NOTES – Chapter 6 – Symbol/Allegory/Fantasy Compression – characteristic of most successful stories; writers aim is to say as much as possible as briefly as possible. - is achieved by exercising a careful selectivity - are 3 resources used to achieve COMPRESSION: SYMBOL ALLEGORY FANTASY SYMBOL – something that means MORE than what it suggests on the surface - may be an object, person, situation, an action - simplest form – NAME SYMBOLISM – characters’ names suggest something about them - use of objects and actions is MORE important - can REINFORCE and ADD; can also CARRY meaning (depending on type of story) How do readers recognize SYMBOLS? The ability to recognize and identify symbols requires PERCEPTION and TACT. - it is better to miss symbolic meanings of a story than to pervert its meaning by discovering symbols that are nonexistent. Must OBSERVE the following CAUTIONS (when identifying SYMBOLS): 1. The story itself must furnish the clue that a detail is to be taken symbolically. o symbols nearly always signal their existence by emphasis, repetition, or position. 2. The meaning of a literary symbol must be established and supported by the entire context of the story. o the symbol must have meaning IN the story, not OUTSIDE it… 3. To be called a symbol, an item must suggest a meaning different in KIND from its literal meaning; a symbol is something more than the representative of a class or type. 4. A symbol may have more than one meaning; it may suggest a cluster of meanings. o at its MOST EFFECTIVE, a SYMBOL is like a many-faceted jewel o possible meaning is ALWAYS controlled by context ALLEGORY – is a story that has a second meaning beneath the surface, endowing a cluster of characters, objects or events with added significance. - puts less emphasis on literal meanings and more on the ulterior meanings - ulterior meanings are more fixed and usually constitute a pre-existing system of ideas or principles - an author employing ALLEGORY usually does not intend simply to create two levels of reality – one LITERAL and one ABSTRACT - the creation of an ALLEGORICAL pattern of meaning enables an author to achieve POWER through ECONOMY FANTASY – type of story that abandons factual representation altogether - non-realistic story – transcends the bounds of known reality - is established when an author goes a step further and creates a story that is entirely implausible or impossible - requires a ‘willing suspension of disbelief’ – Alice in Wonderland