1 Shanell Johnson 04/22/2011 American Lit The Turn of the Twentieth Century… The turn of the twentieth century was a pivotal movement in American literature. It contributed to understanding important underrepresented individuals in society. Those underrepresented individuals dealt with issues related to class, race, and gender. These issues were explored through characters created by breakthrough authors of the twentieth century. Hemingway, Chopin, Crane, and Wright were a few breakthrough authors of the time that created those characters who dealt with those issues. Crane, introduced the idea of naturalism throughout his novel, Maggie. Naturalism came known to be the study of human behavior and characters within the context of their surroundings. Richard Wright would later implement this idea in his novel, Native Son. While Wright and Crane were implementing naturalism in their writing, novelists Ernest Hemingway and Kate Chopin were using modernism. Modernism is the belief that the world is created in the act of perceiving, that is, “the world is what we say it is”. Hemingway explores this idea throughout his novel, “The Sun Also Rises”, and Chopin through, “The Awakening”. Though their breakthroughs with modernism and naturalism are significant, what is even more significant is the effect those themes had on the people who read the novels. These authors presented a new way of thinking about societal problems such as, race, gender, ethnicity, and class. They used their characters to portray thought processes of women, African-Americans, woundedwar veterans, and low-income families. This paper will explore how the turn of the 2 twentieth century in American literature’s themes, writing styles, and author’s, effected the thought processes of the people receiving the literature. (Gale, 1) Richard Wright is considered one of the essential pioneers for AfricanAmerican literature. In Wright’s novel, Native Son, he explores how it is to be Black in America. It was a breakthrough novel because it was the first of its kind to expose the harsh realities of life for poor Black people in America. In writing this novel, Wright wanted to, “…write a novel that could not be wept over, that would be so hard and deep that his readers would have to face it without the consolation of tears…” Through this quote, it is clear of how Wright wanted the readers to be affected by his novel. He wanted his readers to know the truth about the issues in the Black community. (Gale, 2) After publication of the novel and criticism began, James Baldwin called Native Son, “the most powerful and celebrated statement we have yet had of what it means to be a Negro in America.” This quote is proof that, Wright’s intentions for the interpretation for the novel were met by the readers. Throughout the text Wright puts the reader into the mind of Bigger and really gives the reader an idea of how he thought and reacted. Through his writing, he demonstrated how it felt to be Black in America. In that way, he affected the thought process of the people receiving the literature. Wright’s use of naturalism through Native Son helped to influence other black writers such as Chester Himes, Ann Petry, Willard Motley, and Lloyd Brown. Wright’s novels and themes not only had an affect on how readers came to understand Black people in America, but it also influenced an entire era of writers that would come in the future. (Gale, 2) 3 Stephen Crane is regarded as one the most important and influential American writers of the late nineteenth and early twentieth centuries. He is praised for being an innovator and of his era critics say, “he produced a significant and influential body of work which heralded the literary trends and thematic concerns of the twentieth century”. This quote says that he basically gave birth to the trend of themes in the twentieth century, which were naturalism and realism. His language in writing, “Crucially influenced Cather, Hemingway and his daring extravagances of imagery inspired Faulkner and Ellison.” Another, common theme in the twentieth century was modernism, which was a response to naturalism. Therefore, in him “fathering” naturalism he helped influence modernistic writers such as Cather and Hemingway. (Cengage, 3) In Crane’s novel, Maggie, it explores the life of a girl whose family is lowincome, and she and her siblings deal with abuse from their parents. Maggie receives attention from a guy, she is kicked out of the house, after denied by the guy, and is forced into prostitution for survival. Eventually, she turns up dead. Crane believed in looking at the environment and evaluating the type of people that were created as a result. This idea is portrayed in Maggie, he wanted to portray that it was not the persons fault that they are the way they are, but it is due to the social organization of society. Those are the ways he wanted his readers to be affected. After criticism of his writing, Gandal concludes that, “Crane perceives in the turn-ofthe-century slums, not vice, but an alternative reality—and moral inspiration.” This quote confirms the idea of the alternative reality for those people that Crane writes about and what he wanted people to recognize and understand. He does it 4 affectively throughout his naturalists themes portrayed in his writing. Modernism, the response to naturalism, is also a common theme throughout the twentieth century. (Cengage, 3) Ernest Hemingway is another one of those important and influential writers of the twentieth century. He explores themes of war, love, death, masculinity, and individual courage. His signature, however, is his writing style, “…his greatest literary contribution is his spare understated writing style, which marked an end to the ornamental prose of the Victorian era, and altered the direction of American fiction.” One of the most significant ways that Hemingway affected readers was his unique writing style. He did not write in long prose and complicated sentences, in his writing style, he helped to alter the future of American literature with concise sentences. (Gale, 4) Hemingway is also known as a modernistic writer. In Hemingway’s novel, The Sun Also Rises, he explores the lives of characters wounded from the war. War is a common theme in his novels, and he is praised, “for defining and immortalizing the disillusionment of the post- World War I “lost generation”. Because this idea of writing about the “lost generation” occurs within his writing, Hemingway exposes his readers to the wounds those characters carried around and how they were affected by it. Throughout the novel, several of the characters experienced the war, one character, however, Robert Cohn, did not. The way that Hemingway writes the novel and portrays the characters, he reveals that the war-wounded characters are searching for fulfillment but cannot ever be completely fulfilled because of the war wounds they have to carry around. The way they deal with that is by drinking and 5 partying all the time. Cohn, however, does not understand the disadvantages of the war wounds, and is not received well by the others because of his lack of understanding. In a way, Cohn represents everyone in the world that did not suffer from the war. Through these characters, Hemingway exposes the feelings of the people who suffer from those war wounds to the readers who did not suffer from them. In this way he affects readers with his “lost soul” theme in taking them through the thought process of something they were not aware of. His significance and successfulness in this theme is undeniably effective for the twentieth century. (Gale, 4) Kate Chopin was breakthrough female writer for the twentieth century. In Chopin’s novel, The Awakening, she explores many groundbreaking themes such as female sexuality, guiltless adultery, and the conflict between marriage, motherhood, and self-fulfillment. The novel was not well received because of these themes covered in the novel, it conflicted with the time the novel was written. People did not want to hear about women’s sexuality and self-fulfillment. Although it was not received well the truth in novel was undeniable, “(The Awakening)the most important piece of fiction about the sexual life of a woman written to date in America,…” Chopin writing was valid and definitely an outcry for people to understand the emotional conditions of a woman at that time, however, the world was not ready to receive it. Later in the 1970s and 1980s the novel received critical notoriety throughout the feminist movement. It was relevant because of its themes of recognizing female sexuality, and self-fulfillment. Although, Chopin had to wait for her novel to receive notice, it helped sponsor the feminist movement: a major 6 breakthrough for women in America. Chopin’s use of the modern themes mixed with uncommon themes of a time, which exposed a woman’s want for selffulfillment in the twentieth century helped to influence a movement later on. Through her character Edna Pontellier, she helped expose two traditions: “domestic feminity and romantic individualism—and whose death reminds us of not only human limitation but also of human possibility.” (Gale, 5) The turn of the twentieth century had a lasting affect on the writer’s that were to come, the writing styles they would emulate, and the themes they would implement in their own writing. Themes of naturalism and modernism raised awareness to readers about unfortunate experiences of war, poverty, gender, race, and ethnicity. The basis for these themes were stemmed from the writers personal experience with the subject. The authors, Wright, Hemingway, Crane, and Chopin bring the reader into the minds of the characters, and breaks down the way they think and why and how they came to those conclusions. It truthfully explains, the idea of being a product of the environment, and the reactions that happen there of. The most important reason why these authors were very significant for their time is because they talked about issues no one wanted to face the truth about, and they made readers undeniably face the truth about those issues and understand them as well. Future thematic sequences, plethora of future writers, and those who implement the new birth themes of naturalism and modernism were influenced by the unique innovators who emerged in the turn of the twentieth century. (Gale, 5) 7 Bibliography "American Literary Naturalism." Twentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 182. Detroit: Thomson Gale, 2007. 1-95. Literature Criticism Online. Gale. Access provided by the University of Michigan University Library. 22 April 2011 <http://galenet.galegroup.com.proxy.lib.umich.edu/servlet/LitCrit/umuser/FJ2631 350002> "Native Son by Richard Wright." Twentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 180. Detroit: Thomson Gale, 2006. 210330. Literature Criticism Online. Gale. 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