JAHF Annual Bibliography, 2011-2012
(Version 1.0)
Table of Contents
1. REFERENCES AND SURVEY BOOKS
A. REFERENCE BOOKS AND BIBLIOGRAPHIES
B. WEB RESOURCES
C. SURVEY BOOKS AND ARTICLES
D. EXHIBITION AND COLLECTION CATALOGUES (w/cross-listing)
1. Exhibitions
2. Collections and Collectors
E. FIELD-RELATED TRANSLATIONS
2. ARCHITECTURE AND GARDENS (PRE-MODERN)
3. CRAFTS AND FOLK ARTS
A. CERAMICS
B. LACQUERWARE/WOODWORKING
C. METALWORK, ENAMELS, CLOISONNÉ
D. MINGEI (FOLK ARTS)
E. NETSUKE, INRO, AND OJIME
F. TEXTILES AND BASKETRY
G. THEATRICAL ARTS: COSTUMES AND MASKS
H. DOLLS & GAMES
4. PAINTINGS, PRINTS, AND CALLIGRAPHY
A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)
1. Broad Studies
2. Studies on Individual Objects, Artists, or Lineages
B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS
1. Broad Studies
2. Studies on Individual Artists, Lineages, or Types of Prints
5. THEMATIC AND INTERDISCIPLINARY STUDIES
A. ARCHAEOLOGY
B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS
1. Japan & Asia
1. Japan & The West
C. GENDER STUDIES/SEXUALITY IN ART
D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS
1. Buddhist Art and Architecture
2. Shinto Art and Architecture
3. Folk Religion and Syncretic Religious Arts and Architecture
JAHF Annual Bibliography 11-12 – PAGE
1
E. SAMURAI ARTS, ARMS, AND ARMOR
F. TEA CEREMONY AND RELATED ARTS
G. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES
1. Edo/Early modern Japan
2. Literati and Literary themes
3. Representations of Nature
a. Landscape
b. Natural Word
4. Important People in the Field
5. Museums and Museumology
6. MODERN & CONTEMPORARY ART & ARCHITECTURE
A. MODERN AND CONTEMPORARY ART
B. MODERN AND CONTEMPORARY ARCHITECTURE
C. PHOTOGRAPHY
D. DESIGN
7. DISSERTATIONS AND POST- DOCTORAL THESES
A. IN NORTH AMERICA
B. IN EUROPE
JAHF Annual Bibliography 11-12 – PAGE
2
Bibliography 2011-2012
1. REFERENCES AND SURVEY BOOKS
A. REFERENCE BOOKS AND BIBLIOGRAPHIES
 2012
Naoi, Nozomi and Noriko Murai. 2012. "Select Annotated Bibliography of Okakura Kakuzō." Review of
Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 196209.
B. WEB RESOURCES
C. SURVEY BOOKS AND ARTICLES
 2011
Fraser, Karen M. 2011. Photography and Japan. Reaktion Books: London.
Shimizu, Yoshiaki. 2011. "Copying in Japanese Art: Calligraphy, Painting, and Architecture." In
Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by
Jerome Silbergeld and Dora C. Y. Ching, 761-778. Princeton, NJ; Woodstock: Princeton, P.Y. and
Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton
University in association with Princeton University Press.
D. EXHIBITION AND COLLECTION CATALOGUES (w/cross-listing)
1. Exhibitions
 2011
Croissant, Doris. 2011. Splendid Impressions: Japanese Secular Paintings 1400-1900 in the Museum of
East Asian Art, Cologne. Leiden: Brill/Hotei Publishing.
Earle, Joe. 2011. "Memories, Dreams, Reflections: Bye Bye Kitty!!! at Japan Society, New York."
Orientations 42 (2): 139-142.
Graybill, Maribeth, ed. 2011. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese
Prints from the Portland Art Museum. Portland OR: Portland Art Museum.
Marks, Andreas. 2011. Fukami: Purity of Form. Hanford, CA: Clark Center for Japanese Art & Culture
and Washington University Press.
JAHF Annual Bibliography 11-12 – PAGE
3
Schweizer, Anton, Martin Hirsch, and Dietrich O. A. Klose, eds. 2011. Japanische Lackkunst Für
Bayerns Fürsten: Die Japanischen Lackmöbel Der Staatlichen Münzsammlung München
(Japanese Lacquer Art for the Princes of Bavaria: The Japanese Lacquer Cabinets of the State
Numismatic Collection Munich). Munich: Staatliche Münzsammlung.
 2012
Barbier-Mueller, J. Gabriel, ed. 2012. Art of Armor: Samurai Armor from the Ann and Gabriel BarbierMueller Collection. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel BarbierMueller Museum in association with Yale University Press.
Chung, Doryun, ed. 2012. Tokyo 1955-1970: A New Avant-Garde. New York, NY: The Museum of
Modern Art.
Haft, Alfred. 2012. "Japanese Prints of the Edo and Meiji Periods." Orientations 43 (7): 70-71.
Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington
DC: National Gallery of Art.
Marks, Andreas. 2012. Genji’s World in Japanese Woodblock Prints. Leiden: Hotei Publishing.
McDermott, Hiroko T. and Clare Pollard. 2012. Threads of Silk and Gold: Ornamental Textiles of Meiji
Japan. Oxford: Ashmolean Museum.
Ota, Aya and Yukio Lippit. 2012. "‘Colorful Realm’: An Exhibition Celebrating the Centennial
Anniversary of the Cherry Blossom Festival." Orientations 43 (3): 44-51.
2. Collections and Collectors
 2011
Beres, Tiffany. 2011. "A Lifetime Adventure Collecting Nestuke: An Interview with Joseph Kurstin."
Orientations 42 (5): 76-78.
Goodall, Hollis. 2011. "The Jacqueline Avant Collection of Japanese Lacquer: An Intriguing Pursuit."
Arts of Asia 41 (2): 107-117.
Katsumoto, Lynn. 2011. “The Mary Andrews Ladd Collection of Japanese Prints." In The Artist’s
Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum,
edited by Maribeth Graybill, 137-142. Portland OR: Portland Art Museum.
Pollard, Clare. 2011. "The Japanese Collections at the Ashmolean Museum." Arts of Asia 40 (3): 114127.
Steiner, Evgeny. 2011. "The Kitaev Collection in the Pushkin Museum." Impressions: Journal of the
Japanese Art Society of America 32: 37-63.
Vollum, Patricia. 2011. "Love of Hearts: Jean Vollum and Fukami Sueharu." In Fukami: Purity of
Form, edited by Andreas Marks, 16-17. Hanford CA: Clark Center for Japanese Art & Culture.
JAHF Annual Bibliography 11-12 – PAGE
4
 2012
Bruijn, Eric. 2012. "Spirit Embodied: Japanese Esoteric Buddhist Art at the Wereldmuseum Rotterdam."
Orientations 43 (1): 58-65.
Maeda, Tamaki. 2012. "(Re)-Canonizing Literati Painting: The Kyoto Circle." In The Role of Japan in
Modern Chinese Art, edited by Joshua A. Fogel, 215-227-353-358. Berkley: University of
California Press.
Rousmaniere, Nicole Coolidge. 2012. "Japanese Art in Norwich, Sir Robert and Lady Sainsbury’s
Collection in the Sainsbury Centre for Visual Arts, UK." In Kobayashi Tadashi Sensei koki kinen
ronbunshu, edited by Kobayashi Tadashi sensei koki kinen ronbunshū henshu iinkai, 468-475.
Tokyo: Geika Shoin.
Vandeperre, Nathalie. 2012. "Collecting the Far East: Chinese, Korean, and Japanese Art in the Rmah."
Arts of Asia 42 (4): 83-93.
E. FIELD-RELATED TRANSLATIONS
 2012
Hoshino, Yukinobu. 2012. Professor Munakata’s British Museum Adventure. Translated by Nicole
Coolidge Rousmaniere, edited by Nicole Coolidge Rousmaniere. London: British Museum Press.
Nagai, Kafū. 2012 (originally published 1914). "Ukiyo-e Landscapes and Edo Scenic Places."
Translated by Kyoko Selden and Alisa Freedman, Review of Japanese Culture and Society: Beyond
Tenshin: Okakura Kakuzō’s Multiple Legacies 24.
Okakura, Kakuzō. 2012 (originally published 1897). "Concerning the Institution of Art Education."
Translated by Kevin Singleton, Review of Japanese Culture and Society: Beyond Tenshin: Okakura
Kakuzō’s Multiple Legacies 24: 184-195.
Okakura, Kakuzō. 2012 (originally published 1889). "Kokka." Translated by Timothy Unverzagt
Goddard, Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple
Legacies 24: 176-183.
Okakura, Kakuzō. 2012 (originally published 1882). "Reading “Calligraphy is Not Art." Translated by
Timothy Unverzagt Goddard, Review of Japanese Culture and Society: Beyond Tenshin: Okakura
Kakuzō’s Multiple Legacies 24: 168-175.
2. ARCHITECTURE AND GARDENS (PRE-MODERN)
 2011
Steiner, Evgeny. 2011. Approaching Mt. Fuji. Moscow: Slovo.
JAHF Annual Bibliography 11-12 – PAGE
5
 2012
Tseng, Alice Y. 2012. "The Retirement of Kyoto as Imperial Capital." The Court Historian – the
International Journal of Court Studies 17 (2): 209-223.
Turnbull, Stephen. 2012. "Armor of Wood and Stone: Castles of the Samurai." In Art of Armor: Samurai
Armor from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel BarbierMueller, 59-69. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller
Museum in association with Yale University Press.
3. CRAFTS AND FOLK ARTS
A. CERAMICS
 2011
Cort, Louise Allison. 2011. "Creating Chigusa." Impressions: Journal of the Japanese Art Society of
America (32): 134-143.
Cort, Louise Allison. 2011. "Harry Packard’s Japanese Pots." Impressions: Journal of the Japanese Art
Society of America (32): 114-127.
Fitski, Menno. 2011. Kakiemon Porcelain: A Handbook. Leiden: Amsterdam University Press/Leiden
University Press.
Maezaki, Shinya. 2011. "New Horizons of Ceramic Sculpture." In Fukami: Purity of Form, edited by
Andreas Marks, 18-25. Hanford, CA: Clark Center for Japanese Art & Culture.
Marks, Andreas. 2011. Fukami: Purity of Form. Hanford, CA: Clark Center for Japanese Art & Culture
and Washington University Press.
Maske, Andrew. 2011. Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda
Domain. Farnham, Surrey, UK: Ashgate Publishing.
Maucuer, Michel. 2011. "Use and Display: Ceramic Wares in Edo Period Japan." Arts of Asia 41 (4):
74-81.
North, Alice and et. al. 2011. "A Conversation with Fukami Sueharu." In Fukami: Purity of Form,
edited by Andreas Marks, 40-51. Hanford, CA: Clark Center for Japanese Art & Culture.
Thomsen, Hans Bjarne. 2011. "Individuality in a Communal Setting." In Fukami: Purity of Form, edited
by Andreas Marks, 26-39. Hanford, CA: Clark Center for Japanese Art & Culture.
Tiampo, Ming. 2011. Gutai: Decentering Modernism. Chicago: University of Chicago Press.
Tomii, Reiko. 2011. "How Gendai Bijutsu Stole the ‘Museum’: An Institutional Observation of the
Vanguard 1960s." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas
Rimer, 144-167. Honolulu: University of Hawai’i Press.
JAHF Annual Bibliography 11-12 – PAGE
6
Wurmell, Cora. 2011. "Fukami Sueharu and the Clark Center for Japanese Art & Culture." In Fukami:
Purity of Form, edited by Andreas Marks, 52-57. Hanford, CA: Clark Center for Japanese Art &
Culture.
Yamamori, Yumiko. 2011. "A.A. Vantine and Company: Japanese Handcrafts for the American
Consumer, 1895–1920." Ph.D. dissertation, Bard College.
 2012
Cort, Louise Allison. 2012. "Looking at White Dew." Studio Potter 40 (1): 16-24.
Ōhashi, Kōji. 2012. "Nabeshima, Hirado, Karatsu Presentation Wares for the Shōgun and His Family."
In Shōgun-Ke Kenjō no Nabeshima, Hirado, Karatsu (Ceramics for the Shogunate). Translated by
Nicole Coolidge Rousmaniere, 240-241. Arita: Kyushu Ceramic Museum.
Roman, Maria. 2012. "Asian Values in Japan’s Cultural Heritage: The Role of Chinese and Korean
Ceramics." In Shifting Paradigms in East Asian Visual Culture, A Festschrift in Honour of Lothar
Ledderose, edited by Burglind Jungmann, Adele Schlombs, and Melanie Trede, 193-208. Berlin:
Dietrich Reimer Verlag GmbH.
Rousmaniere, Nicole Coolidge. 2012. "Arts of Fire / Transformation of Space: Masterworks of
Contemporary Japanese Porcelain." In Biennale Internationale, Création Contemporaine Et
Céramique, edited by Somogy éditions d'art, 184-190. Paris: Somogy éditions d’art.
Rousmaniere, Nicole Coolidge. 2012. Vessels of Influence: China and the Birth of Porcelain in
Medieval and Early Modern Japan. London: Bristol Classics Press, Bloomsbury Academic.
B. LACQUERWARE/WOODWORKING
 2011
Goodall, Hollis. 2011. "The Jacqueline Avant Collection of Japanese Lacquer: An Intriguing Pursuit."
Arts of Asia 41 (2): 107-117.
Mertz, Mechtild. 2011. Wood and Traditional Woodworking in Japan. Ōtsu: Kaiseisha Press.
Schweizer, Anton. 2011. "Komposite Für Den Export: Die Dekore Der Münchener Münzkabinette
(Composites for Export: The Decorations of the Munich Coin Cabinets)." In Japanische Lackkunst
Für Bayerns Fürsten: Die Japanischen Lackmöbel Der Staatlichen Münzsammlung
München (Japanese Lacquer Art for the Princes of Bavaria: The Japanese Lacquer Cabinets of
the State Numismatic Collection Munich), edited by Anton Schweizer, Hirsch Klose and Dietrich
O. A. Klose, 13-29.
Schweizer, Anton, Martin Hirsch, and Dietrich O. A. Klose, eds. 2011. Japanische Lackkunst Für
Bayerns Fürsten: Die Japanischen Lackmöbel Der Staatlichen Münzsammlung München
(Japanese Lacquer Art for the Princes of Bavaria: The Japanese Lacquer Cabinets of the State
Numismatic Collection Munich). Munich: Staatliche Münzsammlung.
JAHF Annual Bibliography 11-12 – PAGE
7
C. METALWORK, ENAMELS, CLOISONNÉ
 2011
Irvine, Gregory. 2011. Japanese Cloisonné Enamels. London: V & A Publishing.
D. MINGEI (FOLK ARTS)
 2011
Ajioka, Chiaki. 2011. "Aspects of Twentieth-Century Crafts: The New Craft and Mingei Movements."
In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 408-444.
Honolulu: University of Hawai’i Press.
E. NETSUKE, INRO, & OJIME
 2011
Beres, Tiffany. 2011. "A Lifetime Adventure Collecting Nestuke: An Interview with Joseph Kurstin."
Orientations 42 (5): 76-78.
 2012
Eijer, Dieuwke. 2012. "Dutch Coins in Netsuke." International Netsuke Society Journal 32 (3): 12-20.
F. TEXTILES AND BASKETRY
 2012
Marks, Andreas. 2012. Modern Twist: Contemporary Japanese Bamboo Art. Washington DC, Seattle:
International Arts and Artists and Washington University Press.
McDermott, Hiroko T. and Clare Pollard. 2012. Threads of Silk and Gold: Ornamental Textiles of Meiji
Japan. Oxford: Ashmolean Museum.
Morse, Samuel C. 2012. "Shimada Kiyonori: The Transformation of Cloth." Impressions: Journal of the
Japanese Art Society of America 33: 43-54.
G. THEATRICAL ARTS: COSTUMES AND MASKS
JAHF Annual Bibliography 11-12 – PAGE
8
 2011
Tezuka, Miwako. 2011. "Experimentation and Tradition: The Avant-Garde Play Pierrot Lunaire by
Jikken Kōbō and Takechi Tetsuji." Art Journal 70 (3): 64-85.
H. DOLLS & GAMES
 2011
McArthur, Meher and Robert J. Lang. 2011. Folding Paper: The Infinite Possibilities of Origami.
Washington DC: International Arts & Artists.
 2012
Formanek, Susanne and Sepp Linhart. 2012. "Playing with the ‘Shining Prince’: Genji-Related
Woodblock-Printed Games." In Genji’s World in Japanese Woodblock Prints, edited by Andreas
Marks, 40-53. Leiden: Hotei Publishing.
4. PAINTINGS, PRINTS, AND CALLIGRAPHY
A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)
1. Broad Studies
 2011
Addiss, Stephen. 2011. "Japanese Calligraphy since 1868." In Since Meiji: Perspectives on the Japanese
Visual Arts, edited by J. Thomas Rimer, 445-470. Honolulu: University of Hawai’i Press.
Lillehoj, Elizabeth. 2011. Art and Palace Politics in Japan, 1580s-1680s. Leiden: Brill (Japanese Visual
Culture Series).
Lippit, Yukio. 2011. "The Monk Painter in Medieval Japan." In Splendid Impressions: Japanese Secular
Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 32-39.
Leiden: Brill/Hotei Publishing.
Paget, Rhiannon. 2011. "Raising Subjects: Visual Representations of Children and Childhood in Meiji
Japan." New Voices (Japan Foundation) (4): 1-31.
Sakomura, Tomoko. 2011. "Summoning the Thirty-Six Poets: A Look at a Poet-Portrait Screen."
Impressions: Journal of the Japanese Art Society of America 32: 144-165.
Schweizer, Anton. 2011. "Narrating in Images: Japanese Hanging and Horizontal Picture Scrolls." In
Visual Stories: Japans Bilder Erzählen: Bildrollen, Manga, Anime, edited by C. M. Schneider, 1421. Neuss: Langen Foundation.
JAHF Annual Bibliography 11-12 – PAGE
9
Sun, Seunghye. 2011. "Images of a Southern Utopia: The Xiao and Xiang Rivers in Japanese Art."
Orientations 42 (4): 44-49.
Tomii, Reiko. 2011. "How Gendai Bijutsu Stole the ‘Museum’: An Institutional Observation of the
Vanguard 1960s." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas
Rimer, 144-167. Honolulu: University of Hawai’i Press.
Trede, Melanie. 2011. "Pictorial Narratives." In Splendid Impressions. Japanese Secular Paintings
1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 43-117. Leiden:
Brill/Hotei.
Yamanashi, Emiko. 2011. "Western-Style Painting: Four Stages of Acceptance." In Since Meiji:
Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 19-33. Honolulu:
University of Hawai’i Press.
 2012
Addiss, Stephen. 2012. The Art of Haiku: Its History through Poems and Paintings by Japanese
Masters. Boston and London: Shambhala.
Coats, Bruce A. 2012. "A Changing Suma: Varied Illustrations for the Tale of Genji." In Crossing the
Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A.
Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 55-73: P.Y. and Kinmay W. Tang Center
for East Asian Art and the Department of Art and Archaeology, Princeton University in
association with Princeton University Press.
Havlicova, Eva. 2012. "What is in a Place? New Initiatives in Ink Landscape Painting in Eastern Japan
during the Later Muromachi Period." In Crossing the Sea: Essays on East Asian Art in Honor of
Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer
Weisenfeld, 183-202: P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of
Art and Archaeology, Princeton University in association with Princeton University Press.
Hirasawa, Caroline. 2012. "Cracking Cauldrons and Babies on Blossoms: The Relocation of Salvation
in Japanese Hell Painting." Artibus Asiae 72 (1).
Ikeda, Asato. 2012. "Envisioning Fascist Space, Time, and Body: Japanese Paintings during the FifteenYear War (1931-1945)." Ph.D. dissertation, University of British Columbia.
Katz, Janice. 2012. "The Perfect Gift: Japanese Premodern Screens Sent Abroad." In Crossing the Sea:
Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine,
Andrew M. Watsky, and Gennifer Weisenfeld, 203-217: P.Y. and Kinmay W. Tang Center for
East Asian Art and the Department of Art and Archaeology, Princeton University in association
with Princeton University Press.
Maeda, Tamaki. 2012. "Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West." In
Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture,
edited by Roderick Whitfield and Chia-ling Yang, 123-141. London: Eastern Art Publishing in
association with University of Edinburgh.
Maeda, Tamaki. 2012. "(Re)-Canonizing Literati Painting: The Kyoto Circle." In The Role of Japan in
JAHF Annual Bibliography 11-12 – PAGE 10
Modern Chinese Art, edited by Joshua A. Fogel, 215-227-353-358. Berkley: University of
California Press.
Mitsuda, Yuri. 2012. "Trauma and Deliverance: Portraits of Avant-Garde Artists in Japan, 1955-1970."
In Tokyo 1955-1970: A New Avant-Garde, edited by Doryun Chung, 158-177. New York, NY: The
Museum of Modern Art.
Morse, Anne Nishimura. 2012. "Modern Girls in the Palace of Lyrical Elegance." In The Brittle Decade:
Visualizing Japan in the 1930s, 51-90. Boston: MFA Publications.
Weisenfeld, Gennifer. 2012. Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great
Earthquake of 1923. Berkeley: University of California Press.
Weston, Victoria. 2012. "What’s in a Name? Rethinking Critical Terms used to Discuss Mōrōtai."
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies
24: 116-136.
Winther-Tamaki, Bert. 2012. "From Resplendent Signs to Heavy Hands: Japanese Painting in War and
Defeat, 1937-1952." In Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, edited
by J. Thomas Rimer, 124-143. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. Maximum Embodiment: Yōga, the “Western Painting” of Japan, 19101955. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. "Overtly, Covertly, Or Not at all: Putting ‘Japan’ in Japanese American
Painting." In East-West Interchange in American Art: A Long and Tumultuous Relationship,
edited by C. Mills, L. Glazer and A. Goerlitz, 112-125. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. "Yōga: The Western Painting, National Painting, and Global Painting of
Japan." In Working Words: New Approaches to Japanese Studies, edited by Jordan Sand, Alan
Tansman and Dennis Washburn.
2. Studies on Individual Objects, Artists, or Lineages
 2011
Brinker, Helmut. 2011. "Seeking Delight in the Arts: Literary Gathering by Ikeda Koson." In Bridges to
Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome
Silbergeld and Dora C. Y. Ching, 679-692. Princeton, NJ; Woodstock: Princeton, P.Y. and
Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton
University in association with Princeton University Press.
Eichman, Shawn. 2011. "The Art of Collaboration: Tomioka Tessai and a Chinese Rubbing of the
Orchid Pavilion Gathering." Orientations 42 (7): 58-63.
Kamens, Edward. 2011. "Ink Play." The Yale Review 99 (2): 51-74.
Kaneko, Maki. 2011. "Mukai Junkichi’s Transformation from a War to Minka (Folk House) Painter."
JAHF Annual Bibliography 11-12 – PAGE 11
Archives of Asian Art (61): 37-60.
Kaneko, Maki. 2011. "Under the Banner of the New Order: Uchida Iwao’s Responses to the AsiaPacific War and Japan’s Defeat." In Art and War in Japan and its Empire, 1931-1960, edited by
Asato Ikeda, Aya Louisa McDonald, and Ming Tiampo, 190-207. Leiden: Brill.
McKelway, Matthew P. 2011. "The Battle of Ichinotani." Orientations 42 (4): 50-57.
 2012
Conant, Ellen P. 2012. "'Cut from Kyoto Cloth:' Takeuchi Seihō and His Artistic Milieu." Impressions:
Journal of the Japanese Art Society of America (33): 71-93.
Fishbein, Richard. 2012. "Collecting Hakuin." Impressions: Journal of the Japanese Art Society of
America 33: 111-112.
Kameda-Madar, Kazuko. 2012. "A Set of Four Guardian Hanging Scrolls and the Transformation of the
Twelve Devas Pictorial Tradition in Medieval Japan." Kaikodo Journal 28: 21-27.
Kehoe, Sinead R. C. 2012. "A Brief Reconsideration of a Fragment of the Illustrated Collected
Gleanings of the Legends of Past Virtues." In Crossing the Sea: Essays on East Asian Art in
Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and
Gennifer Weisenfeld, 95-106: P.Y. and Kinmay W. Tang Center for East Asian Art and the
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Kimbrough, R. Keller. 2012. "Battling Tengu, Battling Conceit: Visualizing Abstraction in the Tale of
the Handcart Priest." Japanese Journal of Religious Studies 39 (2): 275-305.
Kitagawa, Anne Rose. 2012. "Veiled in Shadow: Recent Discoveries and Technical Analyses of the
Harvard Art Museum’s Tale of Genji Album." In Crossing the Sea: Essays on East Asian Art in
Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and
Gennifer Weisenfeld, 39-54: P.Y. and Kinmay W. Tang Center for East Asian Art and the
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Kobayashi, Tadashi. 2012. "Itō Jakuchu: A Man Rejoicing in Painting." Orientations 43 (3): 36-43.
Levine, Gregory P. A. 2012. "On Return: Kano Eitoku’s Flowers and Birds of the Four Seasons and the
Digital World." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki
Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 285-305:
P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology,
Princeton University in association with Princeton University Press.
Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington
DC: National Gallery of Art.
Lippit, Yukio. 2012. "Of Modes and Manners in Japanese Ink Painting: Sesshū’s Splashed Ink
Landscape of 1495." The Art Bulletin 94 (1): 50-77.
JAHF Annual Bibliography 11-12 – PAGE 12
Lippit, Yukio. 2012. "Seer of Sounds: The Muqi Triptych." In Crossing the Sea: Essays on East Asian
Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky,
and Gennifer Weisenfeld, 243-266: P.Y. and Kinmay W. Tang Center for East Asian Art and the
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Marks, Andreas. 2012. Kamisaka Sekka: Rinpa Traditionalist, Modern Designer. San Francisco:
Pomegranate.
Ohki, Sadako. 2012. "Konoe Nobutada's Waka Byobu: Kana Calligraphy and the Triumph of a
Displaced Courtier." Orientations 43 (6): 118-122.
Ota, Aya and Yukio Lippit. 2012. "‘Colorful Realm’: An Exhibition Celebrating the Centennial
Anniversary of the Cherry Blossom Festival." Orientations 43 (3): 44-51.
Paget, Rhiannon. 2012. "New Literati: Fukuda Kodojin and Early 20th Century Nanga." TAASA Review:
The Journal of the Asian Art Society of Australia 21 (2): 12-14.
Saunders, Rachel. 2012. "Talking Pictures: the Life of Xuanzang in a Fourteenth-Century Japanese
Handscroll." Literature and Aesthetics 22 (2): 174-200.
Snow, Hilary K. 2012. "Votive Paintings of the Kabuki Actor Ichikawa Danjûrō at Naritasan Shinshōji
Temple." Archives of Asian Art 62: 69-79.
Stanley-Baker, Richard. 2011. "Joetsu’s Catching a Catfish with a Gourd Cultural Agendas and the
Early Fifteenth-Century Shogunal Academy." In Bridges to Heaven: Essays on East Asian Art in
Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 421-445.
Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art,
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Takeuchi, Melinda. 2012. "Birds of a Feather: Jakuchu, Natural Science and the Artistic Imagination."
Orientations 43 (3): 52-61.
Ulak, James T. 2012. "Masters of Mercy: Kano Kazunobu and the Buddha's Amazing Disciples
Resurrecting and Understanding a Major Buddhist Landmark of the Late Edo Period." Orientations
43 (2): 108-116.
B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS
1. Broad Studies
 2011
Garcia Rodriguez, Amaury A. 2011. El Control De La Estampa Erótica Japonesa Shunga (The Control
of Japanese Erotic Shunga Prints). México, D.F.: El Colegio de México.
Graybill, Maribeth, ed. 2011. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese
JAHF Annual Bibliography 11-12 – PAGE 13
Prints from the Portland Art Museum. Portland OR: Portland Art Museum.
Ikeda, Asato and Ming Tiampo. 2011. "The Transnational History of Japanese Woodblock Prints." In
Inuit Prints: Japanese Inspiration. Ottawa: Canadian Museum of Civilization.
Jenkins, Donald. 2011. "The Artist’s Touch, the Craftsman’s Hand: Endurance and Innovation in
Japanese Prints." In The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese
Prints from the Portland Art Museum, edited by Maribeth Graybill, 25-65. Portland OR: Portland
Art Museum.
Katsumoto, Lynn. 2011. “The Mary Andrews Ladd Collection of Japanese Prints." In The Artist’s
Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum,
edited by Maribeth Graybill, 137-142. Portland OR: Portland Art Museum.
Kominz, Laurence R. 2011. "On and Off Stage: Gender, Identity, and Kabuki." In The Artist’s Touch,
the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited
by Maribeth Graybill, 67-94. Portland OR: Portland Art Museum.
Smith, Lawrence. 2011. "Japanese Prints 1868-2008." In Since Meiji: Perspectives on the Japanese
Visual Arts, edited by J. Thomas Rimer, 361-407. Honolulu: University of Hawai’i Press.
Szostak, John. 2011. "Foul is Fair: Abject Beauties and the Psychology of the Grotesque in Modern
Japanese Painting." In Rethinking Japanese Modernism, edited by Roy Starrs, 362-383: Global
Oriental Press.
 2012
Haft, Alfred. 2012. "Japanese Prints of the Edo and Meiji Periods." Orientations 43 (7): 70-71.
Marks, Andreas. 2012. "The ‘Decadent’ Japanese Woodblock Print: Application and Preservation of
Color in the Mid-Nineteenth Century." In Awash in Color: French and Japanese Prints, edited by
Chelsea Foxwell and Anne Leonard, 123–132. Chicago: Smart Museum of Art, University of
Chicago.
Marks, Andreas. 2012. "The Development of Bijinga Until the Mid-Nineteenth Century." In The Beauty
of the Moment: Women in Japanese Woodblock Prints, edited by Katharina Epprecht, 11–18.
Zurich: Museum Rietberg and Scheidegger & Spiess.
Suzuki, Keiko. 2012. "When Westerners were Chinese: Visual Representations of Foreigners in the
Japanese Popular Art of Ukiyo-e." In Orientalism/Occidentalism: Languages of Cultures Vs.
Languages of Description, edited by Evgeny Steiner, 114-129. Moscow: Sovpadenie.
Szostak, John. 2012. "From Idealized Visions to Realistic Impressions: The Changing Nature of
Bijinga." In The Beauty of the Moment: Women in Japanese Woodblock Prints, 19-26. Zurich:
Museum Rietberg.
Till, Barry. 2012. "The Vendetta of the Forty-Seven Ronin in Japanese Woodblock Prints." Arts of Asia
42 (4): 112-123.
JAHF Annual Bibliography 11-12 – PAGE 14
2. Studies on Individual Artists, Lineages, or Types of Prints
 2011
Allen, Laura W. 2011. "The Most Superior Association of Engravers: Sosaku Hanga Artists and the
Rebuilding of Post-War Japan." Orientations 42 (7): 78-83.
Carpenter, John T. 2011. “Cultural Symbolism in Still-Life Surimono." In The Artist’s Touch, the
Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by
Maribeth Graybill, 109-134. Portland OR: Portland Art Museum.
Eijer, Dieuwke. 2011. "Wenn Die Experten Sich Nicht Einig Sind. Suzuki Harunobu Und Shiba
Kōkan (When Experts Don’t Agree: Suzuki Harunobu and Shiba Kōkan)." Ostasiatische
Zeitschrift, Neue Serie (22): 16-29.
Guth, Christine M. E. 2011. "Hokusai’s Great Waves in Nineteenth-Century Japanese Visual Culture."
The Art Bulletin 93 (4): 468-485.
Jenkins, Donald. 2011. "Harunobu Reconsidered." In The Artist’s Touch, the Craftsman’s Hand: Three
Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 97-106.
Portland OR: Portland Art Museum.
Saunders, Rachel. 2011. Le Japon Artistique. San Francisco: Chronicle Editions.
 2012
Coats, Bruce A. 2012. "The Changing Face of ‘The Twilight Beauty’ (Yugao) in Genji Prints." In
Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 22-31. Leiden: Hotei
Publishing.
Emmerich, Michael. 2012. "A Rustic Genji by a Fraudulent Murasaki: A Sense of the Story." In Genji’s
World in Japanese Woodblock Prints, edited by Andreas Marks, 18-21. Leiden: Hotei Publishing.
Formanek, Susanne and Sepp Linhart. 2012. "Playing with the ‘Shining Prince’: Genji-Related
Woodblock-Printed Games." In Genji’s World in Japanese Woodblock Prints, edited by Andreas
Marks, 40-53. Leiden: Hotei Publishing.
Marks, Andreas. 2012. Genji’s World in Japanese Woodblock Prints. Leiden: Hotei Publishing.
Marks, Andreas. 2012. "The Genji Print Phenomenon." Aziatische Kunst 42 (4): 13-23.
Marks, Andreas. 2012. "Genji Prints: A Nineteenth-Century Craze." In Genji’s World in Japanese
Woodblock Prints, edited by Andreas Marks, 10-17. Leiden: Hotei Publishing.
Paget, Rhiannon. 2012. "Erotic Genji Fantasies." In Genji’s World in Japanese Woodblock Prints, edited
by Andreas Marks, 54-67. Leiden: Hotei.
Steiner, Evgeny. 2012. Orientalism/Occidentalism: Languages of Cultures Vs. Languages of
Description. Moscow: Sovpadenie.
Yonemura, Ann. 2012. "Hokusai: Thirty-Six Views of Mount Fuji." Orientations 43 (2): 117-123.
JAHF Annual Bibliography 11-12 – PAGE 15
5. THEMATIC AND INTERDISCIPLINARY
STUDIES
A. ARCHAEOLOGY
 2012
Rousmaniere, Nicole Coolidge. 2012. "The Dogū Phenomenon." In Dogū Cosmos, edited by Nobuo
Tsuji, 246-262; 334-340. Tokyo: Hatori Shoten.
B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL
CONTACTS
1. Japan & Asia
 2011
Cort, Louise Allison. 2011. "Creating Chigusa." Impressions: Journal of the Japanese Art Society of
America (32): 134-143.
Eichman, Shawn. 2011. "The Art of Collaboration: Tomioka Tessai and a Chinese Rubbing of the
Orchid Pavilion Gathering." Orientations 42 (7): 58-63.
Maeda, Tamaki and Aida Yuen Wong. 2011. "Kindred Spirits: Fu Baoshi and the Japanese Art World."
In Chinese Art in an Age of Revolution: Fu Baoshi (1904–1965), edited by Anita Chung, 35-41.
New York, Cleveland, New Haven: Cleveland Museum of Art, Yale University Press.
Shirai, Yoko Hsueh. 2011. "The Buddha Triad Senbutsu Unearthed in Japan: Replicating and
Reinventing the Chinese Prototype in the Seventh Century." Artibus Asiae 71 (2): 185-219.
 2012
Boehm, Christian. 2012. The Concept of Danzō: ‘Sandalwood Images’ in Japanese Buddhist Sculpture
of the 8th to 14th Centuries. London: Saffron Books.
Hirasawa, Caroline. 2012. "Cracking Cauldrons and Babies on Blossoms: The Relocation of Salvation
in Japanese Hell Painting." Artibus Asiae 72 (1).
Inaga, Shigemi. 2012. "Okakura Kakuzō and India: The Trajectory of Modern National Consciousness
and Pan-Asian Ideology Across Borders." Translated by Kevin Singleton, Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 39-57.
Lippit, Yukio. 2012. "Seer of Sounds: The Muqi Triptych." In Crossing the Sea: Essays on East Asian
Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky,
JAHF Annual Bibliography 11-12 – PAGE 16
and Gennifer Weisenfeld, 243-266: P.Y. and Kinmay W. Tang Center for East Asian Art and the
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Maeda, Tamaki. 2012. "Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West." In
Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture,
edited by Roderick Whitfield and Chia-ling Yang, 123-141. London: Eastern Art Publishing in
association with University of Edinburgh.
Maeda, Tamaki. 2012. "(Re)-Canonizing Literati Painting: The Kyoto Circle." In The Role of Japan in
Modern Chinese Art, edited by Joshua A. Fogel, 215-227-353-358. Berkley: University of
California Press.
Murai, Noriko. 2012. "Okakura’s Way of Tea: Representing Chanoyu in Early Twentieth-Century
America." Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple
Legacies 24: 70-93.
Murai, Noriko and Yukio Lippit. 2012. "Okakura Kakuzō: A Reintroduction." Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 1-14.
Murai, Noriko and Yukio Lippit. 2012. Review of Japanese Culture and Society: Beyond Tenshin:
Okakura Kakuzō’s Multiple Legacies. Vol. 24.
Roman, Maria. 2012. "Asian Values in Japan’s Cultural Heritage: The Role of Chinese and Korean
Ceramics." In Shifting Paradigms in East Asian Visual Culture, A Festschrift in Honour of Lothar
Ledderose, edited by Burglind Jungmann, Adele Schlombs, and Melanie Trede, 193-208. Berlin:
Dietrich Reimer.
Rousmaniere, Nicole Coolidge. 2012. Vessels of Influence: China and the Birth of Porcelain in
Medieval and Early Modern Japan. London: Bristol Classics Press, Bloomsbury Academic.
Takeuchi, Yoshimi. 2012 (1962). "Okakura Tenshin: Civilization Critique from the Standpoint of Asia."
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies
24: 15-25.
2. Japan & the West
 2011
Croissant, Doris. 2011. "Artifacts Or Art? Envisioning East Asian Culture in Imperial Germany." In
Splendid Impressions: Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art,
Cologne, edited by Doris Croissant, 17-31. Leiden: Brill/Hotei Publishing.
Ikeda, Asato and Ming Tiampo. 2011. "The Transnational History of Japanese Woodblock Prints." In
Inuit Prints: Japanese Inspiration. Ottawa: Canadian Museum of Civilization.
Lu, Hui-Wen. 2011. "Imaging Oriental Art in Late Nineteenth-Century America: The Walters Collection
Catalogue." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong,
JAHF Annual Bibliography 11-12 – PAGE 17
edited by Jerome Silbergeld and Dora C. Y. Ching, 713-741. Princeton, NJ; Woodstock:
Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and
Archaeology, Princeton University in association with Princeton University Press.
Saunders, Rachel. 2011. Le Japon Artistique. San Francisco: Chronicle Editions.
Schweizer, Anton. 2011. "Komposite Für Den Export: Die Dekore Der Münchener Münzkabinette
(Composites for Export: The Decorations of the Munich Coin Cabinets)." In Japanische Lackkunst
Für Bayerns Fürsten: Die Japanischen Lackmöbel Der Staatlichen Münzsammlung
München (Japanese Lacquer Art for the Princes of Bavaria: The Japanese Lacquer Cabinets of
the State Numismatic Collection Munich), edited by Anton Schweizer, Hirsch Klose and Dietrich
O. A. Klose, 13-29.
Schweizer, Anton, Martin Hirsch, and Dietrich O. A. Klose, eds. 2011. Japanische Lackkunst Für
Bayerns Fürsten: Die Japanischen Lackmöbel Der Staatlichen Münzsammlung München
(Japanese Lacquer Art for the Princes of Bavaria: The Japanese Lacquer Cabinets of the State
Numismatic Collection Munich) . Munich: Staatliche Münzsammlung.
Tsen, Hsuan. 2011. "Spectacles of Authenticity: The Emergence of Transnational Entertainments in
Japan and America, 1880-1905." Ph.D. dissertation, Stanford University.
Winther-Tamaki, Bert. 2011. "The ‘Oriental Guru’ in the Modern Artist: Asian Spiritual and
Performative Aspects of Postwar American Art." In Questioning Oriental Aesthetics and
Thinking: Conflicting Visions of ‘Asia’ Under the Colonial Empires; the 38th International
Research Symposium, edited by Shigemi Inaga, 321-33. Kyoto: International Research Center for
Japanese Studies.
Winther-Tamaki, Bert. 2011. "To Put on A Big Face: The Globalist Stance of Okamoto Tarō’s Tower of
the Sun for the Japan World Exposition, 1970." Review of Japanese Culture and Society 23: 81101.
Yamamori, Yumiko. 2011. "A.A. Vantine and Company: Japanese Handcrafts for the American
Consumer, 1895–1920." Ph.D. dissertation, Bard College.
Yamanashi, Emiko. 2011. "Western-Style Painting: Four Stages of Acceptance." In Since Meiji:
Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 19-33. Honolulu:
University of Hawai’i Press.
 2012
Hánová, Markéta. 2012. "Japonisme in the Czech Visual Arts – an Idiom of Modernity at the Turn of the
19th and 20th Centuries." In Orientalism/Occidentalism: The Languages of Culture vs. the
Languages of Description, edited by Evgeny Steiner, 58-66. Moscow: Russian Institute for
Cultural Research.
Katz, Janice. 2012. "The Perfect Gift: Japanese Premodern Screens Sent Abroad." In Crossing the Sea:
Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine,
Andrew M. Watsky, and Gennifer Weisenfeld, 203-217: P.Y. and Kinmay W. Tang Center for
East Asian Art and the Department of Art and Archaeology, Princeton University in association
JAHF Annual Bibliography 11-12 – PAGE 18
with Princeton University Press.
Marks, Andreas. 2012. "The ‘Decadent’ Japanese Woodblock Print: Application and Preservation of
Color in the Mid-Nineteenth Century." In Awash in Color: French and Japanese Prints, edited by
Chelsea Foxwell and Anne Leonard, 123–132. Chicago: Smart Museum of Art, University of
Chicago.
Marks, Andreas. 2012. "The Development of Bijinga Until the Mid-Nineteenth Century." In The Beauty
of the Moment: Women in Japanese Woodblock Prints, edited by Katharina Epprecht, 11–18.
Zurich: Museum Rietberg and Scheidegger & Spiess.
Murai, Noriko and Yukio Lippit. 2012. "Okakura Kakuzō: A Reintroduction." Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 1-14.
Murai, Noriko and Yukio Lippit. 2012. Review of Japanese Culture and Society: Beyond Tenshin:
Okakura Kakuzō’s Multiple Legacies. Vol. 24.
Ota, Aya and Yukio Lippit. 2012. "‘Colorful Realm’: An Exhibition Celebrating the Centennial
Anniversary of the Cherry Blossom Festival." Orientations 43 (3): 44-51.
Rosenfield, John. 2012. "Okakura Kakuzō and Margaret Noble (Sister Nivedita): A Brief Episode."
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies
24: 58-69.
Rousmaniere, Nicole Coolidge. 2012. "Japanese Art in Norwich: Sir Robert and Lady Sainsbury’s
Collection in the Sainsbury Centre for Visual Arts, UK." In Kobayashi Tadashi Sensei koki kinen
ronbunshu, edited by Kobayashi Tadashi sensei koki kinen ronbunshū henshu iinkai, 468-475.
Tokyo: Geika Shoin.
Screech, Timon. 2012. "Carl Peter Thunberg, Katsuragawa Hoshu and Two Presents Sent from Europe
to Japan." In Orientalism/Occidentalism: The Languages of Culture Vs. the Languages of
Description, edited by Evgeny Steiner, 130-140. Moscow: Russian Institute for Cultural Research.
Suzuki, Keiko. 2012. "When Westerners were Chinese: Visual Representations of Foreigners in the
Japanese Popular Art of Ukiyo-e." In Orientalism/Occidentalism: Languages of Cultures vs.
Languages of Description, edited by Evgeny Steiner, 114-129. Moscow: Sovpadenie.
Tseng, Alice Y. 2012. "Theorizing Architecture as a Fine Art in the Meiji Period." The Review of
Japanese Culture and Society (24): 155-167.
Winther-Tamaki, Bert. 2012. Maximum Embodiment: Yōga, the “Western Painting” of Japan, 19101955. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. "Overtly, Covertly, Or Not at all: Putting ‘Japan’ in Japanese American
Painting." In East-West Interchange in American Art: A Long and Tumultuous Relationship ,
edited by C. Mills, L. Glazer and A. Goerlitz, 112-125. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. "Yōga: The Western Painting, National Painting, and Global Painting of
Japan." In Working Words: New Approaches to Japanese Studies, edited by Jordan Sand, Alan
Tansman, and Dennis Washburn.
JAHF Annual Bibliography 11-12 – PAGE 19
C. GENDER STUDIES/SEXUALITY IN ART
 2011
Fabricand-Person, Nicole. 2011. "A Change of Clothes: The Selective Japanization of Female Buddhist
Images in the Late Heian and Kamakura Periods." In Bridges to Heaven: Essays on East Asian Art
in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 511-529.
Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art,
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Garcia Rodriguez, Amaury A. 2011. El Control De La Estampa Erótica Japonesa Shunga (The Control
of Japanese Erotic Shunga Prints). México, D.F.: El Colegio de México.
Kominz, Laurence R. 2011. "On and Off Stage: Gender, Identity, and Kabuki." In The Artist’s Touch,
the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited
by Maribeth Graybill, 67-94. Portland OR: Portland Art Museum.
Paget, Rhiannon. 2011. "Raising Subjects: Visual Representations of Children and Childhood in Meiji
Japan." New Voices (The Japan Foundation) (4): 1-31.
 2012
Fraser, Karen M. 2012. "Beauty Battle: Politics and Portraiture in Late Meiji Japan (1868-1912)." In
Visualizing Beauty: Gender and Ideology in East Asia, edited by Aida Yuen Wong. Hong Kong:
HKU Press.
Hori, Sachiko. 2012. "The Roles of Women of the Samurai Class." In Art of Armor: Samurai Armor
from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 5157. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in
association with Yale University Press.
Marks, Andreas. 2012. "The Development of Bijinga Until the Mid-Nineteenth Century." In The Beauty
of the Moment: Women in Japanese Woodblock Prints, edited by Katharina Epprecht, 11–18.
Zurich: Museum Rietberg and Scheidegger & Spiess.
McCormick, Melissa. 2012. "Mountains, Magic, and Mothers: Envisioning the Female Ascetic in a
Medieval Chigo Tale." In Crossing the Sea: Essays on East Asian Art in Honor of Professor
Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld,
107-133: P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and
Archaeology, Princeton University in association with Princeton University Press.
Paget, Rhiannon. 2012. "Erotic Genji Fantasies." In Genji’s World in Japanese Woodblock Prints, edited
by Andreas Marks, 54-67. Leiden: Hotei.
Wakita, Mio. 2012. "In the Guise of Elusive Veracity: Souvenir Photographs of Meiji Femininity in the
Age of Visual Modernity." In Shifting Paradigms in East Asian Visual Culture, A Festschrift in
Honour of Lothar Ledderose, edited by Burglind Jungmann, Adele Schlombs, and Melanie Trede,
JAHF Annual Bibliography 11-12 – PAGE 20
331-350. Berlin: Dietrich Reimer Verlag GmbH.
D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS
1. Buddhist Art and Architecture
 2011
Bogel, Cynthia. 2011. "Contemplations and Imagery: Issues Relevant to Ancient Japanese Buddhist
Icons, Ritual Practice, and Cultural Contexts." Pacific World: Journal of the Institute of Buddhist
Studies, New Series 12.
Fabricand-Person, Nicole. 2011. "A Change of Clothes: The Selective Japanization of Female Buddhist
Images in the Late Heian and Kamakura Periods." In Bridges to Heaven: Essays on East Asian Art
in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 511-529.
Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art,
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Fister, Patricia. 2011. "Sanmi no Tsubone: Ashikaga Wife, Imperial Consort, Buddhist Devotee and
Patron." Japan Review (23): 3-21.
Graham, Patricia J. 2011. "The Visual Culture of Japanese Buddhism from the Early Modern Period to
the Present." Religious Compass 5 (8): 389–411.
Lippit, Yukio. 2011. "The Monk Painter in Medieval Japan." In Splendid Impressions: Japanese Secular
Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 32-39.
Leiden: Brill/Hotei Publishing.
Shirai, Yoko Hsueh. 2011. "The Buddha Triad Senbutsu Unearthed in Japan: Replicating and
Reinventing the Chinese Prototype in the Seventh Century." Artibus Asiae 71 (2): 185-219.
Steiner, Evgeny. 2011. Approaching Mt. Fuji. Moscow: Slovo.
 2012
Boehm, Christian. 2012. The Concept of Danzō: ‘Sandalwood Images’ in Japanese Buddhist Sculpture
of the 8th to 14th Centuries. London: Saffron Books.
Bruijn, Eric. 2012. "Spirit Embodied: Japanese Esoteric Buddhist Art at the Wereldmuseum Rotterdam."
Orientations 43 (1): 58-65.
Carr, Kevin Gray. 2012. "The Evidence of our Eyes: The Epistemology of Vision(s) in Early Medieval
Japan." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu,
edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 77-94: P.Y. and
Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology,
Princeton University in association with Princeton University Press.
JAHF Annual Bibliography 11-12 – PAGE 21
Fabricand-Person, Nicole. 2012. "Redeeming Qualities: Absolving the Sin of Secular Art and Literature
in Early Medieval Japan." In Crossing the Sea: Essays on East Asian Art in Honor of Professor
Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld,
221-242: P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and
Archaeology, Princeton University in association with Princeton University Press.
Hirasawa, Caroline. 2012. "Cracking Cauldrons and Babies on Blossoms: The Relocation of Salvation
in Japanese Hell Painting." Artibus Asiae 72 (1).
Kameda-Madar, Kazuko. 2012. "A Set of Four Guardian Hanging Scrolls and the Transformation of the
Twelve Devas Pictorial Tradition in Medieval Japan." Kaikodo Journal 28: 21-27.
Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington
DC: National Gallery of Art.
Lippit, Yukio. 2012. "Seer of Sounds: The Muqi Triptych." In Crossing the Sea: Essays on East Asian
Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky,
and Gennifer Weisenfeld, 243-266: P.Y. and Kinmay W. Tang Center for East Asian Art and the
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Ludvik, Catherine. 2012. "Uga-Benzaiten: The Goddess and the Snake." Impressions: Journal of the
Japanese Art Society of America 33: 95-110.
Ota, Aya and Yukio Lippit. 2012. "‘Colorful Realm’: An Exhibition Celebrating the Centennial
Anniversary of the Cherry Blossom Festival." Orientations 43 (3): 44-51.
Walley, Akiko. 2012. "Flowers of Compassion: The Tamamushi Shrine and the Nature of Devotion in
Seventh-Century Japan." Artibus Asiae 72 (2): 265-322.
Winfield, Pamela D. 2012. "Esoteric Images of Light and Life at Osaka Kokubunji, Japan." Southeast
Review of Asian Studies 34.
2. Shinto Art and Architecture
 2011
Gunji, Naoko. 2011. "Redesigning the Death Rite and Redesignating the Tomb: The Separation of Kami
and Buddhist Deities at the Mortuary Site for Emperor Antoku." Japanese Journal of Religious
Studies 38 (1): 55-92.
3. Folk religion and Syncretic Religious Arts and Architecture
 2011
Groemer, Gerald. 2011. “Tamura Hachidayu and the ‘Masters of Sacred Dance’.” Japanese Journal of
JAHF Annual Bibliography 11-12 – PAGE 22
Religious Studies 38 (2): 303-327.
Gunji, Naoko. 2011. "Redesigning the Death Rite and Redesignating the Tomb: The Separation of Kami
and Buddhist Deities at the Mortuary Site for Emperor Antoku." Japanese Journal of Religious
Studies 38 (1): 55-92.
 2012
Snow, Hilary K. 2012. "Votive Paintings of the Kabuki Actor Ichikawa Danjûrō at Naritasan Shinshōji
Temple." Archives of Asian Art 62: 69-79.
E. SAMURAI ARTS, ARMS AND ARMOR
 2012
Anderson, John. 2012. "Kawari Kabuto: Helmets ‘Transformed.’." In Art of Armor: Samurai Armor
from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 7175. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in
association with Yale University Press.
Barbier-Mueller, J. Gabriel, ed. 2012. Art of Armor: Samurai Armor from the Ann and Gabriel BarbierMueller Collection. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel BarbierMueller Museum in association with Yale University Press.
Bottomley, Ian. 2012. "Horse Accoutrements and Mounted Warfare." In Art of Armor: Samurai Armor
from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 7789. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in
association with Yale University Press.
Irvine, Gregory. 2012. "Japanese Arms and Armour After 1600." In Art of Armor: Samurai Armor from
the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 99-106.
New Haven: Yale University Press.
Ogawa, Morihiro. 2012. "Introduction: Japanese Armor Deconstructed." In Art of Armor: Samurai
Armor from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel BarbierMueller, 20-25. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller
Museum in association with Yale University Press.
Stevenson, John. 2012. "The Warrior in Japanese History." In Art of Armor: Samurai Armor from the
Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 29-49. New
Haven: Yale University Press.
F. TEA CEREMONY AND RELATED ARTS
 2011
JAHF Annual Bibliography 11-12 – PAGE 23
Cort, Louise Allison. 2011. "Creating Chigusa." Impressions: Journal of the Japanese Art Society of
America (32): 134-143.
 2012
Bullen, Richard. 2012. "Freedom and Restraint in the World of Tea." In Concepts and Categories of
Emotion in East Asia, edited by Giusi Tamburello, 252-265. Rome: Carocci editore.
Cort, Louise Allison. 2012. "Looking at White Dew." Studio Potter 40 (1): 16-24.
Hockley, Allen. 2012. "Other Tea Cults." Review of Japanese Culture and Society: Beyond Tenshin:
Okakura Kakuzō’s Multiple Legacies 24: 94-115.
Murai, Noriko. 2012. "Okakura’s Way of Tea: Representing Chanoyu in Early Twentieth-Century
America." Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple
Legacies 24: 70-93.
G. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES
1. Edo/Early Modern Japan
 2011
Conant, Ellen P. 2011. "Japanese Painting from Edo to Meiji: Rhetoric and Reality." In Since Meiji:
Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 34-65. Honolulu: University
of Hawai’i Press.
Graham, Patricia J. 2011. "The Visual Culture of Japanese Buddhism from the Early Modern Period to
the Present." Religious Compass 5 (8): 389–411.
Guth, Christine M. E. 2011. "Hokusai’s Great Waves in Nineteenth-Century Japanese Visual Culture."
The Art Bulletin 93 (4): 468-485.
Kamens, Edward. 2011. "Ink Play." The Yale Review 99 (2): 51-74.
Kominz, Laurence R. 2011. "On and Off Stage: Gender, Identity, and Kabuki." In The Artist’s Touch,
the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited
by Maribeth Graybill, 67-94. Portland OR: Portland Art Museum.
Maske, Andrew. 2011. Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda
Domain. Farnham, Surrey, UK: Ashgate Publishing.
Maucuer, Michel. 2011. "Use and Display: Ceramic Wares in Edo Period Japan." Arts of Asia 41 (4):
74-81.
Pitelka, Morgan. 2011. "Art, Agency, and Networks in the Career of Tokugawa Ieyasu." In
Blackwell Companion to Asian Art, edited by Deborah Hutton and Rebecca Brown. New York:
Wiley-Blackwell.
JAHF Annual Bibliography 11-12 – PAGE 24
Sakomura, Tomoko. 2011. "Summoning the Thirty-Six Poets: A Look at a Poet-Portrait Screen."
Impressions: Journal of the Japanese Art Society of America 32: 144-165.
 2012
Katz, Janice. 2012. "The Perfect Gift: Japanese Premodern Screens Sent Abroad." In Crossing the Sea:
Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine,
Andrew M. Watsky, and Gennifer Weisenfeld, 203-217: P.Y. and Kinmay W. Tang Center for
East Asian Art and the Department of Art and Archaeology, Princeton University in association
with Princeton University Press.
Kobayashi, Tadashi. 2012. "Itō Jakuchu: A Man Rejoicing in Painting." Orientations 43 (3): 36-43.
Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington
DC: National Gallery of Art.
Maeda, Tamaki. 2012. "From Feudal Hero to National Icon: The Kusunoki Masashige Image, 16601945." Artibus Asiae 72 (2): 201-263.
Marks, Andreas. 2012. "Genji Prints: A Nineteenth-Century Craze." In Genji’s World in Japanese
Woodblock Prints, edited by Andreas Marks, 10-17. Leiden: Hotei Publishing.
Screech, Timon. 2012. "Carl Peter Thunberg, Katsuragawa Hoshu and Two Presents Sent from Europe
to Japan." In Orientalism/Occidentalism: The Languages of Culture Vs. the Languages of
Description, edited by Evgeny Steiner, 130-140. Moscow: Russian Institute for Cultural Research.
Snow, Hilary K. 2012. "Votive Paintings of the Kabuki Actor Ichikawa Danjûrō at Naritasan Shinshōji
Temple." Archives of Asian Art 62: 69-79.
Steiner, Evgeny. 2012. Orientalism/Occidentalism: Languages of Cultures vs. Languages of
Description. Moscow: Sovpadenie.
Szostak, John. 2012. "From Idealized Visions to Realistic Impressions: The Changing Nature of
Bijinga." In The Beauty of the Moment: Women in Japanese Woodblock Prints, 19-26. Zurich:
Museum Rietberg.
Takeuchi, Melinda. 2012. "Birds of a Feather: Jakuchu, Natural Science and the Artistic Imagination."
Orientations 43 (3): 52-61.
2. Literati and Literary Themes
 2011
Sakomura, Tomoko. 2011. "Summoning the Thirty-Six Poets: A Look at a Poet-Portrait Screen."
Impressions: Journal of the Japanese Art Society of America 32: 144-165.
 2012
Addiss, Stephen. 2012. The Art of Haiku: Its History through Poems and Paintings by Japanese
JAHF Annual Bibliography 11-12 – PAGE 25
Masters. Boston and London: Shambhala.
Coats, Bruce A. 2012. "The Changing Face of ‘The Twilight Beauty’ (Yugao) in Genji Prints." In
Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 22-31. Leiden: Hotei
Publishing.
Coats, Bruce A. 2012. "A Changing Suma: Varied Illustrations for the Tale of Genji." In Crossing the
Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A.
Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 55-73: P.Y. and Kinmay W. Tang Center
for East Asian Art and the Department of Art and Archaeology, Princeton University in
association with Princeton University Press.
Emmerich, Michael. 2012. "A Rustic Genji by a Fraudulent Murasaki: A Sense of the Story." In Genji’s
World in Japanese Woodblock Prints, edited by Andreas Marks, 18-21. Leiden: Hotei Publishing.
Formanek, Susanne and Sepp Linhart. 2012. "Playing with the ‘Shining Prince’: Genji-Related
Woodblock-Printed Games." In Genji’s World in Japanese Woodblock Prints, edited by Andreas
Marks, 40-53. Leiden: Hotei Publishing.
Kitagawa, Anne Rose. 2012. "Veiled in Shadow: Recent Discoveries and Technical Analyses of the
Harvard Art Museum’s Tale of Genji Album." In Crossing the Sea: Essays on East Asian Art in
Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and
Gennifer Weisenfeld, 39-54: P.Y. and Kinmay W. Tang Center for East Asian Art and the
Department of Art and Archaeology, Princeton University in association with Princeton University
Press.
Maeda, Tamaki. 2012. "Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West." In
Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture,
edited by Roderick Whitfield and Chia-ling Yang, 123-141. London: Eastern Art Publishing in
association with University of Edinburgh.
Marks, Andreas. 2012. Genji’s World in Japanese Woodblock Prints. Leiden: Hotei Publishing.
Marks, Andreas. 2012. "The Genji Print Phenomenon." Aziatische Kunst 42 (4): 13-23.
Paget, Rhiannon. 2012. "Erotic Genji Fantasies." In Genji’s World in Japanese Woodblock Prints, edited
by Andreas Marks, 54-67. Leiden: Hotei.
Paget, Rhiannon. 2012. "New Literati: Fukuda Kodojin and Early 20th Century Nanga." TAASA Review,
the Journal of the Asian Art Society of Australia 21 (2): 12-14.
Watsky, Andrew M. 2012. "Picturing Yusai: The Poet Evoked." In Crossing the Sea: Essays on East
Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M.
Watsky, and Gennifer Weisenfeld, 137-158: P.Y. and Kinmay W. Tang Center for East Asian Art
and the Department of Art and Archaeology, Princeton University in association with Princeton
University Press.
Wu, Xiaojin. 2012. "Innumerable Emodiments of Hotei: The Emergence of a Literati Persona." In
Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by
Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 267-281: P.Y. and Kinmay
JAHF Annual Bibliography 11-12 – PAGE 26
W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton
University in association with Princeton University Press.
3. Representations of Nature
a. Landscape
 2011
Sun, Seunghye. 2011. "Images of a Southern Utopia: The Xiao and Xiang Rivers in Japanese Art."
Orientations 42 (4): 44-49.
 2012
Havlicova, Eva. 2012. "What is in a Place? New Initiatives in Ink Landscape Painting in Eastern Japan
during the Later Muromachi Period." In Crossing the Sea: Essays on East Asian Art in Honor of
Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer
Weisenfeld, 183-202: P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of
Art and Archaeology, Princeton University in association with Princeton University Press.
Yonemura, Ann. 2012. "Hokusai: Thirty-Six Views of Mount Fuji." Orientations 43 (2): 117-123.
b. Natural World
 2011
Guth, Christine M. E. 2011. "Hokusai’s Great Waves in Nineteenth-Century Japanese Visual Culture."
The Art Bulletin 93 (4): 468-485.
Shimizu, Yoshiaki. 2011. "Copying in Japanese Art: Calligraphy, Painting, and Architecture." In
Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by
Jerome Silbergeld and Dora C. Y. Ching, 761-778. Princeton, NJ; Woodstock: Princeton, P.Y. and
Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton
University in association with Princeton University Press.
 2012
Fukuoka, Maki. 2012. The Premise of Fidelity: Science, Visuality, and Representing the Real in
Nineteenth Century Japan. Palo Alto: Stanford University Press.
Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington
DC: National Gallery of Art.
JAHF Annual Bibliography 11-12 – PAGE 27
4. Important People in the Field
 2011
Clark, John. 2011. "Okakura Tenshin and Aesthetic Nationalism." In Since Meiji: Perspectives on the
Japanese Visual Arts, edited by J. Thomas Rimer, 212-256. Honolulu: University of Hawai’i
Press.
Fister, Patricia. 2011. "Sanmi no Tsubone: Ashikaga Wife, Imperial Consort, Buddhist Devotee and
Patron." Japan Review (23): 3-21.
 2012
Hockley, Allen. 2012. "Other Tea Cults." Review of Japanese Culture and Society: Beyond Tenshin:
Okakura Kakuzō’s Multiple Legacies 24: 94-115.
Inaga, Shigemi. 2012. "Okakura Kakuzō and India: The Trajectory of Modern National Consciousness
and Pan-Asian Ideology Across Borders." Review of Japanese Culture and Society: Beyond
Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 39-57.
Kinoshita, Nagahiro. 2012. "Okakura Kakuzō as a Historian of Art." Review of Japanese Culture and
Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 26-38.
Maeda, Tamaki. 2012. "Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West." In
Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture,
edited by Roderick Whitfield and Chia-ling Yang, 123-141. London: Eastern Art Publishing in
association with University of Edinburgh.
Maeda, Tamaki. 2012. "(Re)-Canonizing Literati Painting: The Kyoto Circle." In The Role of Japan in
Modern Chinese Art, edited by Joshua A. Fogel, 215-227-353-358. Berkley: University of
California Press.
Mann, H. George. 2012. "Osamu Ueda (1928-2011)." Impressions: Journal of the Japanese Art Society
of America 33: 113-119.
Murai, Noriko. 2012. "Okakura’s Way of Tea: Representing Chanoyu in Early Twentieth-Century
America." Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple
Legacies 24: 70-93.
Murai, Noriko and Yukio Lippit. 2012. "Okakura Kakuzō: A Reintroduction." Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 1-14.
Murai, Noriko and Yukio Lippit. 2012. Review of Japanese Culture and Society: Beyond Tenshin:
Okakura Kakuzō’s Multiple Legacies . Vol. 24.
Naoi, Nozomi and Noriko Murai. 2012. "Select Annotated Bibliography of Okakura Kakuzō." Review of
Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 196209.
Okakura, Kakuzō. 2012 (originally published 1897). "Concerning the Institution of Art Education."
JAHF Annual Bibliography 11-12 – PAGE 28
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24:
184-195.
Okakura, Kakuzō. 2012 (originally published 1889). "Kokka." Review of Japanese Culture and Society:
Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 176-183.
Okakura, Kakuzō. 2012 (originally published 1882). "Reading “Calligraphy is Not Art." Translated by
Timothy Unverzagt Goddard, Review of Japanese Culture and Society: Beyond Tenshin: Okakura
Kakuzō’s Multiple Legacies 24: 168-175.
Rosenfield, John. 2012. "Okakura Kakuzō and Margaret Noble (Sister Nivedita): A Brief Episode."
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies
24: 58-69.
Takeuchi, Yoshimi. 2012 (1962). "Okakura Tenshin: Civilization Critique from the Standpoint of Asia."
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies
24: 15-25.
Tseng, Alice. 2012. "In Defense of Kenchiku: Itō Chūta’s Theorization of Architecture as a Fine Art in
the Meiji Period." Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s
Multiple Legacies 24: 155-167.
Yiengpruksawan, Mimi Hall. 2012. "Catching the Last Bus: Yoshiaki Shimizu and Art of Creative
Digression." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki
Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 19-27:
P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology,
Princeton University in association with Princeton University Press.
5. Museums and Museumology
 2011
Hein, Laura. 2011. "Reckoning with War in the Museum: Hijikata Teiichi at the Kamakura Museum of
Modern Art." Critical Asian Studies 43 (1).
 2012
Foxwell, Chelsea. 2012. "New Art and Display of Antiquities in Mid-Meiji Tokyo." Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 137-154.
Rousmaniere, Nicole Coolidge. 2012. "Japanese Art in Norwich, Sir Robert and Lady Sainsbury’s
Collection in the Sainsbury Centre for Visual Arts, UK." In Kobayashi Tadashi Sensei koki kinen
ronbunshu, edited by Kobayashi Tadashi sensei koki kinen ronbunshu henshu iinkai, 468-475.
Tokyo: Geika Shoin.
JAHF Annual Bibliography 11-12 – PAGE 29
6. MODERN & CONTEMPORARY ART &
ARCHITECTURE
A. MODERN & CONTEMPORARY ART
 2011
Addiss, Stephen. 2011. "Japanese Calligraphy since 1868." In Since Meiji: Perspectives on the Japanese
Visual Arts, edited by J. Thomas Rimer, 445-470. Honolulu: University of Hawai’i Press.
Allen, Laura W. 2011. "The Most Superior Association of Engravers: Sosaku Hanga Artists and the
Rebuilding of Post-War Japan." Orientations 42 (7): 78-83.
Conant, Ellen P. 2011. "Japanese Painting from Edo to Meiji: Rhetoric and Reality." In Since Meiji:
Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 34-65. Honolulu:
University of Hawai’i Press.
Earle, Joe. 2011. "Memories, Dreams, Reflections: Bye Bye Kitty!!! at Japan Society, New York."
Orientations 42 (2): 139-142.
Graham, Patricia J. 2011. "Compassion, Craft, and Connectedness: Shinji Turner-Yamamoto’s
Cincinnati Global Tree Project." Orientations 42 (4): 80-85.
Graham, Patricia J. 2011. "Craftsmanship in Japanese Arts." In Reading Asian Art and Artifacts:
Windows to Asia on American College Campuses, edited by Paul K. Nietupski and Joan O'Mara,
123-148. Bethlehem PA, Lanham, MD: Lehigh University Press/Rowman & Littlefield.
Graham, Patricia J. 2011. "The Visual Culture of Japanese Buddhism from the Early Modern Period to
the Present." Religious Compass 5 (8): 389–411.
Graybill, Maribeth, ed. 2011. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese
Prints from the Portland Art Museum. Portland OR: Portland Art Museum.
Hein, Laura. 2011. "Reckoning with War in the Museum: Hijikata Teiichi at the Kamakura Museum of
Modern Art." Critical Asian Studies 43 (1).
Hirayama, Mikiko. 2011. "Japanese Art Criticism: The First Fifty Years." In Since Meiji: Perspectives
on the Japanese Visual Arts, edited by J. Thomas Rimer, 257-280. Honolulu: University of
Hawai’i Press.
Kaneko, Maki. 2011. "Mukai Junkichi’s Transformation from a War to Minka (Folk House) Painter."
Archives of Asian Art (61): 37-60.
Kaneko, Maki. 2011. "Under the Banner of the New Order: Uchida Iwao’s Responses to the AsiaPacific War and Japan’s Defeat." In Art and War in Japan and its Empire, 1931-1960, edited by
Asato Ikeda, Aya Louisa McDonald, and Ming Tiampo, 190-207. Leiden: Brill.
Maeda, Tamaki and Aida Yuen Wong. 2011. "Kindred Spirits: Fu Baoshi and the Japanese Art World."
In Chinese Art in an Age of Revolution: Fu Baoshi (1904–1965), edited by Anita Chung, 35-41.
JAHF Annual Bibliography 11-12 – PAGE 30
New York, Cleveland, New Haven: Cleveland Museum of Art, Yale University Press.
Marks, Andreas. 2011. Fukami: Purity of Form. Hanford, CA: Clark Center for Japanese Art & Culture
and Washington University Press.
Marra, Michael F. 2011. "The Creation of the Vocabulary of Aesthetics in Meiji Japan." In Since Meiji:
Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 193-211. Honolulu:
University of Hawai’i Press.
Paget, Rhiannon. 2011. "Raising Subjects: Visual Representations of Children and Childhood in Meiji
Japan." New Voices (the Japan Foundation) (4): 1-31.
Rimer, J. Thomas, ed. 2011. Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000.
Honolulu: University of Hawai'i Press.
Seo, Audrey Yoshiko. 2011. "Adoption, Adaptation, and Innovation: The Cultural and Aesthetic
Transformations of Fashion in Modern Japan." In Since Meiji: Perspectives on the Japanese
Visual Arts, edited by J. Thomas Rimer, 471-496. Honolulu: University of Hawai’i Press.
Shiner, Eric C. 2011. "Fashion Altars, Performance Factors, and Pop Cells: Transforming Contemporary
Japanese Arts, One Body at a Time." In Since Meiji: Perspectives on the Japanese Visual Arts,
edited by J. Thomas Rimer, 168-190. Honolulu: University of Hawai’i Press.
Smith, Lawrence. 2011. "Japanese Prints 1868-2008." In Since Meiji: Perspectives on the Japanese
Visual Arts, edited by J. Thomas Rimer, 361-407. Honolulu: University of Hawai’i Press.
Szostak, John. 2011. "Foul is Fair: Abject Beauties and the Psychology of the Grotesque in Modern
Japanese Painting." In Rethinking Japanese Modernism, edited by Roy Starrs, 362-383: Global
Oriental Press.
Tanaka, Shuji. 2011. "Sculpture." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J.
Thomas Rimer, 283-314. Honolulu: University of Hawai’i Press.
Tsen, Hsuan. 2011. "Spectacles of Authenticity: The Emergence of Transnational Entertainments in
Japan and America, 1880-1905." Ph.D. dissertation, Stanford University.
Tsuruya, Mayu. 2011. "Senso Sakusen Kirokuga: Seeing Japan’s War Documentary Painting as Public
Monument." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer,
99-123. Honolulu: University of Hawai’i Press.
Weisenfeld, Gennifer. 2011. "The Expanding Arts of the Interwar Period." In Since Meiji: Perspectives
on the Japanese Visual Arts, edited by J. Thomas Rimer, 66-98. Honolulu: University of Hawaii
Press.
Winther-Tamaki, Bert. 2011. "To Put on A Big Face: The Globalist Stance of Okamoto Tarō’s Tower of
the Sun for the Japan World Exposition, 1970." Review of Japanese Culture and Society 23: 81101.
Yamanashi, Emiko. 2011. "Western-Style Painting: Four Stages of Acceptance." In Since Meiji:
Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 19-33. Honolulu:
JAHF Annual Bibliography 11-12 – PAGE 31
University of Hawai’i Press.
Yoshimoto, Midori. 2011. "Yayoi Kusama Sauve Le Monde Par La Self-Obliteration (Kusama Saves
the World through Self-Obliteration)." In Yayoi Kusama. Paris: Centre Pompidou.
 2012
Clark, John. 2012. Modernities of Japanese Art. Leiden: Brill.
Conant, Ellen P. 2012. "'Cut from Kyoto Cloth:' Takeuchi Seihō and His Artistic Milieu." Impressions
Journal of the Japanese Art Society of America (33): 71-93.
Chung, Doryun, ed. 2012. Tokyo 1955-1970: A New Avant-Garde. New York, NY: The Museum of
Modern Art.
Foxwell, Chelsea. 2012. "New Art and Display of Antiquities in Mid-Meiji Tokyo." Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 137-154.
Graham, Patricia J. 2012. "Compassion, Craft and Connectedness." In Shinji Turner-Yamamoto Global
Tree Project, edited by Shinji Turner-Yamamoto, Patricia J. Graham, and Justine Ludwig, 49-54.
Bologna: Damiani Editore.
Hayashi, Michio. 2012. "Tracing the Graphic in Postwar Japanese Art." In Tokyo 1955-1970: A New
Avant-Garde, edited by Doryun Chung, 94-119. New York, NY: The Museum of Modern Art.
Hoaglund, Lind. 2012. "The Lost Art of Resistance." Impressions: Journal of the Japanese Art Society
of America 33: 31-42.
Ikeda, Asato. 2012. "Envisioning Fascist Space, Time, and Body: Japanese Paintings during the FifteenYear War (1931-1945)." Ph.D. dissertation, University of British Columbia.
Ikeda, Asato, Aya Louisa McDonald, and Ming Tiampo, eds. 2012. Art and War in Japan and its
Empire, 1931-1960. Leiden: Brill.
Inaga, Shigemi. 2012. "Crossing Axes: Occidentalism and Orientalism in Modern Visual
Representations of Manchukuo (1931-1945)." In Orientalism/Occidentalism: The Languages of
Culture Vs. the Languages of Description, edited by Evgeny Steiner, 93-113. Moscow: Russian
Institute for Cultural Research.
Maeda, Tamaki. 2012. "From Feudal Hero to National Icon: The Kusunoki Masashige Image, 16601945." Artibus Asiae 72 (2): 201-263.
Maeda, Tamaki. 2012. "Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West." In
Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture,
edited by Roderick Whitfield and Chia-ling Yang, 123-141. London: Eastern Art Publishing in
association with University of Edinburgh.
Maeda, Tamaki. 2012. "(Re)-Canonizing Literati Painting: The Kyoto Circle." In The Role of Japan in
Modern Chinese Art, edited by Joshua A. Fogel, 215-227-353-358. Berkley: University of
California Press.
JAHF Annual Bibliography 11-12 – PAGE 32
Marks, Andreas. 2012. Modern Twist: Contemporary Japanese Bamboo Art. Washington DC, Seattle:
International Arts and Artists and Washington University Press.
Mitsuda, Yuri. 2012. "Trauma and Deliverance: Portraits of Avant-Garde Artists in Japan, 1955-1970."
In Tokyo 1955-1970: A New Avant-Garde, edited by Doryun Chung, 158-177. New York, NY: The
Museum of Modern Art.
Morse, Anne Nishimura. 2012. "Modern Girls in the Palace of Lyrical Elegance." In The Brittle Decade:
Visualizing Japan in the 1930s, 51-90. Boston: MFA Publications.
Murai, Noriko and Yukio Lippit. 2012. "Okakura Kakuzō: A Reintroduction." Review of Japanese
Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies 24: 1-14.
Murai, Noriko and Yukio Lippit. 2012. Review of Japanese Culture and Society: Beyond Tenshin:
Okakura Kakuzō’s Multiple Legacies. Vol. 24.
Paget, Rhiannon. 2012. "New Literati: Fukuda Kodojin and Early 20th Century Nanga." TAASA Review,
the Journal of the Asian Art Society of Australia 21 (2): 12-14.
Ringelberg, Kirstin. 2012. "The Faked Pain of the Artist: Empathy Or Sympathy, Compassion Or
Concealment?" In Representations of Pain in Art & Visual Culture, edited by James Elkins and
Maria Pia Di Bella, 28-38. New York: Routledge.
Sas, Miryam. 2012. "Intermedia, 1955-1970." In Tokyo 1955-1970: A New Avant-Garde, edited by
Doryun Chung, 138-157. New York, NY: The Museum of Modern Art.
Szostak, John. 2012. "Unexpected Pairings: Neo-Rinpa Paintings by Yamaguchi Ai and Yamamoto
Taro." In Kamisaka Sekka: Dawn of Modern Japanese Design, 155-162. Sydney: Art Gallery of
New South Wales.
Weisenfeld, Gennifer. 2012. Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great
Earthquake of 1923. Berkeley: University of California Press.
Weston, Victoria. 2012. "What’s in a Name? Rethinking Critical Terms used to Discuss Mōrōtai."
Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies
24: 116-136.
Winther-Tamaki, Bert. 2012. "From Resplendent Signs to Heavy Hands: Japanese Painting in War and
Defeat, 1937-1952." In Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, edited
by J. Thomas Rimer, 124-143. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. Maximum Embodiment: Yōga, the “Western Painting” of Japan, 19101955. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. "Overtly, Covertly, Or Not at all: Putting ‘Japan’ in Japanese American
Painting." In East-West Interchange in American Art: A Long and Tumultuous Relationship ,
edited by C. Mills, L. Glazer and A. Goerlitz, 112-125. Honolulu: University of Hawai’i Press.
Winther-Tamaki, Bert. 2012. "Yōga: The Western Painting, National Painting, and Global Painting of
Japan." In Working Words: New Approaches to Japanese Studies, edited by Jordan Sand, Alan
JAHF Annual Bibliography 11-12 – PAGE 33
Tansman and Dennis Washburn.
Yoshimoto, Midori. 2012. "Ay-O’ Environments and Fluxus Events." In Ay-O: Over the Rainbow Once
More. Tokyo: Museum of Contemporary Art Tokyo.
Yoshimoto, Midori. 2012. "Bye Bye Kitty!!!" Impressions: Journal of the Japanese Art Society of
America 33: 118-127.
Yoshimoto, Midori. 2012. "Fluxus International: New York, Tokyo, and Beyond." In From
Postwar to Postmodern: Art in Japan 1945-1989, edited by Doryun Chong, Michio Hayashi,
Kenji Kajiya and Fumihiko Sumitomo. New York: The Museum of Modern Art.
Yoshitake, Mika. 2012. "The Language of Things: Relation, Perception, and Duration." In Tokyo 19551970: A New Avant-Garde, edited by Doryun Chung, 120-137. New York, NY: The Museum of
Modern Art.
B. MODERN & CONTEMPORARY ARCHITECTURE
 2011
Reynolds, Jonathan. 2011. "Can Architecture be both Modern and ‘Japanese’? the Expression of
Japanese Cultural Identity through Architectural Practice from 1850 to the Present." In Since
Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 315-339. Honolulu:
University of Hawai’i Press.
Watanabe, Toshio. 2011. "The Modern Japanese Garden." In Since Meiji: Perspectives on the Japanese
Visual Arts, edited by J. Thomas Rimer, 340-360. Honolulu: University of Hawai’i Press.
 2012
Pompili, Marco. 2012. "The Structural Core as Totem: Reflections on Form and Symbol in the
Architecture of Metabolism." Fabrications: The Journal of the Society of Architectural Historians,
Australia and New Zealand 21 (1): 68-87.
Smith II, Henry D. 2012. "Lessons from the One-Mat Room: Piety and Playfulness among NineteenthCentury Japanese Antiquarians." Impressions: Journal of the Japanese Art Society of America 33:
55-70.
Tseng, Alice Y. 2012. "In Defense of Kenchiku: Itō Chūta’s Theorization of Architecture as a Fine Art
in the Meiji Period." Review of Japanese Culture and Society: Beyond Tenshin: Okakura Kakuzō’s
Multiple Legacies 24: 155-167.
Tseng, Alice Y. 2012. "The Retirement of Kyoto as Imperial Capital." The Court Historian – the
International Journal of Court Studies 17 (2): 209-223.
Tseng, Alice Y. 2012. "Theorizing Architecture as a Fine Art in the Meiji Period." The Review of
Japanese Culture and Society (24): 155-167.
JAHF Annual Bibliography 11-12 – PAGE 34
C. PHOTOGRAPHY
 2011
Fraser, Karen M. 2011. Photography and Japan. Reaktion Books: London.
Fukuoka, Maki. 2011. "Selling Portrait Photographs: Early Photographic Business in Asakusa, Japan."
History of Photography 35 (4): 353-374.
Marcon, Barbara. 2011. "Hiroshima and Nagasaki in the Eye of the Camera." Third Text 25 (6): 787797.
 2012
Barnet, Sylvan and William Burto. 2012. "The Indecisive Moment: Hiroshi Sugimoto's Kegon
Waterfall." Orientations 43 (4): 71-76.
Feltens, Frank. 2012. "Immaculate Concepts: In Conversation with Hiroshi Sugimoto." Orientations 43
(4): 66-70.
Fraser, Karen M. 2012. "Beauty Battle: Politics and Portraiture in Late Meiji Japan (1868-1912)." In
Visualizing Beauty: Gender and Ideology in East Asia, edited by Aida Yuen Wong. Hong Kong:
HKU Press.
Fukuoka, Maki. 2012. The Premise of Fidelity: Science, Visuality, and Representing the Real in
Nineteenth Century Japan. Palo Alto: Stanford University Press.
Kim, Gyewon. 2012. "Tracing the Emperor: Photography, Famous Places, and the Imperial Progresses
in Prewar Japan." Representations 120 (1): 115-150.
Wakita, Mio. 2012. "In the Guise of Elusive Veracity: Souvenir Photographs of Meiji Femininity in the
Age of Visual Modernity." In Shifting Paradigms in East Asian Visual Culture, A Festschrift in
Honour of Lothar Ledderose, edited by Burglind Jungmann, Adele Schlombs, and Melanie Trede,
331-350. Berlin: Dietrich Reimer Verlag GmbH.
D. DESIGN
 2011
McArthur, Meher and Robert J. Lang. 2011. Folding Paper: The Infinite Possibilities of Origami.
Washington DC: International Arts & Artists.
Saunders, Rachel. 2011. Le Japon Artistique. San Francisco: Chronicle Editions.
Weisenfeld, Gennifer. 2011. "Japanese Typographic Design and the Art of Letterforms." In Bridges to
Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome
Silbergeld and Dora C. Y. Ching, 827-848. Princeton, NJ; Woodstock: Princeton, P.Y. and
JAHF Annual Bibliography 11-12 – PAGE 35
Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton
University in association with Princeton University Press.
Yamamori, Yumiko. 2011. "A.A. Vantine and Company: Japanese Handcrafts for the American
Consumer, 1895–1920." Ph.D. dissertation, Bard College.
 2012
Rousmaniere, Nicole Coolidge. 2012. "Arts of Fire / Transformation of Space: Masterworks of
Contemporary Japanese Porcelain." In Biennale Internationale, Création Contemporaine Et
Céramique, edited by Somogy éditions d'art, 184-190. Paris: Somogy éditions d’art.
Weisenfeld, Gennifer. 2012. "Shiseido Chic: The Cosmopolitan Aesthetics of Japanese Cosmetics." In
Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by
Gregory P. A. Levine, Andrew M. Watsky, and Gennifer Weisenfeld, 159-179. Princeton NJ,
Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art
and Archaeology, Princeton University in association with Princeton University Press.
7. DISSERTATIONS AND POST-DOCTORAL
THESES
A. IN NORTH AMERICA
 2011
Tsen, Hsuan. 2011. "Spectacles of Authenticity: The Emergence of Transnational Entertainments in
Japan and America, 1880-1905." Ph.D., Stanford University.
Yamamori, Yumiko. 2011. "A.A. Vantine and Company: Japanese Handcrafts for the American
Consumer, 1895–1920." Ph.D., Bard College.
 2012
Ikeda, Asato. 2012. "Envisioning Fascist Space, Time, and Body: Japanese Paintings during the FifteenYear War (1931-1945)." Ph.D., University of British Columbia.
B. IN EUROPE
JAHF Annual Bibliography 11-12 – PAGE 36