"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""" March 14, 1996 - Episode 595 - Women of Achievement and Herstory compiled and written by Irene Stuber """""""""""""""""""""""" This is part 1 or 3 parts about one of the great musical scandals of Europe (and the U.S. for that matter): the refusal of musical directors and conductors of symphonic or professional orchestras to acknowledge that musicians play musical instruments with their hands/and or mouths and not by which lavatories they use. But of course, the musical directors claim it's musical ability not sex. In 1980, as if to prove their professionalism the Munich Philharmonic went so far as to having aspiring musicians trying out behind screens so that only their music was judged. Abbie Conant, born 03-14-1955, made the cut. Then in two more open trials she clearly proved herself the better of the original 32 other (male) opponents and the members of the orchestra voted to hire her as First Trombonist. And thus began a war of nerves and harassment between Abbie Conant and the General Music Director of the Munich Philharmonic Sergiu Celibidache whose opinion of women musicians was so blatant that he called internationally recognized super star Anna-Sophie Mutter a "violin playing hen." Celibidache, new to the orchestra when Conant was hired, probably didn't feel he had enough power to overrule the orchestra's own selection of Conant as FIRST trombonist. The next year, however, without any incidents and in fact the orchestra voted her tenure, Celibidache tried to demote her to second trombonist. Abbie offered a compromise in her third year. She would play second trombone but solo for guest conductors who had been unanimous in praising her work. He refused saying, "You know the problem: we need a man for solo trombone." He criticized the orchestra often by saying they "sounded like a woman's orchestra." In February, 1982 Abbie Conant filed suit against the City of Munich, Germany (the orchestra is municipally owned and operated) to regain her First Trombonist seat and, of course, her reputation as an outstanding trombone soloist. The second seat requires a lot more work and a lot LESS pay. (To be continued March 15 with Part 2 of 3 parts of the Abbie Conant story.) 03-14 Anniversaries ........................................... B. Mar. 14, 1833, Lucy Hobbs Taylor, first women in US to receive a degree in dentistry (Ohio College, 1866) and woman's rights activist. B. Mar. 14, 1875, Isadore Gilbert Mudge, librarian and bibliographer. Cataloguer Minner Earle Sears, whose career was also a distinguished one, became IGM's companion, and collaborator. Together they created _Thackeray Dictionary_ (1910), edited the _Guide to Reference Books_ through four editions. IGM was reference librarian at Columbia University for 30 years. A citation is given annually in Mudge's name to reference librarians for distinguished work. B. Mar. 14, 1877, Edna Woolman Chase, THE High Priestess of Fashion, joined _Vogue_ magazine in 1899 and made managing editor in 1909 and editor in chief in 1914. Her word was from on high regarding fashion for 40 years. Actor Ilka Chase was her daughter. B. Mar. 14, 1887, Sylvia Beach, operated the world-renowned Parisian bookstore Shakespeare and Company along with her longtime domestic partner Andrienne Monnier. B. Mar. 14, 1894, Osa Helen Leighty Johnson, author, filmmaker, adventurer, and explorer. She and her husband filmed South Seas native customs - including head hunting - and toured the vaudeville circuit showing the films. A number of the films became commercial successes and they turned their attention to Africa. After her husband's death, OHLJ continued filming. She wrote a number of books about the native customs and animals. Her autobiography, _I Married Adventure_, (1940) was a best seller. E. Mar. 14, 1916, the right to vote and stand for public office for women of the Canadian province of Saskatchewan was validated. The general enfranchisement of women in Canada occurred 05-24-1918. B. Mar. 14, 1923, Diane Arbus, American photographer who excelled at capturing the inner spirit of ordinary people. ....................... * ........................ Don't let anyone tell you there weren't notable and effective women throughout history. They were always there, but historians failed to note them in our histories so that the women of each generation have had to reinvent themselves. -=-=-=-=-=-=-=-=-=-=>>(C) 1996, All Rights Reserved, Irene Stuber, PO Box 6185, Hot Springs National Park, AR 71902, voice mail or fax, 501-624-5262 ID #300, or email istuber@cswnet.com or irenestuber@delphi.com with comments and suggestions. Distribute verbatim copies freely with copyright notice for non-profit use. We are accepting *limited* donations (only what can be spared) to help offset the costs of posting WOA.<<