Nasar Kamal December 15, 2011 Period 3rd- AP English IV TP-CASTT Of “My Number” By Billy Collins Title Paraphrase Connotations The title of the poem, “My Number” can imply a great deal of many things. This may include a telephone number, or a house number. It can even simply illustrate numbers in general or refer to a countdown. In the poem, the speaker questions where ‘Death’ lies now? He ascribes it as a being whose inescapable tendrils can reach out towards anything or anyone without a second thought on whom it is reaching for. He describes him as a gloomy figure, whose alias is kept a mystery beneath a dark hood and ponders him stepping out of a black vehicle, removing his scythe from his trunk. He then directly addresses him as he realizes that Death lingers in his presence, questioning whether he had trouble with directions and begins to talk his way out of it. While we think of Death as obscure, Billy paints a different picture. He ascribes to Death the ability to “reach”, of “scattering”, “loosening”, “stepping”, “shaking”, “removing”, “tampering” and most chilling, “breathing”. These are not the qualities of an obscure concept but one of physicality. A tangible thing that is not only distant from you and me – (1) “Is Death miles away from this house…” – but also close enough to touch – (3) “…breathing down the neck…” - Billy also attempts to illustrate that Death can be specific and opportunistic - (2) “…a widow in Cincinnati” – or random and fortuitous – (6-8) “tampering with air brakes, scattering cancer cells” and “loosening the wooden beams…”. In “My Number”, Death clearly has no preference for “who” or “how”. It’s not the face that matters or the way it’s accomplished; it’s about Death carrying out its insidious agenda. It seems the speaker’s questions try to humanize death so he can deal with him as a person who can be persuaded, who will “find it hard to find” his house (l. 10, 1), and who has ears and can hear him talk. The speaker is not brave in talking to death, but afraid. If personification humanizes death and gives it life, perhaps taking away personification can end its life? The personifying imagery makes death more clearly person-like (having a car, “stepping from a…car” l.11), bringing him closer and closer in space and the tense shift from “Is something so?” (first three stanzas) to “I will” (l. 17) to “I start talking” bring death closer and closer in time. The hypothetical becomes a definite future, and finally an ongoing present. At the end, the actions cease, personification of death stops. Death is no longer a person who can make arrangements (l. 5) or park a car (l. 12). The pronoun for death is Nasar Kamal December 15, 2011 Period 3rd- AP English IV Attitude Shift Title Theme no longer a “he” but a “this” (l. 17), a definite vagueness that is here. The sense of doom throughout the poem forebodes the failure to make death human, and this last word speaks of the more important failure: after personification, death’s life continues. The speakers attitude overall conveys a sense of dread that is profound throughout the poem. He thoroughly describes ‘Death’ as ultimately an eminent figure that captures all. He is an inescapable figure. This is best conveyed in the last line of the poem: “..As I start talking my way out of this.” (Line 17). It shows his apprehensive state as well as his rejection of death. He has the will to live and is fearful of death. A shift is scene in Line 16 of the poem: “Did you have any trouble with the directions?” The pronoun change is significant as he subtly changes from third person to second person, then once again to first person. It shows he is directly addressing death, the speaker. It also illustrates the sudden appearance of death, literally giving meaning to the proverb that death can occur at “anytime and anywhere.” Overall it serves as an ironic point in the poem, with Death’s sudden appearance after characterizing the figure in the previous stanzas. The title “My Number” can demonstrate the concept of the speaker’s awaiting number in line as Death approaches him. It also holds a degrading viewpoint that Death is insensitive and does not determine people by name or gender, yet by their number to designate how far down the list they are. This concept could also be an allusion to World War II, in which through the duration of the Holocaust that was prevalent throughout the war: Jews, Homosexuals, Foreign Factions, etc. were all assigned numerical values and referenced by number. They did not share a name and thus provided a degenerative scope as portrayed by this poem. The main gist of the poem is that death is prevalent throughout the world and can happen unsuspectingly, whether it ails the widow with the broken heart or the lost hiker frozen to death in the arctic tundra, a mechanical failure of roller coaster, cancer, or even a car crash. In essence, it is everywhere and anything. Thus, the theme is acknowledged by the speaker’s dread at the realization of this concept of anyone and anything. Script of “My Number” -Recital of Poem by transitioning through Photos. -Analysis of Poem, line by line, based off of TP-CAST Nasar Kamal December 15, 2011 Period 3rd- AP English IV Script Poem Recitation: Part 1 My Number Billy Collins (1941– ) Is Death miles away from this house, reaching for a widow in Cincinnati or breathing down the neck of a lost hiker in British Columbia? Is he too busy making arrangements, tampering with air brakes, scattering cancer cells like seeds, loosening the wooden beams of roller coasters to bother with my hidden cottage that visitors find so hard to find? Or is he stepping from a black car parked at the dark end of the lane, shaking open the familiar cloak, its hood raised like the head of a crow, and removing the scythe from the trunk? 5 10 15 Did you have any trouble with the directions? I will ask, as I start talking my way out of this. Part 2: Poem Analysis 1st Slide of Analysis: Initially, what should be noted is the speaker’s use in personifying “Death” by capitalizing the word and thus almost gives a life-like meaning to the concept of ‘Death.’ It now refers to the character with the name and leads to fright the narrator of the poem by acknowledging that he is a person among humans whom may strike freely at his own will. The speaker then moves on to a distant location of ‘Cincinnati’ as the narrator continues to personify Death by giving it qualities of a human being with his ability ‘to reach’. The act of reaching can further lead to an inference that Death is grabbing the life out of a person. 2nd Slide Analysis: Nasar Kamal December 15, 2011 Period 3rd- AP English IV By Breathing down the neck of a lost hiker, it acknowledges the close proximity of Death and further enforces that it can be prevalent anywhere. This is illustrated by a switch in his location from Cincinnati to the deluded hiker in British Columbia. It now hints that Death is more than merely human since he can cover such a trek in a short amount of time. 3rd Slide of Analysis: Is he too busy making arrangements, cites a more fearful characterization of Death. Noticeably, as the poem progresses so too does the terror in the speaker as he describes Death in more dismal terms.