Posted 24 Feb. 2004 Return to Weekly Class Outlines & Updates Introduction to Film, Section 2 Week 6 (Feb. 16) 6:05-6:35 6:35-7:20 7:20-7:30 7:30-9:30 Quiz 1 Film Genres Break View A Simple Plan Note: No extra-credit question accepted tonight! PLEASE TURN OFF ALL ELECTRONIC DEVICES PUT DEVICES AND BOOKS AWAY ON ANSWER SHEET NAME (LAST, FIRST)—FILL IN BUBBLES IDENTIFICATION—Tech ID—FILL IN BUBBLES If you need a pencil, I can loan you one If you need a Scantron answer sheet, you can buy one for 25 cents. If you finish early, please go to the lobby or remain quietly in your seat DO NOT TALK IN THE AUDITORIUM UNTIL THE QUIZ IS OVER! FILM GENRES Genre is a type of film Way of grouping and classifying a number of films. Genre also convenient as marketing device Large Groupings: Fiction Non-Fiction (or Documentary) Experimental (or Avant-Garde) Sub-Groupings of Fiction Films Some specific to particular national cinemas and historical periods Japan: Jidai-geki—Period films set before modernization Gendai-geki—Stories of contemporary life Yakuza-eigi—Gangster film Pinku-eigi—soft-core pornography Anime—animation, usually with highly stylized narratives and graphics India: “Bollywood” films (usually produced in Bombay/Mumbai) Different genres, but most are “musicals” in some sense American genres: Can be defined by different criteria and characteristics Setting (Westerns) Type of action (Singing and dancing in Musicals) Technology--setting and props (Science Fiction) Types of characters (Gangster Film) Narrative Events (Melodrama, Action Film) Effect on audience (Comedy, Horror) Style of setting, lighting (Film Noir) Genre conventions common elements that are accepted by audience (singing and dancing in musicals, magic in fantasies, faster-than-light travel in SF, etc.) Genres are also marked by iconography (images with symbolic value): guns in Westerns "futuristic" technology in science fiction women's makeup and costume in melodrama money and material goods in gangster films, etc. Genre Example: The “women’s film” (“melodrama,” “tearjerker,” “chick flick,” etc.) Centers on female character Centers on personal relationships: love, motherhood Often involves conflict and sacrifice on part of character All versions of A Star Is Born are examples May be in musical format (Lady in the Dark, Dancer in the Dark) Can combine with other genres (Crime drama: Mildred Pierce, SF: the Alien movies, Western: Missing) Evolves in form to meet changing social definitions of “woman,” “femininity,” “family,” etc. (Stella Dallas, All That Heaven Allows, An Unmarried Woman, Far from Heaven) SUBGENRES subcategories of individual genres subgenres have own common elements, conventions and iconography Examples: Westerns: "Spaghetti” Westerns emerged in late 1960s, reflect violence of era associated with Italian director Sergio Leone and after Hero is anti-heroic, quiet, ruthless themes emphasize violence, ambigous morality, but also humor A Fistful of Dollars Once upon a time in the West The Unforgiven Psychological Westerns emerged in 1950s Westerns as entertainment had moved to TV writers and directors used film genre to explore more serious themes interested in how characters react and relate to violence probe issues of community, morality and responsibility Shane The Gunfighter High Noon Horror Film subgenres: monster films (Frankenstein, Jaws, Alien) slasher films (Halloween, Friday the 13th, Nightmare on Elm Street) psychological horror films (Silence of the Lambs, Cape Fear) Comedy subgenres: "Screwball" comedy (My Man Godfrey) romantic comedy (When Harry Met Sally, You’ve Got Mail) "dumb" comedy (Dumb and Dumber, There’s Something about Mary, Beavis and Butthead Do America, Zoolander) Genre parodies (Airplane!, Hot Shots, The Naked Gun, Young Frankenstein, Spaceballs, Scary Movie) Individual films may combine genres in different ways Citizen Kane is newspaper film, fictional biography, has elements of comedy, etc. Titanic is romance film and historical film Genres shift in form and popularity as tastes and social conditions change Example: The Crime Thriller—A Simple Plan 1998, Directed by Sam Raimi With Bill Paxton (Hank), Billy Bob Thornton (Jacob), Bridget Fonda (Sarah), Brent Briscoe (Lou) Study Questions: 1. What are the main characters like before and when they discover the money? How does the discovery begin to change them? 2. How do the complications in the narrative arise? What forces outside of the main characters themselves cause events to change? 3. What role does the money itself as an object play in this film? How is it used? Where is it seen? 4. How does the rural Minnesota setting affect our expectations? How do specific places and scenes work through their use of buildings, objects, people, and other elements? Do any of them seem to have some significance besides providing a setting or moving the narrative along? 5. What does the film say about the nature of making plans? About the nature of human nature? Return to top