1 2 AP English Language and Composition AP LANGUAGE TO DO LIST: SUMMER READING ASSIGNMENT: 1. Choose from one of three novels, A Good Man is Hard to Find, In Cold Blood, or The Joy Luck Club, and complete the Thematic Close Reading assignment. 2. Write a two-page essay based on your note cards. 3. Review the top 20 rhetorical terms list and create flash cards for them ****The above assignments will be your first three grades in AP Language. CLASS SUPPLIES 1 A composition notebook for daily note-taking. 2. A flash drive for research 3. Highlighters in yellow, green, blue, and pink 4. Pens (black or blue) 5. Pencils 6. A dictionary and Thesaurus for home use 7. Loose-Leaf Paper ENGLISH LANGUAGE AND COMPOSITION TEACHER: Mrs. McQueen gmcqueen@noscihigh.org New Orleans Charter Science and Mathematics High School What is AP English Language and Composition? Welcome to the Advanced Placement course in English Language and Composition. The purpose of the course is to engage students in becoming skilled readers of prose written in a variety of periods, disciplines, and rhetorical contexts and in becoming effective writers who compose for a variety of purposes. Students will learn the necessary skills for analyzing voice, synthesizing information, developing arguments, and critically thinking to a degree that transcends previous English courses. Homework is frequent, and expectations are in adherence with the College Board. The ultimate goal of SciHigh’s Advanced Placement English Language and Composition class is devoted to developing the skills necessary to read with subtlety and write with clarity and power. Students are expected to: • Produce a research paper that meets the standards of a college-level course; • Attend class consistently; • Analyze and interpret good writing, and identify and explain an author’s use of rhetorical strategies and techniques; • Write in a variety of genres and contexts, both formal and informal; • Study rhetorical theory and argumentation. Required AP Summer Reading Students entering AP® English Language & Composition in the fall need to complete the Summer Reading Assignments for one of several books: In Cold Blood, A Good Man is Hard to Find, or The Joy Luck Club. The assignment must be completed by the time students report to school on August. As a way to verify the student’s summer reading efforts, each student is to annotate the novel, complete the Thematic Close Reading assignment, and write a short essay on the reading. Students will also need to review the sheet with the top 15 rhetorical terms. The summer reading assignment will be used in class this fall as part of a Socratic Seminar on the books. Students will need to be familiar with their selected books for class discussions and writing assignments. Directions for the assignment are on the back of this flyer. Students with questions concerning the assignment may contact Mrs. McQueen via email at gmcqueen@noscihigh.org. AP LANGUAGE AND COMPOSITION SUMMER READING ASSIGNMENT: IN COLD BLOOD The following thematic elements are central to Truman Capote’s In Cold Blood. While reading the book, collect related quotations on index cards and keep them in a labeled envelope. Ultimately, the passages you select will support your arguments for a Socratic Seminar. You should create a minimum of three cards for each of the following sections: “The Last to See Them Alive,” “Persons Unknown,” “Answer,” and “The Corner.” DIRECTIONS: 1. Select one of the five listed themes. 2. On the front of the envelope, write your name, date, and theme. 3. In the envelope place a total of 12 index cards 4. Use the index cards to write a quote that supports the theme on your envelope. The front of the index card should include the quote, character, and the page number (parenthetical citation). On the back of the card write your commentary analyzing the quote and tell how it is linked to the theme. CHOOSE ONE OF THE FOLLOWING THEMES: Family Life Socioeconomic Status Self Image Mental Illness Death and Crime AN EXAMPLE FOR THE THEME, “GENERATIONAL CONFLICTS BETWEEN FATHERS AND SONS” FROM THE BOOK FENCES. FRONT OF ENVELOPE: Derrick Jones AP Language & Composition August 9, 2014 Theme: “Generational Conflicts Between Fathers and Sons” Fences, by August Wilson FRONT OF INDEX CARD ON BACK OF CARD (YOUR COMMENTS): "You got to take the crookeds with the straights. That's what Papa used to say." (Lyons, Page 46) Lyons is repeating something his father, Troy, used to say to him. It is a moment when Lyons is reflecting on his life and realizes that some of his father’s views may be right. Lyons looks at how tough his life has been, based on the decisions he has made because of his dream of being a successful jazz musician. He now understands that you have to accept the bad, just as much as you accept the good, and that both are a part of life. I think Lyons regrets some of the actions he has taken to reach his goal because he has not held down a steady job and he still depends on his father for financial support, which is the basis for most of the arguments and conflicts he has with his father. AP LANGUAGE AND COMPOSITION SUMMER READING ASSIGNMENT: A GOOD MAN IS HARD TO FIND The following thematic elements are central to Flannery O’Connor’s A Good Man is Hard to Find. While reading the book, collect related quotations on index cards and keep them in a labeled envelope. Ultimately, the passages you select will support your arguments for a Socratic Seminar. You should create a minimum of one-to-two cards for each of the novel’s 10 short stories. DIRECTIONS: 1. Select one of the five listed themes. 2. On the front of the envelope, write your name, date, and theme. 3. In the envelope place 12 index cards 4. Use the index cards to write a quote that supports the theme on your envelope. The front of the index card should include the quote, character, and the page number (parenthetical citation). On the back of the card write your commentary analyzing the quote and tell how it is linked to the theme. CHOOSE ONE OF THE FOLLOWING THEMES: The Sky, Nature, and Weather Racism Disgust with the World Language as Physical Violence The Impact of Evil AN EXAMPLE FOR THE THEME, “GENERATIONAL CONFLICTS BETWEEN FATHERS AND SONS” FROM THE BOOK FENCES. FRONT OF ENVELOPE: Derrick Jones AP Language & Composition August 9, 2014 Theme: “Generational Conflicts Between Fathers and Sons” Fences, by August Wilson FRONT OF INDEX CARD ON BACK OF CARD (YOUR COMMENTS): "You got to take the crookeds with the straights. That's what Papa used to say." (Lyons, Page 46) Lyons is repeating something his father, Troy, used to say to him. It is a moment when Lyons is reflecting on his life and realizes that some of his father’s views may be right. Lyons looks at how tough his life has been, based on the decisions he has made because of his dream of being a successful jazz musician. He now understands that you have to accept the bad, just as much as you accept the good, and that both are a part of life. I think Lyons regrets some of the actions he has taken to reach his goal because he has not held down a steady job and he still depends on his father for financial support, which is the basis for most of the arguments and conflicts he has with his father. AP LANGUAGE AND COMPOSITION SUMMER READING ASSIGNMENT: THE JOY LUCK CLUB The following thematic elements are central to Amy Tan’s The Joy Luck Club. While reading the book, collect related quotations on index cards and keep them in a labeled envelope. Ultimately, the passages you select will support your arguments for a Socratic Seminar. You should create a minimum of three cards for each of the four sections: Feathers from a Thousand Li Away, The Twenty-Six Malignant Gates, American Translation, and Queen Mother of the Western Skies. DIRECTIONS: 1. Select one of the five listed themes. 2. On the front of the envelope, write your name, date, and theme. 3. In the envelope place a total of 12 index cards 4. Use the index cards to write a quote that supports the theme on your envelope. The front of the index card should include the quote, character, and the page number (parenthetical citation). On the back of the card write your commentary analyzing the quote and tell how it is linked to the theme. CHOOSE ONE OF THE FOLLOWING THEMES: The Challenges of Mothers and Daughters Love and Marriage Language As Barrier and Bridge Dreams, Hopes, and Plans Sacrifice and Suffering AN EXAMPLE FOR THE THEME, “GENERATIONAL CONFLICTS BETWEEN FATHERS AND SONS” FROM THE BOOK FENCES. FRONT OF ENVELOPE: Derrick Jones AP Language & Composition August 9, 2014 Theme: “Generational Conflicts Between Fathers and Sons” Fences, by August Wilson FRONT OF INDEX CARD ON BACK OF CARD (YOUR COMMENTS): "You got to take the crookeds with the straights. That's what Papa used to say." (Lyons, Page 46) Lyons is repeating something his father, Troy, used to say to him. It is a moment when Lyons is reflecting on his life and realizes that some of his father’s views may be right. Lyons looks at how tough his life has been, based on the decisions he has made because of his dream of being a successful jazz musician. He now understands that you have to accept the bad, just as much as you accept the good, and that both are a part of life. I think Lyons regrets some of the actions he has taken to reach his goal because he has not held down a steady job and he still depends on his father for financial support, which is the basis for most of the arguments and conflicts he has with his father. AP LANGUAGE RHETORICAL TERMS 1. Allusion – A direct or indirect reference to something which is presumably commonly known, such as an event, book, myth, place, or work of art. Allusions can be historical, literary, religious, topical, or mythical. 2. Analogy – A similarity or comparison between two different things or the relationship between them. An analogy can explain something unfamiliar by associating it with or pointing out its similarity to something more familiar. 3. Antithesis – the opposition or contrast of ideas; the direct opposite. 4. Clause – A grammatical unit that contains both a subject and a verb. An independent, or main, clause expresses a complete thought and can stand alone as a sentence. A dependent, or subordinate clause, cannot stand alone as a sentence and must be accompanied by an independent clause. The point that you want to consider is the question of what or why the author subordinates one element should also become aware of making effective use of subordination in your own writing. 5. Connotation – The non-­‐literal, associative meaning of a word; the implied, suggested meaning. Connotations may involve ideas, emotions, or attitudes. 6. Denotation – The strict, literal, dictionary definition of a word, devoid of any emotion, attitude, or color. (Example: the denotation of a knife would be a utensil used to cut; the connotation of a knife might be fear, violence, anger, foreboding, etc.) 7. Diction – Related to style, diction refers to the writer’s word choices, especially with regard to their correctness, clearness, or effectiveness. For the AP exam, you should be able to describe an author’s diction (for example, formal or informal, ornate or plain) and understand the ways in which diction can complement the author’s purpose. Diction, combined with syntax, figurative language, literary devices, etc., creates an author’s style. 8. Paradox – A statement that appears to be self-­‐contradictory or opposed to common sense but upon closer inspection contains some degree of truth or validity. (Think of the beginning of Dickens’ Tale of Two Cities: “It was the best of times, it was the worst of times....”) 9. Parallelism – Also referred to as parallel construction or parallel structure, this term comes from Greek roots meaning “beside one another.” It refers to the grammatical or rhetorical framing of words, phrases, sentences, or paragraphs to give structural similarity. This can involve, but is not limited to, repetition of a grammatical element such as a preposition or verbal phrase. (Again, the opening of Dickens’ Tale of Two Cities is an example: “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of believe, it was the epoch of incredulity....”). 10. Prose – one of the major divisions of genre, prose refers to fiction and nonfiction, including all its forms. 11. Repetition – The duplication, either exact or approximate, of any element of language, such as a sound, word, phrase, clause, sentence, or grammatical pattern. 12. Rhetoric – From the Greek for “orator,” this term describes the principles governing the art of writing effectively, eloquently, and persuasively. 13. Syntax – The way an author chooses to join words into phrases, clauses, and sentences. Syntax is similar to diction, but you can differentiate them by thinking of syntax as groups of words, while diction refers to the individual words. 14. Tone – Similar to mood, tone describes the author’s attitude toward his material, the audience, or both. Tone is easier to determine in spoken language than in written language. Considering how a work would sound if it were read aloud can help in identifying an author’s tone. Some words describing tone are playful, serious, businesslike, sarcastic, humorous, formal, ornate, sardonic, somber, etc. 15. Transition – A word or phrase that links different ideas. Used especially, although not exclusively, in expository and argumentative writing, transitions effectively signal a shift from one idea to another. A few commonly used transitional words or phrases are furthermore, consequently, nevertheless, for example, in addition, likewise, similarly, on the contrary, etc. More sophisticated writers use more subtle means of transition. 16. Figurative language – Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid. 17. Atmosphere – The emotional nod created by the entirety of a literary work, established partly by the setting and partly by the author’s choice of objects that are described. Even such elements as a description of the weather can contribute to the atmosphere. Frequently atmosphere foreshadows events. Perhaps it can create a mood. 18. Imagery – The sensory details or figurative language used to describe, arouse emotion, or represent abstractions. On a physical level, imagery uses terms related to the five senses: visual, auditory, tactile, gustatory, and olfactory. On a broader and deeper level, however, one image can represent more than one thing. For example, a rose may present visual imagery while also representing the color in a woman’s cheeks and/or symbolizing some degree of perfection. 19. Metaphor – A figure of speech using implied comparison of seemingly unlike things or the substitution of one for the other, suggesting some similarity. Metaphorical language makes writing more vivid, imaginative, thought provoking, and meaningful. 20. Narrative – The telling of a story or an account of an event or series of events.