MUS 102 Study Guide for Exam #2

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MUS 102

Study Guide for Exam #2

Chapter 6 - Advocacy

1) To investigate ways in which music has been used in the service of a cause.

2) To study representative songs of advocacy dealing with the plight of the farmer, labor disputes, and civil rights.

Terms and Concepts to Know protest songs

Fiddlin’ John Carson

“Folk Consciousness”

Bob Dylan

Highlander Folk School

Aunt Molly Jackson

Woody Guthrie

Pete Seeger

1.

Woody Guthrie personified the urban folk movement of the 1930s and 1940s, and

Bob Dylan’s career beginning in the 1960s reflects many of the changes between these two phases in folk music history. Be familiar with differences between these two performers.

2.

From where did the 1960s African American civil rights advocates draw their songs?

3.

What are some current issues that have resulted in protest music?

Chapter 8 – Blues

Terms and Concepts to Know blues subjects twelve-bar blues form blues singing styles bending

“bottleneck” style (slide)

“blues harp” jug bands and washboard bands folk, rural, or country blues classic blues blues and jazz instrumental breaks call-and-response boogie-woogie ostinato race records urban blues

1.

What issues of class are involved in our attempt to understand early blues musicians?

2. Candelaria/Kingman focus on which three characteristics of the blues?

3. What is the standard poetic structure of blues lyrics?

4. Which was the first instrument to become the standard accompaniment to the blues?

5.

What are the dates of the “classic” period of the blues?

6.

Who was Gertrude “Ma” Rainey?

7.

Who is Bessie Smith?

8.

What are some of the changes that have occurred in blues at the turn of the century?

Chapter 9 – Rock

1) To look at the origins of rock ‘n’ roll in the 1950s as an offshoot of rural southern traditions--namely, blues and country music.

2) To survey the diverse trends in rock music from the 1960s to the present.

Terms and Concepts to Know rhythm and blues rock ‘n’ roll boogie-woogie bass backbeat theremin contrasting soundscapes folk rock protest rock rockabilly radio country music cover version teen idols

British Invasion psychedelic rock acid rock hard rock heavy metal glam rock punk rock music video concept album

1. What is the difference between rock ‘n’ roll and rock?

2. How has the role of recordings and performance changed with rock in comparison to other styles?

3. Considering the vast array of musics known as rock, three characteristics that most share are:

4. What are some examples of altruism in rock that have occurred since the 1980s?

5. Who was Allan Freed?

6.

What was the “British Invasion”?

7.

How has music become arguably more of a visual than a sound experience?

Chapter 15. Ragtime and Precursors of Jazz

Terms and Concepts to Know ragtime song syncopation ragtime piano music ensemble ragtime ragtime rhythm ragtime form stride piano (“Harlem piano”) ragtime revival

African American bands parade music for funeral

The roots of ragtime are broad. Understand some of the possible sources of the syncopated rhythm that is characteristic of ragtime music and provide at least one example.

Study the two offshoots of ragtime: stride piano and novelty piano.

Chapter 16. Jazz

Terms and Concepts to Know

New Orleans jazz traditional jazz early recordings improvisation

12-bar blues form rhythm section jazz texture big band swing era

Latin influence

“cocktail combo” bop cool jazz modal jazz free jazz

Kansas City “jump” “third stream” jazz-rock fusion ground bass (ostinato) neo-bop super-bop

scat singing

“break”

Chicago

New York vibraphone hard bop repertory bands

Wynton Marsalis

Be familiar with the big bands of the swing era. Understand the contributions of Duke

Ellington, Count Basie, and Benny Goodman.

What is “third stream” jazz? Whose label is this?

I Am a Union

Woman

Aunt Molly Jackson CD 1, Track 29 p. 78 p. 81 p. 85

Masters of War Bob Dylan

We Shall Overcome Freedom Singers

(SNCC)

Countin’ the Blues Ma Rainey

Prison Cell Blues Blind Lemon

Jefferson

CD 2, Track 1

CD 2, Track 2

CD 2, Track 10

CD 2, Track 11

Preachin’ Blues Robert Johnson CD 2, Track 12

Mr. Freddie Blues Meade Lux Lewis CD 2, Track 13

Good Rockin’

Tonight

Wynonie Harris CD 2, Track 15

Rock Around the

Clock

Bill Haley CD 2, Track 16 p. 116 p. 117 p. 119 p. 123 p. 129 p. 130 p. 252 p. 254

Maple Leaf Rag

If Dreams Come

True

Just a Little While to Stay Here

Hotter Than That

Scott Joplin

James P. Johnson

Eureka Brass Band

Ko-Ko

Louis Armstrong and His Hot Five

Duke Ellington and

His Orchestra

KoKo Charlie Parker

Out of This World John Coltrane

Miles Davis Bitches Brew

CD 3, Track 17

CD 3, Track 18

CD 3, Track 20

CD 3, Track 22

CD 3, Track 23

CD 3, Track 24

CD 3, Track 25

CD 4, Track 1 p. 259 p. 265 p. 268 p. 272 p. 274 p. 276

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