CALIFORNIA STATE UNIVERSITY NORTHRIDGE
MINER HALL
A thesis submitted in partial fulfillment of the requirements
for the degree of Master of Arts
in Screenwriting
By
Rachelle A. Potts
May 2012
Copyright © 2012 by Rachelle A. Potts
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The thesis of Rachelle A Dabney Potts is approved:
_________________________________________
_______________________
Eric W. Edson, MFA
Date
_________________________________________
_______________________
Dr. Kenneth S. Portnoy, Ph.d.
Date
_________________________________________
_______________________
Alexis Krasilovksy, Chair
Date
California State University, Northridge
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ACKNOWLEDGEMENTS
For your assistance and support with the preparation of this thesis, for your criticism,
reassurance, continued interest, praise and prayer, I would like to thank:
Tyrone Eddie Potts
I appreciate your role as reader, sounding board, copy editor and encourager; as well as the many
sleepless nights you have sacrificed. I love you dearly.
Thank you so much
Rachelle A. Potts
May 2012
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DEDICATION
This screenplay is dedicated to and inspired by the founders of the beloved, Delta Sigma Theta
Sorority, Incorporated, for their outstanding legacy of courage, fortitude and supreme sisterhood.
Osceola Macarthy Adams
Winona Cargile Alexander
Ethel Cuff Black
Bertha Pitts Campbell
Zephyr Chisom Carter
M. Edna Brown Coleman
Jessie McGuire Dent
Frederica Chase Dodd
Myra Davis Hemmings
Olive C. Jones
Jimmie Bugg Middleton
Pauline Oberdorfer Minor
L. Vashti Turley Murphy
Naomi Sewell Richardson
Mamie Reddy Rose
Eliza Pearl Shippen
Florence Letcher Toms
Ethel Carr Watson
Wertie Blackwell Weaver
Madree Penn White
Edith Motte Young
Marguerite Young Alexander
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TABLE OF CONTENTS
Signature Page
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Acknowledgment Page
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Dedication Page
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Abstract
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Miner Hall
1
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ABSTRACT
MINER HALL
By
Rachelle A. Dabney Potts
Master of Arts in Screenwriting
Miner Hall is a screenplay about a tenacious college bound African American girl named,
Madree Penn, who aspires to become a journalist. This coming of age drama is set in 1911 when
less than one third of one percent of African Americans had access to college and females were a
small fraction of that. Madree decides to attend an out-of-state university despite her father’s
objection. Her college of choice is Howard University, a black college located in the heart
Washington, D.C. At Howard, Madree meets University President, Wilbur Thirkield and a host
of others who help shape her future. She’s exposed to university life, dormitory life and sorority
life and Madree makes a splash everywhere she goes. From the time she steps foot on campus,
Madree must fight tooth and nail to stay and she does, but not without loss and not without
wondering if her decision was worth it.
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MINER HALL
FADE IN:
EXT. PENNSYLVANIA AVE, WASHINGTON D.C. - DAY
Almost 10,000 WOMEN fill the street in a long procession that includes nine BANDS, four
mounted BRIGADES, three HERALDS and 20 FLOATS. It is quite a spectacle.
Women from every walk-of-life organize themselves in order of their state, as a riotous CROWD
of thousands of hostile male on-lookers surround them.
TITLE: WOMEN’S SUFFRAGE PARADE MARCH 3, 1913
A group of twenty-two refined, black SORORITY GIRLS gather and arrange themselves among
the other earnest, yet trepidatious, women’s groups, organized by state and individual female
marchers.
Among the sorority girls is MADREE PENN, barely 18 years-old, a petite, colored girl with a
bronze skin tone, a heart-shaped face, bright eyes and a determined stance.
MADREE (V.O.)
I must wonder, however did I get here? A small
town girl like me, making history on the eve of
President Woodrow Wilson’s inauguration...
Amidst the chaos, Madree takes in her surroundings. Countless SIGNS wave from the sidewalk
that read:
GO BACK TO THE KITCHEN WHERE YOU BELONG.
Men flick and blow ashes toward them from their lit cigars. Amidst the rain of ashes, a herald
rides by on horseback.
HERALD
Sorry for the delay. Please get into position.
We are starting soon.
MADREE (V.O.)
Mine is unacceptable behavior for an intelligent
and promising young woman with culture. But,
it is necessary...
1
The angry CROWD shouts slurs and becomes more aggressive.
HECKLER
Who do you think you are? You can’t vote.
You’re not worthy to shine my shoes. Go home!
The HECKLER spits toward the women. Police officers form a human barricade to hold back
the protesting CROWD.
MADREE (V.O.)
Someone must stand for those who cannot stand for
themselves; speak for those who cannot form their
words, march for those whose feet no longer carry them...
Madree proudly takes her place behind a beautiful crimson and cream BANNER that reads:
DELTA SIGMA THETA SORORITY, INC. founded January 13, 1913
MADREE (V.O.) (CONT'D)
I did not choose this cause, this plight, this movement.
It chose me.
DISSOLVE TO:
EXT. OMAHA CENTRAL HIGH SCHOOL - DAY
A modest one-story brick building stands in the middle of endless plains and prairie fields as a
beacon of solitude on its own rural corner of the earth.
TITLE: OMAHA, NEBRASKA June 30, 1911
INT. OMAHA CENTRAL HIGH SCHOOL - DAY
MADREE, (17) passionately recites a bold excerpt from IDA B. WELLS’ Southern Horrors:
Lynch Law In All Its Phases 1892; before her senior class of mesmerized white students and her
teacher, MISS SUADE (31), a tall, pale brunette.
MADREE
A Winchester rifle should have a place of honor
in every black home, and it should be used for
that protection which the law refuses to give...
JAN WYATT (18), a blonde girl with freckles, smiles at Madree and then glances past an empty
desk to her twin brother, LEE WYATT (18) a slight, white boy with blue eyes, as he intently
watches Madree.
Other STUDENTS also notice Lee’s fixed gaze upon Madree, especially, NORA AMES (18) a
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saucy red-head with much attitude. Nora throws a crumpled sheet past Lee’s head but it does
not break his love-sick stare toward Madree.
STUDENTS chuckle and mock him, but Lee remains oblivious.
MADREE (CONT’D)
When the white man who is always the aggressor
knows he runs as great a risk of biting the dust every
time his Afro-American victim does, he will have
greater respect for Afro-American life...
Miss Suade gasps, briefly distracting the students. Then, she quickly composes herself and
stands as Madree adamantly continues.
MADREE (CONT’D)
The more the Afro-American yields and cringes and
begs, the more he must—
MISS. SUADE
Thank you, Madree.
Several STUDENTS roll their eyes and snicker. But, Jan CLAPS for Madree as she takes her
seat in the empty desk between Jan and Lee, directly in front of Nora.
MADREE
By journalist, Ida B. Wells.
MISS. SUADE
I said thank you Madree. Now that’s enough.
Nora snarls at Madree as Miss Suade re-positions herself before the class. Then, Nora raises her
hand.
MISS. SUADE (CONT'D)
Yes, Nora.
NORA
Do you think colored people ought to gun down whites?
MISS. SUADE
Certainly not.
MISS. SUADE (CONT’D)
What you just heard was merely a piece of literature;
nothing to be alarmed about.
3
MADREE
Unless you think lynchings are nothing, there’s much
to be alarmed about, Miss Suade.
MISS. SUADE
While I disagree with lynching, I don’t believe more
violence will solve the problem. We must focus our
efforts on making changes in positive ways.
EXT. OMAHA CENTRAL HIGH SCHOOL - DAY
Madree and Jan hike the plains of Omaha, behind the modest Central High School building.
There are gorgeous grassy hills and slopes for miles.
MADREE
Don’t be sad Jan.
JAN
I just wish you’d change your mind and attend the
University of Nebraska with us. I miss you already.
They spot Lee several yards away as he sets five bottles on a wooden plank with a rifle dangling
from his shoulder.
JAN (CONT’D)
And Lee does also.
(a beat)
Though he will never admit that.
Lee walks toward Madree and Jan.
LEE
You preach about rifles, but how well can you
handle one?
Madree just smiles as Lee raises the rifle and aims. He FIRES and misses the first bottle.
Lee FIRES again. He hits the second bottle and the third bottle.
He lowers the rifle, looks at Madree and grins.
Then, Lee aims and FIRES. He grazes the fourth bottle. It tumbles off the plank but it doesn’t
break.
Jan laughs. Lee cuts his eyes at Jan.
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Lee FIRES again. He hits the last bottle. Then, he lowers the rifle.
As Madree takes the rifle, her fingers glide softly across Lee’s hand. Their eyes lock.
Then, Madree aims the rifle.
LEE (CONT’D)
Wait. I’ll set more bottles.
MADREE
No need.
Madree FIRES and hits the first bottle that Lee missed. Madree aims again, FIRES and shatters
the bottle Lee grazed that’s lying on the ground below the plank.
Jan and Lee stare, astonished.
Then, Nora approaches, from the school, happy to interrupt.
NORA
(to Madree)
Your father sent word to the school. Return home at once.
MADREE
Did he say why?
Nora just looks at Madree. No response.
MADREE (CONT’D)
Well, did you tell him where I was?
NORA
I’m not your personal messenger Madree.
Lee’s eyes sadden as Madree returns the rifle to him and starts back.
LEE
I’ll walk with you.
MADREE
No. You can’t. I’ll get back before dark. It’ll be
alright, don’t worry.
Madree tearfully continues on, while Lee gazes longingly and Jan waves.
JAN
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Good bye.
EXT. PENN HOME - DUSK
A small, but neatly manicured house surrounded by wild flowers sits quietly as the sun sets in the
distance.
INT. PENN HOME, LIVING ROOM - NIGHT
Madree timidly enters the cozy, sparsely decorated living room. There isn’t much furniture
distributed throughout, but each piece is carefully chosen and of the highest quality.
MADREE
Father?
EDWIN PENN, (late 30’s) a brown-skinned man in a railway uniform approaches Madree with
an opened telegram.
EDWIN PENN
Where have you been?
MADREE
Target practice, with Jan and Lee.
EDWIN PENN
Stay away from that boy Madree. It’ll bring you the
worse trouble.
Edwin places the opened telegram in Madree’s hand and she lowers her head.
EDWIN PENN (CONT'D)
Why is Wilbur Thirkield communicating with you
regarding your enrollment to Howard University?
MADREE
I applied to Howard, father.
EDWIN PENN
We spoke about this, Madree. You have a scholarship
to the University of Nebraska. Howard is not for you.
MADREE
I know it’s far away, but powerful men are in
Washington deciding our fate.
EDWIN PENN
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Washington, D.C. is a dangerous place. We moved
here for greater opportunities and a safer life. You’re
all I have left, Madree.
Madree tearfully embraces her father.
MADREE
I love you so much but, Howard has accepted me
and I’m going.
Edwin pulls Madree away from his chest.
EDWIN PENN
It is my obligation and mine alone to determine what
is best for you.
(a beat)
I have already declined Mr. Thirkield.
MADREE
Father, no!
Edwin leaves the room as Madree cries sorrowfully.
EDWIN PENN (O.S.)
The day will come, when you shall understand and
appreciate my decision, Madree.
DISSOLVE TO:
INT. PENN HOME - DAWN
Madree crosses the living room with her suitcase in hand. She places a letter on the mantle next
to a photograph of her father and mother as she leaves.
MADREE (V.O.)
And the day will come, when you shall understand
and appreciate my decision, father.
Madree quietly slips out the door before sunrise.
EXT. OMAHA RAILWAY STATION - DAWN
The sun rises and Madree looks back across the serene Nebraska plains with a heavy heart. She
sighs as she boards the train.
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INT. TRAIN - DAY
As Madree settles in for her two-and-a-half day train ride to Washington, D.C., she notices
BERTHA PITTS (20) an attractive colored girl with a tiny frame, writing in her journal.
Madree approaches Bertha.
MADREE
Pardon me. May I sit with you?
BERTHA
Yes.
As Madree sits, Bertha sets her journal to the side.
MADREE
I didn’t mean to disturb you. My name is
Madree Penn.
BERTHA
It’s a pleasure to meet you, Madree. My name
is Bertha Pitts.
MADREE
Likewise.
BERTHA
Is that a Kansas accent?
MADREE
Why yes. I’m originally from Atchison. We moved
to Nebraska six years ago.
BERTHA
I was born in Winfield, but my family moved to
Montrose, Colorado. I’ve been riding this train for a
whole day and a half already. Did you just board?
Madree nods.
MADREE
Would you mind if I ask, what is your destination?
BERTHA
Washington, D.C. I attend Howard University.
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Madree beams with excitement.
MADREE
I’m on my way to Howard also.
EXT. TRAIN - DUSK
The sun starts its decline as Madree and Bertha talk.
INT. TRAIN - DUSK
MADREE
Oh yes, I know all about the sorority, Alpha Kappa
Alpha. I want to join.
BERTHA
Everyone does. You’ll be eligible for membership
once you’ve proven yourself academically. But
ultimately, the choice is theirs.
EXT. KANSAS CITY, MISSOURI RAILWAY - DUSK
The train pulls into the Missouri station.
WERTIE BLACKWELL (20) waits anxiously scanning the area as other passengers board.
Wertie is a rather animated short girl, with a strong jawline and pointed features.
CONDUCTOR (O.S.)
Last call.
Wertie hopelessly looks around one last time and then she reluctantly approaches the train and
begins to board.
Suddenly, MARGUERITE YOUNG (19) races across the platform and joins Wertie. Marguerite
is a fair-skinned beauty with an oval-shaped face and pouty lips.
MARGUERITE
Wertie! I can’t believe you were going to leave without me.
WERTIE
I didn’t think you would make it.
MARGUERITE
After I travelled all the way from Chicago to get here.
WERTIE
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That’s why I didn’t think you’d make it.
Wertie and Marguerite continue to bicker as they board.
INT. TRAIN - DUSK
As Wertie and Marguerite settle in on the train they approach Bertha and exchange cheek to
cheek kisses.
MARGUERITE
Hello Bertha. Has your summer been grand?
BERTHA
Rather uneventful I’m afraid.
WERTIE
Well, my vacation was far too short.
MARGUERITE
Like it or not, it’s over now Wertie.
BERTHA
(to Madree)
Forgive me; this is Marguerite Young and Wertie Blackwell.
(to Marguerite and Wertie)
Madree Penn will be starting at Howard.
Marguerite shakes Madree’s hand, but Wertie appears distracted.
WERTIE
I’m famished. When will they open the dining car?
BERTHA
(giggling)
Soon Wertie. Soon.
In stark contrast to Marguerite’s poise, Wertie just plops down beside Madree.
WERTIE
So are you entering the Teacher’s College or
Liberal Studies?
MADREE
I - I’m unsure.
WERTIE
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I assume you’re arriving early so that you can
enter your program of choice.
MADREE
I’m actually arriving early to secure my enrollment.
WERTIE
And once you enroll, which course of study do
you plan to pursue?
MARGUERITE
Don’t harass the girl Wertie.
(to Madree)
I’m sorry dear.
A bell RINGS and the attendants open the dining car.
WERTIE
Finally.
Wertie makes her way to the dining car. Madree, Bertha and Marguerite follow.
INT. DINING CAR - NIGHT
They sit at a table as the attendants start serving.
WERTIE
(to Madree)
There’s a war going on at Howard now, so you need
to choose which side you are on.
MADREE
A war?
BERTHA
Don’t terrorize the girl Wertie.
MARGUERITE
Don’t listen to her.
WERTIE
I’m actually trying to be helpful. Consider
yourself warned.
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Wertie starts eating as soon as her plate is set in front of her, while Madree, Bertha and
Marguerite quietly pray over their meal before eating.
EXT. TRAIN - NIGHT
The train goes inside a long dark tunnel.
INT. SLEEPING CAR - NIGHT
Wertie sleeps soundly in her cabin, as does Bertha and Marguerite. But, Madree tosses and
turns, unable to rest.
EXT. LYNCHBURG VIRGINIA RAILWAY - DAY
The train pulls into the station and passengers exit the train.
INT. TRAIN - DAY
Madree, Bertha, Wertie and Marguerite converse and laugh as an attendant approaches.
ATTENDANT
Excuse me ladies, but I must ask you to move
to the back of the train.
MADREE
Sir, we’re very comfortable. May we remain
here please?
ATTENDANT
I’m sorry Miss, but you must move now.
MADREE
I don’t understand why, we’ve been sitting here
the entire time.
WERTIE
It’s because of the color of our skin.
ATTENDANT
The company policy states that when we enter
segregated territory, we must segregate the train.
Wertie, Bertha and Marguerite compliantly rise and start gathering their things in order to
relocate to the back of the train, but Madree, stays planted.
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Wertie, Bertha and Marguerite watch intently as Madree refuses to move.
ATTENDANT (CONT’D)
Please Miss. This is the only way we can ensure
that all of our customers are comfortable.
MADREE
I’m comfortable right here where I am.
ATTENDANT
If you refuse to move your seat, I’ll have to ask
you to leave.
MADREE
Leave? You would evacuate me from this train
even though I paid to ride just like everyone else?
ATTENDANT
Again, I’m sorry Miss; company policy.
Madree considers her options, then she reluctantly rises and gathers her belongings.
MADREE
(deeply disgruntled)
I will move. But I will also write a letter to the
president of the railway.
Madree follows Wertie, Bertha and Marguerite to the back of the train, as the attendants escort
white passengers to the front.
Madree, Wertie, Bertha and Marguerite sit in the cramped, stuffy section at the tail end of the
train.
MADREE (CONT’D)
That is why I’m so excited to attend Howard.
I need the community experience.
WERTIE
You speak as if Howard is the Promised Land,
but it presents its problems also.
MARGUERITE
You must discern which battles are worth fighting.
MADREE
I disagree. Every battle is worth fighting; not just
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the ones you can win.
Wertie nods.
MADREE (CONT’D)
My grandfather fought in the Civil War. He taught
me that it’s neither the artillery, nor the tactic, but
the heart of the soldier that determines victory.
All four girls sit silently reflecting until, two very attractive colored girls board the train.
Both girls are dressed similarly. They’re approximately the same height and build. Their hair
styles are identical.
The only noticeable difference between them is that one girl is light-skinned. Her name is
JIMMIE BUGG (19). And, the other girl has a cocoa brown complexion. Her name is ETHEL
CARR (20).
Jimmie and Ethel sashay down the aisle of the train with a Virginia flair that is distinctly more
aristocratic than the Midwestern girls.
They approach the rear of the train, smile rather nonchalantly at Madree, Bertha, Wertie and
Marguerite; and then, they take a seat on the other side of the aisle, apart from the others.
MADREE (CONT’D)
(whispers)
Who are they?
BERTHA
Jimmie Bugg and Ethel Carr.
WERTIE
We call them the Virginia Queens.
MARGUERITE
They attend Howard also.
WERTIE
But they don’t socialize much with us mere mortals.
Intrigued, Madree watches Jimmie and Ethel interact.
Then, a rather dapper black college boy boards the train stealing Madree’s attention. His name is
EDGAR LOVE (20). Genteel, Edgar acknowledges the girls with a nod, a tip of his hat and
polite smile before sitting a few rows in front.
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BERTHA
(to Madree)
That’s Edgar Love.
MADREE
His name is Love?
WERTIE
Careful Madree. He’s spoken for.
MARGUERITE
He’s Edith Motte’s boyfriend. You’ll meet her.
The train pulls out of the station.
CONDUCTOR (O.S.)
Next stop, Washington D.C.
Madree takes a deep breath and looks out the window.
EXT. WASHINGTON, D.C. RAILWAY STATION - DAY
The train pulls into the Washington, D.C. railway station. First, the white passengers exit the
train. Then Madree steps off the train with the rest of the girls as Edgar makes his way to the
front of the group to lead them.
EDGAR
We’ve arrived early, so we have no transportation.
MARGUERITE
Should we wait?
Madree observes the CROWDS celebrating Independence Day.
MADREE
Is that safe?
EDGAR
We may catch the cable car to Howard. There’s
a waiting station a few blocks away near 15th
Street and H Street.
MADREE
Yes, let’s do that.
BERTHA
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I would rather wait here for our ride.
EDGAR
We have to agree. We must stay together.
MADREE
What’s wrong Bertha?
BERTHA
You have no idea how things are here. The
streets of Washington are unsafe.
WERTIE
But if we all stay together as Edgar suggests,
we should be fine.
MARGUERITE
Come on Bertha, the sooner we get out of here, the
sooner we can get back on campus, settled and relaxed.
BERTHA
Okay.
EXT. DOWNTOWN WASHINGTON, D.C. - DAY
The sun starts to set as Edgar leads the group of black college students. They make their way
through CROWDS of people celebrating Independence Day.
EDGAR
Everyone stay close together and lock arms.
Overwhelmed by the bustling city, Madree’s eyes widen and she takes a deep breath as she tries
to keep up with the swift moving group.
Madree catches Bertha’s trembling hand. She and Bertha pass people picnicking along the
walkways and dancing in the streets.
FIREWORKS go off, startling Madree. She looks around, amazed, as she closely follows
Bertha’s lead. They turn the corner.
EXT. H STREET WAITING STATION - DUST
The Howard students literally race to the cable car and quickly board.
INT. CABLE CAR - DUST
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Each one pays the fare and they all migrate to the back of the bus past white passengers who
stare closely at them. Madree lets out a sigh of relief as she sits with Bertha.
EXT. H STREET WAITING STATION - DUST
The cable car pulls out and drives along the streets of Washington, D.C.
INT. CABLE CAR - NIGHT
They all sit silently during the bus ride to Howard.
EXT. SIXTH STREET NW - NIGHT
The cable car stops and Madree and the Howard students get off the bus. The cable car pulls
away to reveal Howard University. Madree’s eyes widen.
They cross the road and arrive on campus, Madree pauses briefly and observes the GROUNDS
KEEPER as he finishes trimming the hedges near the SIGN that reads:
HOWARD UNIVERSITY, chartered in 1867, “for the education of youth in the liberal arts and
social sciences.”
EXT. HOWARD UNIVERSITY - NIGHT
Howard University spans across twenty acres. The campus overlooks a small lake-sized
reservoir, and on the grounds is General Oliver Otis Howard’s home, the Civil War hero that
furnished the park. There’s an abundance of shade trees and modern brick buildings heated by
steam and electricity.
MADREE
It’s taken a lifetime, but I’m finally here.
BERTHA
Come with us Madree. Miner Hall is just up the trail.
MARGUERITE
That’s the female dormitory where we live.
MADREE
But, I must see President Thirkield.
GROUNDS KEEPER
The administration building is closed for the holiday.
The grounds keeper packs his tools and moves along.
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As Madree scans the campus, she notices that there is virtually no activity on the school grounds.
Bertha, Marguerite and Wertie lead Madree up the path toward Miner Hall.
WERTIE
Miss Hartley won’t be happy about this.
BERTHA
Please, let me speak for you Madree
Madree, Bertha, Marguerite and Wertie arrive at Miner Hall.
EXT. MINER HALL - NIGHT
Miner Hall is the four story colonial style dorm for female students. There’s a garden of ivies
planted out front.
Jimmie and Ethel stroll past them and enter inside. Then, Wertie and Marguerite enter.
INT. MINER HALL - NIGHT
As Madree and Bertha approach the building, MISS HARTLEY (40s), the stern matron who
rules with an iron fist, greets them at the door.
MISS HARTLEY
Welcome back, Bertha. But, I did not approve
any visitors.
BERTHA
Oh no, Miss. Hartley. This is Madree Penn. She’s
a new student. She’ll be starting in a few weeks.
MISS. HARTLEY
I have no documentation for Madree Penn.
Madree hands Miss Hartley the telegram President Thirkield sent extending her an invitation to
attend Howard University. Miss Hartley reads the telegram.
MISS. HARTLEY (CONT’D)
Congratulations young lady, and welcome to Howard.
Now please, tell me why I have no record of you.
MADREE
I must see President Thirkield to finalize my
enrollment status, but the offices are currently closed.
MISS. HARTLEY
18
I see.
MADREE
May I remain here temporarily?
Miss. Hartley frowns.
BERTHA
Madree has nowhere else to go. Please, Miss Hartley?
She considers the proposition.
MISS. HARTLEY
Okay. But, she must stay in your room and you will
be held responsible for her. Is that understood, Bertha?
BERTHA
Yes ma’am.
MADREE
Thank you so much, Miss. Hartley.
Madree proceeds with Bertha inside the beautiful female dorm.
INT. RECEPTION PARLOR - NIGHT
They pass through the dimly-lit Reception Parlor where there is a seating area and a wall case
filled with classic books. A large brick fireplace is the focal point of the room and a large picture
window provides a gorgeous panoramic view of campus buildings and walkways.
BERTHA
I should have warned you about, Miss Hartley. Be very
careful around her. She can easily get you expelled for a
good cause or for no reason at all.
INT. DINING ROOM – NIGHT
They walk through a quaint dining room with tables of various sizes and a separate outside
entrance for young men.
INT. MUSIC ROOM - NIGHT.
Madree peeks inside the elaborate Music Room where there is a phonograph player and a piano
prominently displayed at the center of the room.
MADREE
19
When you described this place, I had no idea it was so
beautiful. I’ve never seen anything like this before.
INT. SEWING ROOM - DAY
Madree and Bertha dip into the Sewing Room where there are several sewing tables with
machines dispersed throughout and racks to hang dresses for fittings and alterations.
BERTHA
This doesn’t compare to my modest upbringing either.
MADREE
But, it is most inspiring.
INT. STAIRWELL - NIGHT
Madree and Bertha make their way up the stairs to the third floor.
BERTHA
Your room will probably be on the first or second
floor because students vie for the upper level rooms.
INT. THIRD FLOOR - NIGHT
Madree and Bertha approach the third floor landing and walk down the hallway toward Bertha’s
room.
BERTHA
The longer you’re here, the better chance you have
to get on a higher floor.
MADREE
More privacy?
BERTHA
Yes. And, further away from Miss Hartley.
They giggle as they enter Bertha’s room.
INT. BERTHA’S ROOM - NIGHT
Bertha’s room is sweetly decorated with muted tones and pastels. There’s a small desk with a
typewriter by the window.
MADREE
20
How lovely.
BERTHA
Thank you. My new roommate, Winona Cargile,
won’t be here for several weeks so you are welcome.
Bertha starts unpacking her clothes.
MADREE
What is she like?
BERTHA
Though she visited campus several months ago, I
didn’t meet her. I’m told, Winona is a real peach:
flirty, fun, full of life. And, the AKA’s are already
interested in her.
MADREE
Really? I sure hope my roommate is nice.
BERTHA
You’ll probably have two roommates.
BERTHA (CONT’D)
Our bedroom suites accommodate two or three girls
and freshmen frequently get two roommates.
Bertha notices the look of concern on Madree’s face.
BERTHA (CONT'D)
Don’t worry, you will make life-long friends here. This
will be one of the most precious times of your life.
Encouraged, Madree smiles as she ponders her words.
INT. ADMINISTRATIVE BUILDING - DAY
Madree anxiously waits in the lobby as GEORGE W. COOK (30s), the black university
secretary and business manager, approaches.
GEORGE COOK
Miss Penn, do you have an appointment to see President
Thirkield?
MADREE
No sir. I just arrived from Omaha to confirm that I intend
21
to enroll.
GEORGE COOK
I’m sorry Miss Penn, but you are not listed as
one of our incoming freshman.
MADREE
(losing patience)
I can clear that up if you’ll allow me.
Then, PRESIDENT THIRKIELD himself, a 45 year-old tall regal-looking white man with
hollow eyes, steps into the lobby and greets Madree.
PRESIDENT THIRKIELD
Welcome to Howard, Miss Penn. Please, join me in my
office.
INT. PRESIDENT THIRKIELD’S OFFICE - DAY
Madree enters the plush office and takes a seat. President Thirkield sits behind his over-sized
desk and looks Madree squarely in the eye.
PRESIDENT THIRKIELD
When your father notified us that you would not be attending
Howard, we gave your place to another student.
Devastated, Madree’s eyes well with tears.
PRESIDENT THIRKIELD (CONT'D)
We have a limited class size and limited funding. Unfortunately,
we don’t have the room nor the resources to accommodate you.
MADREE
President Thirkield, I turned down scholarships from the
University of Nebraska and the University of Iowa. I left my
father heart-broken and all alone. I gave up everything and
traveled more than 1,200 miles to be here.
PRESIDENT THIRKIELD
I appreciate your sacrifice, Miss Penn, and I know that you
would have been an asset to Howard, but I am at a loss.
MADREE
No, President Thirkield, it appears that I am the one who
has lost.
22
Madree rises and heads toward the door. Tears roll down her cheeks as she turns back toward
President Thirkield.
MADREE (CONT’D)
There must be something I can do.
PRESIDENT THIRKIELD
I’m afraid not Miss Penn.
Deeply wounded, Madree removes herself from the office and shuts the door behind her.
INT. BERTHA’S ROOM - NIGHT
Madree and Bertha get ready for bed.
MADREE
Apparently Howard has neither the room, nor enough
resources for me.
BERTHA
Will you go back to Omaha?
MADREE
I can’t go back.
BERTHA
Then, what will you do?
Madree thinks for a moment.
MADREE
I will find the room and the resources that’ll allow me
to stay. I must stay.
INT. HOWARD LIBRARY - DAY
Madree approaches, MISS NASH, the librarian (50s), a reserved woman with a frail physique,
behind the resource desk.
MADREE
Please direct me to any documents you have on
the establishment of Howard University.
MISS NASH
23
Are you requesting historical documents from 1867?
MADREE
Yes, that and information on Howard’s funding
structure, and legacy of financial support.
MISS NASH
Are you a student here?
MADREE
Well I...I will be once the semester begins.
Miss Nash scowls.
MADREE (CONT’D)
This is public information, is it not?
MISS NASH
Might I ask your purpose for requesting this
information?
MADREE
I’m a journalist. Well, I will be, just like Ida B. Wells.
I am elated to be here and I want to know all there is to
know about Howard.
MISS NASH
This is a highly unusual request. I’m not exactly certain
where to direct you.
Miss Nash walks out from behind the counter and joins Madree.
MISS NASH (CONT'D)
But it’s refreshing to meet a young woman so genuinely
enthusiastic about her future. Come with me.
Miss Nash takes Madree to a catalog of reference material where she might find the information
she seeks.
INT. HOWARD LIBRARY - NIGHT
Madree and Miss Nash continue to sit and toil through document after document. Finally
Madree finds something.
MADREE
Congress chartered Howard March 2, 1867 and funded it
24
primarily with endowments, private benefaction, and tuition.
Madree looks up from the document.
MADREE (CONT’D)
Who are these benefactors? Can they donate more?
They continue to examine the research documents.
MISS NASH
Now most of Howard’s funding comes from an annual
congressional appropriation of the U.S. Department of
Education.
Madree’s eyes light up.
MADREE
Is Booker T. Washington on Howard’s Board of Trustees?
MISS. NASH
He certainly is. And, according to the Howard Journal,
Mr. Washington will be here next week.
(looking at the clock)
It’s getting late.
MADREE
Do you mind if I stay a little longer?
MISS. NASH
A few more minutes, then I must close for the evening.
MADREE
Thank you.
Madree feverishly jots down notes and names from the research documents while Miss Nash
straightens up and prepares to close the library.
INT. BERTHA’S ROOM - DAY
Madree sits at the desk typing on the typewriter as Bertha relaxes on her bed with a book.
BERTHA
There’s no way you can do this.
MADREE
25
Where there is a will, there is always a way.
BERTHA
You can’t even leave campus without Miss Hartley’s
express permission or without a chaperone.
Madree stops typing momentarily.
MADREE
If I were a student here; but I’m not. Not officially. Not yet.
BERTHA
Miss. Hartley holds me personally responsible for you.
(sighs lamenting)
If anything happens to you, I would be in a lot of trouble.
Madree stares sympathetically at Bertha as she considers her predicament.
MADREE
Where will I find a chaperone? It will be a couple of weeks
before most of the faculty and students return to campus.
Madree drops her face into her hands.
EXT. HOWARD UNIVERSITY - DAY
Madree leaves Miner Hall and wanders aimlessly around the largely deserted campus. She
strolls toward the prominent entrance of the university.
There is no gate, no wall, nothing separating Madree from the outer limits of Washington, D.C.
and beyond.
Madree inches toward edge of the campus border, then pauses as she looks back toward Miner
Hall and then up at the sky.
MADREE
God, grant me serenity, to accept the things I cannot
change; courage, to change the things I can; and
wisdom, to know the difference.
Madree sadly turns and continues wandering down a lonely path, toward the administration and
academic buildings.
INT. ADMINISTRATIVE BUILDING - DAY
26
President Thirkield glances out the window and notices Madree walking on campus.
PRESIDENT THIRKIELD
George?
George Cook approaches President Thirkield.
GEORGE COOK
Yes, sir.
PRESIDENT THIRKIELD
Is this Madree Penn I see outside? Is she still here on campus?
George Cook looks out the window.
GEORGE COOK
That does look like Miss Penn. But I’m not sure.
PRESIDENT THIRKIELD
Would you find out for me, please?
GEORGE COOK
Certainly, I’ll see what I can do.
George Cook leaves, but President Thirkield continues to watch Madree stroll along the path
until she disappears out of sight.
INT. MINER HALL RECEPTION PARLOR - NIGHT
Bertha greets Madree as soon as she re-enters the building.
BERTHA
Madree, where have you been? I was so worried.
MADREE
Just walking, thinking and praying. Is it supper time?
Bertha nods.
BERTHA
It occurred to me after you left, there is one way off
campus without getting into trouble with Miss Hartley.
MADREE
How?
27
BERTHA
Church.
MADREE
Church?
BERTHA
Yes Madree, church is a social event.
Madree smiles as they exit the parlor.
MADREE
God moves in mysterious ways.
INT. MINER HALL DINING ROOM - NIGHT
Madree and Bertha eat supper at the table with Wertie and Marguerite, while Jimmie and Ethel
sit at a small table in the corner, off to themselves.
Nine ALPHA KAPPA ALPHA sorority girls share a large table in a cliquish manner near the
dining room entrance. The AKA’s are all wearing either pink or green dresses and pearls.
Madree doesn’t take her eyes off them. She observes their table etiquette, their poise and how
they interact.
Two new arrivals from the Carolinas, MAMIE REDDY (20) and EDITH MOTTE (19), Edgar
Love’s girlfriend, enter the dining room and sit for supper.
Mamie Reddy is a slender dark-skinned girl with sharp chiseled features.
Edith Motte has a fair complexion, a round face and high cheekbones.
Madree notices a few of the AKA’s smile at Edith and whisper to one another as she passes.
BERTHA
Miss Hartley attends Metropolitan Church every Sunday.
Sterling Brown is pastor. He’s also a professor here at
Howard and his daughter, Edna attends classes.
MARGUERITE
Edna Brown is the smartest, most beautiful girl in our class.
Madree barely touches her food as she listens closely, while Wertie gobbles down her food true
to form.
BERTHA
And she’s also the kindest, gentlest, girl you will
28
ever meet. Edna will gladly pass your letter along
to her father and he can deliver it to Mr. Washington.
Madree shreds tears of joy.
MADREE
This is wonderful news. I had almost given up hope.
WERTIE
There’s an entire group of D.C. girls that attend Howard
and you can find all of them at Metropolitan Church.
Madree rises and hugs her friends across the table.
MADREE
I must go finish my letter.
As they continue eating, Madree races past the AKA table and up the stairs toward the bedroom.
WERTIE
Make it good.
MADREE
I will.
EXT. METROPOLITAN CHURCH - DAY
As Madree and Bertha quickly hasten toward the rather large, modern church building with Miss
Hartley, they hear MUSIC playing and a CHOIR singing praises.
MISS HARTLEY
Hurry along girls, we’re late.
INT. METROPOLITAN CHURCH - DAY
Madree and Bertha enter the crowded, contemporary sanctuary with Miss Hartley. Bertha smiles
and waves at several people as they take their seats.
The pews are lined with Howard University faculty, staff, alum, students and their families.
Madree looks around the sanctuary impressed by the dignified, affluent looking black
congregation as STERLING BROWN (early 40’s) a tall, handsome, charismatic, Afro-American
gentleman with a commanding presence approaches the lectern.
STERLING BROWN
The book of James chapter 2 verse 17 declares, “Faith
29
without works is dead”...
Many affirming “AMENS” from the audience.
STERLING BROWN (CONT’D)
We say we believe in a better life, in equality, in a new day
for Afro-American people in this country. But, what are we
doing to ensure this?
Intrigued, Madree pays close attention to his words.
STERLING BROWN (CONT’D)
How are we moving toward this? What’s our plan? When do
we put our plan to action? God helps those who help themselves.
APPLAUSE from the audience.
Stirred, Madree rises to her feet and vigorously claps in response to Sterling Brown’s poignant
exhortation.
Other audience members, including Bertha and Miss Hartley, stand, following Madree’s lead,
until Pastor Brown receives a standing ovation.
INT. METROPOLITAN CHURCH - DAY
After service, Bertha brings Madree toward the front of the church to Sterling Brown. They wait
patiently as he shakes hands with members of the congregation in the form of a receiving line
until it’s their turn.
STERLING BROWN
Hello, Miss Pitts. Good to see you in service this morning.
BERTHA
Professor Brown, I want you to meet my friend, Madree
Penn. She’s new to Howard.
STERLING BROWN
Welcome Miss Penn. It’s a pleasure to meet you.
They shake hands.
MADREE
I enjoyed your sermon very much. It was most enlightening.
I especially enjoyed how you tied the scripture to practical
action that should be taken today.
30
STERLING BROWN
Thank you, Miss Penn.
MADREE
I would love to learn more about local activities in which
I can participate.
STERLING BROWN
Certainly, there are many opportunities and we definitely
encourage involvement.
EDNA BROWN (19), Sterling’s stunning daughter approaches and greets Bertha with a kiss on
the cheek. Edna is as graceful as a dove, with a dewy olive complexion, delicate features and a
gentle demeanor.
STERLING BROWN (CONT'D)
Edna, this is Miss Madree Penn. She’ll be attending Howard
this year.
Edna smiles warmly as she extends her hand.
EDNA
You will love Howard, Madree.
Madree accepts Edna’s friendly handshake and then turns back toward Sterling.
MADREE
I was hoping I could to speak with you.
STERLING BROWN
Yes, of course.
Madree pulls out the letter she’s has type-written.
MADREE
I know that Mr. Washington will be in town this week and I
would greatly appreciate it if you would deliver this letter to
him on my behalf.
Sterling and Edna look at each other and grin.
STERLING BROWN
You can deliver it yourself.
MADREE
31
Pardon me?
STERLING BROWN
Mr. Washington is standing right there.
Sterling points toward the door. Madree turns and sees BOOKER T. WASHINGTON standing
near the door, speaking with Miss Hartley.
Booker T. Washington is a light-skinned, middle-aged, educator and political leader, with a
square jaw-line and pensive eyes.
Sterling walks Madree over to Booker T. Washington.
STERLING BROWN (CONT’D)
Mr. Washington, I would like to introduce you to Miss
Madree Penn, a new student at Howard.
BOOKER T. WASHINGTON
Well, good morning, Miss Penn.
MADREE
(star struck)
Sir.
STERLING BROWN
Miss Penn has something for you.
MADREE
Oh, yes.
Madree extends her letter to Mr. Washington. He takes it.
BOOKER T. WASHINGTON
Thank you, Miss Penn.
Booker T. Washington slips Madree’s letter into his breast pocket as Sterling returns to the front
of the church. Madree continues standing in front of Booker T. Washington while Miss Hartley
converses with other members of the congregation.
MADREE
Will you read my letter, sir?
BOOKER T. WASHINGTON
I will, eventually. But, since I’m here standing before you;
why don’t you just tell me the contents of your letter?
32
Madree takes a deep breath as she sits on the back pew with Booker T. Washington.
MADREE
Mr. Washington, I’m petitioning to recover my enrollment
at Howard.
MADREE (CONT’D)
I was accepted, but I lost my position in the incoming
freshman class to another student.
BOOKER T. WASHINGTON
Is Howard the only school you applied to?
MADREE
No sir. I received scholarships to the University of
Nebraska and Iowa.
BOOKER T. WASHINGTON
Those are good schools. Why don’t you attend one of them?
MADREE
I need to be here. My dream is to become a journalist, a
national journalist.
BOOKER T. WASHINGTON
That’s quite a lofty dream for such a young girl.
MADREE
Ida B. Wells is my inspiration. I want to speak the truth,
the bold, unadulterated truth, just like she does.
BOOKER T. WASHINGTON
I wish you well Miss Penn, because the truth is exactly
what we need.
MADREE
I know you’re on the Board of Trustees at Howard.
BOOKER T. WASHINGTON
You’ve done your homework. That’s the first step to
becoming a good journalist.
MADREE
Sir, if there is anything you can do to help. I’d be greatly
indebted to you.
33
BOOKER T. WASHINGTON
I shall see what I can. But the only debt you can repay me,
is to become the best journalist the world has ever known.
Madree smiles brightly as she hangs on his every word. Finally, Miss. Hartley and Bertha
approach. Miss Hartley clears her throat.
BERTHA
Please excuse us. Are you ready, Madree?
MADREE
Yes, I am.
Madree rises and shakes Mr. Washington’s hand. A serene expression spreads across her face.
MADREE (CONT’D)
(to Booker T. Washington)
I appreciate your time, Mr. Washington. It’s been an honor.
BOOKER T. WASHINGTON
Likewise, Miss Penn.
Madree leaves the sanctuary in awe with Miss Hartley and Bertha.
EXT. METROPOLITAN CHURCH - DAY
Behind Metropolitan Church are picnic tables lined with food. Members of the congregation are
dispersed throughout eating, laughing and talking. Among them are Howard University faculty,
staff, alum, students and their families.
Edna Brown is also outside, with several other D.C. GIRLS who attend Howard. The D.C.
GIRLS are OLIVE JONES, ELIZA SHIPPEN and FLORENCE LETCHER, all extremely
intelligent and poised young women with sophisticated confidence.
Madree and Bertha join the D.C. GIRLS as they converse.
OLIVE
Should we no longer have an appreciation for the study
of classical subjects such as Greek and Latin?
EDNA
Certainly we can appreciate them, but how useful are they?
FLORENCE
34
Our people must be taught reading, writing and basic arithmetic.
ELIZA
Spoken like a true protege of Mr. Booker T. Washington.
(noticing Bertha)
It’s wonderful to see you, Bertha. So glad you had a safe
trip back.
Each girl greets Bertha with a hug.
OLIVE
Who’s your friend?
BERTHA
This is Madree Penn. She’s interested in women’s rights
and she wants to change things by the power of her pen.
ELIZA
Well that’s quite an introduction.
FLORENCE
What are your thoughts, Madree?
MADREE
I think all forms of education are important, classical
and practical; because the more educated we are the better
our position will be as we strive for fairness and equality
as blacks and as women.
EDNA
That may be, but practicality is key to making a relevant
impact within our own communities.
FLORENCE
It’s time we roll up our sleeves and go to work, pulling
our brothers and sisters up -OLIVE
One by one if we have to.
INT. MINER HALL DINING ROOM - NIGHT
As Madree and Bertha share a meal alone at the table, Miss Hartley enters the room with a
scowl.
MADREE
35
What is it, Miss Hartley?
MISS HARTLEY
You were dishonest with me, Madree Penn. I received
word from President Thirkield’s office that you are not
enrolled, nor are you listed among our incoming freshman.
Therefore, you are not authorized to reside here.
MADREE
But it was a miscommunication, Miss Hartley. Everything
will be straightened out. I just need more time.
MISS HARTLEY
I’m afraid I must ask you to leave.
BERTHA
But Miss Hartley, she has nowhere else to go.
MISS. HARTLEY
(ignoring Bertha)
Our car service is on the way to take you back to the train
so you can return home safely.
Madree’s eyes fill with tears.
BERTHA
Oh no, Miss Hartley-MISS HARTLEY
(to Bertha)
Not another word.
(to Madree)
Go upstairs and pack your things. The car will be here shortly.
Bertha follows Madree upstairs.
INT. BERTHA’S ROOM - NIGHT
Bertha helps Madree pack her clothes in her suitcase.
BERTHA
Please don’t give up, Madree.
As Madree looks at Bertha with a hopelessly distraught expression, a car horn HONKS outside.
36
INT. STAIRWELL - NIGHT
Madree and Bertha descend the stairs to find all of the girls waiting and watching with sad
expressions. Marguerite and Wertie give Madree hugs.
WERTIE
Take care of yourself.
Even Jimmie and Ethel bid Madree farewell with warm gestures of friendship as she approaches
the door.
EXT. MINER HALL - NIGHT
Madree and Bertha hug and exchange their good byes as JACKSON (60s), the black driver,
loads her suitcase in the car. Miss Hartley sees her off.
MADREE
Please accept my apology, Miss Hartley. I should have
been more honest with you.
MISS. HARTLEY
Be careful, child.
Jackson opens the car door and Madree climbs inside. They drive away.
INT. CAR - NIGHT
Jackson observes Madree through the rearview mirror as she sobs in the back seat.
JACKSON
Miss, are you alright?
Madree straightens her posture and composes herself.
MADREE
My name is Madree. Thank you for asking. What is your
name, sir?
JACKSON
I’m Jackson.
MADREE
I’m glad to meet you, Jackson.
JACKSON
It’s a nice night. Hopefully your train will be on schedule.
37
Madree looks out the window, still tearful.
JACKSON (CONT’D)
Where are you headed, Miss Madree?
She sighs.
MADREE
I’m not sure, Jackson.
JACKSON
Ma’am?
MADREE
I’m not leaving Washington.
JACKSON
But my instructions are to take you directly to the train.
MADREE
And you will. But I won’t be boarding any train.
At least, not tonight.
JACKSON
Then, what will you do? Where will you go?
MADREE
I’m unsure. But, I will figure something out.
She stares back out the window.
MADREE (CONT’D)
I have to.
EXT. WASHINGTON D.C. RAILWAY STATION - NIGHT
The car pulls into the station. Jackson helps Madree out of the car with her bag.
JACKSON
Miss Madree.
MADREE
Thank you, Jackson.
38
He walks slowly back toward the car, then looks back at Madree.
JACKSON
Miss. Madree?
MADREE
Yes, Jackson.
JACKSON
Washington is a dangerous place. Please be careful.
MADREE
I will.
Jackson gets in the car, but instead of exiting the station, he parks in a stall while Madree walks
out of the station with her suitcase toward Main Street.
EXT. MAIN STREET - NIGHT
Madree walks down Main Street with her suitcase in hand. She approaches a restaurant that has
a SIGN posted on the front door that reads: WHITES ONLY.
Madree pauses briefly as she observes DINERS inside the all-white establishment. The DINERS
stare icily back at her as she continues down the street.
As Madree continues along toward a BOARDING HOUSE at the corner, she passes a closed
DRESS SHOP and an all-white BARBER SHOP in route.
SAM (50s), a crude, surly, white racist barbershop owner walks out of the barber shop and lights
a cigar as Madree treks by. He looks Madree up and down as she passes.
SAM
You’re in the wrong part of town, girl.
Madree doesn’t respond. She continues her stride without missing a step until she approaches
the BOARDING HOUSE at the corner.
She knocks. No answer.
Madree knocks again. No answer.
Finally, the door cracks open to slightly reveal an elderly, white HOUSE MOTHER.
HOUSE MOTHER
What do you want?
39
MADREE
I need a room for the night, please.
HOUSE MOTHER
We’re full.
MADREE
Ma’am, please? I won’t cause you any trouble.
HOUSE MOTHER
This is an all-white establishment. There’s no room
for you here. Now go.
The door slams shut in Madree’s face.
Slowly she turns and walks back toward the train station.
Sam steps in front of her blocking her path.
MADREE
Excuse me, sir.
Sam doesn’t move.
SAM
You can stay with me.
Madree tries to walk around him, but Sam grabs her. Madree drops her suitcase.
Sam starts pulling her toward the BARBER SHOP.
MADREE
(crying)
No! Stop! Please!
Sam continues to pull Madree forcing her toward the door until...
HONK HONK, the car horn BLOWS and Jackson pulls up with the TEXAS GIRLS: MYRA
DAVIS, JESSIE MCGUIRE, ZEPHYR CHISOM and FREDERICA CHASE.
Myra (20), Jessie (19) and Zephyr (20) all have dark skin and ethnic features while Frederica
(18), the freshman, is of mixed descent with fair skin, thin lips and wavy hair.
Before Jackson comes to a complete stop, Myra, Jessie and Zephyr pour out of the car, startling
Sam. They boldly surround Sam and Madree, while terrified, Frederica remains inside the car.
MYRA
40
Madree! There you are. We’ve been searching for you.
Madree stands speechless, looking horrified and relieved at the same time.
JESSIE
Our train arrived late. Why didn’t you wait for us at the
station?
ZEPHYR CHISOM glares at Sam as she picks up Madree’s suitcase.
Sam reluctantly releases Madree.
JESSIE (CONT’D)
Thank you, sir.
ZEPHYR
(still glaring at Sam)
We’d better hurry along.
They all quickly pile inside the car and Jackson speeds off. Sam lights another cigar as he
watches the car drive away.
INT. CAR - NIGHT
Jackson drives anxiously watching Sam through his rearview mirror, as the girls scold Madree.
MYRA
Never do that again. You could have gotten yourself -ZEPHYR
And all of us killed.
JESSIE
This may not be the south, but -JACKSON
These Washington D.C. streets are no place for a
proper young lady.
MADREE
Then, where shall I go? Because, I cannot return home.
MYRA
Cannot? Or, you will not?
JESSIE
41
Don’t be rude, Myra. You see, the poor girl is
traumatized.
(to Madree)
My name is Jessie, that’s Myra. And this is Zephyr.
(to Frederica)
I’m sorry, I’ve forgotten your name.
FREDERICA
I’m Frederica Chase. I’ll be starting as a freshman.
MADREE
My name is Madree Penn.
JESSIE
We just arrived on the train from Texas.
Madree finally takes a moment and looks at the girls, observing how finely dressed and graceful
they are.
MADREE
Do all of you attend Howard?
MYRA
Yes, we do. Why were you asked to leave campus,
Madree. What did you do?
JESSIE
Myra!
MYRA
She must have done something.
MADREE
I didn’t do anything.
ZEPHYR
Then why aren’t you safely tucked away in your
dormitory room now.
MADREE
Because President Thirkield gave my scholarship and
my position in the class to another student.
FREDERICA
Oh no, that’s awful.
42
MADREE
I need to stay here. If I’m forced to go back home, I
may never have another opportunity to return. My father
is strict. I have defied and shamed him.
FREDERICA
Certainly your father loves you. I’m sure he’ll forgive you.
MADREE
He will. But, I cannot forgive myself. Success is my only
redemption, and I must accomplish it here in Washington.
MYRA
Do you have a plan, Madree?
Madree shakes her head.
MYRA (CONT'D)
You need one, a good one.
JESSIE
You think your father is strict? President Thirkield is
austere and quite unsympathetic to the female plight.
ZEPHYR
He thinks women are to be seen and not heard.
MYRA
We’d better get you to a safe place. At least until you
find your bearings.
EXT. WASHINGTON, D.C. - NIGHT
As Jackson continues driving the streets of Washington, D.C., Madree stares out the window
with an expression of despair.
EXT. FLORENCE LETCHER’S HOUSE - NIGHT
Jackson pulls up to a modest home. He parks, then opens the door and lets Myra out of the
vehicle.
Myra approaches the front door and knocks. Door opens and MRS. LETCHER (40s) a tall, lean
woman with a warm disposition greets Myra. She turns and beckons the girls in the car.
EXT. CAR - NIGHT
43
Jackson opens the car door and the girls file out.
MADREE
Where are we?
ZEPHYR
A safe place.
Madree follows the girls inside the house.
INT. LIVING ROOM - NIGHT
The home is small and quaint, but decorated rather exotically with stark earthy tones. There are
molds and statues of elephants dispersed throughout. Mrs. Letcher leads them to the kitchen.
MRS. LETCHER
Quiet girls, Mr. Letcher is asleep. He has work tomorrow.
INT. KITCHEN – NIGHT
As they enter the kitchen, Florence rises from the table.
FLORENCE
Welcome back, girls.
Myra, Jessie and Zephyr rush over and give Florence a hug. Frederica and Madree lag slightly
behind.
MYRA
Florence, this is Frederica.
FLORENCE
Hello.
MYRA
And, this is Madree.
FLORENCE
I know. We met at church last Sunday. It’s nice to see
you again, Madree. Welcome to my home.
MADREE
Thank you so much for having me.
Jackson enters the kitchen with Madree’s suitcase,
44
MRS. LETCHER
I’ll show you where you can put that.
Mrs. Letcher leads Jackson out of the kitchen.
MYRA
Forgive us for arriving unannounced.
FLORENCE
Please, sit.
ZEPHYR
I’m afraid we don’t have time. We’re late as it is and
Miss Hartley -FLORENCE
Say no more. You’d better hurry.
Mrs. Letcher returns to the kitchen with Jackson.
FLORENCE (CONT’D)
Madree and I will sort this through.
MYRA
Thank you, Mrs. Letcher.
JESSIE
Indeed. We appreciate you’re kindness and hospitality.
Florence’s mom smiles graciously as the girls quickly follow Jackson out of the house.
JACKSON (O.S.)
I’ll be back tomorrow for Florence, Mrs. Letcher.
MRS. LETCHER
Yes Jackson. See you tomorrow.
EXT. FLORENCE’S HOUSE - NIGHT
They all pile back into the car and speed off.
INT. KITCHEN - NIGHT
As Mrs. Letcher puts on a pot of tea at the stove, Madree sits at the table with Florence.
FLORENCE
45
Now tell me Madree, what’s wrong.
MADREE
I’ve found myself in a bit of a predicament and I don’t
know what to do.
FLORENCE
Go on.
MADREE
I lost my position as part of the in-coming freshman
class when my father declined President’s Thirkield.
FLORENCE
And you travelled here regardless?
MADREE
Yes, hoping to secure my enrollment without father’s
consent. I refuse to return to Omaha because I know my
place is here.
FLORENCE
I see.
MADREE
What can I do Florence?
FLORENCE
You can petition Howard’s board of trustees to make an
exception for you. However, I must tell you that the men
on the board are quite conservative.
Mrs. Letcher serves tea to Madree and Florence.
MADREE
(to Mrs. Letcher)
Thank you very much.
FLORENCE
They may see your actions as reckless and rebellious,
preferring that you do not attend Howard.
MADREE
Won’t they understand how badly I want to be here?
46
FLORENCE
Someday your boldness will be admired Madree.
But it’s likely that President Thirkield and the board will
fear your power rather than embrace it.
Madree sips her tea with the most discouraged expression.
FLORENCE (CONT’D
Let’s rest for now. Tomorrow may present us with greater
insight. Ironically, I will be observing the Howard board
meeting tomorrow.
MADREE
May I join you?
FLORENCE
Absolutely not. Only students, faculty and staff are invited
to observe the first board meeting of the semester. You’re
not a Howard student. Your presence would be intrusive.
MADREE
Oh please, Florence. The entire board will be there. It may
be my only chance.
FLORENCE
You don’t understand. We merely sit and observe the meeting.
There is no interacting with board members.
MADREE
I see, but I still want to go.
Florence looks suspiciously at Madree as they finish their tea. Then, they retire.
INT. FLORENCE’S BEDROOM - NIGHT
Inside Florence’s bedroom is a massive collection of elephant molds, statues and trinkets.
FLORENCE
You may sleep in my bed Madree.
MADREE
Oh no, Florence, I wouldn’t dream of it.
FLORENCE
Please, I insist.
47
Florence places additional bedding on the floor next to the bed. She and Madree turn in for the
night.
MADREE
Florence?
FLORENCE
Yes Madree.
MADREE
May I ask, why do you have so many elephants?
FLORENCE
I love elephants. I collect them everywhere I go because
they symbolize strength and the uplifted trunk represents
high goals.
MADREE
That’s fascinating. I had no idea.
EXT. CAR - DAY
Jackson drives Madree, Florence, Olive, Eliza and an incoming freshman from Washington, D.C.
named, VASHTI TURLEY to Howard.
Vashti (18) has fair skin, rosy cheeks and a stylish persona.
EXT. HOWARD UNIVERSITY - DAY
Jackson opens the car door and the girls climb out. Madree looks around. She observes a very
different campus bustling with activity.
More students have arrived. They’re moving into the dormitories, walking along the quads,
conversing about literature, politics and religion, relaxing under shade trees, filling the grounds
with a spirit of youth and community. And, they are all black. Madree smiles brightly as she
takes it all in.
Then, Madree and the girls dash across campus to the conference center for the board meeting.
INT. HOWARD UNIVERSITY CONFERENCE HALL - DAY
Madree, Olive, Eliza, Florence and Vashti enter the crowded lecture hall filled with STUDENTS
and FACULTY. They take the last few empty seats near the back of the room just seconds
before the proceedings begin.
48
Several rather distinguished, important looking MEN sit at a round table in the front of the room.
President Thirkield, George Cook and Booker T. Washington are accompanied by the other two
BLACK DEANS: LEWIS B. MOORE (mid 30s), the conservative officiant and KELLY
MILLER (31), the handsome dean of the Liberal Arts School.
Lewis B. Moore hits the gavel.
LEWIS MOORE
This meeting is called to order. Howard University President,
Wilbur P. Thirkield presiding.
PRESIDENT THIRKIELD
Good afternoon gentlemen and welcome to the new academic
year. Let’s get started.
LEWIS MOORE
First, we’ll have a report of the Commercial College.
Madree scans the room. There are at least five times as many male students as there are female
students present. She spots Bertha, Wertie and Marguerite near the wall. Madree smiles and
Bertha waves back at her.
GEORGE COOK
I’m happy to report that the Commercial College has not only
maintained its high academic standing, we have surpassed our
expectations especially in our business, commercial law and
bookkeeping courses.
PRESIDENT THIRKIELD
Excellent.
Madree also spots Texas girls: Myra, Jessie and Zephyr seated near the front.
George Cook proudly hands his typewritten report to President Thirkield.
LEWIS MOORE
Next, the Liberal Arts School.
KELLY MILLER
The Liberal Arts School is flourishing in its practical courses of
study such as English, mathematics, biology, history, philosophy
and the social sciences. However -PRESIDENT THIRKIELD
However?
49
KELLY MILLER
There is a marked decline in the classics; Latin, Greek, French
and German.
PRESIDENT THIRKIELD
I see.
Booker T. Washington gives President Thirkield a smug look.
LEWIS MOORE
Well, there is overwhelming interest in the Teacher’s
College and exponential growth in the Education Department.
Madree observes Florence, Olive and Eliza as they glance at each other.
PRESIDENT THIRKIELD
That is good, but students shouldn’t sacrifice the culture of
the classics. We must remedy this gentlemen.
LEWIS MOORE
The last order of business on the agenda is matriculation.
Our enrollment is up more than thirty-five percent from last
year and we have received all of our funding.
BOOKER T. WASHINGTON
We are applying to additional funding sources also, private
benefactors as well as endowments.
PRESIDENT THIRKIELD
Wonderful. That will put us in a better position to compete
with larger institutions.
LEWIS MOORE
This brings our meeting to a close.
PRESIDENT THIRKIELD
If there are no questions from the floor, I bid you all a fruitful
academic year.
The board members begin to rise as do the students, faculty and staff.
Madree fidgets anxiously in her chair as Moore raises the gavel. Then, she stands abruptly.
MADREE
(shouts)
50
I have a question from the floor.
Everyone stops and looks at Madree. Caught off guard, Lewis B. Moore hesitates. He lowers
the gravel and then he responds.
LEWIS MOORE
Yes, Miss? You are?
MADREE
Madree Penn.
LEWIS MOORE
Step forward please.
Madree nervously approaches the center aisle and proceeds toward the front of the room with her
knees shaking every step she takes.
She passes Edna and Professor Brown on one side of the aisle and an entire row of AKA’s on the
other, as she continues to the front of the room. All eyes are on Madree.
President Thirkield whispers to Cook, but Booker T. Washington smiles graciously at her.
As Madree approaches the board, she sees the reporters for the Howard Journal on the front row
vigorously taking notes.
LEWIS MOORE (CONT’D)
What is your question Miss Penn?
The silence is deafening before Madree speaks.
MADREE
(voice shaking)
Mr. Washington, will any of that additional funding become
available for students hoping to enroll this semester?
BOOKER T. WASHINGTON
Possibly. At this point, it’s still too soon to tell.
MADREE
Well, do you have any idea, when you might know?
PRESIDENT THIRKIELD
That’s enough, Miss Penn. Yours is a special circumstance,
not something that should be discussed in a public forum.
MADREE
51
President Thirkield, other students may be interested in this
information also. Those on partial scholarship perhaps. Any
student in need of additional financial assistance to help
subsidize his or her education.
Many students begin to sit back down, demonstrating that they are also interested in the funding.
MADREE (CONT’D)
Mr. Washington, will you know before the semester ends?
BOOKER T. WASHINGTON
Yes, definitely. Not only will we know, the money should
be secured before the end of the semester.
MADREE
Thank you, Mr. Washington.
He nods. Then, Madree beams as she turns her attention to President Thirkield.
MADREE (CONT’D)
President Thirkield, would Howard be open to allowing a
student to attend classes on line of credit provided that the
student settles his or her account before the end of the semester?
PRESIDENT THIRKIELD
Miss Penn, first of all, Howard University has no provisions
that allow students to attend classes on credit.
He sighs, exasperated by Madree.
PRESIDENT THIRKIELD (CONT’D)
And secondly, resources aren’t your only issue. There’s also
the issue of class size.
MADREE
There’s space available in your Liberal Arts Program. I’d
love to study the classics.
Students and faculty giggle at Madree’s quick wit, but President Thirkield appears agitated.
MADREE (CONT’D)
I may even be able to inspire other students to join me.
PRESIDENT THIRKIELD
Come to my office tomorrow morning. We’ll discuss your
case then.
52
MADREE
Thank you, sir.
Moore quickly hits the gravel.
LEWIS MOORE
This meeting is adjourned.
President Thirkield, Lewis B. Moore and George W. Cook hastily exit out the side door, while
Kelly Miller and Booker T. Washington remain.
As faculty and students surround Booker T. Washington, Dean Miller approaches Madree and
extends his hand.
KELLY MILLER
I’m Dean Miller. Welcome to the Liberal Arts College.
Madree shakes his hand.
MADREE
But there’s no guarantee that he will allow me to attend.
KELLY MILLER
After that display? Of course you will.
The color drains from Madree’s face as if she’s just realizing what she has done.
And then, Bertha, Marguerite and Wertie approach from one side of the room and Texas girls:
Myra, Zephyr and Jessie approach from the other.
JESSIE
Madree.
MYRA
When I suggested you make a plan, I had no idea you
would do this.
MADREE
I didn’t plan to do this.
WERTIE
Well your name will be in the newspaper tomorrow.
ZEPHYR
53
You can plan on that.
Madree becomes dizzy and disoriented. She sways from side to side.
MARGUERITE
I still can’t believe you did that.
MADREE
I can’t believe it either.
BERTHA
Madree, are you alright?
Madree collapses.
INT. HOWARD UNIVERSITY HOSPITAL - NIGHT
Madree opens her eyes and sees OSCAR JAMES COOPER (21), a bright handsome young
orderly dressed in scrubs wearing glasses.
OSCAR
Feeling any better Miss?
Madree looks around and then starts to rise.
MADREE
What happened?
OSCAR
You fainted.
Oscar helps Madree rise slowly.
OSCAR (CONT’D)
Wait a minute. Take your time.
MADREE
Where am I?
OSCAR
Howard University hospital.
MADREE
What’s wrong with me?
OSCAR
54
You were severely dehydrated. Our summers are intense.
You must drink enough water and keep yourself cool.
MADREE
Am I alright?
OSCAR
Yes. But I must advise you to stay here and get some rest
until the doctor issues your release. You also show signs
of exhaustion.
MADREE
You’re not the doctor?
OSCAR
No, I’m Oscar. I’m just an orderly for now; although I
hope to become a doctor.
Madree smiles.
MADREE
Nice to meet you Oscar. My mother was a nurse.
OSCAR
She was?
MADREE
Yes. She was one of the best. Mother went down to
New Orleans during that outbreak of Yellow Fever. But,
they didn’t have it contained and she became infected.
OSCAR
I’m so sorry. That was just five years ago.
Madree nods.
MADREE
Forgive me, my name is -OSCAR
Madree Penn. Everyone knows who you are; the girl
who publicly debated our university president and won.
Madree’s smile fades instantly.
OSCAR (CONT’D)
55
You’ve become quite famous on campus. That board
meeting will be a topic of discussion for years to come.
MADREE
I was only trying to get back in school. I didn’t mean
to be disrespectful. And I certainly did not set out to
make a name for myself. Not this way.
OSCAR
Well, I think what you did was courageous and inspiring.
Someone should have taken President Thirkield to task
long ago.
He grins.
OSCAR (CONT’D)
We just never thought it would be a bold in-coming
freshman girl from the Midwest. I’m excited to meet you
Madree Penn and I hope that we can become friends.
Oscar gives Madree a drink of water and then she reclines and relaxes her body. Her expression
remains tense although Oscar tries to ease her.
INT. ADMINISTRATIVE BUILDING - DAY
As Madree sits nervously outside President Thirkield’s office waiting to be seen, faculty
members, staff and students pass by staring and whispering.
George Cook emerges and directs her to the office.
GEORGE COOK
Follow me Miss Penn.
INT. PRESIDENT THIRKIELD’S OFFICE - DAY
Madree humbly enters.
PRESIDENT THIRKIELD
Have a seat Miss Penn.
As Madree sits, George Cook shuts the door.
MADREE
President Thirkield.
PRESIDENT THIRKIELD
56
Before you say another word, I need you to know that your
antics won’t be tolerated here at Howard.
MADREE
Yes sir.
PRESIDENT THIRKIELD
And I’m disappointed that you would choose that course
of action.
MADREE
I -PRESIDENT THIRKIELD
That being said, I have decided to allow you to enroll and
pursue course work in the Liberal Arts School.
Madree smiles brightly.
MADREE
Thank you President Thirkield.
PRESIDENT THIRKIELD
Miss Penn, please understand, I’m not rewarding your
reprehensible behavior. I’m actually giving you an
opportunity to redeem yourself.
MADREE
Yes, I understand.
(pause)
Sir, may I move back into Miner Hall?
PRESIDENT THIRKIELD
Yes. Miss Hartley has your room assignment. You may
go there now.
Madree stands.
MADREE
I apologize for any trouble I’ve caused you sir. That was
never my intention.
Madree walks to the door and opens it.
PRESIDENT THIRKIELD
Miss Penn, I’ll be watching you. If you misbehave, you’ll
57
be expelled immediately. Consider this a warning.
MADREE
Good day sir.
Madree leaves President Thirkield’s office.
EXT. ADMINISTRATIVE BUILDING - DAY
She floats out of the building and treks across campus straight toward Miner Hall.
EXT. HOWARD UNIVERSITY - DAY
Many stop, stare, point and whisper as Madree treads across campus. But she’s not dismayed by
all of the attention. Madree continues with unwithering focus and a joyful heart.
EXT. MINER HALL - DAY
As Madree approaches the building, the Virginia Queens, Ethel and Jimmie walk out.
ETHEL & JIMMIE
(in unison)
Hello Madree.
MADREE
(surprised)
Hello.
Madree goes inside.
INT. MINER HALL RECEPTION PARLOR - DAY
As Madree enters, she sees Edgar Love visiting with Edith Motte in the Reception Parlor. Edith
sees Madree.
EDITH
Hello.
Madree smiles but before she can respond with a gracious salutation, Miss Hartley greets her.
MISS. HARTLEY
The prodigal daughter returns.
MADREE
It’s nice to see you Miss Hartley.
58
Miss Hartley looks down at her registry.
MISS. HARTLEY
Your room is on the second floor, third door on the left.
Your roommates are Naomi Sewell and Greta Web. And,
your suitcase is already in your room. Jackson delivered it
last night.
MADREE
Thank you.
INT. STAIRWELL - DAY
Madree proceeds toward the stairs.
MISS. HARTLEY
I expect you to be on your best behavior Miss Penn. I don’t
want any trouble out of you.
MADREE
I’ll be no trouble at all.
Madree continues up the stairs.
INT. MADREE’S ROOM - DAY
Madree opens the door and enters. GRETA (18) is seated at the desk in front of the typewriter.
She turns, looks at Madree and then refocuses her attention to the typewriter.
GRETA is a thin girl with a mocha complexion and a pug nose.
MADREE
Hello, I’m Madree Penn.
GRETA
I know who you are.
MADREE
What’s your name?
GRETA
(cold)
Greta. Do you mind?
59
Greta resumes typing as Madree opens her suitcase and starts unpacking. She quietly keeps her
distance from Greta.
Suddenly, the effervescent, NAOMI SEWELL (17) comes in all smiles like a breath of fresh air.
Naomi has a caramel tone, curly hair and faint freckles.
NAOMI
Hello Madree, I’m Naomi. So glad you’re here, I’ve heard
a lot about you.
Greta gets up from the typewriter and brushes pass them.
GRETA
Excuse me.
Greta leaves the room.
NAOMI
Don’t mind her.
MADREE
Is she always that way?
NAOMI
Don’t worry, she’ll come around.
(pause)
You might as well know, not everyone is happy that you’re
here. Some people view you as a rebel and would rather not
be associated with you.
MADREE
Oh.
NAOMI
But others welcome your tenacity. We draw from your
strength and we’re inspired by your courage.
MADREE
Thank you. That is most encouraging.
Naomi helps Madree unpack.
NAOMI
Here, let me help you do this quickly so we can go register
for classes.
60
As Madree puts her things away, she glances at the desk and notices that Greta left her:
REQUEST FOR ROOM CHANGE on the typewriter.
EXT. STUDENT SQUARE - DAY
Madree and Naomi dash to the student square where registration is well underway. Tables and
booths line the square. Each class is represented and the PROFESSORS that teach them.
There is a flurry of activity as students rush to enroll in their courses of choice.
NAOMI
Please wait for me Madree?
MADREE
Of course.
Naomi races over to the Teacher’s College table at the Education Department booth, where Dean
Moore greets and shakes hands with students in an enormous line that continues to grow.
Almost all of the girls Madree is acquainted with are standing in the Teacher’s College line:
Bertha, Wertie, Jessie, Vashti, Frederica, Jimmie, Eliza and Edith Motte.
And there are some girls Madree hasn’t met yet such as, PAULINE OBERDORFER (18) a darkskinned soft-spoken girl, ETHEL CUFF (21) a curvy upperclassman, OSCEOLA MACARTHY
(20) a bright girl with intense eyes and fair-skinned, spunky, WINONA CARGILE (17), Bertha’s
new roommate.
Madree finds her way to the Liberal Arts Classics. There is no line. Marguerite joins Madree at
the classics table. They give each other a hug.
Madree enrolls in Latin, Greek and German, but Marguerite enrolls in French and Spanish.
Oscar spots Madree as he enrolls in biology, chemistry and physics at the practical Liberal Arts
table.
OSCAR
Madree, how are you?
MADREE
I’m fine thank you. How are you Oscar?
OSCAR
Excellent. Are you going to Howard night tonight.
MADREE
What’s Howard night?
61
Oscar hands her a leaflet.
OSCAR
Community activists and political leaders come and speak
to Howard students about the state of our race.
MADREE
Really?
OSCAR
Yes. It’s always motivating. Tonight, W.E.B. DuBois
is speaking.
MADREE
Does it take place here on campus?
OSCAR
No, it’s at the Metropolitan A.M.E Church.
MADREE
I know that church. One of the professors is pastor.
OSCAR
That’s right, Professor Brown.
(a beat)
Sorry, I must run Madree. It’s time for my shift to start at
the hospital. It was great seeing you. Hope you come tonight.
Oscar dashes off.
MADREE
Goodbye Oscar.
Dean Miller stands nearby talking with other professors. He flashes Madree a smile that says, ‘I
told you so.’
MILLER
Good afternoon, Miss Penn.
MADREE PENN
Hello Dean Miller. You were right.
Madree notices that every club, group and campus organization is represented in the square.
First she sees a vibrant pink and green SORORITY BANNER that reads: ALPHA KAPPA
ALPHA SORORITY. Seven proud female juniors hand out leaflets about the organization.
62
As Madree walks toward the table, Frederica and Winona join her.
FREDRICA
It’s nice to see you again Madree.
MADREE
Hello Frederica.
FREDRICA
Meet Winona Cargile.
MADREE
Oh, you’re Bertha’s roommate.
WINONA
Why yes. Wonderful to meet you.
They shake hands as the three of them approach the AKA table.
MADREE
May I have one please?
The AKA with the leaflets hesitates, then reluctantly hands Madree one. Madree takes it.
MADREE (CONT’D)
Thank you.
The AKA sorority girls cast glaring looks at Madree, but they warmly receive Winona and
Frederica with smiles, high regards and complementary gestures.
Madree walks away with her head down and AKA leaflet in hand.
Then, Madree looks up and sees the HOWARD JOURNAL booth where only male students are
present. As Madree approaches, CLARENCE STILES (21), the newspaper editor and other staff
reporters immediately recognize her from the board meeting.
MADREE (CONT'D)
I’d like to join the paper.
CLARENCE
You can’t just join the paper. There’s an application.
Writing samples are required and you must obtain a letter
of reference from at least three professors.
MADREE
May I have an application please?
63
Clarence reluctantly hands Madree an application.
CLARENCE
Freshmen aren’t usually admitted to the paper because it’s
recommended that they focus entirely on their academic
course work before attempting extra-curricular activities.
MADREE
Thank you for the information. I’ll get this back to you as
soon as I can.
Madree walks away ignoring every attempt he makes to discourage her from applying.
CLARENCE
Would you like a copy of our latest edition?
MADREE
Certainly.
Clarence hands Madree the Howard Journal. She takes it but she doesn’t look at the paper
immediately. She walks away reading the application.
Then, Naomi rejoins Madree.
NAOMI
I got into all but one of the classes I wanted.
MADREE
Great.
NAOMI
I’m starved. Let’s get something to eat.
MADREE
Sure.
Madree and Naomi head back toward Miner Hall.
MADREE (CONT’D)
Have you heard of Howard night?
NAOMI
No. When is it?
Madree hands Naomi the leaflet.
64
MADREE
Tonight apparently.
INT. MINER HALL DINING ROOM - DAY
As Naomi and Madree share a meal, Naomi sees the Howard Journal folded neatly beside
Madree.
Naomi inconspicuously slides the newspaper towards her and then places it on her lap. Madree
is oblivious.
MADREE
I think I’d like to go to Howard night. What do you think?
NAOMI
An opportunity to hear W.E.B. DuBois speak in person?
Of course.
Edna Brown, Edith Motte, Edgar Love and FRANK COLEMAN (21) Edna’s fiance enter the
dining room. Edna walks straight over to Madree’s table and gives her a warm hug. The other’s
follow.
EDNA
Madree, how are you.
MADREE
I’m fine Edna. This is my roommate Naomi.
EDNA
Don’t let these naysayers get you down. Know that you are
here for a purpose and you belong here, just like everyone else.
Madree puts down her fork.
MADREE
Naysayers?
A look of horror creeps across Edna’s face.
EDNA
We’d better go.
Edna quickly scurries out of the dining area followed by, Edgar, Edith and Frank.
MADREE
65
What naysayers?
Madree looks for the newspaper.
MADREE (CONT’D)
(to Naomi)
Where’s the journal?
Naomi pulls it from her lap and reveals it to Madree. She opens it and the headline reads:
REBEL ROUSER’S SHAMELESS PLOY TO GAIN ADMISSION TO HOWARD
Madree becomes livid. She reads.
MADREE (CONT’D)
Ploy! They call it a ploy? No wonder everyone has been
looking at me so strangely. They make is sound like I don’t
belong here at all.
NAOMI
Don’t let this get to you Madree.
MADREE
But it’s wrong. It’s completely inaccurate, an absolute
fabrication.
NAOMI
I knew you would take this hard. That’s why I wanted to
shield you from it.
MADREE
My ego is bruised. This is a blatant attack on my character
to destroy my reputation; but that’s not the point.
Madree pushes her plate away, unable to digest what sits in front of her.
MADREE (CONT’D)
A journalist is suppose to spend time gathering the facts in
order to present the most accurate story possible.
NAOMI
None of it is true?
MADREE
The word-for-word quotes of what was said in the board
meeting, that’s true. Everything else is speculation and
66
false assumption.
Madree gets up and grabs the paper off the table. She also picks up her application to the
Howard Journal.
NAOMI
You can’t work with them now, after what they wrote
about you?
MADREE
They will print a retraction and they will admit me to the
newspaper staff.
Madree storms out of the room furious.
EXT. HOWARD NIGHT METROPOLITAN CHURCH - NIGHT
MARY CHURCH TERRELL (40s), daughter of the first black millionaire, an elegant, fairskinned woman hosts the evening with her husband, ROBERT TERRELL (40s).
The church is packed to capacity. Madree sits between Naomi and Vashti.
MARY CHURCH TERRELL
We must advance our fight for equality and education is key.
MADREE
She’s really something.
VASHTI
Her husband was the principal of my high school.
MARY CHURCH TERRELL
No one can explain this better than my dear friend, W.E.B.
DuBois.
The entire church gives DUBOIS a standing ovation.
W.E.B. DUBIOS (40s) is a lean, light-brown skinned, balding man with a beard. He approaches
the microphone.
DUBOIS
You are the talented tenth, the educated tenth, the chosen tenth.
You must gain all the knowledge you can, all the tools you can,
all the resources you can, so that you can share with the ninety
percent who need your helping hand.
67
Madree listens intently.
DUBOIS (CONT’D)
If you aren’t willing to do that, we won’t grow as a people.
We won’t obtain equality and we’ll never reach our full
potential as a people.
Oscar waves at Madree. She smiles.
DUBOIS (CONT’D)
There are sheets in the back of the room that you may sign
if you are interested in participating in some of the programs
we have now to help lend a hand to people in the community.
Thank you.
The CROWD applauds as DuBois returns the microphone to Mary Church Terrell.
MARY CHURCH TERRELL
We encourage you to get involved now, while you are still in
school. By the time you graduate, you will have developed a
lifestyle of service that can carry you into adulthood.
After the event, students pour out of the church. Mary signs a sheet in the back of the room.
Greta signs also.
INT. HOWARD JOURNAL OFFICE - DAY
Madree and Clarence walk through the office as staff reporters type and file away stories that are
going to press.
MADREE
Why haven’t you allowed me to join the paper?
CLARENCE
That matter is actually out of my control. Everything goes
through the administration. And your application has been
placed on administrative hold.
MADREE
Do you have any idea why?
CLARENCE
No. But, as for the article, I apologize on behalf of the
paper. I understand how frustrating it must be to feel that you
have been misrepresented to the public. However, we can’t
print a retraction.
68
MADREE
Why not? It’s untrue, a retraction is in order.
CLARENCE
I checked the story and the facts came from a reliable source.
MADREE
No one interviewed me.
CLARENCE
I know, and that was our mistake. Yet the fact remains, there
was a source. Unfortunately, we didn’t thoroughly verify the
facts given and we cannot divulge the source’s identity.
MADREE
Since you cannot print a retraction, would you consider allowing
me to write my side of the story, providing another point of view.
Clarence considers this.
CLARENCE
Our readers may find that interesting. But, I can’t tell you when
we can print it because we have quite a few stories lined up.
MADREE
If you wait too long, readers won’t even remember the story.
Clarence shrugs.
CLARENCE
Again, I apologize. But I cannot make any guarantees.
INT. ADMINISTRATIVE BUILDING - DAY
Madree marches toward President Thirkield’s office. Dean Cook positions himself in front of
her.
GEORGE COOK
Miss Penn, do you have an appointment?
MADREE
I do not.
GEORGE COOK
69
Then, why are you here?
MADREE
I’m looking for information. You may be able to help me.
GEORGE COOK
What is it that you need?
MADREE
There’s an administrative hold on one of my campus
applications. Who would be in charge of that?
GEORGE COOK
That depends. Which club is it?
MADREE
The Howard Journal.
GEORGE COOK
Oh, President Thirkield signs off on everything for the paper.
MADREE
Then, that’s who I need to see.
GEORGE COOK
Not without an appointment Miss Penn. Not today.
George Cook looks at the President’s calendar.
GEORGE COOK (CONT’D)
If this is a short meeting, then I can get you in for a few minutes
Thursday afternoon. But you must be twenty minutes or less.
MADREE
Okay.
GEORGE COOK
Very well, we’ll see you Thursday at 4pm.
MADREE
Thank you Dean Cook.
GEORGE COOK
You’re welcome, Miss Penn.
70
Madree leaves.
EXT. WASHINGTON, D.C. CAPITOL BUILDING - DAY
Madree and Greta stand begrudgingly, shoulder to shoulder behind a table among other
volunteers carving turkey and handing out Thanksgiving plates to the homeless as MARY
MCLEOD BETHUNE (35), a short, dark-skinned educator from Florida, prays and ministers to
the people.
MARY MCLEOD BETHUNE
We are thankful for all that God has given. Though we
continue to strive, we acknowledge his many blessings for
the Lord is with us through it all.
Madree listens intently as she receives the prayer for herself.
EXT. MINER HALL - DAY
Madree and Greta approach Miner Hall and go inside.
INT. MINER HALL RECEPTION PARLOR - DAY
Wertie sits near the book case with Pauline and Osceola. They observe Madree and Greta as they
enter the building and instantly go off into opposite directions.
WERTIE
Someone should make sure there aren’t any weapons in
their room.
Osceola and Pauline giggle, but Madree ignores them as she continues inside.
INT. MINER HALL MUSIC ROOM - DAY
Madree joins Oscar, Edgar, Myra, Frank and Edna in the music room. Myra and Edna greet
Madree with a warm embrace as Edith plays classic piano sonatas by Beethoven.
They all quietly sit and enjoy the music. Madree becomes tearful as the music stirs her.
Oscar lovingly wipes away Madree’s tears with his handkerchief.
Edgar stands and walks to the window.
MYRA
(to Edgar)
How are your plans for the new fraternity shaping?
EDGAR
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They aren’t. We’ve settled on our name, colors and creed.
EDGAR (CONT’D)
But, things are at a stand-still now.
FRANK
The administration insists that we limit our organization to
Howard. They don’t want us to have a presence anywhere else.
MADREE
Can they do that?
OSCAR
They’re certainly trying.
EDGAR
And stalling our progress as they do.
MADREE
After almost a full semester being unable to join any campus
group or organization, I truly understand your frustration.
EDGAR
Your restriction will be lifted once this term is over, right?
Madree nods.
MYRA
Make certain that it is, because I know you want to join AKA.
MADREE
I do. I also want to join the Howard Journal and the YWCA
among other campus clubs.
OSCAR
There has never been a female reporter on the Howard Journal.
MADREE
Then, I will be the first.
MYRA
What is the proposed name of your new fraternity?
EDGAR
Omega Psi Phi.
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MADREE
That’s fascinating. Omega means great abundance.
MADREE (CONT’D)
Followed by the brightest light and the generative male
production.
OSCAR
And, we intend to live up to that name.
FRANK
Exactly. Alpha Kappa Alpha may be content with Howard’s
imposed limitations, but we plan to expand and grow our
fraternity. We want to make an impact across the nation and
beyond.
EDGAR
We shall hold our ground, just as you have Madree, until we
get precisely what we want.
OSCAR
No matter how long it takes.
Madree smiles.
MADREE
Where there is a will, there’s always a way.
As Edith continues to play, they listen to the music while enjoying each other’s company.
INT. MADREE’S ROOM - NIGHT
Madree and Naomi prepare for bed as Greta reads at the desk.
NAOMI
Will you write the newspaper article Madree?
MADREE
Of course I will. It’s my only chance to clear my name
and salvage my reputation.
NAOMI
Do you really think President Thirkield gave them false
information about you?
MADREE
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It came from someone in administration and I don’t get
that impression from Dean Cook, Miller or Lewis.
NAOMI
He’s president of the university. It’s hard to believe he
would actually do something like that?
MADREE
He didn’t want to admit me, especially not after the board
meeting. The article may have been his way of ensuring that
Howard would be unbearable for me and it almost worked.
NAOMI
That’s horrible.
MADREE
It certainly is.
Suddenly, KNOCK KNOCK KNOCK at the door.
Madree opens it, but no one is there. Instead there are two scroll-rolled sheets tied to the door
knob by pink and green ribbon. Madree removes them and unrolls the sheets. Her heart sinks.
NAOMI
Madree? What is it?
Madree hands one to Naomi and the other to Greta as she forces a half smile.
MADREE
Congratulations. You’ve both been cordially invited
to the AKA Tea.
Elated, Naomi and Greta smile brightly and gush with enthusiasm as they look at their fancy
invitations.
MADREE (CONT’D)
But there’s no invitation for me.
NAOMI
Oh no, Madree. I’m so sorry.
GRETA
How could you possibly think you would be invited?
NAOMI
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Greta, don’t be rude.
GRETA
Well, it’s true. Madree has made a horrible name for herself
despite her theories about President Thirkield. Surely, the
AKA’s don’t want to be associated with her.
MADREE
But Greta, I didn’t -Suddenly, Frederica and Winona burst into the room with their AKA tea invitations in hand.
They fly right past Madree as they squeal and jabber incessantly with Greta and Naomi.
MADREE (CONT’D)
Excuse me.
The four girls are so preoccupied and caught up in their moment that they are completely
oblivious to disheartened, Madree. She quietly slips out the room unnoticed.
INT. MINER HALL RECEPTION PARLOR - NIGHT
Madree joins Miss Hartley in a seat by the fire. Her eyes well with tears as she watches the
embers crackle among the blazing flames. The two sit in silence. Neither Madree nor Miss
Hartley utter a sound.
INT. ADMINISTRATIVE BUILDING - DAY
Madree approaches with her German book in hand. She’s greeted by Dean Cook.
GEORGE COOK
Miss Penn, you’re right on time. Follow me.
George Cook escorts Madree to President Thirkield’s office.
GEORGE COOK (CONT’D)
President Thirkield, I have Madree Penn to see you.
PRESIDENT THIRKIELD
Come in Miss Penn. How can I assist you today?
MADREE
Well, sir I’m here to inquire about the administrative hold
that has been placed on my application to the Howard Journal.
Are you aware of it?
75
PRESIDENT THIRKIELD
I am.
MADREE
Why is there a hold sir? Why can’t I join the paper. It’s the
career that I want so it’s the best practice I can get.
PRESIDENT THIRKIELD
(disingenuous)
I understand and sympathize with you, but my hands are tied.
You see, I knew how important it was for you to get back in
school so I admitted you with a strictly academic provision.
MADREE
What does that mean?
PRESIDENT THIRKIELD
It means that if you finish out the year in good academic
standing, you will obtain regular student status as opposed to the
conditional provisionary status you’re under now.
MADREE
But I’m a straight “A” student, President Thirkield. Is this
really necessary?
PRESIDENT THIRKIELD
I’m afraid so. It was the only way to admit you given your
special circumstances. Don’t worry, Miss Penn. Time will
pass quickly, you’ll see. Just focus on your studies for now.
MADREE
But -PRESIDENT THIRKIELD
Speaking of time, I’m out of time. Forgive me, I have an
important meeting with the Bishop of the Methodist Church.
President Thirkield puts on his jacket and escorts Madree to the door.
PRESIDENT THIRKIELD (CONT’D)
Take care, Miss Penn.
Madree walks away somber.
EXT. HOWARD UNIVERSITY - DAY
76
As Madree heads to class, Oscar approaches all smiles. He grabs her German book as he joins
her along the path.
OSCAR
Guess what, Madree!
MADREE
What is it, Oscar?
OSCAR
We did it. The administration finally conceded. They
granted our request.
Oscar excitedly hops in front of Madree.
OSCAR (CONT’D)
Meet one of the founding members of Omega Psi Phi
Fraternity, Incorporated; established on the campus of
Howard University in the year of our Lord November 17th,
1911.
Madree beams.
MADREE
(thrilled)
Wonderful! You actually did it?
OSCAR
We did.
Oscar and Madree hug in a tight embrace. Oscar lifts her petite frame off the ground. They lose
themselves in the moment. Oscar kisses Madree, but she pulls away instantly.
OSCAR (CONT’D)
Madree, I’m so sorry. I didn’t mean any disrespect.
Please forgive me.
Mortified, Madree pauses and looks Oscar squarely in the eye.
OSCAR (CONT'D)
It’s just that I care about you so much. I enjoy being
around you.
Oscar extends his arm and takes Madree’s hand.
OSCAR (CONT’D)
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And, I would love to spend even more time with you, if
you will allow me.
Uncomfortable, Madree pulls her hand away and snatches her German book from Oscar.
MADREE
I must go. I’m almost late for class.
Madree scampers away leaving Oscar with a bewildered expression.
INT. MINER HALL COMMONS - NIGHT
Madree walks toward the sewing room.
INT. MINER HALL SEWING ROOM - NIGHT
The sewing room is filled with girls frantically sewing and fitting fancy dresses; accessorizing
and beautifying themselves for the AKA tea. Madree scans the room. Almost every single girl
she knows is there, all brimming with eager anticipation.
Madree quickly slips out unnoticed.
INT. STAIRWELL - NIGHT
Madree sighs hopelessly as she climbs the stairs toward her room.
INT. MADREE’S ROOM - DAY
Madree enters her room and closes her eyes as she shuts the door behind her and rests her back
against it.
NAOMI
Oh Madree, we’re so glad you’re here. Greta wants to go
shopping for a new dress.
MADREE
A dress for the AKA tea?
NAOMI
Yes. But, I can’t go. I have an exam. Would you please
go with her?
MADREE
Me?
78
GRETA
Never mind. I can go alone. Jackson is going to drive me
and he will be my chaperone.
NAOMI
Nonsense. Jackson knows nothing about dress shopping.
MADREE
I’ll go. You really shouldn’t go alone.
GRETA
Jackson will be here shortly.
MADREE
I’m ready. Let’s go.
NAOMI
Have fun.
Both Madre and Greta cut their eyes at Naomi as they leave.
EXT. MAIN STREET - DAY
Jackson lets Madree and Greta out of the car at the boutique dress shop that is situated between
the all-white diner and the all-white barbershop near the railway station.
GRETA
Are you sure this is the place.
MADREE
Yes, look at the lovely dresses in the window.
They go inside as Jackson waits by the car.
INT. DRESS SHOP - DAY
As Madree and Greta enter, they garner stares from white customers as well as the white SALES
CLERK who works there.
Greta’s eyes light up as she sees all of the fancy party dresses. She bounces from rack to rack
observing the styles and looking for her size. Madree helps her search.
Appalled, white customers leave the premises. They walk outside past Jackson as he speaks with
a parking enforcement officer.
79
As Madree and Greta gather several dresses, the sales clerk approaches.
SALES CLERK
May I help you?
MADREE
Yes. Where can she try these on?
SALES CLERK
She can’t.
GRETA
Why not?
Jackson briefly dips inside.
JACKSON
Miss Madree. Miss Greta. I must move the car. I’ll be
right back.
MADREE
Okay Jackson.
GRETA
(to sales clerk)
Is this an all-white boutique?
SALES CLERK
No. You can buy as many dresses as you want here.
MADREE
But, we can’t try any of them on?
SALES CLERK
It’s our store policy.
MADREE
(to sales clerk)
Well that’s just ridiculous.
(to Greta)
Come on. Let’s go.
Greta stares longingly at a gorgeous dress lined with lace appliques.
GRETA
Wait a minute Madree. This one is so beautiful and it’s
80
my size.
MADREE
You can’t be serious?
GRETA
I’m running out of time. The tea is in four days.
MADREE
(annoyed and disappointed)
Very well, it’s your money.
As the sales clerk leads them to the counter, Jackson moves the car from in front of the dress
shop.
SALES CLERK
That will be fifteen cents.
MADREE
This dress was on the sales rack. It should be half that price.
SALES CLERK
It must have been misplaced. This dress is not on sale, it
costs fifteen cents.
Greta counts out her money as the sales clerk bags the dress.
SALES CLERK (CONT’D)
You can’t return this. All sales are final.
GRETA
Yes ma’am.
Greta gives the sales clerk fifteen cents in exchange for the dress and then she and Madree head
out the door.
EXT. MAIN STREET - DAY
Just as Madree and Greta exit the dress shop, Sam walks out of the barbershop to smoke a cigar.
Jackson is nowhere in sight.
SAM
Well look who came back to see me. And, you brought a
pretty friend with you.
81
MADREE
(looking around for Jackson)
Oh no.
SAM
Who are you looking for? Your ride?
GRETA
(scared)
Madree?
SAM
Step inside my shop. You can wait for your ride there.
MADREE
No thank you sir.
SAM
I said, step inside my barbershop girls.
Madree desperately turns back toward the dress shop while Greta frantically looks around for
Jackson.
The store clerk puts a CLOSED sign in the window, turns her back on the girls and retires to the
back of the shop.
Madree tries to open the dress shop door. It’s locked.
Sam puts away his cigar.
SAM (CONT’D)
Didn’t you hear me? No self-respecting girl should be
waiting here on the street. These streets are not safe.
Sam grabs Madree and Greta. Greta drops her brand new party dress on the ground.
GRETA
(crying)
Please sir.
Sam ignores their pleas and forces them inside his barbershop.
INT. BARBER SHOP - DAY
Sam turns the lock inside the door. Then, he approaches Greta. He gently strokes her cheek.
82
SAM
You’re very pretty.
GRETA
Leave me alone, please.
Then, Sam brutally rips open Greta’s blouse.
Greta SCREAMS. She tries to run but Sam grabs her. He pulls his shaving blade from his
pocket and places it next to Greta’s face.
SAM
Do as I say girl. And, you won’t have to worry about
me messing up that pretty little face of yours.
Madree sees a rifle propped against the wall. She dives for the rifle as Sam moves Greta into his
barber chair.
Madree aims the rifle at Sam.
MADREE
Let her go.
SAM
(laughing)
Put my rifle down, silly girl, before you hurt yourself.
MADREE
Release her. Now!
Sam ignores Madree.
She aims and shoots down Sam’s tub of shaving cream.
EXT. BARBER SHOP - DAY
People along the street run and scatter.
INT. BARBER SHOP - DAY
Sam continues to hold Greta as she cries hysterically.
MADREE’S POV
Madree stares Sam squarely through the cross hairs.
83
BACK TO SCENE
SAM
Put my rifle down now. Or, I will carve my name in your
friend’s face.
Sam lays his blade flatly against Greta’s cheek. She whimpers as tears stream down her face.
Madree lowers the rifle.
SAM (CONT’D)
(smiling)
That’s what I thought. Now, put it down.
Madree quickly raises the rifle, aims and shoots the blade right out of Sam’s hand.
Sam jumps, involuntarily releasing Greta.
Greta runs to Madree.
SAM (CONT’D)
Are you crazy?
Madree and Greta back up toward the door as Madree continues to aim the gun at Sam. Greta
turns the lock and opens the door.
EXT. BARBER SHOP - DAY
As they run down the walk, Madree picks up Greta’s dress in route. They reach the corner to
find Jackson outside the car frantically looking for them.
GRETA
(screaming)
Jackson!
Jackson turns and sees Greta with her blouse ripped open crying as she races toward him and
Madree running with a rifle in one hand and a dress in the other.
JACKSON
Dear God!
Jackson quickly opens the car door. Greta and Madre dive inside. Jackson starts the engine and
speeds away.
INT. CAR - DAY
84
Greta continues to sob uncontrollably as she lays her head in Madree’s lap. But Madree
maintains a stoic expression as Jackson watches her through his rearview mirror.
INT. MADREE’S ROOM - NIGHT
In a maternal-like manner, Madree tucks Greta in bed. Her lovely dress with the lace appliques
hangs next to her bed. Madree blows out the oil lamp and goes to sleep.
EXT. MINER HALL - DAY
Greta’s father, PAUL WEB (early 40’s), a tall robust man, loads his daughter’s luggage into his
car as Greta’s mother, SARAH WEB (late 30’s), a fit and striking woman with curly hair,
cradles her traumatized daughter in the back seat.
Madree stands near the car as she sees Greta off.
PAUL
We don’t know how to thank you.
MADREE
No thank you necessary sir.
PAUL
She insisted that you keep the dress as her gift to you.
It’s in the room.
Madree looks at Greta inside the car.
MADREE
Will she be alright?
PAUL
In time she will. But the doctors and the deans agree that
the best thing for Greta right now is to be in familiar
surroundings until she feels stronger.
MADREE
Will you allow her to return to Howard once she does.
PAUL
That’s something her mother and I must discuss.
Madree frowns.
PAUL (CONT’D)
But, if that’s what Greta wants, I believe we will support
85
her decision.
Paul extends his hand to Madree. She shakes his hand.
PAUL (CONT’D)
Take care, Miss Penn. God bless you.
Paul gets in the car and drives away. Madree waves.
MADREE
Goodbye.
INT. MINER HALL DINING ROOM - DAY
Madree sits at a table alone watching countless girls dressed to perfection dash down the stairs
and out the door for the AKA tea.
Naomi, Frederica, Winona and Bertha pause at the dining hall entrance.
WINONA
How do we look?
Madree forces a smile.
MADREE
Marvelous.
BERTHA
Thank you, Madree.
NAOMI
I’ll tell you everything as soon as I get back.
FREDRICA
Good bye.
Madree sighs as her friends race out the door.
While Madree watches the seemingly endless stream of girls flow out of Miner Hall, she’s
surprised to see Oscar emerging as a fish swimming upstream. He approaches the table.
OSCAR
May I?
Madree smiles, happy to see a friendly face.
86
MADREE
Of course.
Oscar sits as he and Madree share a meal together.
INT. HOWARD CONFERENCE CENTER - DAY
The room is beautifully decorated as the smooth classical MUSIC of Johann Sebastian Bach sets
a tone of aristocracy.
Seven small round tables are dispersed throughout with apple green table cloths and salmon pink
linen napkins.
Each table has four place settings and three name cards displayed at the settings for the invited
guests. The fourth setting is reserved for the AKA who chose to invite those prospective
candidates for membership.
The GIRLS of miner hall wait patiently at the entrance of the room for their AKA sponsors.
Along with Naomi, Winona and Bertha, the D.C. girls are present: Edna, Vashti, Olive, Florence
and Eliza; as well as Texas girls: Jessie, Myra and Zephyr.
Wertie and Marguerite arrive with Osceola. Mamie and Edith follow them in.
Virginia Queens: Ethel Carr and Jimmie Bugg stand near the dark-skinned, East Coast girls:
Ethel Cuff and Pauline Oberborfer.
The table at the center of the room is reserved for the senior-most AKA and current president of
the sorority, NELLIE QUANDER (early 20’s). Nellie is short and stocky with wide hips and a
light caramel complexion.
First, Nellie retrieves Myra Davis, Ethel Cuff and Edith Motte from the entrance and escorts
them to her center table. Then, each remaining AKA ushers her guests to her designated table.
Once everyone is seated, tea is served; and the select GIRLS of Miner Hall smile, converse and
hope to make a great impression on their AKA sponsors.
INT. MINER HALL RECEPTION PARLOR - NIGHT
Madree and Oscar wait patiently by the fire for the girls to return from the AKA Tea. Miss
Hartley sits across the room knitting.
The GIRLS return with as much bustling enthusiasm as they had when they left. Naomi also
enters the building but she doesn’t report what happened as she promised.
NAOMI
87
Good night Madree.
Instead, Naomi flows toward the stairs with the others.
MADREE
(disappointed)
Good night.
LIBRARY MONTAGE BEGINS
EXT. HOWARD LIBRARY - DAY
Ms. Nash opens the door and bundled up, Madree is the first student to walk inside the library
out of the cold harsh winter weather.
INT. HOWARD LIBRARY - DAY
Madree studies and studies continuously. She sits surrounded by books, completely engrossed in
her work.
EXT. HOWARD LIBRARY - NIGHT
Madree is the last student to leave the library to a warm spring evening. Ms. Nash locks the door
behind her.
LIBRARY MONTAGE ENDS
INT. MADREE’S ROOM - NIGHT
Madree reads Latin at the desk as Naomi rushes in the room waving the Howard Journal.
NAOMI
It’s in Madree. They finally put it in.
Naomi shows Madre the article. The HEADLINE reads: REFLECTIONS OF A FALSELY
ACCUSED REBEL ROUSER.
MADREE
I didn’t think they would ever print it. Did you
read it?
NAOMI
I read every word and it truly touched me. I will contact
the paper and let them know how much I enjoyed it.
88
MADREE
Thank you Naomi.
NAOMI
Madree?
MADREE
Yes, Naomi.
NAOMI
I think you should know that there’s also an editorial on
you in this issue of the paper.
Madree examines the paper.
NAOMI (CONT’D)
It’s about how you saved Greta.
Naomi heads back out the door.
NAOMI (CONT’D)
Now everyone realizes that you should be admired,
not shunned.
Madree shakes her head as she intently reads the paper.
MADREE
Power of the press.
Suddenly, a note slides under the door near Madree’s foot. She opens the note.
MADREE (CONT'D)
President Thirkield.
INT. ADMINISTRATIVE BUILDING - DAY
Madree approaches and George Cook ushers her into President Thirkield office and shuts the
door as Madree takes a seat.
PRESIDENT THIRKIELD
Miss Penn, when we last spoke, I thought you understood
that your administrative hold meant that you could not join
the paper or any other campus group until it is lifted.
MADREE
89
I understood perfectly.
PRESIDENT THIRKIELD
Then, explain this, Miss Penn?
President Thirkield pulls out a copy to the Howard Journal where Madree’s article is printed.
MADREE
It’s an article I wrote for the paper.
PRESIDENT THIRKIELD
The paper you aren’t allowed to join. This is a direct
violation of your provisionary enrollment. I’m going to
have to expel you from Howard.
MADREE
You would expel me for an article?
PRESIDENT THIRKIELD
An article that violates your enrollment provision.
MADREE
You said joining the newspaper or any other club violated
my enrollment provision, not writing an article.
PRESIDENT THIRKIELD
There’s no difference Miss Penn. If you’re writing articles
for the paper, you’re a part of the paper.
MADREE
That’s untrue. That article is a student submission printed
in lieu of the paper being unable to print a retraction to an
article that misrepresented me.
PRESIDENT THIRKIELD
Is that so?
MADREE
Check the by-line. I’m not on staff at the Journal.
I’m just a student expressing her opinion.
PRESIDENT THIRKIELD
I see. Then, I suppose I owe you an apology. I’m afraid I
came to a faulty conclusion.
90
MADREE
(smiling)
I’m so glad we cleared that up President Thirkield. May I
go now?
PRESIDENT THIRKIELD
Certainly. Have a nice day Miss Penn.
MADREE
(smug)
Thank you, I will.
Madree exits the administrative building smiling and glowing.
EXT. HOWARD UNIVERSITY - DAY
Madree strolls peacefully across campus admiring the cherry blossoms which are in full bloom.
INT. MINER HALL RECEPTION PARLOR - DAY
Madree enters Miner Hall and finds Lee sitting in the Reception Parlor with Miss Hartley.
MISS. HARTLEY
You have a visitor, Miss Penn.
MADREE
Lee? What are you doing here?
He lowers his head, as Miss. Hartley walks out of the room.
MISS. HARTLEY
I’ll let you two talk.
LEE
It’s your father.
Madree slowly sits.
LEE (CONT’D)
He got into an accident at the railroad last month and he
took ill after that.
MADREE
Oh no, where is he? Is he in the hospital? I must go to him.
LEE
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Madree, he passed away three days ago.
MADREE
Father is dead?
Madree starts hyperventilating and sobbing uncontrollably. Lee comforts her with a warm
embrace.
LEE
Jan wanted to send you a telegram, but I couldn’t let you
read something like this. I had to tell you in person. So I
got on the train, and here I am.
Several of the GIRLS in Miner Hall stare nosily as Madree cries in the arms of her white
boyfriend, Lee.
MADREE
The last words we said to each other, we said in anger.
Lee lovingly dries her tears with his handkerchief.
MADREE (CONT’D)
I’ve written him many times sense then, but he’s never
responded to me. I broke his heart when I left.
LEE
He didn’t want you to leave. None of us did. I’m not sure
why he didn’t respond. But he kept every one of your letters
and he bragged around town about how well you were doing.
MADREE
He did?
LEE
Yes he did. How else would I know that you’re a Greek
scholar now, and you’re feeding the homeless near the
capitol and your writing articles for the university newspaper.
Madree smiles through her tears.
MADREE
He did read my letters.
LEE
And he was so proud of you.
92
MADREE
I have missed him so much. And now, I will miss him
forever.
LEE
He’ll always be in your heart. Love connects people that way.
That’s the other reason why I’m here, Madree.
She looks up at Lee with her tear-stained face.
LEE (CONT’D)
I love you Madree. I’ve thought about you every single day
since you left.
Madree notices that she and Lee have an audience.
MADREE
Come with me.
She takes Lee by the hand and leads him outside. Many of the girls continue to watch them
through the picture window.
EXT. MINER HALL - DAY
As Madree walks across campus with Lee, they garner many stares and whispers among the
coeds.
MADREE
This is impossible. It’s never been a possibility, not for us.
LEE
It would be difficult, I know, but not impossible.
Love knows no color. Love conquers all, right?
MADREE
Don’t be naive. We live in a horrible world, that
would rather see us both dead than happy together.
LEE
Don’t you love me Madree?
MADREE
I always have. From the first day I entered school
and you pulled out my chair for me.
LEE
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Well, I love you too and we’re both adults now.
So, let’s at least try.
MADREE
No Lee. I love you enough to want you to be
happy and there is no way we can be happy
together. Just look around you.
Lee looks out across campus at the many students watching their every move.
MADREE (CONT’D)
And this is a safe environment. Out there, in t
he world, there is no safety.
(a beat)
One of the main reasons why I left Omaha is
because of you.
LEE
You said you left because Washington would be the
perfect place for you to start your journalism career.
MADREE
And that is true. But at the same time, being around
you was becoming too painful. I had all these feelings
and there was nothing I could do about them.
LEE
You never told me.
MADREE
What would be the point of that? It was never
meant to be.
Lee takes Madree by the hand.
LEE
Are you seeing someone else?
MADREE
No. Not really.
LEE
Neither am I. We’ve been waiting for each other.
It’s time we stop waiting.
94
Madree shakes her head.
LEE (CONT'D)
I came here to tell you how I feel and to see if you feel the
same. Are you willing to give our love a chance, Madree?
If not, I will walk away and never bother you again.
MADREE
I can’t Lee. I want to. I do. But I know we have no
chance, no hope of a future together. You will always
remain in my heart, just like father.
LEE
Good bye Madree.
Lee releases her hand and walks away. Madree tearfully watches him until he disappears. Then,
she turns and walks back toward campus in a somber daze.
INT. ADMINISTRATIVE BUILDING - DAY
Madree submits a form to Dean Cook. He reviews it.
GEORGE COOK
You’re petitioning to remain on campus during
the summer?
MADREE
Yes sir.
GEORGE COOK
Typically students who stay over summer are either
enrolled in a course or fulfilling some function on
campus during their stay.
MADREE
Like a work assignment?
GEORGE COOK
Yes. Or, assisting a professor with research.
(a beat)
Given your circumstance, a special accommodation may be
made. But please be sure to have an alternative just in case.
MADREE
Okay. Thank you.
95
Madree turns and walks away, then she pauses.
MADREE (CONT'D)
Dean Cook?
GEORGE COOK
Yes, Miss Penn.
MADREE
Now that the academic year is done, my administrative
hold will be removed, correct?
GEORGE COOK
I assume so, Miss Penn. You appear to be in excellent
academic standing. I see no reason to further limit your
campus activities.
MADREE
Wonderful. Thank you so much Dean Cook.
GEORGE COOK
You’re welcome, Miss Penn. And congratulations on
completing an outstanding academic year. You’ve
worked hard and it shows.
Madree smiles proudly as she leaves the building.
INT. MADREE’S ROOM - DAY
Madree goes straight to the typewriter and starts completing her application to join AKA, while
Naomi packs her bags for the summer break.
NAOMI
You don’t have to stay here. Come home with me.
My mother would love to have you.
MADREE
You’re so gracious. But, don’t worry. I’ll be fine here.
NAOMI
Are you sure?
MADREE
I’m positive. Now, please enjoy your summer.
96
Madree gives her roommate a warm hug. Naomi leaves with her suitcases in hand.
NAOMI
Take care, Madree.
MADREE
I will.
As Madree prepares to sit back down at the desk and resume typing her AKA application, she
looks out the window and sees students leaving for the summer.
EXT. MINER HALL - DAY
There is a mass exodus as countless students leave Miner Hall with their bags in hand.
INT. MADREE’S ROOM - NIGHT
Madree completes her application and removes it from the typewriter. Then, she looks around
her empty room. Madree’s eyes fall on the dress with the beautiful lace appliques that Greta left
for her. Then, Madree opens her door and exits.
INT. STAIRWELL - NIGHT
She ascends the stairs to the fourth floor. Madree reaches the fourth floor landing.
INT. MINER HALL FOURTH FLOOR - NIGHT
She walks down the corridor to the last door on the left. Madree bends and starts to slip her
application under the door, but first she KNOCKS nonchalantly.
NELLIE (O.S.)
Who is it?
Surprised, Madree gasps. She rises slowly.
MADREE
(hesitant))
My name is Madree Penn. May I come in?
The door opens and AKA leader, Nellie Quander emerges.
NELLIE
Come in Madree.
INT. NELLIE’S ROOM - NIGHT
97
Madree enters with her AKA application in hand, as Nellie resumes packing her suitcase.
MADREE
I missed the AKA tea but I would still like to join
the sorority.
NELLIE
You didn’t miss the tea, you weren’t invited. Tell
me, Madree, what makes you think Alpha Kappa Alpha
is right for you?
MADREE
Pardon?
Nellie continues her packing, without ever looking at Madree.
NELLIE
What can you contribute to our organization here on
campus?
MADREE
(nervous)
I’m intelligent. I have goals and aspirations. I want to
be a positive model for Afro-American women.
NELLIE
You just described every girl at Howard University.
I’m asking you, what makes you special, different,
exceptional in any way?
Madree considers her inquiry.
MADREE
I am loyal to a fault. I never turn my back on a
friend, even if that means putting their needs before
my own.
Nellie nods as she continues packing.
NELLIE
Go on. I’m listening.
MADREE
I understand the concept of devotion, and I believe
at the end of the day, our integrity is our most prized
98
possession.
Nellie remains expressionless.
NELLIE
Thank you Madree. You may leave your application
with me. I will consider your request.
As Madree hands Nellie her application, Nellie escorts her to the door and opens it.
NELLIE (CONT'D)
Good bye.
Madree compliantly exits Nellie’s room.
MADREE
Thank you for your -Nellie slams her door shut in Madree’s face.
MADREE (CONT’D)
time.
INT. MADREE’S ROOM - NIGHT
Madree lays on her bed in the solitude, staring at the ceiling. We HEAR sounds of the last few
girls PULLING their suitcases across the corridor and TEARING down the stairs with their bags.
The car door SLAMS outside and the roar of the ENGINE becomes faint until there is no sound
at all. Madree rises. She opens her door. The hallway is silent.
INT. STAIRWELL - NIGHT
Madree descends down the stairs.
INT. MINER HALL RECEPTION PARLOR - NIGHT
Madree finds Miss Hartley seated in the chair with a book.
MADREE
Miss Hartley?
MISS HARTLEY
Yes, Miss Penn?
MADREE
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Would you like to have dinner with me?
MISS HARTLEY
(surprised and moved)
Yes, that would be quite nice.
Miss Hartley lays down her book and rises to join Madree.
INT. DINING ROOM - NIGHT
Madree and Miss Hartley share a meal at the table.
MADREE
It’s very quiet, isn’t it?
Miss Hartley nods.
MISS HARTLEY
Despite your rough start, you did very well this year.
MADREE
I’m grateful.
MISS HARTLEY
If you could change anything, would you?
Madree takes a moment and considers the question.
MADREE
I don’t believe I would.
MISS HARTLEY
If you had chosen a different path, your journey might
have been easier.
MADREE
But then, it would not have been my journey.
MISS HARTLEY
You remind me of my daughter, Annie.
MADREE
I wasn’t aware that you had a daughter Miss Hsrtley.
MISS HARTLEY
100
I don’t. Not anymore.
MADREE
Oh, I’m sorry.
MISS HARTLEY
(smiling)
Annie was head strong and completely driven by her
own ideals. Just like you.
MADREE
Do you mind if I ask, what happened to Annie?
MISS HARTLEY
(stone-faced)
She was raped and murdered by white men on her way
home from school.
MADREE
Oh no, Miss Hartley.
MISS HARTLEY
She took the same road home many times and she thought
she was safe because a boy from her class always walked
with her. They lynched him also.
Horrified, Madree has no words. A small tear rolls down her cheek.
MISS HARTLEY (CONT’D)
The way I see it, I lost one daughter but I gained a house
full of daughters.
MADREE
That is a positive prospective.
MISS HARTLEY
I know you all complain about how strict I am and how
mean I can be. But I’ve learned; it’s more important to
provide structure, rules and boundaries, than it is to be
your friend.
Madree nods, understanding Miss Hartley for the first time.
MISS HARTLEY (CONT’D)
It’s my job to keep you safe.
101
Madree smiles assuredly as they continue eating.
INT. MINER HALL RECEPTION PARLOR - DAY
Miss Hartley knits in a chair as Madree talks and talks.
MADREE
Hermes was an Olympian God in Greek religion and
mythology. He was one of the youngest sons of Zeus,
the mischievous little brother of Apollo.
Miss Hartley shakes her head.
MISS HARTLEY
This is what they’re teaching you?
MADREE
The Greeks actually worshipped these gods. We do not.
MISS HARTLEY
If you understand that, why study it?
MADREE
Because we obtained language, speech, metaphors,
numbers, measurements and even commerce from the
Greeks. It’s important to know the origin of these concepts,
especially since we live by them.
MISS HARTLEY
Is that why you want to join the sorority?
MADREE
I want to join the sorority because I no longer have a
mother and I’ve never had a sister. I want to experience the
sisterly bond that others grew up with.
MISS HARTLEY
I’ve seen you in this house. You have many friends. And
your roommate sticks to you like glue. You don’t need that
sorority. You already have what you’re looking for.
Madree takes a seat next to Miss Hartley.
MADREE
Why don’t you like the AKA’s Miss Hartley?
102
MISS HARTLEY
It’s not that I dislike them, or any other group for that matter.
I just don’t care for what they represent.
MADREE
How so?
MISS HARTLEY
They seem to be more about exclusion, than inclusion.
We have enough trouble standing by one another as a race.
She puts down her knitting needle.
MISS HARTLEY (CONT’D)
Why get involved in something that brings about more
division and separation than unity.
MADREE
We’re looked upon differently regardless. College
students are less than one third of one percent of the total
population in the Afro-American community and women
are a fraction of that.
(a beat)
At least the sorority will bind us together with a unified
cause and a shared experience.
MISS HARTLEY
You are a bold and tenacious girl. Clearly, you’ve made up
your mind about this sorority. Perhaps it’s everything you
envision it to be.
MADREE
(smiling)
I’m sure it is.
MISS HARTLEY
And if it’s not, I hope you have the courage to do something
about that also.
Suddenly, there’s a KNOCK at the door. Miss Hartley gets up and opens the door. George
Cook comes inside.
MADREE
Good afternoon, Dean Cook.
GEORGE COOK
103
Miss Penn, I’m sorry, your request to remain on campus this
summer is denied.
Madree remains expressionless. She’s not surprised.
MISS HARTLEY
Why not? She’s not causing any trouble.
GEORGE COOK
The university’s position is any student who remains on
campus, when classes are not session, must have a specific
function and a reason for doing so.
MADREE
What if I don’t have anywhere else to go?
MISS HARTLEY
She lost her father this year. Madree has no home to
go back to.
GEORGE COOK
I’m aware and I’m deeply sorry for your loss, Miss Penn.
But you must find some function, work or task to accomplish
on campus in order to stay.
MISS HARTLEY
This is ridiculous. Surely some accommodation can be made
given Madree’s special circumstance.
GEORGE COOK
University holds its position that Miner Hall is not a boarding
house. It is a dormitory for students who study, work or
somehow contribute to Howard.
MISS HARTLEY
Is that the university’s position or President Thirkield’s
position?
George Cook finds his way back toward the door.
GEORGE COOK
There is no difference, Miss Hartley.
MISS HARTLEY
That’s what I suspected. Please tell President Thirkield that
104
I’d like to have a word with him at his earliest convenience.
GEORGE COOK
(smiling)
Yes ma’am.
MADREE
Dean Cook.
GEORGE COOK
Yes, Miss Penn.
MADREE
Please tell President Thirkield that I’ll be assisting Miss Nash
with library services and I’m also volunteering at Howard
Hospital this summer.
George Cook gives Madree a nod of satisfaction.
GEORGE COOK
I shall certainly relay the message.
MADREE
Have a nice summer Dean Cook.
GEORGE COOK
Thank you, Miss Penn. You do the same.
Madree smiles, as he leaves.
SUMMER 1912 MONTAGE BEGINS
EXT. STUDENT SQUARE -DAY
Madree and Oscar sit and watch the Howard graduation as Nellie and the rest of the AKA’s
receive their diplomas.
INT. HOWARD UNIVERSITY HOSPITAL - DAY
Madree and Oscar help an ailing patient into a bed.
INT. METROPOLITAN CHURCH - DAY
Madree and Miss Hartley clap during worship service as Mary Church Terrell speaks before the
congregation.
105
EXT. METROPOLITAN CHURCH - DAY
Mary Church Terrell converses with Madree and the D.C. GIRLS.
INT. HOWARD LIBRARY - DAY
Madree helps Miss Nash restore books to their shelves.
EXT. HOWARD UNIVERSITY HOSPITAL - DAY
Oscar and Madree share an ice cream soda and a kiss.
SUMMER 1912 MONTAGE ENDS
DISSOLVE TO:
EXT. STUDENT SQUARE - DAY
Students line the tables and departmental booths as they enroll in their courses of choice.
TITLE: HOWARD REGISTRATION FALL 1912
Madree proudly sits at the Howard Journal table as the only female reporter as she hands out the
current edition. Wertie, Bertha and Marguerite approach.
BERTHA
Congratulations Madree. You did it.
MARGUERITE
First female staff reporter on the Howard Journal.
WERTIE
They can’t ignore real talent.
MADREE
(smiling)
Thank you.
Madree slips out from behind the table and walks a few feet away with her friends.
MADREE (CONT’D)
Have you heard anything?
Just then, Winona approaches the group.
WINONA
105
Nothing at all.
MADREE
Shouldn’t we know something by now? It’s been months
and they all graduated.
WERTIE
We should ask Myra. She’s the favorite.
Madree sees her newspaper colleagues staring at her.
MADREE
I’d better get back to my post. Please, let me know if you
hear anything?
Bertha nods as Madree returns to the table.
EXT. HOWARD LIBRARY - NIGHT
As Madree exits the building, she’s grabbed from behind.
MADREE
(shrieks)
Help!
Someone covers Madree’s mouth and eyes. They drag her away kicking and fighting.
INT. MAIN HALL BASEMENT - NIGHT
Madree is pushed into a room and then shoved into a chair. She HEARS other girls around her
CRYING and WHIMPERING.
When the blinder is removed from Madree’s eyes, she smiles. The women of Alpha Kappa
Alpha stand before her. Madree looks around the room and sees all of her friends, including her
roommate, Naomi.
There are twenty two girls present in total including Texas girls: Frederica, Jessie, Myra and
Zephyr; and D.C. girls: Edna, Vashti, Olive, Eliza and Florence.
Also, Bertha and Winona are there along with East Coasters: Ethel Cuff, Pauline, Mamie, Edith
and Osceola.
The Virginia Queens: Jimmie Bugg and Ethel Carr are present as well as Marguerite and Wertie.
106
Each girl’s expression of horror instantly turns into one of elation once their blinders are
removed.
Nellie Quander walks out from behind a pillar.
NELLIE
Congratulations ladies. You have been selected as the
newest candidates for membership into Alpha Kappa Alpha
Sorority.
Madree looks around at her friends, as many of them look back at her. Bertha nods and smiles at
Madree.
NELLIE (CONT’D)
I hope everyone is comfortable. This will be a long night,
but one you will never forget.
The AKA’s situate themselves among the candidates.
INT. MINER HALL WEST WING - DAY
Madree and the rest of the candidates are wearing pink dresses and pearls, looking picture perfect
as AKA’s light their green candles during their initiation ceremony.
NELLIE
As we now make our mark outside these hollowed walls,
our flames are extinguished.
The AKA’s blow out their candles leaving only Madree’s and the other candidate’s to burn.
NELLIE (CONT’D)
We now rely on you to continue burning the light of Alpha
Kappa Alpha. May your light shine brightly for all to see.
Miss Hartley observes as an audience of SPECTATORS applaud. Madree’s smile shines
brighter than her candle. Oscar approaches.
OSCAR
Congratulations Madree.
MADREE
Thank you.
Frank, Edgar and many others approach and commend the girls.
107
INT. HONOR’S GERMAN CLASS - DAY
Madree and Vashti sit listening attentively as PROFESSOR CARL MURPHY (mid 20’s), a
rather handsome but intense Afro-American man, passionate about his subject matter, lectures.
CARL MURPHY
We must go beyond the scope of the German language.
An examination of the culture and the people will help us
better understand the German way of life. People like
Martin Luther...
Madree takes copious notes at her desk.
CARL MURPHY (CONT’D)
The 16th century German priest chiefly responsible for
igniting the Protestant Reformation with his Ninety-Five
thesis; challenged the doctrines, rituals, and ecclesiastical
structure of the Roman Catholic Church.
Vashti gazes longingly at Professor Murphy as he continues to lecture.
EXT. HOWARD UNIVERSITY - DAY
Madree and Oscar walk hand in hand along the path as colorful autumn leaves fall from the trees.
MADREE
He changed the course of Christianity and he’s responsible
for translating the bible from the original Latin so everyone
can read the scriptures for themselves. I want that kind of
courage Oscar.
OSCAR
Martin Luther sounds incredible -Suddenly, Wertie and Marguerite approach.
MARGUERITE
Madree, did you hear? Howard night will be a ladies only
event tonight.
MADREE
Really? Ladies only?
WERTIE
Yes.
108
OSCAR
That’s news to me.
MARGUERITE
Apparently Mary Church Terrell has an announcement
she wants to make exclusively to us.
WERTIE
I don’t know about you, but I want to get there early and find
a seat up front so I don’t miss a word of what she has to say.
MARGUERITE
Me too. Are you coming Madree?
Madree gives Oscar a look, and then takes her books from him.
OSCAR
Don’t let me stop you.
Wertie and Marguerite lead Madree away from Oscar, toward Miner Hall.
WERTIE & MARGUERITE
(in unison)
Good bye Oscar.
OSCAR
(laughing)
Good bye.
INT. MINER HALL RECEPTION PARLOR - DAY
Miss Hartley greets Madree at the door as she, Wertie and Marguerite enter.
MISS HARTLEY
This telegram came for you Madree.
She hands it to Madree. Madree opens it. The telegram is a WEDDING ANNOUNCEMENT.
It reads:
MISS NORA AMES IS ENGAGED TO MARRY MR. LEE WYATT.
Wertie looks over Madree’s shoulder at the announcement. Madree’s heart sinks. The color
drains from her face.
WERTIE
109
Looks like you’ve been put on notice.
MARGUERITE
(genuinely concerned)
Are you alright Madree?
Madree gathers herself as she slips the announcement in the pages of one of her books.
MADREE
I’m fine. Everything is as it should be.
MISS HARTLEY
Well there’s another surprise waiting for you upstairs.
A look of dread spreads across Madree’s face.
MADREE
What now, Miss Hartley? I’ve had enough surprises for
one day.
MISS HARTLEY
(expressionless)
In your room, you’ll see.
Madree walks out of the room.
INT. STAIRWELL - DAY
Madree apprehensively climbs the stairs.
INT. HALLWAY - DAY
Madree slowly opens her room door.
INT. MADREE’S ROOM - DAY
Madree enters to find Greta unpacking her suitcase as she talks to Naomi.
MADREE
Greta?
GRETA
Madree!
Greta rushes over to Madree. They hug each other tightly. Madree’s eyes fill with tears of joy.
110
MADREE
Welcome back. I’m so happy to see you.
Finally, they release each other.
GRETA
I understand congratulations are in order, Miss Alpha Kappa
Alpha. You did it.
Madree beams.
MADREE
Greta, the only thing that was missing was you.
NAOMI
I agree.
GRETA
Don’t worry. My time will come.
A car horn HONKS outside.
MADREE
That’s my ride.
NAOMI
Where are you going?
MADREE
To Howard Night at Metropolitan Church. It’s a ladies only
special event. Wertie and Marguerite are waiting for me.
GRETA
Is there room for us?
NAOMI
May we join you?
MADREE
Come on, we’ll make room.
All three girls dash out the door.
INT. METROPOLITAN CHURCH - NIGHT
111
The sanctuary is filled with females, but not just Howard girls. There are black female students
from neighboring predominantly white colleges.
Female activists and race leaders such as Mary Church Terrell and Mary McLeod Bethune are
positioned at the front of the sanctuary.
Many black women who work in the community are present, and housewives as well as younger
school-age girls.
There are also three WHITE WOMEN in attendance.
Madree, Wertie, Marguerite, Naomi and Greta enter.
WERTIE
Oh no, it’s already full.
But Madree spots Vashti and Frederica waving to them from up front.
MADREE
Look. Come on.
Madree leads Wertie, Marguerite, Naomi and Greta to the front where their AKA sorority sisters
are saving several seats. Madree sits between Vashti and Winona.
MADREE (CONT’D)
What in the world is going on here?
VASHTI
I have no idea, but clearly, it’s big. Madree looks around at
the restless crowd and the countless women who continue to
pour into the building.
MADREE
Big, may be an understatement.
Mary Church Terrell approaches the microphone.
MARY TERRELL
Welcome ladies, and thank you for coming.
The CROWD quiets instantly. There’s an air of excitement and great anticipation.
MARY TERRELL (CONT’D)
The winds of change are blowing ladies, and we must act
quickly if we want those changes to favor us...
112
More women and girls continue to pour into the already packed sanctuary as Mary Church
Terrell speaks.
MARY TERRELL (CONT’D)
Woodrow Wilson has been elected the 28th President of
United States and he made some promises during his campaign.
As Madree listens intently, she takes out a sheet and begins to jot notes. Winona observes her.
WINONA
(to Madree)
For the Journal?
Madree nods.
MARY TERRELL
We must hold our new president to his promises; especially
the promises he made to support women’s suffrage.
(a beat)
Ladies, we deserve the right to vote.
Madree enthusiastically rises to her feet as the CROWD applauds.
HOUSE WIFE (O.S.)
(shouts)
Yeah!
MARY TERRELL
We must organize. We have a unique opportunity now.
We can’t let it pass.
The CROWD quiets. Madree sits back down and continues to write.
MARY TERRELL (CONT’D)
Tonight we have representatives present from the National
American Woman Suffrage Association (NAWSA). Please
give them your undivided attention.
BLACK WOMEN in the audience rustle and whisper as the three WHITE WOMEN stand and
approach Mary Church Terrell.
Leading the group is, ALICE PAUL (mid 20s), a thin, dark-haired woman with deep-set eyes.
Alice is followed by her close friend and confidant, LUCY BURNS (30) a dirty blonde with light
eyes and a curvy figure. The last women is INEZ MILHOLLAND (mid 20s), a lawyer with an
oval face, pointy nose and long, wavy hair.
113
As they approach the lectern, Mary Church Terrell relinquishes the microphone to Alice Paul.
ALICE PAUL
Good evening. My name is Alice Paul. This is my Lucy Burns
and Inez Milholland.
The CROWD quiets.
ALICE PAUL (CONT’D)
We’re suffrage organizers and we’re planning a march on
Washington, the day before Woodrow Wilson’s presidential
inauguration.
The CROWD becomes increasingly noisy as ladies comment and converse among themselves.
ALICE PAUL (CONT’D)
We’re anticipating thousands of participants; and Mary
Church Terrell indicated that many of you would be interested
in joining us.
A SEAMSTRESS stands among the crowd.
SEAMSTRESS
Won’t this be dangerous? We could be arrested. Inez steps
forward and takes the microphone from Alice.
INEZ MILHOLLAND
I can assure you, this event has been sanctioned and law
enforcement will be present.
TEACHER (O.S.)
The police don’t care about us!
The temperament of the CROWD escalates to an uproar. Many people get up and exit, leaving
the sanctuary only two-thirds full.
Madree stands.
MADREE
How will Afro-American women fit into this event?
The crowd quiets as the three white women cast uneasy glances toward each other.
INEZ MILHOLLAND
Unfortunately there are political concerns we must consider,
114
therefore the parade will be segregated. Afro-American
women must march at the end, after our male supporters.
HOUSE MAID (O.S.)
Are you crazy?
MADREE
(furious)
You’re asking us to risk our lives joining you, and you want
to demean us in the process?
The CROWD makes a thunderous dissent against the white women. Many more people get up
and exit, including some of Madree’s sorority sisters, leaving the room less than twenty five
percent occupied.
The three white women have no response. Mary Church Terrell takes the microphone and tries
to restore the crowd.
MARY TERRELL
Ladies! Ladies, please. This is not about appeasing the
NAWSA. It’s about standing up for ourselves as women,
letting our collective voice be heard.
The disgruntled CROWD ignores Mary Church Terrell’s plea. They continue to leave.
Disappointed, Madree shakes her head and walks out also.
INT. ADVANCED GREEK CULTURE CLASS - DAY
As PROFESSOR EDWARD P DAVIS (30s), a brown-skinned rather distinguished looking
gentleman lectures before the class, Madree doodles: Alpha Kappa Alpha, on her book.
PROFESSOR DAVIS
Our next chapter focuses on Greek philosophy.
Madree opens her book and flips through the pages. Lee’s WEDDING ANNOUNCEMENT
slips out. She stares blankly at the telegram.
PROFESSOR DAVIS (CONT’D)
Who can identify a significant difference between Greek
philosophy and our western way of thinking?
Several students raise their hands, but Madree’s mind is 1,200 miles away. Professor Davis
notices Madree’s distraction.
PROFESSOR DAVIS (CONT'D)
115
Miss Penn?
Madree snaps out of it.
MADREE
Yes, Professor Davis. I apologize. Would you repeat the
question please?
PROFESSOR DAVIS
How does Greek philosophy differ from our way of thinking.
Madree considers that for moment.
MADREE
Honestly sir, I don’t think there is a significant difference.
PROFESSOR DAVIS
Very interesting. Elaborate, please?
MADREE
Greeks believed in fate and they didn’t think there was much
they could do to escape or change their predestined fate.
PROFESSOR DAVIS
Most of us are here because we believe we can change things
and make a positive impact. You understand that you can
alter your destiny, don’t you, Miss Penn?
MADREE
Perhaps to an extent, but most times, I feel that I don’t have
the power to change anything.
PROFESSOR DAVIS
What a fatalistic attitude. And, it’s surprising coming from
you, because you’ve been paving your way quite well.
Professor Davis walks over to Madree’s desk.
PROFESSOR DAVIS (CONT’D)
Change is rarely instant. There’s always a process. As you
move up the ranks, you acquire more power. For instance,
you became the first female reporter on the Howard Journal
and you’ll probably be the next editor.
Professor Davis backs away from Madree toward the front of the room.
116
PROFESSOR DAVIS (CONT’D)
The same is true of your sorority. You never have to accept
a fate that is handed to you as the Greeks did. You have the
power to chart your own course.
Madree stares down at her AKA doodles, losing herself in thought as Professor Davis resumes
his lecture.
INT. HOWARD JOURNAL OFFICE - DAY
Madree types feverishly at her desk. Her fingers dance across the keys with vigor. Other
reporters are busy completing their articles also.
CLARENCE
Your deadline has come. Any article not on my desk now
doesn’t go to press and will not make the next edition.
Madree stands, removes her article for the typewriter and rushes over to Clarence.
MADREE
Here it is. I’m all done.
Clarence gives Madree a sharp look, but he still accepts her article.
INT. MAIN HALL BASEMENT - NIGHT
The sorority officers: Myra (president), Ethel Black (vice president), Edith (secretary), Jessie
(corresponding secretary), Winona (custodian), Frederica (sergeant at arms) and Pauline
(treasurer), are seated at a long table in the front of the room.
Madree is seated near the center of the room next to Edna.
Frederica stands before her twenty-one Alpha Kappa Alpha Sorority sisters.
FREDERICA
This meeting of Alpha Kappa Alpha Sorority is called to
order. Basileus, Myra Davis presiding.
Myra stands and addresses the group.
MYRA
A sheet for our annual concert is circulating. Please
indicate if you would like to participate and if so, note
the talent you intend to showcase.
117
Naomi takes the sheet, but she doesn’t sign. She passes the sheet to Osceola. She doesn’t sign
either.
MYRA (CONT’D)
We must also establish a committee of organizers for the
tea next semester.
Florence raises her hand.
MYRA (CONT’D)
Yes.
FLORENCE
Must we have a tea?
MYRA
Well, the concert and the tea have become annual AKA
traditions on campus.
Madree raises her hand. Myra acknowledges her.
MADREE
It’s time for change. We need activities and a persona
that reflect our views. Does anyone agree?
MYRA
Yes, I agree. I think we should incorporate. Our sorority
shouldn’t be limited to this campus and it shouldn’t end
with our college experience.
Edna raises her hand. Myra acknowledges her.
EDNA
Well I think the titles: Basileus, Anti-Basileus, Grammateus,
Epitoleus and Tamiouchos are unnecessarily pompous.
Wertie raises her hand.
MYRA
Yes.
MARGUERITE
Pink and green are charm school colors. We need a stronger
more progressive color combination, a bolder look.
118
Many of the girls comment and whisper among themselves.
Frederica hits the gavel.
FREDRICA
Order. Ladies, please.
MYRA
It seems you’ve opened the floodgates, Madree.
You should head a committee to re-organize the sorority.
Everyone will submit their ideas to you.
MADREE
Of course. I’d be honored.
MYRA
Great. Now we must do things decently and in order.
(a beat)
Once Madree puts together our proposed changes, we need
someone to head a committee to notify the former AKA’s
of our plans.
Edna raises her hand.
EDNA
I’ll do it.
MYRA
Good.
MADREE
I have something else in mind also.
MYRA
What is it?
As Madree stands, the girls give her their undivided attention.
MADREE
I’ve reconsidered my position and I think we should
participate in the suffrage march.
WERTIE
What? You can’t be serious Madree.
119
The girls grumble.
BERTHA
But they want us to march in the back.
Frederica hits the gavel.
FREDRICA
Order.
MADREE
It’s a less than perfect scenario, but a more than worthy cause.
The benefit will outweigh the unpleasant circumstance.
MYRA
Perhaps we should take our time and think about this as you
have, Madree. Either we all agree as a group, or we abstain.
Madree sits down with a defeated expression.
FREDERICA
If there’s no additional business, this meeting is adjourned.
Frederica hits the gavel and the girls disperse.
INT. HOWARD LIBRARY - DAY
Madree sits at a table with Bertha, Marguerite and Winona selecting new sorority colors and
symbols.
MADREE (V.O.)
Delta Sigma Theta.
INT. MADREE’S ROOM - NIGHT
Madree sits at her desk drafting the constitution and by-laws for the new sorority as Greta relaxes
on her bed and reads Madree’s woman suffrage article in the Howard Journal.
GRETA
You really feel this strongly about participating in
the suffrage march.
(a beat)
What changed your mind?
MADREE
Essentially, I realized I needed to lay down my pride for the
120
greater good.
Greta puts down the paper and turns her attention toward Madree.
GRETA
Won’t the old AKA’s be angry about these changes you’re
making?
MADREE
Edna and Ethel contacted every AKA they could find and
all of them have agreed.
INT. MAIN HALL - DAY
Oscar walks Madree to her Latin language lab.
INT. LATIN LAB - DAY
As Madree enters, the instructor hands her a note.
INSTRUCTOR
President Thirkield is requesting to see you right away.
Madree exits the room.
INT. ADMINISTRATIVE BUILDING - DAY
As Madree approaches, George Cook escorts her straight to President Thirkield’s office without
saying a word.
INT. PRESIDENT THIRKIELD’S OFFICE - DAY
As Madree enters the president’s office, Nellie Quander charges toward her like a locomotive.
MADREE
(blind-sided)
Nellie?
NELLIE
(fuming)
You’re a liar, Madree Penn.
MADREE
(confused)
121
I’m sorry?
NELLIE
You will be.
Madree glances at President Thirkield, who is watching with a satisfied expression, trying to
hold back his smile.
NELLIE (CONT’D)
You said you were loyal to a fault and that you understand
devotion. You’re a liar, Madree Penn, and I won’t let you
destroy my sorority.
(huffing)
You have until January 13th to cease with your plans to
re-organize Alpha Kappa Alpha, or you and all of your friends
will be disband from the sorority.
Nellie cuts her eyes at Madree as she rudely brushes past her leaving the office.
PRESIDENT THIRKIELD
Miss Penn.
MADREE
(deflated)
Yes, President Thirkield.
PRESIDENT THIRKIELD
It’s important that you know, there is no way I will approve
this sorority rebellion of yours.
MADREE
(completely devastated)
May I go now, sir?
PRESIDENT THIRKIELD
Please.
Madree flies out the door.
INT. ADMINISTRATIVE BUILDING - DAY
Madree dashes through the outer office.
EXT. HOWARD UNIVERSITY - DAY
122
Madree races across campus toward Miner Hall as fast as her feet can carry her. Tears stream
down her cheeks as she runs.
Oscar spots Madree sprinting in a panic.
OSCAR
Madree? What’s wrong?
Madree continues without missing a stride. She ignores him.
EXT. MINER HALL - DAY
Madree runs toward the building.
INT. MINER HALL RECEPTION PARLOR - DAY
Madree enters to find all twenty-one of her sorority sisters assembled together in an urgent
quorum.
MADREE
(sobbing)
It’s all my fault. I know it.
Naomi rushes over and consoles Madree.
NAOMI
No, we were all dissatisfied and disappointed with things.
MYRA
You just helped us realize what needed to be done.
The girls gather forming a band of support around Madree.
MYRA (CONT’D)
I say we move forward. It will take prowess and every ounce
of political power we have on campus to get our sorority
approved and effective immediately.
FREDERICA
All in favor, say I.
EVERYONE
(in unison)
123
I.
FREDERICA
It’s unanimous.
MYRA
Very well. Ladies, let’s get to work.
SORORITY CAMPAIGN MONTAGE BEGINS
INT. OFFICE OF LIBERAL STUDIES - DAY
Madree, Vashti and Marguerite approach Dean Miller and show him their plans. Dean Miller
signs their sorority petition.
INT. ADMINISTRATIVE BUILDING - DAY
Naomi, Bertha and Winona approach Dean Cook with the sorority petition. Dean Cook shakes
his head and side-steps them as he exits the building.
INT. HOWARD LIBRARY - NIGHT
Madree and Edna complete the documents required for incorporation.
INT. TEACHER’S COLLEGE OFFICE - DAY
Dean Moore signs the sorority petition for the Virginia Queens: Jimmie and Ethel Carr.
SORORITY CAMPAIGN MONTAGE ENDS
INT. ADMINISTRATIVE BUILDING - DAY
Madree corners George Cook in the outer office.
MADREE
You granted Omega Psi Phi perpetuity. Why won’t you sign for
us, Dean Cook? What’s your reason for holding up our progress?
GEORGE COOK
Yours is an entirely different situation.
MADREE
As women in high academic standing on this campus, we deserve
the same support and consideration that was given to the fraternity.
GEORGE COOK
124
I’m the least of your worries, Miss Penn.
He glances toward President Thirkield’s office.
GEORGE COOK (CONT’D)
Even if I sign your sorority petition, President Thirkield has veto
power and he has made his position clear. He won’t allow you to
go forward, so unfortunately you’re wasting your time and mine.
MADREE
Dean Cook, I need you to sign our sorority petition as a sign of
good faith and advocacy for equal treatment among female
student organizations.
GEORGE COOK
(outraged)
Miss Penn, you’re not implying that I’m acting prejudicially
toward you based on your gender.
MADREE
(smug)
As a journalist, it’s not my job to imply anything. All I do is
report the facts.
GEORGE COOK
(exasperated)
I see.
George Cook reluctantly signs the sorority petition and hands it to Madree.
MADREE
Thank you sir.
GEORGE COOK
Now, if you will excuse me Miss Penn.
MADREE
Certainly.
Madree turns away from George Cook all smiles. But, as she glances at President Thirkield’s
closed office door, a look of dire concern spreads across her face.
INT. MADREE’S ROOM - NIGHT
Madree and Naomi prepare for bed.
NAOMI
125
I can’t believe you said that.
MADREE
He’s right you know. All of this work we’re doing is
useless.
NAOMI
Don’t speak that way Madree.
MADREE
There’s no way President Thirkield will approve our
sorority; primarily because I’m a part of it.
NAOMI
There’s no way?
MADREE
No way.
NAOMI
But you always say; where there is a will, there’s always
a way.
Madree shakes her head and sighs just as Greta enters the room sullen with a scowl.
MADREE
Don’t worry Greta, once we get everything established and
finalized with the new sorority, you’ll be the first girl we initiate.
GRETA
Thank you. But, no thank you Madree. I still want to be an
AKA and Nellie has assured me that I will become one.
Naomi’s mouth falls open.
GRETA (CONT’D)
Now, if you will excuse me. My room change that I submitted
last year has finally been granted. I’ll be back for the rest of
my things.
Greta grabs a few of her personal items and leaves. Stunned, Madree is speechless.
INT. MADREE’S ROOM - NIGHT
126
Madree tosses and turns in her bed unable to sleep. She slips on her robe and leaves the room as
Naomi sleeps.
INT. STAIRWELL - NIGHT
Madree descends down the stairs to the first floor.
INT. MATRON QUARTERS HALLWAY - NIGHT
Madree knocks on Miss Hartley’s door.
MISS HARTLEY (O.S.)
Who’s there?
MADREE
It’s Madree. Sorry to wake you.
Miss Hartley opens the door alarmed.
MISS HARTLEY
Is everything alright?
MADREE
May I come in please?
Miss Hartley allows Madree inside her bedroom.
INT. MISS HARTLEY’S ROOM - NIGHT
Madree sits in a chair by the bed.
MISS HARTLEY
What’s wrong child? You look like you lost your best friend.
MADREE
I did. And, I’m about to lose all the rest of them too.
MISS HARTLEY
Is this about that nasty sorority business? I’ve been hearing
the rumblings.
MADREE
Yes ma’am. Everything is set and Delta will be a wonderful
sorority. The only thing stopping us from going forth is me.
127
Miss Hartley takes a seat on the edge of her bed.
MADREE (CONT’D)
If I wasn’t a part of the new organization, I’m sure President
Thirkield would approve it without question.
MISS HARTLEY
Aren’t you the one who came up with the idea and put the
entire plan together?
MADREE
Yes.
MISS HARTLEY
Well that doesn’t seem fair at all.
MADREE
I would rather have the sorority flourish without me; than
for it never to exist because of me.
MISS HARTLEY
It sounds like you have made your decision, Madree.
MADREE
I suppose I have.
INT. MADREE’S ROOM - DAY
Madree returns Greta’s dress with the lace appliques. She tucks a NOTE inside it and hides it
among Greta’s things.
Naomi shakes her head as she observes Madree’s transaction.
Then, just as Madree heads to the door, Greta comes in for the rest of her things. She avoids eye
contact with Madree. Not one of the three girls utter a word. Madree exits the room with a
sorrowful expression.
INT. DINING ROOM - DAY
Madree joins Oscar, Edna, Frank, Edith and Edgar for a snack. As they smile and socialize at the
table, Miss Hartley walks past the dining room and exits out the door.
EDITH
Where on earth is she going? She hardly ever leaves
Miner Hall.
128
EDNA
Only for church.
EDGAR
Well, it’s not Sunday.
They all giggle, but Madree quietly picks at her food.
OSCAR
What’s wrong? You seem distant.
Before Madree can respond, dozens of girls descend the stairs and pour past the dining room
entrance. Frederica beckons Madree, Edna and Edith as she passes.
FREDRICA
Come on ladies, it’s time for sorority meeting.
Edna, Edith and Madree rise and prepare to leave their beaus.
EDNA
We’d better go.
EXT. HOWARD UNIVERSITY - DAY
Miss Hartley stamps across campus with undistracted focus and predestined purpose.
Male and female students remove themselves from her path as they watch her tread by.
EXT. ADMINISTRATIVE BUILDING - DAY
Miss Hartley approaches the building and goes inside.
INT. ADMINISTRATIVE BUILDING - DAY
Miss Hartley enters and heads straight toward President Thirkield’s office. George Cook steps
in front of her.
GEORGE COOK
Miss Hartley, may I help you?
MISS HARTLEY
No, you may not.
GEORGE COOK
Is this about Madree Penn?
129
Miss Hartley shoots George Cook a fierce look.
MISS HARTLEY
(furious)
She’s an eighteen year old girl.
GEORGE COOK
I know Miss Hartley, but it’s the end of the work day,
4:45 in the afternoon. I can’t let you storm into President
Thirkield’s office without an appointment.
MISS HARTLEY
As I recall, Dean Cook, I requested an appointment with
President Thirkield last June and I’m still waiting.
GEORGE COOK
I apologize Miss Hartley. There’s no excuse for that.
MISS HARTLEY
Apology accepted. Now, why don’t you retire for the evening.
I’ll take my meeting now.
George Cook considers her proposition.
MISS HARTLEY (CONT’D)
As far as I’m concerned, you were never here.
George Cook quickly gathers his things and rushes out the door as Miss Hartley barges into
President Thirkield’s office.
INT. PRESIDENT THIRKIELD’S OFFICE - DAY
Surprised, President Thirkield rises to his feet.
PRESIDENT THIRKIELD
Miss Hartley?
MISS HARTLEY
President Thirkield.
PRESIDENT THIRKIELD
What can I do for you?
Miss Hartley discretely shuts the door behind her as she advances toward President Thirkield.
130
INT. MAIN HALL BASEMENT - NIGHT
Myra excitedly stands before the enthusiastic sorority girls.
MYRA
We’ve established our new colors and symbols:
Delta Sigma Theta Sorority.
The sorority girls beam and gush proudly toward one another.
MYRA (CONT’D)
Our application for incorporation is complete and we
have signed endorsements from our three university deans.
All that is left is the president’s stamp and then, we’re official.
The joyful girls applaud.
MYRA (CONT’D)
As a result of a timely and poignant article in the Howard
Journal, we’ve decided that our first public act as a sorority will be
to participate in the woman suffrage march on Pennsylvania Ave.
All of the girls turn and applaud toward Madree. She slowly stands as tears fill her eyes.
MADREE
It deeply saddens me, but I can no longer be your sorority sister.
WERTIE
What do you mean?
The girls murmur and grumble. Frederica hits the gavel.
MYRA
What exactly are you saying Madree? We don’t understand.
Suddenly, Miss. Hartley emerges.
MISS HARTLEY
Madree!
MADREE
Miss Hartley?
Florence rises and quickly stops Miss Hartley. Frederica hits the gavel again.
FREDRICA
131
This is a closed meeting.
MYRA
No, wait. Let her in.
Florence steps aside and Miss Hartley comes forth.
MISS HARTLEY
I’m sorry to intrude ladies. I just didn’t want Madree, to
do something she would regret.
MADREE
(sobbing)
But, it’s the only way.
She continues toward Madree.
MISS HARTLEY
You don’t have to resign from your beloved sorority
because President Thirkield is resigning from the university.
Shocked, the girls whisper among themselves.
MADREE
Is this true? I mean, do you know this for a fact?
MISS HARTLEY
(addressing the group)
I just left President Thirkield’s office. He has an opportunity
to become a bishop in the methodist church.
MISS HARTLEY (CONT’D)
(to Madree)
Since he hasn’t been happy here, he has determined that it’s in
everyone’s best interest that he resign as university president to
pursue this alternate path.
Madree hugs Miss Hartley tightly as she sheds tears of joy on her shoulder.
MADREE
I don’t know what you did, but thank you.
DISSOLVE TO:
EXT. PENNSYLVANIA AVE, WASHINGTON D.C. - DAY
132
Nearly 10,000 WOMEN fill the street in a long procession viewed by approximately 250,000
ONLOOKERS that display both fervent support and ardent opposition.
TITLE: WOMEN’S SUFFRAGE PARADE MARCH 3, 1913
Women from countries that disenfranchised them hold the place of honor in the first section of
the procession. The second section is designated for pioneers who struggled for many decades to
secure women's right to vote.
The next sections celebrate working women from every walk of life, grouped by their
occupation, dressed in their appropriate garb: nurses in uniform, woman farmers, homemakers,
female doctors and pharmacists, actresses, librarians and college women donning academic
gowns.
Next, were the state delegations and, finally, the separate section for male supporters of woman
suffrage. After the male supporters, is the segregated section of the procession, designated for
Afro-American women.
INT. GRETA’S ROOM - DAY
Greta opens her bureau and notices the dress with the beautiful lace appliques she had given
Madree. A sad expression spreads across her face as she pulls out the dress.
As Greta holds the dress up in front of her, Madree’s NOTE tumbles out. She retrieves the note
and reads.
MADREE (V.O.)
Mine is unacceptable behavior for an intelligent and
promising young woman with culture. But, it is necessary...
Greta puts the dress down as she continues to read.
MADREE (V.O.) (CONT'D)
Someone must stand for those who cannot stand for themselves;
speak for those who cannot form their words, march for those
whose feet no longer carry them...
Greta sits on her bed engrossed in Madree’s letter.
MADREE (V.O.) (CONT'D)
Greta, I don’t resent you for choosing a different path. I did
not choose this cause, this plight, this movement. It chose me.
Delta Sigma Theta chose me.
EXT. WOMEN’S SUFFRAGE PARADE - DAY
133
Madree proudly takes her place among her sorority sisters behind a beautiful crimson and cream
BANNER that reads:
DELTA SIGMA THETA SORORITY, INC. founded January 13, 1913.
MADREE (V.O.) (CONT’D)
It’s a movement, not a monument. And, that movement
starts on the inside. Once it starts, there’s no stopping it.
You don’t choose delta. Delta chooses you.
As the herald rides by on horseback, the girls pull tightly in their ranks preparing for the parade
to start.
MADREE (V.O.) (CONT'D)
We’re all unique and special in our own individual ways.
That’s what makes us beautiful. But it’s important to
remember, at the end of the day, we are far more alike,
than we are different.
A WHISTLE blows at the start of the parade and Inez Milholland leads the charge wearing a
crown and a long white cape while riding atop a large white horse.
MADREE (V.O.) (CONT'D)
We are women of color, in a male dominated world. If we
don’t band together and support one another, how will we
ever gain the respect of others?
INT. GRETA’S ROOM - DAY
Greta rises from her bed. Her eyes well with tears.
MADREE (V.O.)
I need you, Greta. We need each other. You are my sister,
like it or not. No matter what colors you wear or which Greek
symbols you prefer. I love you, and I always will.
Greta dashes out the door.
INT. STAIRWELL - DAY
Greta races down the stairs with Madree’s note in hand.
INT. MINER HALL RECEPTION PARLOR - DAY
Greta finds Miss Hartley knitting in the chair.
134
GRETA
Miss Hartley, is Jackson available? There’s some place,
I really need to go.
Miss Hartley looks up at Greta and smiles.
EXT. WOMEN’S SUFFRAGE PARADE - DAY
The Delta sorority girls march forward as CROWDS on both sides of the street ROAR. Men
throw drinks into the street.
Oscar, Edgar and Frank stand in support as they watch the women from among the wild crowds.
OSCAR
Madree!
She waves and smiles, as does Edith and Edna. They continue along the parade route.
EXT. RAILWAY STATION - DAY
The presidential train arrives.
PRESIDENT ELECT, WOODROW WILSON (50’s), a white man with a long face, pointy nose
and light hair, steps off the train an waves at just a handful of SPECTATORS as they CHEER
him on. He whispers to his male ATTENDANT.
WOODROW WILSON
Where is everyone?
ATTENDANT
At the Woman’s March on Pennsylvania Avenue.
Then, Wilson hears the ROAR of the crowds where he stands at the railway station.
EXT. WOMEN’S SUFFRAGE PARADE - DAY
As Madree and her Delta sorority sisters continue marching, they hear a woman’s SCREAMS
from among the crowd.
They turn their attention to the side and see a brown-skinned woman with a square jawline,
pensive eyes and pointy features, forcing her way through the crowd. That woman is IDA B
WELLS (50).
IDA WELLS
Let me through.
135
Madree stops dead in her tracks. Confused, the other sorority girls pause.
NAOMI
What is it Madree?
MADREE
That’s Ida B Wells.
Marguerite overhears and waves.
MARGUERITE
It is? Miss Wells! Miss Wells!
Ida Wells continues to force her way through the crowds until she reaches the street and
approaches the Delta girls. Madree immediately extends her hand to Ida Wells.
MADREE
My name is Madree Penn. It’s a pleasure to meet you,
Miss Wells. I love your work and-IDA WELLS
Thank you Madree, dear. But why are you girls all the way
back here? This is not where you belong.
Madree and the Delta girls look at each other unable to respond.
IDA WELLS (CONT’D)
I’m on my way to the Illinois delegation where I belong.
And you, are joining the academic women. Follow me.
EXT. SUFFRAGE MALE SUPPORTER SECTION - DAY
Madree and the girls smile enthusiastically as Ida Wells leads them up Pennsylvania Avenue past
the male supporters. They continue.
EXT. SUFFRAGE STATE DELEGATIONS - DAY
Madree and the girls continue to the state delegations. They quickly past Wyoming, Washington
and Texas. They continue past marchers from Pennsylvania, Nebraska, Missouri and Kansas.
Ida stops and plants herself alongside white marchers from Illinois.
IDA WELLS
This is as far as I go girls. Make sure you go all the way.
Take you rightful place.
136
Madree and the Deltas smile and move forward quickly with purpose as they continue past the
remaining states.
EXT. SUFFRAGE WORKING WOMAN SECTION - DAY
Finally, Madree and the Delta girls reach the academic women’s section. They arrange
themselves and continue marching from that point.
GRETA (O.S.)
Go Madree! Go!
Madree turns and sees Greta waving and cheering her on among the crowd. Miss Hartley and
Jackson are there also. Madree smiles brightly as she waves at them and, then she continues.
MADREE (V.O.)
We marched and we marched, for all women everywhere.
And, Delta Sigma Theta Sorority, Incorporated, marches on.
FADE TO BLACK.
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