UCSD Visual Arts Department 2010-2011 Annual Schedule
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UCSD Visual Arts Department 2010-2011 Annual Schedule
VISUAL ARTS DEPARTMENT - 2010/11 ANNUAL SCHEDULE OF CLASSES
Fall 2010
Survey
VIS 1
VIS 22
VIS 23
VIS 40
VIS 60
VIS 70N
VIS 84
Introduction to Art-Making: Two-Dimensional Practices
- Ortiz-Torres
Formations of Modern Art - Bryson
Information Technologies in Art History - Sowell
Introduction to Computing in the Arts (crosslisted with
ICAM 40) - Stalbaum
Introduction to Digital Photography - Wallen
Introduction to Media - Trigilio
History of Film - Gorin
Winter 2011
VIS 2
VIS 21B
VIS 22
VIS 23
VIS 40
VIS 60
Introduction to Art-Making: Motion and Time-Based Art - Dick, B.
Introduction to Asian Art - Shen
Formations of Modern Art - Holland
Information Technologies in Art History - Greenstein
Introduction to Computing in the Arts (crosslisted with ICAM 40) Stalbaum
Introduction to Digital Photography - Anderson
Performance VIS 104BN Verbal Performance - Dominguez
Spring 2011
VIS 3
VIS 20
VIS 40
VIS 60
VIS 70N
Introduction to Art-Making: Three-Dimensional - Gallaccio
Introduction to Art History - Woods
Introduction to Computing in the Arts (crosslisted with ICAM 40) Stalbaum
Introduction to Digital Photography - Lonidier
Introduction to Media - Trigilio
VIS 104CN Personal Narrative - Dominguez ( or 104A )
Drawing
VIS 105B
VIS 105C
Drawing: Practices and Genre - Guerrero
Drawing: Portfolio Projects - Adler
VIS 105A
VIS 105C
VIS 105D
Drawing: Representing the Subject - Quesnell
Drawing: Portfolio Projects - Pastor
The Aesthetics of Chinese Calligraphy - Li
VIS 105A
VIS 105B
VIS 105C
VIS 105E
Drawing: Representing the Subject - Van Genderen
Drawing: Practices and Genre - Yuasa
Drawing: Portfolio Projects - STAFF (if needed)
Chinese Calligraphy as Installation - Li
Painting
VIS 106B
VIS 106C
Painting: Practices and Genre - Guerrero
Painting: Portfolio Projects - Adler
VIS 106A
VIS 106B
VIS 106C
Painting: Image Making - Silva
Painting: Practices and Genre - Silva
Painting: Portfolio Projects - Adler
VIS 106A
VIS 106B
VIS 106C
Painting: Image Making - Van Genderen
Painting: Practices and Genre - Ortiz-Torres
Painting: Portfolio Projects - Ortiz-Torres
Sculpture
VIS 107A
Sculpture: Making the Object - Johnson
VIS 107B
Sculpture: Practices and Genre - Gallaccio
VIS 107CN Sculpture: Portfolio Projects - Steinbach
VIS 107A Sculpture: Making the Object - Pylypchuk
VIS 107CN Sculpture: Portfolio Projects - Gallaccio
Other
VIS 108
VIS 110G
VIS 110J
VIS 110M
Advanced Project in Art - Park
Natural and Altered Environment - Cruz
Ritual Performance - Dominguez
Studio Honors I - Silva
VIS 108
VIS 110A
VIS 110C
VIS 110N
VIS 108
VIS 110E
VIS 110F
Advanced Projects in Art: Studio - Pastor
Art in Public Space/Site Specific - Park
Installation: Cross-Disciplinary Projects - Park
Criticism
& Theory
VIS 112* Art Historical Methods - Hendrickson
VIS 117E* Problems of Ethnoaesthetics - Newsome
VIS 129F* Seminar in Art Theory and Criticism: Ephemeral
Societies and Temporary Cities- Park
VIS 111
Structure of Art - Cruz
VIS 112*
Art Historical Methods - Welchman
VIS 113BN* History of Criticism II: Early Twentieth Century (1900-1950) Welchman
VIS 129F*
Seminar in Art Theory and Criticism: Landscape and Memory Tronzo
Art History
VIS 122F* Leonardo's La Gioconda - Greenstein
VIS 126J African and Afro-American Art: Traditional Arts of West
Africa- Sowell
VIS 127B Arts of China - Shen
VIS 128A Topics in Pre-Modern Art History: The Rise of the
Middle Ages: Painting, Sculpture & Architecture Tronzo
VIS 127E* Later Chinese Painting - Shen
VIS 122CN Defining High Renaissance Art - Greenstein
VIS 124CN Nineteenth Century Art: Painting and Modernity in France: from David
to Picasso - Bryson
VIS 125DN* Marcel Duchamp - Nodelman
VIS 126D* Problems in Ancient Mayan Iconography and Inscription - Newsome
Seminar in Art History of the Americas: The Folkart of Mexico and
VIS 129D* Central America: Prehispanic times to the Present -Taube
VIS 120B Roman Art - Nodelman
VIS 126HN Pacific Coast American Indian Art - Newsome
VIS 128C Topics in Modern Art History: Faces and Powers - Welchman
Seminar in Modern Art History: Art and the State - Losh
VIS 129C*
Other
Advanced Projects in Art - Staff
Contemporary Issues and Practices - Cruz
Proposals, Plans, Presentations - Park
Studio Honors II - Gallaccio
VIS 129G*
Art History Honors Seminar - Newsome
VIS 129H* Art History Directed Group Study - Newsome
Digital Imaging: Image and Interactivity: Foundations
of Interaction and Interface Design (crosslisted with
ICAM 101)- Bratton
Time and Process Based Digital Media II - Alexander
Electronic Technologies for Art I - Cardenas
Seminar in Contemporary Computer Topics: Space,
Subjectivity, & Sexuality (crosslisted with ICAM 130) Crandall
Seminar in Contemporary Computer Topics:
Wayfinding Cognition and User Interface (crosslisted
with ICAM 130) - Stalbaum
Senior Project in Computer Arts I - Spellman
VIS 141A
VIS 145A
Computer Programming for the Arts - Stalbaum
Time and Process Based Digital Media I (crosslisted with ICAM 102) Alexander
Time and Process Based Digital Media II - Manovich
Seminar in Contemporary Computer Topics: Globalization, Design
and the Politics of Systemic Risk (crosslisted with ICAM 130) - Bratton
Senior Project in Computer Arts I - Alexander
VIS 140
The Director Series: Music and Passion in films by L.
Visconti, W. Kar-wai, & J. Zhangke- Mangolte
Histories of Photography - Arnold
VIS 152
VIS 159
Film in Social Context: Independence & Identity - Plante
VIS 153
History of Art and Technology (crosslisted with ICAM 150) - Manovich
Genre Series- Gorin
Photography VIS 164
VIS 165
Photographic Strategies - Lonidier
Camera Techniques - Steinmetz
VIS 164
VIS 165
Photographic Strategies - Steinmetz
Camera Techniques - Lonidier
VIS 164
VIS 167
Photographic Strategies - Lonidier
Social Engagement in Photography - Steinmetz
Media
Digital Cinema - Theory and Production - Cornish
Media Sketchbook - Crandall
Media Sketchbook - C. Smith
16mm Filmmaking - Mangolte
Scripting Strategies - Gorin
Sound - Theory and Production - Trigilio
Documentary Evidence and the Construction of
Authenticity in Current Media Practices - Hock
Fiction and Allegory in Current Media Practices Lertxundi
Strategies of Self - C. Smith
Strategies of Alterity - Lertxundi
VIS 171
VIS 174
VIS 174
VIS 175
VIS 177
VIS 180A
Digital Cinema - Theory and Production - Lertxundi
Media Sketchbook - Hock
Media Sketchbook - Brunner-Sung
Editing - Theory and Production - Trigilio
Scripting Strategies -Crandall
Documentary Evidence and the Construction of Authenticity in Current
Media Practices - Brunner-Sung
Fiction and Allegory in Current Media Practices - Lertxundi
Sound and Lighting - Mangolte
Strategies of Self - Trigilio
Strategies of Alterity - C. Smith
VIS 171
VIS 174
VIS 177
VIS 178
VIS 180A
Digital Cinema - Theory and Production - Zimmerman
Media Sketchbook - Brunner-Sung
Scripting Strategies - Crandall
Sound - Theory and Production - Trigilio
Documentary Evidence and the Construction of Authenticity in
Current Media Practices - Brunner-Sung
Fiction and Allegory in Current Media Practices - Zimmerman
Advanced Editing - Gorin
Strategies of Self- C. Smith
Strategies of Self - STAFF
Strategies of Alterity - Fagin
Computing
VIS 140
VIS 145B
VIS 147A
VIS 149
VIS 149
ICAM 160A
Media
History
VIS 155
VIS 158
VIS 171
VIS 174
VIS 174
VIS 176
VIS 177
VIS 178
VIS 180A
VIS 180B
VIS 183A
VIS 183B
VIS 145B
VIS 149
ICAM 160A
VIS 180B
VIS 181
VIS 183A
VIS 183B
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Digital Imaging: Image and Interactivity: Foundations of
Interaction and Interface Design (crosslisted with ICAM 101) Bratton
VIS 141B Computer Programming for the Arts II - Stalbaum
VIS 145B Time and Process Based Digital Media II - Alexander (or VIS
149/ICAM 130)
VIS 145B Time and Process Based Digital Media II - Manovich
VIS 149
Seminar in Contemporary Computer Topics: Alternative
Narratives and Aesthetics for Computer Games (crosslisted with
ICAM 130) - Brown
VIS 149
Seminar in Contemporary Computer Topics: Subtitle?
(crosslisted with ICAM 130) - Bratton
ICAM 110 Computing in the Arts: Current Practice - Brown
ICAM 160B Senior Project in Computer Arts II - Alexander
VIS 180B
VIS 182
VIS 183A
VIS 183A
VIS 183B
12/16/2010
UCSD Visual Arts Department 2010-2011 Annual Schedule
Other
Graduate
VIS 201
VIS 202
VIS 203
VIS 204
VIS 205
VIS 206
VIS 252
VIS 257
Contemporary Critical Issues - Cruz
Art Practice - Hock
Working Critique - Silva
Re-Thinking Art History - Bryson
Introduction to Graduate Studies in Art Practice -OrtizTorres
Seminar in Art Practice Research - Bratton
Seminar in Renaissance Art - Greenstein
Seminar in Meso-American Art: Materiality and Being
in Arts of the Americas - Newsome
VIS 132
Installation: Production and Studio - Hock
VIS 202
VIS 202
VIS 203
VIS 212
VIS 216
VIS 255
VIS 258
Art Practice: Building Social and Cultural Capitals - Park
Art Practice: Studio - Pastor
Working Critique: Subtitle? - Crandall
History and Memory - Mangolte
The Object - Steinbach
Seminar in Contemporary Art: Environmental Painting - Nodelman
Seminar in Chinese Art: Contemporary Chinese Art - Shen
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VIS 201
VIS 202
VIS 203
VIS 210
VIS 211
VIS 213
VIS 219
VIS 255
VIS 256
VIS 2XX
Contemporary Critical Issues - STAFF (If Needed)
Art Practice - STAFF
Working Critiques - Brown
Narrative: Cognitive Estrangement in Cinema - C. Smith
Fact and Fiction - Fagin
Public Space: Gardens: Public and Private - Stern
Special Topics in Art Practice/Theory: Contemporary
Collaborative and Collective Art Practice - Kester
Seminar in Contemporary Art: Subtitle? - Welchman
Seminar in Media and Mew Media: Subtitle? - Manovich
XXX: - Alexander
VIS 2XX
Sabb
Fagin, Pastor, S. Smith
Sabb
Brown, Dominguez, Fagin, Ortiz-Torres
Sabb
Adler
Leave
Steinbach (50%); Stern
Leave
Steinbach (50%)
Leave
Steinbach (50%)
Indep
Brown, Gallaccio, Kester, Manovich, Nodelman,
Welchman
Indep
Gorin, Kester
Indep
Bryson, Cruz, Greenstein, Hock, Mangolte, Shen, Silva
Hire
Arnold, Cardenas, Cornish, Hendrickson, Guerrero,
Hire
Johnson, Lertxundi, Sowell, Spellman, Tronzo, Wallen
Anderson, Brunner-Sung, Dick, B., Holland, Lertxundi, Li, Plante,
Quesnell, Taube
Hire
Brunner-Sung, Li, Losh, Pylypchuk, Tronzo, Van Genderen,
Woods, Yuasa, Zimmerman
*Seminar
SUBJECT TO CHANGE WITHOUT NOTICE
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16-Dec-10
12/16/2010