1 Kratik Stage 1 G Established Goals: Students will cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. Students will interpret and identify four different archetypes portrayed in the novel Students will determine two or more themes or central ideas of a text and analyze their development over the course of the text Students will predict how the absence of rules can affect a society Students will analyze and determine different types of leadership and which type of leader is the most successful Understanding(s) U Essential Questions Q Students will understand that… Rules are placed in society in order to help prevent humans from descending into madness and chaos. Human nature is complex and unpredictable All though successful leaders can have similar characteristics they are not all the same archetype. Archetypes exist in fiction, history and politics. It is a natural reaction to place human beings into categories. *** What drives human nature? How do the rules placed in society keep people from descending into savagery? How far can someone go to achieve absolute supremacy? What attributes does a person need to have in order to be a successful leader? How are archetypes portrayed in literature, politics, and history, and what type would be the most successful in a leadership position? Related Misconceptions - Stereotypes and Archetypes are the same thing - All successful leaders are the same archetype Knowledge Students will know… K Skills S Students will be able to… 2 Kratik * Students will be able to *Students will know what an archetype is produce a number of short *Students will know the importance of rules in a civilized writing tasks in relation to society the general themes of * Students will know what symbolism is and how it can Lord of the Flies help facilitate a story * Students will be able to cite several pieces of *Students will know how different types of leadership affect textual evidence to a group’s dynamic. support analysis of what the text says explicitly as * Students will know how to successfully cite evidence. well as inferences drawn * Students will know how Lord of the Flies can relate to from the text. real life events * Students will be able to * Students will know how to infer about the future of a acquire and use accurately novel based on foreshadowing and symbolism grade-appropriate general academic and domainspecific words and phrases. * Students will be able to successfully argue and counter argue their points of view, while using evidence to prove their point * Students will be able to identify different archetypes * Students identify different symbols Stage 2 Performance Tasks: T * Students will engage in a role playing activity based on the dynamic of tribes in Lord of the Flies * Students will participate in an anticipation discussion based on the rules of society * Students will complete a worksheet depicting the leadership qualities of both Ralph and Jack * Students will complete the Archetypes worksheet and be able to act out certain ones * Students will complete a symbolism activity * Students will participate in a discussion about the existence of evil and how it manifests in a person. * Students will participate in a discussion about the dark side of human nature * Students will determine which type of archetype would be the most successful leader * Students will engage in the research of an article relating to the theme of savagery in society * Students will engage in a trial skit based on the possible repercussions of what 3 Kratik happened on the island * Students will complete individual writing assignments * Students will participate in a mock talk show * Students will create a script for the mock talk show *Students will complete a Writing Metaphors activity. * Students will complete a Writing Similes activity. * Students will look back on Other Evidence OE: * Students will be tested on certain chapters in Lord of the Flies * Students will be tested on Archetypes, including what different ones exist and how they are represented in literature as well as popular culture * Students will revise and edit their work. * Students will actively participate in class discussion. Student self-assessment & reflection: Students will reflect on their learning during group and class discussion. They will also reflect on their writing by having time in class to pier review their first drafts. Lastly, students will reflect on the final talk show project- the process, product, and group participation. Stage 3 Where are your students headed? Where have they been? How will you make sure the students know where they are going? How will you hook students at the beginning of the unit? What events will help students experience and explore the big idea and questions in the unit? How will you equip them with needed skills and knowledge? How will you cause students to reflect and rethink? How will you guide them in rehearsing, Students will begin this unit with a group activity where they have to put themselves in the position of the characters in the novel. This activity will begin to form the ideas that group dynamic differs based on leadership, the deterioration of rules can lead a civilized person into savagery, and every action affects the future, which can then be noted through out the rest of the unit plan. I will hook the students by putting them in the shoes of the boys on the Island, having them plan their own “tribe” dynamics, and learning how their actions might result in the figurative destruction of their group. Students will learn about group dynamics, archetypes, symbolism, as well as leadership, and how they all relate to civilization vs. savagery. I will equip them with the needed skills and knowledge by facilitating whole class discussions, small group discussions, and partner discussions. They will work in groups to learn about the Symbolism, main themes, and real life application of Lord of the Flies. They will also be completing a number of group and independent writing activities as well as presentations and research that pertain to the main themes. Students will participate in small and full group discussions often, if not daily, allowing them to develop their perspectives as they read. I will allow them to revise and reflect on assignments because writing is a process. 4 revising, and refining their work? How will you help students to exhibit and self-evaluate their growing skills, knowledge, and understanding throughout the unit? How will you tailor and otherwise personalize the learning plan to optimize the engagement and effectiveness of ALL students, without compromising the goals of the unit? How will you organize and sequence the learning activities to optimize the engagement and achievement of ALL students? Kratik Furthermore, I will also moderate discussion during group as well as whole class conversations. Students will be able to present their newly developed skills both during the culminating activity. By creating a talk show script they are required to demonstrate analysis skills, archetype knowledge, as well as the importance of the symbolic objects found in the novel. In addition, after they complete their script they will return to the anticipation worksheet and reflect on how their points of view on society as well as the statements might have changed since reading the novel. I will create a multitude of different lessons that will tailor to different types of learner. For example, the writing portions will be for linguistic learners, the skits are helpful for interpersonal and kinesthetic learner, and relating the novel to personal and real life situations is for intrapersonal learners. Furthermore, discussing a majority of the chapters in class instead of having the students read it all on their own helps those who learn better through an auditory presentation. I will begin the unit with a “What would you do if you were stuck on an Island” activity where students will have the opportunity to put themselves in the shoes of the characters of Lord of the Flies, with out even having read the book yet. I have chosen this is an opening activity because students are more inclined to participate if the activity is geared towards an interesting engagement and this type of lesson is meant to engage every type of learner in the class. Following this, students will read chapters one and two and then participate in anticipation activity. This activity will hint at upcoming themes in the novel. We go back to these questions on the last day of this unit in order to see if any of the students’ opinions have changed after reading the novel. 5 Kratik Lord of the Flies – Unit Plan Lesson Number 1 Title Objectives Opening – If you were trapped on an island Students will be able to place themselves in the mind set of a stranded island dweller. This will help give them a better understand of the themes, characters and plot of the book that are to come. Students will be able to reflect on their decisions and determine how certain choices influenced the result of this activity. Students will be able to draw inferences form this activity and base it on how the novel will progress 2 Antici…pation Students will be able to discuss issues present in society Students will be able to argue their opinion using real life examples. Students will be able to respect points of view that differ form their own. Students will be able to understand how certain parts of society shape who they are. Common Core State Standards CCSS.ELA-Literacy.SL.1112.1 Initiate and participate effectively in a range of collaborative discussions (oneon-one, in groups, and teacherled) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.1112.3 Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, assessing the stance, premises, links among ideas, word choice, points of emphasis, and tone used. CCSS.ELA-Literacy.L.1112.1 Demonstrate command of the conventions of standard English grammar and usage when writing or speaking. CCSS.ELA-Literacy.W.1112.1a Introduce precise, knowledgeable claim(s), establish the significance of the claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that logically sequences claim(s), counterclaims, reasons, and evidence. CCSS.ELA-Literacy.W.1112.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content. CCSS.ELA-Literacy.W.1112.4 Produce clear and coherent writing in which the development, organization, and style are 6 Kratik appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) CCSS.ELA-Literacy.SL.1112.1 Initiate and participate effectively in a range of collaborative discussions (oneon-one, in groups, and teacherled) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.1112.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks. 3 Ralph vs. Jack Students will be able determine what makes a successful leader Students will be able to locate examples of both Ralph and Jack’s leader ship skills Students will be able to cite evidence for these examples Students will be able to CCSS.ELA-Literacy.RL.1112.2 Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text. CCSS.ELA-Literacy.RL.1112.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. CCSS.ELA-Literacy.RL.1112.6 Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement). 7 Kratik discuss their opinions about leadership, while respecting points of view that differ from their own. CCSS.ELA-Literacy.RL.1112.7 Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. (Include at least one play by Shakespeare and one play by an American dramatist.) CCSS.ELA-Literacy.W.1112.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence. 4 Archetypes Students will be able to explain the different types of character archetypes Student will be able to explain which Lord of the Flies characters is what archetype and give examples from the text to prove their point Students will be able to explain how archetypes and stereotypes differ CCSS.ELA-Literacy.SL.1112.1 Initiate and participate effectively in a range of collaborative discussions (oneon-one, in groups, and teacherled) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.RL.1112.3 Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). CCSS.ELA-Literacy.RL.1112.5 Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. CCSS.ELA-Literacy.W.1112.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content CCSS.ELA-Literacy.W.1112.9 Draw evidence from literary 8 Kratik or informational texts to support analysis, reflection, and research. 5 Leaders (historical, political, pop culture) Students will be able to research different types of leaders (pop culture, political, or historical) and explain what archetypes they are. Students will be able to choose one archetype and argue why they would make the best leader. CCSS.ELALiteracy.W.7.1e Provide a concluding statement or section that follows from and supports the argument presented. CCSS.ELALiteracy.SL.7.2 Analyze the main ideas and supporting details presented in diverse media and formats (e.g., visually, quantitatively,orally) and explain how the ideas Students will be able to clarify a topic, text, or issue use evidence to solidify under study. CCSS.ELAtheir arguments. Literacy.SL.7.4 Present claims Students will be able to and findings, emphasizing salient points in a focused, write a paper arguing coherent manner with pertinent and counter arguing descriptions, facts, details, and their choice of examples; use appropriate eye archetype. contact, adequate volume, and Students will be able to clear pronunciation. explain their choice of archetype correctly 6 Why Boys Become Vicious Students will be able to understand William Golding’s view on society and the cruelty of boys Students will be able to question why William Golding didn’t include girls in his novel Students will be able to discuss how aggression is viewed both similarly and differently in males and females. CCSS.ELA-Literacy.RI.1112.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. CCSS.ELA-Literacy.RI.1112.2 Determine two or more central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to provide a complex analysis; provide an objective summary of the text. CCSS.ELA-Literacy.RI.1112.5 Analyze and evaluate the effectiveness of the structure an author uses in his or her 9 Kratik Students will be able to understand Golding’s article both from his point of view as well as their own. Students will be able to refer back to Lord of the Flies to make connections between that text and this one 7 Symbolism in Lord of the Flies and why it’s important Students will be able to critically analyze Golding’s writing and answer the questions presented. Students will be able to define symbolism correctly Students will able to identify and cite the evidence of symbolism in Lord of the Flies Students will explain how symbolism helps explain the main themes of Lord of the Flies Students will be able to explain how and through what (or who) religion is symbolized in Lord of the Flies Students will be able to identify the importance of nature in the novel and what it symbolizes exposition or argument, including whether the structure makes points clear, convincing, and engaging. CCSS.ELA-Literacy.RI.1112.6 Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness or beauty of the text. CCSS.ELA-Literacy.W.1112.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) CCSS.ELA-Literacy.RL.1112.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain CCSS.ELALiteracy.RL.11-12.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) CCSS.ELALiteracy.RL.11-12.5 Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. CCSS.ELA- 10 Kratik Literacy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Gradespecific expectations for writing types are defined in standards 1– 3 above.) 8 Articles – Real life Connections Students will be able to use the internet to locate articles relating to idea of civilization vs. savagery. Students will be able to successfully analyze informative text Students will be able to connect Lord of the Flies to real life situations Students will be able to explain their article and how it is similar or different form the novel CCSS.ELA-Literacy.W.1112.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content CCSS.ELA-Literacy.W.1112.7 Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation. CCSS.ELA-Literacy.W.1112.9 Draw evidence from literary or informational texts to support analysis, reflection, and research CCSS.ELA-Literacy.W.1112.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes CCSS.ELA-Literacy.L.1112.1 Demonstrate command of the conventions of standard English grammar and usage when writing or speaking. CCSS.ELA-Literacy.L.1112.2 Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. CCSS.ELA-Literacy.SL.1112.1 Initiate and participate effectively in a range of collaborative discussions (oneon-one, in groups, and teacher- 11 Kratik 9 On Trial – Who’s at fault for these crimes? Students will be able to cite correct evidence from Lord of the Flies to prove their point of view. Students will be able to put themselves in the mind set of what ever POV they are assigned too Students will able to successfully argue from their chosen perspective. Students will be able to make estimated guesses about Ralph and Jack based on both what happened in the book as well as any knowledge of the judicial system that they might have led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.1112.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks. CCSS.ELA-Literacy.RI.1112.3 Analyze a complex set of ideas or sequence of events and explain how specific individuals, ideas, or events interact and develop over the course of the text. CCSS.ELA-Literacy.SL.1112.1 Initiate and participate effectively in a range of collaborative discussions (oneon-one, in groups, and teacherled) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.1112.3 Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, assessing the stance, premises, links among ideas, word choice, points of emphasis, and tone used. CCSS.ELA-Literacy.SL.1112.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks CCSS.ELA-Literacy.RL.11- 12 Kratik 10 Talk Show Students will be able to explore the implications of the role of the individual in society-decisions/actions within a community. Students will be able to create the script for an Oprah/Dr. Phil type interview. The subject on the show would be to talk to the survivors about their experience. There would also be experts on the show of various kinds. Students will be able to cite specific examples from Lord of the Flies as well as various articles used in class in their script. This will demonstrate student based critical thinking and reflection. Students will be able to 12.6 Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement). CCSS.ELA-Literacy.RL.1112.7 Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. (Include at least one play by Shakespeare and one play by an American dramatist.) CCSS.ELA-Literacy.W.1112.9 Draw evidence from literary or informational texts to support analysis, reflection, and research. CCSS.ELA-Literacy.W.1112.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence. CCSS.ELA-Literacy.W.1112.3 Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and wellstructured event sequences. CCSS.ELALiteracy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Gradespecific expectations for writing types are defined in standards 1– 3 above.) CCSS.ELALiteracy.W.11-12.5 Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. CCSS.ELALiteracy.W.11-12.6 Use 13 Kratik use Ralph’s archetype and evidence from the text pertaining to it to help explain why he acted the way he did on the island. technology, including the Internet, to produce, publish, and update individual or shared writing products in response to ongoing feedback, including new arguments or information. CCSS.ELA-Literacy.W.1112.8 Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the strengths and limitations of each source in terms of the task, purpose, and audience; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and overreliance on any one source and following a standard format for citation. CCSS.ELA-Literacy.W.1112.9 Draw evidence from literary or informational texts to support analysis, reflection, and research. CCSS.ELA-Literacy.W.1112.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes CCSS.ELA-Literacy.W.1112.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes CCSS.ELA-Literacy.SL.1112.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and 14 Kratik style are appropriate to purpose, audience, and a range of formal and informal tasks * Lesson plans for Read Aloud days have not been included in this unit plan. On these days, the students and I will be sitting in a circle and reading as well as analyzing the chapters of the book together. At least 10 days of the unit plans length will be dedicated to this activity. 15 Kratik Lesson One Grade Level/ Subject Grade 12 English (Honors) Lesson Title If you were stranded on an Island Standards CCSS.ELA-Literacy.SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.11-12.3 Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, assessing the stance, premises, links among ideas, word choice, points of emphasis, and tone used. CCSS.ELA-Literacy.L.11-12.1 Demonstrate command of the conventions of standard English grammar and usage when writing or speaking. Context This lesson is an introduction to Lord of the Flies. Its main purpose is to figuratively place the students in to the same situation as the characters in the novel and see how they adapt to their new environment. Objectives Students will place themselves in the mind set of a stranded island dweller. This will help give them a better understand of the themes, characters and plot of the book that are to come. Students will be able to reflect on their decisions and determine how certain choices influenced the result of this activity. Students will be able to draw inferences form this activity and base it on how the novel will progress Instructional Procedures Materials If You Were Stranded on an Island worksheet Opening: To begin class I will first introduce myself. Following that, I will ask the class the following questions: If you stranded on a deserted island and could only bring one item what would it be? Why? 16 Kratik What if there were other people there with you? Would you get along? What if they had something you needed and wouldn’t give it to you? Then what would you do? This will then lead into the Engagement activity, which I will explain before handing it out. Engagement: The engagement portion of this lesson is the “If You Were Stranded on an Island worksheet. It is divided into four parts and after each part is complete, students will share out what they discussed in their groups. One student from each group will be chosen to be the scribe These “tribes” will then be the students set groups for the rest of the unit. Part 1: Each tribe will determine the hierarchy of their group and what form of government they will be following (ie Democratic, Socialist, Communist, etc,) I will give some examples of different types of government. This way, students will have a better idea of what they can choose from. Part 2: In their groups, students will: Choose three items that they are aloud to have with them on their island. Choose an occupation for each group member Create a list of laws they want to have on their island with punishments that will be carried out for each law that is broken. Choose a name for their tribe that relates to the way their 17 Kratik group is structured. Part 3: During the third part, each of the four groups will be given a scenario they will have to discuss and agree upon. Group 1 1. Whoever is second in rank, has stolen a pair of glasses from the person who is last in rank in your tribe; without these glasses, this member of the group is blind and cannot perform any of his duties. In the commotion of steeling the glasses, they have broken and cannot be fixed. As a tribe, how are you going to handle this situation? Remember to consider that this person, who now is blind, cannot perform any of his duties, nor can he get around without help. Who is going to help him get around? Who is going to pick up the slack for the duties that he will not be able to perform? What will happen to the person who committed this crime? Group 2 2. An airplane has flown by, but you have either failed to have a signal ready, or the signal you planned on having, was not ready when the airplane flew by. Who will be held responsible for the failure to be prepared? What will be his punishment? How will you keep this from happening in the future? Group 3 3. Your member(s) in charge of finding food has been hording food for himself and no longer brings the food back for other members of the tribe. Who will be held responsible? What will be his punishment? How will you keep this from happening in the future? Group 4 18 Kratik 4. The persons forth in rank and beyond have stopped doing their jobs. What are you going to do as a tribe to get these members to continue their jobs? Will there be a punishment? What will the punishment be? What happens if they do this again? Part 4: The second in rank, or next in succession, was executed or kicked out of the tribe because of question #7-10. He or She has decided that He or She no longer agrees with the way the tribe is being run. This person then wishes to break off from the tribe and start his own group. This new group will have no rules. Everyone will be able to hunt, do whatever they want, and have fun. The three items chosen earlier in the activity have no bearing on this decision. None of the tribes have any idea where these items will end up. Now, the person first in rank will have one minute, uninterrupted, to try and convince others to stay with the tribe. Once he is finished, take a vote; students who wish to remain in the tribe and students who wish to join the tribe of the person second in rank. If no one wishes to join the person second in rank then he must now be on his own. Closing: To conclude the class, students will return to a whole class circle and we will have a discussion based on these questions: After this experience, how would you change decisions you made in the past when it came to forming your tribe? What would you change and what would you keep the same? How would you relate your tribe to society as a whole? What worked in your society that works in 19 Kratik today’s society? What did not work in your society that also does not work in today’s society? Be specific with your answers; go into detail. Assessment Students will be assessed on their write up, which the scribe of the group will give to me at the end of class. Students will be assessed on their class participation. 20 Kratik If You Were Stranded on a Deserted Island! In groups of four, you will create your own tribes. These tribes will have a hierarchy, various occupations for each tribe member, laws, punishments, and most importantly, a name. The island is assumed to have trees, fresh streams, and multiple food sources. Listed below are the ordered tasks and scenarios that you must complete. Students must do the tasks in order and as a group. This is not to be done individually. Answers should be numbered and completed on another sheet of paper. Part 1: 1. As a group, determine the hierarchy of your group. Who is first in command? Who is second in command? Etc. Everyone must fit somewhere on the hierarchy and no two people can be equal in rank. 2. As a group, decide what type of government will be followed in your tribe. Will you be using a democratic government where decisions are determined by a vote from each tribal member? In that democratic government do certain members’ votes count more than others or are they all even? Will your government be a fascist government where the leader makes all the decisions and no one votes? In either case be sure to be specific with your government and voting process. 21 Kratik Part 2: Now that you have your government and hierarchy in place, read carefully to how you will carry out the rest of your tasks for this assignment. Whatever government you chose will now be used to complete the rest of the assignment. Ex) If you chose a fascist government, your leader or the person first in command will be making all of your decisions. This means whatever he says goes. All other members of the tribe must now do whatever the leader or person first in rank says. The group is now at the mercy of the person first in command. However, if your group chose a democratic government, you must follow that government and the way it will be run in order to complete the rest of this assignment. YOU MUST USE THIS GOVERNMENT FOR EVERY DECISION (QUESTION) FROM HERE ON OUT. Remember your voting and how much each person’s vote will count because that is how you will be making the rest of your decisions for this assignment. DO NOT CHANGE YOUR ANSWER TO TASK #2. 5. Your group is on a deserted island with nothing but the clothes on your back and no tools for survival. However, you are able to have three items to improve your chance at survival. What will these three items be? They must be three singular items. For example, you would only get a gun without bullets for one item. In the same regard, you would only get one bullet instead of multiple bullets. These must be tools used in order to increase your chances at survival. Do not include electronics, like a GPS system, or items that would directly get you off the island. These items are for survival only, not for escape. 6. Now that you have your three survival items, what will be the occupations for each member in your group? These jobs should be related to survival, morale, and keeping the peace. Some should involve the three items you selected for survival. Remember to make your decisions according to the government you chose for task #2. Be sure to think of everything your tribe will need to survive on its own. 7. With your occupations in place, list however many laws you want to have on your island with the punishment that will be carried out for each law that is broken. You should include consequences for not doing your job, stealing, and other punishable acts that would put the group at risk. Some laws may have different punishments. Some punishments may depend on the number of times someone breaks a specific law or any law in general. Again, remember to make decisions based on your tribe’s government 8. Now that you have your government and small society in place, you need a name. Choose a name that is relevant to your group, its attitude, the way it is run, and its social makeup. This can be a tribal name or the name of your society, such as the name of a state. This name must be classroom appropriate. 22 Kratik Part 3: The following scenarios are to be solved using your tribe’s information from above. The tribe should be run the same way you decided from the previous tasks. Everything that happens should be decided using your previous government, its laws, and punishments. remain consistent! Group 1 9. Whoever is second in rank, has stolen a pair of glasses from the person who is last in rank in your tribe; without these glasses, this member of the group is blind and cannot perform any of his duties. In the commotion of steeling the glasses, they have broken and cannot be fixed. As a tribe, how are you going to handle this situation? Remember to consider that this person, who now is blind, cannot perform any of his duties, nor can he get around without help. Who is going to help him get around? Who is going to pick up the slack for the duties that he will not be able to perform? What will happen to the person who committed this crime? Group 2 10. An airplane has flown by, but you have either failed to have a signal ready, or the signal you planned on having, was not ready when the airplane flew by. Who will be held responsible for the failure to be prepared? What will be his punishment? How will you keep this from happening in the future? Group 3 11. Your member(s) in charge of finding food has been hording food for himself and no longer brings the food back for other members of the tribe. Who will be held responsible? What will be his punishment? How will you keep this from happening in the future? Group 4 12. The persons forth in rank and beyond have stopped doing their jobs. What are you going to do as a tribe to get these members to continue their jobs? Will there be a punishment? What will the punishment be? What happens if they do this again? 23 Kratik Part 4: The second in rank, or next in succession, was executed or kicked out of the tribe because of question #7-10. He or She has decided that He or She no longer agrees with the way the tribe is being run. This person then wishes to break off from the tribe and start his own group. This new group will have no rules. Everyone will be able to hunt, do whatever they want, and have fun. The three items chosen earlier in the activity have no bearing on this decision. None of the tribes have any idea where these items will end up. Now, the person first in rank will have one minute, uninterrupted, to try and convince others to stay with the tribe. Once he is finished, take a vote; students who wish to remain in the tribe and students who wish to join the tribe of the person second in rank. If no one wishes to join the person second in rank then he must now be on his own. 24 Kratik Reading aloud and discussing Chapter 1 and 2 Lesson Two Grade Level/ Subject Grade 12 English (Honors) Lesson Title Antici…..pation Standards CCSS.ELA-Literacy.W.11-12.1a Introduce precise, knowledgeable claim(s), establish the significance of the claim(s), distinguish the claim(s) from alternate or opposing claims, and create an organization that logically sequences claim(s), counterclaims, reasons, and evidence. CCSS.ELA-Literacy.W.11-12.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content. CCSS.ELA-Literacy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) CCSS.ELA-Literacy.SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.11-12.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks. CCSS.ELA-Literacy.RL.11-12.2 Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text. Context This is an anticipation lesson, where students will discuss questions about society based on reoccurring themes in Lord of the Flies. By participating in this activity, students will be able discuss their preconceptions of the novel’s main themes. This worksheet will also be reevaluated on the last day of the unit in order to see if anyone’s views changed after reading the novel. 25 Kratik Objectives Students will be able to discuss issues present in society Students will be able to argue their opinion using real life examples. Students will be able to respect points of view that differ form their own. Students will be able to understand how certain parts of society shape who they are. Instructional Procedures Materials Anticipation Worksheet First day of Lesson Opening: I will hand out the worksheet and discuss the first two statements with the class as a whole, in order to scaffold the lesson as well as gage their differing opinions on social rules. Engagement: The students will then work in their tribal groups and discuss the other eight questions. I will walk around from group to group, in order to make sure that every one is participating and not going off track. Closing: To conclude class we will have a class discussion where each group will explain their views on the statements as well any of the conflict they might have had, due to varying opinions. I will then ask the students to keep the worksheets because they will be referring to them after we read Lord of the Flies. Home Work: The students will look over chapter 1 and 2, the titles of the other chapters, as well any introduction or author notes that might be present in book and try to determine what they might be foreshadowing. They will have to provide evidence for their theories, such as quotes from chapters 1 and 2 or the introduction. This lesson will eventually turn into a writing assignment 26 Kratik where the students have to predict what is going to happen in the novel based on the questions asked in this lesson. Assessment Students will be assessed on their examples worksheet. Students will be assessed on their class participation. Students will be assessed on the writing activity that comes after this one. 27 Kratik Name ____________________________________ Date ________________ Per. _____ LOTF Anticipation Guide Before + - Statement 1. Most people are followers, because it is much easier to follow. 2. Society does not need police or written laws to keep people honest 3. Society does not tolerate outsiders 4. If someone cannot “pull his weight,” he is expendable 5. All wars are preventable 6. There should be a “pecking order” amongst siblings; it is healthy, productive, and proper for the older and bigger to dominate (“survival of the fittest”) 7. Mankind is the cruelest of all beasts After + - 28 Kratik 8. Having many cops is a good thing 9. Our society needs as many laws as possible- or as necessary 10. A good leader must have charisma 29 Kratik What’s Going to Happen Next? A one-page metacognitive preview, with thoughtful predictions about the book we are about to read. Directions: Brainstorm at least three inferences about the text. Then, write a paragraph or two (a page) predicting key ideas and elements of the text. Preview your text by looking carefully at the book; consider all the material offered by the publisher—all reviews, background information, plot outlines, illustrations, font styles, tables of contents, epigraphs, forwards, dedications. Once you have carefully previewed the text, make three inferences (inference are conclusions we form from facts and evidence—inferences are educated guesses) about what will happen in the book. Write about a page (250 words), explaining in as much detail as you can, what you expect to encounter in this book: what themes, what issues, what events, what characters, what conclusions, what kind of style—anything. Be sure to explain why you have the expectations you have. In other words, explain how you made your inferences. Your goal here is to show that you have carefully examined your book, previewed the chapter headings, read the reviews, made inferences, done some research, and generally prepared yourself for the book. 30 Kratik Reading aloud and discussing Chapter 3 and 4 Lesson Three Grade Level/ Subject Lesson Title Standards Grade 12 English (Honors) Who is the more effective leader? CCSS.ELA-Literacy.RL.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. CCSS.ELA-Literacy.RL.11-12.6 Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement). CCSS.ELA-Literacy.RL.11-12.7 Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. (Include at least one play by Shakespeare and one play by an American dramatist.) CCSS.ELA-Literacy.W.11-12.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence. CCSS.ELA-Literacy.SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. Context Objectives Following the reading and analysis of chapters 3 and 4, students will be analyzing the differences between Jack and Ralph’s leadership skills. Materials: Lord of the Flies by William Golding Ralph vs. Jack leadership worksheet Students will be able determine what makes a successful leader Students will be able to locate examples of both Ralph and Jack’s leader ship skills Students will be able to cite evidence for these examples Students will be able to discuss their opinions about leadership, while respecting points of view that differ 31 Kratik from their own. Instructional Procedures Opening: I will begin class by asking students what one looks for in a leader. What do you think makes someone a good leader? Characteristics? Background? Personality? What are some examples of a successful leader? Why? What has he/she done to be labeled as such? What about Ralph is he a good leader? Would Jack be better? Why? Engagement: I will present the Jack vs. Ralph leadership worksheet. Following that I will explain to the students that they have to rate their leadership skills from 1- 10 (ten being the best) and find evidence from the text that supports their answer. They will then split up in to Tribal groups and complete the worksheets, while I walk around and moderate. Closing: Class will conclude with a whole class discussion about who appears to be the better leader, Jack or Ralph and why. In order to understand their points of view and to make sure that they grasped the lesson, I will then assign them this question for homework: Who is the more effective leader in the Lord of the Flies: Ralph or Jack (please circle one) What did this exercise tell you about effective leaders in 32 Kratik our society? Assessment Students will be assessed on their completion of the worksheet as well as how well they could find the evidence to support their chosen rank of the characters. Students will be assessed on participation during the group discussion. 33 Kratik Name(s): _________________________ Ralph vs. Jack Who is the more effective leader? A leader is: Rank: 1= demonstrates little or none of this aspect / 10= demonstrates this aspect to a full extent Evidence: either a direct quote Ralph Jack and an explanation or a description and explanation of an event from the book. Aspect of leadership: Rank: 1 2 3 4 5 6 7 8 9 10 Rank: 1 2 3 4 5 6 7 8 9 10 Visionary: Good leaders create a vision, a Evidence: Evidence: picture of the future, of where they want to take their organizations. Rank: 1 2 3 4 5 6 7 8 9 10 Rank: 1 2 3 4 5 6 7 8 9 10 Inspirational: Great leaders can inspire Evidence: Evidence: everyone in the organization to get onboard. Good leaders don’t necessarily have to be charismatic or great public speakers, though some are. Leaders may inspire by example or in low-key ways. Every word and action demonstrates his passion for the vision. Rank: 1 2 3 4 5 6 7 8 9 10 Rank: 1 2 3 4 5 6 7 8 9 10 Strategic: Strategic leaders are clear and Evidence: Evidence: directly face the strengths and weaknesses of their own organizations, as well as their external opportunities and threats. Rank: 1 2 3 4 5 6 7 8 9 10 Rank: 1 2 3 4 5 6 7 8 9 10 Tactical: Good leaders are bottom-line Evidence: Evidence: oriented and extraordinarily committed to results 34 Kratik Focused: Once vision and mission are established, good leaders achieve what they set out to do before launching new initiatives. By contrast, poor leaders may have dozens of conflicting programs and priorities. Persuasive: Good leaders can bring others to their point of view using logic, reason, emotion and the force of their personalities. They motivate by persuasion rather than intimidation. Rank: 1 2 3 4 5 6 7 8 9 10 Evidence: Rank: 1 2 3 4 5 6 7 8 9 10 Evidence: Rank: 1 2 3 4 5 6 7 8 9 10 Evidence: Rank: 1 2 3 4 5 6 7 8 9 10 Evidence: 35 Kratik Home Work Who is the more effective leader in the Lord of the Flies: Ralph or Jack (please circle one) What did this exercise tell you about effective leaders in our society? ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ______________________________________________________ ___________________________ * Reading aloud and discussing Chapter 5 and 6 36 Kratik Lesson 4 Grade/Content Area Lesson Title State Standards: GLEs/GSEs National Content Standards: Context of the Lesson Opportunities to Learn 12th Grade English Honors Archetypes CCSS.ELA-Literacy.RL.11-12.3 Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed). CCSS.ELA-Literacy.RL.11-12.5 Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. CCSS.ELA-Literacy.W.11-12.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content CCSS.ELA-Literacy.W.11-12.9 Draw evidence from literary or informational texts to support analysis, reflection, and research. This lesson follows the reading and analysis after chapters 5 and 6. The more the students get to know the characters, the easier it will be to determine what archetypes they are. Plans to differentiate instruction: I will a couple of different methods to present this idea including a worksheet, a kinesthetic activity, as well as relating Archetypes to pop culture as well literature. Environment factors: Desks will be moved in to four groups and then back to a full class discussion circle. Materials: Project hand out Objectives Students will be able to explain the different types of character archetypes Student will be able to explain which Lord of the Flies characters is what archetype and give examples from the text to prove their point Students will be able to explain how archetypes and stereotypes differ Opening: 37 Kratik Instructional Procedures Who has ever heard of an archetype What is an archetype? How does is differ from a stereotype? Explain that their can be both character and plot archetypes, but we will be covering characters today. Examples from literature as well as pop culture Will hand them a list of character archetypes Engagement: Students will fill out the Lord of the Flies Literary Archetypes Organizer in tribe groups. They will then present their choices in a small skit format, where each tribe member takes on the role of one of the archetypes and acts like them. Closing: We will discuss the Archetype choices together as a class. I will inform the students of the Archetype quiz I have planned for the next class. They will be aloud to keep their worksheets to study from. Assessment Skit Discussion Worksheet (handed in with quiz) Archetype Quiz 38 Kratik Lord of the Flies Literary Archetypes Organizer Hero, Outcast, Scapegoat, Star-Crossed Lover Ralph, Jack, Piggy, Simon, Robert, Sam & Eric Character Archetype Rational Proof 39 Kratik Archetype Quiz An Archetype is something, usually a person, who represents the original or the perfect form of something, and from which others of the same type appear to be copies. For example, in the western tradition, Jesus Christ would be the archetypal figure of nonviolent suffering, and martyrdom. Martin Luther King, Gandhi, and Cesar Chavez can be said to follow the original “Christ archetype.” There are “mother archetypes,” “evilold-man archetypes,” “wise-old-man archetypes” “trickster archetypes” “beautiful-naïvegirl archetypes” and many others. For an example of a text chock full of archetypes, think of the film, Star Wars. Directions: List five characters from the novel and explain what archetype they would fall under and why. You may have to think a while to come up with archetypes. Remember, an archetype is not merely a description. Instead, it’s a description that can be applied to characters in thousands of films and stories. ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ ______________________________________________________________________________ 40 Kratik * Reading aloud and discussing Chapter 7 Lesson 5 Grade/Content Area Lesson Title State Standards: GLEs/GSEs National Content Standards: 12th Grade English Honors What archetype would make the best leader? CCSS.ELA-Literacy.W.11-12.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence. CCSS.ELA-Literacy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) CCSS.ELA-Literacy.W.11-12.5 Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. CCSS.ELA-Literacy.W.11-12.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes Context of the Lesson Opportunities to Learn This lesson follows the reading and analysis of Chapter 7. It is also the continuation of both the leadership and archetype lesson. Except this time students will be researching real life leaders that can be seen as archetypes. Accommodations and modifications: The students will be able to use a graphic organizer in order to help structure their writing. Environment factors: Desks will be moved in to four groups Materials: Organizer Worksheets from previous lessons Objectives Students will be able to research different types of leaders (pop culture, political, or historical) and explain what archetypes they are. Students will be able to choose one archetype and argue why 41 Kratik they would make the best leader. Students will be able to use evidence to solidify their arguments. Students will be able to write a paper arguing and counter arguing their choice of archetype. Students will explain their choice of archetype correctly in the paper. Instructional Procedures Opening: I will open the class by asking them to tell me their favorite celebrity Politician Historical figure Why do you like them? Do you think they would make a good leader? Why or why not? What archetype are they? Do you think that all good leaders are the same archetype or not? Engagement: The four tribes will then be assigned either the category of celebrities, historical figures, politicians or bible figures. They will then choose two people from their category and determine what their archetypes are or could be depending on examples and evidence found through out their lives. Then as a tribe they will fill out the graphic organizer for one of the two people that they chose, making sure that they both argue and counter argue their choice. Closing: Discuss who everyone chose and why. What figure did you decide would make the best leader? What archetype are they? Do you think that archetype should always be the leader then? Peer editing for the first draft during one class 42 Kratik Hand in the final draft a few days after that Assessment The graphic organizer The paragraph that they will write based on the graphic organizer. 43 Kratik What Archetype would make the better leader and why Issue:________________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ Position:______________________________________________________ _____________________________________________________________ _____________________________________________________________ _____________________________________________________________ Reasons: Type of Support 1. 1. 2. 2. 3. 3. Counter Argument Type of Support Emotional Anecdote Word choice Imagery Real life experiences TYPES OF SUPPORT Logical Logical though process Cause and effect Facts and Statistics Study results Ethical Expert opinion 44 Kratik * Reading aloud and discussing Chapter 8 and 9 Grade/Content Area Lesson Title State Standards: GLEs/GSEs National Content Standards: Context of the Lesson Opportunities to Learn Lesson 6 12th Grade English Honors Why Boys Become Vicious CCSS.ELA-Literacy.RI.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. CCSS.ELA-Literacy.RI.11-12.2 Determine two or more central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to provide a complex analysis; provide an objective summary of the text. CCSS.ELA-Literacy.RI.11-12.5 Analyze and evaluate the effectiveness of the structure an author uses in his or her exposition or argument, including whether the structure makes points clear, convincing, and engaging. CCSS.ELA-Literacy.RI.11-12.6 Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness or beauty of the text. CCSS.ELA-Literacy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) This Lesson follows the reading and analysis of chapters 8 and 9. In these chapters Simon is killed and the tribe begins to lose all sense of right and wrong. The civilized boys have now become savages. Plans to differentiate instruction: I will include reflection of the self and of others in society in order to reach both interpersonal and intrapersonal intelligences. Accommodations and modifications: I will read the article out load for those who find it easier to grasp the understanding of literary pieces through auditory means. Environment factors: Desks will be in a circle Materials: Article written by William Golding Worksheet 45 Kratik Objectives Students will be able to understand William Golding’s view on society and the cruelty of boys Students will be able to question why William Golding didn’t include girls in his novel Students will be able to discuss how aggression is viewed both similarly and differently in males and females. Students will be able to understand Golding’s article both from his point of view as well as their own. Students will be able to refer back to Lord of the Flies to make connections between that text and this one Instructional Procedures Students will be able to critically analyze Golding’s writing and answer the questions presented. Opening: In the opening of this lesson I will discuss Simon’s death with the class and if his killers can be seen as evil now? What does evil mean? Are people inherently evil or do they become evil do to certain circumstance? Why do you think that? Engagement: I will present and read the article out loud to the class and we will analyze and discuss it together. Closing: I will give out the question worksheet over it with them. Together we shall discuss the following: How does this article further prove the theme and ideas in Lord of The Flies? What is and fear? Does it promote evil doing? After reading this, has your opinion on being inherently evil changed? Do you agree with Golding that boys are more vicious than girls because of the way they are raised? I will then tell them to finish the work sheet for homework. 46 Kratik Assessment The discussion and the worksheet 47 Kratik “Why Boys Become Vicious” by William Golding *special to The (San Francisco) Examiner 2.28.93-Reprint* Pick any of the great saints or moral leaders of Western civilization – Jesus, St. Francis, Mother Teresa – and the characteristic that stands out is their simplicity. If it is true, as it seems to be, that there is a simplicity about human goodness, then it is just as true that there is a corresponding complexity about human evil. Hitler, Stalin and Idi Amin – to name just a few in the 20th century catalog of evil – were far from being simple men. At times they were childish, at times mad, at times pathetic. But their deeds were the twisted deeds of tangled and contorted souls. So there is nothing the slightest bit simple about what happened to 2-year old James Bulger after he was led out of a Liverpool area shopping center by two older boys. We are told that he was beaten and then dumped in the path of a train so that his injuries would be disguised. To contemplate that deed, as we must if we are to live in the real world and not little worlds of our own making, is to face a peculiarly stark form of horror. And the cruelty behind it is nothing if not complex. It was nearly 40 years ago when I wrote about the cruelty boys can inflict on each other in Lord of the Flies. It was, of course, not the first time that I had thought about human cruelty and its various manifestations. Since then, too, I have had plenty of reason and opportunity to think about it more. Are men and women born with cruelty as a deep component of their nature? Is civilization largely a heroic struggle to build layer upon layer of varnish upon the rough and splintered raw material of humankind? Or does it make a truer picture if we imagine the newborn child as a blank slate upon which the harshness of experience soon prints its indelible and frightening patterns? I believe all attempts to answer these great questions are doomed to end in doubt and confusion. I leave them to psychologists and prophets. I can only speak as a man who has lived long. But there are certain things about cruelty – and especially the cruelty of boys – which I believe may be true and from which we can learn: though I also believe in the end we can never completely banish the kind of concentrated horror that has brought to us in the story of James Bulger. There are, for instance, conditions in which cruelty seems to flourish, which is different from saying that it has clear causes. What are these conditions? Chaos is one, fear is another. In Russia after the First World War, there were, I believe, gangs of children who had lost their parents. Dispossessed, without anywhere to live or anything to live on, they roamed the country attacking and killing out of sheer cruelty. There was, at that time, social chaos in many countries, and, left to themselves, these children found a kind of elemental cohesion in their viciousness. We are told that in some parts of Britain today there are new gangs of children – offspring of an underclass that seems to reject conventional parenting. Without the support of mothers and fathers such children have nothing but the fruits of what they can beg and steal. 48 Kratik It would not surprise me if in these conditions, where the orders and patterns of society cease to matter, gangs begin to find cohesion merely in the joint fulfillment of their darkest instincts. Add to this heady cocktail the other element – fear – and you get a mixture that is more than doubly terrifying. When people are afraid they discover the violence within them and when they are afraid together they discover that the violence within them can be almost bottomless. I do not think it is too unlikely to suppose that children living without adult protection are often frightened. Add to that the sudden fear or capture or prosecution – or simple fear of what they had unthinkingly done – and one can see how horrors come about. Is it also true that the capacity of the young male to maim and torture is somehow connected to his long-forgotten beginning as a hunter and killer – a beginning that is very different from the female’s hearth? The truth must be that both components are of equal importance. We are born with evil in us and cruelty is part of this. (Though there is also a capacity for selflessness and love: otherwise we are denying part of our human nature.) But what must be true is that we can be twisted and distorted beyond recognition by the guidance – or lack of it – that we absorb directly from our families. If there is no one around to guide children, then they go wrong. The people who guide children are their fathers and mothers. Children need both and in the later part of this century they often have neither. And when children go wrong they can often go wrong with a vengeance. There is such energy in children; they are more powerful than any bomb. Many modern childhoods must be sheer horror, though I do not believe this is necessarily anything new – history has been full of horror and children have always suffered their share of it. It parents are absent, if fathers do not provide strength and mothers do not provide love, then children will plumb the depths of their nature. Old men perhaps are hard to surprise. If this is what happened in the case of the killers or James Bulger we should not be surprised. But we can be shocked into recognizing evil when we see it. The poor child’s pains are over. God help us all. 49 Kratik Name______________________________________ “Why Boys Become Vicious” (1989) William Golding Written in response to the murder of a two-year-old boy by two twelve-year-old boys. Answer the following questions in 2-3 complete sentences minimum. 1. In his article, “Why Boys Become Vicious,” Golding argues that there are two conditions in which evil will develop and grow: Chaos and fear. Explain for each condition how it occurs and what Golding thinks is the solution. Chaos: Fear: 2. Golding believes that all human beings are born with a black, or bad side, to their nature; he also believes they have a capacity for love. Do you agree or disagree? Explain. 3. Based on what you have read so far in Lord of the Flies, what is your opinion about why boys become vicious? (Think about the circumstances surrounding Simon’s death.) 50 Kratik 4. Golding proposes that boys are more vicious than girls because of the way they are raised, but he also references boys’ “long-forgotten beginning as a hunter and killer.” Which do you think is true? Why? 51 Kratik * Reading aloud and Discussing Chapter 10 Lesson 7 12th Grade English Honors Grade/Content Area Lesson Title Symbolism in Lord of the Flies CCSS.ELA-Literacy.RL.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain State Standards: GLEs/GSEs National Content Standards: CCSS.ELA-Literacy.RL.11-12.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful. (Include Shakespeare as well as other authors.) CCSS.ELA-Literacy.RL.11-12.5 Analyze how an author’s choices concerning how to structure specific parts of a text (e.g., the choice of where to begin or end a story, the choice to provide a comedic or tragic resolution) contribute to its overall structure and meaning as well as its aesthetic impact. CCSS.ELA-Literacy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) Context of the Lesson This lesson follows the reading and analysis of chapter 10, an important chapter for symbolism because this is right before the conch shell breaks. Opportunities to Learn Plans to differentiate instruction: Students will have the opportunity to both write about and illustrates their symbols. Accommodations and modifications: I am scaffolding this activity by answering the questions of one of the symbols with the class as an examples. Environment factors: Desks will moved in to four groups Materials: Symbolism worksheet Lord of the Flies Objectives Students will be able to define symbolism correctly 52 Kratik Students will able to identify and cite the evidence of symbolism in Lord of the Flies Students will explain how symbolism helps explain the main themes of Lord of the Flies Students will be able to explain how and through what (or who) religion is symbolized in Lord of the Flies Students will be able to identify the importance of nature in the novel and what it symbolizes Lesson Day 1: Instructional Procedures Opening: To open this activity I will ask the students what they know already know about symbolism and then I will explain how symbols can drive a story. Following that, as a whole class the students will chose one symbol to represent each main Lord of the Flies character. We will then discuss why these particular symbols were chosen. Engagement: The class will be divided into their four tribes. Each tribe will be assigned a couple of chapters. They will then have to search through these chapters and determine what can be read as a symbol and why it is relevant. Kind of like a symbol scavenger hunt. Closing: We will come back together as a whole class and discuss what each group found. I will then go over how nature and religion are symbolized in this novel, using symbols that the students will have found in their chapters. Lastly, I will tell them to specifically look for symbolism when we read chapter 11 of Lord of the Flies. Lesson Day 2: The second part of this lesson will take place after reading chapter 11. Students will each Pick 2 of the 8 symbols we found and analyze them. For each symbol they will answer the questions found on the worksheet. They will then Find two quotes from the novel that relate to their symbol. This should be easier because of the symbol 53 Kratik scavenger hunt. Following that, they will write a well developed paragraph about that symbol in Lord of the Flies, incorporating the answers to the questions and the quotes they found into the writing piece. Assessment The worksheet and the discussion Paragraphs about the symbols * Reading aloud and discussing Chapter 11 54 Kratik Symbolism in Lord of the Flies A symbol is a person, a place, an activity, or an object that stands for something beyond itself. Directions: In your groups, Pick 2 of the 8 symbols we found and analyze them. For each symbol answer the questions. Find two quotes from the novel that relate to your symbol. Then write a well developed paragraph about that symbol in Lord of the Flies. Incorporate the answers to the questions and the quotes you found. 1. Butterflies: What associations go along with butterflies? What are the situations where a butterfly would appear? How do butterflies enhance or compliment these situations? How do butterflies come to be butterflies? Which character is associated with butterflies? List some things that butterflies could be symbolic of. 2. The Lord of the Flies/Pig’s head Where does this title or label come from? Where did it originate? Trace the development of the beast from the beginning of the novel to the appearance of the Lord of the Flies. What things are connected with the Lord of the Flies? Literally? Figuratively? For whom is the Lord of the Flies a reality? Why does he only appear to one character? Is the Lord of the Flies real or imaginary? In what ways is he both? Why did the author choose this for the title of his book? 3. The conch Trace the development of the conch from its appearance to its destruction Is the physical description important? What situations is the conch associated with? What is the role of the conch among the boys? What does the conch literally and figuratively represent? What is the conch in our society? 4. Fire List all of the instances that fire appears throughout the novel What types of fire are there? How are they created? What situations is fire associated with? What does fire literally and figuratively represent? 5. Huts 55 Kratik What do huts provide? Why are they important on the island? In what situations are the huts mentioned? Are they a point of conflict? What do the huts literally and figuratively represent? 6. Piggy’s glasses What do the glasses provide? How often do they appear? Which character are they associated with? Is this important? Why? In which situation are the glasses mentioned? Are they a point of conflict? What do they literally do? What do the boys use them for? What are the glasses in our society? 7. Darkness What activities or situations take place in the dark? What role does darkness play in setting the mood of a situation? Trace the development of darkness from the beginning to the end of the novel. Does the role of darkness increase as the plot progresses? Is darkness ever more that the absence of light? When does it take on a more symbolic role? 8. Face paint Why do people put face paint on? What is it associated with? What does the face paint do for the boys? How does it change their behavior? What character is face paint associated with? Is this important? Why? In what situation is it used? How does the function or role of face paint change as the plot progresses? What does the face paint symbolize? 56 Kratik Grade/Content Area Lesson Title State Standards: GLEs/GSEs National Content Standards: Context of the Lesson Opportunities to Learn Lesson 8 12th Grade English Honors From civilized to savage – Articles that relate to Lord of the Flies CCSS.ELA-Literacy.W.11-12.2 Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content CCSS.ELA-Literacy.W.11-12.7 Conduct short as well as more sustained research projects to answer a question (including a selfgenerated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation. CCSS.ELA-Literacy.W.11-12.9 Draw evidence from literary or informational texts to support analysis, reflection, and research CCSS.ELA-Literacy.W.11-12.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes CCSS.ELA-Literacy.L.11-12.1 Demonstrate command of the conventions of standard English grammar and usage when writing or speaking. CCSS.ELA-Literacy.L.11-12.2 Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. CCSS.ELA-Literacy.SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.11-12.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks. CCSS.ELA-Literacy.RI.11-12.3 Analyze a complex set of ideas or sequence of events and explain how specific individuals, ideas, or events interact and develop over the course of the text. This lesson follows the reading and analysis of chapter 11. In chapter 11 Piggy dies and the tribe has reached its brink of madness. Accommodations and modifications: I will be giving the students an opportunity to use their computers in order to research other articles Environment factors: Desks will be moved in to a circle 57 Kratik Materials: Article: Horn, Kahentinetha. (2006). Caledonia's "Lord of the Flies" Strategy at Six Nations. Canadian Dimension, 40. http://canadiandimension.com/articles/1821/ Worksheet describing the writing component of the assignment. Objectives Students will be able to use the internet to locate articles relating to idea of civilization vs. savagery. Students will be able to successfully analyze informative text Students will be able to connect Lord of the Flies to real life situations Students will be able to explain their article and how it is similar or different form the novel Instructional Procedures Opening: I will ask the class how they felt about the ending of Chapter 11: Were they shocked? Do you think this type of descent into savagery could happen in real life? Why or why not? I will then present the article to them and explain its background: Within this text, Lord of the Flies is referenced in relevance to an actual event concerning “hundreds of young people from the nearby non-Native town of Caledonia”. Ultimately, these young folks experience the same type of “breakdown of social order and disrespect for fellow human beings” as they let the fear of losing their homes get the better of them. Rather than blaming the real offenders, which would be the Ontario government, they place the blame irrationally on Indigenous people. Engagement: Together we will read and discuss the article and its implications. I will lead a discussion that questions its 58 Kratik relevance to the story line. Together, students will connect the two texts and see that humans can lose their rational decision making on multiple occasions. This will inspire them to question the reality of the situation and think of resolutions. Closing: I will ask the students if they can think of any other real life situations that can be related to Lord of the Flies I will then assign their homework: Students will have to go home and research another article depicting actual example of Golding’s main theme, where social order is compromised. This will eventually turn into another lesson, where the students will share the articles they found with each other. Ultimately, they will end up writing (at least) a one page paper on how their articles relate to the theme of civilization vs. savagery, in Lord of the Flies. Assessment This lesson: The article Participation in the discussion Lesson brought on by this lesson: Articles found by students Worksheet The typed up paper 59 Kratik From Civilized to Savages! Find: an article depicting human beings losing their rational decision making and turning into “savages” Example: The article we went over in class, an assault case, theft, etc. Please answer the following questions. In class, you will share your articles as well as your answers. What is your articles main idea? ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ In what way does it depict a human being descending into savagery? ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ How does it relate to Lord of the Flies? ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ How does it differ from Lord of the Flies? ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ 60 Kratik * Reading aloud and discussing Chapter 12 Lesson 9 Grade/Content Area Lesson Title State Standards: GLEs/GSEs National Content Standards: Context of the Lesson Opportunities to Learn 12th Grade English Honors Lord of the Flies Perceptions Trial CCSS.ELA-Literacy.SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 11–12 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively. CCSS.ELA-Literacy.SL.11-12.3 Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, assessing the stance, premises, links among ideas, word choice, points of emphasis, and tone used. CCSS.ELA-Literacy.SL.11-12.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks CCSS.ELA-Literacy.RL.11-12.6 Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really meant (e.g., satire, sarcasm, irony, or understatement). CCSS.ELA-Literacy.RL.11-12.7 Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. (Include at least one play by Shakespeare and one play by an American dramatist.) CCSS.ELA-Literacy.W.11-12.9 Draw evidence from literary or informational texts to support analysis, reflection, and research. This is the activity directly following the reading of chapter 12 in Lord of the Flies. Plans to differentiate instruction: Kinesthetic learners will be able to move around, Interpersonal learners will be able to put themselves in a different person’s point of view, and linguistic learners will get the chance to look up evidence in the novel. Accommodations and modifications: A skit helps explain the storyline using a different method that might be easier to understand for some. Environment factors: Desks will remain where they are 61 Kratik Materials: Project hand out Lord of the Flies by William Golding Objectives Students will be able to cite correct evidence from Lord of the Flies to prove their point of view. Students will be able to put themselves in the mind set of what ever POV they are assigned too Students will able to successfully argue from their chosen perspective. Students will be able to make estimated guesses about Ralph and Jack based on both what happened in the book as well as any knowledge of the judicial system that they might have. Instructional Procedures Opening: The students would have finished reading the book the class prior to this one, so as an opening activity, I will ask the class what shocked them the most. The ending? What do you think will happen now? Do you think Jack will pay for his crimes? What about Ralph, any idea about what might happen to him? Engagement: I will introduce the activity and explain the steps. STEP ONE: Divide students into three groups—one group is the rescued boys who should look at the entire time on the island through Jack’s point of view, one group is the rescued boys who should look at the entire time on the island through Ralph’s point of view, and one group will act as an audience of adult judges—parents, police, and other authority figures; this group will ask questions of the two groups of boys and pass judgment on them. STEP TWO: 62 Kratik • What happened? While the group acting as judges prepares questions for both groups, the groups supporting Jack and Ralph should consider the following questions by way of preparing for questions from the adults: • What events does each boy have firsthand knowledge of? • What events did each boy only hear about? • Which actions will each boy defend the most emphatically? • What will each boy say about the others? STEP THREE: The group acting as judges should prepare questions for both groups. In order to come to a fair judgment, what do the judges need to find out? How can they look beyond the boys’ personalities and leadership styles to find an accurate depiction of what happened on the island? Explain that the judgment group must create questions that elicit both objective and subjective answers. STEP FOUR: After the adults have interrogated each boy, the judges should meet to formulate their conclusion: Who was responsible for each development during the boys’ stay on the island? To what degree? Why do the judges hold specific boys responsible? Closing: Judges should give out punishments—and possibly rewards— based on their findings. They may be creative in crafting consequences for each boy and may also consider making recommendations so that in the future society at large can avoid another destruction of a civilized group. Assessment As a class we shall then all discuss what this activity represented in relation to the book as well as real life situations and if the punishments seemed fair. The discussion, the skit, and the write up the accompanies the script 63 Kratik Lord of the Flies Perceptions Trial STEP ONE: Divide students into three groups—one group is the rescued boys who should look at the entire time on the island through Jack’s point of view, one group is the rescued boys who should look at the entire time on the island through Ralph’s point of view, and one group will act as an audience of adult judges—parents, police, and other authority figures; this group will ask questions of the two groups of boys and pass judgment on them. STEP TWO: • What happened? While the group acting as judges prepares questions for both groups, the groups supporting Jack and Ralph should consider the following questions by way of preparing for questions from the adults: • What events does each boy have firsthand knowledge of? • What events did each boy only hear about? • Which actions will each boy defend the most emphatically? • What will each boy say about the others? STEP THREE: The group acting as judges should prepare questions for both groups. In order to come to a fair judgment, what do the judges need to find out? How can they look beyond the boys’ personalities and leadership styles to find an accurate depiction of what happened on the island? Explain that the judgment group must create questions that elicit both objective and subjective answers. 64 Kratik STEP FOUR: After the adults have interrogated each boy, the judges should meet to formulate their conclusion: Who was responsible for each development during the boys’ stay on the island? To what degree? Why do the judges hold specific boys responsible? STEP FIVE: Judges should give out punishments—and possibly rewards—based on their findings. They may be creative in crafting consequences for each boy and may also consider making recommendations so that in the future society at large can avoid another destruction of a civilized group. 65 Kratik Lesson 10 12th Grade English Honors Grade/Content Area Lesson Title Lord of the Flies: The Aftermath Talk Show Episode CCSS.ELA-Literacy.W.11-12.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence. State Standards: GLEs/GSEs National Content Standards: CCSS.ELA-Literacy.W.11-12.3 Write narratives to develop real or imagined experiences or events using effective technique, wellchosen details, and well-structured event sequences. CCSS.ELA-Literacy.W.11-12.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) CCSS.ELA-Literacy.W.11-12.5 Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. CCSS.ELA-Literacy.W.11-12.6 Use technology, including the Internet, to produce, publish, and update individual or shared writing products in response to ongoing feedback, including new arguments or information. CCSS.ELA-Literacy.W.11-12.8 Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the strengths and limitations of each source in terms of the task, purpose, and audience; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and overreliance on any one source and following a standard format for citation. CCSS.ELA-Literacy.W.11-12.9 Draw evidence from literary or informational texts to support analysis, reflection, and research. CCSS.ELA-Literacy.W.11-12.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes CCSS.ELA-Literacy.W.11-12.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes CCSS.ELA-Literacy.SL.11-12.4 Present information, findings, and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or 66 Kratik opposing perspectives are addressed, and the organization, development, substance, and style are appropriate to purpose, audience, and a range of formal and informal tasks Context of the Lesson This is the culminating activity of a unit on William Golding’s Lord of the Flies. I am ending the unit with both a presentation and writing component. This was students can be assessed by demonstrating their grasp of the main theme of the novel, (the implications of the role of the individual in society--decisions/actions/rules within a community (i.e. Civilization vs. Savagery) through two evaluations in one culminating activity. Opportunities to Learn Plans to differentiate instruction: This lesson has components that adhere to different types of learners, such as kinesthetic, linguistic, interpersonal, and intrapersonal. Environment factors: Desks will be facing each other. Materials: Worksheet explaining the project Objectives Students will have an opportunity to explore implications of the role of the individual in society--decisions/actions within a community. Students will create the script for an Oprah/Dr. Phil type interview. The subject on the show would be to talk to the survivors about their experience. There would also be experts on the show of various kinds. Students will cite specific examples from Lord of the Flies as well as various articles used in class in their script. This will demonstrate student based critical thinking and reflection. Instructional Procedures In their tribal groups, students will create their own talk show. This talk show will have two components, a script and an in class presentation There will need to be at least four of the following people on their panel. They are then to come up with the conversation and emotions presented, while using examples from the novel or any other piece of literature read in class, as evidence. Students will also be aloud to use evidence from outside 67 Kratik sources, as long as they cite them in the script. Ralph and the talk show host are the only two characters that the students NEED to have in the script/skit. The other two/three characters can be any of the following: • One other person from the island besides Ralph • The naval captain rescuer (describing what he saw, thought at the time of the rescue.) • A child psychologist (speculating about the trauma, personal responses of Rationalization, denial, and long-range effects of the experience on the survivors.) • A former teacher from the boys' school (describing preisland days personalities of Ralph, Jack, Piggy) • Talk show host I will give examples of website that might help them, such as Effects of Emotional Trauma on Children How They Are Being Graded: • Having all components in detail! • Accurate account of events in novel • Making it seem like a talk show with various types of people (kids and adult experts) • Writing it in a script format (like a play) Using evidence from the novel as well as outside sources Citing these correctly • Using their time/equal work • Effort and presentation of talk show Assessment The script and the presentation. 68 Kratik Lord of the Flies: The Aftermath Talk Show Episode In tribes you are to create your own talk show (like Oprah or Dr. Phil!) This talk show will have two components, a script and an in class presentation. There needs to be at least four of the following people on your panel. Ralph and the talk show host are the only two characters that the students NEED to have in the script/skit. The other two/three characters can be any of the following: • One other person from the island besides Ralph • The naval captain rescuer (describing what he saw, thought at the time of the rescue.) • A child psychologist (speculating about the trauma, personal responses of rationalization, denial, and long-range effects of the experience on the survivors.) • A former teacher from the boys' school (describing pre-island days personalities of Ralph, Jack, Piggy) You are then to come up with the conversation and emotions to be presented in the episode. This will require you to use examples from the novel, as well as any other piece of literature read in class, in your script. You will also be allowed to use evidence from outside sources, such as websites or other articles not read in class, as long as they cite them in the script. Ex) Effects of Emotional Trauma on Children 69 Kratik How You Are Being Graded: • Having all components in detail! • Accurate account of events in novel • Making it seem like a talk show with various types of people (kids and adult experts) • Writing it in a script format (like a play) Using evidence from the novel as well as outside sources Citing this evidence correctly • Using their time/equal work • Effort and presentation of talk show