Syllabus, ENG 1060—Rizzo, 1 English 1050: Composition I Section 104 Mon / Wed 3:30-4:45 pm, Fall 2010 125 Dial Humanities Bldg Dr. Therese Rizzo Office: 108 Dial Humanities Bldg. Office phone: (910) 522-5802 Email: therese.rizzo@uncp.edu Office Hours: Mon. 1:00-1:30, Tues. 1:30-3:30, Wed. 5:00-5:30, Thur. 1:30-3:30, or by appointment Course Description English 1050 is part of the required writing sequence for all UNCP undergraduates. This class trains students for college level writing, reading, and subject matter comprehension. Throughout this course, you will be challenged to think and read objectively while writing papers that reflect a thesis-centered approach to summary, paraphrase, and argument. In a combination of formal and informal writing exercises you will demonstrate your comprehension of rhetorical techniques through summary and analysis of critics and films that address the theme of American materialism. By focusing on a similar theme, your English 1050 writing assignments are constructed to help you progress as a writer, reader, and thinker. Your assignments will help you to develop and exercise various writing skills that you will need to utilize during your time at UNCP. Although we will discuss many different issues in this class, I ask that you attempt to convince yourself of one fact: The only way to become a powerful, effective writer is to write constantly and to try new things. So what does it mean to “write constantly” when you have other classes, a job, and/or a family? It means that you commit to reworking, revising, and refashioning each of your written products. It means that you remain open to suggestion and help. And it means that you accept the idea that we are all writers who benefit from revision. By the end of this course, I will expect you to understand that writing is a process, and the major determiner of success in writing comes from how much you are willing to commit to the act of writing. Success in ENG 1060 You will successfully complete this course if you demonstrate a mastery of the following: Process! — Writing is a process that cannot be rushed into one evening (or one very long all-nighter). You must demonstrate your willingness to grow as a writer by showing thoughtful revision after each draft and by engaging comments and suggestions from peer reviewers and myself. Critical Thinking and Reading Skills — Effective writing begins by asking the kinds of questions that facilitate an engaging and thoughtful paper. Asking the right kinds of questions Syllabus, ENG 1060—Rizzo, 2 begins by reading to discover content, intent, and rhetorical strategy. Practicing active reading methods means that we must (1) remain attentive to the essay’s intended message, (2) discover the essay’s secondary or unintended content, and (3) discern the essay’s effective and ineffective rhetorical strategies. Remember, every piece of writing, no matter how effective, offers us the possibility to learn by understanding how writers construct their arguments and arrange their content. Rhetorical Knowledge and Understanding Language Conventions — As we read other writers and dissect their styles, you will be asked to use some of the same rhetorical strategies in your writing. You will construct thesis statements in a variety of different essay situations, and you will use many of the same strategies displayed by the critics in our course. The nuances of making an effective argument or staging an easy-to-follow summary and paraphrase will become one of the most important aspects of this course. I will also be holding you accountable for correctly using writing and language conventions, such as paragraph construction, sentence clarity and variety, syntax, and punctuation. Honest Authorship — We will practice effective methods of documenting outside sources and effective measures to avoid plagiarism. I will accept nothing less than complete honesty in your writing process. In other words, undocumented plagiarism (someone other than yourself writing your paper), for-profit plagiarism (buying your paper from someone else), and/or unintentional plagiarism (failure to document all outside ideas or sources) are entirely forbidden. Any infringement of these rules will result in the failure of your essay or a failure in the class. Class Theme Sex, Lies, and Videotapes: We will explore the rhetoric of scandal and how the media portrays sexual innuendo and deviancy, while creating heroes out of liars. Required Texts and Materials --The Little, Brown Compact Handbook, With Exercises, Jane E. Aaron --Paper/Pens for every class meeting --Folder for Portfolio --Binder/Folder for storing notes/handouts --Binder/Folder to store drafts of paper Writing Projects In this class, we will have four writing projects. Reading Journal Assignments Consider your journal entries as little papers where you can practice formulating a thesis and supporting it with evidence from the essays. These assignments are an ideal forum to experiment with various styles, vocabulary, and arguments. Be creative, and take these seriously. Your journals are due by the last day of class, and late journals will not be accepted. I reserve the right to ask you to redo any journal that is deficient or does not meet my criteria. Each journal must be two double-spaced pages and submitted on our Blackboard site. You have three journals due by the end of the semester. Syllabus, ENG 1060—Rizzo, 3 Our Class is signed up for a Blackboard page. All Journals (and anything else marked “Online”) must be posted to the page, and you should feel free to utilize the space to its fullest. If you have any questions about how to use Blackboard, please let me know and I will attempt to help you in any way that I can. Portfolios and Rewrite Policy You will have to turn in an end-of-term portfolio; the Portfolio will consist of all of your papers (revision is optional) and the changes you have made on your final drafts. You MUST label, date, and save all of your paper drafts and comments (peer reviewers and mine) for inclusion in the portfolios. Failure to do so could result in a lowered grade on these portfolios. This course has an open rewrite policy, which means that you can rewrite any written assignment that was turned in on time. If you make substantial changes to an assignment which results in a better grade, I will substitute the new grade for the previous grade. You may rewrite an assignment as many times as you see fit. Moreover, rewriting an assignment can never result in a lower grade, although you will not receive a better grade for papers without substantive rewrites. Additional help and consideration will be given to those students who come see me during office hours for help on their rewrites. All rewrites (including the original and any ensuing drafts/rewrites) are due in the final portfolio. ADA Statement Any student with a documented disability needing academic adjustments must speak directly to Disability Support Services and the instructor, as early in the semester (preferably within the first week) as possible. All discussions will remain confidential. Please contact Disability Support Services, DF Lowry Building, 910-521-6695. Program-Wide Absence Policy: A student who misses more than six hours of class, regardless of the reason for those absences, will fail the course. Travel dates for university activities (sports, band, etc) also “count” as absences. (Six hours= 4 MW or TR classes). Lateness If you are late (because of some unavoidable crisis that will only happen once) and arrive after roll is called or a “writing burst” has begun, please slip into the room quietly and quickly become involved with whatever we are doing. Make sure to see me at the end of class so that I can record your attendance. If you are late more than once, participation points will be deducted. Three lates equals a missed class. If you are more than 40 minutes late, thereby missing half the class, you will be counted absent for that day. Late and Missed Assignments Instructors are under no obligation to accept or to grade work that is missed or late because of an absence. Therefore, you are obligated to hand in all assignments (including drafts) on time, despite any absences. If you are going to be absent, please arrange to hand in your work ahead of time. If an emergency occurs, please contact me by phone or email before class begins, and we will arrange for a new due date. Please do not invent an “emergency” on a due date; I will not consider hardship cases the day an assignment is due. If you are having problems with an assignment or are falling Syllabus, ENG 1060—Rizzo, 4 seriously behind in your work, contact me well before the assignment is due so that we can figure out a feasible work plan. Any late assignments will be penalized up to a whole letter grade every day it is late (including nonclass days and weekends). Being absent on the day a paper or assignment is due still causes that assignment to be late. If you turn in a paper late, then your forfeit any future rewrites on that paper. These rules also apply to paper drafts. Note: You cannot pass this course without turning in every writing project. If any paper is missed or skipped, it is mathematically impossible to achieve any grade higher than an “F.” Plagiarism and Academic Integrity Plagiarism is one of the worst crimes that can be committed at any academic institution, and UNC Pembroke is no exception. There is absolutely no need for you to plagiarize. Each class assignment is well within your capacity as a UNCP student to attempt and complete successfully. Henceforth, there are absolutely no excuses for plagiarism. NONE. You have the responsibility to know and observe UNCP’s Academic Honor Code. This code forbids cheating, plagiarism, abuse of academic materials, fabrication or falsification of information, and complicity in academic dishonesty. Academic evaluations in this course include a judgment that the student’s work is free from academic dishonest of any type. Students who violate this code can be dismissed from the University. The normal penalty for a first offence is an F in the course. Standards of academic honor will be enforced in this course. Students are expected to report others’ acts of academic dishonesty to the instructor. In general, faculty members should, and will take preventative measures to avoid cases of academic dishonesty (for example, examinations should be carefully proctored). However, a faculty member’s failure to take such measures is no excuse for academic dishonesty. Academic dishonesty and integrity, in the final analysis, are matters of personal history and individual integrity on the part of every student. More information on the academic honor code can be fount at <www.uncp.edu/sa/pol_pub/honor_code.htm> Any work that you submit at any stage of the writing process—draft, thesis and outline, bibliography, etc., through final version—must be your own; in addition, any words, ideas, or data that you borrow from other people and include in your work must be properly documented. Failure to do either of these things is plagiarism. The University Writing Center The Writing Center in 128 Dial Hall provides free one-on-one instruction to students who have writing assignments in this or any course. You may call (910-521-6546) or stop by the Writing Center to make an appointment. Appointments are offered on a first-come, first-served basis, so you should make your appointments as far in advance as possible. Grading Note: To receive a passing grade for this course you must complete all major writing assignments. Grade Breakdown: Paper #1: 13% A = 95 and Above C = 78-75 Syllabus, ENG 1060—Rizzo, 5 Paper #2: Paper #3: Paper #4: Class Questions, Journals, Part.: 17% 20% 25% 15% A- = 94-92 B+ = 91-89 B = 88-85 B- = 84-82 C+ = 81-79 C- = 74-72 D+ = 71-69 D = 68-65 D- = 64-62 F = 61- 0 Participation Active Participation is vital in our small, community-orientated classroom. Every time you participate, whether you answer or ask a question, comment about the reading, or venture forth an opinion, you boost your participation grade. Every student is charged with the duty of participation, we must always respectful of others’ opinions and analysis. Any disrespectful or unnecessary comments will detract from your Participation grade and cause an “F” for that day’s class work. Engaging someone’s question, comment, or analysis is always encouraged; however, if you are in any way disrespectful, domineering, or impolite, you detract from our community building. E-mail Policy E-mail is the quickest way to reach me. However, I cannot instantly return your emails or phone calls, so if you e-mail me I will try to answer your e-mail within forty-eight hours (not including the weekends). I will also try to return your call within forty-eight hours on Mondays through Thursdays. Calls will not be returned on Fridays through Sunday. Note: Papers and/or writing projects will not be accepted over email or fax. Also, grades will not be discussed over email or phone. Technology Policy Anyone caught on the phone, texting, or emailing will be given an “F” for that day’s attendance. If a phone rings or dings, I reserve the right to answer the phone or respond to the text. If a phone rings or dings, I reserve the right to administer a quiz. English 1020: Writing Lab Section 702: Mon 1:30-2:20, 125 Dial Section 703: Mon 2:30-3:20, 125 Dial Section 704: Wed 2:30-3:20, 125 Dial Course Description English 1020 is part of the writing sequence for all UNCP undergraduates. This writing lab will be used to complement the subject material of English 1060. It will also help to train students for college level writing, reading, and subject matter comprehension. Success in Engl 1020 You will successfully complete this course if you demonstrate a mastery of the following: Process! Critical Thinking and Reading Skills Rhetorical Knowledge and Understanding Language Conventions Honest Authorship and Scholarly Research Syllabus, ENG 1060—Rizzo, 6 Attendance According to the Program-Wide Absence Policy for ENG 1020: Students must earn 75 points over the course of the semester in order to receive a passing grade (C) in 1020. Students may earn up to seven points for each 1020 class they attend according to the following scale: Present and highly engaged = seven points Present and engaged = six points Present and partially engaged = five points Present = four points Absent = zero points Students must earn 75 or more points to pass the class. Students who wish to make up absences, up to two, may do so by attending other 1020 sessions offered by their instructor or by visiting the University Writing Center for personal consultations. Students may receive only two points for each absence they make up. Students who visit the University Writing Center to make up an absence must request a signed form from their writing center tutor that they bring to you. We hope that this system causes students to understand that they are being assessed, positively, on their positive contributions: they have something to strive for, as opposed to something to lose. We wish to make clear to students that the 1020 requires a new level of engagement for success: they might be able to be quiet and intent in 1050 and 1060, but the success of the 1020 depends on their active participation, which should be easier (1) for the smallness of the class and (2) because they have fewer people to feel nervous in front of. Note: All other class policies, such as, but not limited to, Lateness and Technology Policy, from the ENG 1050 Syllabus extend to ENG 1020.