Introduction to Literature and Composition 1X
Instructor: Michael Thornton
November 20, 2009
Dramatic Structure of Aristophanes’ Lysistrata
Name __________________
Old Comedy in Greek Drama follows a pattern, which evolved from its origins in the
parades of the spring festivals dedicated to Dionysos. The actors and chorus take on
specific roles during the course of the comedy. Identify these structural elements in
Lysistrata – they may not fit the pattern exactly, but they are close. Briefly tell what
happens during these stages – who the main characters are, what the scene involves.
These parts of the play proceed sequentially – each follows in succession – and do not
overlap.
1. Prologos: prologue or exposition. Someone has a bright idea, and sets it forth either
in monologue or dialogue.
2. Parados: entrance of the chorus. The thirty or so members of the chorus express
their opinion of the idea. (In Lysistrata, there are two half-choruses.)
3. Epeisodion: first episode or scene. What is the first scene in Lysistrata?
(over)
4. Parabasis: usually an elaborate composition in which the leader of the chorus
ordinarily sheds his dramatic character and addresses the audience on the poet’s
behalf; or represents the audience’s response to the play. The parabasis in Lysistrata
is unusual – it is short and the chorus does not speak directly for the playwright or the
audience; instead, the chorus has an acting role in this comedy. It’s not just the
audience’s response, but the chorus in this section considers the deeper themes of the
play.
5. Epeisodia: episodes or scenes, sometimes briefly separated by choral songs. These
episodes have to do with the working out of the original bright idea. Number and list
these scenes in sequence.
6. Exodus: final scene, customarily of reconciliation and rejoicing.