Digital Art History Lab @ Getty March 5–7, 2013
Participants
Francesca Albrezzi (falbrezzi@getty.edu) is a research assistant at the Getty
Research Institute and a graduate student in the World Arts and Cultures
program at the University of California, Los Angeles (UCLA).
Murtha Baca (mbaca@getty.edu) is Head of Digital Art History at the Getty
Research Institute.
Anna Bentkowska-Kafel (anna.bentkowska@kcl.ac.uk) is an independent art
historian and Lecturer in Digital Art History in the Department of Digital
Humanities, King’s College London.
Peter Bonfitto (pbonfitto@getty.edu) is Senior Project Management
Coordinator in the Scholars Program at the Getty Research Institute.
Hans Brandhorst (hans@arkyves.org) is editor of the Iconclass system and of
the Arkyves Web catalogue.
Delphine Burlot (delphine.burlot@inha.fr) is a post-doctoral researcher at the
Institut national d’histoire de l’art (INHA) in Paris.
Francesca Cappelletti (fcc@unife.it) is a professor of art history in the
Humanities Department of the University of Ferrara, Italy.
Stephen Davison (sdavison@library.ucla.edu) is Head of the Digital Library
Program at the University of California, Los Angeles.
Martine Denoyelle (martine.denoyelle@inha.fr) is Conservateur en chef du
Patrimoine and Conseiller scientifique at the Institut national d'Histoire de
l'Art.
Elli Doulkaridou (elli.doulkaridou@inha.fr)is a PhD candidate in Art History at
the University of Paris 1 Panthéon-Sorbonne and research assistant at the
Institut national d'histoire de l'art.
Johanna Drucker (drucker@gseis.ucla.edu) is the Bernard and Martin Breslauer
Professor of Bibliography in the Department of Information Studies and a
founder of the Digital Humanities Program at UCLA.
Susan Edwards (sedwards@getty.edu) is Senior Writer/Editor in the Getty Web
Group.
Helen Glanville (hkag2@cam.ac.uk ) is Research Associate at the Hamilton Kerr
Institute, part of both the University of Cambridge and the Fitzwilliam Museum.
Anne Helmreich (ahelmreich@getty.edu) is Senior Program Officer at the
Getty Foundation.
Christian Huemer (chuemer@getty.edu) is Manager of the Project for the
Study of Collecting and Provenance at the Getty Research Institute.
Moon Kim (mkim@getty.edu) is a graduate student in the Department of
Information Studies at UCLA and a graduate intern in the Digital Art History
program at the Getty Research Institute.
Max Marmor (max.marmor@kressfoundation.org) is President of the Samuel H.
Kress Foundation.
Lisa McAulay emcaulay@library.ucla.edu) is Librarian for Digital Collection
Development in the UCLA Digital Library Program.
Etienne Posthumus (etienne@arkyves.org) is a software engineer working on
the Iconclass system and Arkyves digital catalogue.
Emily Pugh (e-pugh@nga.gov ) is the Smith Postdoctoral Research Associate at
the Center for Advanced Study in the Visual Arts (CASVA) and the Web
developer for the online journal Nineteenth-Century Art Worldwide.
Nuria Rodríguez Ortega (nro@uma.es) is Chair of the Department of Art
History at the University of Málaga, Spain.
Christine Sundt (csundt@gmail.com ) is the Editor of Visual Resources: An
International Journal of Documentation.
Maureen Whalen (mwhalen@getty.edu) is Associate General Counsel of the J.
Paul Getty Trust.
Diane Zorich (dzorich@mindspring.com ) is a consultant who works on digital
strategy issues in the cultural heritage community.
2 DAH Lab @ Getty, March 2013 Participants