Orchestra Logo Date Time Venue? A FAMILY RESOURCE PACK For children and adults to share 2 6 7 16 21 22 24 29 The Story Activity 1: Musical Characters Activity 2: Bringing Peter to Life Activity 3: 10 things about Russia Activity 4: Cage the Wolf Activity 5: Making things move Parents Credits 1 Peter and the Wolf – Family Resource Pack The Story The story of Peter and the Wolf was written over 70 years ago and is a favourite of children and adults almost everywhere. It was written by the Russian composer Sergei Prokofiev, and is special because it‟s a musical story told by a symphony orchestra. But more of this later. First…the story. ________________________________________________________ Early one morning Peter opened the gate and went out into the big green meadow. On a branch of a big tree sat a little bird. Peter’s friend. “All is quiet” chirped the bird gaily. Just then a duck came waddling round. She was glad that Peter had not closed the gate, and decided to take a nice swim in the deep pond in the meadow. Seeing the duck, the little bird few down upon the grass, settled next to her and shrugged his shoulders. “What kind of a bird are you if you can’t fly?” said he. To this the duck replied: “What kind of a bird are you, if you can’t swim?” and dived into the pond. They argued and argued, the duck swimming in the pond, the little bird hopping along the shore. Suddenly something caught Peter’s attention. He noticed a cat crawling through the grass. The cat thought: “The bird is 2 Peter and the Wolf – Family Resource Pack busy arguing. I’ll just grab him.” towards him on her velvet paws Stealthily she crept “Look out!” shouted Peter, and the bird immediately flew up into the tree, while the duck quacked angrily at the cat…from the middle of the pond. The cat walked round the tree and thought: “Is it worth climbing up so high? By the time I get there the bird will have flown away.” Grandfather came out. He was angry because Peter had gone into the meadow. “It is a dangerous place. If a wolf should come out of the forest, then what would you do?” Peter paid no attention to his grandfather’s words. Boys like him are not afraid of wolves. But Grandfather took Peter by the hand, locked the gate and led him home. No sooner had Peter gone, than a big grey wolf came out of the forest. In a twinkling the cat climbed up the tree. The duck quacked, and in her excitement jumped out of the pond. But no matter how hard the duck tried to run…she couldn’t escape the wolf. He was getting nearer …nearer … catching up with her…and then he got her, and with one gulp, swallowed her. And now this is how things stood: the cat was sitting on one branch, the bird on another…not too close to the cat. 3 Peter and the Wolf – Family Resource Pack And the wolf walked round and round the tree looking at them with greedy eyes. In the meantime, Peter, without the slightest fear, stood behind the closed gate watching all that was going on. He ran home, got a strong rope and climbed up the high stone wall. One of the branches of the tree round which the wolf was walking stretched out over the wall. Grabbing hold of the branch Peter lightly climbed over on to the tree. Peter said to the bird: “fly down and circle round the wolf’s head: only take care that he doesn’t catch you.” The bird almost touched the wolf’s head with his wings while the wolf snapped angrily at him from this side and that. How the bird did worry the wolf! How he wanted to catch him! But the bird was cleverer, and the wolf simply couldn’t do anything about it. Meanwhile, Peter made a lasso, and carefully letting it down caught the wolf by the tail and pulled with all his might. Feeling himself caught the wolf began to jump wildly trying to get loose. But Peter tied the other end of the rope to the tree and the wolf’s jumping only made the rope round his tail tighter. 4 Peter and the Wolf – Family Resource Pack Just then…the hunters came out of the woods following the wolf’s trail and shooting as they went. take him to the zoo.” But Peter sitting in the tree said: “don’t shoot! Birdie and I have caught the wolf. Now help us to And there…imagine the triumphant procession. Peter at the head. After him the hunters leading the wolf. And winding up the procession Grandfather and the cat. Grandfather tossed his head discontentedly: “Well, and if Peter hadn’t caught the wolf? What then?” Above them flew the birdie chirping merrily: “My, what brave fellows we are, Peter and I! Look what we have caught!” And if one would listen very carefully, he would hear the duck quacking inside the wolf; because the wolf in his hurry had swallowed her alive. ________________________________________________________ When you see the film you will notice that sometimes things are a little different from Prokofiev‟s story. This often happens when a story is used for a play, a film or a musical. It also gives a chance to look at things in a new way, but without changing the basic story. As you watch the film see if you notice any changes, and try to describe what the differences are from when you first read the story. 5 Peter and the Wolf – Family Resource Pack Activity 1: Musical Characters Each of the characters in the story has their own music played by different instruments of the orchestra. See if you can work out which music goes with which character by going to the Peter and the Wolf website and playing the game before you go to the concert. The characters are: Peter Cat Bird Duck Grand- Wolf Hunters father ________________________________________________________ 1. Make sure you are connected to the Internet 2. Click this picture to enter the game1. 3. Click and hold the mouse button on each instrument to hear the music. Does it sound like one of the characters? 4. Drag the instrument to the character to see if your answer is correct. Or enter this link into the address bar www.breakthrufilms.co.uk/peterandthewolffilm/Peter%20and%20the%20Wolf%20Game.html 1 6 Peter and the Wolf – Family Resource Pack Activity 2: Bringing Peter to life This is the hero of our story. Peter. The boy who caught the Wolf. In this film he is not a real boy. He is a puppet, not much bigger than the size of this piece of paper. How did he come to look like this? On the next two pages you will find some pictures that tell the story of how Peter was made, but they are not in the right order. Cut them out, and using the clues on pages 10 - 12 try to work out the correct order. (The answers are on pages 13 15) 7 Peter and the Wolf – Family Resource Pack Cut along dotted line 8 Peter and the Wolf – Family Resource Pack Cut along dotted line 9 Peter and the Wolf – Family Resource Pack 1. This is one of the first sketches of Peter, looking through the gate into the forest 2. In this „line‟ drawing Peter starts to come to life. Compare it with „1‟. Can you see the difference. 3. Photos of real people helped with deciding how Peter should look. This is a young Russian boy 4. The next stage was to make a coloured drawing of Peter‟s head. See how different it is from „1‟. 5. This is the first model of Peter‟s head. It is made from clay…even his hair. 8. Peter‟s actual head was made in a mould, and without hair 10 Peter and the Wolf – Family Resource Pack 7. Peter‟s hair had to be added on separately 8. A pattern had to be made for the skin on Peter‟s face which was made from latex, a sort of rubber 9. Models were made of all the characters. Here is Peter with his two friends, the bird and the duck. 10. Different colours of material for Peter‟s clothes were tested alongside other objects in the film. 11. The scale down the side of this picture of Peter in his clothes helps to keep everything to the right size. 12. Underneath his clothes his body was made from foam and latex 11 Peter and the Wolf – Family Resource Pack 13. Inside his body is a special frame so that his arms and legs can move. 14. Suzie, the director, checks to see that his arms and legs can move 15. The frame inside his body helps in moving him to different positions. Here he is sitting on a rock. 16. At last Peter is ready and he is put on the film set by one of the animators. 17. Here he is being photographed by the camera crew on the film set with his grandfather. 18. This is how the picture of Peter and his grandfather looks through the camera in „17‟. 12 Peter and the Wolf – Family Resource Pack Answers: 1. This is one of the first sketches of Peter, looking through the gate into the forest 2. In this „line‟ drawing Peter starts to come to life. Compare it with „1‟. Can you see the difference. 3. Photos of real people helped with deciding how Peter should look. This is a young Russian boy 4. The next stage was to make a coloured drawing of Peter‟s head. See how different it is from „1‟. 5. This is the first model of Peter‟s head. It is made from clay…even his hair. 6. Peter‟s actual head was made in a mould, and without hair 13 Peter and the Wolf – Family Resource Pack Answers: 7. Peter‟s hair had to be added on separately 8. A pattern had to be made for the skin on Peter‟s face which was made from latex, a sort of rubber 9. Models were made of all the characters. Here is Peter with his two friends, the bird and the duck. 10. Different colours of material for Peter‟s clothes were tested alongside other objects in the film. 11. The scale down the side of this picture of Peter in his clothes helps to keep everything to the right size 12. Underneath his clothes his body was made from foam and latex 14 Peter and the Wolf – Family Resource Pack Answers: 13. Inside his body is a special frame so that his arms and legs can move. 14. Suzie, the director, checks to see that his arms and legs can move 15. The frame inside his body helps the animator to move him to different positions. 16. At last Peter is ready to go to work. Here he is in the forest sitting on a rock. 17. Here he is being photographed on the film set his grandfather and the camera crew. 18. This is how the picture of Peter and his grandfather looks through the camera in „17‟. 15 Peter and the Wolf – Family Resource Pack Activity 3: Ten things about Russia Peter and the Wolf is a story that comes from Russia. It is a country that has a long and very complicated history, and over the last 100 years many changes have taken place. Here are some interesting facts. United States 1. Country: Russia is the biggest country in the world. You could fit almost two United States, or two Chinas inside Russia. How big is your country compared to Russia? Russia China United States China 16 Peter and the Wolf – Family Resource Pack 2. People: Although Russia is the biggest country in the world, it has only half as many people as the United States. China has about ten times more than Russia. Russia – 140,000,000 United States – 301,000,000 China – 1,320,000,000 How many people are there in your country? 3. River: Russia has the longest river in Europe. It is called the Volga and it flows for more than 3,700 kilometres before it reaches the sea. There is a very famous traditional song from Russia called The song of the Volga boatmen2. This is the famous picture by the Russian artist Repin on which the song is based. What is the name of the longest river in your country? 2 This version on YouTube is performed by the famous bass singer Boris Christoff 17 Peter and the Wolf – Family Resource Pack 4. Flag: This is the national flag of Russia. It has only been used since 1993. What does your country‟s flag look like? 5. Money: The name of the money people use is the ruble There are 100 kopeks to each ruble What is the name of the money you use in your country? 6. Writing: When people write in Russian they use a special sort of alphabet called the Cyrillic Alphabet. It has 33 letters and looks like this. АБВГДЕЖЗИЙК ЛМНОПРСТУФХ ЦЧШЩЪЫЬЭЮЯ ПЕТЯиВОЛК This is Peter and the Wolf in Russian: How is the way you write different from this? 18 Peter and the Wolf – Family Resource Pack 7. Dolls: You may have seen these dolls before. They are a traditional toy and starting with the smallest, each doll fits inside the next until they are all inside the biggest doll. They are known as Matryoshka Dolls, or nesting dolls Are there any traditional toys in your country? What are they? 8. Kremlin: Moscow is the capital city of Russia. In the centre of the city is one of its most famous buildings. It is called the Kremlin and a long time ago it was used as the home for the person who ruled Russia. The Tsar. This is a picture of the Kremlin What most important building where you live? have a special name? Does it 19 Peter and the Wolf – Family Resource Pack 9. Balalaika: One of the traditional instruments of Russia is the Balalaika. They come in different sizes and are played like a guitar. Click to listen to a Balalaika What are the traditional instruments of your country? 10. Caviar: It may seem strange, but this is one of the most famous foods to come from Russia. It is called caviar and they are the tiny black eggs that come from a fish called a sturgeon. You can get caviar from other countries too, but the best is thought to come from Russia. It can be very expensive. What would you say are some of the best known foods from your country? 20 Peter and the Wolf – Family Resource Pack Fold Activity 4: Cage the Wolf This activity shows you how to make a Thaumatrope. (thaw-ma-trope). Card 1. Fold 2. Insert and glue 4. Make holes It was an early form of animation popular about 150 years ago. Follow the instructions opposite to „Cage the Wolf‟. 3. Cut A.Twist You will need this piece of paper, scissors, card, glue and two loops of thread B.Pull 5. Thread 6. Fold 21 Peter and the Wolf – Family Resource Pack Activity 5: Making things Move Animation is the word we use to describe the way still pictures or puppets can be made to appear to move. Cartoons are a sort of animation. Here are two simple ways in which you can animate pictures. ________________________________________________________ Below you have two pictures; both are taken from an early design stage of Peter and the Wolf. One is a little different from the other. Can you see the difference? Cut out both strips and glue „A‟ on top of „B‟. Cut A Roll Cut B Cut Add glue here Cut Roll „A‟ around a pencil. By moving the pencil backwards and forwards you can change the faces of the boys. Draw your own pictures and make them move. 22 Peter and the Wolf – Family Resource Pack You can create a longer animation by making a Flick Book. A simple way to do this is by using one of the special sticky notepads you find in an office. You need to draw on each piece of paper, but like with the animation of the two boys above, the pictures have to be slightly different from each other. You might like to start first with a simple matchstick figure. Once you have completed a series of pictures „flick‟ through the pages. Peter and the Wolf is made from a number of pictures too. But instead of a drawing, each picture is a photograph. After each photograph was taken the puppets were moved into a slightly different position. The photographs were then joined together to make the film Here is a short section from an early stage of the film itself. 23 Peter and the Wolf – Family Resource Pack Parents This animated film of Peter and the Wolf is only 30 minutes long. However its length belies the huge effort involved in its creation; from the original concept to its premiere in the Royal Albert Hall in September 2006 it took over 3 years to make, and involved over 100 technical and production staff in the UK, Poland and France. It is a tribute to this endeavour that it received the Academy Award, the Oscar, for the best short animated film in 2008. Although it has DVD and television formats, it was originally conceived to be shown with the backing of a live orchestra. This is the way in which you will see it when you go to the concert. This Educational Resource has been designed to give both young people (from 8 to 11 years) and adults who attend the concert a little more insight into the background of the film; its music, the process of creating an animation, and the country from which the story originated; Russia. We suggest that you might spend a little time together exploring these resources prior to the concert and it may be useful also to print and bring the results of Activity 1 with you. Peter and the Wolf was made using a technique known as „stop-frame‟ animation; where puppets are manipulated and photographed frame by frame. It is a process involving a great deal of manual dexterity in the design and manipulation of the materials, therefore in the spirit of the film we have encouraged more practically based skills, so you will need scissors, pencils and glue. We assume from the fact that you are reading this document that you have access to a computer, but a colour printer would also be beneficial. For those interested in a little more background information we have included a short history of the composer Sergei Prokofiev and the story behind the creation of the original version of Peter and the Wolf. 24 Peter and the Wolf – Family Resource Pack ORCHESTRA Details: To be completed by Orchestra 25 Peter and the Wolf – Family Resource Pack Sergei Prokofiev (1891 – 1953) Alongside Igor Stravinsky and Dmitri Shostakovich, Sergei Prokofiev was one of the most influential composers of the 20th century to come from Russia. He was born in the farming village of Sontsovka in what is now the Ukraine. Despite this rural background he was brought into contact with music whilst very young by his mother who became by far the greatest musical influence on him in early life. She was an accomplished pianist and under her guidance he too became a formidable performer. His first composition, Indian Galop was written with her help at the age of five and it started him on a career as a composer that spanned a wide range of musical genres including 7 symphonies, 5 piano concertos, 10 operas, 9 ballets, 10 film scores, 11 piano sonatas, 9 cantatas and a host of chamber and choral music. From his early childhood he kept a meticulous set of composition notebooks which he called his little puppies. These musical sketches served him well throughout his life and would be used and reconstituted in a variety of forms. From this time also he developed a love of fairy tales and an appreciation of traditional folklore, both of which he would draw upon extensively in his compositions. Prokofiev was taken to Moscow at the age of nine, when he saw his first operas; Gounod's Faust and Alexander Borodin's Prince Igor. Upon returning home he attempted his own first opera The Giant, and by the age of 10 he was receiving piano lessons from the composer and pianist Reinhold Gliere. By the time he was thirteen he had entered the world famous Moscow Conservatory of Music and became a pupil of the musical giants of the day, Alexander Glazunov, Anatol Liadov and Nikolai Rimsky- Korsakov, who was also to have a profound influence on Stravinsky. He left his homeland in 1918 spending much time in American and Europe and although he made a number of return visits he did not take up permanent residence again until 1936. By this time, politically, Russia was a radically different country from that he had left eighteen years earlier and as with many composers of this period the imprint of Stalin was to leave its mark on his artistic output. In addition to his work for the concert stage he had an intense interest in music for film, and his return to Russia also marks the start of a relationship, extraordinary in its synchronicity, that he formed with the famous director Sergei Eisenstein. Before they met he had already completed his first score for film for the film Lieutenant Kijé; the unlikely tale by Yuri Tynianov of the soldier/hero who lived to be decorated by the Tsar, but who didn't actually exist! With Eisenstein however he went on to create scores for the epic Alexander Nevsky in 1939, followed shortly by scores for Lermontov (1941), Partisans in the Ukranian Steppes (1942), Tonya (1942), Kotovsky (1942), and Ivan the Terrible (1942- 5). He even undertook a special trip to Hollywood during his last tour of 26 Peter and the Wolf – Family Resource Pack the United States in 1938 in order to study the techniques of filmmakers and composers in the studios, with an eye towards taking the knowledge back with him to the Soviet Union. Alexander Nevsky afforded Prokofiev the opportunity to apply what he had learned and it is interesting to note the later influence he had upon composers such as John Williams - compare the music for Jaws with the music for the Battle on the Ice from Alexander Nevsky. Prokofiev died on the March 5, 1953, on the same day as Joseph Stalin, leaving behind a legacy of some 135 compositions. Peter and the Wolf - Background Prokofiev had a lifelong interest in folk tales and children's stories and often used them as a basis for his compositions. We see this in his first, fledgling opera The Giant, written when he was nine, through to the miniature cantata based on Hans Christian Andersen's The Ugly Duckling, and on to the ballets Cinderella and A Tale of the Stone Flower. His compositions include also many children's songs and piano pieces. In 1936 he was approached by Natalia Satz of the Moscow Children's Music Theatre to write a new musical symphony just for children. The intention was to cultivate 'musical tastes in children from the first years of school.' Intrigued by the invitation, Prokofiev completed Peter and the Wolf in just four days and although the debut on the 2nd May 1936 was, in the composer's words, inauspicious at best: Prokofiev and Natalia Satz give the first play-through of Peter and the Wolf to an impromptu audience at Moscow's Theatre of the Young "(attendance) was rather Spectator, 1936 poor and failed to attract much attention.", this symphonic folk tale became a perennial favourite delighting audiences worldwide irrespective of their age. In addition to the deft musical characterisation of the protagonists, each associated with a different instrument of the orchestra, a large part of its appeal lies in Prokofiev's genius as an orchestrator. The piece showcases his superb ability to bring a simple story to life, making the characters “visible” through the use of simple instrumental combinations and a natural sense of musical narrative. In an interview in 2000 his son, Sviatoslav, described the first performance which he attended as a child in May 1936 at the Moscow Central Pioneer Palace; “I remember visiting one of the first performances of "Peter and the Wolf" in 1936 in the hall of the Moscow Pioneer Palace. The hall was full, there were a lot of children in motley clothes and the abundance of red colour amazed me! An exciting, festive and unusual atmosphere reigned -- everybody was speaking Russian! It was my first 27 Peter and the Wolf – Family Resource Pack attendance of a concert in Moscow -- with my father and his music. The text of "Peter and Wolf" was expressively and brilliantly read by Natalia Satz -- a young attractive woman who, as the action went on, was transformed into Peter or Grandfather or the Wolf or the Duck! It was a great success, the children were joyfully shouting. Father and Natalia Satz came out many times to bow. I remember how all of our family was returning on foot along the boulevard with a pond where real ducks were swimming. It was a beautiful sunny day in May. Father was pleased and walked joyously and excited, recalling various episodes of the concert. The family had just successfully moved to Moscow and nothing foreshadowed the soon-to-come tragic events of 1937-48.” (Prokofiev. Org) 28 Peter and the Wolf – Family Resource Pack Credits Educational resources created by: Michael Spencer Creative Arts Net www.creative-arts.net 29