Name: Seat#: Date: Mrs. Edge English 2 Poetry Unit Test I. DIRECTIONS: Choose two poems from the collection of poems (all of which we have read or studied in class) that are typed below. For each poem you choose, demonstrate your ability to critically read and think by completing the following: 1. “Notice” / text mark the poem 2. List the types of text markings you made 3. Write 1 factual, 2 interpretive, and 1 evaluative question and label each question 4. Analyze at least 2 literary techniques/devices in the poem (indicating specifically how the technique/device contributes to the poem’s meaning). 5. On your own separate sheet of paper, write an extended analytical paragraph (which includes your final interpretation of the poem as well as your support for your interpretation of the poem). 6. On your own paper, write a response paragraph (which includes what you think, feel, or are reminded of because of the poem and/or how you connect your own life, pieces of literature, or the world at large to the poem). Courage Anne Sexton It is in the small things we see it. The child's first step, as awesome as an earthquake. The first time you rode a bike, wallowing up the sidewalk. The first spanking when your heart went on a journey all alone. When they called you crybaby or poor or fatty or crazy and made you into an alien, you drank their acid and concealed it. Later, if you faced the death of bombs and bullets you did not do it with a banner, you did it with only a hat to cover your heart. You did not fondle the weakness inside you though it was there. Your courage was a small coal that you kept swallowing. If your buddy saved you and died himself in so doing, then his courage was not courage, it was love; love as simple as shaving soap. 5 10 15 20 25 Name: Seat#: Date: Mrs. Edge English 2 Later, if you have endured a great despair, then you did it alone, getting a transfusion from the fire, picking the scabs off your heart, then wringing it out like a sock. Next, my kinsman, you powdered your sorrow, you gave it a back rub and then you covered it with a blanket and after it had slept a while it woke to the wings of the roses and was transformed. 30 35 Later, when you face old age and its natural conclusion your courage will still be shown in the little ways, each spring will be a sword you'll sharpen, those you love will live in a fever of love, and you'll bargain with the calendar and at the last moment when death opens the back door you'll put on your carpet slippers and stride out. 40 45 If You Were Coming in the Fall Emily Dickinson If you were coming in the Fall, I'd brush the Summer by With half a smile, and half a spurn, As Housewives do, a Fly. If I could see you in a year, I'd wind the months in balls -And put them each in separate Drawers, For fear the numbers fuse -If only Centuries, delayed, I'd count them on my Hand, Subtracting, till my fingers dropped Into Van Dieman's Land. If certain, when this life was out -That yours and mine, should be I'd toss it yonder, like a Rind, And take Eternity -- Name: Seat#: Date: Mrs. Edge English 2 But, now, uncertain of the length Of this, that is between, It goads me, like the Goblin Bee -That will not state -- its sting. I Am Offering This Poem Jimmy Santiago Baca I am offering this poem to you, since I have nothing else to give. Keep it like a warm coat when winter comes to cover you, or like a pair of thick socks the cold cannot bite through, 5 I love you, I have nothing else to give you, so it is a pot full of yellow corn to warm your belly in winter, it is a scarf for your head, to wear over you hair, to tie up around your face, 10 I love you, Keep it, treasure this as you would if you were lost, needing direction, in the wilderness life becomes when mature; and in the corner of your drawer, tucked away like a cabin or Hogan in dense trees, come knocking, and I will answer, give you directions, and let you warm yourself by this fire, rest by this fire, and make you feel safe, 15 20 I love you, It’s all I have to give, and all anyone needs to live, and to go on living inside, when the world outside no longer cares if you live or die; remember, I love you. 25 30 Name: Seat#: Date: Mrs. Edge English 2 II. DIRECTIONS: Choose one of the (new) poems from those typed below. Demonstrate your ability to critically read and think by completing the following: 1. “Notice” / text mark the poem 2. List the types of text markings you made 3. Write 1 factual, 2 interpretive, and 1 evaluative question and label each question 4. Analyze at least 2 literary techniques/devices in the poem (indicating specifically how the technique/device contributes to the poem’s meaning). 5. On your own paper, write an extended analytical paragraph (which includes your final interpretation of the poem as well as your support for your interpretation of the poem). 6. On your own paper, write a response paragraph (which includes what you think, feel, or are reminded of because of the poem and/or how you connect your own life, other pieces of literature, or the world at large to the poem). Metaphor Eve Merriam Morning is A new sheet of paper For you to write on. Whatever you want to say, all day, until night folds it up and files it away. The bright words and the dark words are gone until dawn and a new day to write on. Dream Deferred Langston Hughes What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or fester like a soreAnd the run? Does it stink like rotten m meat? Or crust and sugar overLike a syrupy sweet? Name: Seat#: Date: Mrs. Edge English 2 Maybe it just sags Like a heavy load. Or does it explode? Hope is the Thing with Feathers Emily Dickenson Hope is the thing with feathers That perches in the soul, And sings the tune without the words, And never stops at all, And sweetest in the gale is heard; And sore must be the storm That could abash the little bird That kept so many warm. I ’ve heard it in the chillest land, And on the strangest sea; Yet, never, in extremity, It asked a crumb of me. 5 10 III. DIRECTIONS: Reflect on your learning over the last two weeks of class by thinking about the specific strategies and poems we have read and discussed in class and how they helped or did not help you to think critically, read critically, notice details, comprehend, and/or appreciate poetry. On your own paper, write a specific and detailed paragraph which describes your learning process. Be sure to include what you learned as well as how or why you learned it. If appropriate, you might even want to include suggestions for what else could help you understand poetry and why it could help. (Note: There is no one right answer! The key here is honest reflection and analysis of your own learning.) IV. BONUSES: 1. What is the “teacher word” for the reflection that Mrs. Edge asks you to do? (+1) 2. There are five distinctive aspects of a sonnet. Explain (specifically) how the poem below illustrates each of those five aspects. (+1 each) Name: Seat#: Date: Mrs. Edge English 2 Sonnet 98 William Shakespeare From you have I been absent in the spring, When proud-pied April dress'd in all his trim Hath put a spirit of youth in every thing, That heavy Saturn laugh'd and leap'd with him. Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer's story tell, Or from their proud lap pluck them where they grew; Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play: