BOSCH, THE GARDEN OF EARTHLY DELIGHTS,
1505-10, ?
GIORGIONE AND/OR TITIAN, PASTORAL
SYMPHONY, C. 1508, VENETIAN
GRÜNEWALD, THE ISENHEIM ALTARPIECE:
CRUCIFIXION, C. 1510-1515, REFORMATION
DÜRER, KNIGHT, DEATH AND THE DEVIL,
1513, REFORMATION
BELLINI, FEAST OF THE GODS, 1514,
VENETIAN
PONTORMO, DESCENT FROM THE CROSS,
1525-1528, MANNERISM
HOLBEIN, THE FRENCH AMBASSADORS, 1533,
REFORMATION
MICHELANGELO, LAST JUDGMENT, 1534-41,
MANNERISM
TITIAN, VENUS OF URBINO, 1538, VENETIAN
BRUEGEL, HUNTERS IN THE SNOW, 1565,
REFORMATION/COUNTER-REFORMATION
TINTORETTO, LAST SUPPER, 1594, MANNERISM
CARAVAGGIO, CALLING OF ST. MATTHEW, C.
1597-1601, COUNTER-REFORMATION
BERNINI, ECSTASY OF ST. THERESA, 1645-1652,
COUNTER-REFORMATION
REMBRANDT, CHRIST HEALING THE SICK (THE
HUNDRED GUILDER PRINT), C. 1647-49,
BAROQUE
VELÁZQUEZ, LAS MENINAS, 1656, BAROQUE
MANSART AND LE BRUN, HALL OF MIRRORS, PALACE
OF VERSAILLES, C. 1680, BAROQUE
RACHEL RUYSCH, STILL LIFE, AFTER 1700,
BAROQUE
WATTEAU, PILGRIMAGE TO CYTHERA, 1717,
ROCOCO
HOGARTH, THE MARRIAGE CONTRACT, FROM
MARRIAGE À LA MODE, C. 1745, NATURALISM
FRAGONARD, THE SWING, 1766, ROCOCO
COPLEY, PAUL REVERE, C. 1768-1770,
COLONIAL
JEFFERSON, MONTICELLO, 1770-1806,
NEOCLASSICISM
FUSELI, THE NIGHTMARE, 1781, ROMANTICISM
DAVID, OATH OF THE HORATII, 1784,
NEOCLASSICISM
KAUFMANN, CORNELIA POINTING TO HER
CHILDREN AS HER TREASURES, 1785,
NEOCLASSICISM
GOYA, THE SLEEP OF REASON PRODUCES
MONSTERS, 1799, ROMANTICISM
DAUMIER, RUE TRANSNONAIN, 1834, REALISM
COURBET, THE STONE BREAKERS, 1849,
REALISM
MILLAIS, OPHELIA, 1852, REALISM
EAKINS, THE GROSS CLINIC, 1875, REALISM