Music Theory - Note Reading
A staff is made up of five horizontal lines and four spaces.
Pitches are named after the first seven letters of the alphabet (A B C D E F G).
A clef is a musical symbol placed at the beginning of the staff that determines the letter names
of the lines and spaces.
The two main clefs are the treble and the bass:
A grand staff is a combination of both the treble and bass clefs connected by a vertical line on
the left side of the staves (plural staffs).
Ledger Lines are an extension of the staff. They are additional lines both above and below
which are parallel to the staff. Each ledger line contains one note.
Note Values
Each note has a specific duration.
Meter
Meter is the regular recurring pattern of strong and weak beats of equal duration; also
known as time. The meter or time signature in a musical composition is indicated by a
fraction, and located at the beginning of a piece of music. The lower number of the fraction
tells what kind of note receives one beat. The upper number tells how many beats are in a
measure.
In Western music there are two types of meter, simple and compoud. In simple meter the
upper number is either 2, 3, or 4. Each beat is subdivided by two.
In compound meter the upper number is either 6,9, or 12. Each beat is a dotted note and
subdivided into groups of three beats.
Music Theory
Intervals
An interval is the distance between two notes. Intervals are always counted from the lower
note to the higher one, with the lower note being counted as one. Intervals come in different
qualities and size. If the notes are sounded successively, it is a melodic interval. If sounded
simultaneously, then it is a harmonic interval.
The smallest interval used in Western music is the half step. A visual representation of a
half step would be the distance between a consecutive white and black note on the piano.
There are two exceptions to this rule, as two natural half steps occur between the notes E and
F, and B and C.
A whole step is the distance between two consecutive white or black keys. It is made up of
two half steps.
Qualities and Size
Intervals can be described as Major (M), Minor (m), Perfect (P), Augmented (A), and
Diminished (d).
Intervals come in various sizes: Unisons, Seconds, Thirds, Fourths, Fifths, Sixths, and
Sevenths.
2nds, 3rds, 6ths, and 7ths can be found as Major and Minor.
Unisons, 4ths, 5ths, and Octaves are Perfect. Listen
When a major interval is raised by a half step, it becomes augmented.
When a major interval is lowered by a half step, it becomes minor.
When a major interval is lowered by two half steps, it becomes diminished.
When a minor interval is raised by a half step, it becomes major.
When a minor interval is raised by two half steps, it becomes augmented.
When a minor interval is lowered by a half step, it becomes diminished.
When a perfect interval is raised by a half step, it becomes augmented.
When a perfect interval is lowered by a half step, it becomes diminished.
INVERSIONS OF INTERVALS
Intervals can be inverted, which basically means you turn them upside down. The lower
note is raised up an octave so that the top note/bottom note relationship is reversed. The chart
below shows the inversions of intervals.
Qualities




Major becomes Minor
Minor becomes Major
Perfect remains Perfect
Augmented becomes Diminished
Size




2 becomes 7
3 becomes 6
4 becomes 5
5 becomes 4



Diminished becomes Augmented
6 becomes 3
7 becomes 2
Interval Identification
It is important to be able to hear and identify intervals. This is a very important thing for
musicians to do. Here is a list of familiar songs that will help you to identify the intervals.
m2- Stormy Weather
m2
M2- Happy Birthday
M2
m3- The Impossible Dream
m3
So Long, Farewell from The Sound of Music
M3- Halls of Montezuma
M3
P4- Here comes the bride
P4
A4- Maria from West Side Story
A4
P5- Star Wars
P5
Twinkle, Twinkle, Little Star
M6- NBC theme music
M6
m7- Somewhere from West Side Story
m7
M7- Bali Hai from South Pacific
M7
Octave- Over the rainbow
Oct.
Scales
There are many different types of scales. They are the backbone of music.
A major scale is a series of 8 consecutive notes that use the following pattern of half and
whole steps: Listen
Minor Scales come in three forms: Natural, Melodic, and Harmonic.
Natural Minor scales use the following pattern of half and whole steps: Listen
Melodic Minor scales ascend and use the following pattern of half and whole steps. When
descending, they do so in the natural minor form. Listen
Harmonic Minor scales use the following pattern of half and whole steps: Listen
Chromatic Scales are made up entirely of half steps. When ascending, the scale uses
sharps, when descending it uses flats.Listen
Whole Tone Scales differ from the other scales because it only has 6 tones. It uses the
following pattern: Listen
A pentatonic Scale is a five-tone scale, which has its beginning in antiquity. There are
traces of this scale in Oriental and American Indian music. This scale does not have a leading
tone, which gives the scale it's unique sound. The scale has two forms. The first one uses the
group of two black keys followed by three black keys. The pattern is as follows: Listen
The second one used the group of three black keys followed by two black keys. The
pattern is as follows: Listen
Key Signatures
There are 15 major and 15 minor key signatures. The sharps or flats at the beginning of
the staff indicate the main tone (diatonic) to which other tones are related.
Db-C#, Gb-F#, Cb-B, are enharmonic keys, meaning that they are written differently, but
sound the same.
There are 15 major and 15 minor key signatures. The sharps or flats at the beginning of the
staff indicate the main tone (diatonic) to which other tones are related.
Music Theory - Chords & Symbols
Triad
A triad is a group of three notes having a specific construction and relationship to one
another. They are constructed on 3 consecutive lines or three consecutive spaces. Each
member of the triad is separated by an interval of a third. The triad is composed of a Root,
Third, and Fifth.
There are four types of triads: major, minor, diminished and augmented.
Inversions of Triads
All triads have three positions that they can be arranged in. The root, 1st inversion, and
2nd inversion.
Root Position Triad
If the triad root is in the lowest voice then the triad is in Root Position.
1st Inversion Triad
If the third of the triad is in the lowest voice the triad is the 1st inversion.
2nd Inversion Triad
If the 5th of the triad is in the lowest voice, the triad is in the 2nd inversion.
Figured Bass
Figured Bass was developed in the early Baroque period. It was a system of musical
shorthand that made the writing of keyboard parts easier. It was customary for the composer
to write out the bass line and to place Arabic numerals above or below the figured bass to
indicate the harmonies. The keyboard part was called the continuo, which was improvised by
the player.
In figured bass the Arabic numerals represent the intervals that sound above a given bass
part. Certain abbreviations have become well known.
Alterations
Alterations from the given key signature are indicated by placing an accidental before the
Arabic numeral.
An accidental, such as a sharp, flat, or natural that appears by itself under a bass note
indicates a triad in root position with the third interval above the bass note sharped, flatted or
naturaled.
Any sharp, flat, or natural sign beside the Arabic number indicates that this interval above the
bass note should be sharped, flatted, or naturaled depending on the symbol.
#6, b6, 6,
4
#6
b4
Sometimes, composers used a slash through the Arabic number instead of a sharp. They both
mean the same thing.
Roman Numeral Analysis
In the early 1800's, German composers started to use roman numerals to symbolize
harmony. Each note in a scale can have a triad or chord built above it. Upper case (Major) and
lower case (minor) Roman Numerals are used to indicate the type of chord. I, IV, V are major
triads/chords, ii, iii, vi are minor triads/chords, and vii is diminished.
Music Theory - Expression Marks
Tempo
Largo
Very slow
Larghetto
Not as slow as largo
Adagio
Slow, leisurely
Lento
Slow
Moderato
Moderate
Andante
Moving with a moderate tempo
Andantino
Faster than andante
Allegretto
A little slower than allegro
Allegro
Moderately fast
Vivace
Lively, animated, brisk
Presto
Fast, rapid
Prestissimo Very rapidly
Dynamics
Pianissimo
Very soft
Piano
Soft
Mezzo piano Moderately soft
Mezzo forte
Moderately loud
Forte
Loud
Fortissimo
Very loud
Crescendo
Increasing in loudness
Decrescendo decreasing in loudness
Diminuendo
diminishing in loudness
Rinforzando
sudden increase in loudness
Sforzando
play the note with sudden emphasis
Style
Amoroso
tender and affectionate
Animato
animated; lively
Calando
gradually softer and slower
Cantabile
in a singing style
Con Anima with life and animation
Con Brio
with vigor and spirit
Con Fuoco
with energy or passion
Deciso
decisively
Detache
detached
Dolce
sweetly
Doloroso
sorrowfully
Espressivo
expressively
Furioso
furious
Giocoso
humorous
Grandioso
with grandeur
Grazioso
gracefully
Legato
smooth and connected
Leggiero
lightly
Maestoso
majestically
Marcato
marked and stressed
Marzial
in the style of a march
Morendo
dying away
Perdendosi
dying away
Pesante
heavy
Religioso
religious, solemn
Rubato
taken out of tempo
Semplice
simple
Sempre
always, continuously
Sostenuto
sustained
Soto voce
in an undertone
Staccato
short and detached
Tenuto
sustained, held for full value
Tranquillo
tranquill
Articulation
Staccato
a dot placed above or below a note means to play it short
Slur
a curved line either above or below notes that connects two different pitches that
are to be played smoothly
Tie
a curved line either above or below two of the same notes indicating not to
attack the second note
Tenuto
a line above or below the note means to play the full value of the note
Accent
an accent placed above or below the note means to emphasise the not
Breath
Mark
an apostrophe placed above the staff means to take a breath
Clarity Terms
Assai
very
Con
with
L'istesso tempo same tempo
Meno
less
Mosso
moved, agitated
Non troppo
not too much
Piu mosso
faster
Poco
little
Poco a poco
little by little
Sempre
always
Simile
in the same manner
Subito
suddenly