Object list
Fred S. Kleiner, Gardner's Art through the Ages: Backpack Edition, Book D, 14th Edition. Belmont, CA:
Wadsworth/Cengage, 2011; ISBN: 9780840030573
Late Medieval Italy:
1204 – 1453 (from the date when the fourth Crusade was diverted from its attack on Palestine and instead stormed
and sacked Constantinople (formerly known as Byzantium) and returned to Italy with Byzantine riches
until the fall of Constantinople to the Muslim Turks in 1453)
Architecture:
14-14
Palazzo Pubblico, Siena, 1288-1309
14-18, 18a Arnolfo di Cambio, Florence Cathedral, 1296-1348 (bell tower completed 1334; dome
completed 1420-1436; façade completed in the 19th century)
Painting:
14-5
14-6
14-9, 10, 11
14-13
14-19a
Sculpture:
14-19a
Berlinghieri, St. Francis Altarpiece, 1235
Cimabue, Madonna Enthroned with Angels and Prophets, c. 1280-90
Duccio, Maesta Altarpiece, 1308-1311, Museo dell’Opera de Duomo, Siena
Simone Martini, The Annunciation, 1333, Uffizi (International Gothic style)
Bernardo Daddi, Madonna and Child with Saints, within the tabernacle of the Or San Michele,
Florence, 1346-59
Orcagna, Tabernacle, in the Or San Michele, Florence, begun 1349
Proto-Renaissance in Italy
1182 to 1348 (from the birth of St. Francis in Assisi to the Black Death)
14-1, 8, 8a, 8b Giotto, Arena Chapel Frescos, Padua, 1305-06
14-7
Giotto (?), Madonna Enthroned, c. 1310
14-16, 17
A. Lorenzetti, “Peaceful City,” and “Peaceful Country” from Allegory of Good Government, Palazzo
Pubblico, Siena, 1338-39
14-18
Giotto, Campanile (bell tower) of the Florence Cathedral, 1334
14-21
Triani, The Triumph of Death, Campo Santo, Pisa, c. 1348
14-19
Andrea Pisano, Life of John the Baptist, South Doors of the Florence Baptistery, 1330-36
Early Renaissance in and around Florence
1402 to 1494 (from the threat of invasion of Florence by despot Visconti of Milan to the expulsion of the Florentine
patrons of Republican Humanism [Medici, Tornabouni, et al] from Florence by the conservative
Dominican priest Savanarola)
14-18
21-2
21-3
21-5
21-9, 10
21-12
21-19, 20
21-21
21-22
21-26
21-27
21-1, 29
21-15, 16
21-31
Brunelleschi, Dome of Florence Cathedral, 1420-1436
Brunelleschi, Sacrifice of Isaac, Florence Baptistery competition panel, 1401-02
Ghiberti, Sacrifice of Isaac, Florence Baptistery competition panel, 1401-02
Donatello, St. Mark, on the façade of Or San Michele, Florence, 1411-13
Ghiberti, Gates of Paradise, east doors of the Florence Baptistery, 1425-52
Donatello, David, c. 1428
Masaccio, Tribute Money, and Expulsion of Adam and Eve from Eden, Brancacci Chapel, Sta. Maria
del Carmine, Florence, c. 1425-7
Masaccio, Holy Trinity, Sta. Maria Novella, Florence, c. 1428
Fra Angelico, Annunciation, Monastery of San Marco, Florence, c. 1440-5
Ghirlandaio, Birth of the Virgin, 1485-90, Cappella Maggiore, Santa Maria Novella, Florence
Ghirlandaio, Giovanna Tornabuoni (?), 1488
Botticelli, Primavera and Birth of Venus, c. 1482
Brunelleschi, Santo Spirito, Florence, c. 1436
Brunelleschi, façade of the Ospedale degli Innocenti, Florence, 1419-24
21-37, 38
Mechelozzo, façade and courtyard of Palazzo Medici-Riccardi, Florence, begun 1444
21-39
Alberti, Palazzo Rucellai, Florence, c. 1452-70
21-40
Alberti, façade of Sta. Maria Novella, Florence, c. 1458-70
21-36a
Luca della Robbia, Madonna and Child, Or San Michele, Florence, c. 1455-60
21-42
Luca Signorelli, Damned Cast into Hell, Orvieto Cathedral, 1499-1504
21-44
Piero della Francesca, Flagellation of Christ, c. 1455-60
21-45, 46, 47 Alberti, Sant'Andrea, Mantua, c. 1470
NIB
Giuliano da Sangallo, Sta. Maria dei Carceri, Prato, 1485
16-48, 49
Mantagna, Camera degli Sposi, Palazzo Ducale, Mantua, 1474
16-50
Mantagna, Dead Christ, c. 1501
Early Netherlandish Painting and Printmaking
1384 to 1517 (when Dukes of Burgundy come to power to the Protestant Reformation. On October 31, 1517, Martin
Luther, an Augustinian priest, challenged the Roman Church, most notably for the practice of selling
indulgences, by posting ninety-five theses on the Castle Church door in Wittenberg, Germany, thus
beginning the Protestant Reformation.)
20-1
20-4, 5
20-6
20-12
20-15, 16
20-20a
NIB
20-21
23-1
23-2
23-3
23-4a
23-5
23-7
23-9
Robert Campin, The Mérode Altarpiece, c. 1425-28
Van Eyck, The Ghent Altarpiece, 1432
Van Eyck, Giovanni Arnolfini and His Bride, 1434
Hugo van der Goes, The Portinari Altarpiece, c. 1476 Uffizi, Florence
The Limbourg Brothers, "January" and "October," from Les Très Riches Heures du Duc de Berry,
1413-16
Buxheim St. Christopher, 1423, hand painted woodcut
Johann Gutenberg, 42-line Bible, 1454-55, moveable type relief print and hand-painted decoration
Michael Wolgemut and shop, Nuremberg Chronicle, 1493, book made with moveable type and
woodcut illustrations
Bosch, Garden of Earthly Delights, 1505-10
Grünewald, Isenheim Altarpiece, 1510-15
Hans Baldung Grien, Witches’ Sabbath, 1510, chiaroscuro woodcut.
Dürer, The Great Piece of Turf, watercolor, 1503
Dürer, Adam and Eve, engraving, 1504
Dürer, The Four Apostles, oil on panel 1526
Lucas Cranach the Elder, Allegory of Law and Grace, c. 1530, woodcut.
High Renaissance in Italy
1494 to 1527 (from Savanarola’s expulsion of the Medici from Florence to the Sack of Rome.)
22-2
22-4
22-5
22-6
22-8
22-9
22-12
22-13
22-14
22-11
22-16
22-1, 17, 18
22-21
22-22, 23
22-24, 25
Leonardo, Virgin of the Rocks, c. 1485
Leonardo, Last Supper, Sta. Maria delle Grazie, Milan, c. 1495-98
Leonardo, Mona Lisa, c. 1503-05
Leonardo, Embryo in the Womb, c. 1510
Raphael, Madonna of the Meadows, 1505
Raphael, School of Athens, Vatican Palace, 1509-11
Michelangelo, Pietà, c. 1498-1500
Michelangelo, David, 1501-04, Academia, Florence
Michelangelo, Moses, 1513-16
Michelangelo, Bound Slave, 1513-16
Michelangelo, Tomb of Guiliano de’ Medici, San Lorenzo, Florence, 1519-34
Michelangelo, paintings on the ceiling of the Sistine Chapel, Vatican, 1508-12, including Creation of
Adam, 1508-12
Bramante, Tempietto (St. Pietro in Montorio), Rome, 1502
Bramante, plan for the New Saint Peter's Cathedral, Vatican, Rome, 1505
Michelangelo, plan, view and elevation for New Saint Peter's Cathedral, Vatican, 1546
2
3
Venetian Renaissance Art and Architecture
1475 to 1576 (from the arrival of Antonello da Messina to Venice to the death of Titian)
22-28, 29
22-30, 31
22-32
22-35
22-37
22-38
22-39
Palladio, Villa Rotonda, near Venice, c. 1566-70
Palladio, San Georgio Maggiore, Venice, 1565
Giovanni Bellini, San Zaccaria Altarpiece, 1505
Giorgione and/or Titian, Pastoral Symphony, 1508
Titian, Madonna of the Pesaro Family, Sta Maria dei Frari, Venice, 1516-18
Titian, Meeting of Bacchus and Ariadne, 1522-23
Titian, Venus of Urbino, 1538
International Mannerism
1515-1590 (from the emergence of France as an international power under King Francis I (reigned 1515-47) to the
death of Pope Sixtus V (reigned 1585-90), who accumulated funds for succeeding popes to rebuild
Rome. During this time the Medici returned to power in Florence in 1512 and consolidated their rule
over all of Tuscany by 1537)
Italian:
22-19
22-44
22-45
22-46
22-46a
22-54
22-54a
Michelangelo, Last Judgment, Sistine Chapel, Vatican, 1534-41
Parmigianino, Madonna with the Long Neck, Florence, c. 1546
Bronzino, Venus, Cupid, Folly, Time, Florence, c. 1546
Bronzino, Eleanor of Toledo and Giovanni de’ Medici, c. 1546
Bronzino, Portrait of a Young Man, Florence, c. 1550
Giulio Romano, interior courtyard façade of the Palazzo del Te, Mantua, Italy, 1525-35
Romano, Fall of the Giants, in the Palazzo del Te, Mantua, Italy 1530-32
Italian, and worked in both Italy and France:
NIB
Benvenuto Cellini, Perseus and Medusa, Loggia dei Lanzi, Florence, 1545-54
22-52
Benvenuto Cellini, Saltcellar of Francis I, 1540-43
22-53
Giovanni da Bologna, Abduction of the Sabine Women, 1583
Venice, Italy:
22-48
Tintoretto, The Last Supper, in San Giorgio Maggiore, Venice, 1594
22-49
Veronese, Christ in the House of Levi, Venice, 1573
22-50
Veronese, Triumph of Venus, Palazzo Ducale, Venice, c. 1585
German, worked in England:
23-11
Hans Holbein the Younger, The French Ambassadors, 1533
23-11a
Holbein the Younger, Henry VIII, 1540
Netherlandish:
23-17
Pieter Aertsen, Meat Still Life, 1551
23-21
Pieter Bruegel the Elder, Netherlandish Proverbs, 1559
Greek, worked in Spain:
23-25
El Greco, Burial of Count Orgaz, 1586
4
The Three Baroques
1563 to 1715 (from the start of the last meeting of the Council of Trent to the Death of Louis XIV of France)
The Catholic Baroque in Italy, Spain and Flanders
Rome, Italy:
22-56
Giacomo della Porta, Il Gesu, Rome, 1575-84
24-3
Maderno, façade of St. Peters, Vatican, Rome, 1606-12
24-4
Bernini, Piazza of St. Peters, Vatican, Rome, c. 1650
24-5
Bernini, Borromini, et al., Baldacchino, St. Peters, Vatican, Rome, 1624-33
24-6
Bernini, David, 1623
24-7, 8
Bernini, Ecstasy of St. Theresa, Cornaro Chapel, Sta. Maria della Vittoria, Rome, 164552
24-9, 10, 11 Borromini, façade, plan and dome of San Carlo alle Quattro Fontane, Rome, 1665-76
24-18
Caravaggio, Conversion of St. Paul, c. 1601
24-19
Artemisia Gentileschi, Judith Slaying Holofernes, Ufizzi, Florence, 1614-20
24-24
Fra Andrea Pozzo, Glorification of St. Ignatius, Rome, 1691-94
Spain:
24-26
24-30
NIB
Ribera, Martyrdom of St. Bartholomew, c. 1639
Velázquez, Las Meninas, 1656
San Estevan, Acoma, New Mexico, America, 1629-42
Flanders (Belgium):
25-2
Rubens, Elevation of the Cross, 1610
25-3
Rubens, Arrival of Marie de' Medici at Marseilles, 1622-25
The Protestant Baroque in England and Holland:
England:
25-5
Van Dyck, Charles I Dismounted, c. 1635
25-37
Inigo Jones, Banqueting House at Whitehall, London, 1619-22
25-38
Christopher Wren, New St. Paul’s, London, 1675-1710 (following the Fire of
London, in 1666)
NIB
Old Ship Meetinghouse, Hingham, Massachusetts, 1681 with additions of 1731 and
1755
Holland:
25-1
25-8
25-9
25-11
25-14
25-16
25-17
25-18
25-19
25-21
25-22
Pieter Claesz, Vanitas Still Life, 1630s
Honthorst, Supper Party, 1620
Hals, Archers of St. Hadrian, c. 1633
Judith Leyster, Self Portrait, c. 1630
Rembrandt, Return of the Prodigal Son, c. 1665
Rembrandt, Hundred Guilder Print, c. 1649
Cuyp, “The Large Dort,” late 1640s
Jacob van Ruisdale, View of Haarlem from the Dunes of Overveen, c. 1670
Vermeer, Woman Holding a Balance, c. 1664
Jan Steen, Feast of St. Nicholas, c. 1660-65
Rachel Ruysch, Flower Still Life, after 1700
5
The Aristocratic Baroque in France (The Grand Manner)
25-24 Rigaud, Louis XIV, 1701
25-31 Poussin, Et in Arcadia Ego, c. 1655
25-32a Poussin, Burial of Phocion, 1648
25-33 Claude Lorrain, Landscape with Cattle and Peasants, 1629
25-35 Callot, "Hanging Tree" from Miseries of War, 1621
25-25, 26
Le Vau, Le Nôtre, Le Brun et al, Palace at Versailles, begun 1669
25-27 Le Brun and Hardouin-Mansart, Hall of Mirrors at Versailles, c. 1680
25-28 Girardon, Apollo Attended by Nymphs, c. 1666
The Rococo or Late Baroque
1715-1793 (from the death of Louis XIV to the start of the French Revolution)
German Church decoration:
Neumann, interior of the Pilgrimage Chapel at Vierzehnheiligen, German, 1743-72
The Rococo of the French Salon:
Fragonard, The Swing, 1766
Boffrand, Salon de la Princesse, in Hôtel de Soubise, Paris, 1737-40
Francois de Cuvilliés, Hall of Mirrors, The Amalienburg, Munich, 1734-39
Watteau, Return from Cythera, 1717-19
Boucher, Cupid a Captive, 1754
Clodion, Nymph and Satyr, c. 1775
Vigee-Lebrun, Self Portrait (with painting of Queen Antoinette), 1790
Bouguereau, Nymphs and Satyr, 1873 (Rococo revival)
Rococo Naturalism and Earnestness:
French:
Chardin, Grace at Table, 1740
English:
Hogarth, "Breakfast Scene," from Marriage à la Mode, c. 1745
Gainsborough, Mrs. Sheridan, c. 1785
Reynolds, Lord Heathfield, 1787
Copley (born in America, worked in Boston and London), Paul Revere, c. 1768-70
Spanish:
Goya, The Family of Charles IV, 1800
6