomington: Indiana University Press.
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