The Trombonist in Bix and Tram’s
Singin’ the Blues:
Bill Rank or Miff Mole?
The Bix and Tram February 4, 1927 recording of Singin’ the Blues, a composition
by Con Conrad and J. Russell Robinson, represents a milestone in the history of
jazz. Because of its significance and influence, the recording, OKeh 40772, was
inducted in the Grammy Hall of Fame in 1977 and in the Library of Congress
National Recording Registry in 2005.
The two most widely consulted modern discographies, Rust’s [1] and Lord’s, [2]
list Bill Rank as the trombonist in the recording of Singin’ the Blues.
Record Label of OK 40772-B. Note the misspelling of the word “orcestra” and the absence of composers credits. This is
the second instance of Bix’s name appearing on a record label. The first was in Gennett 5654 where Bix’s name appears
as Bix and His Rhythm Jugglers. Courtesy of Joe Giordano.
Bill Rank was the trombonist in almost all Bix and Tram and Bix and His Gang
recordings of 1927 and 1928. However, there is strong evidence, from
witnesses’s accounts dating from the 1930s, that Miff Mole replaced Bill Rank in
this particular recording. It is therefore, surprising, that the recent discographies
still list Bill Rank as the trombonist. In fact, throughout the decades,
discographies have oscillated between Bill Rank and Miff Mole as the trombonist.
As recently as 1981, Brian Rust wrote, in the sleeve for the World Records
album, Label SH 413, Bix Beiderbecke-The Studio Groups 1927, “The question
of whether Miff Mole or Bill rank played on Trumbauer's SINGIN' THE BLUES is
still fascinating, and in view of what several musicians say, it looks as if Miff was
present. Listening to it closely, I would say there is so little trombone to be heard,
it could be almost anyone! I would never quarrel with anyone who said it was
Miff, but at the same time, I wouldn't argue about its being Bill Rank. Maybe Miff
was called in because Rank had to leave for some private reason, and Miff, who
could imitate anyone, was the obvious choice for a deputy? The OKeh files do
not name any musician on trombone.” Although Rust appears to favor Miff Mole
as the trombonist, all editions of Rust’s discographies (1961-2002) list Bill Rank.
The first discographical information about Singin’ the Blues that I know
of is found in Hugues Panassié's Le Jazz Hot.[3] Panassié informs us
that the first record made under the name "Frankie Trumbauer and his
orchestra" was recorded in 1927 and was made of two titles: Singin'
the Blues and Clarinet Marmalade (Odéon 165093),[4] and that Bill
Rank was the trombonist.
Record label of French Odeon 165.093. Note the incorrect assignment of Shields and Ragas as composers.
The second published discography of this historical side is found in the
March 1935 issue of Jazz Hot (the first issue of the French magazine), where
Charles Delaunay published an article with a Bix discography. This is a preview
of his Hot Discography that was published the next year. The trombonist is listed
as “Billy Rank.” The 1938 edition of the Hot Discography also lists Billy Rank. [5]
However, the 1948 edition [6] assigns the trombone part to Miff Mole.
Beginning in 1940, George Avakian produced a series of reissue albums for
Columbia, the “Hot Jazz Classics” line. Set C-144, “Bix and Tram, was the 20th in
the series, and was released in September 1947.
Cover of Columbia Album C-144. Cover art by Jim Flora.
The set consisted of four 78 rpm records It included Singin’ the Blues
Record label of C 144-1. Although Doc Ryker is listed, he did not participate in this recording. The pianist was Paul Mertz,
not Irving Riskin. Several experts believe that Trumbauer played alto saxophone in this recording.
It will be seen that Bill Rank is listed as trombonist.
In 1950, George Avakian produced three LP albums entitled The Bix
Beiderbecke Story. (ML series). Vol 1 consisted of the Bix and His
Gang recordings; vol 2 contained Bix and Tram recordings; finally, vol
3 had recordings of Bix during his Whiteman days plus Bix's own
recording on piano of his composition In A Mist, and several Bix and
Tram sides. The LPs were available for about 20 years, and were
resissued twice. The GL series was issued in 1952, the Cl series in
1956. The series had the same content but different covers. Volume 2,
the volume which included Singin’ the Blues was issued as ML 4812,
GL 508 and CL 845.
Cover of the Bix Beiderbecke Story, Volume 2, Columbia Album GL 508.
George Avakian’s discography on the back of the album cover informs us that
the trombonist in Singin’ the Blues is Miff Mole.
The first full biography of Bix Beiderbecke was published in 1958 by Charles
Wareing and George Garlick. [7] It included a discography where Bill Rank is
assigned the trombone part. The same assignment is found in subsequent
biographies of Bix Beiderbecke. [8], [9], [10] and in a Bix disco-biography [11].
The last Bix biography correctly gives Miff Mole as the trombonist. [12]
Specialized discographies such as Jimmy Dorsey’s [13], Frank Trumbauer’s [14],
and Eddie Lang’s [15] all identify Bill Rank as the trombonist. However, the
revision of Jimmy Dorsey’s discography, [16] lists Miff Mole as the trombonist.
An obituary for Miff Mole published in Down Beat, Vol. 28, No. 12, p.11, June 8,
1961, includes the following sentences, “Mole also made records during his
period as a sideman. The most famous was Singin’ the Blues under the
leadership of cornetist Bix Beiderbecke and saxophonist Frank Trumbauer.”
Discographical information is also found in liners and booklets accompanying
albums. For example, The Giants of Jazz set on Bix, STL-J04, Columbia Special
Products P3 14778, issued in 1979, assigns the trombone part to Bill Rank, So
does Vol 1 of the Bix Restored set issued in 1995 by Origin Jazz Library.
In the liners for the Bix CD in the Columbia Jazz Masterpieces set Bix
Beiderbecke, Volume 1, Singin’ the Blues, CK45450, issued in 1990, the
trombonist is listed as Miff Mole with the notation, “Confirmed by Frank
Trumbauer in Rhythm Magazine, July 1939.” This publication is also cited in the
booklet that accompanies the Mosaic set The Complete Okeh and Brunswick Bix
Beiderbecke, Frank Trumbauer and Jack Teagarden Sessions (1924-36).
Nevertheless, Bill Rank is listed as the trombonist in the Mosaic set. But in a note
following the roster of musicians in Singin’ the Blues, we find the following
statement, “In the July 1939 issue of the British Magazine Rhythm Frank
Trumbauer stated that Miff Mole had replaced Rank on Singin’ the Blues. No
other confirmation of this has surfaced.”
As a matter of fact, there is another document where the replacement of Bill
Rank by Miff Mole is documented. But first, I present a scan of the relevant article
in Rhythm.
It will be seen that Trumbauer indeed stated, in a letter to Ralph Venables, that
“Miff Mole replaced Bill Rank in Singin’ the Blues.” A scan of the actual letter
written and signed by Frank Trumbauer follows here.
Note that Frank used the name Trombar to sign he letter. It turns out that on
March 18, 1938, a few months before he wrote the letter to Venables, Trumbauer
had opened at the Biltmore Hotel in Los Angeles as the Frank Trombar
Orchestra. He explained the reason for the change in name in his autobiography,
“I was selected as the leader … and since it was a new beginning, I felt that I
owed myself a new name, so we used: Frank Trombar and his Orchestra.”[14]
The second document in support of the replacement of Bill Rank by Miff Mole
was, in fact, published earlier than the Tempo article. Jazz historian and record
producer Warren Scholl “met Tram in December 1933, while Tram was staying
with Bill Rank and his wife in Astoria. Scholl interviewed Bill Rank during his first
meeting with Tram for an article that later appeared in the April 21, 1934 issue of
the Melody Maker.” [14] A scan of the entire article is presented here.
The section of particular interest is highlighted.
“He” refers to Bill Rank. Rank also was the trombonist in all the recordings of Bix
Beiderbecke and His Gang.
We now have two contemporary witnesses’s accounts of Miff Mole being the
trombonist in the 1927 Bix and Tram recording of Singin’ the Blues: the band
director, Frank Trumbauer, and the trombonist himself, Bill Rank, who, in an
interview, remembered being in every Bix and Tram record, with the single
exception of Singin’ the Blues. There is little doubt that the trombonist in Singin’
the Blues was Miff Mole.
Conclusion.
It must be emphasized that the correct identification of the Miff Mole as the
trombonist in the Bix and Tram seminal recording of Singin’ the Blues was made
in readily available publications in the 1930s. Nevertheless, the two most widely
used jazz discographies in the 21st century continue to list Bill Rank as the
trombonist, and most reissues of Singin’ the Blues in currently available CDs also
assign the trombone part to Bill Rank. The present account illustrates clearly the
fragility of discographical information.
Acknowledgments. I am indebted to Enrico Borsetti (Italy) and Mike Thomas
(England) for scans of the articles in the Melody Maker and Rhythm, respectively.
I thank Russell Barnes (England) for a copy of the Frank Trumbauer letter to
Ralp Venables. I am grateful to Ken Bristow (England) for transcribing the
relevant text from the World Records album Bix Beiderbecke-The Studio Groups
1927. I thank Nick Dellow for information about the identification of Bill Rank as
the trombonist in the 2nd, 3rd, 4th, and 6th editions of Rust’s Jazz Discography.
[1] Jazz and Ragtime Records (1897-1942) by Brian Rust, Mainspring Press,
Denver CO, 2002.
[2] The Jazz Discography by Tom Lord, http://www.lordisco.com.
[3] Hot Jazz by Hughes Panassié, les éditions R.-A. Corrêa, Paris, France, 1934.
[4] Trumbology was also recorded in that session.
[5] Hot Discography by Charles Delaunay, 1938 Edition Corrected and Reprinted
in the United States of America, Commodore Music Shop, New York, 1940.
[6] New Hot Discography by Charles Delaunay, The Standard Directory of
Recorded Jazz, Edited by Walter E. Schaap & George Avakian, Criterion, New
York, 1948.
[7] Bugles for Beiderbecke by Charles H. Wareing and George Garlick, Sidgwick
and Jackson Limited, London, England, 1958.
[8] Bix, Man and Legend by Richard M. Sudhalter and Philip R. Evans with
William Dean-Myatt, Arlington House, New Rochelle, New York, 1974.
[9] Bix Beiderbecke: Sein Leben, Seine Musik, Seine Schallplatten by Klaus
Scheuer, Waakirken-Schaftlach, Oreos Verlag, Germany, 1995.
[10] Bix: The Leon Beiderbecke Story by Philip R. Evans and Linda K. Evans,
Prelike Press, Bakersfield, California, 1996.
[11] The Bix Bands: A Disco-biography by Vittorio Castelli, Evert (Ted) Kaleveld,
and Liborio Pusateri. Raretone, Milan, 1972.
[12] Bix: the definitive biography of a jazz legend : Leon "Bix" Beiderbecke by
Jean Pierre Lion, Continuum, New York, 2005.
[13] Jimmy Dorsey, A Study in Contrast by Robert L. Stockdale, Studies in Jazz
No. 30, Institute of Jazz Studies, The Scarecrow Press, Inc., Metuchen, NJ,
1999.
[14] Tram, The Frank Trumbauer Story, by Philip R. Evans and Larry F. Kiner
with William Trumbauer, Studies in Jazz No. 18, Institute of Jazz Studies, The
Scarecrow Press, Inc. Metuchen, NJ, 1994.
[15] Feeling My Way, A Discography of the Recordings of Eddie Lang 1923-1933
by Raymond F. Mitchell, Self-published, 2002
[16] The Dorsey Brothers: That’s It! by Robert L.Stockdale, Lulu.com, 2008.