May 1, 2010
Laurel Paley
2401 South Santa Fe Avenue, Studio #101
Los Angeles, California, 90058 USA
(323) 587-0782
email: laurelpaley@yahoo.com
Education
Claremont Graduate University. Claremont, CA. MFA Studio Art
Smith College. Northampton, MA. AB Art and English Literature
University of California, Los Angeles. Visiting Honor’s Student, Studio Art and English
Literature
Teaching and Lecturing Experience
2009
Upcoming Fall Semester, 2009
Adjunct Art Instructor. Department of Art & Architecture, Los Angeles City College
(LACC)
Life Drawing 1 (morning and afternoon sections)
Drawing from the live model in various media, solving problems related to structure,
anatomy, composition and design.
Life Drawing 2, 3, & 4 (concurrent with above)
Drawing and painting from the live model in various media
Adjunct Assistant Professor. Division of Visual Art & Media Studies, Pasadena City
College (PCC)
Computer-Assisted Drawing and Painting.
Introduction to drawing and painting concepts, skills and techniques using the
computer. Investigation of a vector, object-oriented drawing program (Adobe
Illustrator) and a bitmapped painting program simulating traditional artists’ tools and
media (Corel Painter/Adobe Photoshop). Exploration of experimental and new
technological approaches to create original visual imagery for use in design,
illustration, and fine arts. Overview of career opportunities. (Windows & Macintosh
platforms)
Current Summer Session 2009
Computer-Assisted Drawing and Painting. PCC
Spring Semester 2009
Life Drawing 1, 2, 3, & 4 (morning and afternoon sections). LACC
Computer-Assisted Drawing and Painting. PCC
Winter Session 2009
Computer-Assisted Drawing and Painting. PCC
2008
Fall Semester 2008
Introduction to Painting (Watercolor).
Introduction to the technique of watercolor painting, applied to still life,
landscape, and the human figure. LACC
Watercolor Painting 1, 2 & 3. (concurrent with above)
Continuation of techniques and concepts. Exploration of abstract styles. LACC
Beginning Two-Dimensional Design..
A foundation studio course focused on creative visual thinking and expression.
Establishes working methods and concepts of composition used in all other classes.
Basic art elements like line, shape, value, and color are emphasized. Studies the
role of graphic communication in society. LACC
Computer-Assisted Drawing and Painting. PCC
Summer Session 2008
Computer-Assisted Drawing and Painting. PCC
Spring Semester 2008
Introduction to Painting (Watercolor) | Watercolor Painting 1, 2 & 3. LACC
Beginning Two-Dimensional Design.. LACC
Computer-Assisted Drawing and Painting. PCC
Winter Session 2008
Computer-Assisted Drawing and Painting. PCC
2007
Spring Semester 2007
Introduction to Painting (Watercolor) | Watercolor Painting 1, 2 & 3. LACC
Beginning Two-Dimensional Design.. LACC
Computer-Assisted Drawing and Painting. PCC
Winter Session 2007
Computer-Assisted Drawing and Painting. PCC
2006
Fall Semester 2006
Drawing I.
Various drawing approaches are explored in several black and white media with
emphasis upon the development of observation and skill in graphic representation.
LACC
Introduction to Painting (Watercolor) | Watercolor Painting 1, 2 & 3. LACC
Computer-Assisted Drawing and Painting. PCC
Summer Session 2006
Computer-Assisted Drawing and Painting. PCC
Spring Semester 2006
Adjunct faculty. Division of Fine Arts, El Camino College (ECC), Torrance
Multimedia Design. Introduction to designing interactive multimedia using Macromedia
Flash.
Drawing I. (morning and afternoon sections) LACC
Computer-Assisted Drawing and Painting. PCC
Winter Session 2006
Computer-Assisted Drawing and Painting. PCC
2005
Fall Semester 2005
Drawing I. LACC
Introduction to Painting (Watercolor) | Watercolor Painting 1, 2 & 3. LACC
Computer-Assisted Drawing and Painting. PCC
Summer Session 2005
Acrylic Painting 1 Introduction to a variety of techniques employing acrylic paints
and related grounds and materials.
Acrylic Painting 2 (concurrent) Continuing technical and media explorations with
development & creative use of painting and drawing aesthetic concepts.
Acrylic Painting 3 (concurrent) Expanded exploration of concepts and subject matter
with emphasis on personal and independent interpretation.
Computer-Assisted Drawing and Painting. PCC
Spring Semester 2005
Adjunct faculty. Division of Fine Arts & Communications, Cerritos College, Norwalk (CC)
Photoshop/Digital Imaging. Topics include scanning basics, image conversion, painting
and editing tools, manipulation selections, photographic composting, masks and layers,
color corrections and making color separations. Software used: Adobe Photoshop.
Computer-Assisted Drawing and Painting. PCC
Winter Session 2005
Computer-Assisted Drawing and Painting. PCC
2004
Fall Semester 2004
Computer-Assisted Drawing and Painting. PCC
Summer Session 2004
Computer-Assisted Drawing and Painting. PCC
Spring Semester, 2004
Computer-Assisted Drawing and Painting. PCC
Winter Session 2004
Color and Composition: Two-Dimensional Design. PCC
Beginning foundation course in design theory; applications to problems involving
study and interpretation of natural and human-made objects.
2003
Fall Semester 2003
Computer-Assisted Drawing and Painting. PCC
Summer Session 2003
Computer-Assisted Drawing and Painting. PCC
Spring Semester 2003
Computer-Assisted Drawing and Painting. PCC
2002
Fall Semester 2002
Adjunct faculty. Division of Fine Arts & Humanities, Los Angeles Harbor College (LAHC),
San Pedro
Painting. Practical and theoretical investigation into fundamental practice-methods, materials, and kinds of representation in painting. Emphasis is on primary
methods, perceptions, color, and materials.
Simultaneously teaching students registered in the following courses:
Introduction to Painting (Art 300)
Watercolor Painting (Art 301, 302, 303)
Acrylic Painting (Art 304, 305, 306)
Oil Painting (Art 310, 311, 312)
Directed Study (Art 385)
Digital Photography. This course introduces the computer as a tool for creating,
modifying, and manipulating photographic images. Topics covered include scanning and
digitizing images, output to print and film, color, photo-retouching, and photomontage. Emphasis is placed on art and design concepts. ECC
Computer-Assisted Drawing and Painting. PCC
Summer Session 2002
Computer Art I. An introduction to and overview of using the computer in producing
artwork. Areas covered include hands-on experience with illustration software,
scanning, and printing (beginning and intermediate level use of Adobe Illustrator &
Photoshop). Emphasis is placed on art and design concepts of composition, color,
expression, and communication. (Windows & Macintosh platforms) ECC
Computer-Assisted Drawing and Painting. PCC
Spring Semester 2002
Special workshops
Artist/Scholar-in-Residence, Marymount College, Rancho Palos Verdes
The David Meid Mentorship Program at Marymount College brings an independent voice to
campus for an intensive three-day residency. I visited and interacted with classes in
many disciplines, including and beyond the art department. Includes a Special Seminar
for the Faculty and culminates with a public lecture. Along with my residency I brought
the exhibition/performance installation The Longest Potholder.
Computer-Assisted Drawing and Painting. PCC
Digital Photography. ECC
2001
Fall Semester 2001
Designing for the Worldwide Web. Applying art and design concepts to designing for the
web. A history and survey of the Internet, analysis of selected websites, effective use
of typography, images, animation and sound in web design, flow-charting, storyboarding,
organizing content, and designing an effective interface. File formats, compression,
testing and debugging . Students will have hands-on experience with graphics software,
HTML (hypertext markup language), and web authoring software. Flash interactivity and
animation. (Macintosh) ECC
Computer-Assisted Drawing and Painting. PCC
Summer Session 2001
Introduction to Electronic Darkroom Imaging. Introduction to principles and techniques
of electronic photo imaging using the computer. Development of concepts and skills to
scan, edit, retouch, paint, manipulate and print grayscale and color photographs using
Adobe Photoshop software. (Windows NT) PCC
Spring Semester 2001
Computer-Assisted Drawing and Painting. PCC
Designing for the Worldwide Web. ECC
Spring Semester & Summer Session 2001
Seminars & workshops
Seminar Leader
CTI, Los Angeles Digital Media Center, and State of California VATEA Grant program
Adventures for the New Millennium: Multimedia Boot Camp Intensive Training
Workshops
Intensive web construction seminar for California Community College faculty members,
staff, and administrators. Topics covered: Adobe Acrobat/Distiller, creating
documents in PDF format, interactive presentations in Acrobat, scanning images and
creating Web graphics, using Adobe Pagemill to create a sample course Web site,
linking PDF files; other resources & sites (Macintosh & Windows NT
Seminar Leader Trainee
CTI, Los Angeles Digital Media Center, and State of California VATEA Grant program
Adventures for the New Millennium: WebCT Boot Camp Intensive Training Workshops
Intensive online course construction seminar for California Community College
faculty members and administrators. Topics covered: Adobe Acrobat/Distiller,
creating documents in PDF format, interactive presentations in Acrobat, scanning
images and creating Web graphics, organization and navigation issues, course
creation and adaptation using WebCT. (Windows NT)
Seminar Leader & Course Developer
Intensive Introduction to Flash Animation & Interactivity (weekend workshop)
Cerritos College Continuing Education Division, Norwalk, CA
Boot Camp Intensive Training Workshops
(rewriting curriculum for Macromedia Dreamweaver, Adobe Acrobat 4/5, etc.)
2000
Spring Semester 2000
Adjunct faculty, Art Department, Division of Humanities & Social Sciences, Mount San
Antonio College, Walnut, CA (MSAC)
Web Page Design. Introduction to creating and designing for the worldwide web.
Professional design concepts applied to basic elements of web page design and
construction, including: text entry, editing and formatting, graphics and multimedia,
tables, forms & frames. Image creation using Adobe Photoshop and Macromedia Flash.
Computer-Assisted Drawing and Painting. PCC
Designing for the Worldwide Web. ECC
Fall Semester, 2000
Computer-Assisted Drawing and Painting. PCC
Designing for the Worldwide Web. ECC
Fall Semester, 2000
Seminars & workshops
Seminar Leader & Course Developer
Boot Camp Intensive Training Workshops —Photoshop Productivity Tips
Funded by Los Angeles Digital Media Center & PCC Staff Development Grant
Seminar Co-Leader
Boot Camp Intensive Training Workshops —web construction
Support Staff
Boot Camp Intensive Training Workshops —digital video & Final Cut Pro
1999
Spring Semester 1999
Computer Graphics in Art & Design. An introduction to and overview of Adobe
Illustrator and computer graphics systems for the creative development of
illustration, art, and design. Students will learn the basic concepts of techniques
of computer graphics combined with the principles and practice of art and design.
Hands-on experience emphasized. CC
Computer-Assisted Drawing and Painting.PCC
Web Page Design. Mt. SAC
Summer Session 1999
Computer Art I. ECC
Fall Semester 1999
Web Page Design. MSAC
Computer-Assisted Drawing and Painting. PCC
Designing for the Worldwide Web. ECC
Adjunct faculty. Fashion Design Department, Division of Business Education, Pasadena
City College (FDD/PCC)
Introduction to Fashion Drawing: Production Flats, Illustration, Colorization and
Picture Scanning & Manipulation using the Computer. An exploration of computer
techniques and methods suitable for use in the apparel industry design room.
Processes will apply to design courses and illustration assignments in other fashion
department courses. Adobe Illustrator and Photoshop will be used as the vehicle for
these processes (Windows 95)
Fall Semester 1999
Seminars & workshops
Seminar Leader Trainee
Boot Camp Intensive Training Workshops —web construction
Boot Camp Intensive Training Workshops —WebCT
Spring Semester 1999
Seminars & workshops
Intensive Seminar Leader/Course Developer
Vocational Education Office, PCC, and State of California JTPA Grant program
Computer Graphics & Multimedia Intensive Curriculum
Introduction to Adobe Illustrator. An intensive exploration of vector-based computer
techniques and methods suitable for use in the multimedia industry (interactive CD
ROM, web, and other uses). (Windows NT)
Seminar Leader Trainee
Boot Camp Intensive Training Workshops —web construction
1998
Spring Semester 1998
Adjunct faculty School of Fine Arts, University of Southern California (USC), Los
Angeles, CA
Two-Dimensional Design. Introduction to visual organization as a foundation for all
studio courses, including composition, pattern, spatial illusion, surface qualities,
and color.
Drawing I. Beginning-level exercises in drawing with pencil, pen, brush, charcoal,
pastel and experimental drawing media, leading to acute observation of form and to its
expressive representation through line, tone, and shape organization. MSAC
Computer-Assisted Drawing and Painting/Macintosh. PCC
Computer Art I. ECC
Summer session 1998
Computer Art I. ECC
Fall Semester 1998
Computer Art I. ECC
Computer-Assisted Drawing and Painting. PCC
Introduction to Fashion Drawing using the Computer. FDD/PCC
Summer session, 1998
Seminars & workshops
Intensive Seminar Leader/Course Developer
Fashion Design Department, Division of Business Education in conjunction with
Vocational Education Office, PCC, and the State of California VATEA grant program
“Fashion-ability on the Computer: Computer-Assisted Fashion Illustration for
Industry.” Intensive retraining workshops for apparel industry workers to upgrade
skills via the computer (using Adobe Illustrator and Photoshop). (Windows) Grant
included support for authoring workbook pages and developing a skills-based
curriculum in collaboration with members of the Fashion Design faculty.
1997
Spring Semester 1997
Two-Dimensional Design. USC
Drawing I. MSAC
Computer-Assisted Drawing and Painting. PCC
Fall Semester 1997
Drawing I. MSAC
Computer-Assisted Drawing and Painting. PCC
Computer Art I. ECC
Summer session 1997
Seminars & workshops
Artist in Residence, Gindling Hilltop, Wilshire Blvd. Temple Camps, Malibu
Month-long residency, painting and leading intensive visual art projects, collaborative
mural design and creation
1996
Spring Semester 1996
Adjunct faculty. Art Department, Chaffey College, Rancho Cucamonga, CA (Chaffey)
Computer Graphics I. Design techniques and beginning skills in the use of Macintosh
computer hardware and graphics software, including Quark X-Press, Adobe Illustrator &
Photoshop.
Color and Composition:
Drawing I. MSAC
Two-Dimensional Design.
PCC
Fall Semester 1996
Introduction to Drawing. PCC
Theories of, and techniques in, drawing with pencil, pen, brush, charcoal, pastel and
experimental drawing media, leading to acute observation of form and to its expressive
representation through line, tone, and shape organization.
Also, organized symposium “Crossing Over: Bridging the Line between Fine Arts &
Design.” and curated exhibit “Combination & Mutation: Digital Processes in the works of
Anne Marie Karlsen and Susan Silton.” PCC Gallery
Computer Graphics I. Chaffey
1995
Spring Semester 1995
Art Fundamentals.
(a.k.a. “Art Appreciation”) PCC
Structure and organization of art, terminology, interpretation of the spirit of art,
theory and general appreciation. Slide lectures; reading, writing and discussion;
field trips.
Introduction to Two-Dimensional Design:
Fall Semester 1995
Color and Composition PCC
Computer Graphics II. Chaffey
Design techniques and intermediate skills in the use of Macintosh computer hardware and
graphics software, including Quark X-Press, Adobe Illustrator, and Adobe Photoshop.
Graphic design issues, service bureau usage.
Drawing II. MSAC
Intermediate level exercises in drawing with pencil, pen, brush, charcoal, pastel and
experimental drawing media, leading to acute observation of form and to its expressive
representation through line, tone, and shape organization.
Introduction to Two-Dimensional Design:
Color and Composition PCC
1994
Spring Semester 1994
Beginning Drawing. USC
Introduction to drawing, both skill and perception oriented, as the basic tool for all
the visual arts.
Introduction to Drawing.
Art Fundamentals. PCC
PCC
Fall Semester 1994
Visiting Assistant Professor/Sabbatical Replacement (full-time), PCC
Introduction to Drawing.
Printmaking: Intaglio & Lithography.
Printmaking: Monotype & Serigraphy.
The above processes, in addition to intaglio, relief, collograph, experimental, and
artist-book projects, presented concurrently in workshops structured for beginning and
advanced printmakers.
Art Fundamentals. Overload, PCC
Beginning
Drawing.
USC
1993
Spring Quarter 1993
note: UJ classes are on the Quarter system
Art faculty. Department of Continuing Education, University of Judaism, Los Angeles
(UJ)
Painting. Traditional to contemporary painting methods and processes; developing
concepts, personal direction, and style. Color mixing, color theory, and creative
problem solving. Media including oil, acrylic, monoprinting and collage. Studio and
slide lectures, demonstrations, critiques.
Figure Drawing. Traditional techniques in representational drawing from the live nude
model. Structure, contour, gesture and tone emphasized, with particular attention paid
to foreshortening. Studio and slide lectures, demonstrations, critiques.
Spring Semester 1993
Art Fundamentals. PCC
Introduction to Drawing. PCC
Winter Quarter 1993
Painting. UJ
Figure Drawing. UJ
Fall Semester 1993
Beginning Painting. Adjunct faculty.
USC
Practical introduction to oil and acrylic pigments, painting equipment, processes, and
media. Also, primary experience in color, composition, and perception through
representation and abstraction.
Introduction to Drawing.
Art Fundamentals.
PCC
PCC
1992
Spring Semester 1992
Art Fundamentals. PCC
Introduction to Drawing. PCC
Spring Quarter 1992
Painting. UJ
Figure Drawing. UJ
Winter Quarter 1992
Foundations of Drawing. UJ
Traditional techniques in representational drawing. Contour and value emphasized, with
additional attention paid to gestural mark-making, leading into abstraction. Studio
and slide lectures, demonstrations, critiques.
Judaic Art Forms. UJ
Papercutting—revival of a folk-art form. Using the Judaic papercut to instruct and
emphasize two-dimensional design principles, including positive & negative space,
composition (symmetry, asymmetry, radial balance, etc.), color theory, scale
relationships, combining image & text.
Painting. UJ
Figure Drawing.
UJ
Fall Semester 1992
Art Fundamentals. PCC
Introduction to Drawing. PCC
Fall Quarter 1992
Painting. UJ
1991
Spring Quarter 1991
Introduction to Drawing. UJ
Fall Semester 1991
Art Fundamentals. Adjunct faculty.
Fall Quarter 1991
Painting. UJ
Figure Drawing. UJ
Foundations of Drawing. UJ
Judaic Art Forms. UJ
1990
Spring Semester 1990
Introduction to Drawing. PCC
1989
Spring Semester 1989
PCC
Module:
Creative Alternatives in the Teaching of Art.
Graduate School of Education, Claremont Graduate School (now called Claremont Graduate
University) (CGS)
Concept-oriented seminar for graduate students (student teachers and teachers) in
elementary education. Applying contemporary art processes, ideas and methods to both
“art” and “non-art” assignments in the primary school classroom.
Winter Quarter 1989
Improvisational Drawing. UJ
Abstract drawing as a tool for developing conceptual strength, creative problem solving
techniques, and a personal style, or “voice.” Studio and slide lectures, critiques.
1988
Fall Quarter 1988
Improvisational Drawing. UJ
Program Coordinator for Visual Arts, UJ
Assisting in the organization and promotion of visual arts classes and programs in the
Department of Continuing Education. Recruiting and retaining faculty, reviewing the
maintenance of visual arts classrooms. Liaison with DCE Program Coordinators in other
arts fields —i.e. dance, drama.
1987 & 1986
Spring Semester 1987
CGS Fellowship Appointment
Introduction to Drawing. Art Department, Pomona College, Claremont
Fall Semester, 1987
Graduate Seminar: Non-traditional Art Media. CGS Art Department
Issues in installation, video, performance. Readings, discussion and critique
sessions, collaborative gallery installation and other projects
Selected Exhibitions
2010
Actions, Conversations, and Intersections. Municipal Art Gallery, Barnsdall Art Park.
Los Angeles, CA (catalog)
The Longest Potholder. ARTsmart, Loyola Marymount University, Los Angeles, CA
The Longest Potholder. Braille Institute, Los Angeles, CA
2009
Convertible Stimulation. ASTO Museum of Art, Los Angeles, CA
Simultaneous Multiplicity. Gwangwhamoon International Art Festival (traveling exhibit,
catalog)
GIAF—Seojong Center, Seoul, South Korea
GIAF Beijing—National Foundation, Beijing, China
AIAF—National Assembly Library of Korea, Seoul, South Korea
Difference & Coexistence: First Korea / USA / Japan Contemporary Art Festival. ASTO
Museum of Art in Wrightwood, Wrightwood, CA
The Poetic Dialogue (traveling exhibit, catalog)
Sidney Yates Gallery, Chicago Cultural Center, Chicago, IL
Indiana State University, Terre Haute, IN
Bowling Green State University, Bowling Green, OH
Insight/Inside L.A. Art. José Drudis-Biada Art Gallery, Mt. Saint Mary’s College, Los
Angeles, CA
Faculty Exhibition. Los Angeles City College Art Gallery, Los Angeles, CA
2008
Monster Drawing Rally. Outpost for Contemporary Art, Los Angeles, CA
Conventions & Attitudes. Gwangwhamoon International Art Festival (traveling exhibit,
catalog)
GIAF—Seojong Center, Seoul, South Korea
GIAF Beijing—National Foundation, Beijing, China
AIAF—National Assembly Library of Korea, Seoul, South Korea
Different & Coexisting: Korea/USA/Japan Contemporary Art. ASTO Artists Space,
Wrightwood, CA
RAGE against the… The MicroMuseum, Brooklyn, NY
2007
Skin. Armory Northwest, Armory Center for the Arts, Pasadena, CA
The Longest Potholder meets the One-Second Film. Armory Center for the Arts, Pasadena,
CA
Simultaneous Multiplicity: Gwangwhamoon International Art Festival (traveling exhibit,
catalog)
GIAF—Seojong Center, Seoul, South Korea
AIAF—National Assembly Library of Korea, Seoul, South Korea
ASTO Museum of Art, Long Beach, CA
HAUSguests. Brewery Project, Los Angeles, CA
Whisper down the Lane. swallow, Los Angeles, CA
Faculty Exhibition. Los Angeles City College Art Gallery, Los Angeles, CA
Faculty Exhibition. Pasadena City College Art Gallery, Pasadena, CA
2006
Chain Letter. High Energy Constructs, Doug Harvey and Christian Cummings, curators. Los
Angeles, CA
The Devil is in the Details. swallow, Los Angeles, CA
The Cornerstone. Pasadena City College Art Gallery, Pasadena, CA
Faculty Show. Los Angeles City College Art Gallery, Los Angeles, CA
Makor/Source. UCLA Hillel Gallery, Los Angeles, CA
Makor/Source. USC Hillel Gallery, Los Angeles, CA
2005
Hands On. Armory West, Armory Center for the Arts, Pasadena, CA
(Installation of The Longest Potholder, with three Potholder Lengthening Events)
The Longest Potholder. California College of the Arts, Oakland, CA (with Potholder
Lengthening Event)
The Longest Potholder. Women in Design, Los Angeles, CA ( with Potholder Lengthening
Events)
We put our love where we have put our labor. Pasadena City College Art Gallery,
Pasadena
(Installation of The Longest Potholder, with Potholder Lengthening Event)
Artists Hang Themselves. José Drudis-Biada Gallery, Mount Saint Mary’s College, Los
Angeles
Nature. Finegood Art Gallery, Woodland Hills
Women of the Book: Jewish Artists, Jewish Themes. (traveling exhibition, catalog)
Futernick Family Art Gallery, Jewish Community Center of Miami, Miami, FL
Blue Stocking. Flor y Canto Centro Comunitario, Los Angeles
White Box Network. Pasadena City College Art Gallery, Pasadena
White Box Network. (traveled to) Comerica Bank, Pasadena
Too Jewish? Not Jewish Enough? (traveling exhibition)
Gotthelf Art Gallery, Jewish Community Center, La Jolla, CA
2004
Flicker. Seth Epstein Art Space, Santa Monica
Too Jewish? Not Jewish Enough? (inaugural exhibition, Jewish Artists Initiative, Los
Angeles)
Bell Family Gallery, Jewish Federation, Los Angeles
2003
Under the Skin. Bedlam Arts, Los Angeles (review)
Skin: A Feminine Perspective. I-5 Gallery, Los Angeles (catalog, review)
The Chai Show. Platt Gallery, University of Judaism, Los Angeles (catalog)
Bite. Roark, Los Angeles, CA (solo)
Women of the Book: Jewish Artists, Jewish Themes.
(traveling exhibition, catalog)
Purdue University Art Gallery, West Lafayette, IN
Starr Art Gallery, Newton, MA
2002
The Big Wave (4). Andrew Shire Gallery, Los Angeles
American Art: A Multicultural Odyssey. Finegood Gallery, West Hills, CA
The Longest Potholder. Marymount College, Rancho Palos Verdes, CA (with Potholder
Lengthening Event)
Faculty Exhibition. Pasadena City College Gallery, Pasadena
Faculty Exhibition. El Camino College Art Gallery, Torrance
Women of the Book: Jewish Artists, Jewish Themes.
(traveling exhibition, catalog)
La Sierra College, Riverside, CA
2001
Strada. José Drudis-Biada Art Gallery, Mount St. Mary’s College, Los Angeles
International Exhibition in support of the craftspeople of Gujarat and Kutch.
Lakshana Art Gallery and ITC Kakatiya Sheraton, Hyderabad, India
Lines & Signs. Robert Hopkins Gallery, Los Angeles
Skin Veneer: Holding/Hiding. Angel’s Gate Cultural Center, San Pedro
Skin Deep. Cerritos College Art Gallery, Cerritos
Darkroom to Digital. John Wayne International Airport, Orange County (catalog)
Made in California Mail-Art Exchange. L.A. County Museum of Art Education Department
The Right Stuff: Faculty Exhibition. Pasadena City College Gallery, Pasadena
Faculty Exhibition. El Camino College Art Gallery, Torrance
The Longest Potholder. First Street School, East Los Angeles (solo performance event)
Elemental Lines. East & West Galleries, 330 North Brand, Glendale, Jillian Coldiron
Fine Arts Associates (solo)
Ask the paintings. they will tell. Sumitomo Building, Los Angeles, Jillian Coldiron
Fine Arts Associates (solo)
Women of the Book: Jewish Artists, Jewish Themes.
(traveling exhibition, catalog)
Minnesota Center for Book Arts (Open Door), Minneapolis, MN
National Council of Jewish Women, Chicago, CA
Jewish Community Center of Greater Minneapolis
Gotthelf Art Gallery, Jewish Community Center, La Jolla, CA
Athenaeum Music & Arts Library, La Jolla, CA
2000
Extremes: Ill-Mannered Art. Orange County Center for Contemporary Art, Santa Ana
Miracle on Main Street. Side Street Projects, Los Angeles
Faculty Exhibition. Pasadena City College Gallery, Pasadena
Faculty Exhibition. El Camino College Art Gallery, Torrance
Women of the Book: Jewish Artists, Jewish Themes.
(traveling exhibition, catalog)
Special Collections Galleries, University of Pennsylvania, Philadelphia, PA
Florida Atlantic University Art Gallery, Boca Raton, FL
Brattleboro Museum, Brattleboro, VT
Southwest Missouri State University Art Gallery, Springfield, MO
1999
The Big Wave II. Andrew Shire Gallery, Los Angeles
Faculty Exhibition. Pasadena City College Gallery, Pasadena
Faculty Exhibition. El Camino College Art Gallery, Torrance
Good Neighbors. I-5 Gallery at the Brewery Arts Complex, Los Angeles
Pressing Engagements II. Installation: “Many Lives.” Los Angeles Harbor College,
Wilmington, CA
Women of the Book: Jewish Artists, Jewish Themes.
(traveling exhibition, catalog)
Janice Charach Epstein Museum Gallery, Jewish Community Center of Metropolitan
Detroit, Detroit, MI
Sharadin Art Gallery, Kutztown University, Kutztown, Pennsylvania
University of Arizona Art Museum, Tucson, AZ
1998
Three Solo Shows. Jillian Coldiron Fine Arts Associates
General Electric Corporation Investments Division, Los Angeles
East & West Galleries, 330 North Brand, Glendale
Nortel Industries, Simi Valley
A Taste For Art. Los Angeles County Museum of Art, west wing
Faculty Show. Pasadena City College Gallery
Disposable Doodles. East Central Gallery, Los Angeles
Sex/Religion. East Central Gallery
One Night Stand. Farmer’s Daughter Motel, Los Angeles
Faculty Show. El Camino College Art Gallery
All City. Barnsdall Municipal Art Gallery, Los Angeles
Central City Festival. SRO Housing Corporation & Los Angeles Library
Synchronicity. Mount San Antonio College, Walnut
Valentine. The Art Works, Riverside
1997
Women of the Book: Jewish Artists, Jewish Themes. (inaugural exhibition for traveling
show, catalog, reviews)
Finegood Art Gallery, West Hills, CA
Fair Art 1997. Spanish Kitchen, Los Angeles
Incantation. Installation, Downtown Lives!, DADA at the University Club
The Big Wave. Andrew Shire Gallery
Shelter: Artists and the Sukkah. Brandeis-Bardin Institute Gallery
Faculty Show. El Camino College Art Gallery, Torrance
Faculty Show. Pasadena City College Art Gallery, Pasadena
Changing Media: Books & Prints. Armory Center for the Arts, Pasadena
Rethinking the Natural. (traveling exhibit, catalog)
Greater Denton Arts Council, Denton TX
Texarkana Regional Arts & Humanities Council, Texarkana, TX
Diversity of Contemporary Painting. Andrew Shire Gallery
1996
Unruly Midrash. (solo show) A Shenere Velt Gallery, The Workmen’s Circle, Los Angeles
Blessings and Beginnings: Inaugural Exhibit. Skirball Museum Cultural Center (catalog)
Computer-Generated Fine Arts. Riverside Community College Gallery
Faculty Exhibition. Pasadena City College Art Gallery
A Month of Sundays. Lois Neiter Fine Arts, Sherman Oaks
Urban Heartifacts. Spanish Kitchen Gallery
Downtown Lives! DADA (Downtown Artists Development Association)
Eight Women Cook at Spanish Kitchen. Spanish Kitchen Gallery (“catalog of recipes”)
About Face. Barnsdall Municipal Art Gallery
ArtQuake. SRO Housing Corporation, Los Angeles Department of Cultural Affairs
Rethinking the Natural. (traveling exhibition, catalog)
Haggar Gallery, University of Dallas
Shore Art Gallery, Abilene Christian University
Texas A&M University—Commerce
Green. Fine Arts at Factory Place
New Members. L.A. Printmaking Society, Lankershim Arts Center Gallery, North Hollywood
1995
Manipulations. (solo show) AIM Los Angeles
Rethinking the Natural. (traveling exhibition, catalog)
Austin Museum of Art at Laguna Gloria, Austin, TX
J. Wayne Stark University Center Galler, Texas A&M (catalog)
Magical Visions. Lankershim Arts Center Gallery
Tactility and Distraction. California Medical Arts Group, Santa Monica
Digital SITE: Art/Computer Interface. SITE Gallery & on-line
http://sensemedia.net/digitalsite
Faculty Exhibition. Pasadena City College Art Gallery
Los Angeles Printmaking Society. Brand Library Gallery, Glendale
DADA Tour of Downtown Artists’ Studios.
On Site at the Gate ‘95. The Gate Gallery, Angel’s Gate Cultural Center, San Pedro
National Exhibit of Jewish Women Artists. U. of TX, San Antonio, Health Sciences
Center Gallery
Dawn’s Choice. The Brewery, downtown Los Angeles
The Information Superhighway. Downey Museum of Art, Downey, CA
Valentines by Contemporary Artists. The Artworks, Riverside
The Monoprint Show. University of California, Irvine
13th National Printmaking Exhibition. Laband Art Gallery, Loyola Marymount University
1994
Get Back. Kohn/Turner Gallery, Santa Monica
The Rite to Eat. The New Gallery at the 18th Street Arts Complex, Highways, Santa
Monica
L.A. Fair Art: A Multidisciplinary Experiment. Spanish Kitchen Gallery
Faculty Shards. Pasadena City College Art Gallery
Downtown Lives! DADA
Tiny. Claremont Graduate School, Claremont
The Far Bazzar. Foundation for Artists’ Resources (FAR) at the Bingo Building, The
Brewery
The 750 Invitational. 750 Gallery, Sacramento
Jewish Artists of Southern California III. Dubin/Wolf Gallery, Wilshire Boulevard
Temple
1993
Responsa: Jewish Themes in the Art of Laurel Paley. (solo show) USC Hillel Gallery
VICTIM(izer)s. (With John Abrahamson and Chris Hero) John Thomas Gallery, Santa Monica
A Taste of the 33rd District. Biltmore Hotel, Downtown Los Angeles
WYSIWYG ("what you see is what you get"). The Art Works, Riverside
Artists' Writing Reading Room. Side Street Projects, Santa Monica
OUT Auction. 8000 Sunset, Hollywood
Faculty Exhibition. Pasadena City College Art Gallery
1992
Links and Intervals. (solo show) Art Department, California Polytechnic University,
Pomona
Personal Marks. (solo show) Century Gallery, Sylmar
Cross Section. Korean Cultural Center Gallery
Focus on L.A. Artists. Pauline Hirsch Gallery (award)
(Basically) Black and White. Riverside Art Museum
Encore. The Art Works
Jewish Artists of Southern California II. Dubin/Wolf Gallery
OUT Auction. Highways Performance and Art Space, Santa Monica
Faculty Exhibition. Pasadena City College Art Gallery
1991
Journal/Journey. (solo show) The Art Works, Riverside
Artists About. Gensler & Associates Architects
OUT Auction. Highways Performance Space and Gallery
Eleven Artists: A Downtown Perspective. 801 North Brand, Glendale
Reaching Out: Images Real and Unreal. Pauline Hirsch Gallery
The Art Works Plus. The Art Works
Group Show. Century Gallery (exhibition award)
1990
Chess. (solo show) Elmarie Dyke Gallery, Pacific Grove Art Center, Pacific Grove
Provocateur. Mount San Antonio College, Walnut
Portfolio Show. The Art Works
Valentines by Contemporary Artists. The Art Works
1989
Solo exhibition. Angel's Gate Cultural Center Gallery, San Pedro
Concealed Forms/Symbolic Gestures. Finegood Gallery, West Hills
Portfolio Show. The Art Works
Jewish Artists of Southern California.
Dubin/Wolf Gallery
1988
Solo exhibition. Wallenboyd Theater
Present Tense.
Barnsdall Municipal Art Gallery
From Main to Santa Fe: A Downtown Art Odyssey.
Security Pacific Gallery
Artists' Liaison. Evanston Art Center, Evanston, Illinois (award)
Taking Liberties. Loyola Law School Gallery
Revelations. Los Angeles County Museum of Art Rental Gallery
Venice Art Walk Exhibition. Beyond Baroque, Venice
Heart. ISD Designs, Los Angeles
1987
Works on Paper and Canvas. (solo show) Gorky's, Los Angeles
Artists Equity. Brand Library Art Gallery, Glendale
Group Exhibit.
Long Beach Art Association Gallery (award)
Life Changes and the Jewish Experience.
Pauline Hirsch Gallery
Women and their Work. Los Angeles City Hall Rotunda
Women Artists of California. Riverside Art Museum
Ink and Clay.
Art Gallery, California Polytechnic University, Pomona
1986
Three Artists. With Andrea Nadell, Gina Lawson. DA Gallery, Pomona
Expressions of the Human Figure.
Muckenthaler Cultural Center, Fullerton
Visual Exchange. Art Galleries, University of Southern California
California Watercolor and Drawing Survey. Humboldt Cultural Center, Eureka
1985
Visual Currents. Mount San Antonio College
Gathering Dust. DA Gallery
Studio Exhibitions
1988-2007
Annual Solo Studio Show. Santa Fe Art Colony Open Studio Weekend, Los Angeles
Selected Publications and Reviews
2009
Gwanghwamoon International Art Festival. Catalog, essays, and photos. ASTO Museum of
Art
2008
Collaborative Vision: The Poetic Dialogue Project. Catalog. Essay by Beth Shadur.
(Photos)
Difference and Coexistence: Contemporary Art of Korea, Japan, and the U.S.A. Catalog,
essays, and photos
ASTO Museum of Art
2007
Gwanghwamoon International Art Festival. Catalog, essays, and photos. ASTO Museum of
Art
2005
The Way to Be: Women of Pasadena can inspire us to appreciate life beyond all the
“doing.”
Ellen Snortland, Consider This, Pasadena Weekly, December 1-7
The Never-Ending Potholder. Chantal Mullins, Pasadena City College Courier, September
22
2003
Art Pick of the Week, also recommended: Under the Skin. Peter Frank, LA Weekly,
October 17-23
Continuing & Recommended: Skin. Artscene, February (photos on website)
2002
Non-Traditional Artist Speaks as Scholar. Palos Verdes Peninsula News, March 2 (photo)
2001
Gazing Deep: Painting’s New Surface Space. Suvan Geer, Artscene, January (photo)
2000
Great Slabs o’ Dead Stuff!: OCCCA’s ‘Extreme’ is a ‘Sensation’! Rebecca Schoenkopf,
OC Weekly, November 10 - 16
1999
Loft Living. Susan Carrier, Los Angeles Times Sunday Real Estate Section, March 7
(photo)
The L.A. Art Scene. Mat Gleason. Coagula Art Journal, February/March (photo)
1998
El Arte del Papel Picado. La Opinión, April 1 (photo)
Where was the Press? Riva Weinstein, DADA Quarterly News, fall
Lynn C. Kronzek. Los Angeles: Place of Possibilities. Heritage Media Corporation
(photo)
Where was the Press? Riva Weinstein, DADA Quarterly News, fall
DADA. Mat Gleason. Coagula Art Journal, January (photo)
This Week in L.A. Art. Edward Goldman. Life & Times, KCET public television (photo)
1997
What’s Up, Mac? Michael Dobkins. LAMG Digest, November (photo)
The Arts Scene. William Yelles. The Jewish Journal, October 24 (photo)
On-air Radio Interviews: KPCC FM, KFWB AM News, KIEV AM
Changing Media: Books & Prints. Los Angeles Times Sunday Calendar, February 2
(photo)
Art Pick of the Week. Peter Frank, LA Weekly, March 28-April 3
Prints in ‘Changing Media’ take an introspective turn. William Wilson, Los Angeles
Times, Feb. 9
Saturday Best Bets: Noon/Art at the Santa Fe Art Colony. Los Angeles Times
Calendar, April 3 (photo)
Artists in their Studios. William Lasarow, ArtScene, April
Thursday
1996
Come to DADA. Walter Sawicki, Downtown News, September 30
Art Pick of the Week “We Also Recommend.” Peter Frank, LA Weekly, August 30-September
5
Art Pick of the Week “We Also Recommend.” Peter Frank, LA Weekly, July 12-18
Unruly Midrash. Heritage Southwest Jewish Press, June 14 (photo)
Scene Around: Art. Heritage Supplement, Heritage Southwest Jewish Press, June 7
(photo)
The Arts Scene. Jill Lichtenstein. The Jewish Journal, June 6 (photo)
The Santa Fe Art Colony Humanizes Industrial Downtown. DADA Quarterly, Winter (photo)
DADA Tour 1996 catalog (photo)
1995
Rethinking the Natural catalog. Essay by Jon Ippolito. Laguna Gloria Museum, Texas
Fine Arts Association (photo)
Los Angeles Printmaking Society 13th National Exhibition catalog. Essays by Gordon L.
Fuglie, Elizabeth A.T. Smith. Laband Art Gallery, Loyola Marymount University (photo)
Reflections of Jewish Identity catalog. Essay by Marcia Goren Weser. University of
Texas, San Antonio and Women’s Caucus for Art
Spotlight: Downtown L.A. Artists. The What Show, David Duarte, Scott Lopez, Mayan
Pictures
1994
Downtown Lives: Exhibitionism, Warehouse-Style. David DiMichele, Downtown News,
December 5-12
Please Pass the Art but Hold All the Explanations–They Give Me Gas. Al Martinez, Los
Angeles Times, Nov. 22
Guide to Artists in Southern California. Vanessa Obten, ART Resources Publications
A Place for Jewish Art. Naomi Pfefferman, The Jewish Journal, July 22
Faculty Shards catalog. Pasadena City College Gallery
1993
Art Reviews/Read All About It. Susan Kandel, Los Angeles Times, June 3
Text and Context: Artists' Writing Reading Room at Side Street Projects. Suvan Geer,
Artweek, July 8
A Passover Exhibition. Judith Margolis, The Jewish Journal, April 9-15 (photo)
Links and Intervals. University of Southern California Chronicle, November 15 (photo)
Proposal & Responsa/The Arts Scene. Sara Eve Roseman, The Jewish Journal, December 39 (photo)
Chess Set/The Arts Scene. Sara Eve Roseman, The Jewish Journal, October 1-7 (photo)
VICTIM(izers) Artscene, October (cover photo)
1992
Art Pick of the Week. Peter Frank, LA Weekly, November 13-19
Eyes on the Prize: LA artists compete in JFC contest.
Heidi Matz, The Jewish
Journal, Sept. 11
Loft Horizons. Suzanne Lummis. Downtown News, March 23 (photo)
1991
Powerhouse: An Industrial Strength Setting for Art. (color photo)
Jeffery Book, photos by Alex Vertikoff. Angeles Magazine, February
A delicate balance at Art Works gallery. Devorah L. Knaff.
The Riverside Press-Enterprise, January 20 (photos)
1990
Art Notes: Sufficient Unto Itself. Sam Colburn. Pacific Grove Monarch, Nov.
PG Art Center exhibits feature 5 artists. Pacific Grove Monarch, Oct. 5
2
Pacific Grove Art Center opens new exhibitions. Monterey Peninsula Review, October 410
Feminist reconstruction of the Biblical image in contemporary art. Jane Brucker.
Proceedings. American Academy of Religion, Holy Names College
1989
A call to join the battle: artistic freedom's in danger of suppression.
Elizabeth Zimmer. Los Angeles Herald Examiner, October 29
The Work of Their Hands: Jewish Women Artists. Marcia Reines Josephy.
Proceedings. World Congress of Jewish Studies, Hebrew University, Jerusalem
IS Journal #7/8, International Synergy, Spring (back cover)
Three Sensibilities. Betty Ann Brown. Artweek, March 4
Two Contemporary Painters. Eve Reynolds, Producer.
Women in Contemporary Art, American Cablesystems
Platt Art Gallery Exhibit. Laurie Ochoa. Los Angeles Times, Feb. 17
Interview. Bruce Bellingham. CalNet News, California Public Radio, Feb. 14
1988
Seis Artistas Exhiben en Barnsdall. La Opinión, October 28 (photo)
L.A. Artists Put History into 'Present Tense'. William Wilson. Los Angeles Times,
October 24
From Main to Santa Fe. Peter Frank. L.A.Weekly, Sept. 30-Oct. 6
Diversity and Congruity. Brian Butler. Artweek, September 17
Continuing & Recommended: From Main to Santa Fe. Michael Welzenbach. Artscene, Oct.
(photo)
Present Tense catalog. Essay by Marie de Alcuaz. Barnsdall Municipal Art Gallery
(cover photo)
Taking Liberties catalog. Loyola Law School Gallery, SC/WCA
1987
Artist's Liaison catalog. Artist’s Liaison, Los Angeles
Life Changes and the Jewish Experience catalog. Pauline Hirsch Gallery, Los Angeles
Feminine Media, Mixed and Otherwise. Suzanne Lummis. Downtown News, March 23
California Watercolor and Drawing Survey catalog. Humboldt Cultural Center, Eureka
Additional Professional Experience
1997-2002
Art Correspondant, KPCC Public Radio
For Larry Mantle’s AirTalk and for Kitty Felde’s/Linda Othenin-Girard’s Talk of the
City
Topics included the effect of the World Trade Center bombing on the New York art world,
digital and new media artworks; shows not to miss in Southern California; L.A.
underground exhibits; artist-run projects, exhibits and organizations; the vitality of
the downtown Los Angeles art community; art studio tour events; and issues in the
teaching of art.
KPCC interviews:
Don Ed Hardy: On his career as a tattoo artist and his retrospective at Track 16
Gallery;
John Outterbridge: On his public art (Staples Center) & his long career leading the
Watts Towers Art Center;
Eleanor Antin: On her retrospective exhibition at the L.A. County Museum of Art; on
being “other” in performance;
Michelle Deziel: On the history of the Pasadena Art Museum and the Norton Simon; on
Radical Past exhibit;
Sue Coe: On radicalism in her work and life, on the X-Files, and on her forays into new
media;
Jay Belloli: On the role of the curator in galleries and museums, and on the Armory
Center for the Arts;
June Wayne: On her place in the history of printmaking, on her traveling retrospective,
and on reaching 80;
Anne Bray: On the L.A. Freewaves festival, and on her own video and installation work.
Since 1990
Free-lance art writing: L.A. Weekly, 1996. New Art Examiner, 1993. Artweek, 198890. Catalog essays, ongoing.
Press card with AICA (International Association of Art Critics). Clippings available on
request
Ongoing, since 1977
Laurel Paley, Words & Pictures. Fine art; free-lance art and artist services
Creating and exhibiting fine art
Calligraphy, graphic design, illustration, multimedia, web design
Writing grant proposals, exhibition support, documentation, and other promotional media
for artists
Research and editorial services
1985
Senior Editor/Project Manager. Windsor Publications, Inc., Northridge, CA
Selecting authors, researchers and photographers; negotiating contracts; supervising
all stages of book design & production; substantive and structural editing.
1983, Editor; 1982, Picture Editor
1981
Animated Graphics. Layout and paste-up, operation of process camera, assisting in all
phases of production in the creation of animated titles and graphics. Creative Film
Arts, Hollywood
Grants, Honors and Awards
2005
Jeanne Ward Foundation Travel Grant
2004
Jeanne Ward Foundation Project Grant
2002
Meid & Macfarlane Foundation, David Meid Mentorship Program, Marymount
College
Los Angeles Digital Media Center Conference Grant
Jeanne Ward Foundation Project Grant
2001
Jeanne Ward Foundation Travel Grant
1999
Jeanne Ward Foundation Project Grant
1996
Pasadena City College Foundation
Jeanne Ward Foundation Travel Grant
1993
City of Los Angeles Cultural Affairs Department.
1992
Pauline Hirsch Gallery, Focus on LA Artists (“Best of Show”)
1991
Century Gallery, Sylmar (Exhibition Award)
1990
Alumnae Association of Smith College (Travel Grant)
1989
Nominee, Awards in the Visual Arts.
Southeastern Center for Contemporary Art, Winston-Salem, NC
1988
Evanston Art Center, Artists' Liaison, Evanston, IL
1987 Long Beach Art Association
Art Department Fellowship, CGS
1986
Council of Graduate Students Research Grant. CGS
Conferences & Panels
These are conferences and panels where I presented material. In addition, I have
attended numerous seminars, conferences, and panels, and assisted behind the scenes at
others.
2005
“Jewish Artists: Complex Identities” (panel discussion, introduced and moderated by
Matthew Baigell, Ph.D)
Jewish Artists Initiative Program, Hebrew Union College, Los Angeles. Sponsored by the
University of Southern California (USC) School of Fine Arts; the Casden Institute, USC;
and the Jewish Community Foundation, Los Angeles.
2002
“Pictographic/Phonographic/Visual: Thoughts about Language and Image” (faculty
seminar).
David Meid Visiting Mentor Program, Marymount College. Funded by the Meid & Macfarlane
Foundation
2000
“Storyboarding and Concept Development 101 with Reginald Hendrix.”
Interviewer.
Pasadena City College Visiting Artist series. Funded by the Pasadena Art Alliance
1999
“Stacey Wexler: Sculptor.” Interviewer.
Pasadena City College Visiting Artist series. Funded by the Pasadena Art Alliance
“A Conversation with Charles Ray.” Interviewer and moderator.
For University of Iowa Alumni Assn. Distinguished Lecturer series. Museum of
Contemporary Art, Los Angeles
1998
“Multicultural Papercutting:.” Seminar co-leader. For conference “We Are America:
Creating Inclusive Classrooms.” Mount St. Mary’s College, Doheny Campus.
“Contemporary Jewish Art on the Edge.” For conference “Yom Limud,” Bureau of Jewish
Education
1997
“Image, Text, Identity." comments for "Women of the Book" panel, Finegood Art Gallery
“Artists in Public.” Panel participant, The Workmen’s Circle
“A Celebration of Japanese & Jewish Traditions: the Art of Paper, Ink, & the Written
Word.”
With Hirokazu Kozaka and others. Skirball Cultural Center
“Too Jewish for L.A.” Lecturer. Education Department, UCLA at the Armand Hammer Museum.
In association with the traveling exhibit, “Too Jewish.”
1996
“Crossing Over: Bridging the Line between Fine Arts and Design.” Symposium organizer
and panel moderator, PCC.
Panelists: Warren Lehrer, Susan Silton, Philip Morrison. Also supported with grants
from the Jeanne Ward Foundation and the Pasadena City College Foundation
1994
“Food, Art, and Transformation.”
Panelist. Electronic CAFE International, Santa Monica
“The Tenuous Embrace: Thoughts on Integrating Contemporaneity and Jewish Identity.”
Lecturer and panelist at the conference Searching for Memory: A Conference on Jewish
Art and Creativity..Co-sponsored by Leo Baeck Temple, the Skirball Museum, and Hebrew
Union College
1992
“Grantwriting.” Loyola Law School and California Lawyers for the Arts, Los Angeles.
For the seminar How to Start a Not-for-Profit Arts Corporation in the State of
California
1989
“Engendered Belief.” Panel presentation at the conference A Delicate Balance:
Technics, Culture and Consequences, California State University, Los Angeles. Paper
co-written with MacGregor Reid, Ph.D, of Jet Propulsion Laboratories; abstract
published in IEEE Proceedings.
Lectures, Workshops, Visiting Artist events
Angels Gate Cultural Center, San Pedro
Armand Hammer Museum
Armory Center for the Arts
Art Tours/L.A.
The Art Works, Riverside
Barnsdall Municipal Art Gallery
Brandeis-Bardin Institute, Elderhostel
Bureau of Jewish Education, Los Angeles
California Arts Council Arts-inCorrections
California Rehabilitation Center, Norco
California Lawyers for the Arts
California Polytechnic University, Pomona
California State University, Long Beach
California Youth Authority Men's Facility,
Chino, University of La Verne Art
Program
Century Gallery, Sylmar
Cerritos College Community Education
College of New Rochelle Art Dept., New
Rochelle, NY
Digital Design SIG, Altadena
Festival of Jewish Artisans, Temple Isaiah
Finegood Arts Council, 1995. Finegood Art
Gallery, 1988
First Street School, East Los Angeles
Hampshire College, Amherst, MA
Hebrew Union College, Los Angeles
I-5 Gallery, Los Angeles
Idyllwild School of Music & the Arts
(ISOMATA)
Jefferson High School [pilot program for
"at-risk" teens]
Jewish Federation Council ADHC, North
Hollywood
JPWA, Los Angeles
Leo Baeck Temple Havurah for the Arts
Lois Neiter Fine Arts
Los Angeles County Museum of Art, Special
Projects Council
Los Angeles Mission College, Sylmar
Loyola Marymount University Art Department
Marymount College
Mount San Antonio College
Otis Art Institute [Visiting Digital
Artist]
Pasadena City College (Faculty Flex Day
Program)
Pasadena Jewish Temple and Center
[workshop]
Ringling School of Art and Design,
Sarasota, FL
Smith College, Northampton, MA
Skirball Cultural Center
Skirball Museum Associates
Skirball Museum Docents
Stephen S. Wise Temple
USC Hillel Gallery
UCLA Extension Art Tours/Mumsey Nemiroff,
Suzanne Siegel
Selected Involvements & Memberships
Alumnae Association of Smith College
International Association of Art Critics/American Section (AICA)
JAI—Jewish Artists’ Initiative, Southern California
Santa Fe Art Colony
Collections
Stacey & Joshua Abarbanel
Lillian Abel & Leonard Kelly Young
Dr. Pat Allen
Emile Auguste
Carla Bartlett
Per & Lisbett Bech-Jansen
Flora Beck
Lynn & Haim Dov Beliak
Elise Nahum & Ari Beliak
Sarah Kelman & Hanan Beliak
Paul Blieden
Cheryl & Roger Bloxberg
David & Lisa Boyle
Jack Buick
Dick Butler
Susan Davidson
Marci & Ira Dicker
Douglas Dodds
Alice Dworkin
Bruce Ellman & Michelle Missaghieh
Michael Freeman
Richard Friedman, Ph. D
Claudia Garcia & David Brown
Gloria & Sheldon Getzug
Tzivia & Steve Getzug
Jennifer & Lionel Glancy
Rhonda & Steve Glyman
Jan Goedeke
Dave Golber
Eric Gordon
Annemarie Griggs
Rochelle Groonis & Rodger Roseman
Doris & Arthur Grossman
Sara Hoover
Julie Firstenberg & Phil Kamins. D.D.S.
Stephen Kanter, M.D.
Marion & Howard Katz
Robert Keilly
Kim Kittredge
Stephanie Klasky & Steve Gamer
Sharyn & Walter Klein
Susan Oestreich & Jeff Klein
Lisa & Larry Kohorn
Terry Kurlander
Carol Kurz & David Senensieb
Sandy & Bill Lasarow
Karin Leonard
Dolores & Bernhardt Liebo
Rhoda & Jack Liebo
Linda & Richard Loya
Julane Marx & Jeff Gale
Anita Miranda
Tamara & Zeev Neumeier
Phil Nadel & Ros Roucher
Deborah Neasi & Avram Miller
Lois Nickols
Joan Nickolson
Bridgette & Bill Paley
Sheila & Albert Paley
Gina & Irving Posalski
Beth Rebarber & Doug Punt
Kathy Reges
Toni & Beau Reifler
Leah Rial
Diane Rosenthal
Ross Rudell
David Salyer
Keri & Howard Seligman
Terri Getzug, M.D.
Margie Scharff
Arlynne Siegel
Barbara & Joseph Siegel
Stephen Siegel
Margy & David Sievers
Susan Silton
Roz Silver
Kevin Stultz & Dr. Elizabeth Altman
Barry Solof
Andi & Gary Vogel
Mr. & Mrs. Richard Volpert
Rhonda Wapnick
Lisa & Greg Weinberg
Barry Weintraub
Rick Wilson
Terry Wolverton
Lori & Mark Zatkowski
Bronson, Bronson & McKinnon
City of Huntington Park, Office of the Mayor
Keck, Mahin & Cate
Frank Magid Associates, Inc.
Deloris Robinson Entertainment
Skirball Museum Cultural Center,
collection of contemporary art
Skirball Museum Cultural Center,
collection of American Judaica
Wilner, Narwitz, Lewin & Klein