ANNA SCHWARTZ GALLERY
DALE FRANK
1959
Born Singleton, Australia
SELECTED SOLO EXHIBITIONS
2007
Anna Schwartz Gallery, Melbourne
2006
Dale Frank: private view, Roslyn Oxley9 Gallery, Sydney
2005
Anna Schwartz Gallery, Frieze Art Fair, London
2004
Dale Frank: Recent Painting, Gow Langsford Gallery, Auckland
Modern Art Paintings for Sale, Roslyn Oxley9 Gallery, Sydney
2003
Anna Schwartz Gallery, Melbourne
Views from the Bruce Highway, Roslyn Oxley9 Gallery, Sydney
2002
Anna Schwartz Gallery, Melbourne Art Fair, Melbourne
2001
Gow Langsford Gallery, Auckland
Roslyn Oxley9 Gallery, Sydney
2000
Anna Schwartz Gallery, Melbourne
Dale Frank: Ecstasy (Twenty Years Of Painting), Museum Of Contemporary Art, Sydney
Art Gallery of New South Wales, Sydney
Roslyn Oxley9 Gallery, Sydney
Miss junior Gin Gin Showgirl; Dale Frank / Adam Cullen, collaborative exhibition, Roslyn Oxley9 Gallery, Sydney
Galerie Albert Baronian, Brussels
Galerie Rizzo, Paris
1999
Roslyn Oxley9 Gallery, Sydney
Karyn Lovegrove Gallery, Los Angeles
1998
Anna Schwartz Gallery, Melbourne
Gin Gin Paintings, Bundaberg Art Gallery; Toowoomba Regional Gallery; Tamworth City Gallery
Roslyn Oxley9 Gallery, Sydney
Project Room, San Francisco Museum of Modern Art, San Francisco
Unseen New York Paintings 1985 - 86, Alderton Gallery, Brisbane
1997
Pure Painting, Anna Schwartz Gallery, Melbourne
Dale Frank, Gow Langsford Gallery, Auckland; Auckland City Art Gallery; Govett Brewster Gallery, New Plymouth;
Dunedin Art
Gallery, New
Zealand
1996
Roslyn Oxley9 Gallery, Sydney
Teststrip Gallery, Auckland
Peter Bellas Gallery, Brisbane
Centre for Contemporary Photography, Melbourne
Disco Behaviouralism, Upper Roma Street, Brisbane
Pool Hall, Institute of Modern Art, Brisbane
photography, Roslyn Oxley9 Gallery, Sydney
Perfumed Lotus (Room Sculpture), Room 117, Brisbane Hotel Art Fair, Brisbane
1995
Peter Bellas Gallery, Brisbane
Sculpture Performance, Roslyn Oxley9 Gallery, Sydney
Dale Frank/Scott Redford, Isn’t Gallery, Brisbane
Karyn Lovegrove Gallery, Melbourne
1994
Project Space, Level 2, Art Gallery of New South Wales, Sydney
Sherman Goodhope Galleries, Sydney
Private Viewing, Hugh Jamieson Collection, Bilpin
Jack Shainman Gallery, New York
Drawing Retrospective, Woollongong City Gallery, Wollongong
Unseen 1984 Exhibition, Karyn Lovegrove Gallery, Melbourne
Satellite of Love, Canberra Contemporary Art Space, in association with Virtual Reality, National Gallery of Australia,
Canberra
1993
Solander Gallery, Canberra
Bellas Gallery, Brisbane
Drawing Retrospective, Monash University Gallery, Melbourne; Perth Institute of Contemporary Art, Perth
Sherman Goodhope Gallery, Sydney
UNFAIR, Cologne, Germany
Galerie Albert Baronian, Brussels
1992
Collaboration with John Coburn, Newcastle Regional Gallery; Nolan Gallery, Canberra
Roslyn Oxley9 Gallery, Sydney
Contemporary Art Centre of South Australia, Adelaide
Karyn Lovegrove Gallery, Melbourne
The Villa Verte (Vladimir Svareff), Kuala Lumpur, Malaysia
1991
Roslyn Oxley9 Gallery, Sydney
Collaboration with John Coburn, Institute of Modern Art, Brisbane
Tamworth City Gallery, Tamworth
Deutscher Brunswick Street, Melbourne
1990
Milburn+Arte, Brisbane
Deutscher Brunswick Street, Melbourne
Roslyn Oxley9 Gallery, Sydney
Sculptures and Constructions, Milburn + Arte, Brisbane
1989
Milburn+Arte, Brisbane
Roslyn Oxley9 Gallery, Sydney
1988
Jack Shainman Gallery, New York
Milburn+ Arte, Brisbane
Mori Gallery, Sydney
Realities Gallery, Melbourne
E.M.R Gallery, Sydney
1987
Studio Marconi, Milan
Musee de Arte Modern de Ville Liege, Liege
Marianne Deson Gallery, Chicago
Realities Gallery, Melbourne
1986
Massimo Audiello Gallery, New York
Galerie Polynero, Antwerp
Galerie Albert Baronian, Brussels
Triagono Modern Arte, Naples
Roslyn Oxley9 Gallery, Sydney
1985
Palais des Beaux-Arts (Galerie Albert Baronian), Brussels
Galerie Barbara Farber, Brussels
Roslyn Oxley9 Gallery, Sydney
Studio d’Art Cannaviello, Milan
1984
Studio d’Art Cannaviello, Milan
Roslyn Oxley9 Gallery, Sydney
University Gallery, Melbourne
Institute of Modern Art, Brisbane
Monique Knowlton Gallery, New York
1983
Museum Fodor, Amsterdam
Roslyn Oxley9 Gallery, Sydney
1982
1981
1980
Galerie Tanit, Munich, Germany
Perspective 12/82, International Kunstmesse, Basel
Roslyn Oxley9 Gallery, Sydney
Severina Teucher Galerie, Zurich
Acme Art Gallery, London
PSI Gallery (Project Studio One), New York
Praxis Gallery, Perth
Fernando Pellegrino Galerie, Bologna
Project Art Gallery, Dublin
Young Artists Club, (FMK), Budapest
Galerie Sixto Notes, Milan
SELECTED GROUP EXHIBITIONS
2007
A Room Inside, The Ian Potter Museum of Art, Melbourne
2006
2005
2004
2002
2001
2000
1999
1998
1996
1995
1994
1993
Parallel Lives: Australian Painting Today, TarraWarra Museum of Art, Victoria
Arthur Guy Memorial Painting Prize 2005 (Winner), Bendigo Art Gallery, Bendigo
Drawing Centre, Newcastle Region Art Gallery, Newcastle
Swoon, Australian Centre for Contemporary Art, Melbourne
Three-way Abstraction: Works from the Monash University Collection, Monash University Museum of Art, Melbourne
Fieldwork: Australian Art 1968-2002, The Ian Potter Centre, NGV Australia, Melbourne
Resisting Colour, Gow Langsford Gallery, Sydney
Sublime: 25 Years of the Wesfarmer's Collection of Australian Art, Art Gallery of Western Australia, Perth
Dirty Dozen, Roslyn Oxley9 Gallery, Sydney
The First Twenty Years, Roslyn Oxley9 Gallery, Sydney
Other Views: an exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland
low-down: Recent Acquisitions, Monash University Gallery, Monash University, Melbourne
Desire, RMIT Gallery, Royal Melbourne Institute of Technology, Melbourne
Multistylus Program, Auckland City Gallery, Auckland
Monochromes, University Art Museum, The University of Queensland, Brisbane
home and away, Contemporary Australian and New Zealand Art from the Chartwell Collection, Auckland Art Gallery
Geelong Contemporary Art Prize (Winner) Geelong Art Gallery, Geelong
Moral Hallucinations: Channelling Hitchcock, Museum of Contemporary Art, Sydney, curator: Edward Colless
Funk de Siecle, Museum of Modern Art Heide, Melbourne, curator: Murray White
Exploratory Behaviour: Contemporary Art from the Permanent Collection, National Gallery of Victoria, Melbourne
Molecular Reality, Experimental Art Foundation, Adelaide, curator: Christopher Chapman
Blue, Anandale Galleries, Sydney
Mécénat Collection, Sherman Galleries (Hargrave), Sydney
Art 29'98, Basel Art Fair, Switzerland
The Female Form Divine, Monash University Gallery, Melbourne
1997
It's a Guitar Shaped World III, Tamworth City Gallery
Now, Bellas Gallery, Brisbane
Ambient (Male) Identity, Contemporary Art Centre of South Australia, Adelaide
Black Sun, Art Gallery of New South Wales, Sydney, curator: Mike Parr
Hidden Treasures II, Art in Corporate Collections, SH Erwin Gallery, Sydney
Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide
New Additions, Monash University Collection, Monash University Gallery, Melbourne
Sweet & Sticky, Bundaberg Arts Centre, curator: Jane Gallagher
Karyn Lovegrove Gallery, Melbourne
Australia: Familiar & Strange, Seoul Arts Centre, Seoul
Aspects of Australian Printmaking 1984 - 1994, National Gallery of Victoria, Melbourne
Out of the Analogue, Plimsoll Gallery, Hobart
Roslyn Oxley9 Gallery, Sydney
Peter Bellas Gallery, Brisbane
Virtual Reality, 1st Biennale of Contemporary Art, National Gallery of Australia, Canberra
McCaughey Prize Exhibition, National Gallery of Victoria, Melbourne
25 Years of Performance Art in Australia, Ivan Dougherty Gallery, Sydney
Faces of Hope, Art Gallery of New South Wales, Sydney
Wit’s End, Museum of Contemporary Art, Sydney
Summer Show, Jack Shainman Gallery, New York
Human, National Gallery of Australia, Canberra
Rad Scunge: New Art from Sydney, Karyn Lovergrove Gallery, Melbourne
Sherman Goodhope Gallery, Sydney
1992
The Hypothesis of Imation, Sutton Gallery, Melbourne
Drawings, Gow Langsford Gallery, Auckland
Prolepsis, National Museum of Art, Kuala Lumpur
Medium Density, Contemporary Australian Drawings and Photographs, Australian National Gallery, Canberra
The Trial: A Decade of Contemporary Australian Art, Australian National Gallery, Canberra
1991
Selected Contemporary Australian Artists, Deutscher Brunswick Street, Melbourne
Banal Art, Artspace, Sydney
The History of the Electronic Page, Institute of Contemporary Art (ICA), Amsterdam
Cross Currents, Contemporary New Zealand and Australian Art from the Chartwell Collection, Waikato Museum of Art,
Hamilton,
New Zealand
1990
8th Biennale of Sydney, Art Gallery of New South Wales, Sydney
Rosyln Oxley9 Gallery, Sydney
100 Artists Against Animal Experimentation, Deutscher Brunswick Street, Melbourne
Vache, Site Gallery, Brisbane
1989
Australian Art Post 1960, Deutscher Gertrude Street, Melbourne
I.C.I. Contemporary Art Collection, Australian Centre for Contemporary Art, Melbourne; Ballarat Fine Art Gallery
Cosmos, City Gallery, Melbourne
1988
15 Years Galerie Albert Baronian, Museum International Cultural Centrum, Antwerp
Advance Australian Painting, Auckland City Art Gallery, Auckland
The New Generation (1983-1988) Phillip Morris Arts Grant Purchase, Australian National Gallery, Canberra
Irony, Humour and Dissent, Manly Art Gallery and Museum, Sydney
1987
Primal Painting, Heide Park Art Gallery, Melbourne
Nature Re-defined, Segel Steinberg gallery, Montreal
Documentation, Daniel Newburg Gallery, New York
Drawings, 56 Bleeker Street, New York
The Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney; Art Gallery of Western Australia, Perth
The Australian Exhibition, Frankfurter Kunstverein, Frankfurt
What is this Thing called Science, The University Gallery, University of Melbourne, Melbourne
Australian Contemporary Drawing, Heide Park and Art Gallery, Melbourne
Group Show, Jack Shainman Gallery, New York
Backlash: Australian Drawing Revival 1976 - 1986, National Gallery of Victoria, Melbourne
Milano + 12, OSAON, Centro di Arte Contemporanea, Milan
1986
Everyman, Zurich Forum, Galerie Barbara Farber, Amsterdam
New Generation 5 Painters from New York, Segel Steinberg Gallery, Montreal
New Purchases - Recent European Art, Museum of Modern Art, Chicago
Forbidden Objects, Roslyn Oxley Gallery9, Sydney
1985
Dale Frank/Roberto Agus, Unimedia Galerie, Geneva
Australian Visions, Queensland Art Gallery, Brisbane; Art Gallery of New South Wales, Sydney;
Art Gallery of Western Australia, Perth
Doppelganger/Cover, Aorta Gallery, Amsterdam
Nuove Trame dell’Arte, Castello Genazzano, Rome
Annoittanta, Museum of Modern Art, Bologna, Italy
Master Drawings, Galerie Barbara Farber, Amsterdam
Rondo, 2nd Rassenga Internazionale d’Arte, Artichi Arsenali, Amalfi
1984
Fremantle Drawing Exhibition, Fremantle Arts Centre, Fremantle
Aperto 84, Venice Biennale, Venice
Symbol, Emblem & Signature, Govett-Brewster Gallery, New Plymouth
Recent Australian Art - An American Perspective, Solomon R. Guggenheim Museum, New York
Form>Image>Sign, Art Gallery of Western Australia, Perth, curator: Tony Bond
Dreams and Nightmares, Roslyn Oxley9 Gallery, Sydney
Recent Australian Art - An American Perspective, Solomon R. Guggenheim Museum, New York
Inspirit, Monique Knowlton Gallery, New York
1983
Panorama della Post - Critica, Musei Palazzo Lanfranchi, Pisa
Tall Poppies, Melbourne University Gallery, Melbourne
Place, Gimpel Fils Gallery, London
1982
1981
1980
1979
1978
1977
1976
Perspecta 83, Art Gallery of New South Wales, Sydney, curator: Bernice Murphy
End of Civilization, Part II, Ewing Gallery, Melbourne
Faces and Portraits from Life, Heide Museum of Modern Art, Melbourne
De Goddelijk Komedie (The Divine Comedy), Galerie t’Venster, Rotterdam
Vox Pop, National Gallery of Victoria, Melbourne
D’un Autre Continent, ARC2, Musee d’Art Modern de la ville de Paris, Paris
4th Biennale of Sydney, Art Gallery of New South Wales, Sydney
White & Black Drawings, Willard Gallery, New York
Les Oeuvres Plastiques Exposition, Espace Lyonnais d’Arte, Paris
April Show, PSI (Project Studio One), New York
Anzart Robert McDougall Art Gallery, Christchurch
Post 80’s Video, Action Space Gallery, London
Project Art Gallery, Dublin
Sydney Biennale: `Alternatives', Sculpture Centre, Sydney
Nexus: 4 Artists, Triskel Art Gallery, Cork
Ten Contemporary Sculptors, State Office Block, Sydney
La Trobe University Sculpture Festival, La Trobe University Art Centre, Melbourne
Mildura Sculpture Triennale, Mildura Arts Centre, Mildura
Contemporary Art Society Exhibition, Paddington Town Hall, Sydney
Four Painters, Cooks Hill Gallery, Newcastle
COLLECTIONS
Solomon Guggenheim Museum, New York
National Gallery of New Zealand, Wellington
Zurich Kunsthaus, Zurich
Auckland City Gallery, Auckland
Exxon Corp. Collection, New York
Perc Tucker Regional Art Gallery, Townsville
Ball State University Collection, Indiana, USA
Woollongong City Art Gallery, Woollongong
Musee de Ville de Leige, Leige
Burnie Municipal Gallery, Burnie
Trans-Art Collection, Milan
Griffith University Collection, Brisbane
First National Bank of Chicago Collection, Chicago
Darwin Institute of Technology Collection, Darwin
Westpac Collection, New York
Newcastle Regional Art Gallery, Newcastle
Allen Allen and Hemsley Collection, Melbourne
Museum of Contemporary Art, Sydney
Tamworth City Gallery Collection, Tamworth
ICI Collection, Sydney
National Gallery of Victoria, Melbourne
Phillip Morris Collection, Canberra
National Gallery of Australia, Canberra
IBM Collection, Melbourne
Art Gallery of South Australia, Adelaide
Shell Australia Collection, Melbourne
Art Gallery of Western Australia, Perth
BP Collection, Melbourne
Art Gallery of New South Wales, Sydney
Monash University Collection, Melbourne
Queensland Art Gallery, Brisbane
Boston Museum of Fine Art, Boston
Chartwell Collection, Christchurch
Bendigo Art Gallery, Bendigo
SELECTED BIBLIOGRAPHY
2007
Ashley Crawford, ‘Dale Frank’ Art Collector, Issue 39, Jan-Mar 2007, Sydney, 304
Sarah Stutchbury, ‘Dale Frank: Strung out in heaven’s high’, Brought to Light II: Contemporary Australian Art 1966-2006, ed.
Lynne Seear and Julia Eqington, Queensland Art Gallery Publishing 2007, pp 206-211
2006
Tracey Clement, ‘Dale Frank’, Australian Art Collector, Issue 36, April-June, p.217
Sebastian Smee, ‘Galleries expand horizons’, Australian, May 16, p.15
Deborah Bartlett Pitt, ‘Art and Soul’, Vogue Living, July/August, pp.144-150
2005
Richard Kalina, ‘Report from Australia: Down Under No More’, Art in America, April, pp77-83
2004
Ashley Crawford, ‘Dale Frank’, Art & Australia, Volume 42 No.2 Summer, Sydney, pp.207-210
Jane Rankin Reid, ‘Ticket to Ride – Dale Frank’s conceptual abstraction’, Art & Australia, Volume 42 No.2 Summer, Sydney, pp.211214
Andrea Tu, ‘Swoon’, Contemporary Visual Arts + Culture Broadsheet, September–November, Vol.33 No.3, p.58
2003
Ashley Crawford, "No wide brown land for me", The Age, 13 August
2002
Ashley Crawford, Australia ARCO 2002, Art & Australia, pp.11, 13
Jason Smith & Charles Green, Fieldwork: Australian Art 1968-2002, The Ian Potter Centre, NGV Australia, Melbourne
2001
T.J. McNamara, "Potshot at the critic is part of the serious game of looking", The New Zealand Herald, Auckland, 9 April
Simon Rees, “Dale Frank”, Artext, No.75 November 2001 – January 2002
2000
Christopher Chapman, “DFX4” Dale Frank Ecstasy Twenty Years Of Painting, Museum of Contemporary Art, Sydney, pp.20-25
Sue Cramer, "The Painting Of These Paintings Is Either Dale Frank, Or If Not Dale Frank, Someone Else Of The Same Name",
(interview with Dale Frank), Dale Frank Ecstasy Twenty Years Of Painting, Museum of Contemporary Art, Sydney, pp.3-19
Andrew Frost, "Australia's 50 Most Collectable Artists," Australian Art Collector, Issue 7 January-March, pp.27-64
Annette Hughes, “The Ecstasy of St Frank”, HQ magazine, Sydney, No.69 March – April, p.28
Bruce James, “To be Earnest of St Frank”, Sydney Morning Herald, Sydney, 26 February, p.14
Elizabeth Fortescue, "Varnishing act", The Daily Telegraph, Sydney, 4 February, pp.119
Timothy Morrell, "very Frank", The Eye, Sydney, Vol.2 No.2, 10 February, pp. 70 -73
Giles Auty, "Title fright," Arts Review, The Weekend Australian, Sydney, 12-13 February, pp.19
1998
Jeff Gibson, Flash Art, May, 1998
Michael Newall, "ambient (male) identity," Eyeline, Brisbane, No.35, p.41
Linda Michael, Bernice Murphy, Ben Curnow, The MCA Collection: The Loti and Victor Smorgon Gift of Contemporary Australian
Art, Museum of Contemporary Art, Sydney, pp.32, 60-61, 104
Peter Timms, "Frankly, he gives a damn," The Age, Melbourne, 24 June
Christopher Chapman, "Dale Frank: Cool Cosmic World", Anna Schwartz Gallery, Melbourne, June
Ken Lord, "Encore... people", The Sunday Mail, Brisbane, 5 July, p.81
Rex Butler, "Frank exploration of the importance of being outrageous," The Courier-Mail, Brisbane, July 11, p.12
1997
Dale Frank, "Dale Frank: Reclining Nude", National Gallery News, Canberra, January-February, p.16
Robin Neate, "Big Art Moments", MONICA Magazine, Auckland, Summer, p.43
Rex Butler, "Eyes Closed in Dale's Disco", Like Art Magazine, No.2 March, pp.14-17
Christopher Chapman, "Abstract Identity", Broadsheet, Adelaide, Vol.26 No.1 Autumn, pp. 6-7
Dale Frank, "Only the Lonely", MONICA, Auckland, New Zealand, Summer, pp.14-15
Virginia Trioli, "A sign of the times,” The Age, Metro Arts, Melbourne, 19 March
Robert Nelson, "Tantrums and goo: the mark of bad-boy art", The Age, Melbourne, 19 March
Christopher Chapman, "Molecular Reality," Dale Frank New Zealand tour, Govett-Brewster Art Gallery, New Zealand
Lindsay Shonagh, "Art that oozes talent", Sunday Star-Times, Auckland, New Zealand, 20 July, p.8
"Extreme Close-Up", Listener, Auckland, 12 July, p.41
"Brisbane-based artist extends the boundaries", Daily News, Auckland, New Zealand, 17 June
Matthew Bannister, "What's On," North and South Magazine, July
T.J Macnamara, "Painting by Numbers: Perspective on Art", NZ Herald, 1 August
Michael NewalI, "Michael Newall Interviews Christopher Chapman", Contemporary Visual Arts + Culture Broadsheet, Adelaide,
Vol.24 No.4 Summer, pp.14-15
Suzanna Treister, "New Aussie Boys", Broadsheet, Adelaide, Vol.24 No.4 Summer, p.18
Christopher Allen, Art in Australia From Colonization to Postmodernism, Thames & Hudson, London,
1996
Christopher Chapman, Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, March, pp.14, 60-61, 102–103,
136
Christopher Chapman, "Room Service", Contemporary Visual Arts + Culture Broadsheet, Adelaide, Vol.25 No.4 Summer 96/97, p.23
Dale Frank, "And Where to Now - Reality and Art", Volt Symposium, Institute of Modern Art, Brisbane, 5 September
Bruce James, "Galleries", Sydney Morning Herald, Sydney, 13 September
Kit Messham-Muir, "Dale Frank: Social Realism", Eyeline, No.31 Spring, pp.44-45
Peter Ward, "The State of the Arts - What’s Hot in ‘96" Australian Magazine, 6-7 January, pp.20-22
Peter Ward, "On-the-edge: Biennale for an age of anxiety", The Australian, 5 March, p.12
Joanna Mendelssohn, "Dale Frank", The Australian, 22 March, pp.10
Bruce James, "Chapmans Casper", Broadsheet, Adelaide, Vol.25 No. 2 Winter, pp.21
Robyn McKenzie, "Scratching the surface of intrigue", The Age, 28 June, Melbourne, pp.21
Tessa Laird, "Frank (Social Realism)', MONICA magazine, Issue 3, Auckland, pp.28
Kit Messham-Muir, "Dale Frank: Social Realism", Eyeline, No.31 Spring, pp.44-45
William McAloon, "The Self and Other Inventions,' The Chartwell Collection, Auckland, New Zealand
1995
Bernard Freedman, "Virtual Reality Confuses", Australian Jewish News, 6 January
Charles Green, Peripheral Visions - Contemporary Australian Art, Craftsman House Publishers, Sydney, pp.36-37
Robert Lindsay, The Shell Collection of Contemporary Australian Art, Melbourne, pp.36-37
Sonia Barron, `Viewers are deliberately victimised', The Canberra Times, 13 Jan, pp.12
1994
Anthony Bond, "Dash and Daring: The Work of Dale Frank", Look Magazine, Art Gallery New South Wales, Sydney
Christopher Chapman, "Dale Frank: Reclining Nude", National Gallery News, Canberra, January-February, p.16
Christopher Chapman, Dale Frank: It's a Rush, Art Gallery of New South Wales, Sydney
Christopher Chapman, "Carnivorous Plants: Cultured Nature in Contemporary Art", Art & Australia, Vol.32 Spring, pp.92-97
Christopher Chapman, "Dale Frank and the Diamond Dogs", Virtual Reality, National Gallery of Australia, Canberra, December, pp.4647
Christopher Chapman, "Reality Used to be a Friend of Mine", "The Liquidity Problem and the Rush", "Satellite of Love", Satellite of
Love, Canberra Contemporary Art Space, Canberra, December
Christopher Chapman, "Conceptual Vertigo: New Object Art From Australia", MIDWEST, Dunedin, No.6 December, pp.31-35
Mary Eagle, Virtual Reality, National Gallery of Australia, Canberra, December
Jeff Gibson, "Dale Frank", Art + Text, No.49 September, p.73
1993
Kay Campbell, "At Wit’s End", Look Magazine, Art Gallery of New South Wales, Sydney, March, p.20
Christopher Chapman, "Dale Frank’s Organicism", Art Monthly Australia, June, pp.22-23
Christopher Chapman, "Dale Frank", World Art, November, pp.100-104
Paul Foss, "The Painter’s Dildo (Portrait of Dale Frank)", Wit’s End, Museum of Contemporary Art, Sydney, January, pp.143-147
Dale Frank, UNFAIR (catalogue), Unfair ‘93, Cologne
Jeff Gibson, "Avant - Grunge", Art + Text, No.45 May, pp.23-25
Catherine Lumby, "Smiling Saboteurs: Irony and Contemporary Art", Wit’s End (catalogue), Museum of Contemporary Art, Sydney,
January, pp.11-29
Catherine Lumby, "The Engine of Irony", Where Angels Fear to Tread, Drawings 1980 - 1992, Monash University Gallery, Melbourne,
pp.8-14
1992
Graham Forsyth, "Luscious Landscapes: Banal Beauties", Art + Text, No.41 January, pp. 41-45
Christopher Heathcote, "Melbourne", Art Monthly, Issue 49 May, Canberra, pp.14-16
Christopher Heathcote, "Dale Frank not one of the old school, even yesterday’s", The Age, Melbourne, 14 October, p.14
Jane Magon, Dale Frank, Craftsman House, Sydney, September
Jane Magon, "The Sacred and the Profane", Art & Australia, Vol.30 No.1 Spring, pp.92-95
1991
Rex Butler, Banal Art, Artspace, Sydney
Rex Butler, The Hypothesis of Imitation, Bellas Gallery, Brisbane, October, p.5
Graham Forsyth, "Dale Frank", Art + Text, No.40 September, pp. 86-87
Wayne Hudson, Chiliasm, Institute of Modern Art, Brisbane, June Bulletin
1991
Bernice Murhpy, "The Power Collection; Development in the 1980’s", Art & Australia, Vol.29 No.2 Summer
1990
Rene Block, The Readymade Boomerang: Certain Relations in 20th Century Art, 8th Biennale of Sydney, April Sydney, pp.458-459
Paul Groot, "Sydney Biennale", Flash Art, No.154 October
Anna Johnson, "Dale Frank", Interior Architecture and Design, No.22, pp.152-157
Catherine Lumby, Dale Frank: Adieu (catalogue introduction), Deutscher Brunswick Street, Melbourne, June, p.3
1989
Paul Groot, "De kunstgeschiedenis is dood. Leve de kunstgeschdenis!: Pittoresk II", Museumjournal, Vol.34, No.2 and 3, pp.97-103
William Wright and Robert Lindsay, ICI Contemporary Art Collection, Melbourne
A Selection of 19th and 20th Century Art, catalogue, Deutscher Fine Art, Melbourne, November, p.109
1988
Dan Cameron, "Showdown at Southern Cross" 1988 Australian Biennale, Artlink, Vol.8 No.3, pp.10-14
Jennifer McCamley, "A Storm in a Teacup? - Dale Frank", Tension, No.14 September, pp.12-18
15 Years Galerie Albert Baronian in I.C.C., catalogue, Galerie Albert Baronian, Antwerp/Brussels, November, pp.24-35
1987
Adriano Antolini, "E l’arte trovo casa a Milano", Il Giornale Nuovo, 8 February
Luciano Caprile, "Da Schlichter a Frank e Padri", Il Sole 24 Ore, Milan, 8 February
Giancinto di Pietrantonio, "Dale Frank/Alfredo Pirri", Flash Art, March, pp.50-51
Arturo Carlo Quintavelle, "Dale Frank: Quadri come apparizioni", Panorama, March, p.26
Daniela Salvioni, "Combustible Demarcations: The Art of Dale Frank", The Australian Bicentennial Perspecta, Art Gallery of New
South Wales, Sydney, October, pp.28-35
Luisa Somaini, "tuttoarte", La Republica, Milan, 16 January
Gian Petro Vincenzo, "Neo Geo", Per Lui Vogue, Milan, 16 January
1986
Ted Gott, Backlash: The Australian Drawing Revival 1976 – 1986, National Gallery of Victoria, pp.38-41, 83
Paul Groot, "Die Malerei im Dienste eines anatomisdhen Projects, Einige Bermerkungen zum jinger europaischer Maler", Europe America: 1940 to the Present, Museum Ludwig, Cologne, September, pp.407-18
Tessa Laird, "Frank (Social Realism)", MONICA Magazine, Issue 3, p.28
Gregorio Magnani, "Dale Frank", Flash Art, No.126 February, pp.60-61
Gregorio Magnani, "Dale Frank", Westuff, Florence, No.3 March, pp.16-17
Francesco Alfano Miglietti, "Che Tempo Fara?", Flash Art, No.133 April, pp.72-73
Timothy Morrell, "Big Drawings", Art and Australia, Vol.23 No.3 March, p.36
Pier Luigi Tazzi, "Dale Frank", Artforum, Vol.24 No.8 April, New York, p.118
1985
Guilio Ciavoliello, "Dale Frank", Juliet, no. 23, Trieste, December, p.9
Megan Cronly, "Mastering the Art", Follow Me, No.19 October, pp.136-141
Antonio d’Avossa, "Le trame del Castello", Flash Art, No.28 Summer, pp.62-63
Paul Goodwin, "Dale Frank", Flash Art, No.126 January
Paul Groot, Dale Frank, (catalogue), 9e Foire d’Art Actual, Palais Des-Beaux-Artes Brussels, January
Paul Groot, "De SurrealisticheVariaties van Dale Frank", Museumjournal, No.1 March, pp.50-51
Paul Groot, Cover/Doppelganger (catalogue), Amsterdam, May, p.95
Paul Groot, "Dale Frank: With the eye if you are quick enough to turn on the light you can see what the dark looks like" Art & Text,
No.17 April, pp.29-30, 81-83
Gerrit Henry, "Dale Frank", Art in America, No.2 February, pp.140-141
Michael Kohn, "Dale Frank", Flash Art, No.120 January, pp.43-44
Helena Kontova, "Dale Frank", Flash Art, No.120 January, pp.70-71
Helena Kontova, & Giancarlo Politi, "From New York With Love", Flash Art, No.123 Summer, pp.46-47, (reprinted Flash Art, No.128
Summer, pp.26-27)
Donald B. Kuspit, "Australian Visions at the Guggenheim" Art in America, No.3 March, pp.153-154
Francesca Alfano Miglietti, "Provisioni de Tempo" Flash Art, No.130 December, pp.62-64
Alida Militello, "Tanti modi di Essere blouson", EpocaModa, No.11 October, Verona, pp.66-67
Achille Bonito Olivia, Nuove Trame Dell’Atre, Castello Gennazzano, Italy, July, pp.68-69
Lucia Spadano, "Fall Out", Flash Art, No.130 December, Milan, p.46
Lucia Spadano & Achille Bonito Olivia, "Nuove Trame Dell’ Arte", Segno, No.47 June, Rome, pp.8-15
Angela Vettasi, "Europe and America: Two Aspects of the New Surreal", Flash Art, No.122 May, pp.20–21
"Dale Frank", Artists Pages, Museumjournal, No.1 March, pp.50-51
1984
Flavio Caroli, "La Biennale di Venezia", Flash Art, No.122 July, Milan, p.67
Flavio Caroli, Aperto 84: XLI La Biennale di Venezia 1984, June, Venice, pp.201, 207
Elio Graziolo, "Dale Frank", Flash Art, No.11, November, p.49
Paul Groot, "Dale Frank", Artists, No.22 October, pp.116-119
Paul Groot, Dale Frank, Melbourne University Gallery, August
Helena Kontova, "Dale Frank", Flash Art, No.122 July, pp.22-23
Stuart Morgan, "Dale Frank", Artforum, Vol. XXIII No.2, October, New York, p.101
Stuart Morgan, The Journal from the Tiber to Lilliput and back again, Dale Frank - Death, Contmeporary Visual Arts + Culture
Broadsheet, June
Ken Sofer, "Views From Downunder", Art News, Vol.83 No.10 December, New York, p.157
Diane Waldman, Australian Visions: 1984 Exon International Exhibition, Solomon R Guggenheim Museum, New York, September,
pp.19-20, 32-40
1983
Matthew Collings, "Place at Gimpel Fils", Artscribe, No.42 September, pp.61-62
G. Galantai, "New Painting", Artpool, No.3 Winner, Budapest
Paul Groot, The Divine Comedy, Rotterdamse Kunststichting, Rotterdam, October
Helena Kontova, "La Peinture issue de la performance", Flash Art, No.1 Autumn, pp.12-17
Helena Kontova, "Anselm Kiefer, Thomas Lawson, Dale Frank" in Achille Bonito Oliva (ed.), Critica ad Arte: Panorama della PostCritica (catalogue), Musei Palazzo Lanfranchi, Pisa, March, pp.138-142
Michael Spens, "Dream and Reality", Studio International, Vol.196 No.1002 November, London, pp.13-14
Paul Taylor, Tall Poppies, Melbourne University Gallery, Melbourne, April
Paul Taylor, ‘Arts New: Artists in Paris’, Vogue Australia, Sydney, October
1982
Bernice Murphy, "Some Recent Painting in Australia", in Archille Bonito Oliva (ed.), Transavantgarde International, Giancarlo Politi,
Milan, p.275
Bari Epo Arte, "Art Fair", Domus, No.629 June, p 74
Roberto Daolio, "Dale Frank, Artista", Lapis Atre, June, pp.8-10
Helena Kontova, "From Performance to Painting", Flash Art, No.106 February, pp.16-21
Mike Parr, "Vision in Disbelief", 4th Biennale of Sydney, Flash Art, No.108 June, Milan, pp.71-72
Marcia Tucker, "An Iconography of Recent Figurative Painting: Sex, Death, Violence and the Apocalypse", Artforum, Vol. XX No.10
June, New York
185 Flinders Lane Melbourne 3000
+613 9654 6131
mail@annaschwartzgallery.com
www.annaschwartzgallery.com
185 Flinders Lane Melbourne 3000
+613 9654 6131
mail@annaschwartzgallery.com
www.annaschwartzgallery.com