BBL 3211: NEW LITERATURES IN ENGLISH
POEMS & SHORT STORIES WEEK 1-7
WEEK
TOPIC & READING
1&2
New Literatures in English: An Overview
Topic 1 What is New Literatures in English?
Topic 2 Themes and Concerns of New Literatures in English
Topic 3 Approaches to Writing about New Literatures
3&4
Poems & Short Stories from Malaysia & Singapore
Topic 1 Alfian Saat “Bugis”
Topic 2 Wong Phui Nam “Remembering Grandma”
Topic 3 K.S. Maniam “Mala”
5&6
Short Stories from India
Topic 1 Bharati Mukherjee and Quest for Identity “Hindus”
Topic 2 Salman Rushdie “The Courter”, “Good Advice is Rarer than
Rubies”
7
Poems & Short Stories from Africa I
Topic 1 Kofi Awoonor and Images of War “Song of War”
Topic 2 Wole Soyinka and Racial Discrimination “Telephone Conversation”
Kofi Awoonor - Ghana
SONG OF WAR
I shall sleep in white calico;
War has come upon the sons of men
And I shall sleep in calico;
Let the boys go forward,
Kpli and his people should go forward;
Let the white man’s guns boom,
We are marching forward;
We all shall sleep in calico.
When we start, the ground shall shake;
The war is within our very huts;
Cowards should fall back
And live at home with the women;
They who go near our wives
While we are away in battle
Shall lose their calabashes when we come.
Where has it been heard before
That a snake has bitten a child
In front of its own mother;
The war is upon us
It is within our very huts
And the sons of men shall fight it
Let the white man’s guns boom
And its smoke cover us
We are fighting them to die.
We shall die on the battle field
We shall like death at no other place,
Our guns shall die with us
And our sharp knives shall perish with us
We shall die on the battlefield.
Wole Soyinka - Nigeria
TELEPHONE CONVERSATION
The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. ‘Madam,” I warned,
‘I hate a wasted journey – I am African.’
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold-rolled
Cigarette-holder pipped. Caught I was, foully.
“HOW DARK’ … I had not misheard …’ARE YOU LIGHT
OR VERY DARK?’ Button B. Button A. Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar-box. Red double-tierred
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfoundment to beg simplification.
Considerate she was, varying the emphasis‘ARE YOU DARK? OR VERY LIGHT?’ revelation came.
‘You mean—like plain or milk chocolate?’
Her assent was clinical, crushing in its light
Impersonality, rapidly, wave-length adjusted.
I chose. ‘West African sepia’- and as afterthought,
‘Down in my passport.’ Silence for spectroscopic
Flight of fancy, till truthfulness changed her accent
Hard on the mouthpiece. ‘WHATS THAT?’ conceding
‘DON’T KNOW WHAT THAT IS.’ ‘Like brunette.’
‘THAT’S DARK, ISN’T IT?’ ‘Not altogether.
Facially, I am brunette, but madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blonde. Friction, cause—
Foolishly madam—by sitting down, has turned
My bottom raven black—One moment madam!’ –sensing
Her receiver rearing on the thunderclap
About my ears –‘Madam,’ I pleaded, ‘wouldn’t you rather
See for yourself?’