Dr Alex Lloyd
alexandra.lloyd@mod-langs.ox.ac.uk
FURTHER READING - THE GDR IN GERMAN CINEMA AFTER 1990
Berghahn, Daniela, ‘Remembering the Stasi in a Fairy Tale of Redemption: Florian
Henckel von Donnersmarck’s Das Leben der Anderen’, Oxford German Studies, 38
(2009), 321-33
Cooke, Paul, “Performing ‘Ostalgie’: Leander Haussmann’s Sonnenallee”, German Life and
Letters, 56 (2003), 156-16
---., ‘Watching the Stasi: Authenticity, Ostalgie and History in Florian Henckel von
Donnersmarck’s The Lives of Others (2006)’, in New Directions in German Cinema
(London: I.B. Tauris, 2011), pp. 113-30
Cafferty, Helen, ‘Sonnenallee: Taking Comedy Seriously in Unified Germany’, in Textual
Responses to German Unification, ed. by Carol Anne Costabile-Heming et al
(Berlin; New York: de Gruyter, 2001), pp. 253-73
Dale, Gareth, ‘Heimat, “Ostalgie” and the Stasi: The GDR in German Cinema, 1999–
2006’, Debatte, 15 (2007), 155-75
Enns, Anthony, ‘The Politics of Ostalgie: Post-Socialist Nostalgia in Recent German Film’,
Screen, 48 (2007), 475-91
Funder, Anne, Stasiland: Stories from Behind the Wall (London: Granta, 2003)
Garton Ash, Timothy, The File: A Personal History (New York: Random House, 2008)
Hake, Sabine, German National Cinema (London: Routledge, 2002)
Haußmann, Leander (ed.), Sonnenallee: Das Buch zum Farbfilm (Berlin: Quadriga, 1999)
Hillman, Roger, ‘Goodbye Lenin (2003): History in the Subjunctive’, Rethinking History,
10 (2006), 221-37
Hodgin, Nick, ‘Aiming to Please? Consensus and Consciousness-Raising in Wolfgang
Becker’s Good Bye, Lenin! (2003)’, in New Directions in German Cinema (London:
I.B. Tauris, 2011), pp. 94-113
Naughton, Leonie, That was the Wild East: Film Culture, Unification, and the New Germany
(Ann Arbor, MI: University of Michigan Press, 2002)
Prager, Brad, ‘Passing Time since the Wende: Recent German Film on Unification’,
German Politics and Society, 28 (2010), 95-110