December 2013/January 2014
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13
Illuminating Engineering Society
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CHAPTERS
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Membership
EDITOR
Dr Warren Julian AM, Emeritus Professor,
Faculty of Architecture, Design & Planning,
University of Sydney NSW 2006, AUSTRALIA,
E: warren.julian@sydney.edu.au
Volume 33, Issue Six
December 2013/
January 2014
Compiled by Warren Julian
14 Queensland Chapter
19 Victoria Chapter including
Tasmania
25 South Australia Chapter
including Northern Territory
33 New South Wales Chapter
including the ACT
IES EDITORIAL ADVISOR
Vessi Ivanova
E: Vessi.Ivanova@philips.com
Special Features Writer
Claire Thompson
41
PUBLISHER & MANAGING EDITOR
Barbara Cail
E: barbara@rala.com.au
42 Queensland Chapter
43 Victoria Chapter
47 New South Wales
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PROJECT:
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Featuring the GAMMA LED Track
Professional Series. Aesthetically
pleasing with bold form and function to
accommodate all facets of lighting design.
54 Magic, mayhem and a night
in the clink: inside the 2013
IESANZ Lighting Design Awards
ART DIRECTION & DESIGN
Anthea Vandertouw, Ferncliff Productions,
E: ferncliff1@bigpond.com, T: 0408 290 440
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4 LIGHTING
MAGAZINE | December 2013/January 2014
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MULTI COMMUNICATION SPECIALISTS
With Mike Sparrow, Senior Lighting Engineer
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IESANZ Chapter
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Compiled by Warren Julian
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IESANZ Chapter
Lighting Design Awards 2013
As you celebrate the spirit of the season
we would like to extend our genuine
thanks for your loyalty and ongoing
support throughout the year.
In 2014 we will continue to work with
you to reach your goals and we look
forward to contributing to your success.
We are committed to providing high
quality and innovative content making
Lighting magazine the ideal vehicle to
support the growth of your business.
All of us at Lighting magazine again
join in saying “thank you” and
wishing you season’s greetings
and a prosperous new year.
contents
December 2013/January 2014
Visiting the world’s
second-largest lighting fair
By Warren Julian
6 Who’s Who Booking Form
10 From the Editor
12 President’s Message
60 IES Corporate Members
62Events Calendar
IBC Subscription Form
63
Lighting Suppliers Directory
Profiling companies & lighting solutions
December 2013/January 2014 | LIGHTING MAGAZINE
5
for booking information speak with Adam Cail
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Who’s Who of Lighting 2014
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Contributors
Mike Sparrow
Mike Sparrow has been with Lend Lease since 1984. His earlier forays into lighting were
locating lights down mine shafts and on Petro Chemical installations. Offices and buildings
came next, which he thought were relatively easy. He worked on Centre Point Tower
with Don Cook from Quigen & Cook, and also did crazy cold cathode ceiling design for
the cosmopolitan shopping centre of Double Bay about 35 years ago. About the same
time, he asked Dick Chappell to make him special chandeliers/pendants for Shell Harbour
Workers Club. He works mainly for Lend Lease’s Retail and Commercial business units, for
projects throughout Australia; picking up the occasional project in Asia. He has a great
support team at Lend Lease – Jeff, Angela, Greg & Alex – without them, he says, his life
would be a lot harder.
Claire Thompson
Sixth page - horizontal entry
Lighting iNTERACTiVE –
Single Website entry
Lighting Product Showcase
5 x entries for 12 months
Lighting Newswire
Banner advert - first available
Lighting Website - rala.com.au
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Claire has been working as a writer, editor and communicator for over 10 years. She has
extensive experience in the health, education and R&D sectors and has worked as both
a corporate communicator and creative writer. A keen reader of everything from poetry
to technical manuals, Claire approaches her writing and editing work with the belief that
everybody has a story worth telling. She is currently writing extensively on research and
technology development and commercialisation for organisations that include the University
of Technology Sydney and Gemaker. She has lived and worked in Canberra and Montreal
and is now based in Sydney.
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T h re d e w i t h n u f a a r a
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7
Branded content
from the editor
Flying
in the twilight zone
Warren Julian
Editor
MAIN CATALOGUE 4
I fly fairly frequently to East Asia and I prefer to
take daytime flights. These might waste a day but
the advantage is that a mid-morning flight from
Sydney gets its destination in the early evening,
depending upon the time zone and daylight saving.
Even with a three hour time difference, you can
have a normal night’s activity and go to bed to
suit your body clock. (It is often difficult to get
the daytime return flights, although some carriers
have them.)
On a recent flight to Hong Kong on Qantas,
once the meal service was over I was told to close
the window shade. I declined, saying that I had
no desire to sleep at noon and that it was better
for the body clock to have daylight for melatonin
suppression, so that I could sleep normally after
arrival rather than being alert from seven hours’
sleep in the middle of the day. I was told it was
Qantas’ policy to close the shades [for daytime
flights] and that I was being unreasonable. I was
later visited by the ironically tilted “customer
services manager” (CSM) who employed a deft
combination of selective deafness, condescension
and passive aggression to get his way. I had
suggested giving eyeshades to those who
genuinely wanted to sleep at noon and that if it
were Qantas’ policy to fly dark planes, it should
buy windowless freighters to obviate this kind of
trouble. They might also be cheaper to buy and
maintain. I must have been recorded as a loony
or trouble maker because on subsequent flights I
received undue, sycophantic treatment from CSMs
who acted as though they knew me.
I was surprised to receive a phone call from a
manager in Sydney who (also surprisingly) seemed
genuinely interested in the goings on. She called
back a couple of times, after investigation, and
said that it isn’t Qantas’ policy to close the shades
on daytime flights. So, what it was about was
quieting the passengers (oops, “customers”),
perhaps to reduce alcohol consumption but
probably to reduce crew work. The flight was
unpleasant because I was made to feel selfish and
10
LIGHTING MAGAZINE | December 2013/January 2014
unreasonable although I was aware of the ploy
by the crew. I would have expected the crew to
be only too aware of the problems of jet lag (in
this case induced jet lag) but maybe they wanted
to catch up on sleep from a previous trip or just
didn’t want to work.
One of the trips was to Beijing where I had the
pleasure of officiating at the International Solid
State Lighting Alliance’s outstanding achievement
awards where awards were presented to the
inventors of the LED (red, blue green and amber)
and of OLEDs. It was an honour to be able to
meet these outstanding scientists.
This issue is also replete with awards for
outstanding achievement – in this case for lighting
design and luminaire design in Australia and New
Zealand. I would like to congratulate the winners
and also all the entrants for allowing their work
to be scrutinised by judging panels.
As I mentioned in last year’s December
editorial, the lighting industry is in turmoil as
it tries to cope with the change to solid state
lighting. This year, there is a glimmer of some
stability, in terms of realistic expectations of LED
performance. At least in the professional end of
the market, many of the outrageous performance
claims have been dropped and there have been
real efforts made to reduce glare (at the cost of
efficacy). However, there is still a long way to go.
I hope you enjoy this issue and that 2014
brings more stability and certainty to our industry.
Lighting is part of the industry and it has to
cope with not only the changes in manufacturing
and importing but also the changes sweeping
the specialist publishing industry. Lighting has
managed to continue in 2013 due to the support
shown by advertisers, those who write for it
and Rala’s efforts in production, marketing and
distribution.
Maybe, in 2014, we will be out of the twilight
zone.
– Warren Julian
2013-2015
president’s message
Feature
Christmas lights and
lighting “design” software
From the perspective of President of the Society
it is particularly gratifying to see light being used
so graphically in celebration at this time of year.
I refer to the many homes all over Australia and
New Zealand that are richly decorated with lights
celebrating the festive season. The people that
do this come from all sectors of society, including
members of the lighting industry. Kerry Simpson
FIES is a serial offender here in Queensland
and I am sure there are many similar examples
in other states. None of this done for personal
gain but often on behalf of charities or perhaps
the sheer, testosterone fuelled joy of having a
bigger and better display than your neighbour.
Not a motivation as noble as charity perhaps, but
effective none the less in transforming suburbia
into a place of wonder for the young and an
oasis of well-earned peace for their parents. Nor
would it be right to overlook the efforts of local
authorities in elevating numerous streetscapes
and facilities from the mundane and functional
into something more captivating and festive.
Regardless of one’s personal beliefs you have to
recognise and appreciate these efforts. To these
people a very big thank you.
So why do we do this each year? My favourite
Christmas story is that of the British and German
troops during WW1. During a lull in fighting on
Christmas day, they came together in no-mansland, had a football match, sang carols and
exchanged meagre gifts. A clearer affirmation
of humanity is difficult to imagine, and cause for
celebration in itself. I have no way of appreciating
why this came about, but I would speculate
that their circumstances were so dire, and their
prospects so grim, that thoughts of family and
home overcame blind observance of duty. Perhaps
for them Christmas belonged to people and
12
LIGHTING MAGAZINE | December 2013/January 2014
national interest can wait for just one day.
For them enough was enough.
No genuine parallel can, nor should be, drawn
between the experiences of WW1 troops and
those in the lighting industry, other than do we
choose to accept the unacceptable. For example,
lighting nonsense masquerading as lighting design,
particularly when ‘legitimised’ through the use of
software. Explanations for this are many, but let
us say that ignorance plays a big role. Regrettably,
ignorance exists in both providers and assessors
of lighting schemes, and whilst uncommon still
occurs with an irritating frequency that cannot
be considered an irrelevance. On the off chance
that this message reaches anyone harbouring any
lingering doubts I offer two small pieces of advice:
1. The ability to use software does not make one
a lighting designer, nor is it demonstration of
design competency. Good design is the best
demonstration of competency and experience its
best evidence. Software is a tool, used to better
articulate concepts, nothing more. Like any other
tool, software is only as good as those that use it.
2.If unsure then seek advice. Ignorance may not
be a crime, but, in any field, nor should it be
an acceptable situation.
When it comes to lighting of all forms, our
Society has members that know how to do it, and
do it well. Our skillsets extend beyond design to
critical examination of lighting schemes, not just
for the information the scheme should contain
but also how that was achieved. The Society will
continue to promote good lighting practice and
the skills of its members wherever and whenever
it can but we need your help to underpin this
message and not accept the unacceptable.
All that remains is to wish you all a Merry
Christmas and a Happy New Year.
IESANZ Chapter
Barry Gull
President
IES: The Lighting
Society
Lighting Design
Awards
2013
Compiled by Warren Julian
The Illuminating Engineering Society of Australia and New Zealand
conducts annual lighting design awards in most of its Chapters.
This article reports on the 2013 awards of all of the chapters,
except Western Australia and New Zealand.
Both will conduct awards in 2014.
Queensland Chapter
Victoria Chapter
South Australia Chapter
New South Wales Chapter
including Tasmania
including Northern Territory
including ACT
December 2013/January 2014 | LIGHTING MAGAZINE
13
Queensland
Chapter
There were ten entries in 2013 with four receiving commendations and one
excellence award. The 2013 judging panel was chaired by Doug Brimblecombe
(Lighting and Electrical Services manager QPAC) with Neil Wills (Tech Manager
Award of
Commendation
Lumascape), Rob Hugall (Tech Director Aurecon), Scott Howarth (landscape Architect AECOM), Gary Watson (Senior
Account Manager Zumtobel), Glen Millar (Practice Director BVN Donovan Hill), Richard Goodall (Account Manager
Eagle Lighting), Paul Rice (Senior Architect McVeigh Consultants) and Patrick Rident-Tiercelet (Manager LCA Holdings).
Award of
Commendation
Designer’s statement: The GCUH
Designer’s statement: The lighting plays a
Car Park is six-storey facility for the
pivotal role in the architectural appearance of
to Ash Dowthwaite of Tony Dowthwaite Lighting Design Pty Ltd
exclusive use by the new Gold Hospital
the building and reflects the sustainable, highly
to Quang Tran of Medland Metropolis with
for the façade of the Gold Coast University Hospital Car Park
patrons and staff. The lighting brief was
energy efficient and innovative character of the
Hassell Architects for the Global Change
to reduce the impact of the internal car
building. The lighting design features:
Institute (GCI), University of Queensland
park lighting systems to the surrounding
zz 100% use of LED fittings for the front of
properties and roadways, as this had
house areas. The specified LED fittings have
been an issue on previous LORA car
high LORs and excellent glare control; the direct
parking facilities.
lighting and indirect lighting is well-planned and
A distant view on approaching the car park (above) and details (below).
A car park is a car park – nothing to
incorporated into the ceiling structure to provide
exciting in its own right – however the
a uniform and pleasing-to-the-eye environment in
façade has been designed to be visually
the teaching areas.
striking with architectural panels and
zz The basement plant room is designed to
cladding provide building air flow and
be an “exhibition space” to demonstrate how
to enhance it’s visual appearance. The
the equipment works for education purposes.
exterior façade lighting concept was to
Lighting for this area is designed to suit a
apply dynamic front lighting to reduce
technical showroom with track and spotlights
the apparent brightness of the interior
highlighting working technology.
lighting. By mounting a combination
zz Lighting in the Atrium is designed to respect
of projectors on the top of light poles
the heritage values of the adjacent Steele
and restricting the colour change to
building that borders the atrium of GCI.
hues of yellow, green and white, certain
The lighting design is a classic example of
colours were able to accentuate the
balancing lighting components – ambient, accent
architectural palette.
and scenic using the state-of-the-art LED fittings
The black luminaires and poles ensure
to achieve the best outcome in a modern context.
that they are unobtrusive within the
landscape during the day and seem
Judges’ comments: Some really nice ideas on
to disappear during the night-time
energy etc. I liked the ‘integrated lighting recesses’,
experience. With narrow beams and
... generally good even illumination and integration
a total load under 2kW, the impact of
of the physical layout, abetted by some discrete
light pollution and energy are both
up lighting into concrete coves. The seminar
minimised.
room lighting was very well integrated into the
internal architecture of the building. Highlighting
Judges’ comments: Nice outcome for
of plant equipment in the basement for teaching
doing something a little different. Good
and illustrative purposes was well done. Key and
idea/concept. Neat idea, generally
central to the project was the exploration and
executed well, practical and efficient use
execution of advanced sustainability targets and
of LED RGBW projectors, a well thought
outcomes and this has been followed through
out, subtly creative solution. Great use
well with the lighting installation. Lighting added
of architectural lighting technique for a
sophistication to the architecture.
usually boring application.
Suppliers: Raylinc/Erco, Inlite, Klik Systems
Supplier: Sill
14
LIGHTING MAGAZINE | December 2013/January 2014
and Aldabra
The basement “exhibition space” (top) and a view of the atrium (bottom).
December 2013/January 2014 | LIGHTING MAGAZINE
15
Award of
Commendation
Award of
Commendation
Designer’s statement: The Brisbane City
Council’s brief for the auditorium was not just
to James Sparks and Phil Viney of Design Stage
to reinstate the hall as it was but to create a
for the Main Auditorium of Brisbane City Hall
viable venue space that is ideal for large-scale
gala events, ceremonies, concerts, performances
and trade shows.
The lighting needed to: enhance the existing
to WSP for Arrow Energy Tenancy,
architectural features with in the space; be
level 39 FOH and level 38 staff areas,
flexible and able to meet the needs of a
111 Eagle Street, Brisbane
wide range of different events; improve the
stage lighting infrastructure to support the
performance requirements of the venue; provide
Designer’s statement: The project objective was
a dynamic and theatrical overlay to support the
to provide a workplace that would enhance the
use of the auditorium as a function space; and be
existing work culture by creating an open, flexible
a safe and attractive place for all ages.
and collaborative leading edge workplace that
There were a number of parties involved in
will attract and retain the best employees. Use
the project often with different and sometimes
of natural and artificial lighting was the core
conflicting agendas. Design Stage worked very
component of achieving this objective and the
closely with HBO, EMTB and Tanner Architects
quality of light within these spaces is a tangible
to deliver a solution that is not only sympathetic
metric for determining success.
to the architecture and satisfies the requirements
There was also an expectation for the
of all the parties involved but goes beyond using
consulting design team to deliver systems that
innovative use of LEDs and LED technology that
were efficient and sustainable to keep with the
enhances the heritage architecture and creates a
The main auditorium looking from the stage (top) and the organ (bottom).
attributes of the base building. The project was
dynamic event space.
Judges’ comments: The dome is a
very powerful device. It is in its self a luminaire,
controversial, LED active colour-changing ceiling
in neo classical City Hall! A dangerous weapon
in the wrong hands, however, a technically sound
solution that met and solved many difficulties.
A very good outcome was achieved through
a design and construct process for this project,
which is a credit to the technical skill of the
specialist lighting consultants. Technically the
installation (especially the ‘dome’ lighting)
was very impressive as a completed assembly
including detailing to do with replacement of
the linear LED fittings and integration with the
technical back of house systems which were
done by the same consultants.
Suppliers: Erco, Philips, KKDC
and Anolis
The entry
to Arrow
Energy’s
offices (below)
and a staff
area (right).
an extremely challenging design exercise that has
delivered some fantastic outcomes. The quality of
lighting throughout the installation is excellent and
has thoroughly met the client brief. This solution
has provided Arrow with a number of great
spaces that will serve them long into the future.
Judges’ comments: Impressive fit out design, with
visual appeal good integration with the interior
design and comfortable lighting. A good example
of a well done commercial fit out. Very conceptual
styling of luminaires chosen meets the corporate
theme in the reception. Creating a cavernous
effect to the main corridors with surface down
lights with gold bezel sets the scene. Boardroom
lighting is very effective in highlighting the natural
timber and environment. Varied areas using
different techniques. Lighting design beautifully
complimented the interior architecture. Excellent
job. Comfortable high-end space.
Suppliers: Modular (Lighting & Design Group),
ELS (Raylinc), Selux, Corporate Culture,
Erco (Raylinc) and Dark (Inlite)
16
LIGHTING MAGAZINE | December 2013/January 2014
December 2013/January 2014 | LIGHTING MAGAZINE
17
Victoria Chapter
including
Tasmania
Award of Excellence
An external view of the TRI (below) and inside one of the lecture theatres (above).
to Aurecon and Wilson Architects,
Donovan Hill for the Translational
Research Institute (TRI)
Designer’s statement: TRI, an Australian first,
is a joint venture between The University of
Queensland, Queensland University of Technology,
Mater Research and Queensland Health that
aims to accelerate the delivery of new health
treatments for better health. Led by Australian
of the Year 2006, Professor Ian Frazer AC, TRI
houses over 650 researchers that collaborate their
There were 17 entries in 2013 with three receiving commendations and
three excellence awards. The judging panel comprised: Trevor Duncan
(Convenor), Horatio Burton, Sara McClintock, John Vollugi, Steven Beer,
Sue Fenton and David Rooke.
Award of
Commendation
to William Harding of Webb Australia
Designer’s statement: Larissa underpass is a
for the Larissa Underpass
small pedestrian, cycle access route beneath
the Ringwood Bypass in Ringwood, connecting
Larissa Avenue and Suda Avenue. The brief was
simple, illuminate the interior of the underpass
and make it colour full, dynamic and safe for
users. All options could be considered. Vandal
resistance of the installation was of paramount
importance
The concept was to provide a dynamic,
research expertise across cancers, bone and joint
animated and colour full display to illuminate
diseases, diabetes and obesity, and inflammatory
the walls of the underpass with colour changing
and infectious diseases.
computer programmable luminaires. Security
lighting to provide way finding and facial
The fundamental lighting design vision was
to use light to create luminance and contrast
Judges’ comments: Excellent job. This is an interesting project for the
recognition would be addressed also by means
associated with architectural themes and motifs,
design of the pelmet lighting in the function/office rooms and open space.
of white light luminaires strategically located to
with task luminance addressed as secondary.
The custom made lighting effectively brings this working environment
illuminate people without distracting from the
A hierarchy of architectural themes was formed.
to a creative environment that is free from glare and the conformity
colourfull wall display.
The primary theme is the use of circular and
of conventional lighting systems. The light sticks provide a pleasing
fluted shapes/features, utilised in both 2D
unobtrusiveness to a large open space to break up the tasks of Lab lighting.
patterns and 3D forms.
The cylindrical lighting themes coincide with each other throughout the
a dark intimidating precinct into an interesting
building creating a synchronised harmony. Visually stunning. Novel approach
dynamic and even social space. The use of colour
using simple qualitative lighting design practices
which works well. Architecture helps. Extremely thoughtful design that was
changing LEDs in combination with the lighting
with an architecturally themed vision, resultant
well executed; very well executed; great visual impact; job well done.
control system has transformed a pedestrian
By creating and executing a design concept
free of glare and interesting; all contributing to
Suppliers: Klik Systems, Louis Poulsen, Frend Lighting, Artemide, Lumin8,
occupant satisfaction and productivity.
Light and Design Group
LIGHTING MAGAZINE | December 2013/January 2014
Judges’ Comments: A great example of turning
thoroughfare.
spaces and environments are inviting, comfortable,
18
Distant (top) and threshold (above) views of the Larissa Underpass.
Suppliers: Coolon, Ultralec
December 2013/January 2014 | LIGHTING MAGAZINE
19
Award of
Commendation
to Museum Exhibition Gallery
Services for the Tasmanian
Museum & Art Gallery –
Central Gallery
Designer’s statement: Tasmanian Museum & Art Gallery (TMAG) is
one of Australia’s oldest public museums; it’s a combined Museum,
Art Gallery and State Herbarium. The location of the Central Gallery
in within a heritage listed building, with a modern structure housing
collection highlights. The objects are displayed across 4 display
Award of
Commendation
to Sylvania Lighting Australasia
for Simonds Stadium
cases, each showing the diverse and importance of the collection.
Designer’s statement: Simonds Stadium is
The space takes visitors on a journey trough the sequencing of light
home to more than 40 AFL games per year
scenes upon entering.
and hosts many other high profile sports
Story Inc, designed a space that required a lighting design that
and entertainment events. As part of the
could add an element of intimacy and engage visitors to the variety
multi-million dollar upgrade, four high mast
of elements and objects, in a story telling way, through the use of
towers were to be installed to provide HDTV
light changes. In earlier days of the museum a small section of
conditions for AFL matches. Working with
objects were displayed under the stairs. The darker environment gives
Aurecon and McKnights Electrical, Sylvania
the visitor a feeling of being back in a space under the stairs. Story Inc
Lighting designed, supplied and commissioned
& TMAG engaged MEGS to deliver a design that would give a stylized
the lighting.
object focused results, while working within international conservation
requirements.
The major requirements and challenges
were to provide flexible, multi level switching
The light is well contained within the stadium (above) and
a view from one headframe towards an opposite tower by day (below).
enabling the client to select various levels
Judges’ Comments: The skillful integration of lighting, sensors
of illumination ranging from non-televised
and sound within the display, allows for the mixed art collection to
professional training and competition to HDTV
be presented with a point of difference; the control of the light is
standard, with acceptable and compliant glare
meticulous allowing objects to be visually grouped in changing scenes.
limits to both participants and spectators
It represents an outstanding example of adding to an experience
from a floodlighting arrangement that is
through the use of lighting.
aesthetically pleasing and sympathetic to the
sleek, triangular profile for each headframe.
Supporting consultants: Story Inc NZ, AEGRES
The floodlighting arrangement had to
Suppliers: Luxam, Dynalite
allow provision for future extra floodlights,
without compromising the triangular profile
adopted for the headframe. Grandstand roof
obstructions and stringent floodlight exclusion
zones, meant roof mounted floodlights would
be required to maintain camera verticals and
boundary illumination near the field perimeter.
Control gear was mounted on the
headframes, hidden from view and not
obstructing floodlight aiming. Due to the close
proximity of nearby residents the installation
had to comply with AS4282-1997 on obtrusive
Judges’ Comments: Stadium lighting which achieves
light, for non-televised lighting, whilst
the rigorous requirements for HDTV broadcasting in full
minimising direct floodlight into the night sky.
operational mode, to create what Foxtel has described
The project was completed with 487 Sylvania/
as the best lit AFL ground in Australia.
Siteco 2KW metal halide floodlights, evenly
Two of the exhibitions showing the lighting effect.
spread over the four towers, including 71 roof
Supporting consultants: Populous, Aurecon – Ben Jordan
Images: Simon Cuthbert, TMAG
mounted floodlights.
Suppliers: Sylvania Lighting Australasia – Siteco
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LIGHTING MAGAZINE | December 2013/January 2014
December 2013/January 2014 | LIGHTING MAGAZINE
21
Award of Excellence
Award of Excellence
to Electrolight for
Designer’s statement: The Chapel, by Wim
Delyove is a commissioned artwork by David
Walsh for MONA. Not just any chapel, the
to Museum Exhibition Gallery Services (MEGS) for the MONA
171 Collins Street, Melbourne
Designer’s statement: 17l Collins Street resides
in the ‘Paris’ end of Melbourne, regarded
for its architecture and sophistication, and
home to business leaders, investment banks,
international fashion labels and luxury hotels.
stained glass and intricate 7 m iron lacework
structure is built on the grass overlooking
the Derwent River. The chapel was designed
by Wim Delvoye, the Belgian artist known
for creating the defecating Cloaca machine
at MONA, along with David Walsh. MEGS
worked with Artist, Cloaca Studio, David
Walsh and MONA Exhibitions — the results
The development is an 18-floor tower building
are quite remarkable and the Chapel takes
housing a business centre and high-end retail
gothic architecture to the extreme.
MEGS’s concept behind the lighting
and seven levels of boutique offices in the
design was to have strong floor uplighting
heritage listed Mayfair Building.
to the ceiling of both internal and external
Electrolight was commissioned to design
lighting for the Ground Floor common areas
ceilings and having it change lighting presets,
including the entry lobby, atrium, main lobby,
as the viewer moved within the structure.
lift lobbies, amenities and the Mayfair Building
Having the ceiling surfaces levels high on the
heritage façade. Lighting emphasises the internal
opposite side to the viewing would
architecture and reinforces a sense of luxury
allow good visibility, through the window
and sophistication inherent with a premium
to the lit surface – while the visitor would be
office development at this nature. The entry
a dimmer side, to assist with easy viewing.
is uses travertine stone walls which continue
The preset change would be achieved
through to the atrium and ground floor lobby.
through a custom spun laser monitor
The travertine is evenly illuminated using a range
mounted within the wall, to monitor visitor’s
of different techniques including wall washing,
movements. The floor lighting has adjustable
grazing and spotlighting. Metal halide lamps with
gimble mounts to ensure the ceiling lighting
a warm white colour temperature were used to
achieve desired lighting angles.
To reduce impact of the light on the
create warmth and augment the elegance of the
artwork, the uplight surrounds were
interior. The lighting supports the architecture,
emphasising the stone, which is a signature
The Chapel at dusk (above) and a close-up (below). Images Remi Chauvin, MONA
replaced with custom made steel units,
feature of the building and provides excellent
which were aged to blend them into the
vertical illumination throughout the ground floor.
floor plate. The LED lighting for the Chapel
also included tree uplighting, garden
A glowing line at the base of the stone wall
visually defines the perimeter of the entry, atrium
and lobby, creating the illusion of illuminating the
The entry lobby (above) and main lobby (below) at 171 Collins Street.
lighting and path lighting, with the main
focus being the Chapel. All lighting is
full height of the wall. The glowing line is created
LED to reduce power usage and remain
using an LED strip with frosted glass diffuser
maintenance free.
in an architectural recess. Environmentally
sustainable principles were central to the lighting
Judges’ Comments: The lighting installation
design, with the building achieving a 6 star Green
is simple however upon closer inspection
Star and 5 star NABERS energy rating.
you realise the attention to detail is
impressive. Careful integration of the
Judges’ Comments: The scheme offers a perfect
inground uplights as well as superb lighting
example of lighting design, light sources are used
control. A simple concept beautifully
purely as tools to highlight the architecture and
executed, completely transforming the day
bring key materials to life, in this instance the
aesthetic to a dramatic night time scene.
feature travertine stone. The solution is clean and
non-distracting, it allows the space to project its
Artist: Wim Delvoye, Colaca Studio Belgium
best qualities without imposing.
MONA: David Walsh, Adrian Spinks,
Steve Devereaux
Architects: Bates Smart
Suppliers: Chapel Buckford
Suppliers: KKDC, Erco, Meyer, Flos
Illumination Group – We-ef, Megabay
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LIGHTING MAGAZINE | December 2013/January 2014
December 2013/January 2014 | LIGHTING MAGAZINE
23
South Australia
Chapter including
Northern Territory
Award of Excellence
There were 18 entries in 2013 with six receiving commendations and
two excellence awards. The judging panel consisted of Paula Furlani,
Maria Gianquitto, Jodie Pitcher, Mary Harben, Clara Venuti, Philip
Saks, Bruce Greenshields, Ron Hinde and Hieu Pham.
to NDYLight for the foyer of the McKenzie Street Apartments
Award of
Commendation
to Mark Elliott and Ingrid Baldwin
of PointOfView for Collins Bar,
Hilton Hotel, Adelaide
Designer’s statement: The client brief required
creating a space in which James Bond (the Daniel
Craig version) would feel very much at home. LED
technology was embraced for the project in line
with the Hilton’s international guidelines.
PointOfView responded to the fully glazed
façade by providing a day-night solution. During
the day, the high ambient scheme balances
daylight ingress whilst the low ambient, intimate
The feature ceiling sculpture draws your attention immediately on entering the bar.
scheme ensures that the clientele feel enclosed
within the space and not be drawn to the busy
road outside. The custom centrepiece contains
brass blades with linear LEDs on top to uplight
the coffer and creates the required high ambient
lighting during the day. And in the downlights,
a mixture of warm white and amber LEDs was
proposed to mimic the colour temperature shift
of halogen when dimmed, crucial for such an
important hospitality environment. Lighting that
The foyer’s
dramatic impact
on approach (left)
and back lit entry
wall (right).
Designer’s statement: The design team had a very
wall; assistance in developing improved details
is mostly focused from a low level at the lounge,
specific vision they were wishing to achieve and
for integrated light elements and creating
with select highlighting that works hand-in-hand
NDYLight worked closely with Elenberg Fraser to
ambient lighting levels to ensure that the feature
with the darker interior finishes to create a more
translate what this idea encompassed. The creative
elements appeared as desired. The result is a
intimate atmosphere.
brief was to create several very specific lighting
highly sophisticated and striking foyer within this
installations that required careful consideration
landmark residential building.
as Charlie’s Bar, has had a couple of make-
and prototyping on their own, but also required a
very careful balance between ambient and feature
Judges’ Comments: A unique example of entry
overs since the Hilton opened in the 1980s. This
lighting to provide the required outcomes.
area and lift lobby lighting. The minimalist use
version has sophistication written all over it. The
of luminaires and light sources combined with
brief was to create a space where James Bond
client’s vision, a key element of NDY’s design scope
the amazing architectural elements makes for
would feel at home. He’d definitely feel stirred
subtle and located in the areas where it is required. The ceiling
was to provide a solution using as many of the
memorable viewing. The creation of this dark
but not shaken about the lighting in this project.
centrepiece is striking, and along with the bar (stocked to the
originally specified luminaires as possible, changing
mysterious atmosphere ensures this is a unique
The use of the glazed façade allows daylight to
roof with every alcohol imaginable), draws your attention. The
fittings for cost neutral solutions and providing new
example of entry area and lift lobby lighting.
enter giving the feel of being outside when the
sophistication carries through all areas and would certainly help
windows are opened. At night, there is the feeling
James Bond feel comfortable in its surroundings.
Given the original lighting design did not meet the
solutions only where absolutely necessary.
Key elements within the foyer included: the
feature glazed mirror box wall, the backlit entry
24
Judges’ comments: This area, originally known
LIGHTING MAGAZINE | December 2013/January 2014
Supporting consultants: Elenberg Fraser
of being part of the cityscape when looking out
Suppliers: Light Project – Prolicht, Fibrestars
of the bar. The lighting, all of which is LED, is
The fully glazed façade allows patrons to look out to the night-time cityscape.
Suppliers: Light Project, JSB Lighting, Lightforce and Litesource
December 2013/January 2014 | LIGHTING MAGAZINE
25
Award of
Commendation
to Anthony Davidson of
Designer’s statement: The client’s brief
“designer” louvered pendants are utilised
was uncompromising and demanding
over the island preparation bench which
Designer’s statement: The lighting
combination of linear recessed extruded
to the extent the ceilings were required
provides an ambience of warmth and
concept for this multi-functional space,
fluorescent lights with LED downlights
to be “clean” of recessed luminaires. The
comfort to the space whilst providing
balcony and bar was further developed
and RGB LED strip lights above the
lighting was required to be concealed
a unidirectional supplementary lighting
with input from the architect and
drop ceiling and recessed into the
in joinery with feature lighting to be
feature. The lighting installation was
interior designer. The space can be
bar and balcony portals. The balcony
expressed as “part of the furniture”.
independently certified and complies
separated into 4 rooms with individual
adjacent has a recessed RGB LED
The overall lighting solution had to be
with the BCA with an average of 5 W/m2.
scene control via local C-Bus switches
extrusion, set to the Gerard Lighting
“invisible” which emphasized the living
The lighting solution is considered warm,
and a master scene control with C-Bus
corporate blue colour which highlights
space and clear views within when
inviting, dramatic and family functional.
and Creston touch screens. All lighting
one of the main external features from
observed from either balcony.
It is also uncompromising in itself as it is
in these areas has DALI control gear and
Fullarton Road and complement the
can be individually controlled.
blue tint of the external glazing.
Given the flexible nature of this
Award of
Commendation
to Paul Gillett of
“uncluttered”.
To comply with the brief linear
fluorescent was concealed within joinery
units. The fluorescents illuminate directly
Judges’ comments: An outstanding
Secon Engineers for the
space and the minimalist architectural
Judges’ Comments: The flexibility
Grieve Gillett for
to working surfaces or indirectly to the
beach house design. On approach in
Gerard Lighting Building
design of the building we chose a
and practicality of this space required
the Goolwa Residence
perforated flush ceiling panels. Three
the evening, it appears dramatically lit
a lighting system that could provide
solutions to both these conditions. The
judges felt that the lighting combination
of fluorescent extrusions, LED downlights
and RGB LED strip lighting, controlled
through the lighting control system,
providing any combination or condition of
to impress. This project incorporates
recessed luminaires to give an uncluttered
lighting appearance. Concealed lighting
throughout most of the internal spaces
compliments to capture the openness
of the larger rooms. Interesting and
innovative lighting concepts create
lighting that is called for in this space. The
invisible effects. Invisible lighting design
designer has provided a lighting system
to meet the client’s request. Three
which is unobtrusive and provides ideal
impressive pendants in the main living
conditions for meeting, presentation and
and dining area compliment this stylistic
entertainment activities, whatever the
structure. This lighting design reinforces
space is to be used for and whether
the architectural and environmental
as four individual rooms or a single space.
design with its unique concepts. Ambient,
functional and innovative lighting.
Supplier: Inlite
Two interior views of
the Gerard Lighting
Building without the
cove lighting (right)
and with it on (above).
26
LIGHTING MAGAZINE | December 2013/January 2014
Other designers: Peter Buckley – LPA (SA)
Goolwa Residence – Exterior (above) and kitchen (below).
Supplier: LPA (SA)
December 2013/January 2014 | LIGHTING MAGAZINE
27
Award of
Commendation
to Phil Keane of Purkinje for
Grenfell Plaza
Designer’s statement: The project started as a
request from ACC Operations to provide a new
lighting design for this fountain/water feature.
They were about to replace the water hydraulic
system and they had had problems with the
current underwater lighting system. The current
fittings were a maintenance nuisance with leaves
and rubbish in the water area and they asked
whether they could have a top mounted lighting
scheme. It was decided that an appropriate
continuous LED lighting scheme with its own
minimalistic structure would be suitable.
On site tests showed that a 3000K LED lamp
would provide the best colour solution to suit
the water jets and the wall of the fountain. The
evening test also showed the most suitable
spacing off the wall to provide even illumination
with useful end scalloping to light the full water
feature. The beam spread was adequate and any
stray light would be contained by the mounting
structure. The structure was minimalistic in its
View along the length of the fountain
dimensions and in a continuous straight line.
The colour of the structure blended with its
surroundings.
Judges’ comments: The objective of this project
was to replace the old installation with new,
movement of ocean waves. When all exterior
Main Corner Development, Mount Gambier
luminaires are operational along with the motion
Designer’s statement: The Main Corner Development
images, the Main Corner building is lit up
providing tourists and locals of Mount Gambier
with a unique state of the art experience.
situated in the heart of the City of Mount Gambier
Judges’ Comments: The flexibility of the lighting
employed for this project allows any number of
immerse themselves in the geological, cultural and
possibilities and provides the end-user with a
tested and carried out well. The use of a custom
social history of the area. The exterior lighting and
functional but striking feature for the city. The
made product using a light source with long life,
visual display is to act as a beacon to attract visitors to
façade uses local materials and is attractive
energy savings and easier to maintain is very
the building and surround plaza.
through the day but it is at night when it comes
the solution has been well considered, planned,
innovative effective. The metal housing is robust
LIGHTING MAGAZINE | December 2013/January 2014
system to provide a sequence to replicate the
to Robert Bartosik of Secon Engineers for
precinct. It provides a space for locals and visitors to
Though this was a straight forward challenge,
28
door. The LED strips are controlled by the C-Bus
forms a significant cornerstone to the ‘Garden Square’
sturdy, easier to maintain economic lighting.
Looking at the face of the wall and fountain.
Award of
Commendation
The Main Corner is the centrepiece
of the city of Mount Gambier.
The highlight of the lighting design is the building
alive. The lighting, because of its control system,
and unobtrusive. The light distribution from the
façade, with moving images projected on walls and
can be static or moving to illustrate specific times
linear LED fixture is, like a billiard table fitting
glazing. The external colour changing LED luminaires
of year or celebrations and together with the use
is giving excellent uniformity, and the colour
located above the main entry canopy illuminate the
of motion images provides the City of Mount
temperature used compliments the wall.
façade and adjacent the green wall using a DMX
Gambier with a flexible, practical and innovative
control system interfaced with the C-Bus system.
advertisement of the area’s history and features.
Other designer: Paul Gillett – Grieve Gillett
Custom LED strip lighting illuminates the glass bricks
Supplier: Pecan Lighting
located in the external wall above the main entry
Suppliers: ACDC Lighting, Collingwood and Digilin
December 2013/January 2014 | LIGHTING MAGAZINE
29
Award of
Commendation
to Zhun Yee Lai of TMK Consulting Engineers for Smartsoft
Designer’s statement: Smartsoft is a
locally owned software company, whose
steady growth prompted their relocation
to the CBD. They sought a workplace
with an exciting new interior fit-out that
would reflect their professionalism and
a modern, city image. They acquired
an existing two storey building which
provided the architect with a vision to
provide a communal and connected
workplace.
The lighting solution required careful
consideration of the limited ceiling space
and the other services, the utilisation of
the available natural daylight and to be in
line with the architect’s vision for the final
interior outlook. The result is an installation
utilising energy efficient light sources
Award of
Excellence
to Paul Camozzato
of Lucid Consulting
Australia for
Lexus Adelaide
in a range of luminaires, whose colour
consumption. The use of metal halide downlights
appearance was carefully considered
contributes to the “sparkle” and with automatic
to take in the surroundings, while also
activation by the lighting control system in the
providing visual comfort and sufficient
early evening. DMX controlled LED colour change
light levels for the tasks at hand. The
projector luminaires have been installed to
client is more than happy with the result
provide ambience and an element of theatre to
that employs originality, practicality and
The central glass “pod” offices employ a lighting system with a cooler, clean appearance.
the showroom. The system automatically reduces
integration.
internal lighting levels in the late evening and
activates LED colour change projectors in an aim
Judges’ Comments: An exciting new
to provide a dynamic lighting solution. The final
interior and lighting fit-out that reflects
design has resulted in a lighting energy density
professionalism and a modern city
image. Creative lighting was selected to
compliment this contemporary interior.
This incorporated the latest energy saving
technology with current luminaire styles,
all carefully chosen to provide this office
with good flexible lighting. It incorporates
daylight, general ambient and task
lighting for the outstanding office area.
This makes it a very interesting and
impressive lighting design. Visually, the
whole interior integrated well.
Architect: Gina Lippis – Architects Ink
Suppliers: HI Lighting, JSB Lighting
The lighting matched the tasks employed while providing originality as well.
The amount of daylight, and the lighting control system,
allows the fluorescents to control off when not required
(above). The result is a stunning car showroom (left).
that is 25% below the required allowance in the
Designer’s statement: The CMV Group, proprietor of Lexus
Building Code of Australia.
of Adelaide decided to relocate their dealership to West
Terrace to gain better exposure from adjacency to other
Judges’ Comments: It was once said that your
similar car dealerships. The client brief was to provide a
first impressions of an installation will be 90%
building complimenting their flagship CMI Toyota site but
correct. This is true with this installation. On
also differentiating Lexus from other car dealerships along
arrival, the showroom was on full output and
West Terrace.
looked exceptional, with the highly polished
Lighting formed a major design aspect of the building
sparkling new vehicles. Even with staged
for which the client had specific requirements and
dimming and switching, the showroom still
expectations. These included elevated illumination levels in
looked good. The coloured LED spots, changing
both vertical and horizontal planes, energy efficiency, latest
the appearance and mood (this was a planned
technology, high colour rendition and “sparkle” to the car
strategy), also works very well, allowing for
surfaces, centralised and intelligent lighting control system
theatre and a change of ambience. The amount
and be different to other dealerships.
of daylight and the lighting control system,
A recessed extrusion lighting system was suggested as
allows the fluorescents to control off when not
a “workhorse” system comprising linear fluorescent and
required. An excellent return on investment
low wattage metal halide downlights controlled via a DALI
has been achieved, resulting in an outstanding
lighting control system. The perimeter fluorescent lighting
lighting design and result.
along the Western façade incorporates daylight measuring
to enable automated dimming control to reduce energy
30
LIGHTING MAGAZINE | December 2013/January 2014
Supplier: Inlite
December 2013/January 2014 | LIGHTING MAGAZINE
31
New South Wales
Chapter including
the ACT
The shape of
the theatre,
together with
the angles of the
ceiling, posed
some difficulties.
Flexibility is the
key component
to this
installation.
Award of Excellence
There were 13 entries in 2013 with five receiving commendations
and two excellence awards. The judging panel was Bruce Real
(Convenor), Markam Ralph, Leo Trimboli, Michael Sadubin, Mike
Brown, Ryan Shamier, Tony Fardell, Julie Van Der Ley, Andrew Nagy.
Award of
Commendation
to Bow Jaruwangsanti of Haron Robson-Light
Matters for the external façade lighting of
Dior Boutique, Castlereagh St, Sydney
to Peter Kemp of Bestec Consulting Engineers
for the lecture theatre, MM Building,
UniSA Mawson Lakes campus
Designer’s statement: The MM Building is a catalyst
for innovative learning, teaching and research
in the materials and minerals science hub of the
UniSA Mawson Lakes campus. Intended to promote
knowledge transfer, the building offers a large lecture
theatre setting designed for optimum engagement
across a diverse group of researchers and integration
shapes, the colour choices and the general space
with a global research network through advanced
were breathtaking. The judges were there of course
information and communication technologies.
to judge the lighting, which is also outstanding. The
LED downlights incorporate horizontal adjustment.
Designer’s statement: Landmark heritage building, the
were utilised within the multi-angled ceiling panels to
This had been taken advantage of for final improved
Culwulla Chambers built in 1912 and dubbed Sydney’s first
provide illumination across the entire space. Careful
results. The design has allowed for a series of quality
skyscraper. Design achieved the client’s request to highlight
consideration was required during the design phase to
dimmed lighting levels for the various uses, which
the upper windows and light the glass canopy giving a sense
ensure that all levels of lighting required were achievable.
allows flexibility. These pre-set levels provide ease of
of floating and lightness to the structure. The project was
adjustment. The vertical levels had been well considered
completed on a very tight budget and time frame.
High powered, adjustable, dimmable LED downlights
Judges’ Comments: The first impression on entering the
for video projection. This is an excellent installation.
Architect: PMDL Architecture and Design P/L
theatre was how impressive it looked. One comment was
it resembled the United Nations Hall! The architectural
32
LIGHTING MAGAZINE | December 2013/January 2014
Supplier: Digilin
The Dior façade at street level (top right) and at higher levels (above).
Suppliers: KKDC, Superlight and Philips Dynalite
December 2013/January 2014 | LIGHTING MAGAZINE
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Award of
Commendation
of lighting applied to the overall area, key elements
Award of
Commendation
and location were highlighted. The Atrium artwork
received critical acclaim from the Canberra public,
was focused as the centre-piece of the space. All
and sports broadcasters have proclaimed it to be
light sources were concealed from direct viewing
the best in the country.
to Carter Leung and Tim Carr of ARUP
to Philip Greenup of Arup for the
for the entrance and atrium,
sports lighting of Manuka Oval, Canberra
Kinghorn Cancer Centre, St Vincent’s
Research Centre, Darlinghurst
Designer’s statement: With its prominent position
in Canberra, close to Parliament Hill and the
Designer’s statement: The entrance is to create a
Parliament triangle the sports lighting was required
warm and welcoming environment for all visitors
to be sensitive to its environment. The sports lighting
and occupants of TKCC. Instead of a uniform layer
was successfully delivered within in programme and
budget and was a success from day1. Development
from the bottom of the Atrium.
Other contributors: Hamish McNulty, ACT Economic
Architect: BVN
Development, John Telford, Abacus Lighting UK.
Suppliers: Erco, Intralux, (supplied By JSB), KKDC,
A night-time exterior view of Manuka Oval (below) and the beam
control achieved (above).
Nimbus (supplied by Koda).
Architect: Ian Smith – Cox Architecture.
Suppliers: Abacus (Dialight ILS).
Looking down into
the Atrium (left)
and a ground floor
view (above).
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35
Award of
Commendation
Award of
Commendation
to Tim Carr and Tim Hunt of ARUP
to Miwook Kang, George Theodoropoulis
for the External Façade Lighting,
and Tim Shotbolt of Aecom for the
No 8 Chifley, Sydney
Entrance Foyer, 161 Castlereagh St, Sydney
Designer’s statement: The challenge with this
project was to achieve the architectural concept
which essentially is a glowing glass box but on a
very large scale which had to integrate sunlight,
daylight and electric light and retain the general
lighting integrity regardless of which light dynamic
was operating. FJMT architects had a photographic
quality interior rendering that had been agreed on
by the owners.
The appearance of glowing white glass ceiling
and walls except for a band of translucent milky
white glass at Castlereagh Street level specifically
intended to feature patches of light and
downlights plus vague people movement behind
the glass from the ANZ Bank tenancy beyond.
Architect: FJMT Architects
Suppliers: Xenian and Zumtobel
Night-time views
of the entry to
161 Castlereagh St
(above) and the
foyer (left).
Designer’s statement: Primary challenge to illuminate No 8 Chifley
was maintaining compliance with design targets for energy
consumption and reduction of light spill. Great lengths were taken in
the design process to calculate, measure and predict how a scheme
of this scale would eventually perform. This included full size mockThe façade of No 8 Chifley (above) and a detail (above right).
ups of the sway frame. The designers were able to show Mirvac, the
client, how successful an exterior lighting scheme would benefit the
night time appearance of both the building and the city.
Architect: RSH & P, Lippmann
Suppliers: We-ef (Lightculture), Light Project (Lumino),
Erco, Encapsulate and Pierlite
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37
Award of Excellence
Designer’s statement: QT Sydney
is located in the historic Gowings
to Amara Clark and Mark Elliott of PointOfView
Building, (the first multi-storey
for QT Sydney – Public Spaces
department store in Australia) and the
adjoining heritage-listed State Theatre,
in the heart of Sydney’s central
business district. QT Sydney, consists
of 200 boutique guestrooms designed
by Indyk Architects plus public spaces
(hotel reception, bar, restaurant
and coffee roaster) designed by
Award of Excellence
Designer’s statement: CBRE’s brief for the
lighting was delightfully elastic, “make it
to Don Salisbury and Ryan Shamier of Electrolight for
unlike an office foyer, more ... hospitality
CBRE Head Office – Reception and Client interface areas
than you would tend to expect”. We took
this thought and applied an approach which
introduced warmth and depth. We worked
with WMK to peel back the finishes, pressing
outward and pulling inwards to provide a
silky organic glow through openings in the
ceiling and walls. Slot details, curved coves
and trimless plaster body luminaires meld
Nic Graham + Associates. The new
with the softness of the lighting, applied with
hotel design preserves the fabric
warm white LED throughout. Subtle feature
of the two of iconic buildings and
light elements accompany the hospitality
captures the intrigue and excitement
feel, and the CityScape light sculpture
of the past in an edgy, contemporary
adds a dramatically abstract but germane
design style. The interiors are a mix
statement to the client’s core offering. Our
of original features, curated digital art
client is ecstatic with the result and the way
installations, eclectic artefacts and
it provides CBRE with a unique and relevant
design pieces inspired by the retail and
result through the medium of light.
theatre history of the buildings.
Interior designers: WMK Architecture
Interior designers: Nicholas Graham and
Suppliers: Nocturnal Lighting, Light Project,
Associates
Euroluce, The Lighting Group, Space Lighting,
Suppliers: Adam Signs, Eagle Lighting,
Zumtobel, Klik Systems, Pierlite, Hub Furniture
Euroluce, Philips Dynalite,
The reception area of the CBRE Head Office (above) and a client interface area (below).
and Ginenco Interiors
Lighting Controls, JSB Lighting,
Litesource and Nocturnal Lighting
QT Sydney bar
area (above)
and restaurant
area (right).
38
LIGHTING MAGAZINE | December 2013/January 2014
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39
Feature
See page 6 for the Who’s Who Booking Form
SPECIAL ANNOUNCEMENT
REGARDING
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distributed at light+building 2014.
The theme for the 2014 Who’s Who of Lighting is Energy Efficiency
and will focus on the sustainable use of energy which is increasingly
important in today’s modern world as well as the latest state-of-the-art
technologies and lighting solutions.
This is an exceptional opportunity for your company to gain exposure at
the world’s biggest trade fair for lighting and intelligent buildings.
IESANZ Chapter
Luminaire
Design Awards
2013
Compiled by Warren Julian
The Illuminating Engineering Society of Australia and New Zealand
conducts annual luminaire design awards in most of its Chapters.
This article reports on the 2013 awards for the Queensland,
Victoria and New South Wales chapters.
We are now accepting bookings
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Queensland
Chapter
Victoria
Chapter
New South Wales
Chapter
Contact - Adam Cail
Tel: +61 2 9420 2080 or Email: adam@rala.com.au
December 2013/January 2014 | LIGHTING MAGAZINE
41
Queensland
Chapter
There was one entry that received an award of commendation. The judging panel
was: Eric Isdale (Convenor), Jason Bird, Brendan Evans, Barry Hume and Neil Wills.
Victoria
Chapter
There were seven entries in 2013. The judging panel comprised
Jan Flook (Convenor), Adam Carey and Ben Luder.
The TRI T5 ceiling mounted acrylic cylindrical pendant.
Designer’s statement: The Aleph2 ET was born
from the need to produce an range of colour
palettes and very high quality light from a single
light source. Theatre has always been the most
demanding market from a lighting perspective
Award of
Commendation
to Enttec for the Aleph2 ET luminaire
and quality tunable light has always been a hard
was incorporated in the ET light bar. The product
to achieve.
is available in 4 sizes 300, 600, 900 and 1200
Using the skills of the R&D team in our offices
in Knoxfiled, we set out to design a light engine
mm each incorporating respectively 5, 10, l5 and
20 light engines.
that would allow us to produce an extended
Advanced firmware allows the user to dial
gamut of colours covering the full Planckian
up specific colours inside its extended gamut
locus while keeping a broad spectrum range
or tune white between 1200K and l800K, while
to maintain a high CRI. Careful LED selection
following the Planckian locus within 3 SDCM and
and testing was needed along with developing
maintaining a CKI above 90 between 5600K and
colour mixing algorithms in the driver to obtain
2700K.
the final result. Continuous testing was used
Award of
Commendation
to James Laurendet of Klik Systems for the bespoke
TRI T5 Ceiling Mounted – Acrylic Cylindrical Pendant
Judge’s comments: Commended for the in-depth
were met, including maintaining sufficient flux
attention to colour mixing within white spectrum
hanging cylindrical luminaires. so-called ‘light
for long theatre throw applications. Once all
and the remote programmable and snap shot
sticks’.”
benchmarks passed the light engine technology
options.
The finished light fitting or ‘light slick’ appears
deceptively simple, belying the intricacy of the
underlying industrial design and engineering
required to meet the exacting demands of the
brief in every respect.
Judges’ Comments: The acrylic cylindrical
Designer’s statement: Klik Systems was approached
pendant is both well conceived and styled to
to assist in the realisation of a conceptual bespoke
match the theme of the TRI Building architecture,
light fitting for thc ncw Translational Research
and provides an even yet high level of lighting
Institute building in Woolloongabba, designed by
for the various tasks required of this research
Jarred Lillywhite of Aurecon, the lighting engineers
facility’s office space. The luminaire has been
engaged for the project by Wilson Architects +
engineered to be produced in mass while
Donovan Hill – Architects in Association.
allowing a staged assembly to align with the
In their words: “the fundamental lighting design
42
during the process to assure all the design goals
construction phases of the TRI Building and
vision was to use light to create luminance and
ensure minimal exposure of the components to
contrast associated with architectural themes and
damage and dust during the building fit-out.
motifs with task luminance addressed as secondary…
Similarly, when in service, the design allows for
The primary theme is the use of circular and fluted
the energy efficient T5 light source “core” of
shapes/features utilised in both 2D patterns and
the luminaire to drop away to greatly simplify
3D forms…ultimately realised as a field of scattered
maintenance of the lamps and control gear.
LIGHTING MAGAZINE | December 2013/January 2014
The Aleph2 ET.
December 2013/January 2014 | LIGHTING MAGAZINE
43
Award of
Commendation
Award of
Commendation
to Darkon for Chrome Dome LED globe luminaire
to Hella for HypaLUME – heavy duty LED floodlight
with direct 240V power connection
Hella Hypalume front view (left)
and side view (right).
Designer’s statement: HELLA is proud to
introduce the revolutionary HypaLUME – LED
The Chrome Dome in situ (above) and a close up of the heatsink assembly (below).
Flood Light, the first high output LED flood
globe luminaire by Darkon PTY LTD is an
industry. The HypaLUME produces in excess of
acrylic globe luminaire with an aluminium
20,000 lumens across three specialised in-house
heat sink accommodating a LED PCB with
designed optical distributions while consuming
Judges’ comments: The panel was
a microprocessor controlling power supply.
a mere 240W. The HypaLUME is designed to
impressed with the content of Australian
With an E27 lampholder, The Chrome Dome
operate over an extreme temperature range of
made and constructed components.
luminaire can be connected directly to 240V
-40°C to +50°C for in excess of 50,000 hours
The temperature management and
and is a gorgeous LED retrofit, highly efficient
providing maintenance free lighting.
attention to impact resistant was
with just 5W warm-white LED.
Thermal modelling was undertaken and from
commendable.
this review it was decided to separate the LED
44
Designer’s statement: The Chrome Dome
light designed specifically for mining and heavy
Judges’ comments: The engineering quality and
PCB from the Driver PCB by air vents, which
Project team: Paul Lindsay, Program
research were of a high standard and the panel
have been designed to provide a critical flow
Manager; Anthony Franklin, Lead Design
recognized the tenacity and passion generated
geometry. This allows efficient air flow over
Engineer; Andrew Trezise, Hardware
by Dean to bring his product to market the
cooling fins on the heat sink, in all orientations
Engineer; Larry Liang, Optical Design
judges believe it has a bright future.
from horizontal mounting to 20 degrees from
Engineer; Tim Hatley, Process Engineer;
vertical mounting. This provides optimum
Ken Sturgeon, Simulation Engineer and
cooling, even in still air environments.
Stefan Kisser, Product Manager.
LIGHTING MAGAZINE | December 2013/January 2014
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45
New South Wales
Chapter
Award of
Excellence
There were 14 entries for the 2013 New South Wales Chapter Luminaire Design
Awards. The Judges were Gordon Watson – Gordon Watson and Associates
(Convenor), Richard Massey – The Lighting Group, Tony Fardell – Independent
Lighting Consultant and Bruce Real – Independent Lighting Consultant.
Designer’s statement: The DLK is a high power LED
luminaire suitable for area, tunnel and road lighting in
industrial applications. In 2009, Coolon designed and
produced the StaticRetroLED – an LED replacement
for industrial area lighting that provided clients with a
maintenance-free lighting solution. This product has, and
to Coolon LED Lighting for
continues to function according to its specifications, but in
the DLK high power LED luminaire
2012, Coolon was challenged to create a replacement that
would rival the lower price of its competitor’s product.
Through research and development, and a complete
shift in thinking, Coolon created the DLK to: weigh less,
produce better light output, consume less energy and be
less expensive than any comparable product on the market.
Optional in-built daylight sensor perform automatic switching
between day and night modes to further substantially
decrease power consumption and a carbon footprint
by automatically dimming the light and reducing power
consumption during the day. DLK is also available in an
environmentally friendly amber version.
Award of
Commendation
to Emrah Baki Ulas of Steensen Varming for
the “Magic Mushroom” LED landscape luminaire
Judges’ comments: The judges were very impressed with
Description statement: This luminaire was
designed for use in landscape lighting. The
design objective for the Magic Mushroom
was to develop a slim, seamless luminaire
that incorporates concealed light sources
to illuminate the landscape and pathways
together with shrubs and lawns. This luminaire
is unobtrusive during the daylight hours yet
provides a soft while concentrated down light
within a landscape garden. The main unit is
the head which gives the descriptive names
Mushroom. There are 3 LEDs within the head
potted in resign giving it an IP66 rating. The
stem can be cut to suit the required height with
the LED drivers housed in an IP rated box for
in ground installation
the exceptional production values attention to detail and
The Coolon DLK (below) and a close-up of the LEDs and
weatherproofing (above).
robust nature of the DLK with its 98% recyclability it was
Judges’ comments: Although this landscape
carefully considered and constructed.
light was designed for a particular project its
compact and adjustable height design makes
it usable in other outdoor lighting designs.
The method of potting the LEDs provides an
inbuilt robustness which also allows the unit
to be rated at IP65 all of which aids to an easy
installation.
The Magic Mushroom
illuminating gardens.
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Award of
Commendation
to James Laurendet of Klik Systems
for the Linear LED Lighting LEDstream
Description statement: There are 4 versions of the Ledstream
body along with 2 recess options; all have minor but significant
Award of
Commendation
variations to assist the architect and lighting designer for best
solution. The bodies range from 34mm to 54mm in height
and all 28mm wide. The Ledstream is equipped with a variety
of LEDoptix diffusers with different distributions from narrow
to medium and wide all with dot free diffusing. Asymmetric
and elliptical options are also available. Ledstream is available
in lengths from 100mm up to 5metres in length in 100mm
to Peter Attfield of SLA Pty Ltd –
increments.
Interior Architectural Division
Judges’ comments: This system’s light source is LED only
for the Concord Rotos
48
and has been engineered as a system which has multiple light
The Concord Rotos in use (left) and
a detail of its cooling fins (above).
shadow free light with easy joining of lengths. This system
provides an easy installation and good cable management.
The LEDstream
lighting a shoes
display (left) and
a detail (above).
Description statement: This luminaire has been designed
Judges’ comments: The Rotos has a
principally to replace the existing 70watt metal halide
similar look to previous Concord track
track spots used in fresh food and retail stores. The
spots. However, there is a modern
unit had to fit into the existing range while providing an
look designed into this housing which
output of 2600 lumens at a system power of 36 watts.
also allows good airflow and thermal
The Light source is provided by a chip onboard LED with
dissipation. The family of Rotos spotlights
a beam angle of 32 degrees and a high CRI. Although
provides a number of configurations while
this new LED luminaire looks similar to the existing
still maintaining the standard housing
metal Halide track spot it has interchangeable optics
thus giving a uniform look on a track
and a solid core connected via multiple fins in a rotary
yet supplying a variety of sources and
formation – hence the name Rotos.
distributions.
LIGHTING MAGAZINE | December 2013/January 2014
distributions options. The system has continuous lengths of
December 2013/January 2014 | LIGHTING MAGAZINE
49
Award of
Excellence
to Peter Attfield of SLA Pty Ltd – Interior
Architectural Division for the luminance EYE-ON
Description statement: The Eye-on concept is for a true replacement
Award of
Commendation
to traditional halogen lamped spotlights up to 75 watts. This concept
allows for easy beam focusing between 18 degrees and 65 degrees
by a simple and easily accessed external thumb slide that is discretely
nestled between the cooling fins. This optical solution is known
as Monoc. The application is versatile designed for multi or single
track or surface mounting all of these can be used in many differing
orientations and applications. This luminaire is predominately aimed as
to Bettina Easton, Colin Shum
a direct replacement to dichroic halogen spots 35 watt MR16 up to 75
and Grace Tham of Team GCB for
watt AR111 in both spot and flood versions
Walsh Bay Whispers – Vivid 2013
Judges’ comments: What makes this track or surface mounted
Two views
of Walsh Bay
Whispers from
Vivid 2013.
luminaire stand out is the design of the housing, it has a dynamic and
compact look. The Monoc optical solution provides a wide range of
focusing and it provides designers with a direct replacement for the
MR16. The LEDs delivers high lumen output packages without the
need for an external driver box. The ergonomic aspect of this luminaire
together with its performance puts in the excellence category.
Two views of the Eye-on trackmounted LED luminaire.
50
Description statement: This entry was one of the light sculptures
Judges’ comments: It was thought
in the Vivid 2013 event. The sculpture included a chandelier
that this light sculpture was
which dropped; surprising observers were viewing the area.
perhaps a large luminaire where
Other sections were doors with panels with back-lit glass panels
the observer walks into the area
with etched faces which illuminated when an adjacent button
and participates in the design.
was pressed. This was a walk-in light sculpture which provided a
The back-lit glass panels and the
feeling of encapsulation with individual features which captured
dropping chandelier were well
the attention of the observer. Coloured lighting gave the area a
positioned and controlled to give a
surreal feel which accentuated the dynamics of the light sculpture.
spontaneity to the light sources.
LIGHTING MAGAZINE | December 2013/January 2014
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Award of
Excellence
to Peter McMillan of Klik Systems
for KlikLED+
Description statement: KlikLED+ is a versatile linear
LED lighting system which has been designed to
be work seamlessly as a modular system across
the range of Klik beam luminaire extrusions with
minimal components. The system can be supplied
in increment lengths of 100mm and uses a 24volt
DC constant voltage constant current circuit
architecture. This provides a safe environment for
installers and demanded the development of a new
technology to maintain high levels of efficiency and
to mitigate voltage drop. The printed circuit boards
for this technology was designed and developed
in-house.
Judges’ comments: This compact and versatile
linear lighting system is well engineered and has
components which have been developed in-house
to provide a system providing a constant supply
to all LEDs in the system. There is a variety of
lighting controls within their range of boards from
single channels single colour to four channel DMX
The 50 Beam LED+ supplied as a recessed and semi-recessed luminaire at Moore
Stephens (top) and at DEEWR in Canberra, the 85 Beam R/V LED+ supplied as a
trimless recessed luminaire with illuminated bend (above).
Designer Q&A
Feature
The most surprising moment in the project was
when the Client decided to expand the concept
from lighting a few bays of the building façade to
lighting the whole thing. I never thought they would
back the concept to this extent. And working with
Bruce Ramus, who created the animation of the
façade, really made the outcome really dynamic.
2. In your 30 years as a Lighting Designer,
what has been the most technological innovation
for the industry?
In 30 years of lighting design, apart from the
standard lamp sources such as halogen, metal halide,
sodium, cold cathode and incandescent; it was the
“form” of the fittings that made the difference – be
that a decorative or theatrical approach – lamp
sources needed to be dressed up when in the public
eye; light fittings became part of the embellishment.
In the last few years with sustainable restraints and
the LED juggernaut, lighting design has been more
challenging.
3. What lighting design project are you most
Mike Sparrow
Senior Lighting Engineer
Design | Building
Lend Lease, NSW
proud of & why?
A: I have several projects I am proud of, ones that
come to mind are:
a)A pro bono project that I did for St Canice Church
Kings Cross – not knowing my way around a
church didn’t help, but after testing and trials,
we came up with a great solution.
b)The Neo Pharaoh Disco was another personal
1. When designing Luminous at Darling
Harbour, you had a lot of competing factors
gem. Why…everything worked when I switched
it on!
including budget, environmental impacts and
c)Cockle Bay Wharf was also a favourite – having
aesthetics both internal & external. Could you
the chance to work with Eric Kuhn, the great
give examples of the most difficult issue and the
American Architect.
most surprising breakthrough on this project?
“Luminous” started off small, and the idea grew.
4. How have environmental pressures changed
The original concept was tested and then fine-
the profession of lighting design?
tuned. The design restraints were many:
A: It is a bit sad that lighting design is now, in
i) not to inconvenience the tenants by way of
this country, being dictated almost solely to by
colour & glare
ii) not to provide glare or distraction for people
and traffic on the flyover externally
sustainable groups, in many cases quality and
lighting best practice have taken a back seat to
energy and cost.
iii)comply with code for light pollution
Containment of the light source was also
5. What do you see as the next big thing for
a challenge; as well as getting the colour mix
lighting designers?
acceptable when played across the timber blinds.
A: Hopefully in the near future quality and best
colours. The engineering and PC boards design
The solution was to use a single LED R/G/B/W,
practice will be a prerequisite for a project, rather
take this linear lighting system to the excellent level.
along with a spreader lens for distribution.
than just watts per square metre.
controlled RGB-W boards providing half-a-billion
52
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IESAN Z A w a r d s
Magic, mayhem
and a night in the clink:
By Claire
Thompson
E
the IES chapter committees were kept extraordinarily busy devising new ways to honour the
A team from Design Stage re-imagined the existing
space to highlight architectural features, such as columns,
McDermott while you eyeball the year’s most
cornices and friezes, which had been overlooked by
stunning achievements in lighting and luminaire
previous lighting design schemes. Having organised the
design? Just ask a member of the Queensland
annual awards dinner over the last five years, 2013 marked
IESANZ Chapter.
Schreier’s last year at the helm of Queensland lighting’s
Queensland IESANZ Lighting Design Awards at
night of nights; as the incoming Chapter President, Schreier
will hand over the dinner reins to someone else for 2014.
“It was nice to do my last dinner and have something
the Brisbane Entertainment Centre. According
go exactly to plan with no hiccups at all through the
to dinner coordinator and incoming Chapter
night. Room was right, timing was right, MC was spot-on,
President Darrin Schreier, the night was “probably
food service was great. In terms of running an event, was
about as perfect as you could get.”
probably about as perfect as you could get,” Schreier says.
Schreier might say that, given his boyhood
Pity the fool who has to follow in Schreier’s footsteps
fascination with the Doug Anthony All Stars;
next year. But never fear – Schreier has some succinct
seeing event MC McDermott in the flesh left
advice for his successor, whoever they may be:
The Brisbane Entertainment Centre glitters on Queensland
Lighting’s night of nights.
him feeling more than a little starstruck. But the
“Give up sleep!”
Photo by Narelle Robinson.
Incoming Chapter President Darrin Schreier with Paul McDermott, the evening’s MC.
breadth, depth and quality of the winning entrants
Photo by Narelle Robinson.
in the Lighting Design Awards and Luminaire
Design Awards buried even McDermott’s light well
under the proverbial bushel.
Six major awards were given on the night – five
Lighting Design Awards, and a single Luminaire
Design Award. A series of student awards were
also presented. Of all the winners, perhaps the
most lauded was the Translational Research
Institute, which has swept awards categories
across the architecture, engineering and lighting
sectors since its completion earlier this year. The
lighting design, developed by Aurecon, Wilson
Architects and Donovan Hill, was based on a
‘hierarchy’ of architectural themes, including a
theme of circular luminance expressed through
the installation of over 900 circular pendant lights.
Other big winners on the night were the Klik
Systems team, who took out the sole Luminaire
Design Award for their TRI T5 Cylindrical Pendant
light; and the main auditorium of the heritagelisted Brisbane City Hall, which was honoured
with a Lighting Design Award of Commendation.
LIGHTING MAGAZINE | December 2013/January 2014
their awards, and get a sneak peak at some of this year’s most memorable moments.
down on a duck confit in the presence of Paul
on 25th October to celebrate the annual
54
lighting sector’s best and brightest. Read on to find out how each chapter chose to celebrate
ver wondered what it would be like to chow
Around 230 chapter members came together
The award-winning Translational Research Institute entry from Aurecon,
Wilson Architects and Donovan Hill. Photo by Peter Robey.
Awards, which lit up a host of stunning venues across Australia in November and
December this year. With awards ceremonies in Adelaide, Sydney, Melbourne and Brisbane,
inside the 2013 IESANZ Lighting Design Awards
Queensland Chapter
C
elebration reigned supreme at the 2013 IESANZ Lighting Design and Luminaire Design
Victorian Chapter
T
he 2013 Victorian IESANZ Awards dinner at the
Plaza Ballroom on Melbourne’s Collins Street was
a magical affair, in more ways than one. More than
240 of the Victorian lighting industry’s finest – and
one magician – filled the venue, setting the scene for a
stunning event that showcased Victoria’s prowess as a
creative hub for contemporary lighting design.
The Victorian Chapter has been particularly
progressive with identifying new awards categories that
accurately reflect the achievements of chapter members.
In addition to the Lighting Design Awards the Luminaire
Design Awards and the student awards presented by
many other IESANZ Chapters, the Victorian awards
committee launched the Victorian Lighting Industry
Technical Representative Award (VLiTRA) in 2011 and the
Albert Dresler Daylighting Award in 2012.
The Highpoint Shopping Centre project, winner of the Dr Albert Dresler
Daylighting Award. Photograph by Peter Bennetts.
December 2013/January 2014 | LIGHTING MAGAZINE
55
AdvanQuez AvL LED Lamps
Elegance
The VLiTRA honours technical representatives working
within the lighting sector and their achievements in
in Down & Track Lightings
disseminating lighting technical education and knowledge
among their clientele. Aaron Binion of Lightmoves was
honoured with this year’s VLiTRA for a luminaire presentation
in which he shared his in-depth knowledge of its technical
and aesthetic capabilities with the panel of judges.
“VLiTRA is a recognition that the majority of the
IESANZ members are salespeople, and that we’d like to
see excellence within the industry. We hope that other
chapters and other states will take it up,” says Chapter
President Dave Anderson.
The Albert Dresler Daylighting Award acknowledges
the importance of effective daylighting in contemporary
lighting design. A joint Grimshaw/Arup project at Melbourne’s
Highpoint Shopping Centre took out the 2013 prize,
with the judges noting the designers’ exceptional use of
daylight modelling, geometry and EFTE materials, as well
as translucent glass skylights and operable louvres that add
points of interest to the daylight experience.
MC magician Matt Hollywood casts a spell on John Aeillo.
Photograph by Richard Timbury/ Casamento Photography
“This is something we’ve really been pushing in Victoria,”
Anderson says.
“There’s a groundswell for daylight and daylight design,
given current climate change, energy prices, all of that sort
of thing. We also see that it’s a way to establish better
Incoming NSW Chapter President Tim Shotbolt
congratulates David Orwin on receiving the
Richard (Dick) Chappell Memorial Award.
relationships with the architectural community.”
Outside of the formal awards presentations, the night’s
• No piercing glow of ceramic metal halides
• No unshapely CFL tubes
• Just a smooth single diffused glow
• Deeply recessed in a brilliant reflector
• Powered by Philips LED modules & drivers
• 50,000 hours
entertainment, provided by magician and MC Matt Hollywood,
also proved to be a talking point. As well as overseeing the
evening’s formal proceedings, Hollywood’s roving magic tricks
and a taste for audience participation kept the energy high.
“He did roving magic tricks on tables, but also did the old
pull-people-out-of-the-crowd-and-make a-fool-out-of-them as
well,” Anderson says.
“He dragged Ian Johnson, the teacher of the first year
lighting students, onto the stage, and generally made a fool
out of him. Ian was a great sport. “I think just the general
Victorian Chapter celebrations at the Plaza Ballroom.
atmosphere of the night – a lot of people said it was the
Photograph by Richard Timbury/Casamento Photography
best awards dinner they’d been to in quite a few years.”
DLMMSeries
Powered by:
DLM-i
New south wales Chapter
T
he Sydney Convention and Exhibition Centre has been a
audience through a whirlwhind night of prizes, celebrations
winning location for the NSW Chapter IESANZ Awards for
and the odd stand-up comedy set.
some years now. With expansive views across Darling Harbour,
Orwin chuckles at the memory:
and enough space between function rooms to encourage a
“He was really great. He had everybody in stitches!”
In fact, more than 50% of the 13 LiDA and 14 LuDA
nominations were recognised with awards on the night.
The merriment continued throughout the distribution of
the Lighting Design Awards and Luminaire Design Awards,
The winners of the LiDA excellence awards included a
again for the 2013 celebrations.
in which a range of stunning lighting achievements were
PointOfView installation in the public spaces of the QT
showcased and celebrated. A smaller pool of nominations
Sydney hotel, and an Electrolight project at the CBRE
was fresh and fun, thanks largely to the appointment of writer,
this year did nothing to dampen the standard of the entries;
Head Office which resulted in a ‘delightfully elastic’
comedian and TV host Vince Sorrenti to the MC role. With
according to Orwin, the quality of lighting and luminaire
approach to lighting the commercial real estate space
his cheeky sense of humour, Sorrenti dragged the 384-strong
design across NSW continues to grow.
using warm white LEDs.
LIGHTING MAGAZINE | December 2013/January 2014
Emailsales@tenrod.com.au
Websitewww.tenrod.com.au
1/24VoreStreet,Silverwater,NSW2128
21AristocRoad,GlenWaverley,VIC3150
saving and greater use of LEDs,” he says.
President David Orwin and his events team chose the venue
56
F:0297480258
F:0398867799
F:0738792188
F:093531317
“The quality of the entries improves each year, and this
year is no exception, with greater emphasis on power
bit of raucous celebration, it’s easy to see why NSW Chapter
While the venue may have been familiar, the night itself
AvLTracklights
LED alternative
to ceramic metal
halides: Elegant
Track Lighting with
single diffused
glow, smoothened
edges of light beam
cones and high
CRI of 90
Warren Julian and Adam Cail from the Lighting magazine with
Miwook Kang from Aecom (centre) enjoying the NSW IESANZ
Chapter celebrations.
NSW
VIC
QLD
NZ
T:0297480655
T:0398867800
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October/November 2013 | LIGHTING MAGAZINE
57
The LuDAs were home to a series of truly innovative products,
catching lighting installation that lit up the internal
including the EYE-ON luminaire, developed by Peter Attfield of SLA
cell blocks and the 10-metre-high stone walls that
Pty Ltd, which provides a genuine alternative to halogen lamped
enclosed the courtyard outside.
spotlights of up to 75 watts; and the KlikLED+ from Klik Systems, a
We had two wings in the cell blocks where
linear LED lighting structure.
people came in and got a look at the projects that
Murray Robson of Haron Robson received the single Life Fellow
were up for an award. Outside, we had a huge
Award of the night, in recognition of his significant contribution to
marquee in the courtyard. The whole place just
the lighting industry and to the IESANZ.
had an atmosphere to it, and the effect was
“Murray has been a National Board director, a past president of
fantastic. It really lent itself to being a great venue.”
the NSW Chapter and has contributed to the lighting industry in
Eight Lighting Design Awards were given out,
many ways. He is truly deserving of being upgraded to Life Fellow,”
comprised of six certificates of commendation and
Orwin says.
two certificates of excellence. A judging panel of
Orwin himself was surprised and delighted to receive the
nine did the honours, working their way through
Richard (Dick) Chappell Memorial Award, an honour that recognises
18 nominations in order to identify those that
the lifetime achievements of a career lighting designer. This NSW
showcased truly spectacular achievements in
Chapter-specific award was launched in 2004 in memory of Dick
lighting design.
Chappell, a highly-respected lighting professional who once held the
The event was shared with the Design Institute
position of principal lighting designer at the Sydney Opera House.
“I was completely surprised to receive the Dick Chappell award.
I feel that there were many people more deserving than myself, but
I am pleased to know that some people hold me in such regard.”
of Australia (DIA), home to industrial, interior and
Tim Shotbolt with Murray Robson after Robson received the
Life Fellow Award in recognition ongoing contributions to the
lighting industry and to the IESANZ.
graphic designers, after the IES chapter committee
identified a natural synergy between the two
The SA/
NT Chapter
Committee
designed the
lighting scheme
for the 2013
IESANZ Lighting
Design Awards
at the Old
Adelaide Gaol.
Photo courtesy of
John Goodridge.
organisations. The successful pairing not only
contributed to a highly festive event; it also led to
South australia/Northern Territory Chapter
the potential for a host of new members for the
local IES Chapter.
“The DIA really understands what we’re about, and
T
he thought of an entire IES Chapter winding
up in gaol on the night of their most
prestigious lighting awards would set most
chapter presidents into a panic. But for Mick
Reidy, who heads up the South Australian/
Northern Territory Chapter of the IES, hauling
the local IES membership into the lock-up for
the 2013 IESANZ Lighting Design Awards was
all part of his master plan.
“The history of our chapter is that we were
Mick Reidy, Alycia Scannell, Maria Maratos and Chris Scannell at the Old Adelaide
Gaol. Photo courtesy of Paula Furlani.
on the brink of folding up. We only had about
our focus on design coincided with what they do too
– so much so that we had a few people from the DIA
asking us, ‘How do we join the IES?’” Reidy says.
If frivolity could be considered the barometer
with which to measure the success of the night,
then Reidy and his team certainly achieved what
they set out to do – the entire clean-up crew failed
to show on Sunday morning thanks to the aftermath
of extensive … shall we say … ‘enjoyment’ of the night
before.
“I’m still a bit rough,” Reidy says sheepishly when
he gets on the phone.
“Still a bit rough. But we’ll get there.”
Colin Rosenzweig and Anthony Caggiano from the Design Institute of Australia
get into the spirit of things at the SA/NT IESANZ Lighting Design Awards.
Photo courtesy of John Goodridge.
18 financial members, and most of those people
were talking about cancelling their membership
because nothing was happening,” Reidy says.
Reidy and a new band of lighting misfits
commenced a dramatic operation to turn things
around, committing to showing South Australia
and the Northern Territory that the local
lighting industries, and the IES itself, really had
something to offer.
The 2013 IESANZ Lighting Design Awards, held
on November 30, marked the end of 18 months
of reinvention. The night saw 250 of Adelaide’s
design fraternity roll up for the festivities at none
other than the Old Adelaide Gaol.
Eve Gladwin, Steve Gladwin and George H celebrate the 2013 IESANZ Awards at the
Old Adelaide Gaol. Photo courtesy of Paula Furlani.
58
LIGHTING MAGAZINE | December 2013/January 2014
“It’s a great location,” says Reidy, who was
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part of the design team responsible for an eye-
December 2013/January 2014 | LIGHTING MAGAZINE
59
IES c o r p o r a t e m e m b e r s
IES U p d a t e s + POSTS
Alternative Lighting
Queensland
Lights Lights Lights
Victoria
ANL Lighting Australia Pty Ltd
Queensland
Lumen8 Architectural Lighting
Queensland
Belltronic Lighting Solutions
Queensland
Mondoluce
Western Australia
Cundall Johnson & Partners
Victoria
Opal Lighting Systems
New South Wales
Delta Energy Systems
Victoria
Optic Fibre & LED Lighting Solutions Pty Ltd
New South Wales
Eagle Lighting – Fagerhult
Auckland
Orca Solar Lighting Pty Ltd
Queensland
Eagle Lighting Australia
New South Wales
Orion Solar Pty Ltd
Queensland
Eagle Lighting Australia
Victoria
QUT Photometric Laboratory
Queensland
Eagle Lighting Australia
Queensland
Solus Lighting Solutions
Queensland
ECC Lighting & Living – VIC
Victoria
Sonic Lighting
Victoria
ECC Lighting + Living Ltd – NSW
New South Wales
Stramac Pty Ltd
New South Wales
Eco-Lightech Solution Ltd
Auckland
Sylvania Lighting Australasia Pty Ltd – SA
South Australia
eCubed Building Workshop
Auckland
Sylvania Lighting Australasia Pty Ltd – VIC
Victoria
Enlightenz Group
Auckland
Sylvania Lighting Australasia Pty Ltd – WA
Western Australia
ENTTEC Pty Ltd
Victoria
Sylvania Lighting Australiasia Pty Ltd – NSW
New South Wales
Gamma Illumination
New South Wales
Sylvania Lighting Australisia Pty Ltd – QLD
Queensland
Gamma Illumination
South Australia
The Lighting Group
New South Wales
GM Poles
Queensland
TMK Consulting Engineers
South Australia
Harcroft Lighting – NSW
New South Wales
Intralux Australia Pty Ltd
Queensland
Total Electrical Connection Pty Ltd
New South Wales
Tridonic Australia Pty Ltd
Victoria
Tridonic Australia Pty Ltd
New South Wales
Versalux Pty Ltd – New Zealand
North Shore City
Versalux Pty Ltd – NSW
New South Wales
Versalux Pty Ltd – QLD
Queensland
Versalux Pty Ltd – SA
South Australia
Versalux Pty Ltd – VIC
Victoria
JHA Consulting Engineers Pty Ltd
New South Wales
JSB Lighting
Western Australia
JSB Lighting
South Australia
JSB Lighting
Victoria
JSB Lighting Pty Ltd
New South Wales
KKDC New Zealand Ltd
Auckland
Klik Systems Australia Pty Limited
New South Wales
Klik Systems QLD
Queensland
Vossloh-Schwabe Deutschland GMBH
New South Wales
Klik Systems’s agent – H.I Lighting S.A
South Australia
Walter Wadey & Co Pty Ltd
New South Wales
Klik Systems’s agent – H.I. Lighting
Western Australia
Webb Australia Group
New South Wales
Klik Systems’s agent – Mark Herring Lighting
Christchurch
Webb Australia Group
Queensland
Klik Systems’s Agent – Southern Lighting & Distribution Tasmania
Webb Australia Group
Victoria
Lighting Australia Pty Ltd
York Precision Plastics
New South Wales
New South Wales
Financial corporate sponsors as of 19 November 2013
60
LIGHTING MAGAZINE | December 2013/January 2014
Visiting the world’s
second-largest lighting fair
Warren Julian Figure 1. This is a view of the registration area. It was constantly crowded with buyers from
around the world coming and going over the four days.
Figure 2. A “favourite product” – the Tabu Lumen Bluetooth Smart Bulb Plu.
I visited the 15th Hong Kong
International Lighting Fair (Autumn
Edition) in late October as a guest of
the Hong Kong Trade Development
Council (HKTDC). I last visited about ten
years ago and in that time it has grown
into the world’s second-largest, after
Light+Build in Frankfurt. The fair is held
twice per year although the autumn
edition is by far the largest.
The four-day fair had a record 2,360
exhibitors from 38 countries and regions
participating, with new exhibitors from
Denmark, Israel, Turkey and the UAE
taking part.
Fair highlights included the Hall
of Aurora which featured more than
470 lighting brands from some 340
exhibitors, including: Fulham, Fumagalli,
Neo-Neon, Panasonic, Philips, Seoul
Semiconductor and Vossloh-Schwabe.
Other featured zones included: LED
& Green Lighting, with about 820
exhibitors on hand; Advertising Lighting,
presenting display panels, light boxes
and neon signs; Smart Lighting &
Solutions, offering lighting design
service and software, along with lighting
management systems and control panels;
and the Small-Order Zone, with nearly
140 exhibitors displaying some 1,500
products.
Thousands attended each day mainly
buyers but I also saw a few designers
checking product trends (Figure 1). It
is a good idea to visit over a number
of days or half days to overcome fair
fatigue. It is easy to go outside and to
take in the view of Hong Kong Harbour
away from the bustle indoors. Even in
the bright sunshine, the harbour seems
glare-free compared with the brightness
of thousands of retrofit LED “bulbs”. In
fact, finding non-LED products requires
a concerted effort but they still exist and
I think that I eventually saw the complete
range of current light sources.
My Favourite Lighting Products
Award 2013 was introduced this year,
showcasing innovative lighting offerings,
chosen by fair buyers. As an example,
December 2013/January 2014 | LIGHTING MAGAZINE
61
Reliable, Australian Made
Magnetic Ballasts and Transformers since 1976
one of the three winners in the
Decorative Household Lighting category
was the Tabu Lumen Bluetooth Smart
Bulb Plus (AVC Technology (International)
Limited) that “combines the practical
utility of a standard white bulb and the
fun of multi-colored light. Everything can
be controlled easily from a proprietary
application on our mobile smart phone”,
as can be seen in Figure 2.
There were timely seminars each day.
Topics included Lighting Market Across
the Globe, LED Lighting Regulations and
Standards, E-tailing Strategy for Lighting
Products and the Hong Kong Quality
LED seminar. A Buyer Forum, Business
Opportunity in Global Markets, was held
with buyers from Chile, the Middle East
and Russia participating. One of the
most popular panel discussions,
10 things they don’t tell you about
LEDs, started off with presentations
(of thinly disguised advertising) from
senior staff from three manufacturers
but soon became electric when the
moderator, Ray Molony, Editor of Lux
Review, asked Philip’s Solid State R&D
Director why he believed it was exciting
that LEDs mean that strawberries ripen
faster when what the world wants to
know is how LEDs actually perform and
how to solve the huge glare problems.
Then the discussion became realistic
rather than aspirational. I can’t report
it in detail here but the gist was that
some thought that the present stage of
development is OK (near enough is close
enough) while others thought that the
evolution will result in products with
system efficacies, CRIs and lives similar
to T5 tubular fluorescent products! The
panel discussion was great, once control
passed to the audience and a provocative
moderator.
Overall, the fair was excellent and
is well worth an annual visit, especially
if you are a buyer but also for others
involved in lighting, to see the emerging
trends in products, mainly for the mass
market, as well as niche products for the
professional market.
62
LIGHTING MAGAZINE | December 2013/January 2014
CMP CONTROLS PTY LTD
130 Melrose Drive Tullamarine, Victoria 3043
Ph: +61 3 9339 0300 Fax: +61 3 9330 3595
w: www.cmpcontrols.com e: info@cmpcontrols.com
Events Calendar
8100
8101
8300
2014
8000
8102
24–27 February
29–31 May
Prolight + Sound Guangzhou
PALM Expo 2014
www.prolightsound-guangzhou.com
www.palmexpo.in
Guangzhou, China
Mumbai, India
30 March – 4 April
1–5 June
Light + Building
Lightfair International (LFI)
light-building.messefrankfurt.com
www.lightfair.com
Frankfurt, Germany
Las Vegas, USA
3–4 April
9–12 June
LumeNet 2014
(for PhD students)
Guangzhou International
Lighting Exhibition
www.li.tu-berlin.de/lumenet2014
www.light.messefrankfurt.com.cn
Berlin, Germany
Guangzhou, China
23–26 April
3–5 September
CIE 2014 Lighting Quality
and Energy Efficiency
Shanghai International
Lighting Fair
malaysia2014.cie.co.at/
www.messefrankfurt.com.cn
Kuala Lumpur, Malaysia
Shanghai, China
23 May – 9 June
18–21 September
Vivid Sydney
Light India 2014
COMBRITE RANGE OF
LIGHTING CONTROL GEAR
www.vividsydney.com
www.light-india.in/
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Sydney
New Delhi, India
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28–30 May
16–18 October
SPARC Design
IALD Enlighten Americas 2014
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Sydney Exhibition Centre
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T: 03 9464 6642

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LIGHTING MAGAZINE | December 2013/January 2014
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